next big thing? À l'intérieur / INSIDE

[Ghoul]

À l'intérieur (France)
A La Fabrique de Films production, in association with BR Films, with the participation of Canal Plus, Cinecinema, in association with Cofinova 3, Soficinema 3, Uni Etoile 4. (International sales: Celluloid Dreams, Paris.) Produced by Verane Frediani, Franck Ribiere. Directed by Julien Maury, Alexandre Bustillo. Screenplay, Bustillo.

With: Beatrice Dalle, Alysson Paradis, Nathalie Roussel, Francois-Regis Marchasson, Jean-Baptiste Tabourin, Dominique Frot, Claude Lule, Hyam Zaytoun, Tahar Rahim, Emmanuel Guez, Ludovic Berthillot, Emmanuel Lanzi, Nicolas Duvauchelle, Aymen Saidi.


By JAY WEISSBERG

'Inside'
'Inside'
For those who like their blood by the barrelful, "Inside" is just the ticket. Awash in red liquid that drips, oozes, spurts and pours, pic restarts the French gore genre with an over-the-top sadism sure to please fans of schlock horror. Featuring a vengeful psychopath terrorizing a pregnant woman, Julien Maury and Alexandre Bustillo's helming debut relishes every chance to show sharp objects plunging into flesh. Low-budgeter should see decent local returns, though ancillary will be what really makes its mark.

A nasty car accident leaves shutterbug Sarah (Alysson Paradis) alive but widowed, her fetus (seen periodically slammed against its amnio sac) intact. Nearly at full term and home alone, she's spooked by a woman (Beatrice Dalle, dressed like some superannuated Goth chick) trying to get inside. Sporting a major pair of scissors, the woman soon enters, making it clear she's intent on cutting the baby out of Sarah's tummy. Assorted would-be rescuers also fall victim -- can't anyone turn on a light? Fright level is average, with laughs dependent on whether skewers in eyes tickle the funny bone. Soundscape, like Dalle's crazed character, is unrelenting.

Camera (color), Laurent Bares; editor, Baxter cq; music, Francois-Eudes Chanfrault; production designer, Marc Thiebault; costume designer, Martine Rapin. Reviewed at Cannes Film Festival (Critics' Week), May 24, 2007. (Original title: A l'interieur) Running time: 81 MIN.

[Shozo Hirono]

Francuzi su cudo kad je brzina distribucije u pitanju.......dok ovo izadje na DVD,pa dok se neki Francuz seti da izripuje.....oteci ce loptice do kolena !!!!!!!!!!!

[Kunac]

Ma, biće. Uvek bude.

[Tex Murphy]

Nešto nemam povjerenja u Francuze kad je riječ o hororu.

[Ghoul]

otkriću vam jednu tajnu: uveliko se skida, trenutno je na oko 8,5% ali imaću ga do sutra u ponoć.
istina, nema titl, ali pošto izgaram da ga pogledam, to me neće sprečiti!!!

[marduk]

Ova situacija me podseća na iščekivanje genijalnog HAUTE TENSION... kako obožavam francuze (i kad ne isporuče baš kako treba, kao npr. Calvaire) ovo je a mast si.

[Kunac]

REVIEW

*Editor's note: This review contains heavy spoilers

Quite possibly the scariest film I've seen since THE RING remake is Dimension Films' INSIDE (A l'interieur), which was co-directed by first timers Julien Maury and Alexandre Bustillo. The duos creation is something I have never seen in a French film – it's a unique and artistic vision that transcends into one of the most grounded bloodbaths in the history of our beloved genre. If there was one film to compare INSIDE to, it's John Carpenter's classic HALLOWEEN (seriously).

It's impossible to really give a good analysis of INSIDE without ruining some of the plot, which is unfortunate because I almost believe one should know NOTHING before viewing. But here we are and here we go – there's no turning back now...

INSIDE is a trip back to the late '70s, early '80s when the idea behind a good horror film was created on a level of minimalism. Most of the film is contained within a small space, thus creating a high level of claustrophobia and anxiety. In addition, the plot is razor thin, keeping everything simple and to the point. Sarah (Alysson Paradis) is a young photographer who recently lost her husband in a car crash. She's alone on Christmas and is going to have her baby the next day – even if they have to induce labor. She's so sad and miserable that you almost believe she doesn't even want to have the child. After her trip to the hospital Sarah returns home only to be visited late in the night by a mysterious woman (Beatrice Dalle) who wants to get inside. Soon enough we learn that this woman has one goal in mind... retrieve the baby from inside Sarah's womb.

There are two wonderful things about this film; the first being that the movie features two strong women as leads; the second is that both of these women have motives that are so focused and believable that you almost don't know whose side to take. The screenplay for INSIDE is solid, grounded, believable and most of all captivating. Our two main characters are developed beautifully into women that we both care about and can sympathize with, making every moment that much more suspenseful.

Besides the gore, which we'll get to momentarily, the centerpiece of this masterpiece is the directing by Maury and Bustillo and breathtaking cinematography by Laurent Bares. The entire film is an emotional ride built simply on the structures and aesthetics of the environment. What you are about to witness is a film that can be compared to a classic painting by Michelangelo or Leonardo DeVinci. The rooms are low-lit with an odd haze and a soft yellow look, only something about it is unsettling... maybe it hits almost too close to home? Sarah lives in a typical suburban that many viewers will feel like they can relate to. The way its shot makes the film feel ultra dense; every scene, every moment, every single second is claustrophobic making it hard to breathe. INSIDE is like looking deep into the soul of those classic paintings where you become so engulfed in their beauty that it takes your breath away.

This is cinema at it's finest.

And then there's blood... lots and lots and lots of blood.

The Woman (we never do find out her name) is determined to get her hands on Sarah's baby and will no anything to get it. Once she gets into the house the level of chaos unloads so quickly that there's not a second to digest. She slashes Sarah across the face and then chases her to the bathroom where she locks herself in. Throughout the film, various stop by to check on Sarah, which results in a bloodbath of epic proportions. This is quite possibly the most violent, realistic and bloody slasher film ever assembled, ending on such a gut-wrenching note that there's not a single person who could walk out of that theater feeling normal.

Furthermore, INSIDE is terrifying, one of the scariest movies I have ever seen in my life - think HALLOWEEN, only bloody as hell. Early in the film, after attempting to trick her way into Sarah's house, The Woman (dressed in all black) appears outside the back porch door glaring inside. She stares with hate and determination, only we don't know her motive at that time. The moment is so incredibly unsetting only escalating from there. She punches the glass and runs off as the cops come to check in on Sarah's call. There's no one there and this mysterious person has vanished. Relax Sarah everything is fine! Of course it isn't - The Woman is now in the house. She blends into the atmosphere and appears in the background of nearly every shot. She's there, I swear I just saw her... but maybe that was just my imagination? Then as quick as she vanishes she appears through the blackest of shadows like she's walking right of the thin air (the only time I have EVER seen a shot like this was in HALLOWEEN 2!) As the film progresses we learn a little more about her motives and determination. Her sanity begins to snap and this confident, looming, uncompromising individual turns into an axe murderer from hell - only her weapon of choice is a pair of scissors. She will do anything to get Sarah out of that bathroom and loses it when she can't get the door open; she kicks it, stabs it and freaks out so hard that she even accidentally hurts herself. It's such a "human" moment and something quite rare in this genre.

Sans a few odd moments that had me scratching my head (instead of escaping from The Woman, some cops attempt to turn the power back on?) INSIDE is the perfect horror film and easily one of the greatest home invasion movies ever made. It will toy with your emotions, keep you on the edge of your seat and eventually scar you. Mark my words, not a single genre fan will be disappointed with this work of art... that's painted in blood.


By Mr. Disgusting

[Ghoul]

čito sam samo prvi i poslednji pasus ovoga, i dovoljno mi je. ne želim da znam spojlere.
zapravo, moja grba mi sasma dovoljno govori, i ne želim više ni da čitam o njemu da ne naletim na PREVIŠE informacije....

ps: calvaire je belgijski, što baš nije isto kao francuski. tj, to što je na fr. jeziku ne čini ga fr. filmom.

a kad smo već kod odličnih francuza, i onaj Frontière(s) ...zvuči skoro podjednako zanimljivo! javlja mi se mogućnost jakih četvorki u oba slučaja!

[marduk]

ps: calvaire je belgijski, što baš nije isto kao francuski. tj, to što je na fr. jeziku ne čini ga fr. filmom.
!

Jebeš ga, isto mu je to  
Letos na kampu u Lazarevoj pećini i jedni (F) i drugi (B) su pričali francuzski i ličili jedni na druge!

Nego bre Gule pa šće ti titl kad ti znadeš francuski?

[Ghoul]

pa taj francuski kad vidim napisan ponešto još i razumem, al kad poču da brbljaju, razumljivost drastično pada.

ipak, slutim da u ovom filmu neće biti mnogo dijaloga, a naročito ne suštinskih za plot.

[Ghoul]

prokleta mula!
ceo dan skida, i samo 43% !!!

[Alexdelarge]

prokleta mula!
ceo dan skida, i samo 43% !!!

Upregni jos jednu...i nadji sestru Saru.

[Truba]

mula je najbolja preko noci...

[Tex Murphy]

mula je najbolja preko noci...

Koliko još ti planiraš da tako blatantno javno ispoljavaš svoje nastrane bestijalne sklonosti?

[Truba]

dokle god istinu zborim  

[Alexdelarge]

mula je najbolja preko noci...

Koliko još ti planiraš da tako blatantno javno ispoljavaš svoje nastrane bestijalne sklonosti?

Blatantno je da je tu rec Ghoul proslavio,na forumu i u svojim knjigama,pa svi pocese da je koriste...meni sve u glavi vrvi od jukstapozicija i onostranih entiteta.

[Ghoul]

hm, baš danas mi je jedan čitalac, koji je inače strastveno uživao u FAUSTOVSKOM EKRANU, skrenuo pažnju da mu baš i nije prijala moja tamošnja upotreba reči 'inkongruentno'!        

čak me je, što me je malo više iznenadilo (jer je upitanju obrazovan, mator čovek), pitao šta je to 'teodikeja', a dobro se sećam da sam to učio iz filozofije u gimnaziji...  

[Alexdelarge]

A kako se pravilno kaze teodikeja ili teodiceja,posto sam video da je i ova druga varijanta u upotrebi?

[Ghoul]

baš sam baxuz!

kad je skidanje filma bilo na oko 70% - komp mog skidača je prosto crkao, i ko zna da li će uopšte biti rezurektovan.
naravno, istog časa sam angažovao alternativne skidače, ali DAMN! rivjui poput ovog dole UOPŠTE ne olakšavaju čekanje!!!

Harry is the most depraved person I know. After all, he showed me
CHIRPY, which I'll never be able to erase from my brain. But
Alexandre Bustillo and Julien Maury are almost as sick and twisted,judging from their pregnancy horror INSIDE (aka A L'INTERIEUR), whichclosed out this year's TIFF as the last Midnight Madness.

You know what Chekhov says -- if you see a gun in the first act, it isguaranteed to be used by the third. Well, INSIDE starts off with afetus. Actually, it is a pretty spectacular opening shot -- we seethe fetus inside the mother, and we hear what it hears -- a deep,muffled voice saying something like, "Baby, I won't ever let you behurt." Then, wham -- the fetus is slammed and starts bleeding. Theshot moves outside the mother and we see that she and her husband havejust been in a car crash and they're covered in blood. Cut to:sometime later -- Sarah (Alysson Paradis, sister to Vanessa) is so megapregnant the doctors are going to induce labor the next day. But
they send her home for one more night of "quiet." Now back at home inthe evening, there is a knock. After some land shark style negotiations, Sarah refuses to open the door. And it is a good thing,because she'll soon learn this crazed woman (Beatrice Dalle) is something of a scissor savant. She's doesn't have much in the way of social skills, but she's a damn genius with shears.

The middle of the film is pretty standard for the genre -- confined quarters, one person hellbent, one person thinking WTF, I'm in a horror movie! Still it is done well, and the blood level is over the top. Scissor nutbar finds her way inside, but every time she's about to deal Sarah a fatal slash, she's distracted by another hapless visitor whose life is about to be cut short. We get gut stabbings, skull stabbings, neck stabbings, hand stabbings, scissor slashes, and good old-fashioned scissor cutting. And often, victims are kind
enough to stumble around the house in their last moments on earth like a mobile blood fountain.
As in every horror, there were a few times when I found myself
thinking "Why don't you just turn on the lights, climb out the window, call the cops...", but in the end, we don't want the characters to do the smart thing -- we want them to do the dumb thing! Carnage should always trump sanity.

I won't say what ultimately happens, but the last act both takes the already extravagant blood and gore level up another notch, and deviates from the normal genre formula. People at the midnight screening were screaming and cheering at every spurt. There were some classic setups where the audience can see what is coming even though the character can't. There were even some times when see what might be coming, but then you think, well that is just too crazy, there is no way... oh my god... oh my. I can't believe I just saw that.

This movie drilled so deeply into primal fear, it made my brain stem hurt. They should show this in high school health class, because you'll want no part in pregnancy after this. In fact, in some ways the movie goes too far to be a mainstream horror success -- it isn't just a slasher film, some truly horrifying things are done. The directors, who where at the screening, seemed to be pessimistic about it getting a theatrical release. Still, with its inventiveness, true horror nature, and the relative novelty of a female killer, INSIDE is guaranteed a serious cult following.

   

[Tex Murphy]

Ovo zvuči sjajno, ali tako je zvučao i Wolf Creek i na kraju se ispostavio kao "samo" dobar film, ali ne i genijalno remek-djelo.

I won't say what ultimately happens, but the last act both takes the already extravagant blood and gore level up another notch, and deviates from the normal genre formula.

Vjerovatno je ključ u tom last actu. Ako isti diliveruje, blago nama. Ti naravno javljaj čim pogledaš.

[Ghoul]

Francuzi su cudo kad je brzina distribucije u pitanju.......dok ovo izadje na DVD,pa dok se neki Francuz seti da izripuje.....oteci ce loptice do kolena !!!!!!!!!!!

 šozo je, kao i obično, hronično nepouzdan kad se tiče proročkih moći, ali će se za ove reči iskupiti kad/ako uspe da pouzdano skine UNUTRAŠNJOST!

inače, odavno nisam imao ovako jak osjećaj da bi se iza ovoga moglo kriti nešto BAŠ JAKO – možda čak i jaka četvorka! podseća me na slutnje koje sam imao u vreme kada sam prvi put čitao o HAUTE TENSION i video mu prvi trejler. isto tako mi i sad nešto treperi i šapuće... ovako mi senzori nisu radili ni za šta što je u skorašnje vreme bilo hajpovano.

[Bab Jaga]

A tog ima samo na muli? Nema nikakvog torrenta?

[Shozo Hirono]

Francuzi su cudo kad je brzina distribucije u pitanju.......dok ovo izadje na DVD,pa dok se neki Francuz seti da izripuje.....oteci ce loptice do kolena !!!!!!!!!!!

 šozo je, kao i obično, hronično nepouzdan kad se tiče proročkih moći, ali će se za ove reči iskupiti kad/ako uspe da pouzdano skine UNUTRAŠNJOST!

Znaci ja sam bio taj "alternativni" hacker.....ali umesto da Ghoulu odgovorim na PM,resio sam da svoje impresije povodom doticnog filma(fajla!)iznesem ovde,jer se svi mozemo slatko ismejati !!!
Znaci u telefonskom razgovoru Ghoul i ja smo se prekjuce odlucili da od par fajlova sa nazivom A L'Interieur aktiviramo doticni "A L'interieur FRENCH DVDRIP By Sel2table.avi".....posle par neuspesnih pokusaja da dekodiram fajl,uspeo sam....i radi se o nekom francuskom porno filmu sa nekom Savannom Gold.
To me nije zaustavilo i krecem na fajl "A L'interieur (Beartice Dalle FRENCH.avi......ovaj sam najbrze dekodirao,ALI cim sam video directed by Mario Salieri,sve mi je bilo jasno !
Onda se pojavio fajl "A L'Interieur 2007 Fr.horreur.avi....za ovaj sam bio 99% ubedjen da je pravi,velicina je bila otprlike 700mb,a i pise da je horor(mada je u prethodnom pisalo Beatrice Dalle).......i onda sinoc napokon otvorim fajl,a ono directed by Joe D'Amato,starring Eva Henger in Expirience.
ALI avantura se nastavlja jer postoji jos par L'Interieur fajova,pa mozda bas sledeci bude pravi !!!!
Ironija je da posojece fajlove ne smem da brisem kako bih detektovao fejkove u buducim potragama !

[Meho Krljic]

Pa, dobro, možeš samo da im zapišeš imena, ne?

[Ghoul]

PROKLECTVO!!!

MAMU IM xxxxx!!!

kaže mi onaj prvi skidač:
"brate
vaskrso sam komp

i svi oni filmovi se skinuse, ali svi su bili pornici. da ne verujes, neko ih je krstio drugacije, a u sustini pornici."
   

da bar igra beatris dal u njima, pa neka uteha da je, al jok!!!    

[Ghoul]

OK, pre svega, na celom AICN-u hari je meni najirelevantniji kao kritičar: najlakše se oduševi stvarima kojih bi se ja gnušao, paljevina je, sklon hiperbolama i onda kada su povodi za njih sasvim osrednji itd.
najčešće njegove rivjue i ne čitam, bar ne u poslednje vreme.

međutim, ovo što je reko za INSIDE apsolutno je u skladu sa iskustvom koje ja od tog filma očekujem, pa zato, uz sve ograde, evo šta kaže hari nouls o NAJOČEKIVANIJEM HORORU KOJI TRENUTNO POSTOJI A JOŠ GA NISAM OVERIO!!!


Harry took a look INSIDE at Fantastic Fest and his water broke!!!
Babies. Pregnant bellies. Now that I'm married, I get asked "when's the baby?" "Thinking of kids?" I'm pretty sure all married couples get asked these post wedding questions. But tonight, Yoko and I saw the film that ensured that we didn't want to pursue the reproductive Olympics for a while.
The Weinstein Company has a new French Horror film called INSIDE. It was first being discussed around the time of Cannes – then when it got scheduled for the Toronto Film Festival's Midnight program... well, you read Copernicus' review... right? Right.
INSIDE is an intruder film. A home invasion flick. And it's BRUTAL. Last year's INSIDE by Jeff Mahler was intense in a psychological manner, this French INSIDE – oh, the psyche gets plenty beat up, but the French are just many times more fucked in the head than the TEEN WOLF lovin' Mahler.
First – in the realm of the home invasion pic... it is important to have victims that are particularly bad at defending themselves... either in pacifist ways, elderly ways, fear of family being hurt ways... or in this film, a single obscenely pregnant hot mommy I'd like to boink.
How pregnant? Well, she's scheduled for early the next morning to go to the hospital and have the birth induced. Yeah, she's ripe for poppin'.
The movie has a woman home invader, which is a nice shift – don't really see that too often. And this doesn't suck like THE HAND THAT ROCKED THE CRADLE. No, this is off the hook awesome. It played to a packed small house at midnight on a Tuesday – and right at 1:25am through 1:30am... pretty much the entire house was SCREAMING, SQUIRMING and SQUEALING in one united choir of sympathy, horror and outrage. When this film jumps the rails... everyone will feel the impact. It is seriously fucked up.
Ok. I can hear ya. "Why would I want to submit to this?" If that question is even on your mind... you probably couldn't handle the movie. I'll be truthful – about 40 minutes in, my wife decided to leave – and it hadn't even gotten to the scary shit yet. Why? Well, one she was tired, two – I think she got the sense that this film was going to be intense in a manner that she wasn't really wanting to experience.
This film does for women, what castration films do for men. That's right... violate the sanctity of your being. This film is a traumatically entertaining experience. And, it's French – so it's all sorts of fucked up.
So.. How are the Weinstein's going to handle this film? I'll be truthful, I haven't a clue. First, I can't imagine the film getting past the MPAA without SERIOUS EDITING. I approve – but my threshold of gore enjoyment knows no bounds. I saw many on my row hiding their eyes and while I never hid from the film... I was squirming and trying to hold onto my skullcap, cuz the film was seriously blowing my mind.
Also – I have to say – I love FRENCH BLOOD in cinema. The color blood is just awesome. It's such a beautifully traumatic red. The short of red that Kubrick got for THE SHINING. That we last saw with HAUTE TENSION. Here – the crimson is beautiful... the arterial sprays, the head explosions, the sounds, the gurgles, the film just does not let up.
Is it over the top?
Ya know, it's so far over the top, it's fucking Sputnik. That sort of out there that causes people to build bomb shelters and freak out. This film – if... somehow... it were to get released and be seen by a massive audience... would cause outrage in certain circles, it would go unscreened in certain towns, simply because the Theater owners were so freaked out.
That said – I can't recommend it enough for those of you that love this sort of film. The theater laughed to break tension, screamed, hollered and howled at the movie. It was... a perfect midnight experience. And right now, I think I could totally handle what I hope will one day be a normal birth experience. If not, I'm gonna totally ASH up, because birthing babies can be way fucking intense... especially with some French wannabe mommy wench wanting your kid.


posebno mi godi ovo što kaže o količini krvi, i o njenoj boji!
to je jedna od stvari koje su me kupile za HAUTE TENSION.
taj đaneto de rosi ZNA da napravi najlepšu filmsku krv in existence! štagod neko (eventualno) kenjao o fulčijevim filmovima, ali u onima u kojima je de rosi prskao krv – to su rajski vodoskoci, to su filmofilski orgazmi, to je najlepše nešto što postoji u splatteru!
e, tu i takvu krv vidim povremeno kod (novijih) francuza, i VRLO ČESTO - kod koreanaca.
ne znam da li je do njih dospela de rosijeva formula, ili su nezavisno od njega napravili neku svoju, ali jedino još kod njih (mislim na najnovije filmove, iz zadnjih 10ak godina) krv poprima estetsku vrednost po sebi, i boji ekran jednim novim kvalitetom.

inače, potraga za filmom se nastavlja, ali za sada, i dalje se iza tih fajlova kriju 'samo' – PORNIĆI!

[Truba]

možda je to znak s neba da promijenjiš žanr  

[Ghoul]

A MOŽDA NIJE S NEBA?
MOŽDA JE KUŠNJA!

moram da odolim!

ništa bez beatris dal!

[Truba]

nije mi jasno kako se možeš tako naložiti na nešto što još nisi vidio   fino je prvi pogledati nešto... vodolije su poznate po tome da vole biti prve u običnim naizgled nebitnim stvarima ti si vodolija???
 ok sviđa ti se radnja i sve ostalo... a šta je sa strpljenjem... mudrošću koja dolazi s godinama...
šta je sa ostalim filmovima koje nisi pogledao a imaš ih godinama?

[Ghoul]

ne znam dal je to i koliko dobro, podeljena su mi osjećanja glede toga što su majstori iza povoda za ovaj topik već krenuli ažinim stazama: tek što su iznjedrili svoj prvi i po svemu sudeći odličan film, a već su ih zgrabili pod svoje zli američki producenti da RIMEJKUJU još jedan veliki horor klasik.


da, dvojac koji je potpisao INSIDE angažovan je da režira rimejk HELLRAISERA!

s jedne strane, ako je već neko morao, bolje oni nego tamo neki lejmeri.
s druge, voleo bih da u ovo krizno vreme ljuti mladi ljudi imaju prilike da malo duže budu ljuti i da ostave iza sebe bar 4-5 besna i iskrena i no-holds-barred horora pre nego što ih (neminovno?) uapse zli američki konglomerati da recikliraju poznate stvari za njine (američke) bio-zombije.

[Plissken]

Ne verujem mnogo u francuze...zapravo u njih uopste ne verujem. Mislim da su svoj maksimum pokazali u Grozdjima Mrtvih Zana Rolina...

[Truba]

bogati u šta vjeruješ    

[Ghoul]

bogati u šta vjeruješ    

plisskenovom 'ukusu' ne treba verovati, jer njegov kredo je 'što đubrovitije, to bolje'!

[Truba]

možda već znaš ali evo
prati ovaj topik i sigurno će se neko već javiti sa ripom

http://forum.dead-donkey.com/viewtopic.php?t=16059&highlight=

[Ghoul]

na čuvenom španskom festivalu fantastike i horora u sitgesu (ak ose ne varam, izgovara se SIĆES), most anticipated je prošao OK, mada je mogao i bolje:

dobio je nagrade za
Best Make Up FX

i

nagradu žirija:
JURY AWARDS
JURY: Carles Matamoros, Néstor Fernández, Aleix Ortuño, Toni Junyent, Mar Canet

Best Motion Picture FANTÀSTIC
À L'Intérieur by Julien Maury and Alexandre Bustillo

inače, nagradu za naj film dobilo novo sočinjenije autora THE CELL, koje se zove The Fall (tek drugi film, a već se vidi autorski rukopis i pečat: mora da počinje sa THE a da se jednosloćna reč završava sa LL: očekujemo treći film, THE BALL, ili the shell, ili the spell, ili the toll...)

[Ghoul]

a povodom vesti o HELLRAISER rimejku, evo šta kažu:

ALEXANDRE BUSTILLO: We are actually writing the script right now and we don't want to remake exactly the Cliver Barker movie. We have met Clive and told him what we want to do with "Hellraiser" and he said, "It's f**king good do it!" We are happy to have his benediction. It will not be a remake. It will still be called "Hellraiser" and it will have a new Pinhead.

JULIEN MAURY: It's more of an adaptation.

ALEXANDRE BUSTILLO: With our vision we want to be very fair to the cinephile fans of "Hellraiser." We want to make something very different and something new with it.

JULIEN MAURY: Clive is 100% behind us and that makes us really assured.

ALEXANDRE BUSTILLO: It will be very different. It won't be like the original "Hellraiser" or that series of movies. We are big fans of the original but we don't want to do it as a remake since that would be complete nonsense to do [or approach] it that way. Our story is very very different I promise! It will be cool!

[Ghoul]

dođavola, teško da i jedan dan prođe da me neki rivju poput ovog ne podseti KOLIKO SU PIRATI NEDOPUSTIVO SPORI U DELIVEROVANJU OVOG FILMA!  

evo, sad mu je i FANGORIJA dala maximalnu ocenu, a iz rivjua izdvajam:


This scribe hasn't seen anything quite this cinematically dangerous since their countryman Gaspar Noé's gut-punch of a flick IRREVERISIBLE, and like that film, INSIDE proves to be a rollercoaster gone off the gore-drenched rails, as well as a film that, while paying homage to the slasher film, redefines the genre itself.


... an intensity not seen in many years, with an ending that's entirely unpredictable and unquestionably grim.

... delivered with such organic viscera that it's nearly overwhelming. The French have apparently perfected the consistency and palate of stage blood; never before has arterial spray looked so damned...real

[Tex Murphy]

To poređenje sa onom nakazom od filma mi ne djeluje nimalo obećavajuće...

[marduk]

INSIDE proves to be a rollercoaster gone off the gore-drenched rails, as well as a film that, while paying homage to the slasher film, redefines the genre itself.

Šta je po vašem mišljenju danas potrebno jednom horor filmu da REDEFINIŠE žanr??

da li postoji neki film koji je redefinisao žanr npr. od 2000. pa na ovamo? Haute Tension je bio odličan, The Descent takođe, ali to nisu filmovi koji su doneli išta novo, jednostavno, režiseri i scenaristi su iskoristili postojeća iskustva i svoju kakvu-takvu stvaralačku viziju i napravili odlične filmove.

Verovatno ni sam ne znam šta sam hteo da kažem, ali dobro.
Uzgred, verovatno to da imamo velika iščekivanja ka bilo kom naslovu koji će USPETI da žanr strave redefiniše. Da li ćemo takav film prepoznati?

[Tex Murphy]

Uprkos poređenju sa Irreversible, MNOGO očekujem od ovog filma.

[Plissken]

Ko zna, mozda francuzi ipak isporuce OK film ovog puta...

[Ghoul]

Ko zna, mozda francuzi ipak isporuce OK film ovog puta...

jedno je prilično sigurno: film neće izgledati kao da ga je snimao džozef zito, bert i gordon, vilijem girdler i sličan rang 'genija' (iz tvoje vizure), ali ko zna, možda bude 'OK'...

glede redefinisanja:
nemojmo preterivati, pravila su odavno uspostavljena, i sve se svodi na intenzitet i kvalitet njihovih VARIJACIJA.
zato ne treba baš bukvalno shvatati to 'redefinisanje' u smislu: wow, ovaj film neće ličiti ni na šta što ste ikada u životu videli!!!
patka!
naravno da će da 'liči' na nešto... pitanje je samo koliko blisko ili daleko, tj koliko je dubinska ili plitka ta analogija.

sve što je nastalo u poslednjih nekoliko decenija u hororu (a verovatno i šire) može da nađe nekog svog pandana u nečemu snimljenom u 60im, ili 30im, ili možda čak u doba nemog filma.

inače, mislim da je haute tension doneo veoma smeo i krupan pomak (redefiniciju?) slešera time što je potpuno obrnuo uobičajenu formulu (žrtva/final girl je promiskuitetna, a psiho-ubica je nevinašce) koja nije puko mehaničko izvrtanje, jer ono sa sobom nosi i značajnu konotaciju i kritiku ideologije za koju se činilo da je inherentna slešeru...

moja grba mi govori da će INSIDE da bude mnogo više od 'samo' ''prvog preggy horrora'' ili 'tek' ''najkrvavijeg splattera ikada''...

[marduk]

inače, mislim da je haute tension doneo veoma smeo i krupan pomak (redefiniciju?) slešera time što je potpuno obrnuo uobičajenu formulu (žrtva/final girl je promiskuitetna, a psiho-ubica je nevinašce) koja nije puko mehaničko izvrtanje, jer ono sa sobom nosi i značajnu konotaciju i kritiku ideologije za koju se činilo da je inherentna slešeru...

Što samo dodaje još jedan u nizu pozitivnih bodova gore pomenutom, bez sumnje, remek-delu-u-malom.

[Ghoul]

inače, potraga za filmom se nastavlja, ali za sada, i dalje se iza tih fajlova kriju 'samo' – PORNIĆI![/b]

proklectvo!
javlja mi šozo hirono da je nabudžio svoj hard (pun!) francuskim pornjavama koje se izdaju za INSIDE!
kaže: 'pomagaj, gule, propado od ovi francuski pornići, kvazi-INTERIEUR-a, ne mogu više, žena će me istera iz kuću što skidam bezobrazni filmovi...'
ali ja mu ponavljam: 'more, skidaj, skidaj, možda je sledeći... ili onaj iza njega... nema odmora dok ne nađemo PRAVOG!'

prokleti lažnjaci!
prokleti nedostupni francuski horori!
prokleta dostupna francuska pornografija!

ali dolijaće INTERIEUR, dolijaće, ne zvao se ja lorimer!!!
 

[Meho Krljic]

Samo mu kaži da ne baca te pornjaje, ima nas koji znamo da cenimo francusku pornografiju!!!!

[Ghoul]

ma, javlja mi se, moraću i ja da bacim pogled na to, kao stari zastupnik pristupa 'greota da se baci', odnosno, 'rodilo se, valja ga ljuljati', tj. 'skinulo se, valja ga gledati'!

[Ghoul]

a dok čekamo da iz mora francuske pornografije izroni INTERIEUR, evo još nečega što bi moglo da se stavi pod zub (iako, da se razumemo, ovo uopšte nije taj nivo i rang koji očekujem od INSIDE).
dakle:

French filmmaker Alexis Wawerka, passed on info and pics from LADY BLOOD, a new feature in which he took an acting turn as a junkie (in bottom photo). "It was made by director Jean-Marc Vincent, who did the werewolf short film WOLF PACK," he tells us. "It's a sequel to the 1990 film BABY BLOOD, also known in the States under the title THE EVIL WITHIN. It's very gory, and there are a number of stars in it like the great Philippe Nahon, who played the serial killer in HIGH TENSION and co-starred in IRREVERSIBLE. Many actors like Bruno Solo and directors like Xavier Gens [of HITMAN and the upcoming FRONTIER(S)] are making cameos as well.
"The story of the first film was about Yanka [Emmannuelle Escourrou], a young woman raped by an ancient creature who is forced during her pregnancy to feed the unborn child by killing men and eating them. Now in LADY BLOOD, 15 years later, Yanka has become a cop, and a mysterious series of gruesome murders have taken place in Paris. Soon Yanka and her team have to face the truth: the murders aren't perpetrated by a human, but by a cannibalistic creature. The movie will be a mix between SE7EN, STREET TRASH, SLiTHER and BRAIN DAMAGE."

[Ghoul]

OVO NIJE LEPO!
Dimension Extreme will not be releasing the incredible French horror film Inside this March like previously reported, it is now slated under "to be determined".

A NIJE LEPO NI TO ŠTO NEKI POKVARENJACI RADE: prethodnog vikenda skinuh neki fajl koji se uzdavao za INSIDE a zapravo je samo trejler filma nalepljen 15ak puta na loop u trajanju od 80 minuta.
baš ima pokvarenog sveta...

za sada je jedino izvesno honkonško izdanje dvda U MARTU!
tada bi, najkasnije, trebalo i da najzad dobijemo dvd rip filma!!!
   

[cutter]

trejler filma nalepljen 15ak puta na loop u trajanju od 80 minuta.

prokleti cinefox telesync

ovde pise da DVD izlazi 20. fevriera

[Ghoul]

ovde pise da DVD izlazi 20. fevriera

da, ali to je verzija BEZ ENGLESKOG TITLA, koja većini nefrancuskog čovečanstva ništa ne znači.

ponavljam, tek u martu u HK izlazi DVD sa eng. titlovima.

inače, ovo francusko je zaista fascinantno krcato dobrim extras:
Contenu du DVD A l'intérieur
Le Film : A l'intérieur
- Les commentaires audio des 2 Réalisateurs
- Le making of diffusé sur Canal (52 mn)
- Les 6 modules vidéo qui suivent l'élaboration du projet, choix des affiches, projections de presse...
- L'interview des 2 Réalisateurs sur leurs 10 films cultes
- L'interview de Béatrice Dalle
- Les réactions des Réalisateurs lors de l'avant-première de leur film sur les Champs-Elysées
- Les films annonces et teaser
- La pré- bande-annonce du film présentée aux producteurs pour les convaincre d'investir pour ce film
- Le court-métrage de Julien Maury : "Pizza à l'oeil"
Editeur