ZNAK SAGITE — više od fantastike — edicija, časopis, knjižara...

Nego, šta je sa ovim čovekom, jel on odustao od režiranja dugometražnih igranih filmova? Ili ga zanimaju samo kratki filmići, spotovi, režiranje koncerata i snimanja muzičkih albuma?

The Elephant Man je najsavršeniji Linčov film. Blue Velvet je takođe filmski klasik.

Lost Highway je jedan od meni omiljenih, ne zbog smisla, nego neprevaziđene atmosfere.

Dune volim iz više razloga, od kojih je jedan i Linčova režija.

Ostalo mi je bar OK, a Eraserhead nisam gledao.

A najzabavnija stvar u koju je Linč bio umešan bila je TV serija Twin Peaks - pop-kulturni znak vremena u kome je nastala.

po netu se širi rečenica

''Next Tuesday, the wait is finally over.''

http://matthewatthemovies.files.wordpress.com/2012/04/twin-peaks_m_jpg_627x325_crop_upscale_q85.jpg

Quote from: Pizzobatto on 25-07-2014, 02:35:19
po netu se širi rečenica

''Next Tuesday, the wait is finally over.''

A neki od nas ne mogu da dočekaju!

Supposedly Showtime may announce the new season of Twin Peaks tomorrow. Today David Lynch and Mark Frost both followed the head of Showtime on Twitter and he followed THEM! CBS owns Showtime, they also own the rights to the Twin Peaks name and Blu-ray box set.
Rumor has it that David Lynch is directing every episode of an 8-10 episode season of Twin Peaks on Showtime....
Did Lynch and Frost plan this the whole time? The fact that it's coming up on the 25th anniversary in a script that plays out a 25 years later scenario is pretty significant in my opinion...


http://welcometotwinpeaks.com/news/twin-peaks-showtime/

'Twin Peaks' Revival to Air on Showtime in 2016

Twin Peaks Returning to TV

OCTOBER 6, 2014 | 08:30AM PT
Cynthia Littleton


"Twin Peaks," the ABC series that was a forerunner of today's offbeat serialized cable dramas, is coming back to life with nine new episodes to air on Showtime in 2016.

Series creators David Lynch and Mark Frost are working away on the scripts, with Lynch planning to direct all nine episodes. The episodes are expected to bow in early 2016, which would coincide with the 25th anniversary of the show's demise after two seasons on ABC in 1990 and 1991.


The new segs will be set in the present day and continue storylines established in the second season. Frost emphasized that the new episodes will not be a remake or reboot but will reflect the passage of time since viewers last checked in with key characters. As part of the deal, Showtime will rerun episodes from the original series' first two seasons leading up to the 2016 premiere.

Frost would not elaborate on plot details or even the characters that will come into play. But the story threads that will picked up were "baked in to the last episode," Frost told Variety. He called it "the next chapter of the story" and said that the passage of 25 years will be an important element in the plot.

"For those followers of the show who felt bereft when the show ended where it did all those years ago are going to like where it goes from here," Frost assured. "And we hope that a lot of people who haven't been to Twin Peaks yet are going to be equally interested in where the story goes from where we left off."

"Twin Peaks" was ahead of its time in its unusual, often surreal approach to telling the yarn of a murder mystery in a fictional small town in Washington state. The show bowed with a ton of buzz — Lynch was red-hot as a feature helmer at the time — but it had little in the way of a sustained audience by broadcast TV standards of the day.

The series has remained a cult favorite over the years and thus was a ripe candidate for revival amid the general mania in the TV biz for reinventing vintage film and TV titles.

Lynch and Frost have retained ownership of "Twin Peaks" all these years. CBS has distribution rights to the show through the deficit-financing pact that Lynch/Frost Prods. set back in the day with Aaron Spelling's Worldvision distribution arm, which CBS now controls.

Another key connection that helped the new-model "Twin Peaks" land at Showtime is the pay cabler's Gary Levine, exec VP of original programming, who was the ABC exec who developed and championed the show during its original run.

Lynch and Frost have talked about taking another run at the Twin Peaks world over the years, but the effort got serious about three years ago when the two had one of their semi-regular lunches at Hollywood's Musso and Frank Grill. It was not lost on either of them that "Twin Peaks" had proved to be a TV pioneer in many respects. Aspects of the show that were seen as a handicap in the ABC days are now pillars of the contempo generation of edgy cable and pay cable series.

"I always felt that in 'Twin Peaks' we were more or less filming a novel — drilling down to a level of detail you weren't used to seeing in network storytelling," Frost said. "Over the years a lot of people have credited us with inspiring them to think differently in how to tell stories. Now that we're doing (the show) again, I'm happy to come back and get in on the action."

Lynch and Frost didn't shop the series around. Showtime was a natural home because of the latitude offered by pay cable, plus the comfort level offered by the connection with Levine.

"Showtime was the place we felt most comfortable going to after meeting with Gary and (Showtime prexy) David Nevins and seeing their passion for the show," Frost said. "Gary we consider a good friend and David I've known for quite a while."

There's no word yet about casting. In the original series, Kyle MacLachlan (pictured) played the pivotal role of the Agent Dale Cooper, the FBI agent who comes to the small town to investigate the murder of homecoming queen Laura Palmer.

After that mystery was solved, the show explored even more seamy goings-on and oddball characters in the town. The pilot for the original series was shot on location in Washington state, but subsequent episodes were primarly lensed on stages in the San Fernando Valley. There's no decision yet on a shooting location for the new segs.

Frost said it was still to be determined whether the revival will be a one-time limited series or an ongoing effort.

"The proof will be in the pudding. If we have a great time doing it and everybody loves it and they decide there's room for more, I could see it going that way," he said. The original "Twin Peaks" premiered on April 8, 1990 and had its last original telecast in June 1991. A prequel story, "Twin Peaks: A Fire Walk with Me," was filmed as part of the series but wound up being released as a feature by New Line in 1992.

The TV series has endured for a new generation of fans through periodic homevid releases and more recently, a streaming pact with Netflix. The AFI hosted a tribute to the show in Los Angeles in July in connection with the Blu-ray/DVD release "Twin Peaks: The Entire Mystery."

Given the show's legacy and the rabid fandom it has inspired, Frost admitted that he and Lynch feel the pressure to make the new episodes worthy additions to the canon.

"We can't rest on our laurels," he said, which is a key reason why Lynch has committed to directing all nine hours.

"This show is a kind of thanks to all of the incredibly passionate fans we've had over the years that have kept the show alive and passed it down to the next generation," Frost said. "We've been lucky enough to have one of the coolest, most intelligent, most inquisitive group of people attracted to our show. We're happy for them that the show is coming back."

In a statement issued by Showtime, Lynch and Frost quipped: "The mysterious and special world of Twin Peaks is pulling us back. We're very excited. May the forest be with you."

http://variety.com/2014/tv/news/twin-peaks-revival-to-air-on-showtime-in-2016-1201322329/

25 godina kasnije...vau... kada je proslo prvih 10 godina od nastanka serije mislio sam da vise nema nade (narocito imajuci u vidu kako je lose zavrsio na blagajnama Fire Walk With Me, gresni ali ipak upectljav mi film dragog Linca). Kada je proslo 20 godina nisam vise ni razmisljao o Twin Peaks... a sada... potrebno je sacekati da se ova ideja stvarno realizuje, nada  da ce se bar vecina glumaca vratiti ("na srecu" ni jedan od njih nije imao neku zavidnu karijeru nakon a ni trenutno) i konacno sve to odgledati... a dotle, dobro paziti na pesackom prelazu i jesti zdravu hranu bez onih oznaka na E... pa valjda izguram

A special TWIN PEAKS announcement

Je l zna neko gde mogu besplatno da skinem (piratsku?) kopiju knjige Lynch on Lynch?

nema te, al ima nekih drugih o Linču

http://gen.lib.rus.ec

Ja trazim bas tu posto me intervjui mnogo vise zanimaju od filmske teorije, ali hvala u svakom slucaju 

Quote from: usputni_boem on 04-09-2015, 17:37:17
Je l zna neko gde mogu besplatno da skinem (piratsku?) kopiju knjige Lynch on Lynch?

prilično je beskorisna u smislu nekog dubljeg uvida: deda linč ne voli da analizira svoja dela i da naširoko filozofira o svojim temama i idejama (poput, recimo, kronenberga).
lepo je to pročitati, ali ne grizi se mnogo ako je ne nađeš jer ne gubiš mnogo.

imaš ovo što je sam Linč pisao
http://gen.lib.rus.ec/book/index.php?md5=E733A7371F63F87B6A0DA2B150269D61

Dejvid Linč: Više nikada neću snimiti film

QuoteAmerički režiser Dejvid Linč, autor filmskih hitova "Blue Velvet", "Eraserhead" i "Mulholland Drive", izjavio je za The Sydney Morning Herald da više neće snimati filmove, prenosi Independent.
"Stvari su se mnogo promenile. Veliki broj filmova koji mogu da se smatraju kvalitetnim nije uspeo da ostvari solidnu zaradu na bioskopskim blagajnama, a filmovi koji su se pokazali uspešnim nisu ono što bih želeo da radim", rekao je režiser.

Na pitanje da li je njegovo najskorije najveće ostvarenje - "Inland Empire" iz 2006. godine - ujedno i njegov poslednji film, Linč je odgovorio "Da, jeste".

Srećom, ljubitelji opusa slavnog režisera moći će da uživaju u nastavku serije "Twin Peaks" , koja se 21. maja vraća se na male ekrane, nakon 26 godina pauze.

Režiser se takođe pojavljuje u novom dokumentarcu "David Lynch: The Art Life", koji će u bioskopima premijerno biti prikazan 14. jula.

Dobro, covek koji je snimio Blue Velvet i Lost Highway je vec uradio dovoljno 

Quote from: usputni_boem on 08-05-2017, 15:20:45
Dobro, covek koji je snimio Wild at Heart i Lost Highway je vec uradio dovoljno 

Fiksd

Meni je Wild at Heart ok, ali daleko od Blue Velveta, Lost Highwaya i Mullholland Drivea (a i Twin Peaksa, ako racunamo i serije).

Nekako mi je Lost Highway najjači Linčov film.

Mullholand me mnogo nervira završetak, ne znam šta bi trebalo da bude na kraju ali ono što jeste mi je više finta nego nešto ozbiljno.

Nisam gledo Dune i Inland Empire, bez njih

1. Lost Highway
2. Wild at Heart
3. Mullholand Drive

Ne znam na šta tačno misliš, ali ima negde na netu pdf "Strukture svesnog i podsvesnog u filmu Mullholland drive", verovatno nije tako doslovno, ali sigurno ćeš ga naći, to je neki diplomski rad, secira film skoro scenu po scenu. Pa vidi da li se slažete. Dobar je i Mullholland ali je Highway hororičniji, uvrnutiji, i ima odličan saundtrek.

Mislim na to da je sve na kraju bilo u nečijoj glavi iliti podsvjesno

Čitao sam jednom taj rad. Ne znam kako bih to nazvao, ali vrlo rijetko podnosim te subjektivističke filmove, tokove svijesti, Memento... Skoro mi i Fight club upropastili, mada tu nije toliko strašno, nije ni u Mullholandu, bolji mi je od Velveta, no to mu je zamjerka

Meni se svideo i kraj Mullhollanda, cak mi je i dotakao emocije, sto mi se inace cesto desava s Lincovim filmovima  (kako pozitivne, tako i "negativne" emocije - Lost Highway mi je jedan od najjezivijih filmova ikad). Meni je sve bilo jasno u Mullhollandu, al se sad ne secam bas tacno sta se desava na kraju... Uglavnom, sve se vrti oko prevrtljive prirode Holivuda, i unistenih snova Naomi Watts...

Quote from: Petronije on 08-05-2017, 19:05:19
Dobar je i Mullholland ali je Highway hororičniji, uvrnutiji, i ima odličan saundtrek.

Da, jos Rammstein pre nego sto su postali slavni Lost Highway mu je vizuelno najbolji film, ima dosta kul, upamtljivih fora...

A ja se baš slabije sjećam LH a mislim da je najbolji Linč

Moraću to da ponovim...

Niko da pomene Eraserhead?

Nisam preveliki fan, LH mi je bio odlican (odma posle Eraserhead-a), Blue Velvet dobar, ostalo nisam ukapirala. a bas ne volim kad na kraju ne znam sta sam to dodjavola gledala, ne rade me ti rediteljski ego-tripovi.

Kažu ljudi treba gledati Linča napušen i onda je sve jasno

LH i MHDr se gledaju u istom ključu, vrlo slični filmovi u osnovi, samo malo drugačije "upakovani".

Moguce. Nisam gledala Inland Empire, treba se pripremiti za taj posao

Takodje, ovaj Strejt Stori mi je delovao kao golemo smaranje, pa nisam ni razmatrala...