Venecija 2006

[Ghoul]

pogledajte samo ovaj lajn ap!
sve genij do genija sa novim filmovima!
ne pamtim kad je ovoliko filmova koje željno iščekujem imalo premijeru na jednom istom mestu i u tako uskom vrem. periodu!
pogledajte šta se sve javnosti otkriva u veneciji, počev od srede:

"The Black Dahlia," by Brian de Palma
Darren Aronofsky's "The Fountain"
Alfonso Cuaron's "Children of Men,"
David Lynch "Inland Empire,"
Paul Verhoeven  "Zwartboek" (čiji me trejler pre neki dan izuo iz cipela i raščepio mi ralje istovremeno)

cunt wait barem da čujem prve rivjue, ako već ne (odmah) da gledam!

[Ivan Bevc]

Plasim se Dahlie, ali je i zeljno cekam, posto me je Famfatal ostavila negde na pola od ovog filma ocekujem da bude LA Conf na kvadrat.

Od Lyncha nista ne ocekujem...no, dobro, to je moj stav glede njegovog dela.

Aronofsky je (pre)dugo apstinirao, nadam se da je za to vreme napunio baterije, Fontana je bila zamisljena malo drugacije i sa mnogo vecim budzetom, valjda se snasao.

Cuaron je pure genius i ne bi trebao da omane.

Ferhuven bi mogao da bude najprijatnije iznenadjenje, samo da ne bude kao sa Cronenbergom

[Lurd]

Plasim se Dahlie, ali je i zeljno cekam, posto me je Famfatal ostavila negde na pola od ovog filma ocekujem da bude LA Conf na kvadrat.

Sucker...

Ali da kažem da bih JAKO voleo dao grešim.

A ono što Kronenberg snima socijalne, društveno svesne drame sa životnim temama, to...(da, ostavilo me bez reči)

[Ivan Bevc]

You know what I mean...

[Ghoul]

u veneciji igra još mnogo više potencijalno odličnih filmova (tj, onih koji dolaze od mnogo-mi-dragih režisera) nego što sam slutio. evo rasporeda:

September 1, 2006

ZWARTBOEK (BLACK BOOK) by Paul Verhoeven (Netherlands, Belgium, Germany, UK, 135')
cast: Carice van Houten, Thom Hoffman, Sebastian Koch, Halina Reijn

JAKPAE (THE CITY OF VIOLENCE) by Ryoo Seung-wan (South Korea, 92')
cast: Jung Doo-hong, Ryoo Seung-wan, Lee Bum-soo

September 2, 2006


PARA ENTRAR A VIVIR by Jaume Balagueró (Spain, 68') cast: Macarena Gómez, Adrià Collado, Nuria González, Ruth Díaz


September 3, 2006

GEDO SENKI (TALES FROM EARTHSEA) by Miyazaki Goro (Japan, 115') animation film

CHILDREN OF MEN by Alfonso Cuarón (UK, USA, 114') cast: Clive Owen, Julianne Moore, Michael Caine

SAKEBI (RETRIBUTION) by Kurosawa Kiyoshi (Japan, 104') cast: Yakusho Koji, Konishi Manami, Ihara Tsuyoshi, Hirayama Hiroyuki, Kase Ryo, Odagiri Joe


September 4, 2006

THE FOUNTAIN by Darren Aronofsky (USA, 96') cast: Hugh Jackman, Rachel Weisz


September 6, 2006


TACHIGUISHI RETSUDEN (THE AMAZING LIVES OF THE FAST FOOD GRIFTERS) by Oshii Mamoru (Japan, 104') cast: Kisshoji Kaito, Hyodo Mako, Suzuki Toshio

6:30 p.m. SALA GRANDE
Golden Lion for Lifetime Achievement to David Lynch

followed by:
OUT OF COMPETITION
INLAND EMPIRE by David Lynch (USA, 172') cast: Laura Dern, Jeremy Irons, Justin Theroux, Julia Ormond


September 8, 2006

9.30 p.m. SALA GRANDE
VENEZIA 63
MUSHISHI (BUGMASTER) by Ötomo Katsuhiro (Japan, 131') cast: Joe Odagiri, Makiko Esumi, Nao Omori

[Kastor]

Director David Lynch received a lifetime achievement award at the Venice Film Festival - as his latest movie premiered to baffled audiences. Inland Empire is the eccentric film-maker's most obscure picture yet.

Starring Laura Dern and Jeremy Irons, the mysterious tale of "a woman in love and in danger" features a series of hallucinatory scenes and a talking rabbit voiced by Naomi Watts.

It prompted one confused critic to ask Lynch: "Is it supposed to make sense?"

"It's supposed to make perfect sense," the director replied.

Venice organisers gave Lynch, 60, the lifetime achievement Golden Lion for a career which has included Eraserhead, the Elephant Man, Blue Velvet, Wild At Heart, Mulholland Drive and cult TV series Twin Peaks.

The director did not present his actors with a script for Inland Empire. Instead, he handed them a few pages of dialogue each morning as they turned up to shoot their scenes. The process took two-and-a-half years.

Dern, who worked with Lynch on Wild At Heart, admitted even she was not sure what the film was about.

"My experience on this film was very unique to say the least, even after working with David for a long time.

"Each day was a different direction, each day was a different idea because we didn't have a script we were following. Each day he would tell me what to say and do, and I would repeat it.

"The truth is I didn't know who I was playing - and I still don't know. I'm looking forward to seeing the film tonight to learn more." Lynch tried to explain his movie-making vision.

"It's important to be able to experiment," he said. "They say Hitchcock was the master of suspense and mystery. Mystery and the unknown are something I love. I love it when the lights go down and the curtains open and you go into a new world. I love not knowing what's coming."

The director said he had no plans for a return to TV despite the huge global success of Twin Peaks in the 1990s.

"I don't understand things. There is no real logical reason why it was a success all around the world, but it just turned out to be that way. It's interesting, but I have zero desire to go back into TV," he said.