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Novinarska projekcija.

Quote from: Agota on 30-05-2012, 15:32:58
kako  to vi pre nas ??
i gde to  gledate ??
pocinjem da zvucim ko  Truman

vi ste vi, a mi smo mi.
mora da se zna neki red! 

svakog pravog poštujem do krvi, ali ipak mora da se zna ko je bio prvi!

а у колико сати 5. ?

Quote from: Kunac on 30-05-2012, 16:20:59
svakog pravog poštujem do krvi, ali ipak mora da se zna ko je bio prvi!

skaci,skaci...   

nema veze,nama ce da bude lepse!

@ Ghoul ...vi cete sigurno  gledati 2D i  to na nekim neudobnim stolicama , a jos ako  Kunac sedne ispred tebe pa nista ne vidis 

Quote from: Agota on 30-05-2012, 16:37:23
@ Ghoul ...vi cete sigurno  gledati 2D i  to na nekim neudobnim stolicama , a jos ako  Kunac sedne ispred tebe pa nista ne vidis 

koješta, novinarska projekcija je 3D.
proverio sam.
zar misliš da bih se zaputio čak iz niš da bih gledo 2D?

ispred mene neće biti nikog jer ću da sednem u prvi red kako bih prvi video film!

Quote from: Ghoul on 30-05-2012, 16:51:57


zar misliš da bih se zaputio čak iz niš da bih gledo 2D?

mozda  pukne guma na autobusu ,a rezervne nema ,pa zakasnis 

Ko se zadnji smeje? Tony Scott naravno...

Ko se uzdao u senilnog Ridleya se izgleda prevario...

So here we are, after all the hype, the leaked scripts, the rumours – is it an 'Alien' prequel? Ridley says no, everyone else says yes – the viral clips, the teasers, the trailers, the teasers-for-trailers, the press conferences, the wild anticipation, and 'Prometheus' turns out to be... well, just another monsters-in-space movie. That's not the whole story, of course – as sci-fi horror movies go, this is a pretty expensive, epic, ideas-heavy example of the genre. But it's far from the game-changer some had hoped for, and it may in fact leave some viewers entirely baffled.

If you've seen the trailers, you'll know the basic plot: in the year 2089, archaeologists Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) stumble across a pictogram hidden in a cave on the Isle of Skye. Matching it with etchings found across the globe, they conclude that the drawings constitute a star map. And when dying multi-billionaire (Guy Pearce) agrees to fund a mission, the two doctors head out into the cosmos aboard the starship Prometheus to find, they hope, an answer to the questions of life, the universe and everything.

What they find is, of course, far slimier and less friendly. Arriving on a distant rocky moon in the company of android David (Michael Fassbender), hard-ass corporate stooge Vickers (Charlize Theron), cigar-chomping ship's captain Janek (Idris Elba) and sundry other scantily characterised and wholly expendable shipmates, they stumble across a giant structure buried in the soil. Could this hold the key to mankind's origins?

There's plenty to recommend in 'Prometheus': the photography is pleasingly crisp and the design is stunning, nicely redolent of 'Alien' and its sequels. There is a small handful of truly bracing set pieces – one scene inside a medical pod is without doubt the most heart-poundingly memorable moment of the blockbuster season so far.

But its flaws are impossible to ignore. The script feels flat – a few pleasing nods to the original movies aside, the dialogue is lazy, while the plot, though crammed with striking concepts, simply fails to coalesce. After an enjoyable setup, the central act is baggy, confusing and, in places, slightly boring, while the climax has flash and fireworks but no real momentum.

There just doesn't seem to be much logic at work here. Some events – such as one crew member going tonto on his shipmates – seem to happen because its expected from the genre, not because they make much sense. And fans of 'Alien' will feel shortchanged: the script makes no real effort to pre-empt that film, and in fact is happy to ignore it altogether while at the same time eagerly exploiting its beautiful HR Giger spaceship design. The ending is left wide open for a sequel, which may close some of the bigger story holes, but there's still a frustrating lack of care being taken here.

Perhaps more than any other film, 'Prometheus' is reminiscent of Chris Nolan's 'Inception': it's slick, gorgeously designed and scattered with intriguing concepts. But there's just no real power behind it. The characters are thin and emotionless, the plot twists are predictable and the entire thing seems built on ideas plucked from superior predecessors (in addition to the original 'Alien' movies, there's a little bit of '2001: A Space Odyssey', a touch of 'The Abyss' and a whole lot of 'Star Trek'). There's no denying that 'Prometheus' will make for a perfectly entertaining night at the movies – but we were promised so much more.

The Bottom Line

A visually stunning return to science fiction by Ridley Scott caters too much to audience expectations when more imaginative boldness would have taken it further.
Opens

Friday, June 8 (20th Century Fox)
Cast

Noomi Rapace, Michael Fassbender, Charlize Theron, Idris Elba, Guy Pearce
Director

Ridley Scott
Although Ridley Scott's 3D visual feast is no classic, the oozing alien tentacles hit all the right sci-fi horror notes.

Be careful what you wish for, especially if it involves figuring out who invented humankind.
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'Prometheus' Ad Featuring Michael Fassbender

That's the warning at the heart of Prometheus, a visual feast of a 3D sci-fi movie that has trouble combining its high-minded notions about the origins of the species and its   Alien  -based obligation to deliver oozy gross-out moments. Ridley Scott's third venture into science fiction, after   Alien   in 1979 and Blade Runner in 1982, won't become a genre benchmark like those classics despite its equivalent seriousness and ambition, but it does supply enough visual spectacle, tense action and sticky, slithery monster attacks to hit the spot with thrill-seeking audiences worldwide.

The Greek titan Prometheus got in trouble for stealing fire from Zeus and putting man on the same level as the gods. Presuming that humans won't rest until we discover where we came from and how we got here, Prometheus proposes that not very long from now, in 2093 to be precise, a plausible source of human life will not only be found but reached by space explorers backed, not surprisingly, by private, not government, interests.

EXCLUSIVE PHOTOS: Never-Seen Photos From 'Prometheus'

The striking opening sequence (shot in Iceland) reveals scientist Elizabeth Shaw (Noomi Rapace, the original Girl With the Dragon Tattoo) discovering ancient cave paintings indicating the likely arrival on Earth of extraterrestrials many thousands of years ago. Such evidence points to the source as a moon in a small solar system a vast distance away, but not out of reach of a trillion-dollar spacecraft built by Weyland Industries.

The buildup and arrival are the best part of the film, suggesting a sense of inquiry and genuine sort of thoughtfulness that promise a truly weighty slice of speculative fiction. Not that this territory hasn't been amply mined in the past: In fact, the particulars of the ship's interior design, visual projections, hibernating crew members, sports workout routines and Michael Fassbender's robot character as a sort of ambulatory HAL with an obsession to look and speak like Peter O'Toole in Lawrence of Arabia, which he likes to watch, are unavoidably reminiscent of 2001: A Space Odyssey.

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Little by little, however, elements of other, less philosophical films come into play, including Fantastic Voyage, Rosemary's Baby and, inevitably, Alien. Arriving on the rugged, outwardly lifeless moon, the 17 crew members notice pyramid-like structures that were clearly not fashioned by nature. Inside, the elaborate tunnels and chambers possess moisture, elaborate writing, a large statue of a human head and, more alarming, countless small cylinders that produce a sticky mud-like substance, and an apparent human head.

It doesn't take long for the crew's number to be reduced by untoward circumstances, nor for doubt to set in about the true agenda not only of Fassbender's David, who can be quietly amusing, but of Charlize Theron's Meredith Vickers, the chilly Weyland executive on board who condescendingly treats everyone else, including the ship's captain (Idris Elba), as vastly inferior employees.

PHOTOS: Ridley Scott's Life and Work

Elizabeth and her scientist boyfriend Charlie (Logan Marshall-Green) continue to spar about the potential momentousness of their journey -- she, who wears a cross, hopes to find confirmation of her religious beliefs that will point to the existence of a traditional creator, while he is convinced that what they discover will merely prove once and for all that Darwin was right. But such rarefied considerations are thrown overboard when aliens start materializing, shooting their tentacles where you definitely don't want them, getting someone pregnant and otherwise causing the same sort of mayhem they always have in outer-space monster films.

As the survivors are pared down to a precious few, the grisliness and gross-out quotient increases; a self-inflicted cesarian section may be a screen first (certainly the result of it is), while Fassbender's fate is similarly imaginative and far funnier. This project started life as an intended prequel to Alien but morphed into something else. Unfortunately, the closer it comes to a climax, the more you feel the elements being lined up to set the stage for a sequel to this film, most of all in a coda that feels like a craven teaser trailer for the next installment.

THR COVER STORY: Secrets of Ridley Scott's 'Prometheus'

Scott doubles his Alien pleasure with not just one but two strong female roles here. Rapace credibly expresses her character's combined scientific and religious convictions -- "It's what I choose to believe," she insists -- and is more than up to the physical requirements of some very intense scenes. Theron is in ice goddess mode here, with the emphasis on ice (and this just as her turn in Snow White and the Huntsman is about to open) but perfect for the role all the same.

Blonded up, perfect of diction and elegant of body, Fassbender seems almost alarmingly neutered at first as the ship's all-purpose valet but excels as he's allowed to begin injecting droll comedy into his performance. As the captain, Elba has a few strong moments standing up to his "boss," Theron, while the other actors are mostly cannon fodder, save for an unrecognizable Guy Pearce in a late-on role.

Technically, Prometheus is magnificent. Shot in 3D but without the director taking the process into account in his conceptions or execution, the film absorbs and uses the process seamlessly. There is nary a false or phony note in the effects supervised by Richard Stammers, which build upon the outstanding production design by Arthur Max. Dariusz Wolski's graceful and vivid cinematography synthesizes all the elements beautifully in a film that caters too much to imagined audience expectations when a little more adventurous thought might have taken it to some excitingly unsuspected destinations.

Opens: June 8 (20th Century Fox)
Production: Scott Free, Brandywine
Cast: Noomi Rapace, Michael Fassbender, Charlize Theron, Idris Elba, Guy Pearce, Logan Marshall-Green, Sean Harris, Rafe Spall
Director: Ridley Scott
Screenwriters: Jon Spaihts, Damon Lindelof, based on elements created by Dan O'Bannon, Ronald Shusett
Producers: Ridley Scott, David Giler, Walter Hill
Executive producers: Michael Costigan, Mark Huffman, Michael Ellenberg, Damon Lindelof
Director of photography: Dariusz Wolski
Production designer: Arthur Max
Costume designer: Janty Yates
Editor: Pietro Scalia
Music: Marc Streitenfeld
Visual effects supervisor: Richard Stammers
Rated R, 124 minutes

Ridley Scott has counter-evolved his 1979 classic Alien into something more grandiose, more elaborate – but less interesting. In place of scariness there is wonderment; in place of tension there is hugely ambitious design; in place of unforgettable shocks there are reminders of the original's unforgettable shocks. There are also some shrewd and witty touches, and one terrifically creepy performance from Michael Fassbender, who steals the film with the chilling, parasitic relentlessness of that first gut-bound alien. The original took place in space, where no one can hear you scream; in this film, no one can hear you scream above the deafening, kettle drum-bothering orchestral score.

    Prometheus
    Production year: 2012
    Country: USA
    Cert (UK): 15
    Runtime: 123 mins
    Directors: Ridley Scott
    Cast: Benedict Wong, Charlize Theron, Guy Pearce, Idris Elba, Kate Dickie, Logan Marshall-Green, Michael Fassbender, Noomi Rapace, Patrick Wilson, Rafe Spall, Sean Harris
    More on this film

The freaky-dystopian conspiracy spirit of 1970s sci-fi survives, sort of. At one point, someone produces a squeeze-box allegedly once owned by Stephen Stills, but doesn't actually play anything on it. But the subversive spirit has now been melded with the blander aesthetic of the top-dollar multiplex event movie. First time around, the ship was a claustrophobic confine whose crew would look tense and unwell in that stark uplight that seemed to beam off every work surface. Now, the characters are forever making excursions outside the ship into a colossal CGI alien landscape, a digital universe unavailable to Scott 30-odd years ago; although this world has a classical look, like the photorealist cover designs of strange crystalline worlds on SF paperbacks.

Prometheus is part prequel, part variation on a theme: the object is ostensibly to explain the presence in Alien of a strange humanoid-corpse with a hole blasted open in his stomach. This the film does get round to explaining, after many intestinal convolutions. What it also does is return us to the world of Erich von Däniken's 1968 bestseller Chariots of the Gods, about humankind being bred on Earth aeons ago by spaceman-aliens. The crew of the spacecraft Prometheus are basically on a mission in 2094 to establish this; no one mentions Von Däniken, perhaps not surprising as he has been pretty much forgotten even in 2012.
Ridley Scott and Noomi Rapace discuss making Prometheus Link to this video

Noomi Rapace is well cast as Dr Elizabeth Shaw, an intense and driven scientist who nonetheless has absorbed a calm religious faith from her father and always wears a cross around her neck. Her creationist views are never seriously challenged – except for one perfunctory complaint that she is going against "centuries of Darwinism" – and she is galvanised when, with her colleague and lover Dr Charlie Holloway (Logan Marshall-Green), she discovers ancient cave paintings in the Isle of Skye showing humans worshipping a specific star-constellation. Other cave paintings in the world duplicate this; astronomers find the constellation in question and soon, Dr Shaw and Dr Holloway are on board a spacecraft heading there, a mission bankrolled, in the time-honoured manner, by a shadowy corporation. Charlize Theron is the icy, black jumpsuit-clad corporate commander Meredith Vickers; Idris Elba is the rebellious captain, and there are some feisty, low-level tech guys.

Upstaging everyone is Fassbender, who provides the film's real glint of steel, while decentring its dramatic focus. He plays David, a robot who has been designed to look like a highly convincing humanoid, avowedly to avoid scaring or upsetting the crew. While they have been cryogenically frozen during the two-year flight, David has been gliding about like a head waiter keeping everything on board shipshape. But he is – again, more time-honoured tradition – a robot who might decide he has a mind of his own. Fassbender's David is blond; I think his eyelashes may be blond, too, and his English accent has a kind of refrigerated unctuousness. With his eerily Aryan look and stiff-armed walk, he's channelling C3PO and David Bowie's Man Who Fell to Earth. David also, like Wall-E, enjoys old movies, and he models his supercilious manner on Peter O'Toole in Lawrence of Arabia. As in other performances, Fassbender's lower jaw has a tendency to clench, as if suppressing rage or disgust: here it becomes an opaque, robotic mannerism of veiled threat.

When the crew land on that far-off planet, they make a staggering discovery, which for Dr Shaw is pretty much a conceptual orgasm, a moment of almost sexual congress with the unknown. Of course, her troubles begin when they return to the ship. The spacecraft on Alien had the Conradian title of Nostromo. (With his deployment of Lawrence of Arabia, Ridley Scott may also be hinting, at two or three removes, at David Lean's final unrealised plan to film Nostromo, and even be claiming some David Lean epic grandeur for himself.) Prometheus is the titan who was tortured by the gods for giving fire to the humans – but here it is the humans who are tortured and consumed by a new and terrible kind of fire.

It is a muddled, intricate, spectacular film, but more or less in control of all its craziness and is very watchable. It lacks the central killer punch of Alien: it doesn't have its satirical brilliance and its tough, rationalist attack on human agency and guilt. But there's a driving narrative impulse, and, however silly, a kind of idealism, a sense that it's exciting to make contact with whatever's out there.

Pa... nisu ga baš bezrezervno nahvalili. Srećom, moja su očekivanja prilično scaled down, odavno Ridli nije onaj Ridli.

Kakav god da je film, neosporno je reč o SF-u koji se mora pogledati. Što se dometa tiče - živi bili pa videli. Uostalom, evo šta su kritičari pisali o Osmom putniku kada se pojavio:

"An overblown B-movie... technically impressive but awfully portentous and as difficult to sit through as a Black Mass sung in Latin... Alien, like Dawn of the Dead , only scares you away from the movies."
(Michael Sragow, L.A. Herald Examiner)

"Occasionally one sees a film that uses the emotional resources of movies with such utter cynicism that one feels sickened by the medium itself. Alien... is so 'effective' it has practically turned me off movies altogether... The movie is terrifying, but not in a way that is remotely enjoyable."
(David Denby, New York)

"There is very little involvement with the characters themselves... A generally good cast in cardboard roles."
(Variety)

"The roles might have been written by a computer."
(Vincent Canby, New York Times)

"A horrid film, skilful and studied in its nastiness, and there is little the cast can do to mitigate its manipulative horror... those with the stomach for indulgent nastiness may go and gibber."
(Film Illustrated)

"Empty bag of tricks whose production values and expensive trickery can not disguise imaginative poverty."
(Time Out - NB: This negative review does not appear in the Time Out film guides and has been replaced with a kinder one.)
"A sort of inverse relationship to The Thing invites unfavourable comparisons."
(Sight and Sound)

"Some people's idea of a good time."
(Maltin)

"Deeply dislikeable."
(Shipman)

"Highly commercial shocker with little but its art direction to commend it to connoisseurs."
(Halliwell)

Za horor su potrebni testosteroni. Može li neko da navede režisera koji je u 70 i nekoj napravio odličan horor?

Quote from: Torrente on 31-05-2012, 11:03:24
Za horor su potrebni testosteroni. Može li neko da navede režisera koji je u 70 i nekoj napravio odličan horor?

Naravno da može. Kinđi Fukasaku.

To na stranu, ja ne sumnjam da će mi Prometej biti zabavan ali teško da ćmo dobiti kamen-međaš kakav je bio Alien.

Znate šta... "Prometej" je film koji se dugo čekao, baš kao i povratak Ridlija Skota naučnoj-fantastici. Sudeći po trejlerima, "Prometej" izgleda fenomenalno. Meni je za početak to sasvim dovoljno. Naravno, uvek je moguća potpuna havarija, setimo se "Fantomske pretnje", ali držim da su šanse za tako nešto ipak male.

Ja otkazujem rezervaciju-u Cineplexu je pretpremijera sad u subotu i nedelju, ne vidim svrhu da cekam do 5.-og kada mogu da ga pogledam vec za vikend...

Ridley je pravi primer reditelja koji je biološkim starenjem stekao status nespornog velikana. On je tokom osamdesetih prvi put dotakao dno pa se onda početkom devedesetih vratio da bi potom ubrzo i drugi put dotakao dno. Onda se početkom dvehiljaditih ponovo vratio ali sada niko nema srca da ga ponovo pusti da posrne.

Videćemo kakav je PROMETHEUS, mene trejler nije impresionirao, scene su mi delovale nekako uopšteno u postavci, gotovo sa nekim vajbom STAR TREKa, sa dosta škripe, stroba i glasnih efekata. Glumačka podela mi je nekako baš "tuđa", Ridley je skupio razne glumce koje je tih dana gledao, bez nekog koncepta. Od Noomi Rapace do Idrisa Elbe i Fassbendera, to su sve "hitovi meseca", trenutno aktuelne face koje je video u novinama i rekao "Evo, može taj!"

Quote from: Otis on 31-05-2012, 11:37:10
Ja otkazujem rezervaciju-u Cineplexu je pretpremijera sad u subotu i nedelju, ne vidim svrhu da cekam do 5.-og kada mogu da ga pogledam vec za vikend...

ŠTA SU URADILI? Pa sunce im kalajisano 

за додатну забаву, уопште нема представе 5. јуна 


едит има ли инфо за 2/3 ?

Zakk, nema veze, zakaži 17. juna. Može da bude baš fora da gledate posle svih.

Dakle nek ostane i ovde da mi je ovo i prvi i poslednji put da se bavim pretpremijerama. 

ок онда се ја пребацујем за суботу, тј сад ћу резервисати место за суботу, како сам видео све је још увек празно

Da, stvarno, http://www.cineplexx.rs/sadrzaj/sadrzaj/dogadjajiiakcije_detalj.aspx?i=466

Uzgred, šta je tačno svrha pretpremijere?

Quote from: mac on 31-05-2012, 12:29:14
Uzgred, šta je tačno svrha pretpremijere?

Kad ih ima ovoliko, nema svrhe.

б92 има своју претпремијеру 6. јуна! инфлација претпремијера прометеуса!!!!! 

Ja iskreno kakav god film da bude ocekujem...nadam se... da ce makar da se taj Alien univerzum da se otrgne Kamerunstine i da svaki idiot koji naruci snimanje nekog od sledecih delova aliena trazi onu insektoidnu kraljicu....
Da malo ekspanzira to makar u stripovima i igricama ako je moguce...
..makar neki pomak , neku inovaciju da pruzi, prosiri vidike producentima koji bi samo da prevrcu leseve za kintu...

Quote from: SVAROG on 31-05-2012, 13:38:05
da ce makar da se taj Alien univerzum da se otrgne Kamerunstine

baš sam noćas repriziro ALIENS...

vrlo je to loše ostarilo... znatno lošije nego ALIEN (koji je, naravno, 8 godina stariji).

Quote from: crippled_avenger on 31-05-2012, 03:58:39
Ko se zadnji smeje? Tony Scott naravno...

Ko se uzdao u senilnog Ridleya se izgleda prevario...

koješta!

evo jednog mog prigodnog teksta u slavu ridlija, a ne skota.



http://ljudska_splacina.com/2012/05/ridli-skot-nevidljivi-autor.html

Kako god da joj priđem slika teksta je uvek 541x801 piksla. I to je pomalo nečitko.

Quote from: mac on 31-05-2012, 14:16:22
Kako god da joj priđem slika teksta je uvek 541x801 piksla. I to je pomalo nečitko.

možda, pomalo.

evo, sad sam metnuo pomalo veću verziju.

Nije mi jasno kako neko ima muda uopste da pise bilo sta o ovom filmu...
Misliim, nije da ja citam i da cu citati ikakve kritike i rivjuze, ali,
postoje stvari koje se jednostavno nesmeju dirati, kao tabu....
Ovo je vrsta filma koju samo mozes da kazes drugima pogledajte , prosudite sami.
Misliiim, kritikovati i davati subjektivno misljenje o stvari koja 30 godina ima svoju fan-bazu!?!?!?
Koga ce neko u nesto da ubedjuje ili objasnjava!?!?!?

Da na ovom svetu ima imalo pameti, ko god napise ista o ovom filmu kao deo profesije, to bi trebalo biti harakiri karijere....
...ALI da ima pameti,,,eeeee...

Iz principa: SVE je podložno kritici, pa i ta kritika.

VESTI VESTI VESTI: projekcija je pomerena za SREDU U 20h -___- 

Kako postoje pretpremijere i u subotu i u nedelju ne postoji razlog da se ide baš tad sem eto da gledamo zajedno jer nam se hoće.

Poništavam potpuno prethodne prijave.

Ima li i dalje zainteresovanih?

Quote from: zakk on 31-05-2012, 18:25:00
VESTI VESTI VESTI: projekcija je pomerena za SREDU U 20h -___- 

Kako postoje pretpremijere i u subotu i u nedelju ne postoji razlog da se ide baš tad sem eto da gledamo zajedno jer nam se hoće.

Poništavam potpuno prethodne prijave.

Ima li i dalje zainteresovanih?

Ajde onda da se natenane dogovorimo u ponedeljak pa onda poziv na siteu, čemu žurba? Ajde da vidimo i sa Melkorom?

Nemojte cekati Melkora ako vam se gleda 3D...

Moram da javim večeras jer se i ovo rezerviše.

Čekam još koji sat da čujem i ostale, ali ja sam za to da batalimo ovu priču i da se dogovorimo kasnije za neku drugu projekciju.

Bataljuj utorak svakako..

Quote from: zakk on 31-05-2012, 19:40:33
Moram da javim večeras jer se i ovo rezerviše.

Čekam još koji sat da čujem i ostale, ali ja sam za to da batalimo ovu priču i da se dogovorimo kasnije za neku drugu projekciju.

Upravo tako, aj se dogovorimo na tenane.

Quote from: Melkor on 31-05-2012, 19:32:57
Nemojte cekati Melkora ako vam se gleda 3D...

Mislio sam da se i oko toga dogovorimo. Da li si nam važniji ti iili 3D?

Iako film "Prometej 3D" još nije zvanično stigao u svetske bioskope, već su se pojavile prve kritike. Izvesni mediji i kritičari imali su prilike da na zatvorenoj projekciji pogledaju novo ostvarenje Ridlija Skota i po svemu sudeći – film im se dopao!

Watculture

"Uzbudljivi naučno-fantastični spektakl koji bi trebalo da ima serije fanova koji će od istom diskutovati godinama".

"Ridli Skot je osmislio svoj najživlji i najentuzijastičniji film, potkovan ne samo ludačkim scenarijem, već i neverovatnim vizuelnim efektima i nepogrešivim dizajnom scenografije, koji su dostojni nominacije za Oskara".

Hollywood Reporter smatra da su vizuelni efekti glavna prednost filma, ali Empire i Guardian, koji za "Prometeja" kaže da je "zamršen i kompleksan, spektakularni film koji svoje ludilo drži manje-više pod kontrolom i vrlo je gledljiv, smatraju da je ipak Majkl Fasbender taj koji zaslužuje svu pažnju.

The Hollywood Reporter

"Tehnički, "Prometej" je savršen. Iako je film sniman u 3D-u, reditelja taj aspekt ne ometa u zamisli i realizaciji. Film upija i koristi taj proces neprimetno. Ne postoji ni lažna, ni naivna nota u efektima".

Empire

"Očaravajući vizuelni efekti, "ljigavo" ludilo i prvoklasno "Fasbenderstvo".

The Guardian

"Fasbender je zasenio sve. On filmu daje neverovatni sjaj i preuzima glavni fokus radnje".

Screen Daily.

"Prošlo je tri decenije od kada je Ridli Skot poslednji put zakoračio u naučno fantastičnu teritoriju, ali sa epskom fantazijom "Prometej 3D", jasno je da njegova vizija i besprekorni smisao za dramu i uzbuđenje savršeno odgovaraju žanru i da je napravio film koji je jedan od najnestrpljivije očekivanih naslova ovog leta i koji će uzbuditi i isprovocirati publiku spremnu za njegov prepoznatljivi pečat inteligentne i temeljne režije".

U domaćoj blogosferi pojavila se i prva srpska recenzija filma, po kojoj je "Prometej 3D" "odličan naučno fantastični film kakvog odavno nismo videli na filmskim platnima".

Ceo tekst možete pročitati na sledećoj adresi: http://www.megablog.rs/film-detail/prometej-prometheus-recenzija-filma/

Premijera u Beogradu zakazana je za 6. jun u 20:30 u multipleksu ,,Kolosej",  u 20 časova novosadskom bioskopu ,,Arena Cineplexx", i u 21 čas u bioskopu ,,Cineplexx" u Kragujevcu i bioskopu ,,Vilin grad" u Nišu.

Pretpremijerno u bioskopima Cineplexx BG i KG u subotu i nedelju od 21.30h, i bioskopu Vilin grad Niš od 20.40h!

Quote from: zakk on 31-05-2012, 12:25:41
Dakle nek ostane i ovde da mi je ovo i prvi i poslednji put da se bavim pretpremijerama. 

Nema veze ,mozemo da se organizujemo valjano za  Amazing Spider-Man ili  Dark Knight Rises . 

Charlize Theron ima jedan odličan film ovog leta - SNOW WHITE. Ako uleti još jedan, još bolje!

Odgledano!

Na novinarskoj je bilo dosta (meni) poznatih faca, od kojih su mnoge aktivne ovde na forumu. Prema tome, priča o filmu samo što se nije razbuktala... 

Prvi utisak je da se Scott nije obrukao, a to mišljenje dele i ljudi sa kojima sam porazgovarao na kratko posle projekcije. Doduše, niko nije rekao ni da je remek-delo. I nije. Nemojte očekivati film međaš ili nešto sličnog značaja.

Prometej je raskošan, sjano dizajniran film, pravi SF za odrasle. Režija je iskusna, a u glumačkom pogledu Michael Fassbender  dominira. Rapace je sasvim dobra kao heroina, a efektne (mada ne preterano krupne) uloge su ostvarili Theron i Elba. Film je sjajno upakovam, lepo vozi od početka do kraja. Ima manjih ispadanja iz ritma i viškova, ali ništa što se u montaži nije moglo rešiti. Prometej na Osmog putnika ne odseća toliko tematski (nije klasičan monster movie), koliko po postavci i kompoziciono - mislim da će o ovome biti dosta reči na topiku. Poslednja trećina filma je problematična, ali ne i potpuno razočaravajuća. Objaktivno, na scenariju se još moglo poraditi. Tu i tamo ima opštih mesta i nekih gluposti koje bodu oči.

Eto, to je otprilike to: za počtak priče o dometima Prometeja sasvim dovoljno. Svakako preporučujem da film pogledate u bioskopu, ali 3D definitivno nije neophodan.

Znači, tresla se gora rodilo se nebrukanje.

Molim bez spojlera, amortizera i anlasera do tribine o Prometeju u LK 11og (svi ste pozvani da kažete svoja 2ć uživo)

Quote from: crippled_avenger on 01-06-2012, 20:49:27
Znači, tresla se gora rodilo se nebrukanje.

To je prva i najvažnija stvar. Da se nije obrukao. Ostalo je nadogradnja. 

Ridley Scott se kao reditelj nikada nije obrukao, čak i u svojim promašajima, ali zato jeste previše puta dao za pravo onima koji ga kritikuju kao vizuelca kome scenario i nije toliko bitan ili pak ne ume (želi) da se fokusira na priču i likove, ako to neki dobar scenarista već ne uradi umesto njega. U neku ruku, i Prometej daje za pravo ovoj tezi, pošto je scenario problematičan po više osnova, a opet film izgleda prelepo, sadrži neke vrlo upečatljive scene, bar jednu izuzetnu rolu (Fassbender naravno, mada je i Noomi odlična) i kroz sve je provučeno sasvim dovoljno ideja za više filmova (nimalo slučajno). A opet, kao celina, Prometej i prilično škripi, i ostavlja utisak filma koji, nakon odličnog zaleta, sve vreme je na ivici da nas impresionira, ali se to prolongira sve do trenutka kad shvatite da će film da se završi a da mu je vrhunac (scena zbog koje je pre svega dobio R, rekao bih) bio pre jedno pola sata i da, zaista, sve bitne momente jesu prikazali ili nagovestili u trejlerima (ima nekih manjih iznenađenja ali niti jedno zaista vredno spomena). Prometej je, kad se sve sabere, ipak dobar film, i ja generalno navijam za ovu vrstu SF-a za odrasle, ali je u isti mah i propuštena prilika za nešto još bolje.

Evo jedne zanimljive kritike, a i nije spojlerična:

Prometheus reviewed by Mark Kermode

http://ljudska_splacina.com/2012/06/ghouls-prometheus.html

Scenario posle nekih 45 minuta postaje raspad sistema. Ipak, ovo je jako gledljivo. Valja skoro sve osim scenarija. 

http://nightfliersbookspace.blogspot.com/2012/06/prometej-ridli-skot.html