Volume I: The 1950s. Neo-Realism, Hollywood, New Wave. (Routledge Library of Media & Cultural Studies) (Vol 1)
Preface and Acknowledgments
Books Frequently Cited in Text
Introduction
Part One French Cinema
Introduction 21
1 François Truffaut: The Rogues are Weary' (review of Jacques
Becker's Touchez pas au grisbi) (April 1954) 28
2 Andre Bazin, Jacques Doniol-Valcroze, Pierre Kast, Roger Leenhardt,
Jacques Rivette, Eric Rohmer: 'Six Characters in Search
of auteurs: A Discussion about the French Cinema' (May 1957) 31
3 Jean-Luc Godard: 'Sufficient Evidence' (review of Roger
Vadim's Sait-on jamais?) Guly 1957) 47
4 Jean-Luc Godard: Les 400 Coups (February 1959) 51
5 Fereydoun Hoveyda: 'The First Person Plural' (article on Fran-
çois Truffaut's Les 400 Coups) Ouly 1959) 53
6 Jean Domarchi, Jacques Doniol-Valcroze, Jean-Luc Godard,
Pierre Kast, Jacques Rivette, Eric Rohmer: 'Hiroshima, notre
amour' (discussion on Alain Resnais's Hiroshima mon amour)
(July 1959) 59
Part Two American Cinema
Introduction
I Perspectives
7 Eric Rohmer: 'Rediscovering America' (Christmas 1955)
8 Jacques Rivette: 'Notes on a Revolution' (Christmas 1955) 94
9 Andre Bazin: The Death of Humphrey Bogart' (February 1957) 98
II Dossier - Nicholas Ray
10 Jacques Rivette: 'On Imagination' (review of The Lusty Men)
(October 1953) 104
11 François Truffaut: 'A Wonderful Certainty' (review of Johnny
Guitar) (April 1955) 107
12 Eric Rohmer: 'Ajax or the Cid?, (review of Rebel Without a Cause)
(May 1956) 111
13 Jean-Luc Godard: 'Nothing but Cinema' (review of Hot Blood)
(February 1957) 116
14 Jean-Luc Godard: 'Beyond the Stars' (review of Bitter Victory)
Oanuary 1958) 118
15 Charles Bitsch: Interview with Nicholas Ray (November 1958) 120
III Auteurs
16 Jacques Rivette: 'The Genius of Howard Hawks' (May 1953) 126
17 Jacques Rivette: 'The Essential' (review of Otto Premingers
Angel Face) (February 1954) 132
18 Claude Chabrol: JSerious Things' (review of Alfred Hitchcock's
Rear Window) (April 1955) 136
19 Jacques Rivette: 'The Hand' (review of Fritz Lang's Beyond a
Reasonable Doubt) (November 1957) 140
20 Luc Moullet: 'Sam Fuller: In Marlowe's Footsteps' (March 1959) 145
IV Genre
21 Claude Chabrol: 'Evolution of the Thriller' (Christmas 1955) 158
22 Andre Bazin: 'Beauty of a Western' (review of Anthony Mann's
The Man from Laramie) Oanuary 1956) 165
23 Andre Bazin: 'An Exemplary Western' (review of Budd Boetticher's
Seven Men from Now) (August-September 1957) 169
Part Three Italian Cinema
Introduction 175
24 Andre Bazin: Umberto D Oune 1952) 180
25: Amedee Ayfre: 'Neo-Realism and Phenomenology' (November
1952) 182
26 Jacques Rivette: 'Letter on Rossellini' (April 1955) 192
27 Eric Rohmer: 'The Land of Miracles' (review of Roberto Rossellini's
Viaggio in Italia) (May 1955) 205
28 Eric Rohmer and François Truffaut, Fereydoun Hoveyda and
Jacques Rivette: Interviews with Roberto Rossellini Guly 1954
Part Four Polemics
I Criticism
Introduction 221
29 Pierre Kast: 'Flattering the Fuzz: Some Remarks on Dandyism
and the Practice of Cinema' (May 1951) 227
30 Jean Domarchi: 'Knife in the Wound' (October 1956) 235
31 Andre Bazin: 'On the politique des auteurs' (April 1957) 248
32 Luc Moullet, Andre Bazin, Jacques Rivette: Exchanges about
Kurosawa and Mizoguchi (February 1957, March 1957, March
1958) 260
33 Alexandre Astruc: 'What is mise en scene?' (October 1959) 266
II Dossier - Cinema Scope
Introduction 270
34 François Truffaut: 'A Full View' (July 1953) 273
35 Jacques Rivette: 'The Age of metteurs en scene' Ganuary 1954) 275
36 Eric Rohmer: 'The Cardinal Virtues of CinemaScope' Ganuary
1954) 280
Appendix 1
Cahiers du Cinema Annual Best Films Listings 1955-9 284
Appendix 2
Guide to Cahiers du Cinema Nos 1-102, April 1951 - December 1959,
in English translation 289
Appendix 3
Cahiers du Cinema in the 1960s and 1970s 302
Index of Names and Film Titles 307
http://ifile.it/8izfve4/Hillier%2C.Jim.-.Cahiers.du.Cinema.-.The.1950s.PDF-KG.pdf
Cahiers du Cinéma: 1960-1968: New Wave, New Cinema, Reevaluating Hollywood (Harvard Film Studies) (v. 2)
Preface viii
Acknowledgments xi
Books frequently cited in the text xiii
Introduction: Cahiers du Cinéma in the 1960s 1
Part One New Wave/French Cinema
Introduction: Re-thinking and re-making French cinema 27
1 Luc Moullet: 'Jean-Luc Godard' (April 1960) 35
2 Andre S. Labarthe: 'The Purest Vision: Les Bonnes Femmes' (June 1960) 49
3 André S. Labarthe: 'Marienbad Year Zero' (September 1961) 54
4 Jean-Luc Godard: 'From Critic to Film-Maker': Godard in inter¬view (December 1962) 59
5 Jean-Louis Comolli, Jean Domarchi, Jean-André Fieschi, Pierre Kast, André S. Labarthe, Claude Oilier, Jacques Rivette, Fran¬çois Weyergans: 'The Misfortunes of Muriel' (November 1963) 68
6 Cahiers du Cinema: 'Twenty Years of French Cinema: The Best French Films since the Liberation' (March 1965) 82
7 Eric Rohmer: 'The Old and the New': Rohmer in interview with Jean-Claude Biette, Jacques Bontemps, Jean-Louis Comolli (November 1965) 84
8 André S. Labarthe: 'Pagnol' (December 1965) 95
9 Jean-Louis Comolli: 'Polemic: Lelouch, or the Clear Conscience' (July 1966) 100
10 Francois Truffaut: 'Evolution of the New Wave': Truffaut in
interview with Jean-Louis Comolli, Jean Narboni (May 1967) 106
Part Two American Cinema: Celebration
Introduction: The Apotheosis of mise en scène 113
11 Fereydoun Hoveyda: 'Nicholas Ray's Reply: Party Girl' (May 1960) 122
12 Michel Mourlet: 'In Defence of Violence' (May 1960) 132
13 Fereydoun Hoveyda: 'Sunspots' (August 1960) 135
14 Michel Mourlet: 'The Beauty of Knowledge: Joseph Losey' (September 1960) 146
15 Jean Douchet: 'Hitch and his Audience' (November 1960) 150
16 Jean Douchet: 'A Laboratory Art: Blind Date' (March 1961) 158
Part Three American Cinema: Revaluation
Introduction: Re-thinking American Cinema 165
17 Claude Chabrol, Jacques Doniol-Valcroze, Jean-Luc Godard, Pierre Kast, Luc Moullet, Jacques Rivette, Fraçnois Truffaut: 'Questions about American Cinema: A Discussion' (December 1963-January 1964) 172
18 Jean-Louis Comolli: 'The Ironical Howard Hawks' (November 1964) 181
19 Claude Oilier: 'A King in New York: King Kong' (May-June 1965) 187
20 Jean-Louis Comolli, Jean-André Fieschi, Gérard Guégan, Michel Mardore, Claude Oilier, André Téchiné: 'Twenty Years On: A Discussion about American Cinema and the politique des auteurs' (November 1965) 196
21 Jean-Louis Comolli: 'Notes on the New Spectator' (April 1966) 210
22 Jean Narboni: 'Against the Clock: Red Line 7000' (July 1966) 216
Part Four Towards a New Cinema/New Criticism
Introduction: Re-thinking the function of cinema and criticism 223
23 Bernard Dort: Towards a Brechtian Criticism of Cinema' (December 1960) 236
24 Fereydoun Hoveyda: 'Cinéma vérité, or Fantastic Realism' (November 1961) 248
25 Fereydoun Hoveyda: 'Self-Criticism' (December 1961) 257
26 Louis Marcorelles: 'The Leacock Experiment' (February 1963) 264
27 Jean-André Fieschi: 'Neo-neo-realism: Bandits at Orgosolo' (March 1963) 271
28 Roland Barthes: 'Towards a Semiotics of Cinema': Barthes in interview with Michel Delahaye, Jacques Rivette (September 1963) 276
29 Jean-André Fieschi: 'The Falling Sickness: Fists in the Pocket' (June 1966) 286
30 Jean-Louis Comolli: 'A Morality of Economics' (May 1967) 290
31 Jean-Luc Godard: 'Struggling on Two Fronts': Godard in inter¬view with Jacques Bontemps, Jean-Louis Comolli, Michel Dela-haye, Jean Narboni (October 1967) 294
32 Jean Narboni: 'Towards Impertinence' (December 1967) 300
33 Jacques Aumont: 'Several Routes to a Reading: Switchboard Oper¬ator' (Christmas 1967-January 1968) 303
34 Cahiers du Cinéma: Editorial: 'The Langlois Affair' (April-May 1968) 307
35 Cahiers du Cinéma: Editorial: 'The Estates General of the French Cinema' (June-July 1968) 309
36 Cahiers du Cinéma: Editorial: 'Editorial Changes in Cahiers' (August 1968) 311
37 Jean-Louis Comolli: 'Postscript: Hour of the Wolf (August 1968) 313
38 Jacques Rivette: 'Time Overflowing': Rivette in interview with Jacques Aumont, Jean-Louis Comolli, Jean Narboni, Sylvie Pierre (September 1968) 317
39 Sylvie Pierre, Jean-Louis Comolli: 'Two Faces of Faces' (October 1968) 324
Appendix 1
Cahiers du Cinéma Annual Best Films Listings 1960-68 328
Appendix 2
Guide to Cahiers du Cinéma Nos 103-207, January 1960-
December 1968, in English translation 335
Appendix 3
Cahiers du Cinema in the 1950s and the 1970s 354
Index of names and film titles 357
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Cahiers du Cinema: 1969-1972
Preface vii
Acknowledgments ix
Introduction: The Politics of Representation: Cahiers du Cinéma 2969-72 1
1 Jean Narboni, Sylvie Pierre, Jacques Rivette: 'Montage' (March
1969) 21
2 Jean-Pierre Oudart: 'Cinema and Suture' (April-May 1969) 45
3 Jean-Louis Comolli, Jean Narboni: 'Cinema/Ideology/Criticism'
(October 1969) 58
4 Pascal Bonitzer, Jean-Louis Comolli, Serge Daney, Jean Narboni,
Jean-Pierre Oudart: 'La Vie est à nous: A militant film' (March
1970) ' 68
5 Jean-Pierre Oudart, Jean Narboni, Jean-Louis Comolli: 'Readings
of Jancsó: Yesterday and Today' (April 1970) 89
6 Editorial: 'Russia in the 20s (I)' (May-June 1970) 112
7 Serge Daney, Jean-Pierre Oudart: 'Work, Reading, Pleasure'
(July 1970) 115
8 Jean-Pierre Oudart: 'Word Play, Master Play' (August-September
1970) 137
9 Editorial: 'Japanese Cinema (1)' (October 1970) 146
10 Jean Narboni: 'Vicarious Power' (October 1970) 150
11 Jean-Louis Comolli: 'Film/Politics (2): L'Aveu: 15 Propositions'
(October 1970) 163
12 Collective text: 'Josef von Sternberg's Morocco' (November-
December 1970) 174
13 Collective Editorial Statement (Cahiers du Cinéma, Cinéthique, Tel
Quel): 'Cinema, Literature, Politics' (January-February 1971) 187
14 Jean-Pierre Oudart: 'The Reality Effect' (March-April 1971) 189
15 Jean-Pierre Oudart: 'Notes for a Theory of Representation' (May-
June and July 1971) 203
16 Jean-Louis Comolli: 'Technique and Ideology: Camera, Perspec¬
tive, Depth of Field' (May-June and July 1971) 213
17 Pascal Bonitzer: ' "Reality" of Denotation' (May-June 1971) 248
18 Jacques Aumont, Pascal Bonitzer, Jean Narboni, Jean-Pierre
Oudart: 'The New Babylon: the "Commune" Metaphor' (July and
October 1971) 254
19 Jean-Pierre Oudart: 'A Lacking Discourse' (October 1971) 276
20 Cahiers du Cinéma'. 'Cinema, Ideology, Politics (for Poretta-
Terme)' (October 1971) 287
21 Pascal Bonitzer: 'Off-screen Space' (December 1971-January-Feb¬
ruary 1972) 29i
22 Serge Daney, Jean-Pierre Oudart: 'The Name of the Author (on
the "place" of Death in Venice)' (December 1971-January-February
1972) 306
23 Pascal Kane: 'Re-reading Hollywood Cinema: Sylvia Scarlett'
(May-June 1972)
24 Editorial: 'Politics and Ideological Class Struggle' (December
1971-January-February 1972) 334
Appendix 1
Guide to Cahiers du Cinema Nos 210-39, March 1969-June 1972, in
English translation 342
Appendix 2
Cahiers du Cinema in the 1950s, the 1960s and the later 1970s 345
Index of Names and Film Titles 349
http://ifile.it/3izoyfn/Browne%2C.Nick.-.Cahiers.du.Cinema.1969-1972.PDF-KG.pdf
Cahiers Du Cinema: 1973-1978: History, Ideology, Cultural Struggle (Routledge Library of Media & Cultural Studies)
http://ifile.it/vlu1b7y/Wilson%2C.David.%28ed.%29.-.Cahiers.du.Cinema.Vol.4_.1973.-.1978_.History%2C.Ideology%2C.Cultural.Struggle.2000.PDF-KG.pdf
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Cahiers du cinema je najbolja francuska revija posvećena filmu. Ja sam je pratio godinama, pa sam onda posustao u gledanju filmova, a potom i u čitanju revije.