ZNAK SAGITE — više od fantastike — edicija, časopis, knjižara...

cripple, reaguj! harv, reaguj!


ovo zvuči sjajno!!!


RSO [Registered Sex Offender] is fucking funny.
Yes, Andrew Bujalski is in the film. Yes, it's shot with a handheld naturalistic camera. Yes, it has a true-to-life acting that feels improvised. But this is not your average mumblecore movie (whatever the fuck that is). This is something altogether different.
"I just like fucking my sister. What can I say. She's hot."
This is the kind of humor that permeates throughout RSO, which I saw last night at sxsw. It's so modest in it's presentation that the fact you are laughing almost feels accidental. Nobody's trying to make you laugh, it's just funny.
It's so hard to describe this type of movie. It's scrappy. It's raw. The whole thing is shot on handheld HD. It's hard to compare this to any other film, simply because most films made on this scale simply aren't as funny as this one. Take the dialogue and wit from Welcome to the Dollhouse, the quickness of Waiting for Guffman, add a pinch of Heathers, and combine the aesthetic of Funny Ha Ha with The Office, and you almost have an idea of what this film is.
Here's a scene. A group of sex offenders are all gathered in a room. To finally learn the err of their ways. To figure out how to move on with their lives. To bond. You've got Kevin Corrigan playing the group counselor. Sounds pretty heavy-- turns out to be some of the most fucking funny material in the whole film.
But there's more to it as well. As the humor unfolds at pretty rapid pace, there's something deeper going on as well. While watching a very ordinary-on-the-surface slice-of-life portrayal of one young sex offender, there's a whole Fuck You aspect to the movie at the same time.
Here's why:
Nobody would ever think to take this character, and make him the main character of a movie. He's like that dude that crashed your party last summer, drank all your beer, and refused to leave. But he's not "the bad guy who you end up loving"... you pretty much remain mildly sympathetic to his condition. And yet -FUCK YOU- you can't tear your eyes off him.
The core relationship in this movie is impossible. This nameless sex offender is with the most smoking hot way-too-young-looking-girlfriend. The girl in this movie, by the way, is destined for the cover of Maxim. But you're watching an obvious trainwreck, two people who should have NEVER even met in the first place. And as you're thinking "Why is she with this jackass", -FUCK YOU- the film makes you remember the number of girls that you wish you could have dated, but didn't, because they were with this guy. It's more truthful than it could ever be.
The film throws traditional narrative in your face. Some scenes are comprised of reality tv show like "testimonials." Some scenes it feels like the characters are aware of the presence of the camera, and are hamming it up. And other scenes, they just play out naturally (some almost voyeuristically). The film doesn't fucking care about the rules and doesn't concern itself with trying to make you like it. But -FUCK YOU- because of this you can't help but be sucked in by it all.
And at the same time, as low budget and scrappy as this is... and how the whole movie feels somewhat "accidental" in a way... You can tell a whole lot of thought went into it. That's what separates RSO from all mumblecore movies. I've seen a few of them, and they seem interested primarily just in capturing real emotions and simply stringing them together. With RSO, despite the limitations with budget, they are taking this way further. There are real ideas behind it, and it oddly enough does force you to think about what you're watching. But more importantly, unlike all those other films, it's actually got pacing. Despite a strong narrative, the film moves quickly, keeps you laughing, and simply entertains and delivers, without making you sit through a bunch of mopey shit.
I'd really love to track down this filmmakers previous films; he's got several on his IMDB, and I'd even more like to see what he'd do with a budget. At the same time, there's something kind of awesome about how raw this film is, and the fact that I was one of the 100 people that will probably see it. It's kind of like when you hear a band you really like, you almost don't want them to get famous. It's more special and it feels like that band is making music Just For You. Well with RSO, the filmmakers made this film Just For Me.
What are the negatives? If you like polished filmmaking, don't go see it. If you're looking to go to a movie with your mom, don't go see it. If you think that being a sex offender is something that you're morally opposed to laughing at, DEFINITELY don't see it. But if watching some dude talking to his therapist about "face fucking" his giant teddy bear, if that sounds like a good night out the movies to you.... I think it's playing a few more times at the fest and it's worth seeing. If not, I hope it'll come out-- it's definitely a cult -get-together-with-your-friends-and-watch-it-on-a-saturday-night- kind of film.
But again, writing this review, that's just me saying "I heard them first."

a kaću ja na nešto reagovnati  

jest da ne znam tako ko vi reagovati

ali barem znam smajlijima svoje mišljenje izraziti
 

ti si se odavno pretvorio u mrtvo puvalo: očekivati složeniju reakciju od tebe je kao bičevati mrtvog konja, ili kačiti elektrode na telo leša.
par kratkih rečenica i par smajlija je sve za šta si sposoban u poslednje vreme... the walking dead commie!
 

takav sam pred akademskim građanima profesorima piscima i ostalim supermenima koji obitavaju u ovoj virtualnoj crvotočini... sav se spetljam... a inače znam prozboriti koju u neslužbenom razgovoru

generalno govoreći jedino na ovom sajtu se spetljam do te mjere da pobrkam pola slova iako znam tipkati bez gledanja u tastaturu... šta ćeš traume iz škole i sa faxa    i nakon ispravka ode puno grešaka... đžaba buljio u ekran

nego prepričaj mi što piše u prvom postu nisam ćito  

Quote from: "Truba"... đžaba buljio u ekran

nego prepričaj mi što piše u prvom postu nisam ćito  

obrni-okreni, ti si đžaba buljio, tako da - nema veze!

ma kad vidim vas ne živi mi se  

Quote from: "Truba"ma kad vidim vas ne živi mi se  

Quote from: "Ghoul"the walking dead commie!

Ovo je svakako most anticipated stvar...

Drago mi je što je ovaj topik obogaćen kratkim ali kvalitetnim dijalogom između Ghoula i Komija. Što se samog filma tiče, ideja obećava, ali mi ovaj rivju ne otkriva baš mnogo jer se većinom zasniva na redanju superlativa. Naravno, postoje filmovi za koje ne znate kako drukčije da ih opišete, pa se nadamo da je ovo čudo dobro ko što piše.

Inače, jel' ovo nešto novije, što bi eventualno moglo da dođe u kina, ili...?

i niko da mi prepriča o čemu se radi

Quote from: "Truba"i niko da mi prepriča o čemu se radi

vama bosancima bre sve da se nacrta!

da vam čovek vest, da vam rivju, da vam sve - i vi opet tražite da vam se pojednostavi, prevede, skrati, objasni, nacrta, filmuje...
DIŽEM RUKE!  

nemoj samo na sebe dići ruku  

ne fakat
2-3 rečenice...

Quote from: "Truba"nemoj samo na sebe dići ruku  

ne fakat
2-3 rečenice...

komi, biću human jer mi je takva priroda: uzmi copy-paste text u word, a onda upotrebi opciju summarize.
et voila!

ajd uradi to pa mi pošalji    

evo još jednog texta sa više slova nego što bosanac može da svari, ali koji bi svejedno morao i to MNOGO da zanima trio cripple, harv & moi!!!

ne znam šta je ovo, od borata ne videh komediju koju sam iščekivao i koja me zasmejala, a sad, u par dana razmaka, najave za ČAK DVE koje čak i meni deluju MOST ANTICIPATED!!!

"Tropic Thunder". Let me first tell you that they had so many people in line to see it they ran it on two screens. While in line, the guy who was running the screening kept telling everyone that this was going to be an "R" rated comedy, and that if you were offended easily to reconsider watching the movie. So my guess is that they are planning on keeping this a hard R, and after watching the film, i cannot see how they could edit it down. So here is my take on the film.

The fake previews lead into the film, and they are fantastic. Each trailer introduced the three main actors, with specific satires of certain genres. Ben Stiller's character plays and action star who has now made at least five sequels to one movie, Jack Black's trailer is the most brilliant satire; a movie about a fat family with all the characters played by Black in heavy prosthetics. The film was called "The Fatties" and the shot at Eddie Murphy's career made everyone in the theatre laugh hysterically. Robert Downey Jr. is the most serious of the actors, his trailer was for a movie called "Satan's Alley", where Downey plays a priest who falls in love with another priest. A great cameo here by Tobey Maguire (the trailer references him as MTV's best kiss award winner). The only other one was a fake commercial, and all i will say about that is "Booty Sweat".

After the trailers the film shifts right into the middle of a scene from "Tropic Thunder", the movie that Stiller, Black, and Downey are all now in. Right away Downey starts stealing the scene, and it is almost scary how he looks and sounds almost nothing like Downey. Spouting blood from helmets and intestines falling out of stomachs happen in over the top war movie fashion, and Jack Black ends up hanging from a helicopter. The scene ends with Stiller in the midst of dying and Downey there to console him. Stiller yells cut and we get our first introduction to the pseudo rivalry between Stiller and Downey that continues throughout the film. I dont know who the actor is that plays the director, but he fits the role well. We get the basic rundown of whats happening on set, including the extremely obscene pyrotechnics guy and Nick Nolte as the soldier who wrote the book on which the movie is being based. The film then moves into a party scene and we are introduced to Jack Blacks drug addiction, Downeys method acting that doesnt stop when the cameras do, and Stiller, being, well, Stiller. The greatest introduction comes when we first see the man behind the funding of "Tropic Thunder", and it is possibly the best surprise of the entire film. This may be a big spoiler for some, so be warned. The hairy, over weight, and now balding billionaire is played by none other than Tom Cruise, spewing the word fuck every chance he can conceivably get. The theatre went
nuts. To see Cruise in a role like this was encouraging. Yes he may be one of the most insane men living on this planet right now, but he is goddamn hilarious in this role. And the decision to keep him coming back throughout the entire movie was a great choice.

Now I dont want to give a description of the entire movie, but I hope this gives an idea of the tone of the film. There are cameos galore, references to almost every film that had an actor play a retarded person, and Jack Black going through heroin withdrawals that lead him to making statements like "I will cradle your balls and swallow your sweet gravy if you let me go..." and talking to a large animal saying "I want to bite your hide skin". However, Downey steals the entire movie, especially the banter between him and the actual African american in the cast (who is supposed to be a rapper turned actor). I was a bit let down with Stiller's performance, and was almost let down by Black's until halfway through the film when he started going through withdrawals in the middle of the Vietnam Jungle. One other thing i could have done without is the leader of the Vietnamese heroin ring who captures the cast is played by a very unconvincing twelve year old, literally. But making up for that is Tom Cruise dancing to awful rap music while trying to convince Stiller's agent, played by none other than Matt McConaughey, to let Stiller die in the jungle.

The film is full of incredible cameos and genuinely hilarious performances. It definitely is one of the better satirical comedies I have seen in a long time. It is also great to see Jack Black and Ben Stiller in a good R rated comedy again. However, Robert Downey comes
out on top with the best performance. I laughed hard and consistently, and in that i felt the film was a great success. Even my roomate, who i thought lived his life emotionless, laughed quite a few times. I cant wait to see this again in august. Hope the review was helpful.

pošto kukate zbog mnogo slova, evo vam jedna SLIKA da reagujete!

u pitanju je američki rimejk DOBA NEVINOSTI:

Divorce Albanian Style

Razvo po Albanski (Documentary -- Bulgaria-Germany-Poland)
By JAY WEISSBERG

An Adela Media Film & TV Prods. (Bulgaria)/Westdeutscher Rundfunk (Germany)/Bulgarian National Television (Bulgaria)/Studio Filmowe Kalejdoskop (Poland) production, in association with YLE FST, in collaboration with the Albanian National Film Center. (International sales: Mercury Media Intl., London.) Produced by Slobodan Milovanovic. Co-producers, Felix Kuballa, Nikolai Nikolov, Maria Peeva, Piotr Slivinski. Directed, written by Adela Peeva.

With: Vassil Orgozki, Barbara Orgozki, Elzbieta Orgozki, Elena Chami, Minela Chami, Andrei Chami, Aleksey Chami, Volya Sharonova, Yuli Hilla, Pandi Konomi, Dolores Veliay.
Narrator: Ben Cross.
(Albanian, Polish, Russian, English dialogue)

Stalinist Albania's horrific treatment of multinational families gets a sympathetic if uninspired look in "Divorce Albanian Style." After paranoid dictator Enver Hoxha's repudiation of international ties in the early 1960s, any Albanian married to a foreigner was immediately suspect: Most wives returned to their home countries, but many tried to stick it out, often resulting in shockingly long prison sentences. Helmer Adela Peeva ("Whose Is This Song?") focuses on three families, interweaving archival footage of the isolationist state with moving interviews; slight trimming could tempt Euro cable.

Vassil Orgozki and Polish wife Barbara were very much in love until they were sentenced to 25 years in labor camps in 1969, on obviously trumped-up spy charges (still defended by unreconstructed Hoxha acolytes Yuli Hilla and Pandi Konomi). Polish authorities managed to get Barbara out in under three years, but drug experiments left her mentally unbalanced; the broken, sad-eyed woman now refuses to believe Vassil is her real husband.

After Russian-born Volya Sharonova was jailed, her Albanian husband divorced her and their son disowned her in order to continue studying medicine. Now living in Moscow, geologist Sharonova seems resigned to a life robbed of its promise.

Of the subjects interviewed, only Elena and Minela Chami came through prison with their marriage intact: Their sons explain that only those raised in the peculiar Hoxha system can understand the fear and illogic that infected every element of life.

As Ben Cross' poorly written English narration explains, one in three Albanians was either jailed or spied upon during the dictator's rule. Looking back at her truncated life, Sharonova realizes targeting innocent foreigners and their spouses proved much easier for the authorities than catching real spies, though the insight is hardly comforting.

Fascinating subject is let down by pedestrian editing and insipid use of music, half-heartedly slipped in without much thought. Abundant newsreels and black-and-white photos help flesh out the oppressive conformity of the times, along with Hoxha's cult of personality; interviews with regime enablers like Hilla, Konomi and tough-as-old-boots prosecutor Dolores Veliay add a welcome additional dimension.

Digital quality is fine, and the subjects' profound pain generally transcends helming limitations.

evo nešto za kripla, a još više za harva: najzad jedna komedija sa velikim dozama muške golotinje:

'Forgetting Sarah Marshall'
Critics may not be giving Forgetting Sarah Marshall a lot of props for craftsmanship, but they are for daring -- daring to show star Jason Segel's penis in particular. As Claudia Puig puts it in USA Today: "The good-natured story and likable characters offset the comedy's unevenness. ... An unlikely full-frontal nude scene reminds us that even after Borat's infamous wrestling bout, we can still be put off by the ordinary human form in an awkward and emotionally vulnerable situation." Likewise Glenn Whipp comments in the Los Angeles Daily News, "The sure-footed Sarah will be remembered primarily for Segel's bravery in baring all to the camera." Rick Groen in the Toronto Globe and Mail offers this reassurance. "Don't be prudish, 'cause here's the deal: The laugh-out-loud context makes the nudity a hoot." But the film also receives generally positive notices from critics who barely mention the full-frontal scene. "This film is so funny it may be beside the point to complain that, as in many Apatow productions, the writing and direction are still in something of a state of arrested development," writes Lou Lumenick in the New York Post. Amazingly, few critics even mention the billboard campaign that touched off considerable buzz in its own right. One who does is Michael Phillips in the Chicago Tribune, who concludes that "unlike its own bluntly nasty ad campaign ... this story of one man's rebound has a heart to go with its comic nerve."

malo je imena (namerno neću da ga nazovem filmadžijom!) koja su mi dosadnija, nezanimljivija i bezbačajnija od kevina smita. ako postoji epitom 'couldn't care less-a' u filmskom svetu, onda je to on. dosađivanje koje mi je prouzročio DOGMA dogšitom još uvek mu pamtim po zlu. zato me baš nimalo nije zanimala ni vest o nj. najnovijem filmu. ipak, zbog intrigantnog naslova, bacih pogled o čemu se tu radi, pa velim – ovo će barem harvu i dimbu da se svidi!

Zack and Miri Make a Porno

The bluntly titled "Zack and Miri Make a Porno" is a cheerfully vulgar love story or a sweet-hearted sex farce, however you want to look at it. Very much of a piece with Kevin Smith's previous down-and-dirty working-stiff comedies, the raucous humor here also neatly dovetails with the pants-down funny stuff recently popularized by Judd Apatow. That, and the presence of Seth Rogen doing what he does best, bodes well for this MGM/Weinstein offering, which looks to pocket some nice change in fall release and prove a very popular home-viewing title down the line.
If there were any doubt that anyone can make a movie now, "Zack and Miri" dispels it, as the lead characters do it -- and the nasty -- for the sole purpose of making money. Friends since first grade, Zack (Rogen) and Miri (Elizabeth Banks) have long lived together in a low-end Pittsburgh house but have never been an item, as that would somehow seem weird.
Smith opens the floodgates for the sex and potty humor at the outset. There's scarcely a line of dialogue that doesn't feature the F-word, A-word, one of the C- or P-words or some variant of them, and it isn't long until you have to either decide that it's all intolerably stupid or, more likely, succumb to the downright silliness of it and enjoy the overdose. It would be too much to say that what Smith has come up with here is inspired, but it is pretty funny and very energetic.
An unlikely night-before-Thanksgiving high school reunion sees Zack push for a bathroom quickie with a married former classmate, while Miri embarrasses herself by propositioning the handsomest guy in the room, Bobby Long (Brandon "Superman" Routh), before discovering he's not only gay but also a big porn star, who's in from L.A. with his b.f. (an amusingly upfront Justin Long).
Inadvertent celebrities when both their asses turn up on You Tube thanks to an opportunistic kid with a videophone, Zack and Miri, their rent overdue and the water and power cut off, have got to find a quick fix for their financial quandary. The title explains their solution, but the big discussion centers on whether or not they can bring themselves to do the deed on camera. Of course they can.
Still, Zack plans the scenario so Miri won't be having sex with anyone else in the film, which initially takes shape as a sci-fi takeoff called "Star Whores" (wait, didn't Mel Brooks long ago do "Spaceballs"?). Zack assembles a motley crew, consisting of "producer" and casting director Delaney (Craig Robinson), his longtime fellow coffee-shop workmate, who's comically oversensitive to any perceived insult to his blackness; Lester (Jason Mewes), a young man who can be ready for action at the snap of the fingers; Bubbles (porn legend Traci Lords), who lives up to her name in more ways than one; Barry (Ricky Mabe), a pliable young fellow; Deacon (Jeff Anderson), who qualifies as d.p. by having photographed high school football, and Stacey ("Porn 101" star Katie Morgan), who will do specialty acts.
As lensing gets under way despite an initial setback, Zack can't believe how much fun filmmaking is, and Miri tells him he actually seems ambitious for the first time in his life. When the time comes for their big scene, for which they never rehearsed at home, it goes differently than either of them would have expected, leading both to assess their relationship in a new way.
What the scene really is, however, is YET ANOTHER FANTASY, NOW EXPLICIT AND FAMILIAR DUE TO THE APATOW STABLE'S OUTPUT, OF A CHUBBY, GEEKY GUY GETTING IT ON WITH A GORGEOUS YOUNG WOMAN AND HER DIGGING IT. NATURALLY, CHUBBY, GEEKY GUYS WILL DIG THE SIGHT OF IT. RESOLUTION SHOWS THERE'S BOTH A CLOSET ROMANTIC AND A GOOD LITTLE CATHOLIC BOY STILL DEEP INSIDE SMITH SOMEWHERE.
Chemistry between Rogen and Banks is excellent; he bangs out the crude talk with well-practiced, nonchalant expertise, and she's totally game, throwing it right back at him. Robinson's deadpan outrage and acceptance of insanity see him neatly underplaying everyone else, and everyone else pitches in to create a nutty group portrait of try-anything common folk.
Dead-of-winter Pittsburgh locations create a sense of ever-present adversity that's funny in itself; pacing is ultra-snappy, production values what they need to be. A post-fade-out faux promotional video is worth sticking around for.

Ja ne podnosim Kevina Smita i njegove "filmove", ali možda crippletu bude interesantno  

У оба та филма заједно има тачно НУЛА смијешних сцена.

Zach and Miri je stvarno kršina žešća, zarekao sam se da nikad više ne pogledam nijedan film u kojem glumi Seth Rogen, i za sada mislim da mi je to bila odlična odluka.

Najbolji Rogenov film je crna komedija Observe and Report, Jody Hill je tu izvukao maksimum iz njega; i može biti da je do toga što tu, za promenu, ne igra lika koji bi trebalo da nam bude automatski simpatičan.

ti u stvari pokušavaš da me navedeš na grijeh

Pogledaj ovaj trejler i reci da ne želiš da pogledaš film, meni se sad ponovo gleda...

Observe and Report - RED BAND trailer

must... resist!

Ма боље признај одмах да нема ништа од тога и одгледај тај филм, па јави какав је.

Quote from: Black swan on 12-03-2008, 10:19:24
a kaću ja na nešto reagovnati 

jest da ne znam tako ko vi reagovati

ali barem znam smajlijima svoje mišljenje izraziti

EPIC!