novi albumi

[Джон Рейнольдс]

da, i novi Ministry

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http://ifolder.ru/29389928
http://www.mediafire.com/?32nki8x8ch5oinr


Обрађују SOD - United Forces!

[HAL]

tko voli klasičan njujorški haus zvuk sa kraja 80-tih i početka 90-tih godina prošlog veka nebi smeo propustiti ovu kolekciju

VA-The_Nu_Groove_Years_1988-1992-(RH117)-WEB-2012-dh

dh обично бира фину музику, једно време сам скидао све што рипују, али било је превише то музике а мало времена за слушање па сам убрзо баталио.

[tomat]

jeste, ne može se to više ispratiti. ovo je svakako valjano.

[zakk]

Tracklisting:
1.  Come And Get It                                          6:17
2.  Electric Rattlesnake                                    6:19
3.  Wish You Were Dead                                      4:19
4.  Black Daze                                              3:55
5.  Save Yourself                                            3:43
6.  Drop The Hammer Down                                    6:25
7.  21ST Century Man                                        4:12
8.  Old Wounds, New Scars                                    4:11
9.  All Over But The Shouting                                5:30
10.  Good Night                                              5:36
Release Name: Overkill-The_Electric_Age-2012-BriBerY
Size: 103.53 MB

[Milosh]

Mike Shinoda & Joseph Trapanese - The Raid OST

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http://uploaded.to/file/b19kiu5e

[tomat]

K.S._Chithra-Selftitled-2LP-2012-BCC

Known by adoring fans and devotees,
throughout South India, as Chinna Kuyil
(Little Nightingale) on account of her
expansive vocal range and crystaline
sweet voice, the uplifting and
surprising sound of K.S. Chithra is, for
many, best exemplified by the early
plugged-in-pop she made in the 1980s
with the man/machine who first
introduced her to the Tamil film
industry, Maestro Ilaiyaraaja.

There are few records you will hear this
year that combine the sounds of a
childs choir, a DX7 bass line, three
types of drum machine, a mariachi
trumpet cry, a resampled forty-piece
orchestra and an electronic bass line
that takes the moog taurus by the horns
and rides into the Indian summer. There
is probably less chance of hearing a
vocal performance so confusingly
dazzling that it instantly detracts from
the previously aforementioned wish list
combination ofbizarre instruments but
for those intrepid enough to dig a
little deeper and take a detour due
East, pick-axing right where Lollywood
meets Bollywood - then prepare to be
rewarded with a double, triple and
quadruple whammy!

For odd pop fans with bad concentration
spans, no musical staying power, or
commitment issues then perhaps these
schizoid A.D.D. arrangements will push
the right buttons and recharge your
batteries. For some of you, records like
this only existed in your dreams.

Often locally discussed behind the
limelight of her wider continental
contemporaries such as Asha Bhosle and
Noor Jehan it is almost impossible to
find adequate comparison to K.S.
Chithra. Try taking the yearning vocal
energy of Turkeys Selda and the
falsetto range of Morricones best
Italian choirs, add the playful
existentialism of Polands Urszala
Dudziak and the cinematic pedigree of
Asha then sprinkle some saccharine Jane
Birkinisms on top and set your turntable
pitch at plus 8 while you dream of Dots
And Loops era Stereolab or a Malayalam
Mantronix - alternatively just buy this
first-time compendium and press play.

This compilation focuses on a small and
select handful of Chithra and
Ilaiyaraajas developing collaborations
from the formative years of their
relationship between - 1986 and 1991- a
vibrant time where analog recording
techniques and digital technology first
overlapped and Chithra, as a developing
vocalist, adapted to the the sounds and
arrangements of a classic maverick
composer pushing the boundaries.

Following our previous compilation of
the earlier Ilaiyaraaja film music with
our Solla Solla compendiums Finders
Keepers Records continue this
relationship with the original rights
holders, to bring these rare Tamil
recordings the a wider global audience -
never previously released on CD and
considerably rare on their original
vinyl pressings.

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http://fileover.net/66452778/K.S._Chithra-Selftitled-2LP-2012-BCC.rar

[Mark]

Ne vadim iz plejera:

TRIBES - Baby

[Milosh]

Burzum - Umskiptar

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http://ifolder.ru/29637891

[Barbarin]

Laibach release the soundtrack to Iron Sky, one of 2012's most anticipated film releases on Mute on 30 April 2012 and to coincide with the release the band have announced a series of European dates that includes the prestigious Tate Modern Turbine Hall on 14 April 2012 (Sold Out)

http://mute.com/laibach/iron-sky-soundtrack-by-laibach-release-date-confirmed

[tomat]

VA-Shangaan_Shake-(HJRCD58)-WEB-2012-OMA

ÛÛÛÛ            In the summer of 2010, just before the World              ÛÛÛÛ
ÛÛÛÛ            Cup, Honest Jon's unleashed a bolt from the               ÛÛÛÛ
ÛÛÛÛ            blue: Shangaan Electro, a startling                       ÛÛÛÛ
ÛÛÛÛ            compilation of jacking dance music from the               ÛÛÛÛ
ÛÛÛÛ            South African countryside. Heartfelt family               ÛÛÛÛ
ÛÛÛÛ            and spiritual matters set at a breakneck 180              ÛÛÛÛ
ÛÛÛÛ            bpm to cheap samplers by local producer                   ÛÛÛÛ
ÛÛÛÛ            Nozinja, aka Dog. In-your-face, candid and                ÛÛÛÛ
ÛÛÛÛ            berserk — with sweet vocals riding bareback               ÛÛÛÛ
ÛÛÛÛ            the processed progeny of marimba, drums,                  ÛÛÛÛ
ÛÛÛÛ            guitar... fluorescent orange wigs, nutty                    ÛÛÛÛ
ÛÛÛÛ            dancing... and no bass at all. A slap in the                ÛÛÛÛ
ÛÛÛÛ            face and a jab in the bum of solemn,                      ÛÛÛÛ
ÛÛÛÛ            trend-driven dance music, Shangaan Electro is             ÛÛÛÛ
ÛÛÛÛ            resplendently vivid and full-colour, shot                 ÛÛÛÛ
ÛÛÛÛ            through with lightning-fast multi-rhythms, and            ÛÛÛÛ
ÛÛÛÛ            dementedly, dazzlingly animated. A few years              ÛÛÛÛ
ÛÛÛÛ            ago, Honest Jon's offered up a set of homages             ÛÛÛÛ
ÛÛÛÛ            — entitled Lagos Shake — to the great Afrobeat            ÛÛÛÛ
ÛÛÛÛ            architect Tony Allen, using his own recordings            ÛÛÛÛ
ÛÛÛÛ            and compositions as its starting point. Now,              ÛÛÛÛ
ÛÛÛÛ            in a captivating series of singles running                ÛÛÛÛ
ÛÛÛÛ            throughout last year and into 2012, the                   ÛÛÛÛ
ÛÛÛÛ            Shangaan Electro tracks have been similarly               ÛÛÛÛ
ÛÛÛÛ            fantasized — rather than just flatly remixed —            ÛÛÛÛ
ÛÛÛÛ            by some of the contemporary scene's most                  ÛÛÛÛ
ÛÛÛÛ            inspired artists and producers, from Detroit              ÛÛÛÛ
ÛÛÛÛ            to London, Berlin to Bristol. Kicking off a               ÛÛÛÛ
ÛÛÛÛ            prodigiously active year for the Honest Jon's             ÛÛÛÛ
ÛÛÛÛ            label, Shangaan Shake collects all these new              ÛÛÛÛ
ÛÛÛÛ            versions, presenting a cross-section of the               ÛÛÛÛ
ÛÛÛÛ            most vital moods and grooves currently at                 ÛÛÛÛ
ÛÛÛÛ            large in underground dance music. Fresh from              ÛÛÛÛ
ÛÛÛÛ            the label's recent Chop Up live revue, Detroit            ÛÛÛÛ
ÛÛÛÛ            techno alchemist Theo Parrish throws in a                 ÛÛÛÛ
ÛÛÛÛ            hypnotic, thirteen-minute, carnivalesque head             ÛÛÛÛ
ÛÛÛÛ            scrambler, multi-layered with synths,                     ÛÛÛÛ
ÛÛÛÛ            galloping drums and clattering percussion.                ÛÛÛÛ
ÛÛÛÛ            Trailering his brand new album for HJ this                ÛÛÛÛ
ÛÛÛÛ            spring, the inimitable Actress ramps                      ÛÛÛÛ
ÛÛÛÛ            proceedings as up-and-out as can be without               ÛÛÛÛ
ÛÛÛÛ            jettisoning the dancefloor completely.                    ÛÛÛÛ
ÛÛÛÛ            Elsewhere, Anthony Shake Shakir's Motor City              ÛÛÛÛ
ÛÛÛÛ            stomper — a favourite with Gilles Peterson on             ÛÛÛÛ
ÛÛÛÛ            his BBC Radio 1 show — is this pioneer's most             ÛÛÛÛ
ÛÛÛÛ            impactful work of late, hard-hitting and                  ÛÛÛÛ
ÛÛÛÛ            reckless in all the right places;                         ÛÛÛÛ
ÛÛÛÛ            characteristically, Mark Ernestus from Rhythm             ÛÛÛÛ
ÛÛÛÛ            & Sound is swingeingly original and tersely               ÛÛÛÛ
ÛÛÛÛ            dubwise; and amongst the set's wildcards, the             ÛÛÛÛ
ÛÛÛÛ            futuristic pop duo Hype Williams turns out a              ÛÛÛÛ
ÛÛÛÛ            mesmerizing tribute, lagging somewhere ages               ÛÛÛÛ
ÛÛÛÛ            behind the party people, achingly soulful and             ÛÛÛÛ
ÛÛÛÛ            lost. Nothing in modern dance is more attuned             ÛÛÛÛ
ÛÛÛÛ            to Shangaan musical sensibility than Chicago              ÛÛÛÛ
ÛÛÛÛ            juke and footwork — and celebrated originators            ÛÛÛÛ
ÛÛÛÛ            Rashad, Spinn and Boo lock into its madness               ÛÛÛÛ
ÛÛÛÛ            with a lethal, frantic pair of reworks, true              ÛÛÛÛ
ÛÛÛÛ            to the hyper-energy and raw, unhinged power of            ÛÛÛÛ
ÛÛÛÛ            the source material. From the coiled forensics            ÛÛÛÛ
ÛÛÛÛ            of Peverelist, though, via the deep, minimal              ÛÛÛÛ
ÛÛÛÛ            funk of Villalobos and Loderbauer, to the                 ÛÛÛÛ
ÛÛÛÛ            carefree drive of Oni Ayhun — each and every              ÛÛÛÛ
ÛÛÛÛ            one of these Shangaan Shake re-imaginings                 ÛÛÛÛ
ÛÛÛÛ            sparks from genuine, far-fetched inspiration              ÛÛÛÛ
ÛÛÛÛ            into wildly diverse and brilliant new                     ÛÛÛÛ
ÛÛÛÛ            trajectories.                                             ÛÛÛÛ

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http://fileover.net/64143122/VA-Shangaan_Shake-(HJRCD58)-WEB-2012-OMA.part1.rar
http://fileover.net/64261446/VA-Shangaan_Shake-(HJRCD58)-WEB-2012-OMA.part2.rar

[Milosh]

Omega Centauri - Universum Infinitum

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http://depositfiles.com/files/brry6ued6

Omega Centauri - Fallen

[Milosh]

Spiritualized - Sweet Heart Sweet Light

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http://rapidgator.net/file/3190746/

[Alex]

How About I Be Me (And You Be You)?
Sinéad O'Connor

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https://rapidshare.com/#!download|919p3|564752236|HowFLAC.iZm420.rar|291813

iZm420 is pass

[sodomizer]

http://suvkvalitet.blogspot.com

[Alex]

http://suvkvalitet.blogspot.com

Ko god da piše recenzije moraće mnogo više da se potrudi.

[Milosh]

Laibach - Iron Sky OST

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http://uploaded.to/file/btk5l0g1

[Milosh]

Laibach - Iron Sky OST

Slušam upravo i ima ovde baš dosta Wagnera (industrijalizovanog), što je i očekivano, a tu su i dijalozi iz filma sporadično; slušanje mi je za sad jedino poremetila jedna rep numera...

[Milosh]

Berry - Les Passagers

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http://www.mediafire.com/?gjp7s9fanuov7s1

[Usul]

Ne znam da li je vec neko slao ali cisto za slucaj da nije:

Giedi primes



Ko voli Dinu Frenka Herberta...

[tomat]

Actress-R.I.P.-HJRCD60-(WEB)-2012-FiNALLY

novi Actress, moje je mišljenje da mu je ovo najbolji uradak do sada. da nemam problem sa ekipom koja organizuje Share konferenciju, i da ne mislim da je to elitistička bagra koja izvrće ideju deljenja, verovatno bih išao prekosutra da slušam Actress uživo. svakako preporučujem drugima da ga poslušaju, mada verujem da će u budućnosti biti još prilika.

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http://fileover.net/57973342/Actress-R.I.P.-HJRCD60-(WEB)-2012-FiNALLY.rar

[дејан]

томат је савршено сажео моје свеже гађење спроћу организације и велике већине посетилаца 'шера'

...je to elitistička bagra koja izvrće ideju deljenja

[Meho Krljic]

Actress je stvarno odličan. Nema tehna dok ga crni brat ne skuva. I to religiozni crni brat:

"I wouldn't be able to write the music that I write if I didn't believe in God, trust me. But the reason I wanted to come to St Paul's, it's not just the religious aspect, it's [seeing] the craft you get through believing in something."

Ostatak:

http://www.guardian.co.uk/music/2012/apr/14/actress-darren-cunningham-rip

[tomat]

religiozni crni brat - bivši fudbaler, dodao bih.

[Barbarin]

@ Milosh HVALA za LAIBACH 

[tomat]

томат је савршено сажео моје свеже гађење спроћу организације и велике већине посетилаца 'шера'

...je to elitistička bagra koja izvrće ideju deljenja

Milutin Petrović upravo kod Deane Milović na b92 pljuje Share, kaže da ozbiljno brine šta će biti ako ova Share generacija (koje je opisao kao miks između homosapiensa i laptopa) u nekom momentu počne da upravlja svetom, sa sve svojim narukvicama i Staljinističkim metodama odabira ljudi podobnih da slušaju neko predavanje.

[Meho Krljic]

 

Dobro, Milutin se takođe poodavno oprostio s mozgom pa ne treba svaki njegovu shvatati kao gospel, ali funny shit 

[tomat]

pa dobro, možda je on malo preterao, ali mi nije jasno kako na konferenciji koja propagira deljenje (informacija i znanja, između ostalog) neko predavanje možeš da slušaš samo ako si izdvojio nekoliko desetina evra (prošle godine) ili ako si deo nekog uskog kruga koji poseduje narukvicu (ove godine). pa na ozbiljnija predavanja na Univerzitetima može da uđe svako ko poželi, bilo da se radi o redovnim ili gostujućim predavanjima, dok god ima mesta, o ovi su se našli da pametuju.

[Meho Krljic]

Ma, slažem se, naravno. Imaju li video striming predavanja? Ako imaju onda to ublažava stvar.

[tomat]

ima na njihovom sajtu livestream, ali kod mene to iz nekog razloga ne funkcioniše kako valja. svejedno, slažem se da to donekle ublažava situaciju.

no, bek tu d topik, nastavak odlične Minimal Wave kompilacija

VA-The_Minimal_Wave_Tapes_Vol._2-2012-Xplode

Peanut Butter Wolf and Veronica Vasicka with the
volume of The Minimal Wave Tapes series, a collection of
electronic music compiled from bands around the world.
of the songs were recorded in the 1980s and originally
on limited edition cassettes or vinyl by the
themselves, and only a handful of people knew about.
Now theyve been remastered from their analog source.

linkovi nestaju velikom brzinom, nadam se da će ova dva potrajati.

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http://turbobit.net/ty9ad8wiqpic.html
http://letitbit.net/download/73985.76e03ba382574e58d59540c502d5/VA-The_Minimal_Wave_Tapes_Vol._2-2012-Xplode.rar.html

[zakk]

Novi John 5



01. Welcome To Violence (4:15)
02. Beat It (4:14)
03. Ashland Bump (3:20)
04. Killafornia (4:14)
05. The Castle (3:18)
06. The Hill of the Seven Jackals (4:04)
07. Noche Acosador (3:22)
08. The Lust Killer (5:01)
09. The Lie You Live (4:24)
10. Creepy Crawler (4:52)

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http://ifolder.ru/30272698

[Milosh]

Beach House - Bloom

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http://uploaded.to/file/nbtzegvg

[Milosh]

Sweet Billy Pilgrim - Crown and Treaty

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http://uploaded.to/file/ybarn9tu

[Milosh]

Mount Eerie - Clear Moon

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http://uploaded.to/file/huppig13

[tomat]

Thelonious_Monk-New_York_Paris_1947_1959-the_Quintessence-2CD-2011-SNOOK

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http://fileover.net/61825479/Thelonious_Monk-New_York_Paris_1947_1959-the_Quintessence-2CD-2011-SNOOK.rar

[tomat]

Shackleton-Music_For_The_Quiet_Hour_The_Drawbar_Organ_Eps-(SEPTICCD001)-REPACK-2CD-2012-hM

meni možda čak i bolji od nedavno izdatog a ovde okačenog Actress-ovog albuma.

2 x CD in gatefold sleeve. For those who want to know the
background, it is something like this. I bought an Italian drawbar
organ module around two years ago. Apparently Italian organs from
that period had a bad reputation but I was so happy with it that
it appeared on most of the tracks I had been working on. I thought
I had an album together and was supposed to get it mastered on the
day after the mastering session for the Pinch and Shackleton
release on Honest Jons (sometime towards the end of Summer 2011).

I had also been working on a 12" of more spacious music to go with
that album as a limited vinyl 12". By the time that I finished the
music though, the tracks for that 12" became so long for that I
couldn't contain them to two sides of a vinyl. This is what became
Music For The Quiet Hour album. In the end we didn't get time to
finish the mastering on that day in late Summer 2011 and for one
reason or another the date got pushed back three months.

Then there was the artwork. There was a lot to do and that took a
long time to finish. On top of that I then moved house and studio.
To cut a long story short, these things stacked up to a six months
or so delay in the release. In the meantime I listened back to the
whole 2 hours plus of music a few times and it struck me that
Music For The Quiet Hour was an album (yes, a proper album) to be
listened to all the way through, whilst the drawbar organ tracks
were better suited to 12" releases. Hence the format you have in
front of you. A proposed 12" that actually turned out to be an
album and a proposed album that turned out to be a series of 12"s.

In short, there is some new music from me. It's generally bass
heavy and percussive with an involved narrative. Some people will
like it and some people won't. I think that it is quite different
to music I have released before, I suspect that other people won't.

Many thanks to musical contributors Andreas Gerth and Kingsuk
Biswas. Many thanks as well to Zeke who has done wonderful artwork
again and Vengeance Tenfold who has provided great vocals and also
the superb letter that proved to be a big inspiration for both the
artwork booklet and the music from Music For The Quiet Hour
(Part 4 is based on a letter he wrote to his granddaughter who
lives in the year 2065). Many thanks to all the people who have
supported over the years.

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http://fileover.net/26393531/Shackleton-Music_For_The_Quiet_Hour_The_Drawbar_Organ_Eps-(SEPTICCD001)-REPACK-2CD-2012-hM.part1.rar
http://fileover.net/71987225/Shackleton-Music_For_The_Quiet_Hour_The_Drawbar_Organ_Eps-(SEPTICCD001)-REPACK-2CD-2012-hM.part2.rar

[Meho Krljic]

Ooooh, Šeklton!!!!!!!!!!! Najbolji zapostavljeni dabstep autor EVR.

Edit: Evo one link solucije

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http://rapidgator.net/file/11224685/Shackleton-Music_For_The_Quiet_Hour_The_Drawbar_Organ_Eps-(SEPTICCD001)-REPACK-2CD-2012-hM.rar.html


Edit 2: Odlično zvuči Šek. Slutim da će mi ovo biti dosta slušano na ajpodu.

[Alex]

Ovo nije novi album, ali ako nekom treba, pre nego što ga skinem sa mog naloga, još za vrlo kratko vreme...

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https://rapidshare.com/files/319057768/The_Chimes_-_The_Chimes__-__1990__EAC-MP3_320KBPS_.rar

The Chimes
The Chimes

[tomat]

Lone--Galaxy_Garden-(RS1206)-WEB-2012-OMA



Lone je, uz Space Dimension Controller-a, meni jedan od najzanimljivijih predstavnika plesne muzike u poslednje vreme, a da potiče iz Ujedinjenog Kraljevstva. nisam skroz poslušao album (slušao sam privjuove), ali je po onome što sam čuo vrlo zanimljivo. ima tu svega - fanka, dabstepa, rejva... mislim da svako može po nešto interesantno da nađe.

One of the more prolific artists in these                 ÛÛÛÛ
ÛÛÛÛ            times, Matt Cutler is back with his fifth                 ÛÛÛÛ
ÛÛÛÛ            album, which is an impressive feat in just                ÛÛÛÛ
ÛÛÛÛ            five years of releasing music. It's also worth            ÛÛÛÛ
ÛÛÛÛ            noting that at this stage, he's only released             ÛÛÛÛ
ÛÛÛÛ            one more EP than he has long-players. Lone                ÛÛÛÛ
ÛÛÛÛ            isn't a project that seems to demand a                    ÛÛÛÛ
ÛÛÛÛ            full-length release in which to spread itself;            ÛÛÛÛ
ÛÛÛÛ            the tracks tend to be self-contained nuggets              ÛÛÛÛ
ÛÛÛÛ            simply bound together by a stylistic                      ÛÛÛÛ
ÛÛÛÛ            consistency rather than some lofty thematic               ÛÛÛÛ
ÛÛÛÛ            notion.                                                   ÛÛÛÛ
ÛÛÛÛ                                                                      ÛÛÛÛ
ÛÛÛÛ            It's this disregard for pretention that makes             ÛÛÛÛ
ÛÛÛÛ            Cutler's music work so appealing, whether it              ÛÛÛÛ
ÛÛÛÛ            be the exuberant 90s house approach on last               ÛÛÛÛ
ÛÛÛÛ            album Emerald Fantasy Tracks or his earlier               ÛÛÛÛ
ÛÛÛÛ            hip hop-tempo bump. Hearing the likes of                  ÛÛÛÛ
ÛÛÛÛ            "Pineapple Crush" in the past, not to mention             ÛÛÛÛ
ÛÛÛÛ            the glorious technicolour that identifies all             ÛÛÛÛ
ÛÛÛÛ            his music, it's no surprise that his approach             ÛÛÛÛ
ÛÛÛÛ            lends itself to the open-air breaks of early              ÛÛÛÛ
ÛÛÛÛ            90s rave.                                                 ÛÛÛÛ
ÛÛÛÛ                                                                      ÛÛÛÛ
ÛÛÛÛ            Galaxy Garden starts off on a more esoteric               ÛÛÛÛ
ÛÛÛÛ            tip with the tropical electronica of "New                 ÛÛÛÛ
ÛÛÛÛ            Colour", which captures the cheeriness of                 ÛÛÛÛ
ÛÛÛÛ            Plaid, or more recently Oriol on Planet Mu, in            ÛÛÛÛ
ÛÛÛÛ            its sunshine chimes. By the time we get to                ÛÛÛÛ
ÛÛÛÛ            "Lying In The Reeds" we're up to a house tempo            ÛÛÛÛ
ÛÛÛÛ            that harks back to the softer side of early               ÛÛÛÛ
ÛÛÛÛ            Detroit, playing with melody in a way that                ÛÛÛÛ
ÛÛÛÛ            made Kenny Larkin stand out early on. It's                ÛÛÛÛ
ÛÛÛÛ            when "Crystal Caverns 1991" starts up that we             ÛÛÛÛ
ÛÛÛÛ            reach the most blatant distillation of                    ÛÛÛÛ
ÛÛÛÛ            old-skool; kicking off a breakstep beat with              ÛÛÛÛ
ÛÛÛÛ            sweet but punchy 90s synths, the track cuts               ÛÛÛÛ
ÛÛÛÛ            into a deadly rave motif without so much as a             ÛÛÛÛ
ÛÛÛÛ            pause in the beat and it's like being back in,            ÛÛÛÛ
ÛÛÛÛ            er, 1991.                                                 ÛÛÛÛ
ÛÛÛÛ                                                                      ÛÛÛÛ
ÛÛÛÛ            "Cthulu" takes its lead from early jungle,                ÛÛÛÛ
ÛÛÛÛ            capturing that innocent, pad-heavy part of the            ÛÛÛÛ
ÛÛÛÛ            track before it always used to drop away into             ÛÛÛÛ
ÛÛÛÛ            something utterly darkside. Here though, the              ÛÛÛÛ
ÛÛÛÛ            innocence remains and the beat strolls in                 ÛÛÛÛ
ÛÛÛÛ            lazily in a half-step fashion. By the midway              ÛÛÛÛ
ÛÛÛÛ            point, the gentle guitar lines sound like                 ÛÛÛÛ
ÛÛÛÛ            something Bukem would plump for. It's not all             ÛÛÛÛ
ÛÛÛÛ            instantly identifiable heritage though, as the            ÛÛÛÛ
ÛÛÛÛ            head-twisting "Earth's Lungs" testifies with a            ÛÛÛÛ
ÛÛÛÛ            snapping, staggered beat, voluminous square               ÛÛÛÛ
ÛÛÛÛ            wave bass and plenty more besides. Really, the            ÛÛÛÛ
ÛÛÛÛ            reference points in Cutler's music are just               ÛÛÛÛ
ÛÛÛÛ            that; warming, comforting reminders of some of            ÛÛÛÛ
ÛÛÛÛ            the great ideas that inform modern electronic             ÛÛÛÛ
ÛÛÛÛ            music, but it's what he does with them that               ÛÛÛÛ
ÛÛÛÛ            counts.                                                   ÛÛÛÛ
ÛÛÛÛ                                                                      ÛÛÛÛ
ÛÛÛÛ            On the basis of this review, it could be easy             ÛÛÛÛ
ÛÛÛÛ            to write off an album like this as derivative,            ÛÛÛÛ
ÛÛÛÛ            but no-one can listen to the music itself and             ÛÛÛÛ
ÛÛÛÛ            call it an imposter. Every track reeks of                 ÛÛÛÛ
ÛÛÛÛ            originality, whether it be the surprising                 ÛÛÛÛ
ÛÛÛÛ            track structures, the superbly detailed                   ÛÛÛÛ
ÛÛÛÛ            production, even the evocative imagery that               ÛÛÛÛ
ÛÛÛÛ            the music conjures up. If you ever needed an              ÛÛÛÛ
ÛÛÛÛ            album that felt like wide-eyed, innocent joy,             ÛÛÛÛ
ÛÛÛÛ            this would be an excellent place to start.

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http://fileover.net/90882863/Lone--Galaxy_Garden-(RS1206)-WEB-2012-OMA.rar

[tomat]

Maruosa-Exstream-(RND-005)-CD-2011-DEF

ne znam šta je ovo, ali opis obećava!

Full force experimental grindcore that will melt Û²   ÞÛ²Ý
   Þ۲ݠ  Û²   your face off by Maruosa.                        Û²   ÞÛ²Ý
   Þ۲ݠ  Û²   Enjoy!

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http://fileover.net/77291259/Maruosa-Exstream-(RND-005)-CD-2011-DEF.rar

[Barbarin]

Tenacious D  Rize Of The Fenix



Rize of the Fenix is the third album from Tenacious D and is the follow-up to 2006's gold The Pick of Destiny and 2001's platinum debut album Tenacious D.

Produced by the brilliant John Kimbrough, Rize Of The Fenix was recorded in the garage behind his LA home and features Jack Black and Kyle Gass (Tenacious D's core duo), performing with Dave Grohl (drums), John Spiker (bass, piano, organ) and John Konesky (electric guitar). The album was engineered and mixed by John Spiker who has been touring with the band for years.

From their concentrated effort emerged thirteen profoundly evocative tracks, the making of which the band describes as a "journey similar to that of Gandolph in The Lord of the Rings". When the ill received Pick of Destiny movie failed to strike box office gold, it virtually stripped away the duos rock god stature overnight. "There we no more bouncers waving us through the velvet ropes, we were persona non gratta" said singer Jack Black. Kyle Gass added, "There we were- just like Gandolph the grey, down in the muck- but we never gave up, We defeated our own personal demons and began chipping away, slowly climbing back to the land of the living- when we emerged we were no longer the old Tenacious D, we were Gandolph the white, with new powers and wisdom and bravery and skills".

Rize of the Fenix was recorded over the past six years as Tenacious D went back to their roots. "We recorded down and dirty in a friend's garage with a shoestring budget of 600 dollars, much like Nirvana's first album "Bleach"-or the Beatles first album "Help". Rough and yet a masterpiece."

This album is pressed on 180 gram vinyl and includes a CD and bonus 12 x24 poster.

01 - Rize Of The Fenix
02 - Low Hangin Fruit
03 - Classical Teacher
04 - Senorita
05 - Deth Starr
06 - Roadie
07 - Flutes And Trombones
08 - Ballad Of Hollywood Jack And The Rage Kage
09 - Throwdown
10 - Rock Is Dead
11 - They Fucked Our Asses
12 - To Be The Best
13 - 39

[kikec]

Garbage - Not Your Kind Of People



sjajan povratak u formu... toplo preporučam.

[shrike]

Damon Albarn - Dr Dee

[HAL]

Maruosa-Exstream-(RND-005)-CD-2011-DEF

ne znam šta je ovo, ali opis obećava!

Full force experimental grindcore that will melt Û²   ÞÛ²Ý
   Þ۲ݠ  Û²   your face off by Maruosa.                        Û²   ÞÛ²Ý
   Þ۲ݠ  Û²   Enjoy!

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http://fileover.net/77291259/Maruosa-Exstream-(RND-005)-CD-2011-DEF.rar

Само да допуним

Maruosa-Exstream-(RND-005)-TRACKFIX-CD-2011-DEF
Release : 2011 | Track: 1 | Bitrate: 259 kb/sec | Duration: 03 Mins | Size : 5.09 MB
Genre: Electronic

Tracklist:
1. Maruosa - Catchpulse (02:44)

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http://rapidgator.net/file/12269534/Maruosa-Exstream-(RND-005)-TRACKFIX-CD-2011-DEF.rar.html
http://uploadjet.net/agytje21ene1/Maruosa-Exstream-(RND-005)-TRACKFIX-CD-2011-DEF.rar
http://extabit.com/file/2a1ho6lcs57wn/Maruosa-Exstream-(RND-005)-TRACKFIX-CD-2011-DEF.rar

[Milosh]

Jesca Hoop – The House That Jack Built

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http://uploaded.to/file/678eedow

[Meho Krljic]

Baš mi se, kako sam već pomenuo na drugom topiku, dopao novi (drugi) album dvojca Lazer Sword koji je manje hip hop a više, hmmm, tehno nego prvi. Ima ovde svega, od diska preko elektra do tek hausa, a u teoriji meni ne bi trebalo da se dopada preterano jer je prilično glam (ima, eh, ženskih vokala tu i tamo). Ali kad je tako dobra ploča. Mislim, JAKO je fanki, ima sjajan gruv i mnogo interesantnih avangardnih elemenata koji ne remete njegovu plesnost, a opet nije neki surovi, abrazivni tekkkno kakav ja volim (poput recimo Cristiana Vogela...) nego ima mnogo topline. Može se uporediti po dubini sa stvarima koje su nedavno ovde prejzovane (novi Šeklton i Actress) a ja ću se usuditi da ga uporedim i sa Autechre, kada bi Autechre danas bili mnogo opušteniji i zabavniji.



Obesio sam ga na repidšer i ifile.it. Ovaj drugi hoster je dobar kad ste ulogovani sa free nalogom za koji može da se iskoristi yahoo ili gmail nalog koji već imate

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[url]https://rapidshare.com/files/3957492988/Lazer_Sword--Memory-_MONKEYTOWN025_-WEB-2012-OMA.rar[/url]


ili

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http://ifile.it/aqcikpx


[tomat]

još nije procurelo, ali mislim da je pitanje dana. Strut opet sastavio valjane kompilacije:

Various Artists: Disco Not Disco

http://hardwax.com/65826/

Various Artists: ZE 30 - ZE Records Story 1979-2009

http://hardwax.com/65827/

Various Artists: Fac. Dance

http://hardwax.com/65828/

[tomat]

VA-Personal_Space_(Electronic_Soul_1974-1984)-2LP-2012-BCC

esencijalno!!!

If the independently-pressed record made
the galaxy of recorded music that much
larger, the burgeoning home studio
became the black hole from which little
escaped.

Flowering in the mid-to-late '70s,
affordable high-quality tape recorders,
synthesizers, and simple drum machines
permitted the aspiring artist to never
leave his home, never request the
assistance of another human being. In
the world of American Black music, name
artists such as Sly Stone, Timmy Thomas,
and Shuggie Otis had experimented with
rudimentary electronic soul with a
modicum of success, but on record what
remains is scant. This collection
presents the unheard underground of the
self-produced, often solo, electronic
soul world of the '70s
and early '80s, offering a view into an
ocean of sound that is in turn peaceful,
bizarre, funky, and often humbly ahead
of its time.

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http://fileover.net/51404160/VA-Personal_Space_(Electronic_Soul_1974-1984)-2LP-2012-BCC.rar

[tomat]

Freiwillige_Selbstkontrolle-Stuermer_(1981)-LP-DE-2011-BCC

nije novo, ali je bitno reizdanje.

After Felix Kubins "Tetchy Teenage
Tapes" some years ago we proudly present
the second archival release on a-musik,
actually our first reissue. Of a long
o/p LP that urgently needed to be re-
released since "Stürmer" is one of the
most outstanding records in the history
of german avantpop/punk. Originally
released 1981 on the legendary ZickZack
label, the debut LP by Munichs
Freiwillige Selbstkontrolle soon became
cult and one of the most important NDW /
german postpunk releases ever. Active
since today (and at the moment working
on their 13th longplayer) F.S.K. soon
became one of John Peels all time
favourites and actually did more Peel
Sessions than any other band - well,
besides The Fall, of course. For quite
some time now it was hardly possible to
grab a copy "Stürmer", but right on time
for its 30th anniversary this seminal LP
finally is reissued, accompanied by a 8
pp. booklet with lots of unpublished
photos and extensive liner notes by NDW
-historiograph Frank Apunkt Schneider.
First edition of 500 copies.

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http://fileover.net/69982593/Freiwillige_Selbstkontrolle-Stuermer_(1981)-LP-DE-2011-BCC.rar

[Meho Krljic]

Super al Fileover nije neka sreća. 

[tomat]

slažem se da Fileover nije najsrećnije rešenje, ali moje iskustvo govori da na njemu linkovi ostaju najduže aktivni.