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NAJOČEKIVANIJI filmovi 2015.

Started by Ghoul, 15-01-2015, 14:35:09

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Dybuk

Moze ovo? HOWL 2015 http://www.imdb.com/title/tt2393827/?ref_=nv_sr_5



Trejler je ludilo, konacno zabavan horor sa puno akcije (gledajte direktno na Vimeu)

Howl Trailer on Vimeo

džin tonik

vise ne znaju cestito preslikati ni werwolfa. 2/10 na nevidjeno; samo sto vlak u igri.


Dybuk

Fala bogu da ne preslikavaju....to. :roll:

Znas li ti koliko je vode proteklo od tog Wolfman-a? Napredovalo se zosko, puno. Nije poenta preslikavati nego kreirati nova resenja. Ovo nije idealno, ali su vukodlaci oduvek bili vise 'cheesy' nego uspeli - uverljivi. Iz nekog razloga... :cry:

džin tonik

i ovi bi polomili zube u bord-restoranu... elem, nije da ne djeluju energicno. u biti mi se svidja trejler, ali previse otkriva. u jednoj sceni cijeli vlak na izvolite. :cry:

Dybuk

To je tacno. Ali cuj, nema ovde neke misterije, moze se pretpostaviti kako to ide i sta sledi. Znaci ipak ti se svidja nego moras po duznosti da zakeras  xfrog

džin tonik

ma ne. e, ne razumijem kako ce ovo razviti napetost kad vec sve znamo. ljudi i vervolfi se ganjaju vamo-tamo, ok, i cijelo vrijeme se kao pitamo sta je s tim vlakom, a iz trejlera znamo da iskocio iz shina.

Dybuk

Ko se uopste pita sta je sa vozom? Gledaj film ako hoces pa ces saznati sta je sa vozom, smartarse.  xrofl

Oh, fino, presla 500 postova, a od toga neki procenat potrosila na preganjanje sa zoskom. :D Cheers!

džin tonik

kako tko se pita? pa svi se pitamo sta je s vlakom. ocigledno nikad nisi putovala vlakom. kad neplanski stane, svi se pitaju zasto, a neki zapale i cigaretu.

hm, ne znam, danas sam nekako usiljen. sonja, filaret, loni, anybody?! :cry:

Васа С. Тајчић

QuoteBritish distributors Curzon Artificial Eye have acquired Gaspar Noe's (Irreversible) latest film, Love (2015), starring Karl Glusman, Klara Kristin, and Aomi Muyock. The film, which is the first Noe has shot in 3D, will be shown during Special Midnight Screening at the Cannes Film Festival this month.
Плакат за филм је провокативан.
Моја колекција дискова
"Coraggio contro acciaio"
"Тако је чича Милоје заменио свога Стојана."

Ghoul

NOE?
провокативан?
NO WAY!
https://ljudska_splacina.com/

Dybuk

http://www.imdb.com/title/tt3774694/?ref_=fn_al_tt_1

Dreamers, Ken Park, Blue is the Warmest Color itd itd....? Nesto u tom maniru, mozda.

RedSonja

meni se od francuske biseksualne i gej novotarije povrača, al sigurno je bolje od ken parka xaxaxa
99 homes ću da pogledam kad izidje torent zbog andrew garfilda za kog mislim da je jedan od retkih mladih holivudskih glumaca koji vrede da se pogledaju
al neću kad mi ni za kumika što lovi blago nije još izašo torent

Albedo 0

Quote from: RedSonja on 26-05-2015, 02:28:00
meni se od francuske biseksualne i gej novotarije povrača

normalno, samo Jeune & Jolie! 8-)

RedSonja

da bato taj je film za tebe i druge bate životinje :)))) plus sa poukom, samo bez preterivanja! ipak više nisu sedamdesete...

Ghoul

ovo se upravo popelo u sam vrh mojih most-expecteda!!! :-|

(a ionako mi je to omiljen šekijev komat)  xcheers

'Macbeth'
Dir. Justin Kurzel. UK/Aus, 2015, 113 mins

Justin Kurzel weighs into Macbeth with a bloody axe and an ambition to rival the Thane of Cawdor's.  Setting the action in a savagely-inhospitable Scotland, the Australian director of Snowtown has the mettle to lay into 400 years of familiarity and reassemble Shakespeare's Scottish play in a version which may be imperfect, but is also quite unforgettable.

Whatever viewers think of Kurzow's Macbeth, they won't be thinking of Polanski's Macbeth or Welles' Macbeth or any other Macbeth when they see it – and that's a considerable achievement in itself.

Kurzel and writers Jacob Koskoff, Todd Louiso and Michael Lesslie have unpicked some of the structure of the Great Bard's play to produce a film which is obsessed with death, corpses (the film's opening shot is of an infant in a grave) and the bloody brutality of war in the untamed, barely-civilised world of 11th Century Scotland where ghosts walk amongst the living (Shakespeare is relegated here to a "based on" credit).

Along for the physically-punishing ride is a guerrilla band of actors led by a vital Michael Fassbender in the title role and Marion Cotillard as an oddly detached, French-accented Lady Macbeth, shooting for the most part in gruelling exteriors on location in the wilds of Inverness and the Gothic interiors of Ely Cathedral.

For all that Kurzel's vision is at heart an old-fashioned, sword-clashing blood-and-guts spectacle, he gives Macbeth a modern sensibility, presenting the Thane's actions as being provoked by the death of a child and the horrors of war (the well-staged battle and combat sequences, it must be noted, make Braveheart look like a trip to the spa).  Kurzel's witches are, to use an abused term, fantastically organic to the piece.

This, and an overpowering visual aesthetic which pays fulsome tribute to both Kurosawa's Ran and Nicholas Winding Refn's Valhalla Rising, could prompt upscale theatrical interest in Macbeth in all markets, skewing towards younger audiences, although this is far too dark for the Romeo + Juliet crowd.

Competing at Cannes, Macbeth suffers from a fundamental weaknesss in the relationship between Macbeth and his wife, however. Cotillard's Lady Macbeth is too fragile in this partnership, overshadowed by Fassbender and Kurzel's meaty, masculine vision. The fact that some of her dialogue is occasionally indistinguishable, perhaps due to adverse filming conditions in the wilds of Scotland, doesn't help. Although he is not a stage actor, Fassbender's Macbeth is pure and highly physical while Sean Harris proves a revelation as Macduff.  David Thewlis lends gravitas as Duncan, while Jack Reynor appropriately lacks presence as Malcolm.

Undaunted by tradition, Kurzel shunts his witches out of their opening sequence and instead filters them through the great battle (only related in the play by a bloody captain) which seals Macbeth's anointment as the Thane of Cawdor, where he "splits Macdonwald open from his navel to his jawbone'. This is a thinly civilised Scotland living through the Dark Ages, and one of the most consistently engrossing elements of Macbeth is Kurzel's vision of that harsh world, helped by a tight unit of costume, design and camera.

When we first meet him, Macbeth doesn't live in a castle, but in a Scandinavian-influenced barn in the wild. His guest, the King of Scotland, Duncan, is housed in a tent. The climate is inhospitable, the conditions gruelling, particularly of battle, the men (and boys) are filthy, dressed in rough cloth. Ghosts mingle with the living – when it's time for Banquo's apparition to come and wreck Macbeth's banquet with his eery presence, he's just one of many (the dagger Macbeth sees before him is presented by the spectre of a dead soldier; Lady Macbeth performs 'Out Damned Spot' to her dead child).

Macbeth is a brutal soldier; the opening battle sequence has an apocalyptic feel, so the appearance of four witches (one is a child, another holds a baby) with their prophecies is satisfyingly apt. The fact that he is, literally, a haunted man from the get-go is convincingly depicted; with Fassbender, the bloodlust is never far from the surface, and his savagery is, via Kurzel, almost operatic.

Kurzel's technical team, boosted by Jacqueline Durran and her beautiful costuming, is young and bold. Adam Arkpaw's camera delivers Kurzow's gothic aesthetic,  from the highly composed interiors of Dunsinane to the barren fens of the highlands; the colour palette is deliberate and vivid, leaving the viewer with the blood red of the battle in a way that is very reminiscent of Asian cinema of the 80s and 90s from Ran through to early Zhang Yimou (Judou).  Design by Fiona Crombie is notable. Music, by Jed Kurzel, is reliant on those familiar, deep-bass notes.

Whatever viewers think of Kurzow's Macbeth, they won't be thinking of Polanski's Macbeth or Welles' Macbeth or any other Macbeth when they see it – and that's a considerable achievement in itself.
https://ljudska_splacina.com/

C Q

Twitch - Kurzel's MACBETH Is Shakespeare For The GAME OF THRONES Crowd

Nadam se da ovo nije istina.


Васа С. Тајчић

Јел' ко чуо за ово?
Моја колекција дискова
"Coraggio contro acciaio"
"Тако је чича Милоје заменио свога Стојана."

Dybuk

Ovo: Ghoul

QuoteGHOUL is a supernatural horror film involving the real life story of the Soviet Union's most violent serial killer, Andrei Chikatilo. Three Americans travel to the Ukraine to film a documentary about the cannibalism epidemic that swept through the country during the famine of 1932. After being lured deep into the Ukraine forest for an interview with one of the last known survivors, they quickly find themselves trapped in a supernatural hunting ground.

Eve i trejler:

https://youtu.be/VOk3Af8zysA

Dybuk

Ako na ovaj film mislis, vaso, ne verujem da to moze biti dobro.

Ghoul

to čak ni ja ne mislim da može da valja.
https://ljudska_splacina.com/


Ghoul

https://ljudska_splacina.com/


Ghoul

jbm li ga - s jedne strane taj film je savršenstvo, najbolji bavin film.
s druge, ovo uopšte ne izgleda tako negledljivo...
svakako ću ga overiti prvom prilikom.
da su ameri - bio bih samo zgađen; pošto su francuzi, biću umereni optimista, tj. da to možda bude fina trojka.
https://ljudska_splacina.com/






džin tonik

 :!: iako trejler bas i ne obecava mnogo... hm, no bolje no obrnuto.

tomat

u septembru bi trebalo da se pojavi Klovn Forever, drugi po redu film snimljen po odličnoj danskoj seriji Klovn.

http://youtu.be/f_vvJ6erUsw
Arguing on the internet is like running in the Special Olympics: even if you win, you're still retarded.

tomat

ovo bi isto trebalo da bude zanimljivo. dakle, Regular Show: The Movie. Regular Show je jedan od retkih crtaća koji me podseča na ono što je Cartoon Network nekada bio.

http://youtu.be/k6JF3MkAY6w
Arguing on the internet is like running in the Special Olympics: even if you win, you're still retarded.

Ghoul

oho, novi klovn! :D
znao sam da ga prave al nisam se nadao da tako skoro izlazi.
cunt wait!
https://ljudska_splacina.com/

C Q


Ghoul

posle ovog trejlera za frenka, očekivanja reducirana.
muka mi je više od tih generičkih 'spektakala'...
https://ljudska_splacina.com/

eddie coyle

Rated PG-13 for macabre images, violence and a sequence of destruction

:roll:

C Q

! No longer available

Dobar trailer, bio bi jos bolji da nisu ovoliko citirali.

Ghoul

Quote from: Ghoul on 14-02-2015, 11:06:28
NAJOČEKIVANIJI HOROR filmovi 2015.

Kao što ćete videti, postoje jake šanse da se najzad ove godine razbije "Prokletstvo trojke" i da konačno dobijemo i neki horor koji možda dobaci čak i do ocene 4- ako ne i više!

http://ljudska_splacina.com/2015/02/najocekivaniji-horor-filmovi-2015.html

avaj, favoriti su zasad uglavnom zakazali, barem po pitanju prokletstva trojke, ali ja u VEŠTICU i dalje verujem...
https://ljudska_splacina.com/

Torrente


Ghoul

da, lepo to izgleda.

inače, za ovaj film maske je radio naš miki zlakobrija! :)
https://ljudska_splacina.com/

tomat

napucali su trejler do jaja, videćemo da li je to sve što film ima da ponudi.

Quote from: Ghoul on 26-08-2015, 12:28:45
inače, za ovaj film maske je radio naš miki zlakobrija! :)

sećam se festivala treš filmova koji je ranije išao u bioskopu Rex, gde sam gledao film Pacijent, u čijem stvaranju je, između ostalih, učestvovao i Lakobrija. bila je posle neka emisija na B92 gde se pričalo o tim filmovima, i autori su pričali da se u sceni sečenja jezika u Pacijentu koristili papriku iz turšije kao prop za jezik.

lepo je napredovao i daleko dogurao Lakobrija, svaka čast!
Arguing on the internet is like running in the Special Olympics: even if you win, you're still retarded.

eddie coyle

Mislim da sam gledao tog Pacijenta pre nekih 12-13 god. u Sok Koridoru, ostalo mi u secanju to za jezik i paprike  :)

Ako se ne varam "rezirao" ga je lik iz nekog domaceg benda, Abonosa cini mi se...


Dybuk

Hasan Karacadag stancuje filmove, ali sve to dobro izgleda. Napravio je ime sa Dabbe serijalom, a snima i novi horor Vampiria. Gledacu Magi iako glumacka imena ne obecavaju.

Ghoul

https://ljudska_splacina.com/

tomat

Quote from: eddie coyle on 26-08-2015, 13:54:54
Mislim da sam gledao tog Pacijenta pre nekih 12-13 god. u Sok Koridoru, ostalo mi u secanju to za jezik i paprike  :)

Ako se ne varam "rezirao" ga je lik iz nekog domaceg benda, Abonosa cini mi se...



tako nekako, mislim da se zove Jakša.

Pacijent ima nekoliko nastavaka, ako se ne varam.
Arguing on the internet is like running in the Special Olympics: even if you win, you're still retarded.

NGboo

Der Bunker / Nikias Chryssos

QuoteA young student seeks quiet and solitude to focus on an important work but ends up as the teacher of a peculiar boy who is home-schooled by his parents in an isolated bunker mansion. THE BUNKER is a dark, twisted, and funny tale about childhood, growing up and education.
https://www.youtube.com/watch?v=tgSKuxvNifs

Der Nachtmar / Akiz

QuoteJarring, disturbing, and thoroughly disorienting, Der Nachtmahr is a psycho­phan­tas­magoric coming-of-age story about a teenage girl thrust into an unnaturally symbiotic relationship.

Secret raves, drugs, and late nights are par for the course for sixteen-year-old Tina (Carolyn Genzkow) and her friends on the decadent Berlin party scene. When Tina passes out at a party one night, she assumes it was just a side effect of her wild lifestyle -- that is, until a mysterious creature begins haunting both her dreams and her waking hours...

Read more: http://twitchfilm.com/2015/08/toronto-2015-der-nachtmahr-german-trailer-a-creature-and-a-teenage-girl.html#ixzz3kTPZepM
https://www.youtube.com/watch?v=3qH96voBZSg

Dybuk

Kad smo kod turskog horora...

Iako Siccin jos nije dostupan (nasla na YT ali ko ce gledati bez prevoda), evo vec drugog dela. Content advisory, ozbiljno, prilicno je jeziv, gory i veoma NSFW, a za one s jacim stomakom, evo kako to Turci rade:

http://youtu.be/bKEiQKYQHGk

Agota

This is a gift, it comes with a price. Who is the lamb and who is the knife. Midas is king and he holds me so tight. And turns me to gold in the sunlight ...

Agota

This is a gift, it comes with a price. Who is the lamb and who is the knife. Midas is king and he holds me so tight. And turns me to gold in the sunlight ...