ZNAK SAGITE — više od fantastike — edicija, časopis, knjižara...

Jebote.    Da se razumemo, i Mayhem je meni cirkus, ali Bob Larson... kakav komedijaš. I Nekrobučer je ispao pravi gospodin. 

Quote from: Meho Krljic on 09-03-2012, 15:23:25
...ali Bob Larson... kakav komedijaš.

Naravno, ali ima i priglupih koji vjeruju u te njegove egzorcizme. Gledala sam neki televizijski prilog o njemu, čovjek milijunaš.

I da, Necrobutchera od milja zovu Microbutcher.

Mikrobučer??? Nadam se da to nije neka podsmešljiva referenca na njegove genitalne dimenzije. 

Ne, nije, već je referenca na njegov patuljasti rast. 

Ko zna šta od ta dva žene teže praštaju 

Nazi rules for jazz performers

By Cory Doctorow at 10:54 pm Saturday, Mar 10


Famed Czech radical Josef Skvorecky recently died at 87 in his adopted land of Canada. In the Atlantic, JJ Gould remembers Skvorecky through his memoirs, including a detailed list of the rules for jazz performers during the Nazi occupation. The Reich's Gauleiter for the Nazi Protectorate of Bohemia and Moravia issued a 10-point regulation that Gould calls "the single most remarkable example of 20th-century totalitarian invective against jazz.

1    Pieces in foxtrot rhythm (so-called swing) are not to exceed 20% of the repertoires of light orchestras and dance bands;

2   in this so-called jazz type repertoire, preference is to be given to compositions in a major key and to lyrics expressing joy in life rather than Jewishly gloomy lyrics;

3  As to tempo, preference is also to be given to brisk compositions over slow ones so-called blues); however, the pace must not exceed a certain degree of allegro, commensurate with the Aryan sense of discipline and moderation. On no account will Negroid excesses in tempo (so-called hot jazz) or in solo performances (so-called breaks) be tolerated;

4 so-called jazz compositions may contain at most 10% syncopation; the remainder must consist of a natural legato movement devoid of the hysterical rhythmic reverses characteristic of the barbarian races and conductive to dark instincts alien to the German people (so-called riffs);

5    strictly prohibited is the use of instruments alien to the German spirit (so-called cowbells, flexatone, brushes, etc.) as well as all mutes which turn the noble sound of wind and brass instruments into a Jewish-Freemasonic yowl (so-called wa-wa, hat, etc.);         

6   also prohibited are so-called drum breaks longer than half a bar in four-quarter beat (except in stylized military marches); 

7  the double bass must be played solely with the bow in so-called jazz compositions; 

8 plucking of the strings is prohibited, since it is damaging to the instrument and detrimental to Aryan musicality; if a so-called pizzicato effect is absolutely desirable for the character of the composition, strict care must be taken lest the string be allowed to patter on the sordine, which is henceforth forbidden;

9    musicians are likewise forbidden to make vocal improvisations (so-called scat);

10   all light orchestras and dance bands are advised to restrict the use of saxophones of all keys and to substitute for them the violin-cello, the viola or possibly a suitable folk instrument.

Josef Skvorecky on the Nazis' Control-Freak Hatred of Jazz (via JWZ)

S obzirom da je džez nigga mjuzik, to pokazuje da su ovi u Češkoj bili prilično meka srca.

Da, dobro, ali ja bih ocekivao ili zabranu jazza uopste, ili spisak cenzurisanih pesama; nekako mi ulozeni trud u ovu objavu prevazilazi obicnu triviju iz istorije cenzure i birokratije.

Pa to su nacisti, nenoirmalno razvijena birokratija.

In adr njuz, Dejvod Vog uobičajeno pametno:

http://www.cracked.com/blog/6-things-rich-people-need-to-stop-saying/

Jewishly gloomy lyrics kao kod Lionarda Koena npr. 

Viola umesto saksofona! 

Quote from: Meho Krljic on 11-03-2012, 14:48:08
In adr njuz, Dejvod Vog uobičajeno pametno:

http://www.cracked.com/blog/6-things-rich-people-need-to-stop-saying/

Erm... možda je do mene, ali ne mislim da je naročito dobro izložio slučaj, jer sam se čitajući više slagao sa bogatašima nego sa njim.

To je sigurno zato što im i sam pripadaš!!!!!!!!!!!1

  Some tips for surviving a VomitroN record:
 

   
• Do not listen on headphones.  This has been known to cause brain hemorrhaging.
• Do not listen at a low volume.  This will suck your eardrums inside-out.
• Do not wear underwear.  It will just make things harder when you inevitably piss yourself.
• Vomitron CDs explode when placed in a microwave oven.  Actually, all CDs do.
• Wrap tinfoil around your head in the shape of a cone. This will cause others around you to wonder what the fuck you're doing and thus result in free advertising for Vomitron.
• Do not stop a song halfway through. This will cause you to hear the song backwards in your mind and NOTHING else  for the  rest of your life.
• Do not try to PLAY a Vomitron song on any instrument, as it will immediately catch fire.  Permanent injury or death can result.
• Please wait 45 minutes after eating to enjoy a Vomitron record.  Hence the name "Vomitron".
• Do not download Vomitron songs. Lars Ulrich will paint a picture and then cry.

Da, prilično je kul:

Vomitron - Contra (All Levels) Rock-Metal Remix

Dave Mustaine Unchained: Infowars Exclusive

Алекса, Србине!!!! 

какав сам тотални сељак, пре неко вече сам, у разговору са санђамом, осуо дрвље и камење по дејву....сад ме је мало срамота.

Aaaa, do jaja!!!!! Ovog leta moram da krečim, a ovo je idealan povod da pustim kosu.

ovo je matoro, a South Park me je podsetio, mogao bi tvoje mačke da naučiš ovako nešto

Oh Long Johnson... - talking cat

Ma, govore i moje. Mislim, ovo deluje kao da je malo pičšiftovano na dole pa deluje više kao ljudski govor.

 

http://www.stormfront.org/forum/t325372-117/#post10077113

 

Pa dobro, ako nacisti imaju antikorporacijski stav (nisu to musolinijevski fašisti koji se zalažu za korprativnu državu) i smatraju da korporacije uništavaju ekosferu zarad profita, nekako je sasvim normalno da im se dopada ta pesma. I svakako ne bi bilo prvi put da se Akroholiji i nacistima poklope pogledi na svet 

Novi bubnjar Sepulture:

Sepultura - Eloy Casagrande - Drum Solo and Subtraction

http://www.cracked.com/article_19745_the-5-ballsiest-easter-eggs-hidden-in-video-games.html

http://www.cracked.com/article_19776_6-disasters-caused-by-poorly-designed-user-interfaces.html

Зашто је Бутан у некој нијанси која не постоји у легенди?

jebem li ga, izvor broj 1 nema nikakvih podataka o Butanu, pa možda zato.

Hihihihi

http://www.cracked.com/photoplasty_191_if-classic-movies-all-got-video-game-adaptations_p20/#20

www.youtube.com/watch?v=Q-Am5AVQ_-8

Aaaa Leks Stil je Nik Fjuri! Do jaja!!!

Why I Love Weird Porn
Posted on April 23, 2012 by noahbrand

A note: as a courtesy, most of the esoteric terminology in this article will not be clarified with links. Google is your friend, but be aware that you're rolling the dice; some of these things will be disturbing or upsetting to you, others may end up pushing buttons you never knew you had. So, y'know, heads up.

One of the most important speeches I've seen in the last few years is Clay Shirky's famous "Gin, Television, and Cognitive Surplus", in which he lays out a theory stating that we are presently enjoying an unannounced renaissance in creativity made possible by the tools of technological empowerment.

Quote from: Clay ShirkyDid you ever see that episode of Gilligan's Island where they almost get off the island and then Gilligan messes up and then they don't? I saw that one. I saw that one a lot when I was growing up. And every half-hour that I watched that was a half an hour I wasn't posting at my blog or editing Wikipedia or contributing to a mailing list. Now I had an ironclad excuse for not doing those things, which is none of those things existed then. I was forced into the channel of media the way it was because it was the only option. Now it's not, and that's the big surprise. However lousy it is to sit in your basement and pretend to be an elf, I can tell you from personal experience it's worse to sit in your basement and try to figure if Ginger or Mary Ann is cuter.

And I'm willing to raise that to a general principle. It's better to do something than to do nothing. Even lolcats, even cute pictures of kittens made even cuter with the addition of cute captions, hold out an invitation to participation. When you see a lolcat, one of the things it says to the viewer is, "If you have some sans-serif fonts on your computer, you can play this game, too." And that message—I can do that, too—is a big change.

Now, I grew up around futurists, and one thing growing up around futurists teaches you is to have a hair-trigger bullshit detector whenever you're anywhere near a futurist. If I don't see immediately testable predictions that map to both the futurist's theory and my own experience, I just file it away with the Long Boom and VR helmets. Shirky's model of cognitive surplus passes that test with flying colors. People, young people especially, are getting home from work and school, sitting down, and making things. Making lolcats, fan tumblrs, stupid YouTube videos. Making indie games, webcomics, 3-D printable models. Making crazy Rube Goldberg machines because the internet gives them an audience for their silly project. Making a playable arcade out of cardboard because why the hell not?

Even watching TV is now a participatory act for many people. You vote for the winners, you jump in the online discussions, you help with the save-the-show write-in campaigns, you pick the best screencaps to put Texts From Last Night over. And the makers of TV know it. They plan for buzz, they build fan spaces, they put fan jokes into the show itself. Consumption is no longer passive; it has become a give-and-take between art and audience in which the audience is an active and necessary part of the process, shaping both the art itself and the outcome of the symbiosis between them. Tell your grandchildren that you lived in the generation when postmodernism came to life and ate the world.

Of course, technology being what it is, one of the major things people are using this incredible participation for is making porn. SO MUCH PORN.

There's a term in the fan fiction community, "drawerfic". It arises from the answer to "What was your first fanfic?" given by everyone who grew up pre-internet: "This thing I wrote in a notebook when I was 14 and kept in a drawer and never showed anyone." Every little girl making porn (and not all fic writers are girls and not all fanfic is porn, but they mostly are and an awful lot of it is) thought she was the only one. Her creativity came pre-stifled and then it was back to Gilligan's Island. Fan fiction only became a community, became huge, when these girls began meeting, began corresponding, began exchanging fictions as gifts and trades. First in homemade zines, then exploding beyond all measure on the internet. Now it's one of the largest gift economies on earth, with untold millions of words a day being exchanged, people (mostly women) making things in exchange for other things people made. There's your cognitive surplus right there.

Naturally, an awful lot of what's being made is weird porn. Yes, there are many fanfics that are silly jokes, or character studies, or casefic, or otherwise not porn. There's also universes of D/s, mpreg, knotting, and (for one-stop shopping) porn-oriented AUs like the Alpha/Omegaverse, in which the way MRAs perceive masculinity becomes literally true and a lot gayer. This is why, when Gail Dines argues that the internet has made men addicted to porn, and influenced men's sexual fetishes until they make perverse demands on women, who themselves never enjoy porn and thus are free of sexual fetishes, I laugh until I can't breathe.

Of course, I don't want to imply that the weird porn of the internet is only restricted to women. Oh goodness, no. All genders and all types are accommodated, bless the internet's cold black heart. And more and more, especially at the weird ends of the spectrum, people are becoming more than consumers of porn, they're becoming producers. They're using the tools technology has given them to engage with their kinks, and they're drawing and writing and Photoshopping and molding the lovable 3-D people of Poser into configurations that god never intended. But then, who asked god's opinion anyway?

I am not kidding when I say that I find incredibly esoteric and specialized porn to be one of the most life-affirming things in the world. Even... no, especially the stuff that doesn't do anything for me. Every giantess crush site, every furry vore gallery, every Shintaro Kago shit-and-dissection-fest, every body-inflation discussion group, every set of specialized apron-fetish films, every dendrophile fan club, every time I learn a new word like "boytaur" or "OT3″ or "docking" or "unbirth"... all these things bring me a genuine and unironic joy.

These things, these kinks, these flights of imagination, are the impassioned obsessions of real people, everyday people. At least one of your coworkers, at least one of your family members. And that's not creepy, that's wonderful. Every one of those weird kinks is a shout of human individuality in a world that wants to reduce us down to buying patterns and demographic trends. "I am alive!" they cry. "I am not an emerging new style, I am not a market segment, I am not co-optable, I am not coming soon to a theater near you, I am not approved for all audiences, I am not available in stores, I am damn sure not fun for the whole family and I never will be."

Maybe you don't find that life-affirming, but I sure do.

This is why people become makers of porn, participants rather than consumers. If literally all you want is women with too much makeup and hairspray joylessly fucking men with statistically-improbable megadongs in a universe where pubic hair was banished by dark magics in 2001, then "mainstream" porn has you covered and you can safely be a passive consumer. For the non-mainstream other 95% of us, we must look elsewhere. If what you really want is something made by people who understand your desires because they share them, you're going to wander into a gift economy, and once there, you're going to be a lot more popular if you contribute.

This is, I am not joking, an improvement on the previous 10,000 years of human history. Before, people lived their entire lives feeling they could never be understood, either suppressing their weird kinks or, in a few rare cases, becoming Irving Klaw or Robert Heinlein. Now we have 21st-century technology, which smiles and says "There are people who will understand, if you find them and make yourself understood. Here are the tools to do it."

We use those tools to keep Community on the air, and we also use them to create animated GIFs of Jessica Rabbit with a huge dick. If either of those things strikes you as a strange use of time and technology, that's okay: it's not for you. And that's the point.

Ovo je treće pozivanje ili citiranje Kleja Šrkija na Sagiti u poslednjih mesec dana. Lepo!

http://www.buzzfeed.com/daves4/12-extremely-disappointing-facts-about-popular-mus

Eh, američki muzički snobizam...    Mislim, u redu, snob sam i ja, priznajem, ali njima ne valjaju crnci sem ako su sa Jamajke.

Da, bizaran mi je taj, iz moje perspektive, polusnobizam. Mislim ako ćeš da budeš snob, onda je i većina onoga s desne strane popkomercijala. Kao, Biber je lošiji od Makartnija. Ma da. -_-

Pa, ja ne znam da li Biber piše svoje pesme. Makartni je svakako pre svega autor, Biber pre svega izvođač. Utoliko već tu postoji neka razlika dovoljna snobu. Makartni je napisao Hej Džud ili Mal ov Kentajr koje su, eto kao, klasici pop muzike, Biber nije napisao ništa pa je to valjda ta razlika...

ALi naravno da je to snobovski pogled na svet koji u principu ne prihvata da je i interpretacija kreativan posao.

Priznaj da si spomenuo Mull of Kintyre samo zbog istoimenog testa.

Oh!!!!! Nisam!!! Ali moja podsvest očigledno radi i kad ja ne pazim.

VA-Live_At_Total_Kaos_Starlight-20-11-6TAPE-1993-PiCKLE

nije novo kao takvo (snimak je iz 1993), pa ne bih kačio na onaj topik sa novim albumima (a nije ni album), reko da okačim ovde pošto mi se čini da će Mehmet ovo ceniti. dakle, preko 5 sati prštanja, bogovi džangla za gramofonima! uživam u ovome već nedeljama!

QuoteTrack List:
0.01: Grooverider – Side A – Live At Total Kaos Starlight 20-11 (24:49)
0.02: Grooverider – Side B – Live At Total Kaos Starlight 20-11 (24:51)
0.03: DJ Fabio – Side A – Live At Total Kaos Starlight 20-11 (31:51)
0.04: DJ Fabio – Side B – Live At Total Kaos Starlight 20-11 (31:51)
0.05: Slipmatt – Side A – Live At Total Kaos Starlight 20-11 (29:30)
0.06: Slipmatt – Side B – Live At Total Kaos Starlight 20-11 (29:08)
0.07: Jumping Jack Frost – Side A – Live At Total Kaos Starlight 20-11 (24:54)
0.08: Jumping Jack Frost – Side B – Live At Total Kaos Starlight 20-11 (24:23)
0.09: DJ SS – Side A – Live At Total Kaos Starlight 20-11 (23:55)
0.10: DJ SS – Side B – Live At Total Kaos Starlight 20-11 (23:32)
0.11: Ratty – Side A – Live At Total Kaos Starlight 20-11 (21:12)
0.12: Ratty – Side B – Live At Total Kaos Starlight 20-11 (21:08)

http://rapidshare.com/files/708028099/VA-Live_At_Total_Kaos_Starlight-20-11-6TAPE-1993-PiCKLE.rar

inače, PiCKLE su u poslednje vreme izbacili brdo ovih snimaka sa kaseta, gde su zabeležene kojekakve džangl/dramenbejs/hardkor žurke from bek in d dejz, pa ko ima vremena nek overi.

Ooo, sjajno. Bek tu d rutz!!!!!!!

Mehmete, očekujem tvoju reakciju na CHRONICLE! Leakovao DVD rip.

Aha, pristavljeno!

Kakavo vizionarsko predviđanje gamifikacije od strane Fraja i Lorija:

A Bit of Fry and Laurie - A word, Timothy

(skeč je iz 1992.)

Odlično! 

Evo, koga interesuje moj četiri godine stari, na Popboksu objavljeni (u tekstualnoj formi) intervju sa Kevinom Martinom, dan nakon njegovog nastupa u Lagumu, sad može da ga pogleda na JuĆubu i da se smeje mom naglasku 

Kmart the Bug vs. Friendly Neighbourhood Meho

http://security.blogs.cnn.com/2012/04/30/al-qaedas-future-works-found-encoded-in-porn/

Ovo toliko toga objašnjava 

Te zapadne službe stalno pokušavaju da diskredituju Al kaidu time što se implicira da ti ljudi troše pornografiju...

http://www.cracked.com/blog/8-books-that-prove-cat-lovers-are-insane/

Meni je A Milli najdraža Lil Vejnova pesma. A i Koltrejn mi je najdraži muzičar evr. Dakle, divna kombinacija a to što je Koltrejn harmonski kompleksniji, pa bože moj!