ZNAK SAGITE — više od fantastike — edicija, časopis, knjižara...

Quote from: "Meho Krljic"Jebote, u tom Dablinu sam svirao više puta nego što sam u Novi Sad išao poslom....

Ej, ovo je interesantna i pozitivna novost (za mene)...

Ma, mislim, u klubu Dablin, ne u gradu Dablinu.... A u Novi Sad nisam išao poslom, ima tome bar tri godine... Ulenjio sam se... A i mislim da sam poslednji put tamo svirao recimo 2005. godine... Mada sam posle jednom svirao i u Sremskoj Kamenici. U svakom slučaju, Lutke će možda i da pozdrave aplauzom, a nama će sigurno samo da se smeju...

Quote from: "Meho Krljic"Ma, mislim, u klubu Dablin, ne u gradu Dablinu...

E, da ga @ebem, ja mislio na onaj irski (sa Ircima)...

Znam, zato i pojašnjavam, da ne bude zbunjenih.

Inače, kad se već reklamiramo: na ovoj 'turneji' sviramo i jednu obradu Džonija Keša. Dakle, biće tu i pristojne muzike.

Quote from: "Meho Krljic"Inače, kad se već reklamiramo: na ovoj 'turneji' sviramo i jednu obradu Džonija Keša. Dakle, biće tu i pristojne muzike.

ovo mi zvuči otprilike kao kad bi neko ko ima PSIHO u naslovu svog romana kazao: moj roman je obrada AMERIČKOG PSIHA, dakle, možete očekivati ozbiljnu literaturu!

ili, kad bi se neko u svom jadnom 'krimiću' neprestano pozivao na U. Eka kako bi podario 'dignitet' i 'ozbiljnost' svom delcu...

Komšija Meho, ja kao stari pravoslavac koji je naklonjen Islamu mislim da se ovi benelukšani više ne mogu tolerisati.

Слобода говора за исламофобију
Холандски суд одбио захтев да се због распиривања мржње забрани филм ,,Фитна" Герта Вилдерса

Протести огорчених муслимана у Карачију (Фото АФП)

Пресуда холандског суда да Герт Вилдерс није прекршио закон приказивањем антиисламског филма ,,Фитна", у којем је Куран назвао ,,фашистичком књигом", највероватније ће још више распламсати гнев муслиманског света. Јучерашњом одлуком суд у Холандији је одбио захтев Холандске исламске федерације да се забрани овом десничарском парламентарцу да пореди муслиманску веру са фашизмом, а пророка Мухамеда са варварином.

Ова муслиманска организација је истакла да Вилдерс распирује мржњу и насиље према муслиманима, као и да би требало да буде осуђен за дискриминацију уз обавезу да објави исправку.

Међутим, Вилдерса и његове поступке суд је, како преноси Ројтерс, оценио као политичара који користи своју слободу изражавања, додајући да је неопходно да парламентарац може да изрази своје погледе у јавној дебати, чак и кад су они екстремни.

,,У том светлу, не може се рећи да је оптужени са својим коментарима, иако су они провокативни, распиривао мржњу или насиље против муслимана", саопштио је холандски суд, при чему је у пресуди откуцаној на четири стране написано и да ,,спорне примедбе се не сматрају за незаконите", као и да је ,,слобода говора оптуженог била одлучујући фактор у овом предмету".

Седамнаестоминутни филм, у којем се Куран осликава као извор насиља, тако што су измешани кадрови исламске свете књиге и терористичких напада, данима изазива немире и протесте широм света, док лидер десничарске Партије за слободу не одустаје од своје исламофобичне пропаганде.

,,Увек сам веровао да у политичкој дебати мора бити могуће указати на опасности од надолазеће исламизације Запада и Холандије", рекао је Вилдерс за новинску агенцију АНП и додао да ,,никад није имао осећај да је претерао".

Док је око 20.000 Пакистанаца у недељу демонстрирало и палило холандске и данске заставе у Карачију, због филма ,,Фитна" као и поновног објављивања карикатура пророка Мухамеда, Герт Вилдерс је на интернет поставио нову ревидирану верзију спорног филма. У новој верзији избачена је карикатура пророка Мухамеда са бомбом у турбану, али је и уместо фотографије холандског репера мароканског порекла стављена фотографија правог убице Теа ван Гога, познатог по томе што је отворено говорио о насиљу према женама у исламским земљама.

Вилдерса је, према свему судећи, више уплашила најава данског карикатуристе да ће га тужити због неовлашћеног коришћења ауторских права, односно његове карикатуре, него што је започео талас протеста и бојкотовања холандских производа у Пакистану, Малезији, Индонезији, Авганистану, Ирану и другим муслиманским земљама. Протести против спорног филма и карикатура протеклих дана спојили су шиите и суните, али за разлику од демонстрација 2006. године, овог пута нема погинулих.

Ирански верски вођа ајатолах Ахмад Катами пре неколико дана је у току молитве, коју је преносио ирански државни радио, рекао да иза Вилдерсовог филма стоје ,,тлачитељске силе и ционистички режим".

,,Овај јадни холандски посланик је 40 пута путовао у Израел у последњих 25 година. Он каже како је близак (израелском председнику) Шимону Пересу и (израелском премијеру) Ехуду Олмерту", рекао је Катами и додао да ,,они виде руку ционистичког режима иза ових сатанистичких дела и дозивају смрт Израелу".

Минули догађаји само доприносе све већем међусобном неразумевању између западног и муслиманског света, које је евидентно и по шестогодишњем истраживању Галупа спроведеном у 35 муслиманских земаља у којем је испитано 50.000 људи. Резултати овог истраживања, објављени у књизи ,,Ко говори за ислам? Шта милијарду муслимана заиста мисли", назначавају како неразумевање с обе стране, које често одржавају политичари и медији, може да подгреје сумњу и конфликт.

Према речима Далије Могахед, коауторке књиге, анализа медија је показала да је већина америчких телевизијских извештаја ,,оштро негативна" према исламу, док су дискусије о хришћанству на муслиманским ТВ станицама нити добре нити лоше.

Bah... stara dilema: da li je važnija sloboda govora ili sloboda vere... Materijalno ili duhovno... Ovosvetsko ili onostrano...

Ovih dana u prodaji će se pojaviti novi album Dejana Cukića Ubrzanje! u izdanju Multimedia Recordsa.

Ubrzanje! sadrži deset pesama, uglavnom snimljenih u studiju Sky Music; među Cukićevim saradnicima bili su Mirko Vukomanović, Voja Aralica, Ted Yanni, Branimir Štulić i Kornelije Kovač.

Album je masterovan u studiju Masterlab u Berlinu.

Izdavač najavljuje Ubrzanje! kao "dinamičnu ploču, modernog senzibiliteta, koja definitivno sadrži neke od najboljih pesama koje je Dejan Cukić uradio do sada".

Za prvi singl odabrana je pesma Fantastičan dan.

Juno director Jason Reitman was also on the Howard Stern Show today and revealed that he turned down an offer to direct Justice League of America for Warner Bros. Howard's first question was "How's the script?"

   "Good, FINE... You know, I mean. I had to sign something, they send me the script and it comes on this spy paper which cant be xeroxed," revealed Jason Reitman. "They have a time when I have to have the script back to them and the script is fine and I could be spending..." Jason later continued: "What am I going to do with Justice League of America? So Basically I'll make a movie that is not as good as X-Men, then I'll be the guy who made a movie not as good as X-Men. Where just like you talking about, going to smaller stations, if I make another small movie, and it's really good, it performs well..." "Right now I'm thought of as a particular type of director. I've got an oscar nomination. I've made two indie films that play film festivals that are considered thoughtful. I want to stay in that world, I like making those type of films."

http://www.popboks.com/vest.php?ID=7239

Pokretna traka superjunaka

Strip autor Stan Lee, tvorac Spajdermena i drugih junaka koji su u poslednjih pola veka obeležili popularnu kulturu SAD-a, najavio je da će stvoriti još 10 junaka koje će predstaviti 2009. godine.

Prema pisanju Varietyja, 85-godišnji Lee će nove junake predstaviti u 10 stripova, koji će potom biti adaptirani u kratkometražne animirane ili dugometražne filmove.

On je autor ili jedan od autor ne samo čoveka-pauka, već i junaka stripova Hulk, Daredevil, X-Men, X2:X-Men United, Fantastična četvorka, Iron Man...

Nakon karijere u Marvelu, Lee sada ima svoju produkcijsku kompaniju Pow! Entertainment, čiji je najveći komercijalni uspeh TV šou Stripperella - komični crtani film sa glasom Pamele Anderson, koja igra noćnu plesačicu koja se danju pretvara u superheroja.

Moriarty Is Stunned By IRON MAN's Impact!

Hey, everyone. "Moriarty" here.

Oh, Favs, you did it this time.

IRON MAN is grown-up fun, a rare thing these days. It's escapism, no doubt about it, and it's light as air for most of its running time, even with a surprisingly high body count and a rough-and-tumble aesthetic. This is not, however, a kid's movie, and that is such a welcome discovery that IRON MAN seems even greater than it would if it were just another kid-friendly superhero film.

Marvel Studios makes a hell of a debut with this film, and if they can put together creative teams that take their characters this seriously each and every time they make a film, then they could very well eclipse the work they did with the other major studios, proving that they were right to step back and take control of their own properties once again.

From the opening frames of the film, IRON MAN is confident, cocky, and slick, just like Tony Stark. And, yes, everything you've heard about the casting of Robert Downey Jr. is true. It's an insanely good fit between actor and character, and right away, he's making you laugh and he's suggesting such a great history for Tony with every line, and as the opening sequence plays out, you get it all quickly. By the time the actual title appears onscreen, you will be sure that you're not seeing "just another superhero film." I can't think of a single one that starts like this, or that sets a tone like this right away. It's not James Bond. It's not ROBOCOP or THE ROCKETEER. It's not SPIDER-MAN or BATMAN BEGINS. But it's certainly got elements of all them, digested and then organically reconstituted into something fresh. IRON MAN has its own vibe, and that's what I responded to the most. This is a movie with a pulse. It may be "summer product," but it's far more than that, too. It's pop art writ large, populated with great actors who all understand exactly what they're doing. And Favreau, who has been growing with each film as a director, has finally put it all together here. If you wondered whether he was really a comic geek or if he's just doing this because it's a blockbuster, you'll know the answer by the end of the film. This is a film born of pure geek love, and that's why it works.

Some people are complaining that this is an origin story. That's sort of true, but it's not an "origin" the way we're used to seeing them. There's no mystical accident. There's no prophecy about Tony being the chosen one. There's no magic powers given to him by outside forces. This is just the moment where Tony Stark grows a conscience and decides to contribute something to the world instead of just taking from it. Although he's brilliant, he is a man of inherited wealth and power, and what we see here is the event that leads him to define himself instead of just playing the role he was born into. Robert Downey Jr. has had a fascinating career, defined as much by what he's done off-screen as on, and there's something intoxicating about seeing him step up and become the MOVIE STAR that he's always had the potential to be. He gives Stark a soul, and even at his most glib, there's a grounded reality to what he does that makes us believe in this world.

He's helped by Terrence Howard as Jim Rhodes, the liason between the Pentagon and Stark Industries, and by Pepper Potts, his personal assistant played with wit and glamour by Gwenyth Paltrow, who looks like she walked out of a '40s romantic comedy. He believes that Obidiah Stane is also helping him, and Jeff Bridges embraces this bad-guy role, seeming to delight in every terrible thing the film allows him to do. It's no big secret to say that Stane is the bad guy of the film, but the way the film's structured, he doesn't start off as the obvious villain. Instead, Bridges brings his A-game to the film as well, and as a result, both Stark and Stane are given more depth than you'd expect. Anyone less substantial than Bridges might not fare as well opposite Downey, but Bridges refuses to get overshadowed here. He can turn on the charm at times, but when he amps up the menace, he's scary, and he's one of the reasons I would not bring younger viewers to see the film. Once he finally reveals his true nature, the film starts to play very, very rough, and I think they skirt the fine line between the PG-13 and the R expertly. Clark Gregg also does some great work as Agent Phil Coulson, and I like how his true nature is only gradually revealed, leading to one of the great payoffs in the movie for fans.

ILM's work here, combined with Stan Winston's work, is just as seamless as when they teamed up for JURASSIC PARK in 1993. There are many sequences where I'm not exactly sure what is what. Could be practical. Could be CGI. Beats me, and frankly, I don't care. By the end of the film, I believed in IRON MAN. I believed that he could exist in our world. And that he would make it better if he did.

Matthew Libatique's cinematography is rich and colorful, but they're not trying for a hyperreality like we've seen in many of the superhero films. Instead, he gives things a rough-hewn realistic look, very matter-of-fact, and it's the exact right choice. I wish Hans Zimmer's score wasn't so cookie-cutter. We have yet to hear a truly great Marvel hero theme in any of their films. I don't think SPIDER-MAN or X-MEN or FANTASTIC FOUR or HULK or DAREDEVIL or even BLADE had a theme that really stands out the way the 1978 SUPERMAN theme did or the way the Burton BATMAN theme did. That's a shame, because in every other way, this is an iconic movie. Mark Fergus & Hawk Ostby and Art Marcum & Matt Holloway have done a tremendous job distilling decades worth of comic characters and storylines into an original piece that manages to pay tribute to many different eras of Iron Man storytelling without feeling the need to "shake it up." Instead, they've cherry-picked the best stuff, carefully putting it all together in a way that should please almost every fan, while never once drowning the film in complicated continuity that would keep a new viewer at arm's length.

Yes, there are some great nods to comic history, and yes, there are some very sly suggestions about what to expect from future installments in this series (and there will be many, many more... you can be sure of that), but even if you've never read anything with Iron Man in it, those moments will play for you, too, because this film is careful to give you everything you need to enjoy it. I like that the script isn't about some threat that's about to blow up the entire world, or some villain who is about to topple the US government, or some giant cosmic threat. Instead, it's a fairly personal story that boils down to a wrestling match over control of a multi-billion-dollar corporation. Doesn't sound like the most interesting engine, but keeping it simple means that more energy can be focused on Tony himself and the journey he takes as he figures out what to do with his awesome new invention. It's a fairly lean adventure, and now, groundwork laid, they're free to explore the larger world that is only hinted at in this film. I appreciated the fact that Stark doesn't pull his punches as he deals with the bad guys in this movie. It's violent and scary at times, and Stark doesn't have the same sort of white-black moral code as someone like Batman. He has no problem with killing someone who deserves to be killed, and that startled me.

When he tears into the organization run by Raza (Faran Tahir), it's brutal and unapologetic. It's also one hell of an exciting sequence. In the end, I don't want to indulge in hyperbole by calling this "perfect" or "flawless" or an "instant classic." I think it'll be a word-of-mouth hit all summer long, and for every film that comes out and disappoints, I think that's another ticket sold to IRON MAN as people go back and show their friends and just watch it again for their own pleasure. And I think it'll be a movie that sells Blu-Ray players when it's released later in the year. Whatever the case, I'm satisfied, and it's nice to feel like a film treats you with respect rather than disdain, especially as the kick-off to what looks like a very fun summer. IRON MAN knocked me flat tonight... and I loved it.

Thanks, Marvel. Keep it up.

Ja sam nažalost juče daunloudovao igru rađenu po filmu i... da kažemo da su igre rađene po filmovima i dalje prilično loše...

Matthew McConaughey is rumored to be the front runner for Marvel's early 2011 superhero project "The First Avenger: Captain America" reports Cinema Blend.

The character's real name is Steve Rogers, a sickly young man who was enhanced to the peak of human perfection by an experimental serum in order to aid the United States war effort during the Second World War.

The character remains one of the few of Marvel's most popular characters yet to have been turned into a feature film (not including the odious 1990 low-budget direct-to-video feature). In many ways it still faces much difficulty due to the nature of the uber-patriotic character in a modern post-Iraq world which has become far more critical of America's involvement on the global stage than ever before.

The solution seems to be repositioning the character and placing the emphasis on his role as the leader of 'The Avengers'. The character will team up with Iron Man, Hulk and Thor in that film opening a few weeks later in July 2011.

Kuku:

http://www.gamespot.com/news/6190664.html?tag=latestnews;title;2

Verbinski BioShocks Hollywood
Pirates of the Caribbean director helming adaptation of 2K's groundbreaking undersea actioner; Universal courting Gladiator screenwriter to pen script.

By Brendan Sinclair, GameSpot

Posted May 9, 2008 10:23 am PT

Gore Verbinski is returning to Davy Jones' locker. Having completed work on the Pirates of the Caribbean film trilogy, Verbinski has signed on for another oceanic epic with the big-screen adaptation of 2K Games' award-winning action game BioShock.

The publisher today announced the project in conjunction with Universal Pictures. The studio is in talks with Academy Award-nominated writer John Logan (Aviator, The Time Machine) to provide the screenplay.

In an interview with Hollywood trade magazine Variety, Verbinski said the film won't be on the same scale as his summer blockbuster Pirates of the Caribbean films.

"It's a much more intimate story than Pirates," Verbinski explained. "Although it's an adventure, its a dramatic adventure. I see it more along the lines of Blade Runner."

Although the Disney ride-based films are his best-known work, Verbinski has worked on smaller-scale pictures as well. He directed the US remake of The Ring, as well as the 1997 family picture Mousehunt. Three months ago, he gave the keynote address at the DICE Summit, telling hundreds of the game-industry elite about his growing interest in games.

Verbinski also told the trade that he was prepared to make a BioShock movie rated R. Beyond the dark tone and violence of the game, Verbinski also said the "graphic nature of the story is smarter than that."

"The utopian references and the way the characters and world are drawn in that delightfully inspired Jules Verne and Ayn Rand style places the film in a more elevated realm," Verbinski said. "It's the realm of a graphic novel. It has to have that edge."

Variety also reported that Take-Two Interactive chairman Strauss Zelnick dismissed fears that the project would end up in turnaround like Universal's last big game adaptation--Halo--saying that the BioShock deal was structured specifically to avoid such a fate.

No projected release window for the film was announced, nor was the casting of any major characters--including the silent, faceless protagonist--revealed.





Dakle, stvarno.......... Half Life odoleva dušmanima već deceniju a BioShock će odmah da ekranizuju... Jebote, brn, holivud, brn        

Sto je najgore u dopbrim rukama od toga bi se dao napraviti savim dobar film. Ovako...  

Ma, čak ni u to nisam siguran. BioShock je u osnovi o tome kako jedan čovek ide unaokolo po razorenom podvodnom gradu i naleće na ljude od kojih ga svaki šalje da ga nešto posluša. Većina priče je ispričana audio-dnevnicima i radio komunikacijom. Ključni narativni momenat je u tome što se igraču iz ruku na momenat oduzima moć interakcije i on posmatra kako njegov avatar izvodi nešto što sam ne želi da uradi. Ovo ne može da se izvede na filmu....

Hm, ja sam iz ko zna kog razoga predpostavio da film ne bi uzeo pricu iz igre i ponovo je ispricao u svom medijumu.
Potpuno neosnovano mi je prva na um pala varijanta gde se uzima setting i prica potpuno nova prica koja je potencijalno na neki nacin vezana za desavanja iz igre.

Tvoj komentar me je ponukao na razmisljanje... kako bi se docarao lik koga mi vodimo u igri? Morali bismo da gledamo nekog glumca iz treceg lica... kakvo bi njegovo ponasanje moralo biti s obzirom na 'would you kindly'? Kakva gluma bi to valjano docarala? Naravno svi koji su igrali igru bi vec znali za obrt....

Usput, potpuno off topic, procitah upravo tvoju par godina staru recenziju Patter Recognitiona. Sto ti ne pises te stvari za neku uglednu publikaciju?

Mislim da će scenario za film morati da ide malo više u širinu. Da će se dosta toga što se dešavalo u Raptureu pre dolaska protagoniste gledaocu prikazivati kroz flešbekove. Ali mislim da ne mogu da se izvuku od upotrebe 'would you kindly' i vezivanja akcija protagoniste za ovu frazu... Videćemo. Jako me zanima šta Ken Levine ima da kaže na sve ovo. Mislim, on je ipak dramaturg...

Apropos Pattern Recognitiona, ma napisao sam prikaz i za Emitor... A možda znaš možda ne znaš i da uređujem književnu rubriku na popboksu...

Nijesam znao.

Mozda je trebalo, cisto da nam ne dizu nade, dati Uve Bolu da snimi film... veci vidim par likova u dzinovskim skafanderima kako se
zbunjeno sudaraju uz 'kling-klang' zvuke.

Heh, to bi bilo prilično smešno. Trejler za Far Cry obećava očekivanu količinu sira u najnovijem proizvodu Uweta Bolla.  

Kad spomene Bolla, Meho, da li si možda gledao "In the Name of the King", po Dungeon Siege-u? Heh, 'po njemu'?  Kao da ne bi mogao biti po bilo čemu što sadrži kralja, vojsku, dva čarobnjaka (tri?), orke i heroja i njegove prijatelje...Gledao sam ga sa nevericom, a znao sam šta uzimam. Sećam se pre nekoliko godina kako su ispljuvali Eragona (s pravom), a to je remek-delo kinematografije u odnosu na ovu Bollivudsku produkciju, kako vole da zovu njegov opus.

Ma, nisam, nemam ja vremena da gledam ni dobre filmove a kamoli Boletova smeća, to je više Harvesterov teren. Plus, Dungeon Siege meni nikad nije bio nešto specijalno draga igra (jebiga, seljak sam čovek, volim kad RPG ima priču i kompleksniji sistem). Od recentnih Boletovih nedela gledao sam Blood Rayne pošto je meni ta igra relatvno draga (mislim, najviše kao guilty pleasure, naravno) i to je bila teška katastrofa. I dalje mi je misterija zašto je Ben Kingsley igrao u tom filmu.

QuotePlus, Dungeon Siege meni nikad nije bio nešto specijalno draga igra (jebiga, seljak sam čovek, volim kad RPG ima priču i kompleksniji sistem).

Nije ni meni, ja sam gledao više iz neke mazohističke radoznalosti. I vidim da ima dosta nas seljaka.  

Al ja sam najveći seljak u ekipi, sigurno.

Omiljeni RPG?  

Teško je izjasniti se... Pa i neću... Mislim, imam mnogo omiljenih, a mnoge još nisam ni igrao... Svakog dana mi je drugi omiljen...

Kakav mudracki zen odgovor.

Ocekivao sam varijaciju na vecitu raspravu Fallout ili Torment, ali trebalo je da znam bolje.

Ma, ne, rasprava bi pre bila na relaciji Final Fantasy - Shin Megami Tensei - Chrono Trigger/ Cross... Da ne pominjem taktičke igre poput Shining Force, Disgaea, Fire Emblem...

Mada bih mogao i da kažem Shadow Hearts iako svakako nije najbolji ali spada mi u najdraže jer mi je to bio prvi JRPG od koga naprosto nisam mogao satima da se odlepim zapanjen koliko me je uvukao pričom, likovima i borbenim sistemom...

Fable Works and Sparx Animation Studios ("Igor") will produce the computer-animated feature "Cereal Heroes" says The Hollywood Reporter.

David Meinstein ("Portal") is writing the screenplay, which revolves around cartoon cereal box-mascots who are mistakenly brought to life when a plan to replace the world's fallen superheroes with characters from comic books goes awry.

They soon find themselves on the run in an unfamiliar world that only they can save from destruction.

Stephen Silver ("Kim Possible") is designing the characters. A film release in 2010 is planned.

Brad Pitt is being linked to play the titular character in the upcoming movie based on Marvel Comics "Thor".

Uuuu. Moraće da se opako nabilduje...

Quote from: "Meho Krljic"Ma, ne, rasprava bi pre bila na relaciji Final Fantasy - Shin Megami Tensei - Chrono Trigger/ Cross... Da ne pominjem taktičke igre poput Shining Force, Disgaea, Fire Emblem...

Mada bih mogao i da kažem Shadow Hearts iako svakako nije najbolji ali spada mi u najdraže jer mi je to bio prvi JRPG od koga naprosto nisam mogao satima da se odlepim zapanjen koliko me je uvukao pričom, likovima i borbenim sistemom...

A, ti si jedan od tih. Ko bi rekao...  

Ma, igram ja jednako i WRPGove. Trenutno na računaru imam instaliran Oblivion i Baldur's Gate, čisto da ne posumnjaš u moju pravovernost.

Ne sumnjam, al' vidis da preferiras prve.

Mada, moram priznati da mi je zao sto sam ostao temeljno neupoznat sa JRPGovima. Samo sam FF:Tactics presao, a i on vie vuce na ovu takticku stranu. To sve pre svega zato sto nikad u zivotu nisam posedovao konzolu... :tuzni pogled samosazaljenja:

Sve obcavam sebi da cu jednog od ovih leta uzeti da se malo edukujem, uzimajuci kakav emulator i pocinjuci od onih oldtimera poput starih FFova.

Da, FF VI, Chrono Trigger, Chrono Chross, Breath of Fire i još milion klasičnih JRPGova možeš lako da odigraš posredstvom emulatora.

Što se tiče toga da možda procentualno više igram JRPGove nego WRPGove, to je samo zato što su JRPGovi ipak nešto kraći.

Wii Fit or Wii Fat?
Nintendo's exergame wrongly labels kids overweight, claim obesity experts.
By Ben Silverman
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When a 10 year-old girl from the South-East of Britain stepped on the scale of Nintendo's new game Wii Fit, she expected to get the blood pumping with some fun, casual exercising.

Instead, the game's software told her she was fat. Understandably, her father wasn't happy.

"She is a perfectly healthy, 4ft 9in tall 10-year-old who swims, dances and weighs only six stone (84 lbs). She is solidly built but not fat. She was devastated to be called fat and we had to work hard to convince her she isn't."

Obesity experts in the U.K. are working equally hard taking Nintendo to task for failing to warn parents that Wii Fit isn't appropriate for younger kids. At the center of the debate is the game's use of the Body Mass Index (BMI) as a means of judging the health of its players. After standing on the game's innovative Balance Board peripheral and entering basic information like height and weight, the game doles out an overall BMI number as well as a label, such as "underweight," "ideal," or in some cases, "fat." While the somewhat callous system is reasonably accurate in determining the BMI of adults, a child's BMI can literally change from day to day. Experts have deemed its use in Wii Fit misleading.

"I'm absolutely aghast that children are being told they are fat," said Tam Fry of the National Obesity Forum. "BMI is far from perfect but with children it simply should not be used. A child's BMI can change every month and it is perfectly possible for a child to be stocky, yet still very fit."

Nintendo apologized for the terminology used to describe players, but stopped short of actually adding a warning to the game.

"Wii Fit is still capable of measuring the BMI for people aged between two and 20 but the resulting figures may not be entirely accurate for younger age groups due to varying levels of development," the company said through a spokesman.

Nintendo's exergame is already a bona fide international hit, selling out quickly in both Japan and Europe. The game releases in North America on May 19.

Samo da kazem da sam krenuo da tracim vikende umesto spremajuci ispite buljeci u Cvece zla i naopakog....

Damn you Mr K! Damn you!  

Ma, kakvi ispiti, gledaj mene, studirao dva fakulteta a nijedan završio i šta mi fali? Osim obrazovanja.... Možda malo štofa.. Zrno-dva kritičke svesti... Sve nevažne stvari...

Koja dva ako nije tajna?

Quote from: "Father Jape"Koja dva ako nije tajna?

1. zaštita na radu i 2. balet.

Ma, laže Ghoul, sve iz pakosti jer nisam završio fakultet kao i on.

Tehnološko Metalurški: trebalo mi je tri odslušane godine da shvatim da ne razumem šta ovi ljudi ispred table pričaju.

Filološki: ovde sam bio mnogo efikasniji pa sam već posle mesec dana digao sidro. I otplovio putem pakla.

QuoteFilološki: ovde sam bio mnogo efikasniji pa sam već posle mesec dana digao sidro. I otplovio putem pakla.

Vr'!


Nego, procitah malopre onaj rant o velikanima serbskog рокенрола, pa me znanima, cisto informativno, sta mislis o Balasevicu?  


.

Quote from: "Meho Krljic"Ma, laže Ghoul, sve iz pakosti jer nisam završio fakultet kao i on.

meho je iz čiste zlobe upiso 2 komada kako ne bi završio jedan više od mene!

Hmda... tako nekako.

Er... Balašević? Paaaa.... Volim ga?

Ma volim ga i ja, al' sam mislio vise nesto u stilu Zasluga vs. Krivica.  

Paa, za razliku od većine nabrojanih u onom tekstu kojima se mogu naći neke zasluge u mladosti a gresi u zrelim i poodmaklim godinama, ĐB je većinu kardinalnih prestupa učinio kad je bio mlad pa to deluje šarmantno i može se odbiti na godine.

(Naravno, nekima sa one liste, recimo Neši Galiji ili Đuletu VG se ne mogu pripisai skoro nikakve zasluge već gotovo isključivo gresi...)

Quote from: "Meho Krljic"Paa, za razliku od većine nabrojanih u onom tekstu kojima se mogu naći neke zasluge u mladosti a gresi u zrelim i poodmaklim godinama, ĐB je većinu kardinalnih prestupa učinio kad je bio mlad

Misliš u trenutku kad je odlučio da se bavi muzikom?

Zlobniče!!! Sigurno mu zavidiš što je imao dužu i plodniju karijeru od Dinoa Merlina.

QuotePrelepo. Svejedno, ja sam mudrovao o tome kako sve ove mlade treba pohapsiti i u zatvor terati, ovima sa dredovima do dupeta odseći kosu a ovima sa malo kose odseći, ako treba glavu. Onda sam okrenuo sečivo svog besa ka plešućim pripadnicima publike. Pomislio sam (i glasno izrekao) kako ne postoji ni jedno valjano opravdanje da muškarac stariji od devet godina pleše, sem ako se ne radi o svadbi. Ovde ne računam tromo prebacivanje težine s noge na nogu ili klimanje glavom u ritmu koje je svojstveno skoro i najvećim nerijateljima plesa kada se nađu na mestu gde je muzika glasna a masa se talasa. Pričam o pravom plesu, sa sve širokim pokretima i zastrašujućim osmehom na licu. Ozbiljno, koje je njihovo objašnjenje za ovakvo ponašanje? Kada žene senzualno uvijaju svoja tela u ritmu muzike, jasno je da to rade da bi privukle našu pažnju i sebi obezbedile seksualnog partnera i potencijalnog oca svoje buduće dece, pa se za njih kakvo-takvo opravdanje i može naći (što naravno ne znači da sad odjednom treba prema njima da budemo popustljivi i opraštamo im svakodnevne previde u kućnim zadacima i povremena pomanjkanja respekta za nas), ali zašto to muškarci rade? Pa sigurno nisu baš svi homoseksualci??? A ako jesu, zar nisu svesni da je među homoseksualcima gej ponašanje odavno izašlo iz mode? Evo, pogledajte na ovom sajtu listu gej bendova: http://lovegodsway.org/GayBands Mislim, tu je i Motorhead, zaboga!!!!

Ovaj pasus u tolikoj meri konvergira Istini* da ja imam potrebu da ti obecam jedno pice ili slatkis po izboru u nazrivoj buducnosti.  

*As propounded by the inimitable William Melvin Hicks (God rest his soul) - "Real men don't dance. They sit, sweat, and curse."