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Prvo sam hteo ovo da stavim na topik 'song koji možete slušati do besvesti', a onda sam shvatio:
1. nisu u pitanju baš pesme (u strogom smislu);  znaika
2. kakav bih ja čovek bio kada bih slušao takvu muziku do besvesti?!?  xuzi
3. prikazaće se video jer limit propusnog opsega neće biti prekoračen!!!  xkoenig
Ovakav topik možda postoji, ali verujem da je toliko star da ga možemo slobodno sahraniti.

Ovde, i u narednim mojim postovima, slede neki od mojih omiljenih saundtrekova. Prvo Goldenthalov Titus, koji treba čuti uživo, u hali, da bi se stekla slika koliko je to u stvari moćno i pompezno. I kao dokaz da "mrak" u muzici ide daleko dalje od putanje Musica Maxima Magnetica - World Serpent - Cold Meat Industry - Ant-Zen - ŠTA GOD VEĆ.

Na žalost, samo uvodna kompozicija, ostatak nije lako naći ni na Jutjubu.  :shock:  :?  :?

Titus OST - Victorius Titus (http://www.youtube.com/watch?v=BvXtT97RVEs&feature=PlayList&p=D8AA28E07A9C7DE8&playnext=1&playnext_from=PL&index=73#lq-lq2-hq-vhq)

ima već topik o najboljim HOROR skorovima, i tu sam rekao sve što sam u tom trenutku imao.
za slučaj da SEARCH ne iskopa taj topik, evo šta sam tamo reko (a sad me mrzi da dopunjujem i apdejtujem, za početak je i dosta i mnogo):
DEMONS, C. Simonetti
CARRIE, P. Donaggio
THE FURY, J. Williams
A NIGHTMARE ON ELM STREET, C. Bernstein
PRINCE OF DARKNESS, J. Carpenter
THE KISS, J.P. Robinson
THE FLY 2, C. Young
CREEPSHOW, J. Harrison
DANCE OF THE VAMPIRES, K. Komeda
THE AMITYVILLE HORROR, L. Scifrin
JAWS, J. Williams
COMMUNION, E. Clapton
NIGHT BREED, D. Elfman
CHILDREN OF THE CORN, J. Elias
ALONE IN THE DARK, R. Serio
FLATLINERS, J.N. Howard
NOSFERATU THE VAMPYRE, Popol Vuh
LINK, J. Goldsmith
TWIN PEAKS: FIRE WALK WITH ME, A. Badalamenti
FOOD OF THE GODS 2, S. Parsons, D. Hines
JACK BE NIMBLE, C. Neal
GOTHIC, T. Dolby
VIDEODROME, H. Shore
SKINNER, Contagion
SPECIES, C. Young
LORD OF ILLUSION, S. Boswel
POSSESSION, B. Nutten
SCREAM, M. Beltrami
INFERNO, K. Emerson
HALLOWEEN 3, J. Carpenter, A. Howarth
RAVENOUS, M. Nyman, D. Albarn
SLEEPY HOLLOW, D. Elfman
TETSUO 2, C. Ishikawa
LES YEUX SANS VISAGE/ EYES WITHOUT A FACE, M. Jarre
LA SINDROME DI STENDHAL, E. Morricone
TENEBRE, Goblin
ORGAN, Video Rodeo
LOS SIN NOMBRE/ THE NAMELESS,
THE CELL, H. Shore
ZEDER, R. Ortolani
TESIS, A .Amenabar
PULSE, T. Haketa
THE NINTH GATE, W. Killar
SILENCE OF THE LAMBS, H. Shore
ALIEN, J. Goldsmith



izvan horor skorova, moji favoriti bi bili (bez nekog reda, ko će još i top-listu sad da pravi – ali svaki je pažljivo i promišljeno stavljen na listu):
37°2 LE MATIN
A Zed And Two Noughts
ASSAULT ON PRECINCT 13
Avalon - Kenji Kawai
BARTON FINK
BLOOD SIMPLE
Conan
FARGO
GHOST IN A SHELL
Irreversible (Thomas Bangalter)
LÉON
Oldboy -Yeong-wook Jo
PI
Requiem for a dream -Clint Mansell
Sorcerer -Tangerine Dream
Terminator 2
The Cook, The Thief, His Wife & Her Lover
The Good, The Bad And The Ugly- Ennio Morricone
Ennio Morricone - Vamos A Matar Companeros!
FRANTIC
NEAR DARK
RAISING ARIZONA
Run Lola Run
STRASHIP TROOPERS

i sve što je Chu Ishikawa radio za tsukamota!

http://www.youtube.com/watch?v=rqtGTDtyvMs

PHILIP GLASS Dracula (1931)

Sve što je Philip Glass radio je izuzetno. :)

http://www.youtube.com/watch?v=LFBijDU8PpE


PHILIP GLASS Koyaanisqatsi....film sam gledala samo zbog njegove muzike. :)

Quote from: Ghoul on 04-07-2009, 21:44:25
ima već topik o najboljim HOROR skorovima, i tu sam rekao sve što sam u tom trenutku imao.

Da, sećam se toga, ali suviše je davno bilo.

Quote from: Ghoul on 04-07-2009, 21:44:25
TWIN PEAKS: FIRE WALK WITH ME, A. Badalamenti

Ja sam jedan od retkih kojima je muzika za Grad izgubljene dece omiljeno Badalamentijevo delo.

Ali, da ne bih sad prešao na Badalamentija (a doći će i to na red), evo još malo Goldenthala. Kako ne mogu da pronađem Lento sa Alien 3 saundtreka, evo malo muzike iz Final Fantasy: The Spirits Within:

FF: The Spirits Within soundtrack - Race To Old New York (http://www.youtube.com/watch?v=TkimmiJEJ1I&feature=PlayList&p=6FE1592D66B8EB13&index=12#lq-hq)

http://www.youtube.com/watch?v=1XnMdb1zFow&feature=related


ANGELO BADALAMENTI La Citee Des Enfants Perdus


Ridiculus@:Ja sam jedan od retkih kojima je muzika za Grad izgubljene dece omiljeno Badalamentijevo delo.

MA NISI, IMA NAS JOŠ....  :)

Quote from: villa on 05-07-2009, 00:51:29
MA NISI, IMA NAS JOŠ....  :)

xjap

Jeunet ima uvo za muziku u svojim filmovima. I Amelija spada među omiljene mi saundtrekove, a i A Very Long Engagement je dobar, i takođe sa Badalamentijem.

Quote from: ridiculus on 04-07-2009, 20:32:53

2. kakav bih ja čovek bio kada bih slušao takvu muziku do besvesti?!?  xuzi

Ne znam..... čovek sa odličnim muzičkim ukusom? Uostalom, takva muzika nije opterećujuća ( bar meni nije ),  ne traži neku extra koncentaciju ( kao klasika npr.), samo pustiš na repeat, uzmeš Bernhardove STARE MAJSTORE ( kao ja sada) i užiiiiivaš. :lol:

Da ne bude zabune, sva muzika koju sam postovala je moja omiljena muzika. :lol: :lol:

Quote from: villa on 05-07-2009, 01:43:59

Uostalom takva muzika nije opterećujuća,( bar meni nije )  ne traži neku extra koncentaciju ( kao klasika npr.)

Ali ja upravo i pričam o muzici koja se može podvesti pod klasiku. A nisam ni mislio na klasiku uopšte, već pre na dela tipa Titus, koja imaju puno bizarnih elemenata, a ja ne želim od njih da napravim neki reper, neko merilo, osim možda u bizarnosti. Doduše, ta rečenica je polušaljiva, a smajli je trebalo da prikaže kako čestim slušanjem te muzike mogu da postanem opasan po okolinu (iako ne verujem u to). Ali, ono u šta verujem glasi da neke stvari (a tu računam i muziku) treba konzumirati umereno, i barem ja tako više uživam u njima. Tj. uvek mi je bolje da čujem 10 različitih stvari, nego jednu 10 puta. Možda zato ređe slušam pesme posebno nego čitave albume. 

http://www.youtube.com/watch?v=wPSunolTvDA&feature=related

BALANESCU QUARTET Waltz ( Angels and Insects)..... :D

Quote from: ridiculus on 05-07-2009, 01:06:37

Quote from: villa on 05-07-2009, 00:51:29
MA NISI, IMA NAS JOŠ....  :)

xjap

Jeunet ima uvo za muziku u svojim filmovima. I Amelija spada među omiljene mi saundtrekove, a i A Very Long Engagement je dobar, i takođe sa Badalamentijem.

Jeste, Jeunet ima odličnu muziku, kao i fotografiju (npr. Ameli, prekrasno). Na žalost, filmovi su mu GLUPI.

Quote from: Harvester on 07-07-2009, 11:55:35
Jeste, Jeunet ima odličnu muziku, kao i fotografiju (npr. Ameli, prekrasno). Na žalost, filmovi su mu GLUPI.

to verovatno zato sto mu fali onaj drugi mali, s kojim je radio ona dva filma, a koji je ocigledno bio zaduzen za radnju, stanje, zbivanje.

"Paris, Texas" (Wim Wenders), muzika Ry Cooder:


Paris, Texas - Wim Wenders - 1984 (http://www.youtube.com/watch?v=b44paD20O3M&feature=related#lq-lq2-hq)

*

Quote from: Event Horizon on 07-07-2009, 12:05:01

Quote from: Harvester on 07-07-2009, 11:55:35
Jeste, Jeunet ima odličnu muziku, kao i fotografiju (npr. Ameli, prekrasno). Na žalost, filmovi su mu GLUPI.

to verovatno zato sto mu fali onaj drugi mali, s kojim je radio ona dva filma, a koji je ocigledno bio zaduzen za radnju, stanje, zbivanje.

'genijalan' zaključak.
treba samo pogledati nebulozalaštine koje je m. caro potpisivao nakon što se odvojio od ženea, pa da se vidi ko je tu kosio a ko vodu nosio.
hint: to sve 'pršti' od radnje, stanje, zbivanja!

Bravo Davide, Cooder je car!
Elem, malo konstruktivnog doprinosa i od mene:



Bounty finale vangelis (http://www.youtube.com/watch?v=YZZAGATRIs8#ws-lq-lq2-hq)

Nažalost, kvalitet tona je nešto slab.

The Bounty - Opening titles & theme (http://www.youtube.com/watch?v=4js05xk6tMs&feature=related#ws-lq-lq2-hq)

Quote from: Ghoul on 07-07-2009, 12:16:21

Quote from: Event Horizon on 07-07-2009, 12:05:01

Quote from: Harvester on 07-07-2009, 11:55:35
Jeste, Jeunet ima odličnu muziku, kao i fotografiju (npr. Ameli, prekrasno). Na žalost, filmovi su mu GLUPI.

to verovatno zato sto mu fali onaj drugi mali, s kojim je radio ona dva filma, a koji je ocigledno bio zaduzen za radnju, stanje, zbivanje.

'genijalan' zaključak.
treba samo pogledati nebulozalaštine koje je m. caro potpisivao nakon što se odvojio od ženea, pa da se vidi ko je tu kosio a ko vodu nosio.
hint: to sve 'pršti' od radnje, stanje, zbivanja!

pa dobro, mozda to i jeste pogresan zakljucak.

Kenji Kawaii - Ghost in the Shell: Innocence:

www.youtube.com/watch?v=RkIoPrtQjqA (http://www.youtube.com/watch?v=RkIoPrtQjqA#ws-lq-lq2-hq)

Kenji Kawaii - Avalon Log in
www.youtube.com/watch?v=ega2xb0yju4&feature=related (http://www.youtube.com/watch?v=ega2xb0yju4&feature=related#ws-lq-lq2-hq-vhq)

Evo nečeg starijeg.

Iako su neki kompozitori koje jako volim, kao Vaughan Williams, radili filmsku muziku sredinom veka, nisam slušao dovoljno od tih radova. Od onog što sam slušao, u najboljem sećanju su mi ostali Miklos Rozsa i, posebno, Bernard Herrmann.

Ben Hur. Miklòs Ròzsa Soundtrack (http://www.youtube.com/watch?v=QXy9QC4V_cU&feature=related#ws-lq-lq2-hq-vhq)

(Trebalo bi preslušati Ben-Hura i Konana jednog posle drugog!)


Vertigo (http://www.youtube.com/watch?v=os1jNXmDbko#lq-lq2-hq)

Vertigov saundtrek je jedan od najboljih koje sam ikada čuo. Zlokobnost koja izbija iz uvodne muzike je neverovatna. Uzgred, i Danny Elfman je priznao da se, bez Herrmanna, nikada ne bi zainteresovao za filmsku muziku.

P.S. Eh, da, Kenđi Kawai. Avalon i GITS jesu njegova dva najbolja rada i odlični u bilo kom smislu. Slični su i radovi za Patlabor 3 i video-igru Deep Fear. Ali, on ima suviše mnogo toga, i neke stvari su potpuno drugačije.

http://www.youtube.com/watch?v=duAB7-nr9kc

LISA GERRARD Whalerider soundtrack..... :lol:

http://www.youtube.com/watch?v=3J1Yrz3GOks&feature=related

CRIME AND THE CITY SOLUTION Six Bells Chime ( Wings Of Desire soundtrack)

Ovi pojma nemaju. Pa lepo se vidi da to nije Kejv, nego Sajmon Boni. Od kad to Kejv peva  Six Bells Chime ?  :?:

au, Ghoule, nije ti fora...
sad će da ispadne da prepisujem, ali na tvom spisku
ima i dosta meni dragih stvari...al' ko te šiša, ja ću da ih postavim.

vidim, Badalamenti je već spominjan, ali samo je Ghoul uperio reflektor tamo gde treba.  :mrgreen:

Twin Peaks Intro (http://www.youtube.com/watch?v=7oDuGN6K3VQ&feature=related#lq-lq2-hq)


i Clint Mansell....Requiem for a Dream...

Requiem for a dream (http://www.youtube.com/watch?v=e2Ma4BvMUwU#lq-lq2-hq)


fantastično... xjap

ma ovo sam samo na brzinu prošetao kroz ono što mi čuči na hardu, na izvolte; od onoga što je na diskovima i što sam u prvom nizanju preskočio, a maestralno - recimo svi skorovi koje je shore radio za cronenberga, a posebno CRASH i DEAD RINGERS...

od novijih
John Powell - The Bourne Supremacy

Oblećem već danima oko ovog topika kako se ne bih raspisao ovde, ali samo da (za početak) istaknem unikatnu muziku koju su za isto tako briljantni film "Ravenous" komponovali Michael Nyman i Damon Albarn; Ghoul je već naveo ovaj skor na svojoj (prilično dobroj) listi, a evo je odatle i meni omiljene teme The Cave i The Pit:

Ravenous - The Cave (http://www.youtube.com/watch?v=yy5xlq5lKKE#lq-hq)

Ravenous Soundtrack - The Pit (http://www.youtube.com/watch?v=e1s5jUg1Ytc#lq-lq2-hq)

Quote from: shrike on 08-07-2009, 13:26:26od novijih
John Powell - The Bourne Supremacy

Ja preferiram Ultimatum, zbog Tangiers.

pa Ultimatum je remix Supremacyja. iste teme u drugačijim aranžmanima.
omiljene su mi Berlin Foot Chase i Gathering Data.

Into the night
I cry out
I cry out your name.
Into the night
I search out
I swearch out your love.
Night so dark
Where are you?
Come back in my heart
So dark
So dark.

Into the night
Shadows fall
Shadows fall so blue.
I cry out
I cry out for you.

Night so dark
Where are you?
Come back in my heart
So dark
So dark
So dark.

High Fidelity

Eraserhead - In Heaven everything is fine:

eraserhead - in heaven everything is fine (http://www.youtube.com/watch?v=RctPKy25LBU#lq-lq2-hq)

http://www.youtube.com/watch?v=27e_H-2RHC4&feature=related

GABRIEL YARED C'Est Le Vent, Betty ( Betty Blue soundtrack )

Evo još malo Herrmanna:

"Concerto Macabre" by Bernard Herrmann (http://www.youtube.com/watch?v=ZEAb8JNfvXs#lq-lq2-hq)


Što se tiče Badalamentija, evo pesme koju je radio za Marianne Faithfull za Grad izgubljene dece (ima i čitav album sa njom):

♫ Marianne Faithfull - Who Will Take My Dreams Away ? (http://www.youtube.com/watch?v=-P6h0btzA5I#lq-lq2-hq)

http://www.youtube.com/watch?v=i9rl6XEub1A#

AMY LEE Sally's Song ( Nightmare Before Christmas soundtrack )..... :lol:

Jedan od meni omiljenih kompozitora Christopher Young i muzika iz filma Bless the Child (koja je daleko bolja od ostatka filma)

završna tema - Lux Aeterna

Lux Aeterna (Bless The Child) - Christopher Young (http://www.youtube.com/watch?v=KVSeSoLxg2w#ws-lq-lq2-hq)

http://www.youtube.com/watch?v=7X2m_kzY0LU&feature=related

PHILIP GLASS Helen's Theme ( Candyman soundtrack ).... :lol:

Quote from: acaciA on 08-07-2009, 02:52:13
Twin Peaks Intro (http://www.youtube.com/watch?v=7oDuGN6K3VQ&feature=related#lq-lq2-hq)

Definitivno! :D

Ali Zombi 2 mi je neprevazidjen...

"Zombi 2" Theme (http://www.youtube.com/watch?v=aX8Ol2QYlUE#lq-lq2-hq)

meni su sva 4 skora koja je fabio frici radio za 4 najbolja fulčijeva filma - maestralni, i sjajni za slušanje na repeat.

kad pogledamo koliko neki seku vene na jebene GOBLINE - frici je zaista nepravedno skrajnut, sjajan, bar u radovima o kojima govorim: ZOMBI, BEYOND, CITY i HOUSE...

Quote from: Ghoul on 14-07-2009, 17:55:12frici je zaista nepravedno skrajnut, sjajan, bar u radovima o kojima govorim: ZOMBI, BEYOND, CITY i HOUSE...

Mala ispravka, autor sjajne muzike za "House by the Cemetary" je Walter Rizzati, dok je Frizzi, osim tri gorenavedena, komponovao još i skor za "Seven Notes in Black" (kao i za još par Fulčijevih, čini mi se).

hm, da, prihvatam ispravku; ali zvuči sasvim u skladu sa ove 3, razumljivo je zašto sam napravio lapsus memoriae...

U samom vrhu liste mi je i rad Patricka Doylea za Henrija V.

Non nobis, Domine - Patrick Doyle (http://www.youtube.com/watch?v=13FrLGB_oK8#lq-lq2-hq)

Iako prvi Doyleov rad za film, po mnogima je i najbolji. Istovremeno epski i lirski, romantičan i dramatičan, sirov i nežan, meni još uvek neprevaziđen kada se radi o filmovima epsko-istorijske tematike.

Skor Christophera Younga za "Drag me to Hell" odlažu i odlažu i odlažu... i kao novi datum izlaska je nakon 21. jula određen 18. avgust. :x

Main Titles by Christopher Young - DRAG ME TO HELL (http://www.youtube.com/watch?v=EENjNud1WU0#lq-lq2-hq-vhq)

da se ne zaboravi
Rage Against The Machine - Wake Up (http://www.youtube.com/watch?v=gsN3nptiz3M#lq-lq2)

i nesto malo suptilnije
SoundTrack de Azul Profundo (http://www.youtube.com/watch?v=0XM_VmBXow4&feature=related#lq-lq2-hq)

http://www.youtube.com/watch?v=OrRO8AyyPqg&feature=related

MEDIAEVAL BAEBES The Virgin Queen ( The Virgin Queen soundtrack )  :)

Christopher Young - Drag Me to Hell

http://rapidshare.com/files/265150482/dragmev0_wbb_sc.rar

pass: bi0f0raLL

:D

Slušam upravo muziku iz filma A Single Man - Abel Korzeniowski & Shigeru Umebayashi, i ovo je jedan od najboljih skorova iz prošle godine.

A Single Man (Soundtrack) - 01 Stillness of the Mind (http://www.youtube.com/watch?v=Zm5pbLMn8j8#normal)

Ovaj Elfman je stvarno zreo za penziju. Nakon užasnog skora za novog Terminatora pretpostavio sam da gore od toga ne može. I bio sam u pravu. Muzika za The Wolfmana je rip-off Kilarovog skora za Draculu, istina u pitanju je vrlo dobar rip-off, ali teško da je moguće govoriti o nekakvom napretku kada Elfman mora da posegne za već gotovim rešenjima kako bi mu muzika na nešto ličila.

Da, pretpostavljam da je tako. Poslednje od njega što sam ozbiljno slušao je bila muzika za Corpse Bride (sasvim dobra) i Charlie and the Chocolate Factory (dobra uvodna tema, ali se izglupirao sa pesmama). Elfman mi je najbolji kad kopira sam sebe, a dostigao je vrhunac u Batmanu, po meni (skor za Darkmana mi je bio dobar - u filmu, nisam ga slušao odvojeno - ali i to je gledano davno, morao bih da se podsetim).

Nedavno je izašlo zvanično izdanje skora Johna Williamsa za film Black Sunday (1977): http://rapidshare.com/files/343630425/JW-BSun.rar

http://www.youtube.com/watch?v=v9D5PADmrrU
3 IRON  SOUNDTRACK

da, ova pesma iz 3 IRON baš jebe kevu: miloše, lociraj taj saundtrek pa daj link. ja sam to svojevremeno usnimio sa samog filma, al valjalo bi imati neki pristojniji zvuk.

CALLING YOU (BAGDAD CAFE) - Jevetta Steele (Slideshow) (http://www.youtube.com/watch?v=nk7mCmgzpPE#normal)

blade runner film music youtube

Blade Runner - Vangelis Music Video (http://www.youtube.com/watch?v=uJrOVLEUBgw#normal)

http://www.youtube.com/watch?v=4H5Ys3KSfb4
KRZYSZTOF PENDERECKI   De Natura Sonoris I (The Shining soundtrack) :!:

Prvo sam mislila da ovo okačim na topiku o horor muzici, ali pošto već postoji ovaj...(mada bi, što se mene tiče, moglo i na-song koji možete slušati do besvesti). :D

Hans Zimmer - Inception

(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi32.tinypic.com%2Fzmmf05.jpg&hash=97d253aec3e524c7e158098aa5e4a55ca24358bd)

http://www.megaupload.com/?d=Y5HTFDGJ

U nekim intenzivnijim momentima pomalo podseća na Philipa Glassa...

High Fidelity - Final scene

Stevie Wonder - I Believe (When I Fall In Love) (http://www.youtube.com/watch?v=H--_-gPX3Nw#normal)

Malo i zbog koreografije...

Kill Bill - Requiem for a Dream (http://www.youtube.com/watch?v=CIfjhUDtdsc&feature=related#normal)

Bugsy Malone - Speak Easy (http://www.youtube.com/watch?v=hNfB58oBjA0&feature=related#normal)

Fire Inc. & The Sorels-Tonight Is What It Means To Be Young (http://www.youtube.com/watch?v=NB_YKpo3qA8#normal)

beautiful cajun music in the 1981 film southern comfort. (http://www.youtube.com/watch?v=L2NIZexqb4U#normal)

The Pianist Soundtrack - Main Theme (Nocturne in C-Sharp Mnr (http://www.youtube.com/watch?v=DX-oATJzdOI&feature=related#normal)

DUO. (http://www.youtube.com/watch?v=nLE-xARwnC0&feature=related#normal)

Ennio Morricone - Once upon a time in the West (http://www.youtube.com/watch?v=2s0-wbXC3pQ#normal)

Ry Cooder je obavio odličan posao za Geronimo: An American Legend.

Gabriel Yared - Betty Blue Soundtrack - Zorg et Betty (http://www.youtube.com/watch?v=MSlmhXl0TJA&feature=related#normal)

Ryuichi Sakamoto - Rain (http://www.youtube.com/watch?v=alRkPBCfDaY#normal)

Asja bravo za Betty Blue xremyb,imam ovaj CD godinama i povremeno ga preslušavam!

David Sylvian and Ryuichi Sakamoto-Forbidden Colours (http://www.youtube.com/watch?v=8h-OgYyE0AA&feature=related#normal)

znas sta su prave stvari vij! bravi i tebi...

Donnie Darko Soundtrack (http://www.youtube.com/watch?v=jY7OWxkPpwk&feature=related#normal)

The Thirteenth Dalai Lama - Kundun - Philip Glass (http://www.youtube.com/watch?v=N-QW6QTl8sU&feature=related#normal)

Die fabelhafte Welt der Amélie - La Valse D'Amélie (http://www.youtube.com/watch?v=kMGmr18yHAE&feature=related#normal)

Od onog što sam čuo u poslednje vreme...

The Ghost Writer - Track 1 - The Ghost Writer (http://www.youtube.com/watch?v=Nct3Ovn4saw#normal)

milosh, jos niam pogledala film, ali ovo je dobra muzika.

Oliver Twist (2005) Soundtrack (http://www.youtube.com/watch?v=-JIUogXjInY#normal)

Reservoir Dogs Music video (http://www.youtube.com/watch?v=jrJQDnAHrRY#normal)

Crazy Drinking Scene - Lock Stock And Two Smoking Barrels (http://www.youtube.com/watch?v=Pz-5kIMOPaA#normal)

 xcheers






THE MIST soundtrack (http://www.youtube.com/watch?v=gmzTFVlES_I#normal)

Au, bravo, muzika iz The Mist je strava ! xjap
Odlična je i ona iz The Fog

Iako nikad Survive nisam odgledala do kraja, na ovo se uvijek odvalim od smijeha:

Survive Style 5+ OST - Come Baby (Yasuyuki Okamoto and Takkyu Ishino) (http://www.youtube.com/watch?v=PbDUgWwMi80#)

The Departed Soundtrack (http://www.youtube.com/watch?v=rbjC44_Ml4k#)

hadjidakis pokidao ceo saundtrek (sweet movie):

Manos Hadjidakis - Sweet Movie II (http://www.youtube.com/watch?v=0O02bsYfX9U#)

ovo mu nije neki skor, al' jbga volim:

Ennio Morricone - Red Sonja (http://www.youtube.com/watch?v=91ye_YUNJVI#)

covek je jebeni genije:

This Is Halloween (http://www.youtube.com/watch?v=xpvdAJYvofI&p=AAFBFAE8CBFB9DE0&playnext=1&index=11#)

posto je neko vec postovao (neprejebivog) conana, evo nesto drugo od istog autora:

RoboCop battle theme (http://www.youtube.com/watch?v=1TBPSnnicUo&feature=related#)

Don't Let Me Be Misunderstood - Santa Esmeralda (http://www.youtube.com/watch?v=8O0y3Rg2SnI#)

prvo pa zensko, pa delija. jes' da nije bas filmska, ali je jedna od najboljih i (i verovatno najstarijih) sf tema:

Doctor Who Delia Derbyshire Music Tribute (http://www.youtube.com/watch?v=O0rEEOfUzbY#)

SORCERER. " Betrayal " (http://www.youtube.com/watch?v=NsPYT7qyCVU#)                               

The shining (http://www.youtube.com/watch?v=3tfHXobSQNI#)                                   

The Shining - Rocky Mountains (http://www.youtube.com/watch?v=KYrIkJNsNyM#)

This Big Hush (http://www.youtube.com/watch?v=Iw4fBnSuSI4#)                                   

Manhunter Soundtrack Evaporation (http://www.youtube.com/watch?v=qXwnEFssys8#)                                   

Manhunter Soundtrack Coelocanth (http://www.youtube.com/watch?v=3b1m-_sI8Is#)

                                                    
The Beyond/l'Aldilà Soundtrack by Fabio Frizzi : Voci dal Nulla (http://www.youtube.com/watch?v=kUEC8dNeeYE#)

*NOSFERATU [1979]: Zinskaro: Vokal Ansambl Gordella∞ Lucy's Sacrifice & Pestilence... (http://www.youtube.com/watch?v=KEUj0kZ7xy4#ws)

PIcnic At Hanging Rock (http://www.youtube.com/watch?v=1DjKfBD7pPM#)

I još samo ovo  xcheers

Vangelis - Theme from Antarctica (1983) (http://www.youtube.com/watch?v=FAcRGE_XoDE#)

Zanimljivi primjeri na topicu. ..Mada bi Boban trebao staviti manje postova po strani, jer nikad kraja...

Moj favorit je npr (na videu fali dio na boot hillu, šteta):

Gunfight at the OK Corral Intro - Burt Lancaster, Kirk Douglas (http://www.youtube.com/watch?v=uhfdkGO8yt0#ws)

I uvijek mi se sviđala 2001: Odiseja u svemiru, tj. u momentu kad majmun počne tuč koskom, protegnuto i na onaj let oko okrugle svemirske postaje.

Još dva mi padu na pamet.

Uvod u "Double indemity" (kad kroculica šeta prema kameri).

A drugi je, naravno: "Vamos a matar, compañeros"

Ennio Morricone Vamos a matar companeros (http://www.youtube.com/watch?v=81Nbo0iVGbU#)

A sad nešto iz moje mladosti...

Cría Cuervos-Las niñas bailan- POR QUÉ TE VAS (http://www.youtube.com/watch?v=9DuiBrOgmXs#ws)

 :|

SHAME ON YOU by Spade Cooley & His Orchestra (http://www.youtube.com/watch?v=RG3JEJFl_6k#)

From Dusk Till Dawn Soundtrack Produced By Emo (http://www.youtube.com/watch?v=eFqTsmRosjg#ws)

Pulp Fiction / "Girl, You'll Be a Woman Soon" (http://www.youtube.com/watch?v=iiAUmsl6OHU#noexternalembed)

Dado Topic - Flojd Mix (http://www.youtube.com/watch?v=Y53xmBDKNnY#)

Grace Jones - Strange from movie "Frantic" (http://www.youtube.com/watch?v=_QxDWqr3qHg#)

Le Professionnel-Le Vent, Le Cri (http://www.youtube.com/watch?v=b4Q0ERVCxro#)

Beetlejuice Theme (http://www.youtube.com/watch?v=Ww16CGkPCV0#)

Divna vest za sve fanove najvećeg filmskog kompozitora ikada, pojavio se skor za mini-seriju Masada iz 1981.

http://avaxhome.ws/music/ost_soundtrack/1841904.html (http://avaxhome.ws/music/ost_soundtrack/1841904.html)

Misliš - drugog najvećeg?

a zna se i ko je prvi.  :lol:

Tačno!

Evo malo filmske muzike od mene.
In Bruges Soundtrack-Prologue (http://www.youtube.com/watch?v=MTlP6am0EN8#)
Black Hawk Down OST - Hunger (http://www.youtube.com/watch?v=LW3bFnMcSAk#)
Sweeney Todd- Part 1 No Place Like London FULL CLIP FROM MOVIE *READ DESCRIPTION* (http://www.youtube.com/watch?v=QLS1VzUwfQ4#ws)

HBO Deadwood main titles (http://www.youtube.com/watch?v=bWjFvamJssw#ws)
Main Title Theme (The Last Emperor) - David Byrne (http://www.youtube.com/watch?v=vAEIFvpgrGE#)
Eyes Wide Shut - Masked Ball (http://www.youtube.com/watch?v=THNzuF33tZo#ws)

Mulholland Dr Llorando Crying (http://www.youtube.com/watch?v=cAbmfVzPHFg#)

In the Hall of the Mountain King (HD) - From the Soundtrack to "The Social Network" (http://www.youtube.com/watch?v=cD8EPdn5Ctg#ws)

Arizona Dream - In The Death Car (http://www.youtube.com/watch?v=LqjktVjkrFk#)

The Viscounts / Harlem Nocturne (http://www.youtube.com/watch?v=KfAv8yAaHps#)

Nuru Kane - Goree (http://www.youtube.com/watch?v=VynAeYiLrns#)

Quote from: Milosh on 21-06-2011, 23:21:43
Divna vest za sve fanove najvećeg filmskog kompozitora ikada

Tek sad sam video ovo.

Goldsmith je odličan, meni lično draži od Williamsa, ali... ne znam. Neki se kunu u Williamsa Morriconea, drugi u Williamsa Newmana (Alfreda, mada neki i u njegove sinove), treći u Williamsa Bernsteina, mlađe generacije u Williamsa Hornera (kako je krenulo iduća generacija će u Williamsa Tylera Batesa  qpuke, bojim se). Mislim, tu nema nekog apsolutnog dokaza, ali uvek sam imao utisak da sami kompozitori najviše poštuju Herrmanna. To ne znači da je on i moj omiljen kompozitor filmske muzike (ne bih mogao da se odlučim za manje od 5 omiljenih), ali kada pogledaš sa kim je radio (Orson Welles, Hitchcock, Scorsese...) osetiš strahopoštovanje. Kada je mračan, većina gothic/darkwave bendova zvuči kao rege u poređenju s njim, a ume da bude i razigran, ili romantičan i nežan, a nekad sve to u isto vreme:

Twisted Nerve by Bernard Herrmann (http://www.youtube.com/watch?v=S4QiCD_MZQk#)

Ali opet, može biti da je Toru Takemitsu, čiji opus i veština su (bili) zastrašujući, najveći kompozitor filmske muzike, samo što boluje od bolesti zvane "nedovoljno poznat u Americi". Možda je najbolje ne znati ko je "najbolji" (ako tako nešto postoji u muzici) i uživati u raznovrsnosti.

Na žalost, suviše ljudi misli da je dobra filmska muzika nastala sa Johnom Williamsom. Koliko njih seče vene na muziku iz prvog Konana? Ona jeste epska, to stoji, ali nije ništa novo - Polidouris se samo vratio u 50-te i 60-te i uspešno preneo taj stil, posebno Miklosa Rozsu.

Problem sa tim starijim delima je nedostatak CD-ova za mnoge filmove i, često, mono-tehnika u kojoj su snimljeni ovi ostali.

P.S. Upravo dolazim sa drugog foruma, na kome se tema "the best videogame music" polako pretvara u "sva muzika ikad objavljena u video-igrama"  :twisted:...

Herrmann bi sigurno bio izbor većine, kako kompozitora tako i ljubitelja filmske muzike, kada bi se gurnule po stranu preference i svi pokušali da koliko toliko objektivno procene who is the best.

Evo npr. jednog momenta koji je Elfmana očito inspirisao za Betmena.

Have you heard it before? Herrmann vs Elfman (http://www.youtube.com/watch?v=ttV5C5evB7Y#)

tri najdraža filmska scorea - ruku pod ruku i nevezano za redosljed su mi:
Maurice Jarre - The Life & Times of Judge Roy Bean - Jerry Fielding - The Wild Bunch - i Basil Poledouris - Conan The Barbarian - rerecording

a onda dalje
1. Maurice Jarre - Lawrence of Arabia, Dr. Zhiwago
2. Gerald Fried - Too Late The Hero
3. Elmer Bernstein - Scalphunters i Hallelujah Trail
4. Dimitri Tiomkin - The Alamo, High Noon, War Wagon
5. Marvin Hamlisch - The Swimmer
6. Mikis Theodorakis - Z, Serpico, L'etait du Siege
7. Michel Legrand - Thomas Crown Affair, Summer of 42
6. Ennio Morricone - Giu La Testa, La Battaglia Di Algeri, Once upon a Time in the West
7. Norbert J. Schneider - Stalingrad
8. Ernest Gold - Cross of Iron
9. Jerry Fielding - Straw Dogs, Bring me The Head Of Alfredo Garcia
10. Wojciech Kilar - Le Roi & L' Oiseau

Quote from: Milosh on 18-07-2011, 03:18:09
Evo npr. jednog momenta koji je Elfmana očito inspirisao za Betmena.

Thanks. Znao sam za vezu Herrmanna i Elfmana, i koliko je prvi "uticao" na drugog, ali nikad nisam čuo ove delove jedan do drugog. Herrmann mi ovde zvuči opakije i jezivije, verovatno zbog kontrasta dubokih tonova duvačkih instrumenata sa zvonkim harfama i udaraljkama (ksilofoni?)

A evo ga jedan zanimljiv članak, napisan od strane jednog uvaženog američkog kompozitora, da biste videli kako izgleda jedno od čestih mišljenja u tim krugovima:

QuoteHigh Score
Who's the greatest film composer of all time?
By Jan Swafford
Posted Tuesday, Oct. 17, 2006, at 3:19 PM ET

We all know that trying to decide who's "the best" in matters of the arts, and especially who's best in the art of music, is a bad idea. But let's be bad. Let's do it: Here's my nomination for best film composer of all time.

A little background. It's been said that to be a true film composer, you have to be a master of every style but your own. There's some truth in that, as rampant eclecticism is the rule. But in fact one style dominated movies for a long time: Max Steiner's faux-primitive ooga-booga music for the 1933 King Kong was the first full film score of the talkie era, and it set a number of precedents. Steiner was a Viennese who could emit late-19th-century music, redolent of Strauss and Mahler, by the kilo. Outside Skull Island, that plush orchestral sound would dominate film scores for the following decades: the Austro-German-Hollywood grand style epitomized by Steiner and another Austrian, Erich Wolfgang Korngold. (In recent years, Steven Spielberg, George Lucas, and others have returned, or regressed, to that approach, as channeled by John Williams in Jurassic Park, Star Wars, and so on.) Second, Steiner's King Kong score established the idea of wall-to-wall music behind films—his Gone With the Wind score shuts up for only about 20 minutes of the movie. Third, he popularized the kind of obsessive musical mimesis called "Mickey Mousing." When a horse jumps over a fence in Gone With the Wind, Steiner's harp glissando follows her up and over.

Steiner scored hundreds of movies, but not everybody adored him. When Bette Davis was filming the scene in Dark Victory (1939) where she climbs the stairs in the middle of going blind, she stopped halfway up and came down to demand of the director: "Is Steiner doing the music for this?" The director admitted Steiner was. "Then I'm not going up those stairs," Davis said. "If Max is doing the movie it'll be me and him both going up the stairs, and it'll wreck my scene." The director promised Davis no music. In the end, though, Steiner did score the scene and, inevitably, mucked it up.

Then and now, producers and directors spoke a different language than musicians. What does a composer do with a direction like, "Write something hopeful, but with a sad undertone and a little sexy." You nod, do what you want, and hope for the best. When William Wyler heard one of Aaron Copland's cues for The Heiress, he said, "No, Aaron, it's all wrong. What I want for this scene is a nice lesbian tune." Nice lesbian tune, thought Copland. What he did was to go home and stick a few funny notes into the same tune, then bring it back to Wyler, who cried: "That's it exactly! A lesbian tune!" (Copland won an Oscar for The Heiress. I once asked him what he thought about writing for film. "It pays really well," was all he had to say.)

A lot of people will declare, as I would have at one time, that the greatest film composer of all, hands-down, is Bernard Herrmann. His résumé starts spectacularly with Citizen Kane in 1939, and he died virtually in the saddle in 1976, hours after the last recording session for Martin Scorsese's Taxi Driver. En route, Herrmann scored Hitchcock films including Vertigo, North by Northwest, and Psycho. Herrmann's most famous moment is also, I submit, the quintessential movie-music cue: the shower scene in Psycho. It's one of those bits (the shark music in Jaws is another) that you only need to "sing," or rather, howl—as in Reeeek! Reeeek! Reeeek!—to conjure up the whole bloody affair. Psycho is as much state of mind as movie, and the shower scene embodies that. The music is utterly expressive of the action: The string glissandi make a nasty slicing sound that equally suggests female screams and the shrieks of predatory birds (recall Norman's little taxidermic hobby). Above all, the cue is perfect because it's nearly invisible, so imbedded in the moment that I suspect a lot of people don't realize there's "music" in the scene at all.

Herrmann did a row of classic movies and pioneered modern film-scoring, but he's no longer my nominee for greatest of all. My new champion is a composer who's scored nearly 100 films, from thriller to arty, who had an encyclopedic command of style as well as a singular voice of his own, and who is numbered in the highest rank of modern concert-hall composers—something many film composers aspired to but only one achieved: Toru Takemitsu.

Takemitsu was an amazing figure: a first-rate straight composer, detective novelist, and fanatic of film and pop music. ("My teachers," he said, "are Duke Ellington and nature.") Despite his success in the concert hall, he's not properly recognized in the United States for his movie work simply because many of his movies never made it here. But there's enough that can be found in your video store to show what he could do, including Woman in the Dunes and, near the end of his life, Akira Kurosawa's Ran.

In terms of imagination and musical technique, Takemitsu simply had chops beyond Herrmann or anybody else. And if you want to talk about style: Woman in the Dunes has unearthly music close to his concert-hall voice; Rikyu, about a tea-ceremony master, uses short, almost inaudible washes of sound alternating with Renaissance-style viola da gamba music that Takemitsu imitated dead-on. When I first heard the wonderfully cheesy, neo-Burt Bacharach title tune for Kurosawa's Dod'es-kaden, I thought, Takemitsu can't possibly have written this. But he did, and it shows in the scoring: Phrase by phrase, the saccharine little tune is rendered into something new and surprising, starting with marimba and ending with Bach trumpet and recorder. That title tune is the movie: A story about a retarded kid living in a junkyard, which could have been dark and maudlin but is made with a light touch. Takemitsu's sweet-sad tune tells us that from the start.

For the epic battle sequence of Ran, Kurosawa's version of King Lear, the director told Takemitsu he wanted something like Mahler. What Takemitsu gave him is and isn't Mahler. It has a big orchestral sound spread over wide spaces and a Mahleresque sense of doom, but the music is modern, keening with tragedy and horror, utterly unclichéd, as indelibly wedded to the images as the shower scene in Psycho. Together, the music and visuals make the battle in Ran, I propose, one of the most eloquent sequences in all of film.

As he lay dying, Takemitsu lamented that he'd been too sick to go to the movies. In his prime he went several times a week, and he had the means to turn that obsession into something marvelous in an art too little celebrated—and let's face it, much of the time not all that worth celebrating. The ultimate test of Takemitsu's talent is that, like some of Herrmann's, his film scores can work splendidly on their own. Listen to the waltz from The Face of Another. You've probably never heard of the movie, you'd certainly never guess who wrote it, but it sweeps you off your feet.

Addendum, Oct. 18: A helpful reader points out that the waltz from The Face of Another and other film music by Takemitsu can be found on a 1997 Nonesuch compilation, The Film Music of Toru Takemitsu, conducted by John Adams.

Vredi pročitati i zbog besmrtne anegdote sa Maxom Steinerom i Bette Davis.  :lol:

John Barry - The Black Hole (Complete)

(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi55.tinypic.com%2F23u8xs3.jpg&hash=e2aab3812e539374a8b21edef6a59331dd5d8396)

http://www.megaupload.com/?d=8I9ZASU7

Track List:

1. Overture (02:28)
2. Main Title (01:49)
3. That's It * (01:43)
4. Closer Look ** (02:02)
5. Zero Gravity ** (05:48)
6. Cygnus Floating * (02:06)
7. The Door Opens ** (04:09)
8. Pretty Busy * (00:48)
9. Six Robots (01:57)
10. Can You Speak? * (01:19)
11. Poor Creatures * (01:41)
12. Ready To Embark * (00:44)
13. Start The Countdown (03:47)
14. Durant Is Dead (02:31)
15. Laser * (01:01)
16. Kate's O.K. (02:49)
17. Hot And Heavy * (02:43)
18. Meteorites * (01:31)
19. Raging Inferno * (00:54)
20. Hotter And Heavier * (01:59)
21. Bob And V.I.N.C.E.N.T. * (00:54)
22. Into The Hole ** (04:56)
23. End Title (02:34)

Bonus Track:

24. In, Through... And Beyond! (02:47)

* = previously unreleased
** = includes additional material not used in the film

 xjap

The Third Man Theme - Sungha Jung (http://www.youtube.com/watch?v=iCU2TdBsa2s#)

Pričajte vi što hoćete, ali muzika u LHOTL je odlična!

David Hess - Sadie and Krug (http://www.youtube.com/watch?v=VCFX4wpTGHU#)

I još malo:

Self Preservation Society- Get A Bloomin Move On (http://www.youtube.com/watch?v=FJD1c4tdtOQ#)

Jerry Goldsmith - Alien (Complete Score) - Part 1 (http://www.youtube.com/watch?v=DaT-JX5r8i8#)

Saw SoundTrack (http://www.youtube.com/watch?v=hWaNoK3gN6M#)

Blues Brothers - Minnie The Moocher (http://www.youtube.com/watch?v=rC6JUA8cjoY#)

Encounter the Ultimate - Theme from Mortal Kombat Annihilation [HQ] (http://www.youtube.com/watch?v=l7syFOnbgYA#)

The Matrix Soundtrack- Juno Reactor Vs Don Davis - Navras (http://www.youtube.com/watch?v=DOtoIBrBAYE#)

Danger Zone - Kenny Loggins (Top Gun) High Quality (http://www.youtube.com/watch?v=s2MeX45Kk6Q#)

Najbolji Bond saundtrek koji komotno može da se smesti i u top 10 najboljih saundtrekova ikada...

John Barry - "We Have All The Time In The World (Instrumental)" (http://www.youtube.com/watch?v=F7HyQlHcZS4#ws)

Carter Burwell...


OST#32 True Grit : The Wicked Flee (http://www.youtube.com/watch?v=JmlzERoXuc0#)


Your Headstrong Ways and River Crossing (http://www.youtube.com/watch?v=X5twjNWhFGY#)

Ova bi mogla da bude i u rubrici- ' Song koji mozete slusati do besvijesti'

Françoise Hardy - Le Temps de l'Amour (http://www.youtube.com/watch?v=ITYVXUvMtHI#)  :oops: :oops:

i jos neke, ne tako cesto pominjane...

tumbalalaika - prendimi l'anima (http://www.youtube.com/watch?v=wqs7sGPV2TU#)

The Artist main theme - George Valentin ( Ludovic Bource ) (http://www.youtube.com/watch?v=A2CUVBAS0Nk#ws)

The Artist main theme - George Valentin ( Ludovic Bource ) (http://www.youtube.com/watch?v=A2CUVBAS0Nk#ws)

Ennio Morricone-The Untouchables (http://www.youtube.com/watch?v=pl4YHkPj1yA#)

Vangelis - 1492 Conquest of Paradise (http://www.youtube.com/watch?v=QPYL9swf2_k#)

Django ima dobar sound track  :lol: