ZNAK SAGITE — više od fantastike — edicija, časopis, knjižara...

Mala Juno izgleda zna šta radi... Naime, Pageove nije za dž odbila da se pojavi u novom Rainijevim 'ororu... Na net je dospeo rivju scenarija. Bogme, ne miriše na dobro.

Evo kako (otprilike) izgleda glavna negativka:


Reviewed by: CAXE - 03.25.08

I like Sam Raimi. He's done some pretty good stuff, but his work lately has been a pretty big letdown. Spider-Man 3, which he co-wrote with his brother Ivan Raimi, really bummed me out. On top of that, Raimi has been known for producing a bunch of substandard horror schlock, the likes of which get worse and worse.

Well, time to add another to the list: the upcoming Drag Me to Hell. Written (with a little help from Ivan) and about to be lensed by Raimi, Drag Me to Hell first made headlines in the entertainment industry when Ellen Page of Juno fame dropped out for "scheduling" reasons.

My guess? She read the script. There honestly isn't much to say about it. Practically everything in this story has been done before – and done better at that.

Now the first act was okay – it's a workable set up and at least had me intrigued enough to see it through to the end.

Having grown up on a farm in Missouri, twenty-something STEPHANIE is now living in LA and working as a loan officer at a bank. Stephanie is up for a promotion along with another employee, STU. On her way into work, Stephanie saves a kitten about to dart into traffic. At the bank, Stephanie approaches her boss, MR. JACKS and asks about the promotion. He assures her she is up for the job but says Stu might be a better fit. Stephanie assures him that she is the better choice, especially because Stu is new and doesn't have her level of experience. Mr. Jacks agrees with her, but insists Stu has one thing Stephanie doesn't – he's aggressive and not afraid to make tough decisions. To add insult to injury, Mr. Jacks asks Stephanie to train Stu on loan policies.

On her lunch break, Stephanie goes to see her blue-blooded boyfriend RAY, a psychology professor at UCLA. Stephanie is slightly nervous because she is supposed to meet Ray's parents the next evening over dinner and it's clear that they do not approve of her social standing.

Back at work, an old woman named MRS. GANUSH comes to see Stephanie. Mrs. Ganush's house is being seized by the bank for failure to pay on her loan and, despite wanting to help the old woman, Stephanie turns her away in the hopes that Mr. Jacks will notice her being "aggressive and making tough decisions."

Mrs. Ganush does not take this well. She gets on her knees and pleads with Stephanie, latching on to her and not letting go until Stephanie calls security. After Mrs. Ganush is thrown out , Mr. Jacks comes over and assures Stephanie that she is now at the top of the list.

That night, as Stephanie gets into her car, Mrs. Ganush attacks her. Stephanie fights her off with various office supplies in the car (not kidding). At last, Stephanie frees herself from the old woman and begins to run off, but not before Mrs. Ganush grabs one of Stephanie's buttons and puts a curse on it.

Mrs. Ganush says Stephanie will be the one who begs for mercy after she hears the cry – the cry of the LAMIA.

Stephanie reports the attack to the police with Ray, but there's nothing they can do. The two go out for ice cream after and pass a fortune teller. Inexplicably, Stephanie wants to get her fortune read and, despite much protest from the "I don't believe in the supernatural" Dr. Ray, goes into meet RHAM JAS, a seer who can see the future. Jas gets a weird vibe from Stephanie and is reluctant to tell her anything, but finally informs her that an item of hers has been cursed.

Stephanie is shaken at first, but laughs it off. Alone in her apartment that night, after hearing weird noises and seeing strange shadows on the wall, Stephanie realizes that this curse may not be such a laughing matter.

At this point you know some weird monster ghost thing is going to come get her. SPOILER: It does. SPOILER: It's the Lamia. SPOILER: It fucks her shit up.

After the spirit jumps her and beats her up, Stephanie appeals to Mrs. Ganush for mercy, but Ganush promises her that she has not suffered yet...

Care to take a guess what suffers in the story? Here are some choices:

The big promotion
That dinner with Ray's parents
The kitten
Her relationship with her roommate/family/insignificant things not mentioned in this review
The plot
Sam Raimi's career
All of the above
If you guessed G, congratulations, you can see a predictable plot coming from a mile away!

Now, I don't mean to harp on Drag Me to Hell because it's predictable – there are plenty of good movies with plenty of aspects that are predictable, either because the ending is simply the inevitable path the story was taking or it was used simply as a type of dramatic irony to increase the tension the plot, or whatever else – I mean to harp on it because it's predictable, clichéd, and poorly written.

Unlike the good predictable films, there are the ones where the writers get lazy and think the word foreshadowing means making a clue about an upcoming plot about as subtle as a baseball bat to the skull. Granted, that's implying that there are areas in which to hide subtle clues in Drag Me to Hell – there are no subplots and hardly anything devoted to character development. You might think that makes the plot nice and lean, but what it does is makes everything mentioned in the incredibly bare-bones plot stick out like a sore thumb, so before a "shocking" moment arrives, the audience has already figured out exactly what's coming; and, if you've seen any horror movies over the past ten years, it's even easier.

The first time the word "animal sacrifice" is mentioned, you know exactly who is getting the boot, err... kitchen knife.

A curse can only go away if you give the cursed item to someone else. Gee, I wonder who Stephanie will give the cursed item to?

These are not tension building effects (that's what the overabundance of jump moments are for) – these are lazy choices and a fine example of sloppy writing that has been seen over and over and over again. It doesn't take a genius to clumsily fit in a cat in the first few scenes in order for it to die later. Seriously, if I had seen a title page where the writer was a kid in high school, I would not have been surprised. This honestly reeks of amateur work.

The characters, the dialogue, the settings... they are there because they have to be. Honestly, I think the words "Don't piss off gypsies" or "Be careful how far you'll go to advance your career or impress those around you" on the screen would make for a better movie because at least you aren't getting your time and ten bucks wasted with inferior storytelling.

There are a few chances at character development, a few, and they aren't bad, giving hints that the writers obviously have some experience at doing this whole writing movies thing, but combined with everything else, they are washed away and the whole thing because a forgettable mess.

As you may have guessed, there is nothing here that is new or interesting or pushing the envelope. In fact, there were a number of moments that were just plain bizarre. When Stephanie meets Ray's parents, for example, she keep sticking her foot in her mouth and saying odd things about the cake she baked. You think maybe the cake's poisoned? You think maybe that's the extent of the curse? Then the Lamia shows up and wrecks some havoc totally unrelated to the cake, so in the end it just was... who knows. There are just a lot of awkward, silly like this moments that seem like they're just there to take up room in between the jump sequences.

And who is watching this stuff? How did this get greenlit? Every month I see new crappy horror movies coming out. Come on! Where's the good stuff?? And with a name like Drag Me to Hell, I expected this to be good stuff - something really big and over the top. Evil Dead, Army of Darkness over the top (Evil Dead 2 still makes me squirm!) – but instead, it's just... this string of disappointing, substandard horror clichés featuring a girl being haunted by a relatively uncreative ghost demon thing. It just makes me mad – this title is badass, this story is not, and to make it worse, the title has absolutely no significance. It's like Vanilla Sky – just a cool sounding name with no meaning to the story. Change the name to something like Don't Piss off the Old Gypsy Woman and save Drag Me to Hell for something that actually deserves it.

Haha, kakva ironija! Neko ko je igrao u JUNO i HARD CANDY              našao se da odbija ulogu u nekom filmu. Ukus na nivou!

Pazi, Pageova je sad u poziciji da bira i odbija. Može joj se.
Allison Lohman i Justin Long su pohrlili da zaigraju kod Raimija, bez obzira što im se scenario (eventualno) nije dopao. Lohmanova naročito nije u poziciji da odbije jedan tako high profile projekat, pa još pride i glavnu ulogu.

Quote from: "Harvester"Neko ko je igrao u JUNO i HARD CANDY              našao se da odbija ulogu u nekom filmu. Ukus na nivou!

harv, ne lupaj.
jelenica je najbolja stvar u oba ta filma.

inače, topik o ovom would-be filmu već postoji, ovde:
http://www.znaksagite.com/diskusije/viewtopic.php?t=5686

ali dobro, nek cveta iljadu cvetova u bojama duge...      

Bojana Novaković je dobila epizodu u ovom filmu. Glumi izvesnu Ilenku.

Evo i klipa iz filma: sniman je kamerom iz ruke na konvenciji, ali može da se pogleda. Intresantan je, naročito način na koji je tretirano nasilje: ima tu odjeka EVIL DEAD-a.

http://www.bloody-disgusting.com/news/13108

Preokret? Navodno, DRAG ME TO HELL je ODLIČAN! Dva rivjua sa BLOODY-DISGUSTING-a i DREAD CENTRAL-a kuju film u zvezde...

BD:

The idea of the comeback is always great in theory, but rarely does it ever deliver on what it promises. George Romero, dubbed the "King of the Zombies," delivered the lackluster Land of the Dead and the hugely disappointing Diary of the Dead – which was supposed to be his true triumphant return, considering the low-budget nature of the project – after leaving fans waiting 20 years for another zombie film. John Carpenter, who consistently made great films from the late 70s to the early 90s, has only managed to crank out one kinda fun film since In the Mouth of Madness, his love letter to H.P. Lovecraft. Dario Argento, the Italian maestro who's influenced countless directors worldwide, finally completed his Three Mothers trilogy in 2007 and while it was the bloodiest film of his career, it was definitely one of his dumbest. In other words, as horror fans, we're constantly let down by once great directors who have just flat-out lost their golden touch.

Now, Sam Raimi hasn't exactly fallen from grace as much as he's been making our spider senses tingle rather than our spines. He's been wetting his beak in other genres, from crime capers to sports dramas, but aside from The Gift, a southern gothic tale that is more of a supernatural mystery than anything really, he hasn't made any thing that could be considered a horror film since Evil Dead 2. But, watching everything he's made in-between, you can see his proclivity towards horror. Doc Ock's surgery room scene in Spider-Man 2 should instantly remind everyone of the Evil Dead series: the action is fast, the cameras are invasive and the atmosphere is ominous. After Spider-Man 3, I think everyone was pleasantly surprised that he wanted to return to the genre that permanently engraved him into the hearts and minds of film geeks everywhere. Drag Me To Hell is THE horror comeback of the decade. For a director who's been out of the horror business for so long, it's incredible to see him jump right back into the game with that much gusto and knock it out of the ballpark. It's almost like he never left.

Alison Lohman plays Christine, a loan officer on the verge of a promotion. In order to prove to her boss that she can make "the tough decisions" and deserves the assistant manager position, she decides to deny the extension on Mrs. Ganush's (Lorna Raver) home. Feeling like she was shamed for groveling and still not getting anywhere, Mrs. Ganush exacts revenge on Christine and curses her with the mother of all curses, which causes a goat-like demon called the Lamia to follow her around for 3 days before dragging her to hell. The plot doesn't attempt to be complex or metaphorical; it's essentially Thinner meets Poltergeist and at a brisk 96 minutes, it has about 15 minutes of setup, 81 minutes of non-stop horror-comedy insanity, and absolutely no filler whatsoever.

Right from the beginning, you know Drag Me To Hell is a Raimi film. The opening sequence has a small boy being taken to Shaun San Dena (Adriana Barraza), a powerful medium who attempts to de-curse him. Then, BAM, people are being tossed around like ragdolls by an unseen force and Peter Deming's cinematography goes to work, full force. Deming hasn't worked with Raimi since Evil Dead 2 and considering that the nature of many of the scenes in Drag closely mirror those from the classic '87 film, this was the perfect project for them to collaborate on again.

The scene where Christine is attacked by Mrs. Ganush in her car is a great example of how well Raimi can utilize horror and comedy in the same scene. Staplers are slammed into foreheads, rulers are crammed down throats, faces are gummed – as opposed to bitten – and the use of shadows manages to cloak a hideous face just long enough to elicit a jump, maybe even a scream, from those watching. These are ideas that seem ordinary on paper but when you have someone who knows what they're doing in the director's chair, even the simplest things turn into something special with the right visual interpretation. This scene is the equivalent of Ash warding off his possessed decapitated hand in Evil Dead 2 – which, in turn, means that it's influenced by Crimewave since that's where Raimi hit his stride with slapstick humor – or fighting himself and skeleton hands in Army Of Darkness. Drag even goes full-on Looney Tunes in one scene involving an anvil. The pure horror moments are also exceptionally executed. The séance scene, in particular, is pure Evil Dead, with the Lamia possessing different bodies and turning them into cackling deadites.

There's a lot of really cool influences on display in Drag, the most interesting being a scene where Christine does a little bit of digging in a cemetery. Upon opening up a coffin, heavy rain begins to fill the grave while she tries to crawl her way out of it and push off the floating dead body. It's a well-executed modernization of the scene in Poltergeist where JoBeth Williams is stuck in her emptied, muddied pool. The film prominently displays its Asian influence by having this powerful malevolent force that keeps on coming no matter what measures are taken against it, which makes sense considering the work Raimi has done with the Pang Brothers and The Grudge series through his Ghosthouse banner. The film culminates in a Twilight Zone inspired third act that is one of the ballsiest things I've seen a major studio allow to be in a horror production in quite a while.

Boasting great performances, a well-used mixture of practical and CGI effects and a fun, but familiar, story, Drag Me To Hell is a film that'll have you jumping out of your seat and laughing simultaneously. I think it's going to change a lot of people's minds about the worth of a PG-13 horror film (an argument I never really understood to begin with, since it's the quality and not the rating that makes something a worthwhile watch), based on its ability to use goo instead of blood effectively and create an atmosphere that makes what's on-screen feel much more intense than it actually is – the mark of an excellent filmmaker. But, above all else, Drag Me To Hell is going to stop people from whining about a new Evil Dead whenever Raimi announces his next horror film.

Score: 4.5/5

DC:

Drag Me to Hell (2009)

Reviewed by Andrew Kasch
Starring Justin Long, Alison Lohman, Adriana Barraza, Chelcie Ross
Directed by Sam Raimi

[Note: This review is from an early version screened at SXSW]

When Sam Raimi announced that he'd finally be directing another horror film, the skeptics came out in full force. I was one of them. While I haven't bought into the absurd fanboy claims that our pal Sam has "lost his soul" to the Hollywood system, through his highs (A Simple Plan, Spider-man 2) and lows (For Love of the Game, Spider-man 3) there's no denying that the man's sensibilities have leaned more and more towards the mainstream. Most of the titles coming out of his own Ghosthouse Pictures sure haven't done the genre any favors and there were valid concerns that Drag Me To Hell would be the equivalent of an old man trying to skateboard again.

But as the old Universal logo flashes up on screen, our man Sam wastes no time putting those fears to rest. Rest assured this isn't the big A-list Hollywood Raimi. This is the unhinged, reckless, mean-spirited prankster we all fell in love with. Drag Me to Hell is one giant love-letter to the old-fashioned latex spookhouse flicks of the 1980s and Raimi dives head first into his Evil Dead roots with the same warped energy. This is a true horror gem - fast, scary and insanely fun!

Drag Me to Hell review!The synopsis almost sounds like a remake of Stephen King's Thinner -- Allison Lohman plays cute lil' loan officer Christine who is up for a big assistant manager position at the bank. One morning, a creepy old gypsy woman comes in begging for a loan and the career-minded girl makes the mistake of turning her down flat. And as horror movies have taught us, you simply don't fuck with gypsies. Following a no-holds-barred drag-out fight (one of Raimi's all time best) the old woman curses Christine with the nastiest of all hexes. Before long, the underworld comes a-calling and she must find a way to stop the curse before she literally gets dragged to hell.

The film sports a PG-13 rating (or so the studio claims) which is a bit hard to believe considering the amount of carnage and vile bodily fluids thrown onscreen. Once the gypsy curse has been planted, poor Lohman takes a Bruce Campbell-style beating through Raimi's wonderful world of swoop-cams, attacking furniture and pus-spewing creatures. We even get a bit of old-fashioned deadite action thrown in for good measure! Of course, it's all carried out with a wicked sense of humor and you can practically hear Raimi cackling behind the camera with every grotesque gag.

Originally Ellen Page was cast in the lead role, and while it would have been cool to see Juno get her ass kicked by demonic forces, Lohman more than holds her own. Justin Long brings a nice comedic touch playing her baffled boyfriend, and the whole supporting cast feels like they were plucked straight from a vintage horror flick.

Conceptually, Drag Me To Hell's story is old-fashioned to a fault and doesn't exactly break the kind of ground that Raimi's Evil Dead trilogy did, but that hardly matters. In the age of scareless, passionless music video remakes, sometimes a wild rollercoaster is just what the doctor ordered. Take a deep sigh of relief, horror fans. Sam's back!

Rating: 4/5

verovaću kad vidim.

ja ne očekujem više od trojke, 3+ max.

Harry begs, 'DRAG ME TO HELL again Mr Raimi... PLEASE! PLEASE!'

If your soul was aching tonight... if you felt an emptiness and a sad sad feeling of missing out terribly on life... It was because you were not among the 1200 screaming, shrieking, horror crazed SXSW victims of Sam Raimi's Horror Master Class called DRAG ME TO HELL at the Paramount Theater in Austin, Tx.

I. Wow. I had a day of wonderful film today. I met directors. I think I spent an hour just shooting the shit with Raimi at some point today. But that's all gone now. In the birthing hours of Monday, March 16th, 2009 Sam Raimi was backstage... so nervous looking that I thought he was going to vomit. He positively looked sick. He was pacing back and forth - his brother, Ivan was reassuring him that it'd be fine. His agent, producing partners and least importantly me. I was backstage behind the Paramount's silver screen looking out at an audience hoping and praying that the would not go softly into the night. They all wanted Sam Raimi to drag them to hell.

This was the first time that Austin has brought Sam Raimi to town - and the city was out in force. There were people that drove great distances, flew vast distances, just in the hopes of seeing a new Sam Raimi horror film. Quint's review dared to give us all hope. Dared to conjure the trembling prayers from our lips to deadite demons from a tome wrapped in human flesh - that we... the 1200 souls in the Paramount Theater. A theater that screened a green tinted print of FRANKENSTIEN in 1931. A theater that the Marx Brothers performed live vaudville to a hopelessly hick town over 7 decades ago.

But backstage - everyone, myself included, were trying to calm Sam's nerves. I told him, "Hey - at least you're not a fat cripple in a wheelchair about to be upstaged by a legend!" Sam laughed.

Right now... as I sit here at home - it is inconceivable that Sam had even the slightest of doubts about the portal that he was about to open up at the Paramount Theater.

This isn't a debatable film experience. There is no question about what happened tonight. This wasn't a nostalgic affair. There's no shrugged shoulders or indifferent souls that exited that theater tonight. What we all experienced was a resounding thunderous splitting of the Earth around us experience tonight. There was no spattering of applause, no isolated screams... this wasn't just me acting like a ninny, but 1200 hundred people screaming, shrieking and being shown for the namby pamby bitches that we were in the face of DRAG ME TO HELL!

Sam told me that the tone he was aiming for was a mixture of EVIL DEAD 1 and EVIL DEAD 2. Hell Yeah! That's a bold thing to claim.

What we saw tonight was a masterpiece of American Horror to the Planet Earth!

There was a sign, early in the film that the powers of darkness were lining up behind Sam Raimi and his demon curse to entertain the audience. After our heroine rejects the old gypsy woman's pleas to save her home. After she's been on her knees, humiliating herself, pleading endlessly with Alison Lohman to take pity... a look enters the pleading woman's eyes. It is the moment where she will beg no more. At this moment, the dark spirits that live in the inky top corners of this legendary venue... they sent a winged terror as a sign. A single BAT flew two passes in front of the screen - and then vanished. Immediately replaced by onscreen scary crazy fucked up awesome brilliantly insane terrors.

As we were leaving - People throughout the PARAMOUNT were exclaiming phrases like, "I've never screamed in terror at a movie in my life until tonight!" And these exclamations were legion. As the final moment of the film concluded - It was a sonic assault of cheers, screams, hoots & hollars and there was this swoop of wind as people leapt from their seats to signal approval of the highest degree. THIS WAS SAM RAIMI and we were all his bitches tonight!

And the film isn't even done. The awesome sound mix that I can only pretend to experience - was not in play. There's CG effects no where near completion in the film... but even at their roughest - they caused women and Massawyrm to piss themselves in panic!

This was an unveiling of a juggernaut of entertainment. This film has to be the single most satisfying film experience I've had - maybe ever. First - I got to introduce Sam Raimi to 1200 people screaming to be satisfied. But most importantly - Sam delivered with every trick he has to play.

This is Sam Raimi distilling the joyous satisfaction and thrills from his own first two EVIL DEAD films - and applying it to aspects from films like CURSE OF THE DEMON & THE WOLFMAN delivered with the awesome power and force of a modern Raimi. There's shit in this movie that would make Satan take notes! That the Marquis De Sade would admire. Sam violates sacred ground with glee and unapologetic happiness. This is the fucking dream of what anyone could possibly hope a new Sam Raimi film would be like.

This was... my happy place. Watching hardened horror cynics peeking through fingers. Yoko cowering beneath my jacket - as if that leather coat would give even a second's delay to the dark ones this film was unleashing.

Sam is making SPIDER-MAN 4 next. But if I may. Sam - Please - Please - Please - Please MORE HORROR LIKE YOU DO!

When you see this film - take EVERYONE YOU'VE EVER ENJOYED A HORROR FILM WITH - WITH YOU! This is not a film to see alone. This is a film that needs a support group. That cries for your friends to share.

This was FILM GEEK HEAVEN, which was Raimi's vision of HELL!

A more coherent review when I'm capable will be appearing

Quote from: "Kunac"A more coherent review when I'm capable will be appearing

ha!
hari i koherentni rivju!

njegove debilne ejakulacije su savršeno irelevantne bilo kome ko drži do nekog ukusa. mislim, svaka čast na sajtu, uticaju i tako to, ali harijevo oduševljenje za neki film je otpriliko ko da ga je kunac turio na avatar.
baš tako.

Lupetanje gluposti je očigledno zarazno.

Quote from: "Kunac"Lupetanje gluposti je očigledno zarazno.

onda pazi s kim se družiš.

mada, sad je već dockan.

Ako je suditi po trailer-u ne obecava bas nesto...
http://www.youtube.com/watch?v=OMw4erHfY94

Sudeći po dosadašnjim reakcijama SR se vratio u horor na velika vrata. Pohvale stižu sa svih strana, a DM2H ne tomatometru ima ipresivnih 94% svežine.

Quote

Reviews Counted: 82

Fresh: 77

Rotten:5

Average Rating: 7.9

Consensus: Sam Raimi returns to top form with Drag Me to Hell, a frightening, hilarious, delightfully campy thrill ride.

Film će da bude isti ko i trejler mu - odličan početak i onda počne da liči na ono grozno smeće Unborn. Ali ako se Alison razgoliti, onda vrijedi gledati.

Quote from: Jedinicom kćerkom on 29-05-2009, 12:55:35Film će da bude isti ko i trejler mu - odličan početak i onda počne da liči na ono grozno smeće Unborn. Ali ako se Alison razgoliti, onda vrijedi gledati

Alison se savim sigurno neće razgolititi, pošto je film PG-13 (za to pogledaj Where the Truth Lies), a isto tako sam gotovo siguran da će film da bude makar solidan, što opet znači da će jedno tri puta biti bolji od pomenutog Unborna. Evo i jedne normalne kritike sa AICN-a (pošto ne računam ono Harijevo bulažnjenje od pre par meseci, tekstovi mu postaju doslovce nečitljivi): http://www.aintitcool.com/node/41221

Naravno, to poređenje sa Unborn ne treba shvatiti preozbiljno, od tog nereda od filma ništa ne može da bude gore. Ali malo me brine što će kraj vjerovatno da bude sličan (čitaj: neki imbecilni ritual egzorcizma or something). PG-13 je katastrofa.
Where the Truth Lies sam kao gledao, ali sam pola prespavao. Probudio se taman da na kraju vidim ko je kompletnu čorbu zakuvao 

Alison Lohman se u filmu pojavljuje u mokroj majici sa bradžama na izvol'te.

http://outlawvern.com/2009/06/02/drag-me-to-hell/#more-5266

Film, za sada, ne prolazi sjajno na BO...
Ako zaradi maje od 50miliona$ biće flop.

Universal Home Entertainment has announced the DVD and Blu-Ray release for Sam Raimi's Drag Me to Hell. The film streets on October 13 containing the theatrical version and an unrated director's cut.

Bonus features include:

• Production Video Diaries - Over 30 minutes of behind-the-scenes scares, secrets and surprises featuring stars Justin Long and Alison Lohman.

Blu-ray hi-def (exclusive):

• BD-LIVE - Allows viewers to connect to the Internet and access new and exciting exclusive online and interactive features, including My Scenes Sharing and My Chat.
• Digital Copy - Transfer Drag Me To Hell Unrated Director's Cut to your iPod®, Mac® or PC and experience it anywhere, anytime!
• Universal Ticker - Exclusive on Blu-ray(TM) Hi-Def, Universal Studios Home Entertainment launches the new Universal Ticker which provides up-to-date news about upcoming titles, Blu-ray features and exclusive events!

Džaba im sve to ako film ne valja. Ali valjda valja. Samo da ne bude ko onaj Unborn.

Quote from: Ghoul on 26-03-2008, 16:19:13

Quote from: HarvesterNeko ko je igrao u JUNO i HARD CANDY    našao se da odbija ulogu u nekom filmu. Ukus na nivou!

harv, ne lupaj.
jelenica je najbolja stvar u oba ta filma.

inače, topik o ovom would-be filmu već postoji, ovde:
http://www.znaksagite.com/diskusije/viewtopic.php?t=5686

ali dobro, nek cveta iljadu cvetova u bojama duge...

Ellen Page Comes Out As Gay:
'I Am Tired of Lying by Omission'

The "Juno" star made the announcement in Las Vegas at the Human Rights Campaign's THRIVE conference benefiting LGBTQ youth.

Ellen Page has come out as a gay woman.

The star of the upcoming X-Men: Days of Future Past made the announcement in a moving and deeply personal speech delivered at Time to THRIVE, a conference to promote the welfare of LGBT youth held at Bally's Hotel and Casino in Las Vegas, Nevada.
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"I'm here today because I am gay," Page, 26, told the audience  "And because maybe I can make a difference. To help others have an easier and more hopeful time. Regardless, for me, I feel a personal obligation and a social responsibility."
"I am tired of hiding and I am tired of lying by omission," Page proudly and defiantly declared. "I suffered for years because I was scared to be out. My spirit suffered, my mental health suffered and my relationships suffered. And I'm standing here today, with all of you, on the other side of all that pain."
Page first shared the inner turmoil she's felt since she was thrust into the Hollywood limelight following the blockbuster success of 2007's Juno.
"It's weird because here I am, an actress, representing -- at least in some sense -- an industry that places crushing standards on all of us," Page said. "Not just young people, but everyone. Standards of beauty. Of a good life. Of success. Standards that, I hate to admit, have affected me."
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"You have ideas planted in your head, thoughts you never had before, that tell you how you have to act, how you have to dress and who you have to be. I have been trying to push back, to be authentic, to follow my heart, but it can be hard," she admitted.
Page added that reading about herself in the tabloids can be a trying ordeal, and mentioned one article, accompanied by a paparazzi photo of her wearing sweatpants on the way to the gym, that asked, "Why does this petite beauty insist upon dressing like a massive man?" (The answer: "Because I like to be comfortable.")
That kind of gender stereotyping serves "no one," Page said. She then went on to single out examples of "courage all around us," naming "football hero Michael Sam," Orange Is the New Black star Laverne Cox and musicians Tegan and Sara Quin for their contributions to furthering LGBT visibility and pride.
Born and raised in Halifax, Nova Scotia, Page worked in Canadian television before making her first stateside splash in 2005 revenge-thriller Hard Candy. She then played Kitty Pryde, aka Shadowcat, in 2006's X-Men: The Last Stand. But it was her breakout performance as the pregnant teen title character of Juno that catapulted her to international superstardom.
EXCLUSIVE: Julianne Moore, Zach Galifianakis to Star in Drama 'Freeheld'
Next, Page will appear in indie drama Freeheld, starring opposite Julianne Moore as a gay couple whose pension benefits are frozen after one is diagnosed with a terminal disease. The fact-based film, a passion project for Page, also stars Zach Galifianakis.

Watch Page's coming out speech:


Ellen Page Joins HRCF's Time to Thrive Conference

Кад је већ бампован овај топик, морам да исправим своје криве наводе од раније - Драг Ме то Хелл је врло добар филм, скоро па одличан.