Srpski film by Srđan Spasojević

[Son of Man]

Nov ulicni izraz za kad je nesto dojaja nece vise biti "jebe mamu", nego jebe...  

Naravno, licno cu ga na kvarno poturiti sirim narodnim masama cim pre 

[crippled_avenger]

U pravu si, mac, snaja. Snaja nije seks simbol u narodu, dakle SRPSKI FILM suštinski nije relevantan dokument....

[Ghoul]

kako ljudi jedu govna na ovom AICN-u to nije normalno.
zapravo, kad bolje razmislim – jeste, tamo je to normalno. za razliku od nekih foruma, jelte.

elem, najglasniji i najproždrljiviji koprofili su oni koji film nisu ni gledali (većina).
evo jednog:

"While I haven't seen the film (and at this point, doubt I ever shall), I can almost guarantee that the one thing NOT SHOWN in all of the supposed depravity is a full-on shot of an erect penis. No way, no how. That's the one taboo that filmmakers today can't seem to shake. Show a boner for even a split second and suddenly you've made *egad!* PORN. Not only do I sense the transgressive nature of the film being overblown to a laughable extent, but I'm almost positive that I'm right about the squeamishness even these filmmakers will have for showing an aroused human male. And hey, if I'm wrong, how will I ever know? Like I said, I doubt there will come a day when I'll actually be so starved for entertainment that I'd need to watch this thing."
=pa, da demantujem ovog idiota, SF zapravo ima NEKOLIKO (kratkih) prizora penisa u erekciji (jebi ga, harv)!


zatim dolazi najodvratnija sorta koja postoji – BREEDERS!

"My twin girls turn 1 year old next week. My GOD, I've already decided this movie is an abomination based on what's being said in this talk back. I'm fucking nauseated and the makers of this garbage would be happy to know that. Damn, Harry, I don't know what to say to you . . ."

i sve tako.

[Ghoul]

još neki bi da se šlepaju na uspeh SRPSKOG FILMA:


MADE IN HUNGARY




SPANISH MOVIE

[crippled_avenger]

Those who think being gay is no longer an issue these days certainly don't work for film companies it would seem.

"I Love You Phillip Morris", the black comedy starring Ewan McGregor and Jim Carrey which first premiered at Sundance last year, has been delayed yet again according to The Los Angeles times.

Originally set for March 26th this year, the project got pushed back a month to April 30th. Now a spokeswoman for distributor Consolidated Pictures Group says that the film won't be coming out at the end of the month "and there is no release date scheduled at this time."

"Bad Santa" filmmakers Glenn Ficarra and John Requa helmed the based on a true story feature about a charismatic conman who escapes the Texas prison system on four separate occasions and is in love with his cellmate.

The film's unapologetically edgy comedy and showcasing an affectionate gay male relationship at its heart has lead to some divided though generally positive reaction at its festival premiere and subsequent screenings.

Though films can and do sit on a shelf for years without distribution, the fact that such a high-profile release is experiencing this treatment has raised a few questions about both the state of the independent distribution market and the reasoning behind the shelving whether it be financial, marketing, or something not yet clear.

[crippled_avenger]

Jedan lep dopunski tekst za diskusiju o SRPSKOM FILMU

[crippled_avenger]

SRPSKI FILM je prikazan u Briselu pred prepunom salom, doživeo ovacije a ekipa je dobila čestitke belgijskog princa.

[Son of Man]

hehe, mozda se to belgijski princ prepozno u filmu, kontam barem on ima para za privatni snuff 

Nego to sa princhevima bi moglo da ima dobru posledicu ako bi se objavilo u nasim medijima, da ovi nasi vide da to zaista valja kad jedan princ to pohvali, pa da se odobrovolje do jeseni ?

[crippled_avenger]

Sone, pravo kažeš. Ako se ko razume u perverziju to su Belgijanci. A on kao aristokrata mora da se upozna sa svim navikama i potrebama svog naroda, da se ne odrodi ni od jednog sloja.

[crippled_avenger]

Evo šta kažu stari izopačenici

A Serbian Film****

Regie: Srdjan Spasojevic

Met: Sergej Trifunovic, Srdjan Todorovic, Katarina Zutic, Ana Sakic

Speelduur: 104′

Dit is extreme cinema waar nog jaren over zal gesproken worden. Met stip de zwaarste, goorste, donkerste en meest grensoverschrijdende horrorfilm aller tijden!

Het verhaal: Milos (Srdjan Todorovic) is een ex-pornoster die gelukkig is samen met zijn knappe vrouw en een schat van een zoontje. Toch denkt hij soms nog wel eens terug aan zijn gloriedagen als dé pornoster bij uitstek. Niet voor de vele knappe vrouwen die voor zijn voeten neervielen, maar vooral omdat hij zijn vrouw en zoon veel meer kon geven! Het gezin van Milos heeft het namelijk niet breed en het is soms behoorlijk schrapen om rond te komen. Het is dan ook even twijfelen wanneer Milos plots een aanbod krijgt om tegen een erg hoog bedrag nog één keer mee te doen in een volgens de regisseur erg bijzonder en kunstzinnige pornofilm. Hiermee zouden al hun zorgen in één klap van de baan zijn! Er is echter één voorwaarde: Milos mag niet weten waarover de bewuste film gaat...

Ons verdict: We dachten dat we alles gezien hadden op het gebied van horror en geweld, maar toch kon niets ons voorbereiden op A Serbian Film. Dit stukje extreem gebalde cinema verlegt de grenzen van het toelaatbare zo ver (vergeet zaken als À l'intérieur en Martyrs), dat deze letterlijk niet meer op een legale manier kunnen overschreden worden. En bizar genoeg is de film nergens gratuit of extreem geweld zonder een reden. Integendeel! Regisseur Srdjan Spasojevic houdt 'ons' mensen weer maar eens een spiegel voor hoe 'naar de kloten' we wel niet zijn. De seksueel expliciete scènes en het extreem harde geweld komen in een sneltempo aan en hier en daar dreigt Sapsojevic zelfs even echt te ver te gaan. Vreemd genoeg is dat net wat deze film zo sterk of relevant maakt. Want hoe beestachtig, pervers en barbaars (kinderen zijn niet veilig overigens!) het geweld en de seks ook is, je kijkt niet weg! En er stond ook niemand in de zaal recht. Het was zelfs vaak bijzonder stil! Het contrast met de manier waarop alles is gebracht maakt het vaak allemaal nog net iets moeilijker te slikken. Want hoe je het ook draait of keert A Serbian Film ziet er geweldig uit. De film heeft feilloze montage, uitstekend camerawerk en daarbovenop is het acteerwerk ijzersterk.

Vooral Srdjan Todorovic is prijswaardig in de hoofdrol en het zou ons niet verwonderen als we deze even later in internationale of zelfs Amerikaanse films zien opduiken. Ook opmerkelijk is het effect van de verschrikkelijke oorlogen in Joegoslavië dat letterlijk in elke scène voelbaar is. De onvermijdelijke tegenstanders horen we al aankomen dat dit het tonen van dit extreme geweld, het over-the-top cynisme en de expliciete seks toch niet kan goedpraten en we stelden ons deze vraag soms ook wel af. Misschien is het net wat de regisseur en de producenten met A Serbian Film willen zeggen? Het is in elk geval een feit dat deze nihilistische mix van (bijna letterlijk!) maagomkerende seks, wraak en geweld ons van begin tot einde letterlijk tot het puntje van onze stoel heeft gehouden en dat is tegenwoordig bijzonder weinig films gegeven. Ook verdient regisseur Srdjan Spasojevic respect om zijn donkere visie zonder enige compromis tot het einde door te trekken. Niet iedereen zal even wild zijn van A Serbian Film en à la Irréversible of Salo zal de productie evenveel voor- als tegenstanders hebben. Hoe dan ook zal de prent niemand koud laten en is wat ons betreft met stip één van de strafste films op deze 28ste editie van het Brusselse International Festival of the Fantastic Film geweest tot nu toe. Een absolute must voor de diehard horrorliefhebbers met een erg sterke maag (dit is dit keer geen loze waarschuwing!).

Bekijk hier de al behoorlijk expliciete originele bioscooptrailer... als u durft tenminste!

A evo i Google Translatora

A Serbian Film ****

Director: Srdjan Spasojevic

By: Sergei Trifunović, Srdjan Todorovic, Katarina Zutic, Ana Sakic

Length: 104 '

This is extreme cinema for years about what will be discussed. Dot with the heaviest, coolest thing, darkest and most cross horror movie of all time!

The story: Milos (Srdjan Todorovic) is a former porn star who is happy with his beautiful wife and a darling son. Still thinks he still may go back to his glory days as the porn star par excellence. Not for the many beautiful women fell at his feet, but because his wife and son could give many more! The family of Milos has not quite wide and it is sometimes scrape to make ends meet. It is also doubt if Milos suddenly gets an offer from a very large sum to again participate in a very special, according to the director and artistic porn. This would all their worries at a stroke of his job! There is one condition: Milos may not know what the film is conscious ...

Our verdict: We thought we had seen in horror and violence, but nothing could prepare us for A Serbian film. This piece is extremely clenched cinema pushes the boundaries of permissible so far (remember things like À l'intérieur and Martyrs), that literally no longer legally be exceeded. And bizarrely, the film is never gratuitous or excessive violence without a reason. On the contrary! Director Srdjan Spasojevic is 'our' people but once again a mirror of how 'the balls' we do not. The sexually explicit scenes and violence are extremely hard in a fast pace and in some cases even threatening Sapsojevic here really go too far. Oddly enough this is exactly what this film is as strong or relevant. For how brutal, barbaric and perverse (children are not safe otherwise!) Violence and sex is, you do not look away! And there was nobody in the room right. Indeed, it was often very quiet! The contrast with the way things have been often makes it all just a little harder to swallow. Because no matter how you look at it A Serbian film looks great. The film is flawless assembly, excellent camera work and on top is the acting solid.

Srdjan Todorovic price is decent especially in the lead and it would not surprise us if we here later in international or even American films appear. Also noteworthy is the effect of the terrible wars in Yugoslavia in literally every scene is palpable. The inevitable opponents we hear all this coming showing this extreme violence, over-the-top cynicism and explicit sex still unable to talk and we imagined that question sometimes off. Maybe it's just what the director and producers with A Serbian film say? In any case, a fact that this nihilistic mix of (almost literally!) Maagomkerende sex, revenge and violence from start to finish us literally to the edge of our seats and took into movies nowadays that is very little data. Srdjan Spasojevic director also deserves respect for his dark vision without any compromise to the end by pulling. Not everyone here is wild A Serbian Film à la Irreversible Salo, or will produce as many supporters and opponents. Anyway, the picture no one indifferent, and what we are concerned with a dot of the nicest films in this 28th edition of the Brussels International Festival of the Fantastic Film've been so far. An absolute must for the diehard horror fans with a very strong stomach (this is not just a warning this time!).

putem Google Translatora

[crippled_avenger]

ekipa u akciji

http://dobanevinosti.blogspot.com/2010/04/srpski-film-u-briselu.html

[Kunac]

Nasty stuff... Party animals unleashed...

[Ghoul]

briselci nisu baš kupljeni SF-om, izgleda - barem ovi koji su se oglasili na IMDB kao komentatori.

evo ih dva komada, oba smoreno-ladno-neimpresionirana:

SPOILERS EDITED OUT!!!
slobodno čitaj!

I just saw this movie (April 16th 2010) at the 28th Fantastic Film Festival in Brussels. The director, producer and scriptwriter were present.
After reading about the atrocties that the movie depicts in some reviews online, I was prepared for a killer movie, had my stomach in a knot even before the screening started, and so it came as a total surprise that I didn't find the movie nearly as shocking as people told me it was gonna be.
"A Serbian Film" left me kinda cold. I found movies like "Irreversible" and "Martyrs" more profound and especially more realistic. But this movie just tried to shock as opposed to make people think (although the filmmakers told us on stage that what they really wanted to achieve, was precisely to make people think!), and I couldn't take it seriously, even for a moment. At least "Irreversible" and "Martyrs" had redeeming and artistic qualities, had real power, depth and emotion, managed to get under my skin and leave a lasting impression.
Sure, "A Serbian Film" is well made, beautifully photographed in scope, has sharp editing and a great disquieting soundtrack, but the acting is poor (the leading man does an excellent job but the main bad guy couldn't act his way out of a paper bag) and the scriptwriting just plain bad.
Nothing really interesting happens till way past the halfway mark, we don't really care for the protagonists, and when the lights came on most of the audience members had a "so that's it?" look on their faces.
As for the high expected shock factor? Yes, *SPOILERS CUT* a XXX does get *beep* but the dummy they use(d) is just laughable. The only "wow" moment for me came when our leading man runs out of bullets to kill the last bad guy and slowly pokes the guy's right eye out with his humongous rockhard c*ck. However, the movie does close with a line of dialogue that will shock a lot of people (it shocked me for sure), I guarantee it!
Maybe I've become desensitized to on-screen violence, but the fact remains that during this very first European screening of the film very few people left the screening, contrary to the American SXSW screening last month. Maybe us Europeans have stronger stomachs?
Do I think "A Serbian Film" is a good movie? No. Should it be seen by fans of this particular genre? Yes. Does it deserve a limited release in theatres? Well, I believe adults (and ONLY adults!) with their heads well screwed on should be able to go and see it and make up their own minds. Do I consider this movie to be pure trash? Kind of. Is it entertaining? Hardly. Dangerous? Don't think so. Do I want to see it again or have the movie in my DVD collection? Not really. Amen.

to je sve napiso izvesni roncub001

a evo šta je na IMDB-u reko neki cocopsycho:

Srpski Film is not a film. It's just marketing...

Everybody knows the recipe; if you want to become famous in the film-industry, and you don't have enough money to make a good all-audience-film, you make a clever horror/slasher/shocker/you name it. The history of cinema, and more recently of Asian cinema, is full of those attempts and some are clever indeed.

I saw Srpski Film yesterday at the BIFFF (Brussels) and it's not clever. I guess that the producers, while reading the scenario, must have thought "Yes we've got it, a movie like anything ever seen before". And their second thought must have been "if we do this the right way, this movie might even be distributed by Quentin Tarantino in the US".

The movie is bad instead of bad-ass. It's a mixture of things, well, that we've seen before. Too many to name.

Basically:
1.It looks like a "German film of the early 90's" in its "wanna-be-but-is-not" aesthetics. Don't get me wrong, Germans are making good movies again, but that's not the point here.
2.The story is kind of interesting if you have no knowledge whatsoever on the reality of the adult entertainment industry. But if you do, it's impossible to believe the storytelling.
3.It takes too long to get to the point, and once there, the movie is almost over. And yes, there are some surprises but none that you can't suspect. Se7en is already 15 years old and already back-then, you knew what was in the box at the end of the movie. And when it comes to surprises, nothing beats Asian Cinema (e.g., Park Chan-wook trilogy,...)
4.The horror: yes there's horror. And porn. Horror and porn have been mixed before, but it was always very "Z". I guess the main concept-here was: let's try to take the Z out and make a B-movie. And it could have been a great B-movie in 1995.

So, what's left, is a succession of scenes that wants to bring you to the idea that this is "the most insane film ever made". And there's nothing more about it than the marketing of that idea. So it's not really a movie. More a cheap attempt to fame; too much art is lacking here. And we've seen movies without art before that were interesting because there was still some humor left. But there's none here. So what's left? An end-scene that will only truly shock bigots? Is that enough?  

[crippled_avenger]

Izgleda da su loši komentari sklonjeni sa IMDBa verovatno zbog spoilera.

[Kunac]

Ima ih na mesidž bordu.

[Vampirella]

Izgleda da su loši komentari sklonjeni sa IMDBa verovatno zbog spoilera.

Tesko mi je povjerovati da zbog toga skidaju komentare... Imaju spoiler alertove na svakom cosku.

[Ghoul]

neke od fraza kojima su neki preko gugla dolazili do bloga TEMPLE OF GHOUL u poslednjih par dana:

how does Serbian film ends(spoilers)?

Artists pornographic images of Serbia

a serbian film spoil the ending

a serbian film kids in mind

srpski film what exactly happens details

[borkes]

Sva (ne)sreća pa se skoro sve to može naći na imdb messege boards...

[Son of Man]

Ma ko im jebe mater onu inostranu, nek čitaju, ja bi im dao i full sinopsis kad su tolko nenormalni, ej bre oces da gledas film sa twistovima i shokovima a čitaš unapred, gde je tu ono malo aktivnog mozga ?!   

[Ghoul]

ja sam zaprepašćen koliko je veliki broj ljudi koji izričito TRAŽE SPOJLERE! na forumima, mesidž-bordovima, u komentarima ispod članaka, a evo i u intimnim razgovorima sa guglom - ljudi oće da znaju SVE i da znaju ODMAH: oće detalje - ŠTA se, tačno (detaljno) dešava u filmu, šta biva NA SAMOM KRAJU, kako, tačno, glasi POSLEDNJA REČENICA u filmu, itd.

ja razumem da je svet pun idiota i imbecila i kretena, jasno je da je svet prepun glupaka, ali mi nije jasno da je moguće da se TOLIKI BROJ stvorova zainteresuje za jedan evidentno dobar i gledanja vredan film, i taj interes onda ispoljava time što hoće da imaju detaljan opis svake scene u njemu PRE NEGO ŠTO GA POGLEDAJU - uključujući i sam kraj!

izvinte, al meni se vrti u glavi od takvih 'umova', i od činjenice da ih ima tolko mnogo.

pa jebote, sačekaj malo ako te baš zanima pa POGLEDAJ JEBANO FILM, nemoj da krstariš po forumima i smaraš ljude koji su gledali da ti otkrivaju ŠTA JE BILO NA KRAJU, koji su HAJLAJTOVI, itsl.

[Son of Man]

Mozda nemaju jaja da pogledaju film a voleli bi da se kurce okolo, ili ne zele da im se ogadi zivot ali ih bizarna radoznalost goni da saznaju sta je to tolko zajebano u SF a o cemu tolki priznati kriticari drve na sva zvona ?

[---]

meni je to ok. čak bi mi bilo super, mada sam skeptičan, da se u tom domenu/žanru/vrsti publike zaista formirao "dijalektički gledalac". breht bi bio zadovoljan. taj gledalac ne vidi zašto neko treba da ga uljuljkuje u izmišljene svetove i smara ga identifikacijom s likovima, nepoznavanjem visprenih obrta u priči, eda bi manipulisao njegovim emocijama i vodio ga tamo gde želi. hoće da zna sve pre nego što sedne da gleda film i da onda sa distance razmišlja o filmu a ne da se prepušta tuđoj ruci reditelja/scenariste.

ali bojim se da nije to u pitanju.

[Le Samourai]

Ja se secam vhs dana, kada je chesto kraj kasete umeo da ti otkine kraj filma; e gde je tada bio internet da mi pojluje shta se dogodilo u poslednjih pet minuta kojih na kaseti nije bilo...

[Son of Man]

 

[lou benny]

imbecila

embecila  

[borkes]

Ja sam gledajući trejlere (i čitajući rivjue filma) pokušao da pohvatam tok radnje filma, i mislim da sam donekle u tome uspeo. I ovako sam već digao ruke od gledanja ovog filma jer to trenutno deluje nemoguće. 

Inače, iako se ne uključujem u te imdb debate, pratim ih... I donekle razumem neke od njih jer i oni pokušavaju da saznaju što više o filmu budući da ga možda nikada neće videti...

[Son of Man]

pa brate pojavice se DVD kad tad, kako ga mozda nikad nece videti ? 

[Ghoul]

meni je ova tipično srpska apatičnost i defetizam, čak i u noći onako fantastične i skoro natprirodne pobede, zaista - nepojmljiva!

uveren sam da će SVI oni koji to uopšte žele, moći da SF overe, na ovaj ili onaj način, najkasnije do oktobra o.g.

[borkes]

pa brate pojavice se DVD kad tad, kako ga mozda nikad nece videti ? 

Pojaviće se kad tad... A to može da bude i za dve godine... E sad ti zamisli da die hard fan srpskog filma (zvuči smešno, ali tako je) treba da čeka toliki vremenski period

uveren sam da će SVI oni koji to uopšte žele, moći da SF overe, na ovaj ili onaj način, najkasnije do oktobra o.g.

Iz tvojih usta u božje uši...

[Son of Man]

More, ako ga ne budem pogledo do tog oktobra ima da me vodiš kod Ace da gledamo skriner  

Obecaj ili ce da padne obijanje prostorija contra filma i skriner samo uradi Liiiiiiik 

[Tex Murphy]

Ova dva rivjua gore nekako idu u skladu sa mojim najcrnjim preskordicijama o filmu
Srećom, jedan od kritičara filma voli Irreversible i Martyrs, tako da to možda možemo da pripišemo i njegovom nedostatku ikakvog ukusa.

[Son of Man]

Moracu ovih dana da repriziram Hostel, samo jednom sam ga gledo, i to neki skrnavi TC 

[Ghoul]

evo ga još jedan briseljanin koji NIJE kupio SF.
ne kažem da je to obavezno; njegova reakcija je, što bi rekli kripl i njegovi minioni, 'legitimna'.
samo me malkice čudi da su iz texasa dolazile preovlađujuće pozitivne i oduševljeno-šokirane reakcije, uz tek ponekog skroz zgađenog, dok iz brisela ne videh još nijednu pohvalu, a ovo je već 3. ili 4. izrazito kritički nastrojen rivju otuda.
ne znam dal je u pitanju kontrast detinjasto-naivnih amera vs. blaziranog euro-chica ili šta, ali lajtmotiv dosadašnjih komentara iz brisela se svodi na: 'pih, mene niste kupili tim vašim jeftinim šokovima'.

evo šta kaže ovaj, sa imdb-a:

They want us to think all East-Europians are sick and twisted perverts?!?

25 April 2010

Author: Coventry from the Draconian Swamp of Unholy Souls


"A Serbian Film" played at the Brussels Festival of Fantastic Film, and I simply had to watch it because it came with all kind of warnings like "this movie contains extremely violent scenes that might shock some people." Okay, usually I'm not the least bit impressed by this sort of clever tricks to lure more people to the theater, but in this case it must have some kind of significance, because the regulars at this festival are quite used to seeing extreme bloodshed, perversity and madness. If the organizers of this particular festival felt there was a necessity to provide additional warnings to this crowd of loyal genre fanatics, than this must be an exceptionally shocking film. And it is ... Well, let's just say there are certain sequences that are too revolting for words, but naturally the film itself is nothing extraordinary or even half-decent viewing material. The explicit pornographic footage is shocking merely for the sake of shocking and the most controversial sequences (one involving a newborn baby) are totally redundant and have absolutely no adding value.

Personally, I'm having difficulties understanding what exactly the makers of "A Serbian Film"wanted to accomplish here. Thanks to films like "Hostel", half of the world already thinks that East-European countries are rotten places and that all the people living there are sick and violent psychopaths. With this film, writers Aleksander Radivojevic and Srdjan Spasojevic only seem to confirm and intensify this sordid reputation like they are proud of living in a country the rest of the world thinks is a hellhole. Both gentlemen were present at the Brussels Festival to promote their film to die-hard cult audiences and naturally they were asked why they felt the need to make such a heinous and disturbing movie. They replied that the movie contains a massive amount of frustrations that are irrevocably linked to living in Serbia, like continuous economic recession, post-Yugoslavian war traumas and political instability. Okay, I can relate to that, but is shooting a brutal and vicious pseudo-snuff film really the right way to process this oppressed anger?

The story introduces retired and literally hung-like-a-horse porn star Milos. He's worried about not being able to support his wife and son these days, but then he receives an offer he can't refuse. The sleazy Vukmir wants Milos to play the lead part in his supposedly experimental and artistic motion picture and offers him a paycheck he can't possible resist. The only condition is that Milos doesn't have any insight in the script and shoots his scenes on a day by day basis. Quite obviously Vukmir is producing a snuff movie and forces Milos, whether or not under the influence of drugs, to do extremely nasty stuff to his co-actresses in front of the camera. Undoubtedly, "A Serbian Film" is deeply unpleasant and grim, but the film isn't so much disturbing as it is gratuitous and provocative. You could tell the makers were proudly smirking when people stood up and walked out of the theater before the film was finished. The depiction of sex and violence are disgusting, but especially the tone and narrative are mean-spirited. And yet, all "A Serbian Film" is pretty well-made with imaginative camera-work and rough but professional editing. The soundtrack is terrific (that is, if you like loud and boisterous house tunes) and the acting is pretty decent. The film contains at least four sequences that I'll never ever forget in my life. Yikes.

[Ygg]

Moracu ovih dana da repriziram Hostel, samo jednom sam ga gledo, i to neki skrnavi TC 

Znači gledao si ga jednom previše.

[Le Samourai]

Chinjenica je da se Amerikanci mnogo vishe impresioniraju shokantnim, "zabranjenim" i inim stvarima, jer su ipak u mnogo sanitizovanijem filmskom okruzhenju od bilo evropljana bilo azijata.

[Tex Murphy]

Moracu ovih dana da repriziram Hostel, samo jednom sam ga gledo, i to neki skrnavi TC 

Znači gledao si ga jednom previše.

Pih. To je i dalje mnogo manje puta nego što si ti gledo ono smeće od Plesa u tami.

[Son of Man]

Evo sta kaze jedan pratilac CHEX bloga, inace "nas covek" iz Washingtona :

The Art of Hate

Harry Knowles, the premier movie geek of Ain't It Cool News, says "Serbian Film" (Srpski film) is "brilliant", "tremendous" and "extreme", and has to be seen to be believed.

It is also a story about the sickest, most depraved dark corners of the underground porn industry. We're talking things that are illegal for a reason. But, you see, what first-time director/producer Srdjan Spasojevic set out to do was not make just a snuff or exploitation movie (which this most assuredly is). Oh no, his intent was to make a metaphor for Serbia itself.

That is why it's called "Serbian Film" and not, for example, "Snuff". All the sick depravity in it is supposed to represent the country, the society, the people of Serbia. In the words of reviewer Todd Brown, "This is a film meant to punish, not to entertain, and it succeeds absolutely. It is genuinely sickening and that is entirely the point."

"Serbian Film" is actually an anti-Serbian film.

Spasojevic, the director, doesn't deny his film is meant to be a metaphorical representation of Serbia. He claims that the film was entirely financed "privately, with donations and contributions from friends." Donations from whom? What sort of "friends"? This kind of money doesn't grow on trees, least of all in Serbia - where the only people with money are crooks and politicians (or is that redundant?). And oh yes, foreigners. Could it be that the "Serbian Film" was funded by the same people who fund Natasa Kandic, Sonja Biserko and other "NGO" vampires, whose only job for the past two decades has been to denigrate, defame and destroy everything Serbian? This is mere speculation on my part, mind you, but I would not be shocked if it ends up being true.

At least we know that Spasojevic didn't get a penny from the government; that's sort of surprising, given that official Belgrade shares his Serbophobia and automasochism. In fact, Spasojevic complains about the lack of official support, arguing that "This is a matter of culture, that represents Serbia in the world." (see interview in Serbian, here)

He has a point, in a way; a horrific, self-hating botched WW1 epic ("St. George Slays the Dragon") got copious government funding, even though its levels of Serb-hate and defamation are child's play compared to "Serbian Film". If one can't get paid for Serb-hating in today's Serbia, what can one get paid for?

That even the government is drawing the line at Spasojevic's magnum opus speaks volumes about its depravity.

The damage is already done, of course. Spasojevic's cinematic equivalent of "Piss Christ" is already touring the festivals in the US and elsewhere, "representing Serbia" to people already all to willing to see it as demonic, depraved and deserving of destruction. In the words of one reviewer,

Never again will you be able to hear or read the innocent phrase "a Serbian film" without a reflexive awakening of the searing images that Aleksandar Radivojevic (screenplay) and Srdjan Spasojevic (co-writer and director) have put on screen.

I just hope Spasojevic gets the reward he so richly deserves for this immense contribution to his nation's culture and history.



Ovaj lik ocigledno ocekuje da se i SF uskoro pojavi na CHEX-u 

[crippled_avenger]

Chinjenica je da se Amerikanci mnogo vishe impresioniraju shokantnim, "zabranjenim" i inim stvarima, jer su ipak u mnogo sanitizovanijem filmskom okruzhenju od bilo evropljana bilo azijata.

Mislim da je obrnuto. Mislim da su Amerikanci genetski bolje predisponirani na gledanje filmova, jer oni ipak dolaze iz zemlje koja je učinila film jednim takvim globalnim fenomenom i u čijem je društvenom tkivu holivudski model pripovedanja - priče o herojima, uzbudljivim događajima, hepiend itd. SRPSKI FILM je po svom konceptu u suštini na liniji američkog trilera, njegova dinamika je takva da je Amerikancima izuzetno pitak i razumljiv, a Evropljani to nedovoljno cene. Mislim da Evropljanima u suštini smeta što film nije arty kako bi kroz umetničarenje opravdao svoje nasilje i ostale nestašluke.

[Le Samourai]

Mozhe biti i to, nazhalost nisam josh pogledao film, pa ne znam koliko je americhki, a koliko azijski inspirisan.

[Alex]

Ovo što piše ovaj tip gore je najverovatnije tačno. Samo će šteta biti minimalna, jer će malo ko gledati film, a i mnogo će ga brže zaboraviti nego što to misle po izlasku iz bioskopa, kao što i košmarni snovi izvetre ubrzo.

[Ghoul]

Tekst i coverage Srpskog Filma u najnovijem broju Maxima: neobuzdana (i nepotpisana) ejakulacija od texta na 6 izdašnih i bogato ilustrovanih strana!

[borkes]

Naravno, čim sam pročitao vest ovde, odmah sam otišao i kupio novi Maxim.

[Ghoul]

teško da će hipersuperlativi u tom textu učiniti mnogo za tvoje smirenje i strpljenje u iščekivanju filma...
čak naprotiv.

[borkes]

teško da će hipersuperlativi u tom textu učiniti mnogo za tvoje smirenje i strpljenje u iščekivanju filma...
čak naprotiv.

Šta reći osim - u pravu si
Mada sam bar shvatio kako Vukmir završava u filmu

[Ghoul]

neki šaljivdžija u komentarima na tviču:

The shovel being broken across the back of Serbia is the same one being used to slowly bury the United States. Since 1990 the former Yugoslavia has been the globalist's lab rat for destruction of the independent nation state. As and where the successive republics could not simply be bought off they have been subjected to every form of subversion and aggression; military, economic, political, academic and cultural. In both the US as well as Serbia the minions and muppets of George Soros and his sick fraternity have found that the perversion of civic and personal virtues with the aid of cheap traitors can succeed in destroying a nation where no number of bombs or sanctions could in years past. In spite of a comprehensive and punitive disadvantaged status imposed on the Nation's advancement, Serbia had, up to now no less managed enrich the world the unique vision of her prolific cinematic culture that has above all else, defended and illuminated the humanity of the Serbian people in a hypocritical world that would still dismiss an entire people as sadistic monsters. With the release of the pornographic garbage that is "A Serbian Film" this last bastion of pride and also brutally honest self critique is forever tainted in it's context. And so as the further destruction and shame wrought on Serbian society and culture declares this experiment a success, be sure that we will see similar regressive efforts financed and mainstreamed in the United States as they eagerly redraw our also once proud free and sovereign nation as something not worth saving in the popular view of humanity.

[crippled_avenger]

Intervju sa Acom Radivojevićem možete slušati ili skinuti kao mp3 odavde.

[Ghoul]

evo jedne reakcije iz brisela, ali u pitanju je zvanični rivju a ne anonimni komentator.

text je guglom preveden sa holandskog, pa ne očekujte čistu sintaxu i lexiku - ipak, daje vam jasnu ideju o čemu je:

This is extreme cinema for years about what will be discussed. Dot with the heaviest, coolest thing, darkest and most cross horror movie of all time!

The story: Milos (Srdjan Todorovic) is a former porn star who is happy with his beautiful wife and a darling son. Still thinks he still may go back to his glory days as the porn star par excellence. Not for the many beautiful women fell at his feet, but because his wife and son could give many more! The family of Milos has not quite wide and it is sometimes scrape to make ends meet. It is also doubt if Milos suddenly gets an offer from a very large sum to again participate in a very special, according to the director and artistic porn. This would all their worries at a stroke of his job! There is one condition: Milos may not know what the film is conscious ...

Our verdict: We thought we had seen in horror and violence, but nothing could prepare us for A Serbian film. This piece is extremely clenched cinema pushes the boundaries of permissible so far (remember things like À l'intérieur and Martyrs), that literally no longer legally be exceeded. And bizarrely, the film is never gratuitous or excessive violence without a reason. On the contrary! Director Srdjan Spasojevic is 'our' people but once again a mirror of how 'the balls' we do not. The sexually explicit scenes and violence are extremely hard in a fast pace and in some cases even threatening Sapsojevic here really go too far. Oddly enough this is exactly what this film is as strong or relevant. For how brutal, barbaric and perverse (children are not safe otherwise!) Violence and sex is, you do not look away! And there was nobody in the room right. Indeed, it was often very quiet! The contrast with the way things have been often makes it all just a little harder to swallow. Because no matter how you look at it A Serbian film looks great. The film is flawless assembly, excellent camera work and on top is the acting solid.

Srdjan Todorovic price is decent especially in the lead and it would not surprise us if we here later in international or even American films appear. Also noteworthy is the effect of the terrible wars in Yugoslavia in literally every scene is palpable. The inevitable opponents we hear all this coming showing this extreme violence, over-the-top cynicism and explicit sex still unable to talk and we imagined that question sometimes off. Maybe it's just what the director and producers with A Serbian film say? In any case, a fact that this nihilistic mix of (almost literally!) Maagomkerende sex, revenge and violence from start to finish us literally to the edge of our seats and took into movies nowadays that is very little data. Srdjan Spasojevic director also deserves respect for his dark vision without any compromise to the end by pulling. Not everyone here is wild A Serbian Film à la Irreversible Salo, or will produce as many supporters and opponents. Anyway, the picture no one indifferent, and what we are concerned with a dot of the nicest films in this 28th edition of the Brussels International Festival of the Fantastic Film've been so far. An absolute must for the diehard horror fans with a very strong stomach (this is not just a warning this time!).

[crippled_avenger]

Ja se nadam da bismo SRPSKI FILM možda već mogli da vidimo na letnjim festivalima kod nas. Spremite se za road tripove po Srbiji

[WARLOCK]

Umro sam os smeha procito jedan komentar sa trejlera Srpskog filma   


BOZE SACUVAJ!!!

SRPSKI FILM

BOLESNE PERVERZIJE NEKOG PSIHOPATE!!!

Sta je bre ovom nasem narodu?

Zar nemamo lepsih i boljih stvari da snimamo, ocemo u Evropu sa ovim...

NIKADA!!!

Ima da nam se smeju i dalje da nas pljuju i kazu da smo VARVARI koji samo umeju nasiljem da se KORISTE...

U IME HRISTA MOLIM SAV KULTURAN SRPSKI NAROD DA SE ODAZOVE OVOJ SRAMOTI I BRUCI!!!

Ovo nije film vec "NOCNA MORA NECIJA"

BOLESNA DECIJA MASTA PSIHOPATE!!!

HRISTOV BLAGOSLOV I MIR BOZIJI

BRACO I SESTRE !!!

[crippled_avenger]

Intervju sa rediteljem SRPSKOG FILMA Srđanom Spasojevićem

http://www.slobodnadalmacija.hr/Kultura/tabid/81/articleType/ArticleView/articleId/101831/Default.aspx