Author Topic: Genuine: The Tale of a Vampire (1920) - Robert Weine  (Read 1850 times)

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Mica Milovanovic

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Mica

Ghoul

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Re: Genuine: The Tale of a Vampire (1920) - Robert Weine
« Reply #1 on: 05-07-2013, 23:31:44 »
odavno sam ga skino al nikako da se nakanim: moram da budem u vrlo spec. raspoloženju da bih gledo nemi film od 45 minuta!  :cry:

jel te ovo zanima iz nekog konkretnog razloga - tj kao deo nekog risrča... ili ti onako ćunulo?

Mica Milovanovic

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Re: Genuine: The Tale of a Vampire (1920) - Robert Weine
« Reply #2 on: 06-07-2013, 07:15:11 »
Читам књигу Марка Бабца: Бошко Токин - новинар и писац.
У једном његовом тексту из априла 1924. године помиње следеће:


После тога, у истом биоскопу "Творница живих лутака", доста интересантан, по мало утопистички, фантастичан филм. У главном улози Ферн Андра...


За оне који не знају:


Fern Andra (November 24, 1893– February 8, 1974) was an American actress, film director, script writer and producer. Next to Henny Porten and Asta Nielsen she was one of the most popular and best-known actresses in German silent films of the 1910s. Born as Vernal Edna Andrews in Watseka, Illinois in 1893, the daughter of a circus performer and an opera singer, Andra was already appearing in public in a tightrope act by the age of four. She later trained in song and dance. As early as 1899, in New York, she made her first film, a version of Uncle Tom's Cabin.
She remained however with the circus, with which she embarked on an extensive tour across the United States, Canada and Europe. In Berlin she met Max Reinhardt, who gave her acting lessons. In 1913, aged 19, she appeared in her first German film, Das Ave Maria. Still only moderately well-known, she made her only Austrian film in 1915: Zwei Freunde. From 1916-18 she appeared almost exclusively on camera with Alfred Abel. In 1920 she starred in Robert Wiene's expressionist horror film Genuine. In the mid-1920s she lost her public appeal in Germany.
On July 4, 1922, she was involved in the Hamburg-Berlin mail plane accident. The pilot, World War I flying ace Lothar von Richthofen, was killed. Andra was initially misreported as dead, but survived. Her companion, director Georg Bluen, died the following day from his injuries. From 1928 she worked in the UK and the US, later expanding her range to include radio and television.

Pokušao sam da nađem ovaj film, ali pošto ne znam nemački, uspeo sam samo da nađem Genuine. Na imdb-u nije potpuna filmografija...

BTW, Harvi očito nije kliknuo na link ka Genuine, jer se gotovo na samom početku filma pojavljuju parovi objekta njegovog interesovanja...


Jevtra bi možda mogla da pomogne da vidi šta među ovima liči na "Tvornicu živih lutaka"

The actress Fern Andra was born as Fern Edna Andrews in Watseka, Illinois. Born into a circus family she already made her entrance at the age of four with a tightrope act on the stage, one year later she appeared at a theater with the play "Onkel Toms Hütte".[/size]During her engagements from London to the Berliner Wintergarten she got in contact with the filmbusiness. In 1913 she made her filmdebut with the movie "Ave Maria" and only one year later she achieved great successes with "Vermisst gemeldet" (14), "Der Stern" (14) and "Mondfischerin" (14).
[/size]Fern Andra turned out to be a woman for everybody. From 1915 she wrote scripts, directed moves and took on the production. At the same year she founded her own film production called "Andra-Film", one year later she opened the Fern-Andra film studio. To her works as a director belong "Eine Motte flog zum Licht" (15), "Ernst ist das Leben" (16) and "Wenn Menschen reif zur Liebe werden" (16).
[/size]Fern Andra often used her appropriated talents of acrobatic during her circus time and put it in action for her movies where the audience could admire her daring and courage. 
Fern Andra was also aware of how to promote her movies and herself. She was so to speak a pioneer of "Making-Of" trailers in which she reported about accidents during the shooting and the work behind the scenes.

[/size]When the USA entered World War I, Fern Andra became looked upon as an enemy and was suspected to be a spy because she was born in the USA. In order to make an end to these rumours she got married with the Prussian baron Friecrich von und zu Weichs which was killed in the war a short time later.
[/size]In the following years she achieved further successes with her movies, to the most popular productions belong "Gesprengte Ketten" (15), "Die Seele einer Frau" (16), "Die Rache des Titanen" (19), "Genuine" (20), "Die Nacht der Königin Isabeau" (20) and "Der rote Reiter" (23).
[/size]The movie "Genuine" infuriated great arousal at that time that's why Fern Andra acted in front of the camera with a directly on her body painted costume by the artist César Klein.
[/size]In 1922 Fern Andra survived an air crash where her companion Lothar von Richthofen was killed and in 1924 she got married with the middleweight boxer Kurt Prenzel - events which were thoroughly exploited by the press.
[/size]The stardom of Fern Andra was drawing to its close from the middle of the 20's. She acted in "Zalamort" (24), "Frauen der Leidenschaft" (26) and "Funkzauber" (27) but the success didn't come back again. 
Also her trip to England couldn't set her career going. In England she appeared in "The Warning" (28), "Spangles" (28) and "The Eyes of the World" (30), after that she concentrated on radio and TV works and played at theaters.
 

[/size][size=-1]Other movies with Fern Andra:[/size]
[/size][size=-1]Auf Patrouille im Osten (14) Zwei Freunde (15) Geheimnisvolle Gewalten (15) Pariser Mode - von heute (15) Eine Motte flog zum Licht (15) Es fiel ein Reif in der Frühlingsnacht (15) Ernst ist das Leben (16) Der Gürtel der Dollarfürstin (16) Wenn Menschen reif zur Liebe werden (16) Sein letzter Richterspruch (16) Der Seele Saiten schwingen nicht (17) Ein Blatt im Sturm...doch das Schicksal hat es verweht (17) Des Lebens ungemischte Freude (17) Die nach Glück und Liebe suchen (18) Drohende Wolken am Firmament (18) Frühlingsstürme im Herbste des Lebens (18) Auf des Lebens rauher Bahn (18) Um Krone und Peitsche/Der Todessprung (18) Saferndri, die Tänzerin von Dschiapur (18) Gebannt und erlöst (19) Der Frauenspekulant (19) Madame Récamier (20) Zwei Menschen (21) Die treibende Kraft (21) Des Lebens und der Liebe Wellen (21) Praschnas Geheimnis (22) Die Liebe ist der Frauen Macht/Kabale und Liebe im Zirkus (24) ...und es lockt ein Ruf aus sündiger Welt (25) The Burgomaster of Stilemonde (28) Lotus Lady (30)[/size][/color][/font]
Mica

Mme Chauchat

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Re: Genuine: The Tale of a Vampire (1920) - Robert Weine
« Reply #3 on: 06-07-2013, 10:18:54 »
Jevtra bi možda mogla da pomogne da vidi šta među ovima liči na "Tvornicu živih lutaka"



Ne liči ništa, ali baš ništa :( jedino što IMDB izbacuje i neki Der Frauenspekulant (Špekulant ženama) iz 1919, ali o njemu ništa ne mogu da saznam. Ovi njeni filmovi pre 1924 imaju tako nekakve naslove tipa "Talasi ljubavi i života" a ni IMDB ni za jedan nema naznake o radnji...




Čak ni Gugl nije pomogao ali mi je makar na nemački upit "nemi film žive lutke" izbacio nešto zanimljivo (iako sa ovim veze nema):


Die Wunderuhr – der Zauberwald[/color](L’horloge magique ou La petite fille qui volait être princesse)[/size]Frankreich 1928, s/w, ca 45 Min.Buch, Regie, Kamera, Ausstattung, Animation, Puppen: Ladislas StarewitchMitarbeit: Irène StarewitchKostüme: Anna StarewitchProduzent: Louis Nalpasmit : Nina Star, Bob ZubovitchMusik: Paul DessauRestaurierung (1993)  Laboratoire Renov’films TorcyLéona-Béatrice Martin-Starewitch


Les Contes de l'horloge magique Trailer
[/color]

Ghoul

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Re: Genuine: The Tale of a Vampire (1920) - Robert Weine
« Reply #4 on: 06-07-2013, 14:10:32 »
После тога, у истом биоскопу "Творница живих лутака", доста интересантан, по мало утопистички, фантастичан филм. У главном улози Ферн Андра...

jedini klasični naslov, sličan ovome, dovoljno poznat da je mogao igrati i kod nas, ne navodi andru kao deo ekipe... ili se boško prešao (?) ili to ipak nije DAS WACHSFIGURENKABINETT