ZNAK SAGITE — više od fantastike — edicija, časopis, knjižara...

Mnoge kontraverznosti vaze za ovu vrstu metala. Secam se kad sam bio teen, period ranih 90 - tih, da su za ovu vrstu muzike vazila mnoga ubistva, nasilje, napadi i neverovatna posvecenost medija i policije da se sa ovom muzikom uopste raskrsti. Narocito, bend na koga je pao sav teret je Mayhem, Dead, uvek neraspolozeni i cudni mladic je izvrsio samoubistvo, od njegove lobanje su pravili ogrlice i narukvice, Euronymous je ubijen zbog duga od strane Vikernesa, formiran je Inner Circle koji je cinio skup neo - nacistickih black metal bendova, medju kojima je bio i nesrecni Mayhem.
Postojao je jos i metal - war izmedju Norveskih black metal bendova i Svedskih death metal bendova.
Norveski black metal bendovi su optuzili death metal bendove da nemaju dovoljno zlobe, i da nedovoljno uzdizu gospodara Satanu, i da je death metal americki odgovor na black metal, zbog jedinstvenog razloga : Amerikanci nikad nisu zapravo ni imali kulturu, sagradjeni su kao nacija na Indijanskim grobljima i nisu imali svoju mitologiju kao Skandinavci. Jedino o cemu su Ameri pevali su bili horor, uzas, smrt. To je jedina stvar o kojoj su i znali.
Ovaj topic posvecujem black metalu, usponu i padu, od trenutka kada Venom nastupa na scenu, do dana danasnjeg.

Zvučaću užasno zlonamerno, ali zabole me...
zašto ti ne odeš na neki forum posvećen metalu?

Jake, Jake kako si glup...
Vidis, sinko ja sam clan yumetal foruma vise nego sto si ti moj bato clan Znaka Sagite, i uvek sam dobrodosao na svim srpskim metal forumima i sajtovima.
E sad sto ti nemas mozak. i sto ne znas neke stvari da rasudjujes, e pa ja ti nisam kriv, sto tvoj jadni "intelekt" ne razume.
Kad malo bolje razmislis, javi mi se, uvek sam dostupan, 24 casa non stop.
A do tada FUCK OFF!
KONSULTUJ SE MALO BOLJE SA TVOJIM IDOLOM, ISFRUSTRIRANIM PESKIRICEM, STIVENOM KINGOM KOJI JE SAM IZJAVIO DA SU SVE VRSTE METALA ZA NJEGA ODLICNE, I DA VOLI METAL.

Jes... ja sam samo glupi bosanac, o izvini veliki pokloniče kulture...
Mene samo nerviraju pretenciozne teme o nečemu generalno gledano ispodprosečnom, kulturološki bezvrednom i potpuno nevezanom za generalne tendencije foruma. Zamisli dođem ja na yumetal i odjednom krenem da otvaram temu za temom o Mokranjcu, Stankoviću, Bahu...

Edit: I da, kad edituješ poruke bar napiši edit. I otkud ti ideja da mi je King idol?
Edit2: I još jedna mana ljudi tvog intelektualnog kalibra: Čim im neko ne ide uz kurac, krenu na ličnu razinu, znali tog nekog ili ne.   Aferim.

Pobogu, Demonlišeru, učlanio si se na forum pre par dana i odmah bi da drugima jebeš mater... Uspori malo, ovde se na to gleda blagonaklono tak kad stekneš neki staž... Uzgred, teme koje postavljaš su uglavnom samo to - teme. Nisi do sada pružio neko dublje promišljanje ijedne od njih. Nisam ni ja, al se barem ne razbacujem uvredama i samohvalom.

Ha ha , Meho ne odustaje od skromnosti...
Meho, mi te volimo...

Ladno ću da pokrenem Meho-Fanclub  

Ja nikog nisam vredjao, Jake je poceo prvi da vredja jos od onoga da nije znao da je hedbenging kultura, i sad jos napada na metal kao muziku, a i fuck off nije uvreda, to je samo poziv na udaljenje, i da svako gleda svoja posla.
Daleko bilo od toga da sam ja hteo da nekog vredjam ili mu psujem mater, ja uopste nisam takav.

Quote from: "Demo(n)lisher"Jake, Jake kako si glup...

Uvreda.

Quote from: "Demo(n)lisher"E sad sto ti nemas mozak. i sto ne znas neke stvari da rasudjujes, e pa ja ti nisam kriv, sto tvoj jadni "intelekt" ne razume.

Uvreda.

Quote from: "Demo(n)lisher"a i fuck off nije uvreda, to je samo poziv na udaljenje, i da svako gleda svoja posla.

fuck off je psovka. Da li je za tebe uobičajeno da psovkom miroljubivo nekog zamoliš da se udalji i da gleda svoja posla?

Quote from: "Demo(n)lisher"Daleko bilo od toga da sam ja hteo da nekog vredjam (...), ja uopste nisam takav.

Onda to veoma vešto kriješ.

Dobro, Demonlišeru, ne deluješ mi kao retardirana osoba, pa ću pretpostaviti da se sada šališ. Pročitaj ponovo svoj drugi post na ovom topiku i reci mi da nije bio uvredljiv na nekoliko različitih načina. Takođe mi reci da nisi shvatio da je 'nisam znao da je hedbenging kultura' šala.

Ono što je bitnije od ovih bezveznih mikroprepucavanja je da si postavio topik u kome si izneo nekoliko, aj da kažem u najmanju ruku nekritički nepromišljenih izjava i da se, kao i obično do sada, nisi bogznakako potrudio da ih obrazložiš ili barem pojasniš.

Na primer: "Euronymous je ubijen zbog duga od strane Vikernesa"

Dug, odnosno nesporazumi oko distribucije Burzum muzike od strane Euronymousa je odavno prodiskutovan i odbačen od svih živih strana (uključujući Grišnaka) kao primarni motiv ubistva. Sigurno si čitao Mortiisovo obrazloženje (http://www.rusmetal.ru/vae_solis/mortiiscomments.html) ili ovo ovde: http://www.basementbar.com/DefaultN1.asp?GoTo=EditorialN1.asp

QuoteAnyways, Varg started to feel at some point that Euronymous was not into the ideology of the scene—thereby not truly a believer. It did not matter that Euronymous had really eaten Dead's brains and used his skull pieces to make necklaces; it was obvious that Euronymous was not a proponent of burning churches and driving Christianity out of Norway by force, so he wasn't true enough for Varg. This, combined with the fact that Euronymous was not a good businessman, and Deathlike Silence was losing money (meaning Varg and others on the label were making nothing at all off their records), I think sowed the seeds in Varg's mind that Euronymous was not to be trusted. Combined with the fact that Euronymous himself was starting to feel like Varg was getting to be really dangerous, only fueled the growing hostility between the two. About a week before Euronymous' murder, things really became nasty. Varg had been arrested for an arson and then released, as the police had nothing on him. Varg apparently had feelings of being invincible, and was becoming particularly scary to Euronymous.

ili pak ovaj wikipedia entry: http://en.wikipedia.org/wiki/Varg_Vikernes

QuoteThe circumstances surrounding the reason for the murder are not entirely clear, but have been mainly attributed to ideological differences and a power struggle between Vikernes and Aarseth. Vikernes claimed that Aarseth had plotted to kill him and that the murder was committed in self-defense. Aarseth was found dead outside his apartment in Oslo with twenty-three wounds that seem to have contributed to his death — two to the head, five to the neck, and 16 to the back. Vikernes claims that the majority of those wounds were received when Aarseth fell on pieces of a lamp that was broken in the struggle. [1] Vikernes also claimed that there was a financial dispute over the profits from Burzum's first full-length and EP (Burzum and Aske) that were released through Aarseth's record label, Deathlike Silence Productions, but said that this was never a reason for the murder.

Drugo: "Amerikanci nikad nisu zapravo ni imali kulturu, sagradjeni su kao nacija na Indijanskim grobljima i nisu imali svoju mitologiju kao Skandinavci. Jedino o cemu su Ameri pevali su bili horor, uzas, smrt. To je jedina stvar o kojoj su i znali. "

Iako ja smatram američki blek metal uglavnom bezvrednim, mogao bih da nabrojim nekoliko američkih kulturnih pojava koje su veoma mnogo uticale na metal (pop) kulturu, poput Antonija Šandora Laveja ili HP Lavkrafta...

U redu, idemo jedno po jedno.
1)Izvinjavam se zbog izgovorenih uvreda upucenih gospodinu Jake
2)Citao sam wikipedia clanak o ubistvu Eura, ocigledno nisam procitao Vikernesovu izjavu da je to bilo u samoodbrani, znaci moja druga greska zbog koje se takodje izvinjavam
3)Tice se nekih bitnijih Amera koji su uticali na metal (pop) kulturu su :
Charles Manson, o njemu vec postoji tema
Antonije Sandor Lavej - po vokaciji cirkuski artist, a potom policijski fotograf, Anton Šandor la Vej je najpre od svoje kuće napravio satanistički hram. Bila je okrečena u crno, sa oltarom montiranim na sred kuće, a pentagrami su bili nacrtani na podu i na zidovima. Svuda je bilo crnih sveća, tamjana, mačeva i drugog pribora. Proglasio se visokim satanskim sveštenikom, počeo da se oblači u crno, obrijao glavu.
Uspeo je posle toga da se registruje, napisao je ,,Satansku bibliju", a sedamdesetih i osamdesetih počeo je sa propovedima i prokrstario Severnu Ameriku i Evropu, animirajući priličan broj učenika i studenata. ,,Satanska biblija" prihvaćena je kao standardni izvor praktičnih i teoloških referenci svim satanistima sveta.
Osim pribora, prostora i pravila rituala, u toj knjizi se slave čovekova bazična priroda i anarhizam, te suprotstavljenost političkom i svakom drugom establišmentu. Zagovara se nasilje, korišćenje opijata, svetogrđe, seksualna razvratnost i perverzija. Šandor la Vej je umro 1997. godine.
To je sto se tice gospodina Sandora.
H.P.Lovecraft - muzika
Arzachel
Arzachel (1969)
"Azathoth": Electric guitar, a church organ, and sound effects.
Azathoth
Doom/black metal band from Slovakia.
Artless Puppet Show (1998)
"The Haunter of the Dark"
Babyland
You Suck Crap
"Arthur Jermyn"
Bal-Sagoth
Although this band has some Lovecraft references, like that to "Hatheg-Kla," it takes much more inspiration from Robert E. Howard.
Black Moon Broods Over Lemuria (1994)
"Hatheg Kla": Keyboard Instrumental
Bethzaida
Nine Worlds (1996)
"The Outsider": Based on Lovecraft's story of the same name.
The Bevis Frond
The Auntie Winnie Album (1988)
"The Miskatonic Variations": 15 minutes of monotonous, psychedelic guitar.
New River Head (1991)
"The Miskatonic Variations II"
Black Sabbath
Black Sabbath (1970)
"Behind the Wall of Sleep"
Blood Ritual
Death/black metal band.
At the Mountains of Madness
Blue Oyster Cult
Much of the following information can be found in The Blue Oyster Cult FAQ.
Agents of Fortune (1976)
"E.T.I. (Extra Terrestrial Intelligence)": Makes references to "The King in Yellow."
Imaginos (1988)
"I Am the One You Warned Me Of": The "Starry Wisdom" is mentioned.
"Les Invisibles": The reference to "beneath the polar mountain" may be a reference to Lovecraft's At the Mountains of Madness. Also, the lyrics "the empress lay sleeping to the rhyme of the star clock" may refer to the return of the Great Old Ones.
"In the Presence of Another World": The phrase "when the stars are right" is spoken.
"The Seige and Investiture of Baron Von Frankenstein's Castle at Wisseria": The "Starry Wisdom" is mentioned.
Curse of the Hidden Mirror (2001)
"The Old Gods Return"
Caravan
For girls who grow plump in the night
"C'Thlu Thlu"
Cassandra Complex
Satan, Bugs Bunny, and Me
"E.O.D." (Esoteric Order of Dagon): Makes direct references to Cthulhu and mentions that "he sleeps beneath the waves."
Celtic Frost
Morbid Tales (1984)
"Morbid Tales": Mentions Yog-Sothoth.
"Nocturnal Fear": Mentions "Azag-thoth."
Children of the Monkey Machine
R'lyeh
"The Dreamer Awakens": "The ancient one awakens in the ageless R'lyeh."
"Awaken and Rebirth": "The Elder One has arisen."
"Mindflare": "The Elder One unleashes his wrath on the minds of man."
"Desolate": "The final chapter. A desolate nightfall."
Cradle of Filth
Midian (2000)
"Cthulhu Dawn"
The Darkest of the Hillside Thickets
A Vancouver "punky surf" band whose lyrics don't just make passing mention to Lovecraft—their entire existence seems to revolve around him. Their name is taken from a sentence near the beginning of Lovecraft's "The Tomb": "I will tell only of the lone tomb in the darkest of the hillside thickets..."
Gurgle, Gurgle, Gurgle (demo)
"Cthulhu Dreams"
Hurts Like Hell (demo)
"Screams From R'lyeh"
"One-Gilled Girl": Innsmouth is mentioned.
"Chunk": References to Cthulhu, the Mi-Go, and Azathoth.
Cthulhuriffomania!
"Colour Me Green"
"Flee!": Cthulhu is mentioned.
"Yog Sothoth"
Cthulhu Strikes Back (1995)
"Goin' Down to Dunwich"
"Shoggoths Away"
"Unstoppable": References to the Necronomicon.
"Yig Snake Daddy"
"Hookworm": References to Lovecraft's "The Whisperer in Darkness."
"Protein": References to Nyarlathotep.
"Cthulhu Dream"
Great Old Ones: A compilation of most of the tracks from Hurts Like Hell and Cthulhuriffomania!, plus some additional tracks.
"One-Gilled Girl": Innsmouth is mentioned.
"Chunk": References to Cthulhu, the Mi-Go, and Azathoth.
"Colour Me Green"
"Flee!": Cthulhu is mentioned.
"Yog-Sothoth"
"Hookworm": References to Lovecraft's "The Whisperer in Darkness."
"Please God, No": References from "The Haunter of the Dark."
"Six-Gun Gorgon Dynamo": References to Shub-Niggurath.
Spaceship Zero (2000)
"The Innsmouth Look"
"The Chosen One": References to Yog-Sothoth, Zoth-Ommog, and others.
"The Sounds of Tindalos"
Darklands
A Swedish doom metal band.
Chronicles (1996)
"Dead But Dreaming": The reference to "The Absu" make it clear that the inspiration is the "Simon" Necronomicon.
Dayglo Abortions
Here Today, Guano Tomorrow (1988)
"Spawn of Yog-Sothoth"
Dead Voices on Air Versus Not Breathing
A Fire in the Bronx Zoo (26 August 1997)
"Unknown Kadath"
"Azathoth Venom"
Deicide
Deicide (1990)
"Dead by Dawn": Contains a reference to the Necronomicon. The title suggests this is a reference to the "Evil Dead" films rather than to Lovecraft.
Legion
"Dead but Dreaming": Mentions the "elder gods," but nothing else explicit.
Amon: Feasting the Beast
"Dead by Dawn"
Disincarnate
Dreams of the Carrion Kind
"Entranced": Quotes heavily from Lovecraft's "The Tomb."
Djam Karet
California progressive band. Contact ranjit@netcom.com to obtain their album.
Burning the Hard City
"At the Mountains of Madness"
Dream Death
Some claim that Dream Death was America's first death metal band.
Journey Into Mystery
"The Elder Race"
Endura
Dreams Of Dark Waters (1994)
"R'lyeh Awakens"
"Black Eidolon"
The Dark Is Light Enough (1996)
"The Stars Are Right"
"Ubbo-Sathla"
"He Knows The Gate"
Liber Leviathan (1996)
"Dagon Is My Weapon"
"Cthulhu Fhtagn"
Elder Signs (1999)
Entombed
Clandestine (November 1991)
"Stranger Aeons": Lyrics mention "dreamquest," include "lurking at the threshold/you're lost between the gates," and "Stranger things that eternal lie/awaiting beyond the time to die."
Stranger Aeons (August 1992, EP)
"Stranger Aeons"
Entombed (1997)
"Stranger Aeons"
Equomanthorn
Nindinugga Nimshimshargal Enllilara (1994): Lyrics have been borrowed from the Simon edition of the Necronomicon.
Eterne
"Ethereal gothic metal with heavy riffs."
The Endless (1993, demo)
"The Crawling Chaos"
Still Dreaming (1994)
"The Crawling Chaos"
"Still Dreaming"
Evils Toy
A German band whose lyricist, Oliver Taranczewski, is apparently a Lovecraft fan.
Illusion
"Co-existence"
"Prevision"
Angels Only (1998)
"Back on Earth"
"From Above Comes Sleep"
"Colours Out of Space"
The Fall
Dragnet
"Spectre vs. Rector": The possessing demon in this song is called Yog-Sothoth.
Famlende Forsøk
Return of Monster Attack (July 1996)
"Chtulhu [sic] Lives!"
Fields of the Nephilim
Dark, brooding, Gothic music. References to Sumer in several songs indicate they were inspired by the Simon Necronomicon.
Dawnrazor (1987)
"Reanimator"
Nephilim (1988)
"The Watchman": Includes the lines "Kthulhu calls" and "Kthulhu I am calling for you."
"Last Exit for the Lost": Includes the line "Closer and closer Kthulhu calls."
Earth Inferno (1990)
"Intro (Dead but Dreaming)"
Fireaxe
A one-man metal band.
Lovecraftian Nightmares
"Nemesis"
"The Ancient Track"
"Nathicana"
"Festival"
Forma Tadre
A German Industrial/Ambient band.
Navigator (17 February 1997)
"Date Unknown": Based on one of the stories in The Starry Wisdom.
"Mesozoic Tree Ferns": Lovecraft influenced.
"Gates": Lovecraft influenced.
Automate (17 November 1998)
"Dagon"
Garden of Delight
A German gothic band whose influences include The Sisters of Mercy, Fields of the Nephilim, and the Simon Necronomicon.
ENKI'S Temple (1992)
"Ancient God (but never gone)"
"Inanna"
"Sumerian Haze"
"ENKI'S Temple and the Gates of UR"
Epitaph (1992)
"The Epic of the Sumer Ziusudra"
Shared Creation (1993)
"Shared Creation (The Lovecraft Mix)"
Necromanteion IV (1994)
"Spirit Invocation -black book version-"
"Downwards to a Sea"
"Watchers out of Time"
Scheoul (1996)
"The Colour out of Space"
Gwar
The lead singer, Oderous Urungus, wears a spiked prosthetic appendage nicknamed "The Cuttlefish of Cthulhu."
Scumdogs of the Universe (1990)
"Horror of Yig"
Halloween
Laz
"The Wood": Lyrics are from Lovecraft's poem of the same name.
"Waltz": Lyrics are from Lovecraft's "Clouds" and the first stanza of "Psychopompos: A Tale in Rhyme."
"Yule Horror": Lyrics are from Lovecraft's "Festival."
"Laz": Lyrics are from Lovecraft's "The Nightmare Lake."
H.P. Zinker
Mountains of Madness (1994)
"Mountains of Madness"
H.P. Lovecraft
H.P. Lovecraft (1967)
"The White Ship"
H.P. Lovecraft II (1969)
"At the Mountains of Madness"
At the Mountains of Madness (1988): A compilation of the previous two albums, plus some additional tracks.
Hypocrisy
Osculum Obscenum (1993)
"Necronomicon"
"Necronomicon" (demo version)
Pleasure of Molestation (1994)
"Necronomicon"
Iron Maiden
Live After Death: Album cover has "That is not dead which can eternal lie/And with strange aeons even death may die" on a gravestone.
Jo Jo Zep & The Falcons
Shape I'm In: Complete Anthology (9 May 2000)
"Cthulhu"
Kindred Idol
Conscious in the Mudvein
"By Erich Zahn" (sic)
"Sea of Gthey": Mentions Innsmouth and "Mr. Ward."
Ktulu
A Spanish hardcore band.
J.B. Lee
Necronomicon: "Four electronic pieces designed as 'imaginary soundtracks' for Lovecraft stories."
"Strange Aeons"
"My Thousand Other Forms"
"The Neighboring Regions of Dream"
"Just a Colour"
Lovecraft
Founded in 1970 by members of the group H.P. Lovecraft, which broke up the previous year.
Lovecraft
This rock band hails from Argentina.
Medicine
Lurking Fear
"Innsmouth Bay"
"Something in the Basement": "Based very loosely on Lovecraft's 'The Shunned House.'"
Yngwie Malmsteen
Lovecraft is mentioned in the "special thanks to" section of the liner notes of several of Malmsteen's albums. They include Rising Force (1984), Odyssey (1988), Trial by Fire (1989), Eclipse (1990), and Magnum Opus (1995).
Manilla Road
Heavy metal with many Lovecraftian references throughout.
Mystification (1987)
"Children of the Night": Mentions "Cthulu."
Out of the Abyss (1988)
"Out of the Abyss": Mentions "Cthulu."
"Return of the Old Ones": Mentions "Cthulu."
"Black Cauldron": Mentions "Cthulu" and Yog-Sothoth.
"War in Heaven": Mentions "Cthulu."
The Courts of Chaos (1990)
"From Beyond": The events described in the song seem to indicate it is based more on the Stuart Gordon film than the Lovecraft story.
"The Books of Skelos: I. The Book of Ancients": Mentions "Cthulu" and the Necronomicon.
Marillion
Script for a Jester's Tear (1983)
"Grendel": A reference is made to "The Lurker at the Threshold."
Massacre
A death metal band from Florida.
From Beyond (1991)
Mekong Delta
The Music of Erich Zann
Mercyful Fate
Time (1994)
"The Mad Arab (Part One: The Vision)"
Into the Unknown (1996)
"Kutulu (The Mad Arab Part Two)"
Mercyless
Abject Offering (2 June 1992)
"Nyarlathotep (Intro)"
Metallica
Ride the Lightning (1984)
"The Call of Ktulu": Instrumental
Master of Puppets (1986)
"The Thing That Should Not Be"
Morbid Angel
Lead guitarist and only remaining founding member, Trey Azagthoth, admits that most of their music is inspired by the Simon edition of the Necronomicon.
Abominations of Desolation (1986, demo)
"Azagthoth"
Altars of Madness (1989)
"Lord of All Fevers and Plague": "Ia iak sakkakh ia sakkakth/Ia shaxul/Ia kingu ia cthulu ia azbul/Ia azabua"
Blessed are the Sick (1991)
"Unholy Blasphemies": Mentions Yog-Sothoth.
"The Ancient Ones": Lyrics mention "Come forth, Ancient Ones, Tiamat, Kutulu..."
Covenant (1993)
"Angel of Disease": Lyrics mention "Shub Niggurath goat with one thousand young" and "Kutulu meets in the void." References to Absu, Kingu, and Nammtar make the source of inspiration clear.
Formulas Fatal to the Flesh (1998): Several songs quote entire lines from the Simon Necronomicon.
"Heaving Earth": "Chthhulhu" is mentioned.
"Prayer of Hatred": Mentions the "Ancient Ones."
"Umulamahri": "Chthhulhu" is mentioned.
Morphine Angel
Project ISA
"Breakfast with Cthulu"
Nameless City
Whisperer in Darkness
Necronomicon
A German heavy metal band.
Necronomicon
NecronomicoN
A Canadian "Spiritual Occult Death Metal" band.
Morbid Ritual (1991, demo)
"Dark Young of Shub-Nygurath" [sic]
The Silver Key (1996)
"The Silver Key"
"The Asylum"
"Hunting Horror"
"Cthonians"
Pharaoh of Gods (1999)
"The Silver Key"
Necrophagia
Season of the Dead
"Ancient Slumber": Mentions the Necronomicon, although the liner notes say the song was "inspired by the movie Evil Dead..."
Necrosanct
Equal in Death (1991)
"Necronomicon"
Incarnate (1992)
"Necronomicon"
Nile
A death metal band from South Carolina that claims to take its inspiration from Sumerian myth.
Amongst the Catacombs of Nephren-Ka
"Barra Edinazzu": The lyrics are taken directly from the "Simon" version of the Necronomicon.
"Beneath Eternal Oceans of Sand": Most of this song's lyrics are borrowed from "The Outsider" and mention Nephren-Ka and the Valley of Hadoth.
Non Serviam
Necrotical (1998)
"Which Eternal Lie": Mentions "Ph'nglui Mglw'nafh Cthulhu R'lyeh Wgah'nagl Fhtagn," "Yog-Sothoth," "That is not dead which can eternal lie/And with strange aeons even death may die," and "Call of Cthulhu."
Not Breathing
An industrial band from Tucson, Arizona, most of their albums have been produced by "Instant Shoggoth Productions."
A Fire in the Bronx Zoo (August 1997)
"Unknown Kadath"
"Azathoth Venom"
The Starry Wisdom (February 1998)
"Celliphas" (Celephais?)
"Bowels of Cthulhu"
"Lost Carcosa"
Obituary
Cause of Death: The cover of this album uses Michael Whelan's artwork from the Ballantine/Del Rey editions of Lovecraft's fiction. However, none of the songs on this album appear to be Lovecraft-inspired.
Le Orme
An Italian progressive rock band.
Beyond Leng (1975)
Orphanage
A Dutch death-metal band.
Oblivion (March 1995)
"The Case of Charles Dexter Ward"
By Time Alone (October 1996)
"At the Mountains of Madness"
At the Mountains of Madness (1997)
"At the Mountains of Madness"
Pain Teens
Pain Teens (7 April 1998)
"Unnamable"
"Brown Jenkin"
"Innsmouth"
Payne's Gray
A German band that's been around since 1989.
KADATH: decoded: Described as "the musical interpretation of H.P. Lovecraft's masterpiece The Dream-Quest of Unknown Kadath."
Pestilence
Testimony of the Ancients
John Petrucci
Guitarist for Dream Theater, John played the music for KAZe's Digital Pinball game for the Sega Saturn, Necronomicon (1996). An excerpt is available on John's site.
Rage
Trapped! (1992)
"Beyond the Wall of Sleep"
Black in Mind (1995)
"The Crawling Chaos"
"Shadow out of Time"
"In a Nameless Time": Inspired by Lovecraft's "The Shadow out of Time."
Rigor Mortis
Rigor Mortis (1988)
"Re-Animator"
Ripping Corpse
Dreaming with the Dead (1991): The lengthy "Ripping Corpse thanks..." section mentions Skull Comics, "HP Lovecraft," Necronomicon, and "Evil Dead 1&2."
"Dreaming with the Dead": The word "Necronomic" is mentioned. Once.
"Anti-God": Describes a ritual to Cthulhu and mentions "Ry'leh" (sic).
"Beyond Humanity": The references to Crawford Tillingast (sic) and Benevolent Street would seem to indicate that Lovecraft's "From Beyond" is the source of inspiration, but later references to Pretorious (sic) and "Humans are such easy prey" instead point to Stuart Gordon's film of the same name.
Rudimentary Peni
Weird punk music.
Cacophany (1989): This entire album seems to be Lovecraft inspired, but only the following song titles have explicit Lovecraft references.
"Nightgaunts"
"The Horrors in the Museum"
"The Evil Clergyman"
"Brown Jenkin"
"Crazed Couplet"
"Lovecraft Baby"
"Beyond the Tanarian Hills"
"The Dead Loved"
"Kappa Alpha Tau"
"American Anglophile in the World Turned Upside Down"
"Arkham Hearse"
"The Old Man is not so Terribly Misanthropic"
"Sonia"
"The Day the Universe Ceased (March 15th 1937)"
"The Crime of the Century"
Sacrifice
Torment in Fire (1985)
"Necronomicon": "Bound by human flesh" and "the evil dead" indicate that the source of inspiration is "The Evil Dead" films.
Forward to Termination (1987)
"Re-Animation": Probably an homage to the film, "Re-Animator."
Samael
Worship Him (1990)
"The Rite of Cthulhu": Two minutes long.
Joe Satriani
Time Machine (October 1993)
"Dweller on the Threshold"
Seance
Forever Laid to Rest (1992)
"Necronomicon"
Sentenced
A Finnish death metal band.
North From Here (1992)
"Beyond the Wall of Sleep"
Sephiroth
The Absolute Supper (Various artists, 10 February 1998)
"R'lyeh"
Shub-Niggurath
A French band whose influences range from "electroacoustic and modern jazz to 17th century Italian and contemporary classical."
Shub-Niggurath (1985)
"Yog-Sothoth"
Les morts vont vite (1987)
"Yog-Sothoth"
Shub-Niggurath
A Black/Death/Speed/Thrash Metal band from Mexico.
Evilness and Darkness Prevails: The Gigeresque cover shows the three separate sigils that are combined on the cover of the Simon Necronomicon.
Solitude Aeturnus
A doom metal band from Texas.
Into the Depths of Sorrow (1990)
"White Ship"
Solstice
New Dark Age (1998)
"New Dark Age": The opening paragraph of Lovecraft's "The Call of Cthulhu" is read.
The Talisdream Mission
Mythos: H.P. Lovecraft's Cthulhu Nightmares
Thergothon
Fhtagn-Nagh Yog-Sothoth (1991, demo)
Stream from the Heavens (1994)
"The Unknown Kadath-in-the-Cold-Waste"
Therion
Beyond Sanctorum (1991)
"Cthulhu"
Tiamat
Sumerian Cry (1990)
"Evilized": Lyrics include, "When the stars are right/They will rise from the sea."
A Winter Shadow (1990)
"A Winter Shadow": Mentions "A shadow out of time...."
The Astral Sleep (1991)
"Sumerian Cry (part 3)": Mentions "Arab's wise words" and "the Ancient Ones."
"A Winter Shadow": Mentions "A shadow out of time..."
Twin Obscenity
Where Light Touches None (1996)
"Revelations of Glaaki"
Univers Zero
Belgian progressive band.
Ceux du Dehors
"La Musique D'Erich Zann": The liner notes describe it as "a collective improvisation inspired by a short story by H.P. Lovecraft." It's actually a bit boring and monotonous when compared to the sort of music that story should inspire.
Vader
Morbid Reich (1990)
"From Beyond"
"Breath of Centuries": Mentions the "That is not dead..." couplet.
The Ultimate Incantation (1992)
"Testimony": Quotes from the Simon Necronomicon ("IA! KHTULU ZI KUR!").
"Breath of Centuries"
The Darkest Age (1993, Live)
"From Beyond"
Sothis (1994)
"R'lyeh" (instrumental)
De Profundis (1995): It is clear from the lyric notes that the Lovecraftian references are related to the Simon Necronomicion.
Reborn in Chaos (1997)
"From Beyond"
Vangelis
The Dragon: The artwork on the cover of this album clearly depicts Cthulhu rising from R'lyeh.
The Vaselines
The Way of the Vaselines: A Complete History (31 July 1992)
"Lovecraft": The liner notes comment, "H.P. was a great writer I hope we've done him justice."
La Voce de Cthulhu (The Voice of Cthulhu)
A Vision of Kadath
Dagon
The Shadow out of Time
The Sign of Shub-Niggurath
Les Wampas
A French rock band.
Chauds, sales et humides (1988)
"Quivoron": Mentions the Nécromicon [sic], "les grands anciens" ("the great old ones"), Arkham, Chtulu [sic], and Yog-Sothot [sic].
White Flag
Feeding Frenzy (1986)
"Cthulhu Calling"
Yog-Sothoth
Insane, French, free-form Jazz band; similar to what one might expect from Erich Zann.
Evo, na osnovu prilozenog materijala izrazavam najdublje izvinjenje

Hehehe, eto kako je sve lepše kad smo svi pristojni.

Nego, upravo u ovom nabrajanju podataka koje si sada izveo leži i deo reakcije na tvoj poslednji topik. Do sada ni jednom skoro nisam mogao da primetim da ti ovde o ičemu diskutuješ, već samo navodiš podatke koje si sa drugog mesta prekopirao (bukvalno ili figurativno). Mislim, i mi možemo da guglujemo za Laveja ili Lavkrafta. Ono što ne možemo da saznamo je tvoje mišljenje, a ti nam ga uporno ne daješ, gotovo ni na jednu temu od svih koje si pokrenuo. Dakle, malo više svog mišljenja, malo manje te nekakve faktografije, biće zanimljivije.  

nntp  

WOW!

Ono, WOW!

Ijopet: WOW!

Demolisneru, mnogo su ti zli ovi black metalci, bre!  

Quotegeneralno gledano ispodprosečnom, kulturološki bezvrednom

Jake, nadam se da je ovo konstatacija za black metal, a ne metal generalno.  

QuoteISFRUSTRIRANIM PESKIRICEM, STIVENOM KINGOM

Auuuu, koja si ti junacina! Nego, mudonjo, sta je King to uradio da ga ovako ocrnis?!      

Ojdok sad da spremam ispit iz estetike, ne bi li mi iz glave izletjele sve ove ruzne stvari koje je Demolisner izrekao. Mislim, Demi, ovo nije uvreda, vec konstatacija...      

Izvni Boki, ali mislio sam na metal kao takav. No, to je samo moje lično mišljenje, a "kulturološki" sam naravno mislio u smilu užeg pojma kulture, ne društvene pojave. Nek ti Meho objasni šta sam hteo reći


@Demonlisher: Ne, hedbenging nije nikakva kultura. To je možda način izražavanja uživanja u nekoj muzici, ali svakako ne kultura za sebe.

Da, juče sam sa Jakeom o ovome raspravljao u ugodnoj intimi prajvet mesidžinga. Kad Jake kaže kultura, on ovde generalno misli na 'visoku' kulturu, dakle na reprezentativna dela umetničkog i kukturnog miljea prepoznata od strane savremenika i istorije kao oplemenjujuće faktore društvenog razvoja. Ja, sa svoje strane, kad kažem kultura mislim na bilo koji fenomen koji ispoljava određene karakteristike, replicira se pod određenim uslovima i ostvaruje određeni uticaj. Ni u jednom od smislova hedbengng ne bih nazvao kulturom, već možda delićem jedne kulture...

A blek metal je možda najinteresantniji podžanr metala u poslednjih petnaest godina. Tek da se zna.

Da, da meni je mnogooooo bolji black metal kao muzika od death metala. Vec je bila rasprava oko toga da su kulturno osiromaseni Ameri(ima izuzetaka, vec spomenuto) hteli da nametnu svoj nacin bleka i tako se izrodio death metal. DEATH (kao grupa) je fenomenalna, slusam je od 13 - godine, fenomenalni spoj filozofije sa bombasticnim rifovima spiritualnog mastera Chucka, ali po meni su bolji Venom, koje je sam Chucky uzeo za influence, kao i sama Metallica, Slayer itd... Ironija je da pre nego sto su Venomi stvorili odvojeni brend od thrasha, su bili thrasheri, i bitno uticali na razvoj metala uopste. Possessed takodje, kumovi deatha, su naveli Venome kao bitan faktor za njihovo stvaralastvo.
Tako da, uzimajuci u obzir, Evropu(stari kontinent) i Amere, koje su naselili prvobitno robijasi i avanturisti, stajem na stranu Evrope, jer su sve originalne ideje potekle od nje, i religija i muzika.
Pogledajte Americki death metal, ideje su nestale, nema vise o cemu da se peva, Cannibal Corpse samo recikliraju one njihove trule leseve kojima su napravili boom u svetu, pocetkom 90 - tih.
Secam se(kao teen) da su bili izlozeni velikoj medijskoj hajci, kao i Mayhem zbog svih tih ubistava, nasilja.
Vremenom sam shvatio da se sve vrti oko novca, i da su pare osnovna pokretacka snaga svih slojeva drustva, cak i metalaca koje "visi kulturni sloj" smatraju marginalcima.

Hm, pa sad... Venom je malko stariji od thrash metal bendova tako da nisam siguran da se istorijski baš sve što kažeš uklapa na najbolji način ali nema veze...

Mislim da je ljubav spram death ili black metala samo stvar ukusa... Istina je, doduše da treba svećom tražiti savremeni death metal bend koji ima išta interesantno da kaže svojim tekstovima, ali, budimo realni, tekstovi nikada nisu bili specijalno važan deo ove muzike... Kod blek metala je nešto drugačije (Mayhem, Emperor, Dodheimsgard, Ulver, Gorgoroth, 1349, Satyricon... ima tu šta da se pročita tu i tamo), mada opet, kad se uporedi sa većinom produkcije u ovoj vrsti muzike, to su incidenti. Ima ih više nego u death metalu, ali i dalje na nivou incidenta...

Sa blek metalom, opet, postoji problem te užasne stilizacije i sklonosti ka melodramskom kiču koji često znaju da izbiju u prvi plan i muzičku inventivnost ili barem ekspresivnost potpuno bace u zapećak... Ali bože moj... S obzirom da su u oba pravca muzički (i tekstualno) interesantni bendovi retki i da ih treba tražiti svećom, ne bih se olako odricao ni jednog od njih...

Satyricon sa ovim novim albumom je do j, pesma koja se non stop vrti na Headbangers Ball Pentagram Burns je odlicna, vazdize black metal koji vec dugo vreme je pod zemljom (underground).
Upravo slusam Venomov album Metal Black, nije kao Black Metal, ali dobro, doba kreativnosti je odavno proslo.

Znaš kako Anal Cunt rekoše: My favourite black metal band is Living Colour....

Nisam siguran da će baš Satirikon vozdignuti blek metal do statusa skoro-mejnstrima. Mislim da su tu mnogo zaslužniji (meni bezvezni) Dimu Borgir i Krejdl ov Filt.... A kome to i treba, meni sigurno ne...

Ja mislim da je dobra stvar da je metal underground muzika, i da nije bas za svacije usi (ukljucujuci i stomak). Zamisli da je metal mejnstrim, i da skoro ga svi slusaju (kod nas su mejnstrim - narodnjaci). Da na ulici mi fenseri, pederi, streberi prilaze i kazu (recimo) : "Uf, ala je extra ti majica od Venoma(Welcome To Hell, ili Black Metal mada moze proci i majica od Cannibal Corpse - Butchered At Birth) bas mi se svidja taj pentagram, bas je fensi" Svet bi brzooooooooooo propao.

Ne, svet je odavno propao, treba se toga setiti u ovakvim trenucima. A isto tako odavno sam prestao da brinem o tome da li je metal andergraund ili da li su narodnjaci mejnstrim i da li treba svoja slušalačko/ potrošačka interesovanja da usklađujem prema tome koja populacija ih deli ili ne deli. Da budem iskren, nemam ništa bolje mišljenje prema 'metalcima' nego prema 'narodnjacima', 'reperima', 'pankerma' ili 'džezerima'. Većina njih su budale a to je statistika protiv koje je teško boriti se...

I osim toga, jasno je valjda da Butchered at Birth slika na majici danas, petnaest godina posle objavljivanja teško da može nekoga da šokira. Sada to nose Cigani na buvljaku, moj brajko... A kad smo bili mladi mislili smo da je to tako ekstremno...

moj rivju dokumentarca o norveškoj blek metal sceni UNTIL THE LIGHT TAKES US (http://ljudska_splacina.com/2010/04/until-light-takes-us-2008.html ) proizveo je zanimljivu reakciju jednog mog drugara koji nije želeo da je u svoj njenoj opsežnosti kači kao komentar na post, nego mi je poslao privatnim putem. međutim, pošto u njoj pokreće neka pitanja vredna pretresanja, a i zato što slutim da nije nemoguće da još neki čitalac tog mog izrazito subjektivnog texta pomisli neke misli koje su pale na um tom drugaru (ali ih ostavi za sebe, umesto da ih iznese), ja sam njega pitao, a on se složio, da odgovor na to okačim javno, radi izvesnih pojašnjenja koja možda nisu naodmet.



evo:

http://ljudska_splacina.com/2010/04/crni-metal-belo-srce.html

Quote from: Ghoul on 23-04-2010, 19:41:21
moj rivju dokumentarca o norveškoj blek metal sceni UNTIL THE LIGHT TAKES US (http://ljudska_splacina.com/2010/04/until-light-takes-us-2008.html ) proizveo je zanimljivu reakciju jednog mog drugara.

evo:

http://ljudska_splacina.com/2010/04/crni-metal-belo-srce.html

Cannes:
Jonas Akerlund to Direct 'Lords of Chaos'
for Ridley Scott's Scott Free, RSA, Vice

LONDON — Swedish film and music-video director Jonas Akerlund will helm English-language film "Lords of Chaos," which is produced by Ridley Scott's Scott Free London, RSA London and VICE. Protagonist Pictures is handling international sales, and will launch the pic to buyers in Cannes.

Rory Culkin ("Scream 4," "Signs") and Caleb Landry Jones ("X-Men: First Class," "Byzantium") are confirmed for leading roles in the film, with further cast to be announced shortly.

Pic, which is co-produced by Chimney and Eleven Arts, is the terrifying story based on real events about a dream-turned-nightmare for a group of teenagers who spiral out of control.

The pic follows 17-year-old Euronymous, who is determined to escape his traditional upbringing in 1980s Oslo. He becomes fixated on creating true "Norwegian Black Metal" music with his band Mayhem, and creates a phenomenon by using shocking stunts to put the band's name on the map. But as the lines between publicity and reality start to blur, acts of arson, violence and a vicious murder shock the nation.

Co-written with Dennis Magnusson, the film will be produced by Jack Arbuthnott, Kai-Lu Hsiung, Ko Mori, Fredrik Zander and Malte Forsell, and executive produced by Shane Smith, Eddy Moretti, Danny Gabai and Vince Landay for Vice, and Carlo Dusi for Scott Free London.

Akerlund is best known for his music video work with music stars such as Beyoncé, Madonna, Lady Gaga and U2. He has won three Grammy Awards, including ones for Paul McCartney's "Live Kisses" and "Madonna: The Confessions Tour Live From London." His feature film work includes "Spun," "Horsemen" and "Small Apartments."

The film will shoot in the fall of 2015 on location in Norway.

Koliko se sećam, on planira da snimi taj film još od 2005. (te godine je izašao članak o tome u Metal Hammeru). Videćemo šta će od ovoga da ispadne.