Låt den rätte komma in

[Milosh]

Jedan od promo, koncept (whatever) postera za "Let the Right One" In rimejk:



http://www.slashfilm.com/2009/07/13/let-me-in-movie-posters/

[DušMan]

It was recently reported that Dark Horse Comics and Hammer Films were going to collaborate on a number of projects, including a comic based on the US remake of Swedish movie Låt den rätte komm (Let The Right One In) now renamed Let Me In. And they've been looking at the original novel by John Ajvide Lindqvist.

The novel is massive, rich with backstory and subtlety that didn't make it even to the very subtle and beautiful Swedish film. So we want to expand upon the world of the Swedish film by drawing upon the material from the novel. I think it'll allow us to do things impossible in either of the previous incarnations. We're planning a big program, with a unique scope to it." Since the comics will not be a straight adaptation, Allie also said that readers would see episodes taking place both before and after the familiar events of the film, continuing the adventures of Eli and Oskar.

New stories with the characters? Apparently, no one checked Lindqvist first and he is less than enthusiastic about this. In an interview with the Swedish Metro, he states;

Nobody has asked me about this and I think that the project stinks. I am looking into this matter and hope that they have no right to do this" said he told the Swedish Metro newspaper.

Lindqvist has already said he's written his own prequel with the characters for future publication. I can hear the beat of lawyers' wings already.

Dark Horse did not respond to enquiries by e-mail.

[Ghoul]

The novel is massive, rich with backstory and subtlety

who are they kidding?
the novel IS massive - with unnecessary subplots, bullshitting with unnecessary side-characters and unwarranted crudity.



ghoul said it already:
http://ljudska_splacina.com/2009/03/let-right-one-in-roman.html

[Tex Murphy]

and unwarranted nudity.

Siguran sam da ti to baš smeta...

[Kunac]

Koga zanima, može da pročita sinopsis rimejka i poseti zvanični sajt:::

Synopsis

"Chloe Moretz (Hit Girl from Kick-Ass) stars as Abby, a secretive 12-year old girl, who moves next door to Owen (Kodi Smit-McPhee, The Road). Owen is a social outcast who is viciously bullied at school and, in his loneliness, forms a profound bond with his new neighbor. Owen can't help noticing that Abby is like no one he has ever met before. As a string of grisly murders occupies the town, Owen has to confront the reality that this seemingly innocent girl is really a savage vampire.

Let Me In, a haunting and provocative thriller written and directed by filmmaker Matt Reeves (Cloverfield) and produced by legendary British horror brand Hammer Films, is an astonishing coming-of-age story between a young girl and an alienated young boy unlike any other you have seen. Based on the best-selling Swedish novel Lat den Ratte Komma (Let the Right One In) by John Ajvide Lindqvist and the highly acclaimed film of the same name, Let Me In takes audiences straight to the troubled heart of adolescent longing and loneliness."

http://www.helpme.net/

Na sajtu nešto lupka - pretpostavljam da želi da bude pušeno unutra.

EDIT::: Evo i tizera::::

http://www.youtube.com/watch?v=qjavOLdPk1c

[crippled_avenger]

Let Me Inis a brilliantly effective horror film that is a thoroughly gripping and doesn't shirk from its supernatural chills. Adapted from John Ajvide Lindqvist's Swedish best-selling vampire/coming-of-age novel Let The Right One In (which was made into a stunning 2008 Swedish) this English-language version retains the tender brutality of the original source material and should find a discerning audience both amongst fright-fans and arthouse aficionados.

    Let Me In is a superb horror film...a supernatural thriller to be celebrated by fans of the genre.

It is respectfully adapted and directed by Matt Reeves (who made Cloverfield), who also draws out pitch-perfect performances from his two young stars, Chloe Moretz and Kodi Smit McPhee. He also fashions a bleak sense of dread and unhappiness that permeates all aspects of the story, which also helps to heighten the young love that develops between boy and girl.

This version transplants the story from Stockholm to wintery Los Alamos in the mid 1980s, the home to 12 year-old Owen (Kodi Smit McPhee) who is suffering bullying at school and who practices standing up to the things in the courtyard of his apartment block. Into his lonely world arrives the strange and beguiling Abby (Chloe Moretz), who moves into the apartment next door and who favours walking the snowy courtyard late at night wearing no shoes.

Soon a series of brutal murders start to terrify locals. They are being undertaken by Abby's elderly carer (Richard Jenkins), to kills and then drains the victims of their blood. Abby – of course – is in truth a hungry vampire...but also a young girl who craves the affection and loyalty of her new friend Owen

The burgeoning affection between the two youngsters is handled beautifully by Reeves. Abby may be savage and powerful, but she also recognises the vulnerable loneliness of Owen and finds herself increasingly drawn to him. On her trail, though, is a suspicious policeman (Elias Koteas), and his arrival at her door forces the two children into action.

But while the affection between these two unusual children is the core of the film, there is a real savagery to the supernatural aspects – whether it be Abby attacking and killing locals or her carer disfiguring himself wit acid so the police wouldn't be able to track him down, through to Owen's brutal revenge of the school bully.

Fans of the original film will recognise certain of the memorable sequences, but at the same time Reeve very much makes the film his own. Chloe Moretz – so good in the equally violent Kick-Ass – is superb as the glacial but also shy and tender Abby, a girl trapped in a vampire's body who seeks affection as well as blood, while Kodi Smit-McPhee (from The Road) has the perfect gawky uncomfortable nature to convince as a troubled boy who becomes enraptured by the rather unusual girl next door.

Some of the CGI is a little unconvincing, and Abby's glowing vampire eyes lack horror imagination, but these are niggles. Let Me In is a superb horror film...a supernatural thriller to be celebrated by fans of the genre.

[Kunac]

[Vampirella]

Fuuuuuuuuuuuuuuuuuuuuuuuuuuuuj! 

[Savajat Erp]

слажем се...морају баш све да усеру.

[Kunac]

Upravo sam pročitao rivju na Bloody Disgustingu i po njemu ispada da je američka verzija BOLJA od švedske. Let me in je dobio 10/10. Na Dread Centralu, situacija je slična. Tu je rimejk ocenjen sa 4/5. Fangoria je filmu dala 3/4; JoBlo 8/10. Sve su to ludački visoke ocene za rimejk - i to rimejk jednog tako dobrog filma kao što je original. Pomalo sam zbunjen.

[Le Samourai]

Realno, da nisam gledao original, sada bih balio na ovaj trejler. Ovako izgleda manje-vishe prekopirano, shto znachi da je verovatno u najmanju ruku dobar, tj po tome slichan originalu.

A za sve potencijalne improvements ce ipak biti neophodno pogledati film. No, za sada svakako sve ukazuje na u najmanju ruku respektabilan film.

[crippled_avenger]

Švedski film nije bio bez mana, ruku na srce. Iako, odličan i svež. Štaviše, u sebi je imao nekih elemenata, recimo zaplet sa bullyjima, koji čak i više priliči američkom filmu. U tom smislu, koliko god rimejk delovao besmisleno, bilo je tu štofa.

[Vampirella]

izgleda manje-vishe prekopirano...

Sto je u tome respektabilno?

Mada, treba znati uociti greske originala i znati ih popraviti. Pogledat cu remake, ali ma kako bolji bio od originala od mene nece dobiti visoku ocjenu (ne visu od originala) bas zato sto je remake.

[Le Samourai]

Ja sam u svom postu implicirao da ima mesta za poboljshanje u odnosu na original, koji je neverovatno precenjen i prenaduvan. Dobar je to film, vrlo dobar, ali ne opravdava hajp niti je neko posebno remek-delo.

Mada, slazhem se i da za sada u najvecoj meri rimejk deluje suvishno. Ali, ako vec mora da ga bude, drazhe mi je da bude dobar nego neko djubre.

[Mark]

Sta li im znaci ono FROM THE DIRECTOR OF CLOVERFIELD? Kakva je to reklama?!

[Kunac]

Sta li im znaci ono FROM THE DIRECTOR OF CLOVERFIELD? Kakva je to reklama?!

To bolje zvuči od FROM THE DIRECTOR OF 5 EPISODES OF FELICITY. Valjda.

[Tex Murphy]

Sta li im znaci ono FROM THE DIRECTOR OF CLOVERFIELD? Kakva je to reklama?!

Kloverfild je jedan od najboljih filmova 21. vijeka i to je sasvim solidna reklama. However, ovo bi trebalo da je neka drama, a Rivs tanko režira drame. Bar ako je vjerovati njegovom filmu Pallbearer, koji je nesnosno dosadan.

[Kunac]

Ko uspe da režira dobar film s Davidom Schwimmerom u glavnoj ulozi treba da dobije spomenik za života.

[Le Samourai]

Sta li im znaci ono FROM THE DIRECTOR OF CLOVERFIELD? Kakva je to reklama?!

Odlichna.

[cutter]

izbacili mačke, ubacili orlove 

[Mark]

na Bloody Disgustingu   ispada da je američka verzija BOLJA od švedske.

Zato sto svedsku najverovatnije nisu ni gledali. Ili su ga samo "konsultovali" pre gledanja rimejka...

PS

Mada ovo jeste zaista ogroman presedan da je rimejk bolji od originala!

[Mark]

Sta li im znaci ono FROM THE DIRECTOR OF CLOVERFIELD? Kakva je to reklama?!

Odlichna.

The Expendables
FROM THE DIRECTOR OF STAYING ALIVE!

[Le Samourai]

Sta li im znaci ono FROM THE DIRECTOR OF CLOVERFIELD? Kakva je to reklama?!

Odlichna.

The Expendables
FROM THE DIRECTOR OF STAYING ALIVE!

Takodje odlichna!

[Kunac]

Zimske radosti na posteru za Pusti me unutra...

[Kunac]

Ovaj drugi poster je bolji:

[Kunac]

Sinoć je na Cinemaniji prikazan američki rimejk.

U pitanju je veoma zanimljiv eksperiment::: nova verzija je slika i prilika svog švedskog starijeg brata. Ima promena, čak i na bolje (famozna scena sa mačkama je izbačena), ali iznenađuje koliko je Reeves malo odstupio od originala.

[Usul]

Jos jedan dokaz da ameri mrze titlovane filmove