Clash of the Titans Teaser Trailer HD (http://www.youtube.com/watch?v=pcBNHZEiX0g#normal)
Clash of the Titans Cast
Sam Worthington {Clash of the Titans Cast} (http://www.youtube.com/watch?v=_urqeisBOcw#normal)
Lepo, fino.. Nadam se da nema toliko hevimetala i u samom filmu. Tu trebaju bubnjevi, a ne električne gitare.
Nadam se da ovaj put, za razliku od originala, u sceni kupanja neće koristiti dublerku.
vec sam video ovo odlepio sam.. original sam gledao kao klinac u bioskopu :)
Blago tebi :-( Ja samo na TV-u. Ali ovih dana ga čeka repriza u kućnoj varijanti bioskopa :-)
Quote from: Harvester on 13-11-2009, 00:00:12
Nadam se da ovaj put, za razliku od originala, u sceni kupanja neće koristiti dublerku.
Bolje da je koriste jer gola Alexa Davalos koja glumi Andromedu nije baš specijalno lep prizor.
http://videogirls.playboy.com/?skin=showcase&fr_story=271a54eb4d7a8dd6a479437785836ae6a66b06da (http://videogirls.playboy.com/?skin=showcase&fr_story=271a54eb4d7a8dd6a479437785836ae6a66b06da)
Damn. Ne kontam koja je svrha korištenja ružne glumice za Andromedu.
Nije ona ružna, samo je malo žgoljava. Samo malo. Ona je glumila u Riddicku 2, onu devojčicu što ju je Ridik spasao u prvom delu pa je u drugom porasla, i izgledala je sasvim okej.
Quote from: Harvester on 13-11-2009, 00:00:12
Nadam se da ovaj put, za razliku od originala, u sceni kupanja neće koristiti dublerku.
hahhahahhahahah mislim stvarno, hvala ti boze za sto sam nasao ovaj forum xrotaeye :mrgreen: :|
Ljudi, u filmu igra Kaya Scodelario. Ona je k`o zdravlje...
Quote from: crippled_avenger on 10-12-2009, 00:58:35
Ljudi, u filmu igra Kaya Scodelario. Ona je k`o zdravlje...
IMDB kaže da je još maloletna... Dušmane, reaguj!
mislim da bi ovde prvo trebalo policija da reaguje!
Što se Kaye Scodelario tiče, ona je kao Srebrenica, nijedna robija ne može da parira zadovoljstvu izvršenja zločina.
Inače, ko želi da je pomnije upozna treba da sluša savete Johna Reynoldsa i da gleda seriju SKINS.
Da li ta serija Skins sadrži... skin?
Sadrži u tragovima. Ipak su to deca. Ali ima... U stvari ima dosta seksa, a umereno ima i golotinje...
Kaya je najsvetliji deo serije Skins. Ipak je ona jedina glumica koja se pojavljuje u svim sezonama. Svi se sećamo scene seksa u ormanu...
Ghoul će se možda setiti kako sam oduševljeno pričao o ovoj seriji Džejmiju Delanu.
DušMan prati materiju i stručnu literaturu...
Uostalom, Plavi Orkestar ima i pesmu posvećenu Kayi
Plavi Orkestar - Kaja (http://www.youtube.com/watch?v=MKNhf1WQHjU#normal)
gluposti, ova pesma je stara, napisana je pre nego što se ona rodila
'Clash of the Titans' Trailer 2 (http://www.youtube.com/watch?v=qpZ5D_Wc4cA#normal)
Watch a Whopping 10 Clips from 'Clash of the Titans'!
http://www.bloody-disgusting.com/news/19532 (http://www.bloody-disgusting.com/news/19532)
Dir: Louis Leterrier. US. 2010. 108 mins
Visual might meets narrative meagreness in Clash Of The Titans, a remake of the 1981 fantasy-action film that boasts a wealth of treats for the eye but doesn't add up to a rollicking adventure. Director Louis Leterrier (The Incredible Hulk) has focused his energy toward turning this man-versus-gods battle into an epic spectacle, but his relentless pursuit of that goal ultimately serves to underscore the deficiencies elsewhere.
An aggressive marketing push and a dearth of action alternatives will only boost this Warner Bros. release's prospects.
Opening in many territories on April 2, Clash Of The Titans will benefit from several potent commercial factors. Star Sam Worthington could not be more bankable after his turn in Avatar, and in light of the recent successes of that film and Alice In Wonderland, Clash's utilisation of 3-D technology should capitalise on the format's fashionableness with mainstream audiences. An aggressive marketing push and a dearth of action alternatives will only boost this Warner Bros. release's prospects.
In ancient Greece in the city of Argos, humble fisherman Perseus (Worthington) has just lost his family in a storm created by the wicked god Hades (Ralph Fiennes). After discovering that his birth father was almighty Zeus (Liam Neeson), Perseus reluctantly agrees to lead a group of human warriors on a journey to retrieve the head of the monster Medusa and thereby save Argos from Hades' seemingly indestructible beast the Kraken.
The original Clash Of The Titans, helmed by British director Desmond Davis, is remembered chiefly for Ray Harryhausen's charmingly old-fashioned stop-motion effects work on the story's mythological creatures, which, ironically, were often more lively than the film's wooden performances and square-jawed earnestness.
Though the new Clash mostly preserves the original's main plot points, the filmmakers have wisely opted for state-of-the-art digital effects to differentiate this remake from the first film's playful spirit. As part of that beefed-up approach, the remake was converted to 3-D after principal photography, but although the increase in depth of field enhances the battle scenes, Clash cannot compare with the sheer visual wonder of an Avatar.
As with the original, the new film suffers from a lack of emotional connection with the characters. When Leterrier unleashes his elaborate action sequences – including showdowns with gigantic scorpions and a bone-chilling Medusa – he manages to deliver muscular scenes that revel in their hyperbolic excess. But in between those rousing moments are dull stretches in which Perseus wrestles internally with his demigod status and awkwardly develops a flirtatious rapport with his beautiful guide Io (Gemma Arterton). As a director of actors, Leterrier seems to favour the same brutish, unsubtle style that informs his fight scenes, resulting in lobotomized portrayals of heroes and villains.
Worthington's star has steadily risen after roles in Terminator Salvation and Avatar, but as an actor he remains severely limited, which is problematic since the screenplay offers him only a generically brooding tough-guy character to play. By comparison Mads Mikkelsen instils his underwritten role as a decorated veteran soldier with a gravitas missing from Worthington. And in keeping with the film's overall bland professionalism, Neeson and Fiennes give competent performances that remain safely within the parameters of their established onscreen personae.
Clash of the Titans
By BRIAN LOWRY
A Warner Bros. release presented in association with Legendary Pictures of a Thunder Road Film/Zanuck Co. production. Produced by Basil Iwanyk, Kevin De La Noy. Executive producers, Richard D. Zanuck, Thomas Tull, Jon Jashni, William Fay. Directed by Louis Letterier. Screenplay, Travis Beacham, Phil Hay, Matt Manfredi, based on the motion picture directed by Desmond Davis and written by Beverley Cross.
Perseus - Sam Worthington
Zeus - Liam Neeson
Hades - Ralph Fiennes
Calibos/King Acrisius - Jason Flemyng
Io - Gemma Arterton
Andromeda - Alexa DavalosDanae - Tine Stapelfeldt
Draco - Mads Mikkelsen
Even more haphazardly plotted than the original, "Clash of the Titans" boasts 3D imagery and kinetic action that can't obscure a movie that is, finally, pretty flat. Influenced almost as much by "The Lord of the Rings" as a 1981 namesake most notable for Ray Harryhausen's stop-motion effects, the technical upgrade doesn't improve the clunky mythological underpinnings, while the script ratchets up the man-vs.-the-gods quotient. Result feels mostly like a (very expensive) kids' pic, and international prospects appear more promising than domestic box office, which, after a muscular opening -- with apologies to the gods -- should be somewhat less than titanic.
There's always the risk of a camp factor when dealing with the denizens of Mt. Olympus, sword-and-sandal derring-do and earnest utterances like "Release the Kraken!" -- which in some respects is part of the film's charm. It's just that, as directed by Louis Letterier ("The Incredible Hulk") from an adaptation credited to a trio of writers, "Titans" is both dark and busy visually, and nearly devoid of humor. Indeed, the one memorable laugh, a fleeting reference to the first movie's idiotic mechanical owl, will likely fly over much of the target audience's heads.
An introductory sequence finds Perseus (played as an adult by Sam Worthington, looking buff but not blue fresh off "Avatar"), the bastard child of Zeus, being rescued and raised by a kindly fisherman (Pete Postlethwaite). Alas, their happy existence is disrupted by the angry lord of the underworld, Hades (Ralph Fiennes), who convinces his brother Zeus (Liam Neeson) that they must punish the city of Argos for daring to disrespect the gods.
"A new era has begun: The era of man!" the king proclaims, which does not sit well among the Olympians, triggering the decision to release a massive beast, the Kraken, to lay waste to Argos unless the king agrees to sacrifice his daughter, Andromeda (Alexa Davalos).
So Perseus embarks on a quest to save the girl, one that includes tractor-trailer-sized scorpions, oracular witches and an inevitable showdown with Medusa, whose gaze turns men to stone. That scene -- easily the most effective in the Harryhausen version -- is more chaotic but considerably less impressive here.
There are a few new wrinkles to the story, the main ones being the gods' heightened malevolence and Perseus' disdain for his immortal heritage -- prompting him to resist using his demigod-given gifts, among them a magic sword. That defiant, near-pigheaded attitude comes despite prodding from two Bond alumni: Draco (Mads Mikkelsen), a steely soldier accompanying him; and Io (Gemma Arterton), his beautiful guide.
Other than Mikkelsen, alas, the cast is largely wrestled into submission by the stilted dialogue. Fiennes, in particular, hisses most of his -- looking and sounding a bit too much like a bearded Voldemort.
As for the action, everything is literally bigger but not necessarily better, including the gigantic Kraken, which now resembles "Return of the Jedi's" Rancor monster but remains every bit as anticlimactic as it was three decades ago.
Technically, in fact, the effects are too frequently muddied by the pace at which they flash by, limiting opportunities to appreciate the combined animatronic, computer-generated and motion-capture visuals. The most satisfying creative element, actually, is Ramin Djawadi's operatic score.
Given the mythological nature of the violence, were the movie a bit less dark it actually could have been pitched more to "PG" territory than to young adults, inasmuch as there's limited bloodletting and scant mushy romance to distract from the adventure.
Once state-of-the-art, Harryhausen's work is surely dated from a technical standpoint compared with the magic CGI can conjure; still, this "Titans" reboot merely demonstrates that building a more elaborate mousetrap doesn't necessarily produce a more entertaining one.
Camera (Technicolor, Panavision widescreen), Peter Menzies Jr.; editors, Martin Walsh, Vincent Tabaillon; music, Ramin Djawadi; production designer, Martin Laing; supervising art directors, Troy Sizemore, Gary Freeman; costume designer, Lindy Hemming; sound (Dolby Digital-DTS Digital-SDDS), Ivan Sharrock; supervising sound editor, James Mather; visual effects supervisor, Nick Davis; prosthetics supervisor, Conor O'Sullivan; special effects and animatronics supervisor, Neil Corbould; stunt coordinator, Paul Jennings; associate producers, Karl McMillan, Brenda Berrisford; assistant director, Terry Needham; second unit director/camera, Martin Kenzie; casting, Lucinda Syson, Elaine Grainger. Reviewed at Warner Bros. Studios, Burbank, March 26, 2010. MPAA Rating: PG-13. Running time: 106 MIN.
Cracked dokazuje da su Clash of the Titans i Transformers II isti film!!!!!11!1 (http://www.cracked.com/funny-4471-clash-titans/)
Kaya ima sad film na prvom mestu u Britaniji
Shank (2010)
Director: Mo Ali
3
Time Out rating
Average user rating
5 reviews
Movie review
From Time Out London
Imagine if Guy Ritchie had been weaned on blaxploitation and dubstep rather than eel pie and 'The Italian Job' and you're halfway to understanding 'Shank', a raucous and violent ghetto drama set on a London council estate of the near future that pits hooded clans of teen marauders against one another in a rudimentary tale of blood vengeance. Like Ritchie, debut director Mo Ali and writer Paul van Carter have clearly dedicated a lot time to making sure their film achieves a measure of street authenticity, and with its inventive production design and spiky, lingo-flecked dialogue, they do succeed in that area. It's a shame, then, that the narrative itself is so slovenly, as our multicultural mob led by avenging angel Junior (Kedar Williams-Stirling) take a long, diversionary road en route to a carve-up with scramble-biking nuisance Tugz (Jerome Holder). The likable performances and humorous interactions between characters show that Ali can work with actors. The hectic direction shows that he has yet to master the art of storytelling. A promising first effort, nonetheless.
SHANK - Official Trailer - IN CINEMAS MARCH 26 ! (http://www.youtube.com/watch?v=ZRE9Zzu655s#normal)
Sudeći prema kritikama film su do te meri sjebali sa lošom 3D konverzijom da je 3D verzija gotovo negledljiva.
April 2, 2010, 9:49 am
Clash of 'Clash of the Titans': When Titans Clash
By DAVE ITZKOFF
Clash of the TitansJay Maidment/Warner Brothers Pictures; Everett Collection Perseus, now and then: Sam Worthington and Harry Hamlin in their "Clash of the Titans" roles.
Warning: This post may contain spoilers and/or the Kraken.
It was a time, long ago, of myths and monsters, when gods walked among men, a royal wedding was in its final planning stages and MTV was just weeks away from making its debut. It was the summer of 1981 when the original "Clash of the Titans," a sword-and-sandals adventure, arrived in theaters, helping to introduce a generation of moviegoers raised on Darth Vader and R2-D2 to the heroic Perseus, the evil Calibos and a pantheon of temperamental, toga-chasing Greek gods.
In the hallowed tradition of Hollywood doing everything all over again, Hollywood is doing it all over again. A remade version of "Clash of the Titans" opened on Friday, with an estimated $70 million budget and an eye-popping, Medusa-head-coming-at-you 3-D treatment (and which Manohla Dargis reviews here). But how does it hold up to the original? Let's see how the two films compare in a few key categories:
THE HERO
Then: A pre-"L.A. Law" Harry Hamlin as the often bare-chested, implacably accented Perseus. We're not gonna say he was irresistible, but his co-star Ursula Andress did have his baby after production on the film was finished.
Now: Perseus is reprised by the Australian up-and-comer Sam Worthington, who's a Greek statue in his own right, but probably not the primary reason you saw "Avatar" 11 times.
Advantage: Then
HIS ALLIES
Then: Mostly generic foot soldiers who exist to show off the gruesome ways that mythical Greek monsters can kill you.
Now: James Bond's enemy, Le Chiffre, from "Casino Royale"; a few dudes who look like Jared Leto; a couple guys we think are Jewish; and one very angry thing whose skin is made of wood.
Advantage: Now
THE GODS
Then: An all-star roster including Laurence Olivier (as Zeus); Claire Bloom (Hera); Maggie Smith (Thetis); and the aforementioned Ms. Andress (Aphrodite, natch).
Now: An equally lustrous lineup featuring a bearded, armored Liam Neeson (Zeus); Danny Huston (Poseidon); and a skulking, asthmatic Ralph Fiennes (Hades).
Advantage: Draw
THING WE DIDN'T NEED TO KNOW ABOUT THE GODS
Then: "He even tried to ravish me disguised as a cuttlefish!" – Thetis, on Zeus.
Now: The Kraken is made from the flesh of Hades, however that's supposed to work.
Advantage: Now
THE VILLAINS
Then: Either King Acrisius of Argus. Or else Zeus. Or else Thetis. Or else her deformed son, Calibos. Uh, come back to us on this one?
Now: Hades. Totally Hades.
Advantage: Now
SPECIAL EFFECTS BY
Then: The legendary stop-motion animator Ray Harryhausen ("Jason and the Argonauts," "The 7th Voyage of Sinbad").
Now: At least five different special-effects houses that we're sure worked very hard at their jobs.
Advantage: Then
BURGESS MEREDITH QUOTIENT
Then: The lovably cantankerous actor ("Rocky"; "Batman"; "The Twilight Zone") appears as Ammon, the befuddled playwright and mentor to Perseus.
Now: None, although it does have Pete Postlethwaite.
Advantage: Then
STATUS OF THE KRAKEN AT ROUGHLY THREE-FOURTHS OF THE WAY INTO THE FILM
Then: Released.
Now: Released.
Advantage: Draw
NUMBER OF CLASH SONGS USED
Then: 0
Now: 0
Advantage: Draw
IS THERE A SCENE IN WHICH A GUY GETS KNOCKED OVER BY A TIDAL WAVE AND YOU CAN SEE HE'S WEARING MODERN-DAY RUNNING SHORTS UNDERNEATH HIS ROBE?
Then: Yes.
Now: We didn't see one.
Advantage: Then
AND THE WINNER IS: Either "Jason and the Argonauts" or "D'Aulaires' Book of Greek Myths."
3D je navodno apsolutno grozno urađen. Neoštro, mutno, žale se gledaoci... Do te mere da se film ne može pratiti. To me ne čudi imajući u vidu da je odluka o prebacivanju filma u 3D doneta u poslednjem trenutku (pre svega dva meseca, kada je film bio pri kraju posta) pa je sve moralo biti urađeno na brzaka.
Hm, izgleda da film nije naknadno sjeban samo kad je reč o 3D efektima...
http://chud.com/articles/articles/23299/1/BY-ZEUS-THE-VERSION-OF-CLASH-OF-THE-TITANS-YOU-DIDN039T-SEE/Page1.html (http://chud.com/articles/articles/23299/1/BY-ZEUS-THE-VERSION-OF-CLASH-OF-THE-TITANS-YOU-DIDN039T-SEE/Page1.html)
Titani su danas pali u Tucku. I nisu baš toliko loši.
Quote from: Kunac on 09-04-2010, 23:18:46
Titani su danas pali u Tucku. I nisu baš toliko loši.
Pogledaću ovih dana (ali 2D), baš da vidim na šta liči... Nego, jesi li pročitao ovu priču o prekrajanju filma i kako ti to zvuči sad kad uporediš sa ovim što je pušteno u bioskope?
...prethodne sedmice sam pogledao CLASH OF THE TITANS, naravno, kako i priliči, u bioskopskom 3D modu. Sam film nije mnogo inspirativan za opisivanje i iole iscrpnije obrazlaganje suda, ali moram priznati da pozdravljam Letterierov ozbiljan pristup, bez dignutog nosa i prezira ovom projektu. Tim pre što je nedvojbeno reč o kičastoj budalaštini zasnovanoj na raznoraznim neumerenostima. Louis Letterier režira za sve pare, evidentan je trud da se film vine iznad dosta niskih očekivanja barem u tom domenu, to mu polazi za rukom. Ipak, i mimo tog truda, na tkivu filma su vidljivi tragovi postprodukciono-montažerskog štrihovanja sve u šesnaest...
Simpatičan filmčić. Ali veoma budalast. Prava boza. Nisam ništa ranije čitao o Titanima, sada sam bacio pogled na ponuđeni link. Lako je moguće da je film prekrajan. Segmenti sa bogovima deluju kao da su skraćivani. I to dobrano skraćivani. Ko zna, možda je tako i bolje. Ovaj film je baš prava konfekcija, ne verujem da bi neko sad tu produbljivanje pomoglo. Ovako je manje pretenciozno. Ne znam kako bih ga ocenio. Možda 5 od 10, recimo.
Tja. Gledljiv film, ali što više razmišljam o njemu sve manje mi se sviđa. Vidi se da je kasapljen u montaži i da je dosnimavano. Deonica sa Bogovima je masakrirana i najbolje bi bilo da su je skroz isekli obzirom da i ovako nema previše smisla a zaista je jadno kad uočite nekog od poznatih glumaca koji statira u kukuruzu i bukvalno glumi deo scenografije (u filmu, kao, "glumi" i Jane March, nisam je video...). Od ratnika, najbolji je Mads Mikkelsen u svojoj epizodi i kamo sreće da je on u glavnoj ulozi umesto one cepanice. Doduše, i to što je svaka druga jebena rečenica koju izgovara Persej neka od emo-angst varijacija na "Prokleti Bogovi!" nije od pomoći. Gemma Arterton glumi gospođicu ekspoziciju i makar ju je lepo gledati i slušati, mada je ona poslednja scena tako očigledno nalepljena u zadnjem trenutku da je to skoro pa smešno. U trenucima kad australijski Vuk Kostić ne pokušava da glumi i akcenat je na akciji film uspeva da bude i uzbudljiv. Zapravo, da je u potpunosti odrađen u men on mission varijanti bilo bi to znatno bolje, pošto su najbolje scene u kojima se biju sa džinovskim škorpijama i nadmudruju sa Meduzom. Jason Flemyng je super kao Kalibos (odlična maska) iako ima praktično samo tri scene. Scene u kojima družina putuje kradu Gospodara Prstenova, ali to i ne smeta toliko, Kraken i nije previše impresivan, dok je jedan od najzanimljivijih momenata Djin koji se isprva u duhu bratstva i jedinstva pridruži Persejevoj družini a na kraju se i žrtvuje, ali to učini potpuno u maniru bombaša samoubice! Sve u svemu, ovo je potpuna papazjanija koja je i pored svih problema ipak gledljiva. 3-
Pogledao sam CLASH OF THE TITANS Louisa Letteriera. I, šta reći sem da je potpuno promenio definiciju filma u kome francuski sineasta uz pomoć vrhunskih britanskih karakternih glumaca tumači mit iz antičke tradicije.
Ulaziti u dublju estetsku raspravu o ovom filmu je besmisleno jer je reč o spoju mitske stvarnosti sa Holivudom, dakle autor je imao pravo i obavezu da od filma napravi cirkus i u tome je uspeo. Kao cirkus, CLASH je moderan i u dramaturškom smislu jako sličan kompjuterskim igrama. Pre svega, zanimljivo je kako svaka veća bitka ima svoj tutorial, dakle ima scenu u kojoj naš junak nauči kako da savlada prepreku, a i svi gedžeti koji će mu biti potrebni su plantovani kao u igri (u čemu prednjači Zevsov mač koji je bukvalno postavljen kao detalj u igri). U tom smislu, scene sa bogovima, postavljena kao kič najvišeg reda sa sve britanskim karakternim glumcima u zadimljenoj scenografiji deluju kao spoken word filmići koji se javljaju posle svakog odigranog nivoa.
Kao fan serije SKINS nezadovoljan sam malom minutažom koju je dobila Kaya Scodelario. Reklo bi se da je njen lik sigurno imao neku značajniju funkciju u poziciji Andromedine služavke, ali je zato Nicholas Hoult ostao zapažen kao deo Persejeve inglorious bastards grupe koja ide da ubije Krakena. Glumačka podela u toj hardass grupi je odlična, tu je Ashraf iz KINGDOMa, Liam Cunningham iz LITTLE PRINCESS (šalim se, naravno, znamo mi ko je & šta je Liam) i Mads Mikkelsen koji je tu da svemu doda jedno umetničko opterećenje, malo duže poglede i istrulele zube.
Ono što je osnovni problem u dramaturškom smislu jeste nedostatak proistekao iz strukture igre upravo na nivou postavke zapleta pošto praktično imamo samo radnje glavnih junaka bez kontraradnje negativaca, odnosno sa kontraradnjom u najmanjoj mogućoj meri. U tom smislu izvan set-pieceova koji su sporadično vrlo uzbudljivi, pre svih borba sa škorpijama koja me je podsetila na STARSHIP TROOPERS i borba sa Meduzom koja ima dobru koreografiju i inventivnu pretnju po junake, u filmu suštinski nema pravog suspensea proisteklog na nivou priče. I mislim da je to razlog izvesne praznine koja se oseća u dramskom smislu.
Kad je o Samu Worthingtonu reč, ovo je druga uloga uz TERMINATOR SALVATION koju je Warner lineupovao kada se saznalo da će Sam igrati u AVATARu. Warner je imao dobro iskustvo sa mačoima iz Australije i želi da ponovi taj recept sa Wiorthingtonom što i ne čudi od jednog studija poznatog po svojoj konzervativnosti. U tom smislu, vrlo je zanimljivo kako Sam ima vrlo prepoznatljivu postavku karaktera u ova tri filma. U AVATARu, on je čovek koji bi da postane Na'avi. U SALVATIONu on je robot koji želi da postane čovek. U CLASHu je polubog koji može da bira između statusa boga i čoveka i insistira na tome da bude čovek. Dakle, sve tri uloge bazirane su na junakovoj podeljenosti i sve tri igra isti glumac.
Worthington je dobar akcioni heroj. Pre svega ubedljiv je u scenama borbe, najbolji je kada ćuti i bori se i može da parira po mačizmu ostatku ekipe u kojoj svakako ima konkurenciju, a uverljivo je i da je Neesonov sin.
U glumačkom smislu, najslabiji je Fiennes koji je od Hada napravio karikaturu, persiflažu negativca kojoj su ponekad skloni britanski karakterni glumci. Britanci obično bivaju angažovani kako bi negativcima dali neku vrstu produbljensti, ali na kraju priče, Fiennes se gubi u površinskim efektima, i u njegovom Hadu nema ni tame ni dubine ni nekog iskonskog zla, samo apsolutno glumčevo neverovanje u lik.
Po postavci mnogih scena, naročito završnice, pa čak i po dramskoj postavci situacije u kojoj Persej pripitomi Pegaza, CLASH u detaljima podseća na AVATAR.
Ulaziti u nelogičnosti kada je zaplet ovakvog filma u pitanju, naravno potpuno je besmisleno. Ipak, postoji jedna nelogičnost na čisto emotivnom nivou koja me je zbunila jer je potpuno protiv konvencije, čak na neki način ima i sadističku dimenziju. Ukoliko je već odavno prisutna teorija da hepiend filma zavisi od tačke u kojoj se priča prekine, odnosno da se klasicistička postavka braka kao srećnog ishoda može problematizovati, onda je to u CLASHu prisutno već na samom početku veze. Naime, na kraju film Zeus vasksne Io kako Persej ne bi bio sam. Problem je u tome što je ona ranije rekla kako je osuđena na večnu mladost, kako je gledala svoje voljene kako odlaze i kako joj je generalno dosta svega. Njena smrt koja je u borbi sa Meduzom imala svrhu delovala je kao neka vrsta hepienda za njen lik. Međutim, onda je Zevs vaskrsne. Situacija u kojoj ona dođe do neke vrste intimne situacije sa Persejem nije dovoljan razlog da joj se agonija tako nastavi. Ili jeste, ali ona Perseja očekuje vrlo naporan brak.
Kao što je i sa mačoima, tako je i sa DPjevima. Film je slikao Peter Menzies. Iako je film CGI heavy, DP sa onakvih downunder prostranstva ume da zabeleži impresivan prirodni pejzaž, njegovu grandioznost i surovost i CLASH OF THE TITANS onda kad treba ima tu vrstu interakcije između junaka i prirodnog okruženja.
Zaista za CLASH OF THE TITANS je teško reći da je dobar film, ali za razliku od raznih skorašnjih ekranizacija raznih propertyja, knjiga, kolekcija igračaka i igara, ipak više film nego slikovnica, i to je za svaku pohvalu.
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Mislim da je scenariste ovog filma u djetinjstvu napastvovao neki sveštenik.
Inače, prije ovog filma pustili su trejler za novu Stravu u Ulici brijestova i uvjerio sam se da je i taj film loš. S druge strane, trejler za Crazies nisu pustili :-(