Film zavređuje poseban topic zato što donosi osveženje na scenu, a i zato što potiče iz zemlje koja nije poznata po žanrovskom filmu. Šveđani pokazuju da i oni vampire za trku imaju. Doduše, o nekoj prevelikoj originalnosti ne možemo govoriti, ali Låt den rätte komma in nudi 2 sata kvalitnog užitka.
Posebnu pohvalu zavređuje maloletna Lina Leandersson, curica koja je upela da u svom debiju ostvari izuzetnu ulogu. Hemija između nje i Kårea Hedebranta je sjajna i neophodna da bi film funkcionisao.
Jel ima maloletne golotinje?
...ni najmanje, ima bosih stopala, osnovnoškolaca u kupaćim kostimima/gaćama, golih ramena, i to bi bilo to...
Quote from: "DušMan"Jel ima maloletne golotinje?
ima.
teo sam da okačim capture vampire pussy, al se setih da oni smradovi sa imageshacka ne bi imali razumevanja za naše filmofilske namere...
Je'l moze neko da da linkove za skidanje tog filma?
Quote from: "DušMan"Jel ima maloletne golotinje?
Quote from: "ginger toxiqo 2 gafotas"...ni najmanje, ima bosih stopala, osnovnoškolaca u kupaćim kostimima/gaćama, golih ramena, i to bi bilo to...
Pa, zapravo, ima ona jedna scena, šokerka :oops: :oops: :oops:, ali ne treba o njoj pisati da se ne pokvari iznenađenje. Akcenat definitivno nije na golotinji, a istraživanje maloletničke senzualnosti je suptilno i u lirskom ključu. Ali se zato tanatos istražuje detaljno i nesputano... :)
Quote from: "Usul"Je'l moze neko da da linkove za skidanje tog filma?
Film još nije procureo na net: što ne znači da se tako nešto neće dogoditi svakog časa.
Quote from: "Kunac"Film još nije procureo na net: što ne znači da se tako nešto neće dogoditi svakog časa.
Aj ga pusti recimo na T3... :!:
Quote from: "Shozo Hirono"Quote from: "Kunac"Film još nije procureo na net: što ne znači da se tako nešto neće dogoditi svakog časa.
Aj ga pusti recimo na T3... :!:
Imam DVD prerezak, a kako disk na sebi ima neko oštećenje, ne mogu ga kopirati, rezati, divixovati...
Ako želiš, poslaću ti DVD poštom pa ga pogledaj. Nije problem. Samo mi pošalji adresu na PM.
ne brigaj šozo, imam i ja film na DVDu, bez oštećenja, nego rekoh da ne puštam u promet strogo pov. materijal...
mada, ako me ubediš.... :wink: :lol:
evo mog prikaza na engleskom!
http://www.beyondhollywood.com/let-the-right-one-in-2008-movie-review/
a ko ne zna engleski, evo i srpske verzije:
http://popboks.com/tekst.php?ID=6608
evo šta o najboljem hororu 2008. (za sada!) ima da kaže Lucius Shepard:
...but it was not the best film in the competition at NIFFF. That honor belongs to an elegant Swedish vampire movie Let the Right One In, directed by Thomas Alfredson and adapted for the screen by John Alvide Lindqvist from his best-selling novel. Set in 1980s Sweden, in and around a drab apartment complex in a mid-size town, the film focuses upon the relationship between a twelve-year-old boy and a girl of approximately the same age who moves into the apartment next door.
Quiet, poetic, sincere, and sweet are not words normally used to describe a vampire picture, but this—as Alfredson's nuanced and layered direction details—is that rarest of animals, an original vampire picture. It's also a love story, a coming-of-age-story, and a discourse on marginality and exclusion leavened with touches of black humor. Oskar (Kare Hedebrant) is neglected by his single mom and bullied at school. He keeps a notebook of the things he'd like to do to his tormentors and is obsessed with newspaper articles on violent crimes. In the first scene, we see him—a blond, almost albino child standing in his bedroom in his underwear, thrusting a knife at the air and saying, "Squeal like a pig!" He keeps bumping into Eli (Lina Leandersson) outside their building at night and eventually she befriends him, urging him to strike back hard at the bullies. Eli is, of course, the vampire of the piece, "parented" by the bumbling Hakan, a middle-aged man who spends his nights collecting the blood that sustains her (though it is unstated, it becomes apparent that he does this in order to prevent the creation of new vampires). He poisons his victims with halthion, hangs them upside down in a snowy park, slashes their throats, and drains the blood into a jerry can. It's a testament to Alfredson's skill that he manages to make this all seem like drudgery, not Grand Guignol, and thus sustains our sympathy for the killer and his ward.
More typical cinematic violence occurs, to be sure, when Eli is forced to seek blood on her own; but these sequences are inventive and wonderfully staged, and contrast so greatly with the film's icy cinematography and deliberate, moody pacing, that when they arrive they impact the audience with a dreamlike intensity. The violence is further ameliorated by the trust and sweetness of the developing relationship between Oskar and Eli. They become each other's fantasy—I'm not speaking of vampire and potential victim, but of the soul mate one improbably finds next door. The two leads give stunning performances. The slow unspooling of the movie allows them to render their characters with a bright specificity—the sultry, watchful Lina and the slyly optimistic Oskar—and this in turn lends their unconsummated, almost otherworldy love a poignant reality. They're creepy and violent, yet compelling in their vulnerability. That's why I was flabbergasted when one member of our jury said he found the children "inexpressive," and another said there was something wrong with the pacing. I was so taken aback, I don't think I managed a suitable response and I blame myself for not being more on the ball and putting up a better fight. I'm not sure what they wanted to see—perhaps they missed the jump cuts and histrionics that certainly will attend the American remake, due out in 2010.
The title, Let the Right One In, is lifted from a Morissey song and refers to the myth that vampires can only enter a home into which they have been invited. It presages a key scene in the picture, and it might also be seen as an admonition to those who sat in judgment: Let the right one win. Yet I don't suppose I should feel too badly for Alfredson and Lindqvist. Let the Right One In has already won the award for best narrative feature at the prestigious Tribeca Film Festival, a remarkable achievement for a genre film, and been awarded major prizes at festivals in Denmark, Sweden, and Edinburgh. Its failure to win at the NIFFF stands less as a comment on the filmmakers and their brilliant movie than on the shabby performance of the jury.
Quote from: "Lucius Shepard"That's why I was flabbergasted when one member of our jury said he found the children "inexpressive," and another said there was something wrong with the pacing. I was so taken aback, I don't think I managed a suitable response and I blame myself for not being more on the ball and putting up a better fight. I'm not sure what they wanted to see—perhaps they missed the jump cuts and histrionics that certainly will attend the American remake, due out in 2010.
Taman sam teo da rantujem kako amerima treba zabraniti da gledaju američke filmove, kad sam skontao da je taj NIFFF švicarski festival, i to prilično ok po tome što prikazuju i nagrađuju. I kako sad ovo objasniti?
objasniti - šta?
što je festival OK, ili što članovi žirija (koji su takođe fino odabrani) nisu skontali 1 odličan film?
rekao bih: dešava se i jedno i drugo.
eto, ni mene LET... nije sasvim kupio na I već tek na II festivalsko gledanje (s tim što sam ja, takođe kao član žirija, još pre gledanja znao da ću mu dati nagradu :wink: :evil: )
inače, sasvim sam siguran da je dante bio taj kome su deca bila neexpresivna, a da je gensu to sve bilo presporo i nedovoljno uzbudljivo.
Da ne davim - najbolji film koji sam odgledao ove godine. Iako je, bar na papiru, to film o vampirima, mnogo više je drama i kao takav se može preporučiti gotovo svakom. Scena u bazenu je pravi biser, a isto važi i za veoma emotivnu završnicu. Za svaku pohvalu je kako se kadrovi švedskih šuma pod snijegom smjenjuju sa emotivnom prazninom koju osjeća glavni junak. Potpuno nepretenciozan film koji prosto vozi od početka do kraja. Preporuka i 8-/10, na prvo gledanje.
Zna li neko mozda link odakle moze da se skine ovaj film?
Quote from: "mafija_x"Zna li neko mozda link odakle moze da se skine ovaj film?
zna li ?
samo moji najbliži i najverniji sledbenici povlašćeni su tom privilegijom.
Od koga je dobro je :lol:
mat cloverfield rivs će da radi usa rimejk. :roll:
Quote from: "Ghoul"mat cloverfield rivs će da radi usa rimejk. :roll:
Evo šta o tome kaže Moriarti sa AICNa...
Hey, everyone. "Moriarty" here.
Y'know, I liked CLOVERFIELD. I've actually given copies of the film as a gift. I think Matt Reeves is a promising filmmaker, and I'm curious to see what sort of genre fare he's responsible for in the next few years.
But I'll be goddamned if I'm going to put on a smile and pretend like I'm excited about anyone remaking LET THE RIGHT ONE IN. I think it's a rotten, corrupt idea, and considering Magnet/Magnolia is getting ready to release the original theatrically this month, it's just obscene to already be struggling to figure out how to jam this beautiful, unique, brilliant little film into the Hollywood meat machine just so we can turn it into yet another pre-packaged meatball.
Why?
What is Matt Reeves going to bring to this movie that the original didn't already manage?
"Well, with a larger budget, we can show all the things that are just suggested in the original."
Morons. Fools. One of the many virtues of the original is the way it suggests things. There's a brilliant scene in a swimming pool that could ONLY work the way it is shown in the original. If you were to do the big-budget version of that sequence and show everything, you'd fuck it up.
"Well, if we make the kids a little older we can..."
Stop. Seriously. If you make them teenagers, then it's TWILIGHT, and you have to deal with other issues like sexuality and the sort of PETER PAN idea of freezing on the cusp of adulthood. That's not the film. These kids being pre-puberty is a big part of what makes their relationship so interesting.
"Well... okay... how about this? No one's going to see it with subtitles on it."
Fuck off. CROUCHING TIGER HIDDEN DRAGON. There is always a way to sell a film if you figure it out. I do not believe or accept the idea that audiences just plain won't see a subtitled film. This movie has been acclaimed around the world, and it's more than "just" a genre film. It genuinely is one of the best movies in any language on any subject made this year, and this disrespect, this rush to homogenize, this unnecessary push to remake everything... at some point, it's got to stop.
I find myself disgusted by our government, our financial institutions, and by any number of public figures these days, and I hate that I am increasingly seeing our industry as just another hollow, empty, bankrupt example of how dead innovation is, and how devalued a good idea has become.
Quote from: "Milosh"This movie has been acclaimed around the world, and it's more than "just" a genre film. It genuinely is one of the best movies in any language on any subject made this year, and this disrespect, this rush to homogenize, this unnecessary push to remake everything... at some point, it's got to stop.
my words precisely.
Hoce li procuriti uskoro ovaj film?
Quote from: "mafija_x"Hoce li procuriti uskoro ovaj film?
ko je ovde među nama vidovit neka se prvi baci kamenom!
izgleda da ima neki error ili šta već na dvd screeneru koji posedujem što ga čini zajebanim za presnimavanje; ne znam da li bi se direktno s njega, takvog sjebanog, ali gledljivog, mogao napraviti divx?
experti?
Quote from: "Ghoul"Quote from: "mafija_x"Hoce li procuriti uskoro ovaj film?
ko je ovde među nama vidovit neka se prvi baci kamenom!
izgleda da ima neki error ili šta već na dvd screeneru koji posedujem što ga čini zajebanim za presnimavanje; ne znam da li bi se direktno s njega, takvog sjebanog, ali gledljivog, mogao napraviti divx?
experti?
Reko sam ti vec,pa i da ponovim,nemoj da ga stiskas kuci,nego daj da probamo da ga iskopiramo na starim Pioneerovim rezacima....it's the only way !!! :!:
Quote from: "Ghoul"
izgleda da ima neki error ili šta već na dvd screeneru koji posedujem što ga čini zajebanim za presnimavanje; ne znam da li bi se direktno s njega, takvog sjebanog, ali gledljivog,
Kljakav,ali ziv !!! :!:
Several weeks before the Swedish premiere of horror flick Let the right one in, plans are being made of a remake helmed by Matt Reeves ("Cloverfield").
Director Thomas Alfredson doesn't seem all too happy, when MovieZine.se asks him. Why can't they just read the subtitles?, he wonders.
- Remakes should be made of movies that aren't very good, that gives you the chance to fix whatever has gone wrong. I'm very proud of my movie and think it's great, but the Americans might be of an other opinion. The saddest thing for me would be to see that beautiful story made into something mainstream.
- I don't like to whine, but of course – if you'd spent years on painting a picture, you'd hate to hear buzz about a copy even before your vernissage!"
Intervju sa rediteljem:
http://www.aintitcool.com/node/38870
eli je dečko?
kastriran?
koji je zato postao devojčica???
to je dakle značenje onog bizarnog ožiljka umesto ribice između njenih nogu?!
:shock: :?
sladak insert iz filma + intervju sa rediteljem na engleskom:
http://www.bloody-disgusting.com/bdtv/Player.php?id=2263
Konacno! :!:
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fwww.dreadcentral.com%2Fimg%2Fnews%2Fjan08%2Fletrightonepost.jpg&hash=176ba06bb0f5a1af6791637d89398506045aeb7a)
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fwww.imageflux.net%2Fuploads%2F5624938e888cb2866a18b46ab7a31bda10cd6b0d7ff913.png&hash=f9b76e5223d9acc74915c5186e1529c0e4a905b5)
zaista bravo, bravo, nemam reci, inace u startu sam bio u fazonu kao aj bre bjazi sa tim vampirimi,vukodlacima, zombijima i chupakabrama al reko ako mu ghoul dade 4 to mora da ima zasto, i pogledo i braaate dojaja, znachi dojaja, zaista ona atmosfera, onaj spontanizam, ono braco nije horor , ono je drama i bas zato je veci horor od bilo kakvog horora...e to se ceni, i zato samo tuda da se krece taj novi evropski horor film i bice dojajashaca... :D
pogledaj i onaj BEFORE THE FALL kome sam dao 4-, sigurno će da ti se svidi; nije na nivou LET--- ali ima vrlo jakih kvaliteta i to od sorte koja će tebi da godi (psycho killer, end of the world, deca u opasnosti...)
imaš detaljniji rivju u mom DNEVNIKU HOROR GLEDANJA.
Ove godine nisam nista bolje od zanra pogledao... pa i sire. Totalno sam bez teksta bio cak i nakon 24 sata od gledanja. Fantasticna prica, fantasticni klinci, odlicno upakovanih 2 sata. Ovo je, po meni, najbolje ostvarenje ove godine.
Volim to sa krajem sveta, jer oseca se nesto zar ne ? :)
THE END IS NEAR....and not of the YEAR... :?
Mada meni je tako svake godine u ovo vreme... :(
Kako kazu u onoj staroj pesmici Indexa : "Ja klichem nestanku svome" :evil:
Quote from: "Ghoul na engleskom"Its cinematography and direction are superb in a subtle manner which does not draw attention to itself: everything, including special make-up effects, is subordinated to characters and story. By providing characters you'll fall in love with and story you'll care about, LET THE RIGHT ONE IN is that rare instance in modern horror: a film with a heart and soul that manages to be touching, magical, thought-provoking and creepy all at the same time.
Slažem se.
Klasik.
Kuriozuma radi, "Låt den rätte komma in" izgovara se kao "LOt (malo razvuceno "O") den rEte (bez naglaska na "E") koma in".
Pogledao. Jedan od tri filma iz ove godine koji od mene imaju čistu peticu.
ako je 1 od ta 3 - vudi alen, onda se ne važi ništa.
a za čistu peticu zaista nije, mada mi je jasno da je tebi zagudio na prave violine... :wink:
Nije. Vudi Alen dobija 4+ od mene, plus imaj u vidu da sam ja fan... Druga dva filma su In Bruges i Chaser.
Tek ga sad odgleda.
Šta reći što već nije rečeno za ovaj dragulj - PRELEP film za oko, uho, dušu,... Zaista najbolji film godine, i jedan od ponajboljih vampirskih filmova (ako govorimo o žanru)
Majstorija.
LAT DEN RATTE KOMMA IN Tomasa Alfredsona je švedski film o vampirima. Dakle to je istovremeno i švedski film i film o vampririma.
U tome da je reč o švedskom filmu kriju se određeni stereotipi, i ovaj naslov se ne usteže od toga da nam te predrasude ostvari. Ovo nije švedski film u maniru Bo Arne Vibeniusa. Ovo je švedski film na tragu Bergmana. I to zaslužuje svako poštovanje. Naime, umesto aproprijacije žanrovske matrice i transformacije svog izraza u epigonskom maniru, Alfredson je snimio film koji je kvintesencijalno u duhu art house kinematografije njegove zemlje obogativši ga mitologijom vampira.
Šta rade švedski vampiri? Švedski vampiri se smaraju. Švedski vampiri dele sudbinu ostatka napaćenog švedskog naroda s tim što je njima kao i svakoj manjini još teže jer pored toga što se smaraju moraju da nabavljaju krv i ne izlaze na dnevno svetlo. Ovaj film spada u onu grupu ostvarenja čija je poruka da to što pripadaš nekoj ekskluzivnoj, glamuroznoj grupi ne znači da nemaš probleme kao i najobičniji građani.
Isto tako ovo je film povezanosti dve grupe koje svi odbacuju, to su starci i deca, s tim što je ovde starica u stvari u telu deteta od dvanaest godina i bonduje se sa dečakom istih godina. Ovaj bond je vrlo istinit i psihološki je utemeljen. Za razliku od našeg filma AGI I EMA, koji ima nešto od te skandinavske sporosti u sebi te ga ovaj naslov i evocira, ovaj ipak ima razvijenu priču u izvesnom smislu i tom bondu daje hardver u solidnoj priči. Paradigmatično je da u TWILIGHTu imamo starca u telu mladića koji ostvaruje vezu sa seksualno zrelom devojkom, i da je ta veza psihološki paradigmatična na jedan drugi način. Tu se paralele između ovih filmova ne završavaju, barem na nivou priče.
E sad, nažalost, da je film ostao dosledan u tom konceptu švedskog art housea i vampirizma ne bi bilo problema. Međutim, on nije dosledan u tome. Kad se reditelj žalio da ne treba da se radi američki rimejk, on je prenebregao da nam kaže kako je on sam posadio klice najtrošenijih tradicija američkog filma u svoj film. Recimo, ceo subplot sa bullyjima koji muče malo dugokoso Šveđanče, kao da je preslikan iz nekog B-koncepta. I u takvim detaljima, ovaj film izmiče svojoj švedskoj autentičnosti.
Ne kažem ja da u Švedskoj nema maltretiranja slabijih. Sigurno je da ima. Međutim, taj subplot je preočigledno sličan već potrošenim uzorima i preočigledno služi kako bi nam objasnio character arc glavnog junaka. Smatram da je autor morao da osmisli neki zanimljiviji proces kroz koji će se iskazati promena glavnog junaka u odnosu sa vršnjakinjom vampiricom.
Isto tako, da se ne lažemo emocija koju autor cilja između dvoje dece, nezavisno da li radi posao ili ne je besramno manipulativna. Čovek treba da stvarno ima kameno srce kako bi joj odoleo. Međutim, ta emocija nije zarađena autorovom veštinom već samom bestidnom postavkom, što u principu nikada ne bismo oprostili američkom filmu a ovom Švedu se toleriše.
Naravno, neću biti licemer, da sam malo skloniji art house filmu ovog tempa, tu emociju bih popio na keca, bez analize. Nemam da nameru da previše degradiram emociju koju proizvodi ovaj film. Samo želim da naglasim da je ona malo ready made, što ne umanjuje njen efekat.
Što se mene tiče, ja mislim da je sam film i na ovom nivou bez bullyja nudio sasvim dovoljno sadržaja koji bi mogli pokazati dečakovu transformaciju, naročito započeti pa potom zanemarene aspekt dečakove salonske fascinacije nasiljem nasuprot devojčicinoj potrebi da se okreće nasilju kako bi preživela. Čini se da je film prenatrpan motivima. Isto tako bolje bi funkcionisao da se manje bavio odraslim likovima komšija koji su devojčicine žrtve. Zanimljiv je recimo subplot sa ženom koju ujede, ali u suštini, nismo morali da ispratimo i njenu predistoriju pre ujeda. Od ujeda do smrti je sasvim dovoljna deonica koja se mogla inkorporirati u film.
Zatim, film je smešten u prošlost. Osim ukoliko u to vreme u Švedskoj nisu živela deca vampiri ne znam zašto je smešten u epohu, doba Brežnjevljeve vladavine. Ta epoha ni u jednom momentu ne zaigra kao značajan faktor u priči i deluje kao suvišna šminka bez ikakve znakovitosti. Moguće je naravno da u lokalnim švedskim okvirima ta epoha ima neku funkciju. Naravno, film je baziran na romanu, i verovatno je roman smešten tada, no film je po meni samo opterećen tom temporalnom dislokacijom zato što dizajn i detalji odvraćaju pažnju od priče. Dok sam gledao film mislio sam da se radi o epohi kako bi videli ostarele junake u današnje vreme ali to na kraju nismo dobili.
Moram priznati da meni kao nekome ko inače slabije vari švedski art house ovaj film uglavnom nije bio prijatan za gledanje, međutim siguran sam da će biti pravo uživanje onima koji to vole. U tom smislu, smatrajte se upozorenim da oni koji nisu ljubitelji švedskog art blefa nemaju šta da traže u ovom filmu. Pa ipak, verujem da bi svi trebalo da ga pogledaju, a ko mora i nek istrpi pošto u ovom filmu se nazire model ubedljive euroamerikane i solidne reinterpretacije vampirskog mitosa u okvirima serioznog filma bez ikakvih intervencija u kanonu.
Ripper sekvence su vrlo efektno urađene i mislim da u njima Alfredson odlično koristi kontrast između dešavanja u kadru i pristupa kadriranju koji forsira tako da mismatch radnje i tipa kadriranja čini ove scene energičnim i svežim. Što se mene tiče, ja volim dobru ripper sekvencu i ovaj film ih momački isporučuje u vrlo modernom maniru. Scena na bazenu je recimo nešto čega ni se južnokorejanski majstori ne bi postideli.
Ja u principu čak i kada neku tradiciju ne volim, imam sklonost da je poštujem. Ovaj film je pored toga što mi je bio teško snošljiv za gledanje, mogao da zasluži još veće poštovanje da je barem u tom svom švedskom blefu bio dosledan. Međutim, uvodeći bullyje, koncept susreta dva autsajdera, sve te jeftine sentimentalne elemente američkog filma (koji sami po sebi nisu loši ali u jednoj odlično koncipiranoj autohtonoj celini kao što je ova naprosto smetaju), a izbegavajući skupe sentimentalne trikove švedskog filma, ne mogu da kažem da ga poštujem u onoj meri u kojoj je koncept obećavao. No, ne mogu da kažem da ne zaslužuje quantum of respect.
Glumci su odlični. Deca su dobro odabrana i solidno su odigrala svoje uloge. Mislim da je bilo još potencijala da se igra na to da je devojčica starija od svog izgleda, i mislim da je to mogao biti adut filma. Isto tako, mislim da je bilo potencijala da se razradi odnos između devojčice i pratioca, da je možda on u stvari dečak koji je prethodno pošao sa njom, s tim što je on stario a ona nije i da je na kraju taj odnos nekako uveo. Uostalom, ja sam i ovaj odnos u ovakvom filmu čitao tako, da klinac ostaje kao provider za devojčicu koja će ostati večito takva a da se on u tako nepovoljnu pogodbu upušta jer je mali i naivan. Uostalom, devojčica se i upoznaje sa dečakom onda kada matori više ne uspeva da provajduje krv kada počne da pravi greške. Ipak, za takvu radikalnu postavku, devojčica bi morala biti malo veštiji igrač nego što je sada i mi bi to nekako morali da vidimo. No, u svakom slučaju, ovo sa objašnjavanjem prirode muško-ženskih odnosa je vrlo zanimljiva dimenzija filma.
Nažalost, ovaj film nije mnogo više od TWILIGHTa za pretenciozniju publiku a svakako je mogao da bude. Manipulativnost koncepta u više navrata zamenjuje težak rad koji mora da se uloži kako bi se u manje manipultivnim okolnostima postigao efekat. No, ja mislim da svako ima pravo na svoj TWILIGHT. U razredu će deo dece voleti TWILIGHT a ona malo pretencioznija koja nose mantile dok svi nose perjane jakne će voleti ovaj švedski film. Ali, oba filma su u suštini manipulacija vampirskim mitosom radi jednog vanžanrovskog cilja. U prvom slučaju to je najbanalniji populizam, u drugom to je art blef koji je imao potencijal da bude zaista remek-delo. Meni je okej i jedno i drugo. U svakom slučaju je švedski film interesantniji jer se ovakvi filmovi pojavljuju mnogo ređe, i za razliku od TWILIGHTa koji je pop cinema karakterističan za Ameriku, Alfredsonov film je poučan nama van Amerike kako da spojimo lokalno sa ortodoksnim žanrovskim koncepcijama.
* * * / * * * *
Мени је овај филм одличан! Тотално другачији од осталих вампирологија...где су само нашли оних двоје истрипованих клинаца...или Шведска обилује таквима? Свиђа ми се што се ни у једној сцени не виде очњаци вампира и усудио бих се рећи да је ово најбољи филм те тематике који сам икада гледао!(ал` опет, и нисам гледао нешто много вампирских филмова)
pročitao sam roman po kome je rađen film.
dobar je, al film je mnogo bolji.
za dan-dva ću na blogu da elaboriram kvalitete i nedostatke knjige, te sličnosti i razlike u odnosu na film.
Kako sam obavešten, na netu se pojavio odličan DVDrip na zapremine 2 diska... sa titlovima, baš onako kao treba. Eto, verujem da će ovo obradovati mnoge. Šuška se i o izbačenim scenama...
Oj-ha!
'Let the Right One In' Remake Renamed, Shooting Soon
After his successful bout with the giant creature in Cloverfield, director Matt Reeves is ready to take on young vampires in Let Me In, his remake of Tomas Alfredson's vampire film Let the Right One In. Production Weekly reports that filming is scheduled to begins this May for the film that follows Oscar, an overlooked and bullied boy, finds love and revenge through Eli, a beautiful but peculiar girl who turns out to be a vampire. Overture has slated it for release on January 15, 2010.
Možda su naslov preimenovali, ali ponovo vuče na porno. Pusti me unutra. Zaboga.
Inače, ovo je jedan od smešnijih naslova koje sam pročutao u poslednje vreme::: Matt Reeves 'Lets The Right One In' This May!
sličnosti i razlike između romana i filma, nejasnoće, tajne, raščišćene i nerešene misterije na koje film nije dao odgovor – sve to i još mnogo toga više, ovde:
http://ljudska_splacina.com/2009/03/let-right-one-in-roman.html
NA RTS-U:
22. jun - LET THE RIGHT ONE IN – Pusti pravog unutra
:!:
Gde su ti naso program za JUN ociju ti ? :shock:
A da...dobar si sa "Tijanicem"... :lol:
U kuras... a ja ga taman skinuo i spremo se da ga gledam...
Jedan od promo, koncept (whatever) postera za "Let the Right One" In rimejk:
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi27.tinypic.com%2Ff0nerq.jpg&hash=c77761964932b569a095a1eb570a0b0aae1dd830)
http://www.slashfilm.com/2009/07/13/let-me-in-movie-posters/ (http://www.slashfilm.com/2009/07/13/let-me-in-movie-posters/)
It was recently reported that Dark Horse Comics and Hammer Films were going to collaborate on a number of projects, including a comic based on the US remake of Swedish movie Låt den rätte komm (Let The Right One In) now renamed Let Me In. And they've been looking at the original novel by John Ajvide Lindqvist.
The novel is massive, rich with backstory and subtlety that didn't make it even to the very subtle and beautiful Swedish film. So we want to expand upon the world of the Swedish film by drawing upon the material from the novel. I think it'll allow us to do things impossible in either of the previous incarnations. We're planning a big program, with a unique scope to it." Since the comics will not be a straight adaptation, Allie also said that readers would see episodes taking place both before and after the familiar events of the film, continuing the adventures of Eli and Oskar.
New stories with the characters? Apparently, no one checked Lindqvist first and he is less than enthusiastic about this. In an interview with the Swedish Metro, he states;
Nobody has asked me about this and I think that the project stinks. I am looking into this matter and hope that they have no right to do this" said he told the Swedish Metro newspaper.
Lindqvist has already said he's written his own prequel with the characters for future publication. I can hear the beat of lawyers' wings already.
Dark Horse did not respond to enquiries by e-mail.
Quote from: DušMan on 28-04-2010, 12:40:10The novel is massive, rich with backstory and subtlety
who are they kidding?
the novel IS massive - with unnecessary subplots, bullshitting with unnecessary side-characters and unwarranted crudity.
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2F3.bp.blogspot.com%2F_8lK2el5pnbU%2FSbFrgf_-VdI%2FAAAAAAAAAk4%2Fp4rpVeVwgwk%2Fs320%2Flet%2B1.jpg&hash=9350725c1c5034ed874ac7c239873ad526fcbb1f)
ghoul said it already:
http://ljudska_splacina.com/2009/03/let-right-one-in-roman.html (http://ljudska_splacina.com/2009/03/let-right-one-in-roman.html)
Quoteand unwarranted nudity.
Siguran sam da ti to baš smeta...
Koga zanima, može da pročita sinopsis rimejka i poseti zvanični sajt:::
Synopsis
"Chloe Moretz (Hit Girl from Kick-Ass) stars as Abby, a secretive 12-year old girl, who moves next door to Owen (Kodi Smit-McPhee, The Road). Owen is a social outcast who is viciously bullied at school and, in his loneliness, forms a profound bond with his new neighbor. Owen can't help noticing that Abby is like no one he has ever met before. As a string of grisly murders occupies the town, Owen has to confront the reality that this seemingly innocent girl is really a savage vampire.
Let Me In, a haunting and provocative thriller written and directed by filmmaker Matt Reeves (Cloverfield) and produced by legendary British horror brand Hammer Films, is an astonishing coming-of-age story between a young girl and an alienated young boy unlike any other you have seen. Based on the best-selling Swedish novel Lat den Ratte Komma (Let the Right One In) by John Ajvide Lindqvist and the highly acclaimed film of the same name, Let Me In takes audiences straight to the troubled heart of adolescent longing and loneliness."
http://www.helpme.net/ (http://www.helpme.net/)
Na sajtu nešto lupka - pretpostavljam da želi da bude pušeno unutra.
EDIT::: Evo i tizera::::
http://www.youtube.com/watch?v=qjavOLdPk1c
Let Me Inis a brilliantly effective horror film that is a thoroughly gripping and doesn't shirk from its supernatural chills. Adapted from John Ajvide Lindqvist's Swedish best-selling vampire/coming-of-age novel Let The Right One In (which was made into a stunning 2008 Swedish) this English-language version retains the tender brutality of the original source material and should find a discerning audience both amongst fright-fans and arthouse aficionados.
Let Me In is a superb horror film...a supernatural thriller to be celebrated by fans of the genre.
It is respectfully adapted and directed by Matt Reeves (who made Cloverfield), who also draws out pitch-perfect performances from his two young stars, Chloe Moretz and Kodi Smit McPhee. He also fashions a bleak sense of dread and unhappiness that permeates all aspects of the story, which also helps to heighten the young love that develops between boy and girl.
This version transplants the story from Stockholm to wintery Los Alamos in the mid 1980s, the home to 12 year-old Owen (Kodi Smit McPhee) who is suffering bullying at school and who practices standing up to the things in the courtyard of his apartment block. Into his lonely world arrives the strange and beguiling Abby (Chloe Moretz), who moves into the apartment next door and who favours walking the snowy courtyard late at night wearing no shoes.
Soon a series of brutal murders start to terrify locals. They are being undertaken by Abby's elderly carer (Richard Jenkins), to kills and then drains the victims of their blood. Abby – of course – is in truth a hungry vampire...but also a young girl who craves the affection and loyalty of her new friend Owen
The burgeoning affection between the two youngsters is handled beautifully by Reeves. Abby may be savage and powerful, but she also recognises the vulnerable loneliness of Owen and finds herself increasingly drawn to him. On her trail, though, is a suspicious policeman (Elias Koteas), and his arrival at her door forces the two children into action.
But while the affection between these two unusual children is the core of the film, there is a real savagery to the supernatural aspects – whether it be Abby attacking and killing locals or her carer disfiguring himself wit acid so the police wouldn't be able to track him down, through to Owen's brutal revenge of the school bully.
Fans of the original film will recognise certain of the memorable sequences, but at the same time Reeve very much makes the film his own. Chloe Moretz – so good in the equally violent Kick-Ass – is superb as the glacial but also shy and tender Abby, a girl trapped in a vampire's body who seeks affection as well as blood, while Kodi Smit-McPhee (from The Road) has the perfect gawky uncomfortable nature to convince as a troubled boy who becomes enraptured by the rather unusual girl next door.
Some of the CGI is a little unconvincing, and Abby's glowing vampire eyes lack horror imagination, but these are niggles. Let Me In is a superb horror film...a supernatural thriller to be celebrated by fans of the genre.
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2F4.bp.blogspot.com%2F_mHRe4uq3dXU%2FTEuXG0nz-WI%2FAAAAAAAAACM%2FvD5M6t_vUy4%2Fs400%2FLet%2BMe%2BIn.jpg&hash=79f840dc54d151ceeed8ef9a8bdfd2161edc4750)
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fwww.fearnet.com%2Feol_images%2FEntire_Site%2F201061%2FLetMeIn_hug.jpg&hash=e388e5c7f6a6763ab3815618b0f9f2469303c421)
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Fuuuuuuuuuuuuuuuuuuuuuuuuuuuuj! qpuke
слажем се...морају баш све да усеру.
Upravo sam pročitao rivju (http://www.bloody-disgusting.com/review/2230) na Bloody Disgustingu i po njemu ispada da je američka verzija BOLJA od švedske. Let me in je dobio 10/10. Na Dread Centralu, situacija je slična. Tu je rimejk ocenjen sa 4/5. Fangoria je filmu dala 3/4; JoBlo 8/10. Sve su to ludački visoke ocene za rimejk - i to rimejk jednog tako dobrog filma kao što je original. Pomalo sam zbunjen.
Realno, da nisam gledao original, sada bih balio na ovaj trejler. Ovako izgleda manje-vishe prekopirano, shto znachi da je verovatno u najmanju ruku dobar, tj po tome slichan originalu.
A za sve potencijalne improvements ce ipak biti neophodno pogledati film. No, za sada svakako sve ukazuje na u najmanju ruku respektabilan film.
Švedski film nije bio bez mana, ruku na srce. Iako, odličan i svež. Štaviše, u sebi je imao nekih elemenata, recimo zaplet sa bullyjima, koji čak i više priliči američkom filmu. U tom smislu, koliko god rimejk delovao besmisleno, bilo je tu štofa.
Quote from: Le Samourai on 13-09-2010, 23:27:43izgleda manje-vishe prekopirano...
Sto je u tome respektabilno?
Mada, treba znati uociti greske originala i znati ih popraviti. Pogledat cu remake, ali ma kako bolji bio od originala od mene nece dobiti visoku ocjenu (ne visu od originala) bas zato sto je remake.
Ja sam u svom postu implicirao da ima mesta za poboljshanje u odnosu na original, koji je neverovatno precenjen i prenaduvan. Dobar je to film, vrlo dobar, ali ne opravdava hajp niti je neko posebno remek-delo.
Mada, slazhem se i da za sada u najvecoj meri rimejk deluje suvishno. Ali, ako vec mora da ga bude, drazhe mi je da bude dobar nego neko djubre.
Sta li im znaci ono FROM THE DIRECTOR OF CLOVERFIELD? Kakva je to reklama?!
Quote from: Mark on 14-09-2010, 00:36:32
Sta li im znaci ono FROM THE DIRECTOR OF CLOVERFIELD? Kakva je to reklama?!
To bolje zvuči od FROM THE DIRECTOR OF 5 EPISODES OF FELICITY. Valjda.
Quote from: Mark on 14-09-2010, 00:36:32
Sta li im znaci ono FROM THE DIRECTOR OF CLOVERFIELD? Kakva je to reklama?!
Kloverfild je jedan od najboljih filmova 21. vijeka i to je sasvim solidna reklama. However, ovo bi trebalo da je neka drama, a Rivs tanko režira drame. Bar ako je vjerovati njegovom filmu Pallbearer, koji je nesnosno dosadan.
Ko uspe da režira dobar film s Davidom Schwimmerom u glavnoj ulozi treba da dobije spomenik za života.
Quote from: Mark on 14-09-2010, 00:36:32Sta li im znaci ono FROM THE DIRECTOR OF CLOVERFIELD? Kakva je to reklama?!
Odlichna.
izbacili mačke, ubacili orlove :x
Quote from: Kunac on 13-09-2010, 22:45:50na Bloody Disgustingu ispada da je američka verzija BOLJA od švedske.
Zato sto svedsku najverovatnije nisu ni gledali. Ili su ga samo "konsultovali" pre gledanja rimejka... :-)
PS
Mada ovo jeste zaista ogroman presedan da je rimejk bolji od originala!
Quote from: Le Samourai on 14-09-2010, 02:11:52
Quote from: Mark on 14-09-2010, 00:36:32Sta li im znaci ono FROM THE DIRECTOR OF CLOVERFIELD? Kakva je to reklama?!
Odlichna.
The Expendables
FROM THE DIRECTOR OF STAYING ALIVE!
:-)
Quote from: Mark on 14-09-2010, 19:06:29
Quote from: Le Samourai on 14-09-2010, 02:11:52
Quote from: Mark on 14-09-2010, 00:36:32Sta li im znaci ono FROM THE DIRECTOR OF CLOVERFIELD? Kakva je to reklama?!
Odlichna.
The Expendables
FROM THE DIRECTOR OF STAYING ALIVE!
:-)
Takodje odlichna!
Zimske radosti na posteru za Pusti me unutra...
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi56.tinypic.com%2F7hat.jpg&hash=346b56930f6748afbe96aeca5fe0d96a67deb1a1)
Ovaj drugi poster je bolji:
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi55.tinypic.com%2F2yuyl9g.jpg&hash=02f900dd3e64ab960e10ac7d984db917cc4ba4b3)
Sinoć je na Cinemaniji prikazan američki rimejk.
U pitanju je veoma zanimljiv eksperiment::: nova verzija je slika i prilika svog švedskog starijeg brata. Ima promena, čak i na bolje (famozna scena sa mačkama je izbačena), ali iznenađuje koliko je Reeves malo odstupio od originala.
Jos jedan dokaz da ameri mrze titlovane filmove