Posle gomile filmova baziranih na video igrma red je dosao i na Segin arkadni hit House of the Dead...
Sama igra nije bila nista posebno, za film cemo jos da vidimo...
Ocekivanja?
I kad smo vec tu - sta kazete za Kasowizevu Gothicu?
moja ocekivanja, za oba filma, su otprilike 2 nijanse iznad 'couldn't care less' nivoa= dakle, mozda ih uzmem na dvdu, ali za bioskop- sumnjam, sem ako house ne ispadne neki ultra gore-fest.
dosadasnje reakcije na house bile su prilicno mlake.
ma Mila se nama vraca u RE2 , sva ocekivanja su usmjerena u tom pravcu. :!:
Quote from: "jackdaniels"ma Mila se nama vraca u RE2 , sva ocekivanja su usmjerena u tom pravcu. :!:
jel govorimo o Rezident Evilu nastavak...
a kada to izlazi :!: :!:
Izlazi tokom sledeće godine...
Super! Jel nastavak opet radi Paul W.S. Anderson?
Ima li još neko ovde osim mene kome se svidio prvi dio?
meni se dosta stvari svidjelo sem onog psolikog sranja od čudovišta i ono Milino ubijanje pasa u stilu marksističkih kijanu rives poteza
elem no :!: :!: al je gud :lol:
Ako je sudeci po pljuvackoj kritici Fangorije od House of the Dead nema mnogo vajde:
There are a lot of things bad about HOUSE OF THE DEAD, but the very worst moments are those that stink not of decaying flesh, but of crass commercial condescension. When the big battle between humans and zombies erupts, and the action becomes a flurry of MATRIX-y freeze-frames and 360-degree pans backed by a pounding rap song, it's clear that the filmmakers were not attempting to create a scary or exciting scene but to be sure they touched on every element that might appeal to the target youth demographic. Times like these make HOUSE seem less like a movie than a filmed marketing plan.
For that matter, despite all its creators' claims of faithfulness to the game, less than half the story even takes place at the titular house. And from my admittedly limited experience playing the arcade version, I don't recall the protagonists being a bunch of charmless, brainless young people out for a rave on a deserted island. But off they go on a boat owned by DAS BOOT's Jurgen Prochnow as Captain Kirk (ha ha), who is referred to by one of the kids as "the U-boat commander" (ho ho). Clint Howard turns up as his first mate, who squints, leers at one of the topless chicks and, when it comes out that their destination is "Isla del Morte," helpfully informs that the last word is "Spanish for dead!" Lines like this are scattered throughout the script, without any apparent sense of humor or irony; later in the film, someone actually says, "It's so quiet," to which someone else actually responds, "Too quiet," with nary a wink or acknowledgement of the cliché.
Much of the first 40 minutes or so are devoted to the group's dumb hijinx or plodding around the island, intercut with flashes of the game graphics in an apparent attempt to remind the audience of why they're watching. A harbor patrol officer named Casper (HALLOWEEN 4 and 5's Ellie Cornell) turns up to follow Kirk and the kids to the island, and more pointedly to contribute to Kirk's arsenal when the ghouls attack and the gang need to defend themselves. Up to this point, the youths have been pretty hopeless and helpless, but once they get weapons in their hands they suddenly start fighting like trained Navy SEALs, eventually making it to the creepy, moss-covered title dwelling and holing up there to recover. (Question: If the film is called HOUSE OF THE DEAD, why do the zombies largely hang around outside?)
After some fruitless and ill-conceived attempts to get us to care about these fools, there's a bit of exposition about where the ghouls might have come from—something to do with an evil Spanish priest who, centuries ago, hijacked a galleon en route from Spain to the New World (and somehow wound up settling on this island off the coast of Seattle). The ghouls attack again and one by one the youths get picked off, which might have led to a bit of suspense if the protagonist Rudy (Jonathan Cherry) hadn't told us in his opening voiceover narration that everyone but him would wind up dead. He also mentions in the first few minutes that his girlfriend Alicia (Ona Grauer) recently split with him to devote more time to fencing; ya think maybe by the end, she'll pick up a sword and wield it against an undead enemy?
On and on it goes, with Uwe Boll's direction failing to impart any excitement to the proceedings, for all the jerky-cam photography and fast cutting. The makeup FX by Bill Terezakis and his WCT Productions are varied and gruesome enough, though the editors might have trimmed the glimpse of a shiny pink nose poking through the skull of a zombie lying on a slab. This comes shortly before the undead mastermind behind the ghoul army attacks Rudy, who, in a great leap of deduction, shouts, "You created them to make yourself immortal! Why?" "To live forever," the villain replies. Er, right—that's what "immortal" means.
But the most annoying line is spoken at around the film's midpoint by a guy who knows his zombie lore, refers to George Romero's DEAD movies as "the holy trilogy" and says, "He wants to make TWILIGHT OF THE DEAD, but I don't know if that's going to happen," or words to that effect. Great, guys—just rub in our faces the fact that Romero will probably never get the backing to continue his classic series on the big screen, while a third-rate ripoff like this is able to get into theaters nationwide thanks to its association with a marketable franchise.
Quote from: "Milosh"the undead mastermind behind the ghoul army
hmmm?
jel me to neko pominjao? :lol:
Film se pojavio na divxu sa dvd kopije, pa cu uskoro da ga pogledam, ali u najboljem slucaju ocekujem 'toliko lose da je dobro' vrstu filma. :lol:
One koji nisu u toku podsecam da film belezi sve 'bolji' plasman na IMDB listi 100 najgorih filmova a sada je vec (ili tek) na 30-om mestu. :evil:
Ko do sada nije procitao, evo i veoma zabavne i informativne kritike sa arrow in the head:
On blood-drenched paper, "House of the Dead" isn't a good movie, but I have to admit, it was so good at being bad that I still had a hoot with it. Apart from "SpongeBob SquarePants", I can't remember anything else this year that made me laugh as much as "House of the Dead" and in this harsh world of poverty, murders, remakes, rapes, Larry Clark, rappers acting and the MPAA...laughter is gold.
There was some "legit" fun to be had here. We got some tit shots (although the gals weren't "all that") and some slow motion Ona Grauer (Alicia) bobbling cleavage stuff. You can't go wrong with that either. Genre favs Jurgen Prochnow (Captain Kirk...get it?) and Clint Howard (Salish) also showed up, had fun with it all and livened the party with their tongue in cheek performances. Prochnow was so kool that he smoked cigars while it was raining cats and dogs on him! You can't beat that!
Visually, director Uwe Boll had his moments. I dug some of his stylish touches and his knack for nodding the video game feel via his visuals. For example, at times, when a character died, the action would halt, the camera would spin around the immobile player and then fade to red. I expected to see the words "GAME OVER" every time that went down. Pretty clever. There was also one particular scene where there was a character POV shot, with gun in frame echoing the "House of the Dead " video game vibe to a T. Kool!
Then there was the main candy; the hard pumping, carnage-laced 10 minute action sequence that kicked in at the hour mark. We get all kinds of style whore "money shots", heads getting blown up, limbs being cut off and bodies getting riddled with bullets. Those with a firearm fetish should take note because there was enough fire power here to take down a small country. But having said that, nothing equaled the films' "so bad, it's good" quotient when it came to delivering the smiles. How do I love thy unintentional giggle fit-inducing moments? Let me count the ways:
1) The Rave of the Century: The "Rave of the Century" took place during the daytime and was comprised of 20 peeps that looked old enough to have given birth to me three times. WTF? If that's the rave of the century, I have a couple of tickets to an upcoming Kurt Cobain concert I could sell ya. PRICELESS!
2) Characters and dialogue: The main characters, their relationships and their inane dialogue had me in stitches. The players here were so beyond paper thin that they made the "air" between my ears seem thick. It takes more than a cruddy opening voice-over to establish character substance. FUNNY!!!!
3) Character Reactions: This was my favorite "so bad, it's good" spice. The folks in this movie weren't too impressed by zombies, that's for damn sure! They didn't even blink at the sight of an undead or get agitated about their f-ed up situation! And that wasn't all. The party island is deserted? No reaction. His girlfriend died? No reaction. His best friend got slaughtered? No reaction. All we get is a shrug of the shoulders and that's that. To top that off, one instance actually had a character ignore his dying friend to go into a flashback about the whole chain of events that led him to where he is. How about helping your boy instead of reminiscing, dumbass? What an odd narrative choice. Yes, I was literally pissing my pants. YOWZER!
4) Drama: Since nobody and nothing was built upon, every time the movie would pause to deliver heavy handed "drama" (with soap opera music in tow to boot) laughter from yours truly would ensue. That left field "lovey dovey" kiss based on nothing cracked me up! Or my fav moment had to be where a certain character decided to go into his own shite, worrying about his damaged face and the loss of his pretty boy looks. Dude! You're on an Island FILLED and I mean FILLED with murderous, flesh-craving zombies! Who gives a fudge about your face??? Stop whining and run bitch run!! WOW!
5) The Idiotic Plot Devices: Side-splitting coincidences and plot holes to serve the story were many here! Hey, we need weapons? Well, you're in luck...Prochnow has a crate of illegal weapons with him. Hey, we need to know what's going down! You're in luck! Here's a book lying around that explains the whole damn thing. Hey, I need to learn how to shoot? Well, you're in luck because in this movie if you hold a gun in your hands and rub it three times, you become a bunny-hopping John Rambo afterwards. YEAH BITCH!
6) The House: They should've called the film Out-House of the Dead. The house was the size of a pack of smokes. LOL! And I would like to know who the contractor for that house was, because the interiors kept getting bigger and when an explosion erupted within it, that little teepee just kept standing. The house takes a licking, but keeps on ticking. NICE!
7) The Bald "Villain": The reason behind the madness led to some pretty tacky flashbacks to the days of old where some bald "Herbert West" wannabee baddie was shown to be responsible for it all. Not only was the nature of the "why" in this flick so hilariously blah, but when bald boy chewed the scenery, he did it like Pac-Man on steroids. Yes, you guessed it...my stomach was hurting from all the LAUGHING!
Which brings me to the film's "not so funny" faults. First off, it didn't have enough content to fill in a buck and half so it padded things up left and right with too many shots of the kids walking in the woods, tenseless glimpses of zombies prowling about and "scary scenes" that fell flat (the swimming "Jaws" rip scene is a great example of that). On a technical standpoint, the 360 bullet time technique was overused to the point of self circumcision during the main action scene. One after another, each character was shown shooting their weapons as the cam spinned around them. All right, we get it...LET'S MOVE ON! I would've much rather seen more bloody carnage then stand witness to the same cam technique repeated 5 times in a row.
Horror-wise, zombie fans will be disappointed in the fact that the undead here were basically running targets on two legs and were seldom focused upon. Sure, we'd get glimpses of rotten zombies here and there, but most of the time all I saw were dudes running around with toothpaste smeared on their faces. It could've been an army of Ronald McDonalds sprinting around that island and I wouldn't have known the difference. So if you're looking for a hardcore zombie movie, look elsewhere. The undead here had the same presence as the soldiers in "Commando": they were there to get blown to bits, not scare us.
But the flick's worst sin of all was the injection of actual crappy looking video game footage into its action scenes. Come on man! Now I actually liked the video game footage rolling over the opening credits, was barely able to stomach it as a tool for scene transitions but slapping that shit during the most exciting moments of the movie was so "out of school"! It constantly took me out of the sequences and resulted in cop-outs when it came to zombie violence. I respect the desire to try something different but in this case, it just didn't work for me. And why didn't they use footage from one of the recent games? The footage here looked older than what my beaten up Atari puts out!
So overall, "House of the Dead" was a pretty lousy film, but a charming lousy film. Its flaws were so "in my face" that I couldn't help but derive some enjoyment from them. When I wasn't laughing at this movie, I was laughing at it some more...get my drift? Enter the shack...I mean, the House of the Dead!
a ja sam bas razmisljala da pitam nesto u vezi ovog filma ...spazih ga juce u nekoj movie gallery ...rekoh, ovo mora da je dobro ....i na kraju ipak uzeh Once Upon a Time in Mexico ...(sta ti je movie gde se Tarantino umesa 8) ....+ soundtrack! uuuuuu :!: ....+ bla bla bla ...) ....well, next time
golo govno od filma, prva trecina mnogo los tinejdzerski horor, a onda su prestali i to malo da se trude i samo prosuli scene iz igrica (cak i u pornicima ima vise dramaturske pripreme za glavno jelo u filmu). Uzgred, filmovi o zombijima su nesto najdosadnije od horora sto postoji, inace. mada su ovde zombiji plivali, sto je delovalo nekako osvezavajuce.
Quote from: "otaku"Uzgred, filmovi o zombijima su nesto najdosadnije od horora sto postoji, inace. mada su ovde zombiji plivali, sto je delovalo nekako osvezavajuce.
da si danima naporno razmisljala o glupljoj i pogresnijoj stvari koju mozes da kazes u vezi sa horor filmovima, tesko da bi smislila nesto pogresnije od ovoga.
inace, u fulcijevom ZOMBIJU imas zombija koji ne da pliva, nego se s ajkulom bori, prsa u prsa!
pogledaj prvo filmove o kojima govoris, pa onda...
Quote from: "ghoul"
da si danima naporno razmisljala o glupljoj i pogresnijoj stvari koju mozes da kazes u vezi sa horor filmovima, tesko da bi smislila nesto pogresnije od ovoga.
e, ciko, ne znas ti mene
Pogledao sam 'House of the Dead'. :shock:
Ovo je...ovo je...ovako unikatno imbecilan film odavno nisam gledao. Ljudi, ovo se mora videti da bi se verovalo! Za razliku od rutinskog hollywood produced djubreta a la 13 Ghosts ovo ni po cemu nije rutinski film. Ovde su se ljudi...hmmm...trudili. :? Zamislite da neko ekipi iz full moon-a da 20-30 miliona da snima film, efekat je otprilike takav. Zapravo jedan od scenarista Dave Parker radi za doticnu firmu (a njegov The Dead Hate the Living! je odlican film u poredjenju sa ovim :o ) i vidi se da covek voli Fulcija ali dzaba sve to. Parker ne kapira da je ovo high budget pa radi direkt za video (kantu) skript od koga Boll(id) pravi rediteljsku papazjaniju negde u Jason Takes Manhattan tj. Jaws - The Revenge rangu! :P :x :evil:
Necu da se ponavljam posto je ova gornja kritika poprilicno pogodila sustinu a pominje vecinu urnebesnih momenata. Od Signs ovo je najsmesniji 'horor' film koji sam gledao. :lol: xdrinka
Nestvarno lose. xrotaeye
Quote from: "otaku"Uzgred, filmovi o zombijima su nesto najdosadnije od horora sto postoji, inace.
:? :P :?
Bloody heretic.
...
But anyway, ja i dalje poput ustreptale shkolarice ischekujem Undead, a bobami, od skora i Shaun of the Dead. To deluje kao da ce da rula.
a sto ISCEKUJES undead? cujem da je vec stigao na divx-e u srbiji.
ja ga gledam na otvaranju horror-film-festa za mesec ipo.
zajedno sa ginger snaps 2, i jos nekim ubavinjama.
Pa iscekujem da i meni padne u ruke, posto jos nije opsteprisutan.
Uzgred, ako neko nije overio vesti kod mene danas, obavezno to da uradi. Pojavio se trailer koji silno obecava...
e ovako, nedavno sam u trenutku dokolice iskucao kritiku za House of the Dead, a sada ne znam sta da radim s njom. mislim, ionako ima isuvise dobrih i vaznih filmova o kojima moze da se pise da bi ovo islo u Emitor. zato, postovacu je ovde, pa ako je nekome to interesantno super, ako nije isto super. :lol:
HOUSE OF THE DEAD
režija: Uwe Boll; scenario: Dave Parker, Mark Altman; uloge: Jonathan Cherry, Jurgen Prochnow, Clint Howard; muzika: Reinhard Besser, Peter Ries
House of the Dead je nestvarno loš film.
Teško je pojmiti da je ovo neko svesno i sa namerom snimio. Što je još strašnije, izgleda da su se ljudi stvarno trudili. No, pošto je i Ed Vud imao dobre namere, ali ne i milione dolara, teško da će Uve Bol i saradnici mu osvojiti bilo čije simpatije sa ovim komadom celuloidnog izbljuvka. I dok horor fanovi opravdano besne što Romero nikako da otpočne produkciju završnog poglavlja svoje zombi sage, a trećerazredni otpaci poput ovoga bivaju izdašno finansirani, Uve Bol je već dobio novi angažman. I ponovo je reč o adaptaciji jedne video igre. Alone in the Dark, ovoga puta.
Premisa: Grupica anonimusa udruženi sa žanrovskim veteranima Klintom Hauardom i Jirgenom glumiću-u-najgorem-c-hororu-ako-mi-neko-to-plati Prohnovom pošla je ka ostrvu simpatičnog naziva: Isla del Morte. Retoričko pitanje – šta mislite, zbog čega se ostrvo tako zove?
Na ostrvu se održava Rave of the Century. Inače, ako niste znali, «Rejv Veka» podrazumeva grupicu od jedva pedesetak neuglednih statista koji se flegmatično klate u ritmu...hmmm zakleo bih se da ima nekakve muzike, ali nije ni važno. Uglavnom, to ne traje dugo. Prvo gledamo besmisleno ripovanu scenu iz Ajkule (zapravo, izgovor za malo golotinje), da bi se ubrzo pojavili razbijači zabave u vidu horde razuzdanih zombija.
Zvuči dobro?
Kamo sreće.
Vidite, zombiji jurcaju okolo, skaču tj. bacaju ih iz nekakvih katapult mašina (gledajte pažljivo, pošto montažer to očito nije radio), ljudi beže, malo zapucaju, zombiji ih stignu, ubijaju jednog po jednog, i tako u krug. Zombiji ovde, baš kao i kod Fulčija, plivaju, ali pritom i dišu (!) pod vodom (jedan od scenarista, Dejv Parker, je inače veliki fan Lučia Fulčija). Eh da, pomenuo sam pucačinu, a to je tek zanimljivo. Naime, kapetan Kirk koga igra Jirgen Prohnov je krijumčar oružja. How convinient, što bi rekao Homer Simpson. Još pogodnije je to što je u ovom filmu dovoljno da držite komad oružja u rukama par sekundi i odmah ste Džon Rambo, spremni za obračun sa armijom statista...pardon zombija koji (iritirajuće) jurcaju okolo. Sledi sekvenca obračuna sa sve neprekidnim (opet iritirajućim) matriksoidnim rotiranjem kamere od koga bi i Nea zabolela glava. Tu su i umetnuti kadrovi iz same igre (i to iz neke od starijih verzija ako je sudeći po očajnoj grafici) što je već ozbiljna bolest mozga scenariste, reditelja ili ko god da je došao na tu «genijalnu» zamisao.
To tako traje nekih desetak minuta.
Film se zove House of the Dead. A gde je tu kuća, pitate se? Pa, pitao sam se i ja, a onda se u jednom trenutku preživela petorka sklanja u trošnu kolibu koja ima neobičnu moć prkošenja zakonima fizike kada je reč o srazmeri spolja-iznutra. No to je još i najmanji problem. Film dalje kopira Noć živih mrtvaca sa sve umetnutom pričom o istorijatu zombija i njihovom tvorcu. Kao da to nekoga i zanima. Tu negde zagine i kapetan Kirk, i pojavljuje se nova pretnja po nas, izmučene gledaoce.
Da, to je gospodar zombija lično! Superzlikovac koji na moronsko pitanje zašto želi da bude besmrtan uzvraća odgovarajućom replikom: To live forever. Eh, uz takvog gospodara nije ni čudo što su i zombiji onako bedno izgledajući. Sledi obračun u hajlenderskom stilu i jedna, i verovatno jedina, dobra scena u čitavom filmu (gospodar zombija biva obezglavljen).
I to je to.
Inače, gore scene su potpuno neubedljive i neosmišljene. The Dead Hate the Living! pomenutog Dejva Parkera je umetnički manifest u odnosu na ovo; do vraga, čak i Oasis of the Zombies Džesa Franka je podnošljiviji. Parker je uradio direkt za video (kantu) scenario. Reditelj je to samo potvrdio. Džaba novci, džaba trud. House of the Dead je svakako nesvakidašnje đubre od filma, pomalo i egzotično, ali ipak đubre. Čak i Jason takes Manhattan ima više šarma u svoj svojoj imbecilnosti, House of the Dead prosto smara. I smeh se u jednom trenutku istroši, a onda preostaje samo užas. Ledeni, onespokojavajući užas.
O da, poslednja scena će vas po prvi i jedini put u toku gledanja filma ispuniti čistom, nepatvorenom stravom. Naime, to ide ovako. Panorama velikog grada, čujemo glas iz off-a: Is this the end or only the begining? Zatamnjenje.
Ne, ne opet! Zombija je bar moguće ubiti hicem u glavu. Kada su u pitanju producenti, to izgleda nije tako lako.
Одличан филм, који је са сваким гледањем све бољи!
Истина. Спремам се да опет погледам Alone in the Dark, moжда је и он постао бољи.
Иначе, постоји и Дирецтор'с Цут филма Хоусе оф тхе Деад и то је изгледа нешто опако добро, али на Синемагедону нема сидера, а на Амазону има само диск за регију 1 :-(
Нема сидера за ди-ви-ди (осам гига, богаму) али има за рип. Не чини ми се да је значајније боље, само има више голотиње.
Ne znam, meni ovo deluje bitno drugačije...
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi46.tinypic.com%2F29denms.jpg&hash=7c4a4fe1696018c54bebfcdafc446c9b27a54a36)
http://www.anightmareonsamityvillestreet.com/2011/06/short-review-house-of-dead-funny.html (http://www.anightmareonsamityvillestreet.com/2011/06/short-review-house-of-dead-funny.html)
Увек су ми Уветове Болетове комедије биле слабије од његових "озбиљних" филмова. Уосталом, Blubbarella му је по мом мишљењу најлошије остварење, а то су исто неки фазони а ла Корман, ауттејкови од једног филма + доснимљене сцене на истом сету, итд.
Него, што ћутите...
The Profane Exhibit (2013):
Directed by
Uwe Boll (segment "Basement")
Ruggero Deodato (segment "Bridge")
Marian Dora (segment "Mors in Tabula")
Andrey Iskanov (segment "Tochka")
José Mojica Marins (segment "Viral")
Ryan Nicholson (segment "Goodwife")
Yoshihiro Nishimura (segment "The Hell Chef")
Michael Todd Schneider (segment "Manna")
Richard Stanley (segment "Coltan")
Sergio Stivaletti (segment "Tophet Quorom")
Nacho Vigalondo (segment "Sins of the Father")
Па ово је генијално! Деодато, Стенли, Боле! И Маринс. 8)
Sad sam naleteo na radio intervju sa Bolom iz prošle godine, može da se skine audio sa sajta: http://thecinemasnob.com/2012/08/19/radiodrome-uwe-boll-interview.aspx (http://thecinemasnob.com/2012/08/19/radiodrome-uwe-boll-interview.aspx)
Quote from: Джон Рейнольдс on 14-01-2013, 01:17:55
Него, што ћутите...
The Profane Exhibit (2013):
Па ово је генијално! Деодато, Стенли, Боле! И Маринс. 8)
pričao mi je stivaleti o tome jesenas u beogradu.
deodatova je mikro-pojava, neko malecno vezivno tkivo između epizoda ili tako nešto sitno - kaže serđo, to je 'rediteljski cameo' a ne full epizoda.
Деодато је ту само да приправи пут за много већег од себе (тј. за Увета Бола).