Intervju sa Rejom Bredberijem

[Usul]

Samo za članove foruma prevod ekskluzivnog intervjua sa maestralnim Rejom Bredberijem objavljen u kulturnom dodatku argentinskog dnevnika Clarin broj 216

http://www.clarin.com/suplementos/cultura/2007/11/17/u-00611.htm

Pisac koji je voleo Mars

Lucidan, još uvek piše, sa novim knjigama i pozorišnim predstavama, jedan od očeva naučne fantastike, sa svojih 87 godina govori o svemu - od ljubavi sa Bo Derek do njegovog kategoričkog odbijanja klasičnog obrazovanja i o svojoj želji da počiva na Marsu. Kao veliki optimista, autor famoznih Marsovskih hronika ne boji se ekološke katastrofe: kaže da je neophodno preseliti se na druge planete.

Intervju vodila Claudine Moulard

Sa svojih 87 godina, autor Farenhajta 451 i Marsovskih hronika, gaji nepobedivi optimizam. U najgorem slučaju, "ako život nestane sa Zemlje, možemo ga pronaći na drugim planetama. Svemirska putovanja će nas učiniti besmrtnima."

-Da li smatrate da je vaš bestseler Farenhajt 451 pogrešno protumačen?

Jednom su me kontaktirali Japanci da bi mi stavili na uši walkman i rekli: "Sa Farenhajtom 451 vi ste izmislili ovo gospodine Bredberi!" Moj odgovor je glasio: Ne, hvala. Okruženi smo sa previše tehnoloških igračaka, sa internetom, iPod-ima... Ljudi su me pogrešno shvatili. Ja nisam nameravao da predvidim već da  predupredim takvu budućnost. Nisam želeo da govorim o cenzuri već o obrazovanju, tako neophodnom celom svetu. Možemo da spasemo Sjedinjene Države zahvaljujući mladima, ako ih naučimo da čitaju i pišu od 3-će,4-te,5-te godine da bi tako došli u osnovnu školu znajući da čitaju. Kasnije, već je prekasno. U  stvari, već kao mali želimo da čitamo reči u stripovima. Ja sam naučio da čitam u trećoj godini da bih mogao da čitam karikature.

-U Farenhajtu 451, ljudi spašavaju knjige učeći ih napamet. Da li digitalne biblioteke mogu da ispune tu ulogu?

Digitalizacija ne predstavlja rešenje samo po sebi, pitanje je kako se ona koristi. Ako je to nešto što pojačava kulturu čitanja, odlično, u protivnom koji je njen smisao? Sa druge strane, odbio sam ponude za digitalizaciju mojih knjiga. Volim da dodirnem knjigu, da je udišem, osetim, nosim... To je nešto što  jedan računar ne može da pruži!

-Ove godine objavili ste dve nove knjige i pozorišne adaptacije vaših dela su na stalnom repertoaru o Los Anđelesu...

Pišem svakog dana, svako jutro, već 70 godina. Ne stajem! Pišem za pozorište već 45 godina; uživam u tome... Moja najnovija knjiga, "Now and Forewer", koja je izašla u septembru u sebi sadrži i jedan omaž Ketrin Hepbern, "Somewhere a band is playing", koju sam napisao pošto sam je upoznao pre nekih 40 godina, i bio sam zaljubljen u nju! Razgovarali smo tada o projektu sa Ketrin i Džordžom Kjukorom, sa nadom da bi ona tumačila glavnu ulogu...

-Kada je objavljen "From the Dust Returned" 2001. vi ste rekli da je Timoti glavni junak te knjige. Da li je takođe Daglas Spolding, protagonista iz "Farewell Summer", nastavak vašeg klasika "Dandelion Wine", koji je skoro [ponovo] objavljen u Sjedinjenim Državama?

Naravno da sam Daglas! Da tako kažem, dobio sam odlične kritike od strane odraslih koji u sebi skrivaju to  dete. Ta knjiga je jedan dijalog između dečaka od 12 godina i čoveka od 87 godina. Ja sam oboje, zar vam se ne čini tako? U svakom slučaju ja sam hibridni pisac koji je odrastao sa knjigama i filmovima. Video sam film Notre Dame de Paris kada sam imao tri godine i iščekivao da postanem grbav. Sa 6 godina sam video Fantoma iz opere koji me je oduševio. U isto vreme sam video i film Izgubljeni svet (The Lost World) i zahvaljujući velikoj ljubavi prema dinosaurusima Džon Hjuston mi je predložio da napišem adaptaciju Mobi Dika.

-Vaša dela se i dalje obrađuju na filmu?

Moj prijatelj Frank Darabont priprema novu adaptaciju Farenhajta 451, napisao je odličan scenario. Imao sam različita iskustva sa holivudom, veoma loša kao kada je agent nekretnina iz Nju Džersija ukrao scenario Tetoviranog Čoveka. Ipak Warner je upravo otkupio od mene prava za adaptaciju [te knjige]. Ovaj   put, scenario ću pisati ja a Frank Darabont će biti producent, možda i režiser. Najbolja adaptacija nekog mog dela je The wonderful Ice Cream Suit realizovana od strane Diznija 1998. sa Džoom Mantegna i Edvardom Džejmsom Olmosom. Oni su stvarno poštovali moj scenario, priču o jednom siromašnom čoveku koji sanja o belom odelu. Univerzal sprema jednu verziju Marsovskih Hronika. Naručili su dvadeset scenarija, od kojih su pet moji... ali misle kako ne znam da pišem. Kada završe taj film, Mars će već biti naseljen! Kirk Daglas je finansirao jednu adaptaciju za televiziju, ali američki kanali nisu bili zainteresovani.

-Vi ste uvek posvećeni motivisanju mladih pisaca, koji bi ste im savet dali?

U osnovi svakog teksta je ljubav, raditi ono što volimo i voleti ono što radimo. I zaboraviti na novac. U početku ja sam zarađivao 30 dolara nedeljno, moja devojka je bila bogata, ali sam tražio od nje da pristane na siromaštvo da bi se udala za mene. Nismo imali ni automobil ni telefon, živeli smo u malom  stanu u Veneciji, ali je tamo benzinska pumpa ispred naše zgrade imala javni telefon. Trčao sam da bih podigao slušalicu kada je zvonilo i ljudi su mislili da me zovu na posao. Ja im ponavljam: "Okružite se osobama koje vas vole, i ako vas ne vole izbacite ih. Nema potrebe da se ide na univerzitet jer tamo se ne nauči kako pisati. Bolje idite u biblioteke." Napisao sam Farenhajt 451 zato što sam čuo za požar u Aleksandrijskoj biblioteci i o spaljenim knjigama od strane Hitlera u Berlinu.

-Za vas Los Anđeles su "trideset pomorandži koje nisu primorane da imaju isti pupak", jedan grad nema potrebe za jednim centrom?


Ne, ipak nemajući jedan epicentar u gradu, tu funkciju sada vrše tržni centri. Ja sam radio na stvaranju takvih centara i pokušavao sam da objasnim investitorima kako da ih izgrade. Kada je sagrađen tržni centar "Century City", pre nekih 30 godina, blizu studija 20th Century Fox, rekao sam im da to neće uspeti ali me nisu poslušali. Kasnije su me pitali i objasnio sam im greške: nije bilo restorana, nije bilo društvenih dešavanja. Rekao sam im da stave 200 stolova sa 500 stolica i nekao otvore bar 20 restorana da bi ljudi mogli da jedu unutra i napolju, da se šetaju i razgledaju, kao u Parizu. Poslušali su me i bilo je  uspešno, restorani, bioskopi, velika biblioteka. Pomažem u rekonstrukciji Westwood-a, neophodno je spasiti tu umrlu četvrt.

-Da li vas brinu ekološki problemi?

Za borbu protiv zagađenja, moramo da se obratimo francuzima, koji su spasili našu revoluciju sa Lafajetom. Vi(*1) ste jedina zemlja koja potpuno zavisi od nuklearne energije, i mogli bi da nam pokažete kako da napravimo nuklearne elektrane u celoj Americi, koje manje zagađuju od naših aktuelnih izvora energije - nafte i uglja. Na taj način spasićete nam život i Amerika i Francuska mogle bi ponovo da se zavole.

-Istraživanje svemira vas fascinira, posebno Mars!

Ta noć, kad smo stigli na mesec bila je noć ekstaze za mene. Nikad nismo trebali da stanemo! Napraviti snimak, to je u redu, ali to ne spašava čovečanstvo. Ako život nestane sa Zemlje, možemo ga pronaći na drugim planetama. Svemirska putovanja će nas učiniti besmrtnima. Treba da se vratimo na mesec i tamo  napravimo jednu bazu, kao odskočnu dasku za osvajanje Marsa... u narednih 20-30 godina, ali ja već neću biti na ovom svetu i to me mnogo rastužuje. Ali sahraniće me na Marsu, u krateru Chicago Abyss. Ostavio sam uputstvo o tome svojoj porodici. Biću prvi mrtvac na Marsu, iako nemam nikakvu nameru da umrem ubrzo. Doživeću stotu!

-Za kog kandidata će te glasati na predstojećim predsedničkim izborima?

Preferiram Rudija Đulijanija koji se već dokazao kao gradonačelnik Njujorka u borbi protiv kriminala. Ako bi demokrate bile za smanjenje poreza, glasao bih za njih. Ali ne sviđa mi se Hilari Klinton. Kada je njen suprug bio predsednik, reforma zdravstvenog sistema koji je on predložio je bila katastrofalna za našu zemlju. Šteta je što Arnold Švarceneger ne može da se kandiduje, on je dobar guverner. Ja sam član akademije i kada sam učestvovao u komitetu za dokumentarne filmove, podržao sam Pumping Iron - film iz 1977 koji je lansirao Švarcenegera na put zvezde.

-I dalje ste veliki optimista?

Zašto da ne? Moj život ide dobro, napredujem... predivno! Ako neko radi ono što voli on je srećan. Neki psihoanalitičari su me pitali kako to uspevam, ali nikad nisam depresivan ili uznemiren, osim kada umre neko meni drag. Kada je umrla moja žena, Margarita, napisao sam pesmu posvećenu njoj... U jednom braku  dešavaju se čudne stvari. Moja žena je htela da me ostavi, zato što smo imali previše dece i ona je mislila da sam ja kriv za to. Nisam želeo da se razvedem da ne bih bio daleko od moje dece i nastavili smo zajedno, kao majka i otac. Imao sam ljubavnice, ne da sam bio neki ženskaroš, ali kada te jedna prelepa žena zove na vrata i kaže ti "Volim te" kako da se oduprem? Bo Derek mi je predložila da idemo vozom na jug Francuske i tamo provedemo zajedno dva dana. Kad voliš onda živiš, ako stvaraš ljubav, dobre stvari pristižu svom silom.


(*1) - Pisac se obraća novinarki koja je francuskinja

[...]

Estas de Argentina? Como aprendiste castellano?

Saludos!

[scallop]

То су прави одговори. Волим Бредберија. Хвала за превод.

[zakk]

Ode Rej Bredberi 
Jutros, u 91 godini...

[zakk]

http://io9.com/5916175/

[zakk]

http://www.dangerousminds.net/comments/ray_bradbury_has_died

Ray Bradbury has died
06.06.2012
Paul Gallagher



Ray Bradbury, author of Fahrenheit 451, Something Wicked This Way Comes, Dandelion Wine, The Illustrated Man and The Martian Chronicles, died yesterday, June 5th, at the age of 91. Bradbury was a colossus of modern fiction, writing everything form fantasy, science-, and speculative-fiction to comedy, crime and mystery. He wrote twenty-seven novels, several screenplays, most notably for John Huston's film version of Moby Dick, as well as plays, and hundreds of classic short stories.

Despite such immense talent, Bradbury's mass popularity often overshadowed the quality of his writing, and its influence - his fiction formed the template for other speculative science-fiction and fantasy writers to follow. He had a poetic and lyrical style of writing, most notable in Dandelion Wine that made his authorial voice unmistakable.
Indeed the quality of Bradbury's writing helped science-fiction out of the pulp ghetto into the hallowed groves of literature. Though most associated with that genre, Bradbury denied he was a science-fiction writer, instead claimed he was  a fantasy writer whose work owed much to the traditions of classical literature:

"First of all, I don't write science fiction. I've only done one science fiction book and that's

Fahrenheit 451, based on reality. It was named so to represent the temperature at which paper ignites. Science fiction is a depiction of the real. Fantasy is a depiction of the unreal. So Martian Chronicles is not science fiction, it's fantasy. It couldn't happen, you see? That's the reason it's going to be around a long time—because it's a Greek myth, and myths have staying power."


Born in Waukegan, Illinois on August 22, 1920, Bradbury grew up in small town America - a world of dusty roads, with few cars, and tarmac avenues with old trolley buses ploughing the metal rails along main street. He also once claimed, in a BBC documentary, that his memory and experience was the source for much of his writing, and said his memory stretched back to his earliest experiences as a baby, being breast-fed in his mother's arms.

He grew up reading books and watching Flash Gordon serials at the local cinema, and monster movies with Boris Karloff, while following the adventures of heroes in the early garish comics that later went on to deliver Batman, Superman and Tales from the Crypt.

"Libraries raised me. I don't believe in colleges and universities. I believe in libraries because most students don't have any money. When I graduated from high school, it was during the Depression and we had no money. I couldn't go to college, so I went to the library three days a week for 10 years."

Reading inspired his writing and Bradbury started his own fictions, eventually submitting short stories to pulp magazines in his teens - his first published story was "Hollerbochen's Dilemma", which appeared in the fanzine Imagination! in January, 1938. He received his first check of $15 for his story "Pendulum" (co-written with Henry Hasse) in 1941, when it was published in Super Science Stories. By 1942, he was able to have a career as a writer, writing stories for the various pulp magazines that were then available.

He progressed from stories to novels, with first big success being The Martian Chronicles, which was aided by a chance meeting with author Christopher Isherwood, who admired Bradbury's work, and passed the book onto a critic who gave it a glowing review. From there, Bradbury had a career befitting the talents of such a great and marvelous man.

Bradbury's influence has infused much of our cultural world - from films to comics, science to the imagined landscape of small town America, which is still very much as he described it in his fictions. Indeed, Bradbury's vision of small town America was a precursor to Stephen King's Castle Rock.

I greatly admire Bradbury's work, and like everyone else grew-up reading his books, and regularly returned to them in my adult years. It seems as we grow older that all we reap is death, and this year has been a harsh harvest. Still, we should perhaps recall Bradbury's line fromFahrenheit 451:

"Stuff your eyes with wonder. Live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made up or paid for in factories."

R.I.P. Ray Bradbury 1920-2012.

Ray_Bradbury-Story_of_a_Writer 1963

[Gaff]

Slava mu! 

An Evening with Ray Bradbury 2001

[Truba]

rip

[zakk]

Emitor #451 posvećen Reju Bredberiju:

http://www.znaksagite.com/diskusije/index.php/topic,2245.0.html

[zakk]

http://dcist.com/2012/06/white_house_releases_statement_from.php

White House Releases Statement From Obama on Ray Bradbury



President Obama is a known science-fiction lover. Earlier this year, he posed for a photo with Star Trek actress Nichelle Nichols (the original Lieutenant Uhura) as the two shared the Vulcan salute. But it appears Obama is also fond of more literary sci-fi. The White House released a statement this afternoon on the death of Ray Bradbury, the author of Fahrenheit 451 and other classics of the genre who died last night in Southern California at age 91.

In the statement, Obama said of Bradbury:

For many Americans, the news of Ray Bradbury's death immediately brought to mind images from his work, imprinted in our minds, often from a young age. His gift for storytelling reshaped our culture and expanded our world. But Ray also understood that our imaginations could be used as a tool for better understanding, a vehicle for change, and an expression of our most cherished values. There is no doubt that Ray will continue to inspire many more generations with his writing, and our thoughts and prayers are with his family and friends.

LAist has more on the passing of Bradbury, who made imaginations of the future—both idealistic and dystopian—feel so much more realistic in a career that spanned nearly 70 years.

[lilit]

bilo bi lepo da neki ljudi žive večno.

http://www.techrepublic.com/blog/geekend/rip-ray-bradbury-the-man-who-dreamed-the-future/9645

R.I.P. Ray Bradbury - The man who dreamed the future, by Jay Garmon

Ray Bradbury passed away today at the age of 91. More or less the entire world is weighing in on his death, and for good reason. Bradbury was a pillar of the science fiction literary community, with honors to stagger the imagination. He worked with both Disney and Hitchcock, which should give you an idea of the breadth of his interests and abilities. The Internet is filled to bursting with Bradbury anecdotes and interviews, and they're all wondrous, but if you would indulge me, I'd like to share my one and only personal Bradbury story.

It's a bit of a doozy.

Like most adults my age (35), Bradbury wasn't originally much of an icon to me beyond his role as an author of Fahrenheit 451, his seminal novel most of us were assigned at some point in school. (If not, now is the time to beat your school board about the head with a titanium cluestick.) To pardon the pun, the book didn't precisely set me afire. I was more a Vonnegut man, as far as school-mandated sci-fi classics were concerned, particularly "Harrison Bergeron".

In 2002, that all changed thanks to Comic-Con International.

A friend and I ventured to Comic-Con for the first (and only) time that year, thanks in no small part to depressed travel prices after 9/11. We were there for the comics and any other media figures we met were strictly good fortune. On the Saturday of the convention, in the infamous Hall H, we made plans to see Ray Bradbury speak, mostly as a warm up for the next two headliners in the same venue: J. Michael Straczynski and Joss Whedon, respectively. Taking in Bradbury was just a way of snagging a good seat.

Ray was about to preemptively punk Joe and Joss by virtue of unmitigated awesome.

Bradbury strode in to the stage with a bit of frailty, being a mere 81 at the time, to a thunderous ovation. He took his seat, and was greeted by a nondescript moderator who asked him a series of utterly forgettable questions, most of them about Bradbury's "ironic" fear of flying. Fortunately, said moderator quickly had to bow out to run another panel, and in his place perhaps unknowingly organized one of the great happenstance reunions in the history of science fiction.

Ray Bradbury spent the next 50 minutes being "interviewed" by Julius Schwartz, the Editor Emeritus of DC Comics who practically invented the Silver Age and, prior to his work on funnybooks, just happened to be the literary agent for one Ray Bradbury. What began as a tepid Q&A panel quickly became one boisterous old friend goading another into recounting his greatest and most amusing accomplishments.

Bradbury, you see, had accidentally invented big chunks of the 20th century, and Schwartz was going to make him take credit. I'll convey what best I can remember of this legendary exchange.

Where to begin...

Bradbury began his career at 13, sending off handwritten sample scripts to the Burns & Allen radio show. One was good enough that George Burns actually wrote back with show notes. That's like Tina Fey having a professional exchange with a middle schooler who sent in a fan script for 30 Rock. Ray had pre-pubescent writing chops.

Bradbury wrote Fahrenheit 451 mostly as an excuse to get out of the house. His daughter was very young and he couldn't stand being cooped up in his LA home with a wife and baby, so he'd take a bag of dimes to the UCLA library and rent a typewriter for 10 cents per half hour. He could only write as long as he had dimes. The book was actually a rewrite of some short stories and a novella, but he knew there was a novel there somewhere and he wrote it in fits and starts with no initial editing. Fahrenheit 451 is considered one of the greatest novels of the 20th century, which outlines the threat of censorship and information warfare, and it was written on a rented typewriter simply to get Ray out of the house.

Fahrenheit 451 wasn't all that successful at first, but in 1953 Bradbury was approached by a young man looking to launch a magazine, and he was looking for a bit of a name to put on his first issue to help sell it. Unfortunately, the publisher didn't have much money. Bradbury agreed to let the guy serialize Fahrenheit 451 across three issues, paying him only for the first installment and, if the magazine took off, finishing out his rate for the next two bits. The publisher? Hugh Hefner. The magazine? Playboy. Without Ray Bradbury, there might never have been a Playboy magazine. Without Playboy, Fahrenheit 451 doesn't get famous. Let that sink in.

Ray did as much screenwriting work as he did prose, and he became friends with both Walt Disney and Ray Harryhausen. Bradbury would actually play with clay models in Harryhausen's garage. That's like George Lucas letting you build game avatars with ILM equipment.

Disney had Bradbury (and Werner von Braun) write some films in the 1950s about the hypothetical future of manned spaceflight. As such, Bradbury became sort of a media go-to guy for interviews about the space race. Unfortunately, considering that Soviets were clobbering the U.S. early on, most of these became ambush interviews where Bradbury was mocked as the starry-eyed writer who was professing technically impossible space nonsense just to sell books. Not to worry, Bradbury kept a list of all the anchors and journalists that treated him as such and, on the day Armstrong and Aldrin walked on the moon, Bradbury called each of them up. Of course they answered, hoping for a reaction quote from the great Ray Bradbury. Once the host was on the line, Bradbury simply snarked "stupid son of a @!*%#" and hung up. Ray Bradbury pranked major media figures on behalf of the space program.

Bradbury and Disney were personal friends, and as such one summer they took both their families to a carnival near Santa Monica pier — a particularly dingy and disappointing carnival. Disney told Bradbury he should write a story about the dark side of circuses and traveling amusements. Bradbury agreed, and wrote Something Wicked This Way Comes. Bradbury told Disney he should use all his Mickey Mouse money to build a decent carnival for their kids. Disney agreed, and built Disneyland. Seriously. Ray Bradbury told Walt Disney to build the most successful amusement park in history — and he did it.

I'm leaving out two-thirds of what I heard and saw in Hall H ten years ago, but these slivers convey exactly who and what Bradbury was, and his effect on our modern world. To sum up:

Wrote the seminal sci-fi novel arguing against censorship
Made Playboy magazine possible
Talked Walt into building Disneyland
Made the media treat NASA with respect
Not bad for a guy who started with a free afternoon and a bag full of dimes. Let us all be grateful for the life and works, known and unknown, of Ray Bradbury. We may not see his like again.

Automatically sign up for TechRepublic's Geekend newsletter!

[PTY]

RIP 

[PTY]

	HarperCollins to publish Ray Bradbury tribute book
	Wasting no time following the news of Ray Bradbury's death, Publishers Weekly is reporting that HarperCollins will publish a Bradbury tribute book in July. "Called Shadow Show, the book will be a collection of short stories from 26 authors honoring Bradbury and his contribution to the literary canon. It will be edited by Sam Weller and Mort Castle and will feature stories from Margaret Atwood, Neil Gaiman, Dave Eggers, Jacquelyn Mitchard, Bonnie Jo Campbell, and more."

[PTY]

Obama issues statement on Ray Bradbury's death

http://www.latimes.com/news/politics/la-pn-obama-issues-statement-on-ray-bradburys-death-20120606,0,1846140.story

[PTY]

http://www.amazon.com/exec/obidos/ASIN/0060545844/sfsi0c-20?tag=sfsi0c-20

   
• Hour of the Wolf interviews Ray Bradbury (podcast).
• Star Ship Sofa interviews Ray Bradbury (podcast).
• 
  
  http://www.amazon.com/exec/obidos/ASIN/0062122681/sfsi0c-20?tag=sfsi0c-20
  
  Next month, William Morrow is publishing a collection of Ray Bradbury tribute stories called Shadow Show.
  
  What do you imagine when you hear the name . . . Bradbury?
  You might see rockets to Mars. Or bizarre circuses where otherworldly acts whirl in the center ring. Perhaps you travel to a dystopian future, where books are set ablaze . . . or to an out-of-the-way sideshow, where animated illustrations crawl across human skin. Or maybe, suddenly, you're returned to a simpler time in small-town America, where summer perfumes the air and life is almost perfect . . . almost.
  Ray Bradbury—peerless storyteller, poet of the impossible, and one of America's most beloved authors—is a literary giant whose remarkable career has spanned seven decades. Now twenty-six of today's most diverse and celebrated authors offer new short works in honor of the master; stories of heart, intelligence, and dark wonder from a remarkable range of creative artists.
  In Shadow Show, 26 acclaimed writers have come together to pay tribute to the work of the one and only Ray Bradbury with never before published stories inspired by the master. The incomparable literary artist who has given us such timeless classics as Fahrenheit 451, The Martian Chronicles, The Illustrated Man, and Dandelion Wine, is being honored by some of the most notable names in the writing world—including Neil Gaiman, Joe Hill, Audrey Niffenegger, Margaret Atwood, Alice Hoffman, Robert McCammon, and more—with new short fiction that thrills, frightens, moves, and dazzles in the great Bradbury tradition. Edited by Sam Weller and Mort Castle, with an introduction by the man, Ray Bradbury himself, Shadow Show pays well-deserved homage to one of America's greatest, most celebrated authors.
  
  Neil Gaiman, a contributor to the anthology, has posted an audio recording of him reading his story "The Man Who Forgot Ray Bradbury, which appears in Shadow Show. It was originally released via the Kickstarter/fan-funded live album An Evening With Neil Gaiman & Amanda Palmer
  You can listen to Neil reading this beautiful story right here after the jump...
  http://www.sfsignal.com/archives/2012/06/neil-gaiman-reads-his-tribute-story-the-man-who-forgot-ray-bradbury/#more-56989

[mac]

Priča The Man Who Forgot Ray Bradbury, za one koji više vole da čitaju, nego da slušaju

http://io9.com/5918839/must-read-neil-gaimans-tribute-to-ray-bradbury

[Gaff]

They Have Not Seen The Stars, Part 1.wmv


They Have Not Seen The Stars, Part 2.wmv

[Alexdelarge]

FARENHAJT 451
Rej Bredberi

Izdavač: Laguna
Broj strana: 208
Pismo: Latinica
Povez: Mek
Format: 13x20 cm

479.20 din

[Nightflier]

Ovoga nije bilo u štampi valjda deset godina.

[Meho Krljic]

Kako je FBI video Bredberija:



"Definitely slanted against the United States" Ray Bradbury's FBI file

"The general aim of these science fiction writers is to frighten the people into a state of paralysis or psychological incompetence bordering on hysteria"