S obzirom na nepostojanje striktnog topica za azijsku kinematografiju,nije zgoreg pokrenuti doticni,jer poslednjih 10 godina se javlja tendencija okupranja svetske filmske bastine idejom,filozofijama moderne pokretne slike sa dalekog nam istoka.....
Mad Detective (2007) Johnny To/Ka-Fai Wai ****
Jedan od vodecih tandema HK scene se ponovo upario da bi nam doneo splet cudnih okolnosti,likova povezanih serijskim ubistvima,sluzbom u kojoj rade i misterioznim nestancima kolega.....
Toov osecaj za preciznost,kritican momenat,surovo detaljisanje,magnetna privlacnost harizmaticnim nosiocima glavnih rola,uparen,naravno,sa onim sto Johnnyu esencijalno nedostaje,a to su Waiev tradicionalno kineski dodir sa natprirodnim,bez namere da elemeti fikcije i fantazije budu nosioci radnje.
Na kraju dobijamo produkt koji poseduje jak sentimentalno-melodramaticni karakter,sa Toovim tradicionalno matematickim privodjenjem zavrsetku,koji bas zbog njegove preciznosti gubi snagu i pocetni potencijal za veliko dostignuce.Medjutim, HOWEVER,Johnny To,za razliku od svojih sunarodnika Ang Leea ili Zhang Yimoua,i nikad nije imao tendencuju da stvara monumentalna i krucijlna epska dela sedme umetnosti,vec se naprotiv drzi svoje zanrovske opredeljenosti i zbog toga upravo i ima veliki broj sledbenika i poklonika sirom sveta.
Mad Detective je odlican film,na momente smesan,zbunjuci,sokantan,ali u biti melodramatican,a ono sto je najbitnije,MD na najbolji nacin oslikava paralelu i razliku sa svojim Japanskim pandanom Nightmare Detective,izmedju HK i Japanske kinematografije.
Saekjeuk shigong AKA Sex is Zero (2002) Je-gyun Yun 3.5/5
Korejski blokbaster sa ovogodisnjim nastavkom je simpatican odgovor na americki America Pie serijal,s tom razlikom sto koreanci ipak imaju specifican pogled na svet,jedinstven azijski humor,jak emotivni naboj(mozda i suvise za potencijalnu teen komediju),koji za rezultat na kraju ima vrlo zabavan mali filmcic,sjajno izreziran sa interesantnim jump cut,FF pokretima,u modernom koloritu,sa jakom osloncem na zapadnjacku filozofiju u pogledu soundtrack odabira.
Prilicno explicitan za svoj zanr,je kao takav i bio interesantan americkim distributerima....glavna mana i problem su naravno deja-vu problemi,koje svako ima,podsecajuci se prosecnih americkih uradaka,pa ipak ovo je svakako iznadprosecan film. :!:
Better Than Sex
Lin, a 17 year old high school student thinks the most important thing in his life is his collection of 4,572 porno magazines. Cheng, owner of the biggest pornography store in Taiwan, became Lin's only friend. Before dying, Cheng told Lin "Take this key, go to that place, then you will know what is love, what is sex, and what is the meaning of life."
Moguca li je bolja preporuka?
http://www.imdb.com/title/tt0373718/
vidim, ovo se polagano pretvara u SEX topik.
ne bunim se, samo zapažam...
Kung Fu Dunk (2008) Yen-ping Chu 2.5/5
Hongkongska produkcija ume da zabavi,a usled nagle popularnosti kosarke u Kini,i prvih NBA zvezda kakva je Yao Ming,usledio je Shaolin Soccer izmedju dva obruca.Nazalost,sve je otprlike i ostalo na pokusaju otimanja slave ionako ne bas preterano kvalitetnom prethodniku Stephen Chowa.
Ono sto je najbolje u ovom filmu,pored extra odradjenih vratolomija,i poslovicno kvalitetnih kunf fu machopremalcivanja,je izuzetna scenografija i kompletan setting,koji barem malo skrece paznju sa cinjenice da je ovo ipak deciji film,i ne za starije od 12 godina recimo. :)
Ovakve sam boje ocekivao od Ardjentove Trece Majke,a dobio ih od kineskog decijeg funlovin' teatra !!!
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Fbscap000-25.jpg&hash=177333764507f6414af10f6edbfed19fcb875c32)
Cheung Gong 7 hou (2008) Stephen Chow 3.5/5
Stephen Chow je opet iznenadio azijsku publiku,i podelio kritiku,decijim filmom o decaku iz siromasne cetvrti u susretu sa UFO elementima.Rasprava na azijskim forumima ide preko upotrebe Cantonese i Mandarian jezika u istom filmu,shodno castu razlicitih kineskih klinaca,iz suprotnih kantona,pa do otvorenih pitanja,dali je CJ7 halucinogeni masterpiece,ili samo jedan prosecni E.T. rip-off.
S obzirom na svoje prethodnike Chow ovde ne koristi previse CGI,a i sebe je svesno stavio u drugi plan,gurajuci tako gomilu klinaca pod svetlo pozornice.
CJ7 je malo sirovo gradivo za zapadnjacku publiku,pre svega zbog intheface humora i tradicionalnog pateticnog izliva emocija,koji pomalo izazivaju mixed-up osecaje kod starijih adolescenata,a s druge strane,film i nije usmeren ka iskusnijim filmofilima,vec bi mozda bilo lepo da domaci distributeri izvade glavu iz Harry Potterove guzice,i pokazu nesto drugacije nasim klincima u domacim bioskopima. :)
Gun of Mercy (2007) Xiaofeng ***
Jos jedan ovogodisnji HK blockbuster bioskopski hit,koji za divno cudo IMDb jos uvek ne registruje,je ponovno kinesko poigravanje omiljenom im tematikom,velicanjem zivota i smrti u uslovima kada ljudi jednostavno ne mogu jedni bez drugih.
Patetika all the way & bad to the bone karakter biva narusen prelepom scenografijom,ali i ispod prosecnom rezijom akcionih sekvenci i sturim koriscenjem specijalnih efekata.
Film ipak na neposredan nacin,i nazalost nevesto,pokazuje najveceg prirodnog neprijatelja Kine,poplave,odrone zemljista, divlje i nabujale ogromne reke,koje u Gun of Mercy odnose ravno:jedan zivot....i to neposredno ! :x
Chugyeogja AKA The Chaser (2008) Hong-jin Na 4.5/5
***Fun Stuff
Movie Connections:Remade as The Chaser (2010) ********
Neverovatna stvar kako su hollywoodski producenti brzo reagovali ovog puta,i samo nekoliko nedelja posle javnog prikazivanja otkupili prava za rimejk !FILM JE ZAISTA FANTASTICAN !
Ako moderan akcioni-triler moze danas da pruzi jednako uzbudjenje od oba zanra,onda je to DEBI !Hong-jin Na,The Chaser !Vec u prvih 20 minuta sam se pitao nekoliko puta:Kako im samo uspeva ???Taman kad covek pomisli da korejci ne mogu ni priblizno prici Memoirs of a Murder vise ikad,a ono dodje neki debitant,i pokaze kako oni izrastaju u vodecu filmsku industriju....The Chaser vam ne da pet minuta da uzmete dah,niti par sekundi da sklopite oci,jer svaka recenica odaje po jednu sitnicu u dinamicnom scenariju,a sto je najbitnije,ta prica ni malo ne podilazi gledaocu,tako da krajnji efekat ima prilicno gorak ukus u ustima,and a lot to think about !....koliko ce americki rimejkbiti osakacen,videt cemo.....
Anyway,neverovatan debi autora,jake i realisticne role svih vodecih pojedinaca,poslovicno izvrsna scenografija,sa tradicionalno gomilom prolivenih litara kise,prilicnim brojem gore elemenata za jedan triler i jedan vanserijski akcioni dozivljaj.....totalna preporuka ovog puta !!! :D
Zvuči divno. Kakva vrsta kopije je u opticaju?
"Warner Bros. has picked up remake rights to South Korea's surprise hit The Chaser from director Na Hong-jin, reports Variety."
Quote from: "Meho Krljic"Zvuči divno. Kakva vrsta kopije je u opticaju?
Najbolja,DVDRip velicine 1,4 podeljen na 2 fajla,zasad samo sa engleskim prevodom......
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2FChaser2.jpg&hash=b88851c2659c11d4e2c87111a77943908d49371d)
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2FChaser1.jpg&hash=38ceb321552e0c73a5c55ce6beb4c5b158770067)
Engleski prevod je sve što tražim od njih!!!
Ovo ću pogledati, čak i sa mojim limitiranim vremenom posvećenom filmovima.
Kad smo kod prevoda, ona verzija Sympathy for Lady Vengeance koja je bila u našim video-klubovima imala je najgori prevod (ako to može tako da se nazove) koji sam ikada video u filmovima. Ne znam korejski, govorim o gramatici i semantici. Daju botovima da prevode, šta?
Quote from: "Meho Krljic"Engleski prevod je sve što tražim od njih!!!
Evo ti/vam ga ovdje, ja ga upravo skidam:
http://search.utorrent.com/search.php?q=The%20Chaser&e=http%3a%2f%2fthepiratebay.org%2fsearch.php%3fq%3d&u=1***
chaser
jeeeebote bog, NAJZAD triler koji je actually THRILLING!!!!
prvih pola sata – izvanredno!
javljam se kad završim, ali ako nastavi ovako...
:!:
Chugyeogja AKA THE CHASER
moja ocena je 5- [****(*)]
http://www.dejanognjanovic.com/index.php/FILMOVI-I-TV-/431-Odg-Sta-se-lepo-od-filmova-gleda.html#431
U jebote.
Jel to najviša ocena koju si ikad dao nekom filmu?
evo i ja drndam to isto,moram da pogledam...
Poslednje iz korejskih produkcija mi je bio onaj...thing valjda,ona velika riba sta li....
a pre toga Old Boy....
Quote from: "SVAROG"evo i ja drndam to isto,moram da pogledam...
Poslednje iz korejskih produkcija mi je bio onaj...thing valjda,ona velika riba sta li....
Gwoemul AKA The Host ! :evil:
Quote from: "Shozo Hirono"Quote from: "SVAROG"evo i ja drndam to isto,moram da pogledam...
Poslednje iz korejskih produkcija mi je bio onaj...thing valjda,ona velika riba sta li....
Gwoemul AKA The Host ! :evil:
bravo!Jest, Host,taj!
Pazi mene...
dobro je imati te na ovom forumu i pratiti tvoje preporuke!
Keep up the good work! :wink:
Ja sam actually šokiran. The Chaser je IZVANREDAN. Najviše zato što tokom celog trajanja (koje nije malo - još malo pa dva i po sata) postaje sve bolji i bolji iako već posle prve trećine deluje kao da je čovek ispucao sve mogućnosti premise.
Moram da kažem da sam tokom celog gledanja mislio nešto u stilu "Kada je Holivud izgubio sposobnost da snimi ovakav film?" Mislim, ovo je verovatno koštalo kao jedna desetina Grind House, ali zašto Dejvidi Finčeri i Eli Rotovi i Roberti Rodrigezi i Džejmsovi Kameroni (dopisati po želji) danas ne mogu da snime ovakav film? Da li je moguće da nema dovoljno publike koja ne bi gledala film u kome nema
* pin up zvezda
* prenaduvane melodrame
* prenaduvane akcije
a koji bi koštao malo para?
The Chaser je film koji je neverovatno elegantan jer
* ima zaplet koji je nepredvidiv a opet logičan
* izvanredno je brutalan a opet savršeno umeren u svemu
* istovremeno prikazuje i najstrašniju socijalnu patologiju i najprostiju, neideologizovanu naturalističku čovečnost (think American Psycho meets Hubert Selby meets Ljubiša Samardžić or something)
* je režiran lepršavo a opet kompleksno
* neobjašnjen preokret sa detetom (barem je meni bilo nejasno šta se devojčici desilo i zašto) i prilično vidljiv plot hole (glavni junak ima ključeve sve vreme u džepu a zaboravlja to u odsudnim trenucima policijske istrage) mu zapravo ne smetaju
Stvarno je uživanje gledati film u kome
* nema isforsiranog character developmenta (na primer, ne eksploatiše se simboličko očinstvo glavnog junaka)
* policija nije predstavljena kao skupina superheroja ili skupina retardiranih budala, već kao *gulp* skupina ljudi samanama i vrlinama
* je comic relief nenametljiv i funkcionalan
* motivi i razlozi nisu obesmišljeni preteranom elaboracijom (čak, naprotiv, film ismeva ovu ideju)
* skript nije napisan tako da prepričava događaje iz filma
Kao bonus ću dodati i to da je konačno glavni junak u nekom azijskom filmu muškarac koji mi nije izazvao erekciju. To se retko događa. Mada su žene, razume se, sve odreda lepe kao anđeli.
Sve u svemu, film koji svako treba da pogleda, više nego jednom.
Pogledao na Koreanfilm.org i kažu da je The Chaser najgledaniji film ove godine u Koreji, za 20% više nego Iron Man (5 miliona prema 4 miliona prodatih karata). I tamo sam naletio i na ovo:
Looking ahead, the year will see new films from several established names. Kim Jee-woon returns with his ambitious spaghetti Western The Good, the Bad, the Weird, scheduled for a July release, and Park Chan-wook's long-awaited vampire movie Thirst may be ready in time for December.
Tako, pored svih gornjih preporuka za film, imate i jednu moju: efektivno, sinoc u gledanju filma provedenih vise od dva sata, a da mi ni sekunde nije bilo zao...
Uljuljkivanje u komiku sredinom filma je maestralno izvedeno, poboljsava ton celokupne drame, dodatno upecativsi junake. Inferiorni Holivud ovako nesto ne moze da snimi, dobrim delom zbog nekompetentnosti scenarista, rezisera, konfekcijskih glumaca, uz to vec obogaljenih naletima politkorektnih brigada. Tu bi se pre gledali stereotipi, raspodela uloga po rasama, strah od prikazivanja nasilja (i uz to, medjuljudskih odnosa), da se neko ne uvredi...ustajali pesak u vaginama bez zuba. Publike svakako ima, ali poluga koje bi digle taj jaram nema. Bar ne za visu produkciju.
Sam scenario nije savrsen -neubedljivo pustanje iz stanice, pomenuti kljucevi...ni meni nije bilo jasno sta se desilo sa devojcicom. Takodje, voleo bih da znam vise o serijskom, njegovom autsajderstvu, otudjenosti.
Kamera, rezija, gluma - odlicni. Pronalazenje parazitske strave u srzi svakodnevice, mirnoj patologiji u birokratskom okrilju policijske stanice, vesto izbegavsi patetiku, presek drustvenog ozracja, gnjurenje ispod povrsine, sve je uklopljeno tako da nedostaci pojedinih detalja predstavljaju samo manje zamerke, niposto ne oduzimajuci od konacnog utiska, uz nekoliko antologijskih scena. Remek delo.
"neubedljivo pustanje iz stanice" = ako misliš na ono što su moral ida ga puste jer nisu imali dokaza... pa, imajući u vidu način na koji je priveden, i objašnjenje kome verujem na reč, da tako piše u nekom zakonu da bez dokaza ne mogu da ga drže duže od 12 sati, meni to pije vodu.
"sta se desilo sa devojcicom" = meni je to zaista zasmetalo, kao da je tu isečena scena; nije da je bitno za priču (pretpostavljam da su na nju naletela neka kola – neka svinja koja je produžila dalje) ali je u do tada glatko vođenoj priči to bio jedan manji ŠTUC!
da, slažem se: holivud ovako nešto ne može danas ni da ZAMISLI.
znači, nije stvar u resursima, u cenzurama, u komisijama, u ovome ili onome nego samo i jedino u tome što je promenjen mindframe u kome filmovi nastaju, gde je sve podređeno GIMMICKu a sve manje imaš priča koje su zasnovane na LIKU i koje se razvijaju IZ LIKA.
verovatno su i u ovome holivucki rimejkaši videli samo gimmick:
wow, the clock is ticking, žrtva je nesvesna u domu ubice, hoće li biti spasena pre nego što sat otkuca 12, dakle klasika još iz doba nemog filma: cura je vezana na pruzi, hoće li je neko spasti pre nego što naiđe voz u 03.10 za jumu?
a njen makro će da bude pajkan zlatnog srca koga proganja smrt supruge nakon čega je napustio policiju, a možda mu je i ćerka poginula, pride (da mu lik bude dublji, a neobrijane čekinje još tvrđe i masnije-zapuštenije) tako da, onda,... bla bla...
nešto razmišljam, taj rimejk bi imao bar DUH ŠANSE ako bi makroa igrao miki rurk.
pa, mogu da to podvedem pod nesposobnost, cinovnicki strah - postoji istorija policijskih propusta sa serijskim ubicama (cikatilo, damer itd) ali ipak je tip priznao i to ne neubedljivo - dakle, ocekivao bih daleko stegnutiji odnos prema njemu, proveru, efektnije pracenje, vise paznje tom detalju koji ipak nista znacajno ne kvari.
da, holivudska razrada (ko zna, mozda i rimejk padne) ovoga ne bi videla dalje od tropa, bitno bi bilo da se one postave, dok za valjanu izvedbu nema kapaciteta. cak i da daju rurku da glumi, ma i rurku iz osamdesetih, ugusio bi ga smrad 21. veka oko njega. osim ako bi ga izmestili u neko zdravije okruzenje. ipak su istocnjaci napredni, imaju filtere za filtere.
South Korean Police, 12 July 2008
Author: gonzo29 from South Korea
Actually, the South Korean police ARE about as inept (or worse) than portrayed in the movie.
The movie is based on a true story, and if I remember correctly it WAS the "pimps" that caught the killer, not the police. It was the "pimps" that found the common thread of the killer's phone number linked to the missing girls...the police didn't want to hear about any of it.
More recently (May 2008 or so) there was an abduction attempt of a young girl in Korea. A neighbour, hearing the girl's screams saved her. The kidnapper got away. There was CCTV footage of the attack, the kidnapper's face could be seen clearly in the video, and the police REFUSED to look at it. The gitl's family begged them to look at the video to find the kidnapper. The police said it was a common assault (the kidnapper beat the girl) and not a serious enough crime to pursue. They also wrned the family NOT to go to the press with their story. They did, and finally the President of Korean had to step in and tell the police to do their jobs.
The scene of the police officers SLEEPING in their car is a common sight for anyone living in South Korea. I see it all the time.
Trivia: A surprise box-office hit in Korea, with a relatively unknown cast and a first-time feature director (Hong-jin Na), this low-budget thriller is currently sitting comfortably at the top of the most seen films of the year in the country. Was quickly snatched up by Leonardo DiCaprio's production company with The Departed writer William Monahan intended to direct.
znas li vise o tom istinitom dogadjaju?
a ovo drugo, jedno je kad kidnapuje, pa i ubija nepronadjen, drugo je kad u stanici prizna da je smakao tolko i tolko komata.
nego,
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sledeci mu je THE MURDERER:
Plot
A dark tale concerning a man forced to become a murderer to overcome starvation.
:!:
P.S.
Slabo te citam Shozo :oops: , sad vidim da si napisao da se sprema holivudanje...
Quote from: "cutter"
A dark tale concerning a man forced to become a murderer to overcome starvation.
:!:
:shock: :shock: :shock: ukradoše mi ideju
:roll:
još samo da mi ukradu ideju o.... EDIT :evil:
:shock: kako sam propustio ovaj dragulj?
http://www.trutv.com/library/crime/serial_killers/weird/yoo_young_cheol/1.html
Son of Mane, znade li ti za ovog?
procitavsi clanak, mislim da se pustanje nakon priznanja moze podvesti pod reziserovo svesno parodiranje policije, i potpuno biti prihvaceno kao takvo, u svetlu traljavosti (zato sam i rekao parazitska strava - u smislu nesvesnosti, nesavesnosti prema parazitu). takodje, sada mi ne smeta sto se film nije vise bavio biografijom ubice. recimo, nedavno su ameri izbacili ZODIJAK, film slicne tematike, i to veoma dobar - i premda ima nekoliko odlicnih scena, u odnosu na CHUGYEOGJA deluje sputano, svakako ne zato sto je Fincer nevest. ali, ovaj film je slobodniji produkt zdravije klime, uza svu vestinu rezisera, glumaca, scenarista...to je bitna kinematografska stavka.
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fwww.trutv.com%2Fgraphics%2Fphotos%2Fserial_killers%2Fweird%2Fyoo_young_cheol%2FYoo-Young-cheol200.jpg&hash=b54ac7f02b81a467b56c854a7749fd75601d1b0a)
takodje,
Quote
Police admitted that they had little to go on, citing lack of evidence or witnesses. Adding to the climate of fear in the city was a news documentary about the string of murders. After that was aired, Internet message boards flooded with gossip and hearsay such as women should avoid wearing red or white on rainy days or on Thursdays. Much of this was influenced not by facts, but from the Korean thriller "Memories of Murder."
uz to, na http://www.nydreamer.com/2008/05/25/i-want-to-see-this-movie-the-chaser-chugyeogja-2008/
pise da bi kasapljenu verziju rezirao Nolan, a glumio DiKaprio...nesto high profilisanije nego sto bih ocekivao.
Za mene je cela zavrzlama oko policije i puštanja ubojice iz pritvora manje problematična jer je prilično napora uloženo da se pokaže kako je ovo kritika ne samo birokratizovanog sistema nego urbane konfuzije/ otuđenosti uopšte. Kako gore (ne)rekoh, nešto kao Američki Psiho meets Policajca sa Petlovog brda. Ono, jeste, u scenariju je potrošeno prilično vremena da se obrazlože političke konotacije celog slučaja, sa fekalnim incidentom u koji je umešan gradončelnik, te sa činjenicom da je isti ubojica već dvaput privođen i puštan zbog nedostatka dokaza, a da je ovom prilikom zdravo oplavljen a mediji samo čekaju još neki kiks policije pa da skidaju glave...
Mislim, pored svega, naravno da je skoro neverovatno da čovek zajebava celu stanicu, daje pogrešnu adresu stanovanja i smeje se njihovim pokušajima da ga pronađu i da na kraju odlazi kao slobodan čovek, ali to je ona umetnička sublimacija realnosti koja završava kao ne-realna ali plauzibilna slika u umetničkom delu. Dakle, ja bih ovaj element filma posmatrao više kao nabokovljevsku (Poziv na pogubljenje) farsu nego kao strejt ap priču.
Quote from: "Ghoul"
"sta se desilo sa devojcicom" = meni je to zaista zasmetalo, kao da je tu isečena scena; nije da je bitno za priču (pretpostavljam da su na nju naletela neka kola – neka svinja koja je produžila dalje) ali je u do tada glatko vođenoj priči to bio jedan manji ŠTUC!
I think it's the delivery motobiker that drove away, ran over her.There were plates and foods scattered around her.
I jos malo razjasnjenja,s obzirom na dinamiku,tesko je bilo pohvatati sve sitnice:
***********SPOJLERI !*******************
Towards the end, the pimp went to the church and questioned a priest about the serial killer. The priest identified the serial killer as Mr. Park when he's shown with the ID photo. But didn't the ID card reads Ji Young Min (the serial killer's name)? Also, how did the pimp find out which house the serial killer's located?
***
well mr. park was the name of the guy whose house the serial killer was living at. the older couple who came by from the church were asking about mr. park because they hadn't seen him in a while, so that would be how the pimp found the right house.
how the priest got mr. park from the id card though, i don't know.
***
The priest said that Park and Young-min Jee where friends and that Park would probably know where to find Young-min Jee.
***
I think park was housing the killer, the killer is the one design the Jesus cross, thats why priest can identified the ID and also know he is staying with park.
***
Mr. Park whose house where the hell took places at, is the sponsor of the church.
The very house, nametag on the front entrance it says "Park,(put your fav korean name here)," in chinese characters.
A najbolja vest za one koji nisu gledali,da je film preveden na nashki. :!:
http://www.divx-titlovi.com/en-us/divx-subtitles/download/chugyeogja_2008_aka_the_chaser__bifos__2_cd/59385.aspx
Deo Ge-im AKA The Devil's Game AKA The Game (2008) Yun In-Ho ***
Evo jednog Korejca od kojeg sam ocekivao znatno vise,koji je btw i podigao znacajnu masu prasine na trekerima i blogovima,medjutim....
Zvezda filma je dobro poznati nam Ha-kyun Shin iz filmova kao sto su No Mercy for the Rude,Welcome to Dongmakgol,Save the Green Planet!,Sympathy for Mr. Vengeance i Joint Security Area i njegov posao u ovom filmu je korektno odradjen.Tematika filma je puno puta prezvakana vec tokom godina i u razlicitim produkcijama i industrijama,i na razlicite nacine...to je slucaj i ovde.Prilicno pravolinijsko kretanje radnje,uz nazalost dosta nepotrebne patetike,a uz to sa malo akcije,a mnogo potrosenih litara kise,nije donelo mnogo dobroga.Neobican twist na kraju malo osvezava sliku,ali ne dovoljno da bi celokupan ugodjaj imao moju pozitivnu kritiku......a mozda se Ha-kyun Shin samo zagrevao za novi C.W.Parkov Thirst.
For Korean filmmaker Park Chan-wook, revenge is a dish best served live.
The director most associated with the "Asian extreme" genre and known for his "Vengeance trilogy," once made one of his actors eat a live octopus -- three times.
Many of his films then are not for the faint-hearted, or weak of stomach, but devouring a live cephalopod is relatively mild compared to some of the themes of Park's films.
However, it's the psychology of violence rather than all-out blood, guts and tentacles that has been the focus of much of his work.
"It's the fear and disturbance that comes right before the violent act and the pain that comes after it. ... I am not greatly interested in the action itself. I believe that portraying violence in this way does not really influence audiences to engage in violence," he said.
The 44-year-old filmmaker's skewed view first gained international attention with his "Vengeance trilogy": "Sympathy for Mr. Vengeance" was released in 2002; "Old Boy" won the Cannes Grand Jury Prize in 2004; followed by "Lady Vengeance" in 2005. Park, however, first found big-screen success in 2000 with "Joint Security Area."
Portraying North Korean soldiers in a more sympathetic light than their South Korean counterparts, "Joint Security Area" became the top all-time moneymaker in South Korea at the time.
It took a liberal view of a previously taboo subject, but did not hint at the stylized and inventive way in which the director took on some dark themes in the "Vengeance" films.
While there are plenty of visceral elements in his films, and some jolting editing techniques (he once described them as "like a knife cutting through tofu"), the considered and soft-spoken director is worlds away from his twisted films' characters.
"Personally, I think that my normality and the fact that I grew up in a very average environment made me grow tired of it all, and make movies to escape the monotony," he said.
Park has said that his early movie education mainly came from watching old Hollywood films. Many influences on his work have come from sources outside of cinema, including Manga comics, one of which was the inspiration for "Old Boy".
"At first when I heard the story, it was about a person who was thrown into the middle of nowhere, without knowing why he was there or how long he would have to stay. I was attracted by this setting. This, for me, was a significant depiction of the condition of human beings. Aren't we all born to this earth without a reason? And we also don't know when we're going to die...I was attracted to this idea for the movie."
Knowing that he wanted to be a filmmaker came towards the end of his student days.
It was his interest in aesthetics as a student of philosophy that led to an initial ambition to be a film critic. It was only when he saw Hitchcock's "Vertigo" for the first time as part of a student film society did he realized he had to switch from writing about film to making it.
Added to that personal epiphany, it was the same day that he met his future wife, with whom he has as 12-year-old daughter.
His last film, "I'm a Cyborg," took a different tack from those used to the depravity of the "Vengeance trilogy". Focusing on a patient in a mental institution who thinks she's a robot, it has an off-beat charm, and the hyper-violence of earlier films was dispensed with in favor of child-like whimsy.
As well as showing another side of Park's character, he has admitted it was also a chance to make a film his daughter could enjoy with her friends. His next work, "Thirst," a vampire film, will be a return to violence and twisted relationships .
"I think it will be the most moral movie of mine ever, because the main character doesn't really want to drink but has to go through the conflict of that and so it will be dark, it won't be the darkest film," he told CNN.
'Kimchi Westerns': A struggling South Korean movie industry hopes for revival
The Associated PressPublished: July 23, 2008
HONG KONG: South Korean movie executives are watching to see if an unusual summer blockbuster — a "kimchi western"_ can help change the fortunes of a struggling domestic industry known for holding its own against Hollywood imports.
The US$17 million "The Good, the Bad, the Weird" is about three Koreans — a bounty hunter, a bandit, and a train robber — who battle for a valuable map in an area of northeastern China known as Manchuria during the Japanese occupation of the 1930s.
Reviving the genre of "Manchurian westerns," popular in South Korea in the 1960s and 1970s, the movie features three of the country's biggest stars and the title mimics Italian Sergio Leone's highly successful 1966 western "The Good, the Bad and the Ugly."
The tag "kimchi western" also mimics the 1960s genre of Italian films dubbed "spaghetti westerns." Kimchi is a typical Korean dish.
The lavish production, directed by Kim Jee-woon, comes during a depression in the South Korean movie industry.
"It is my desire to broaden the scope of Korean cinema and add to its different colors," Kim told The Associated Press.
Once the pride of Asian cinema for its epic historical dramas and gut-wrenching love stories, South Korean cinema is losing its luster abroad and suffering disappointing box office figures at home.
In 2006, overseas sales plummeted nearly 70 percent from a year earlier to US$25 million, with Japanese sales plunging 83 percent to US$10 million, according to figures compiled by the Korean Film Council.
Last year, leading South Korean movie production company CJ Entertainment broke even on only five of the 36 movies it invested in and distributed, according to the yearbook Korean Cinema 2007.
And a Hollywood movie was the box office champion in the capital Seoul for the first time in recent years when "Transformers" drew nearly 2.3 million viewers.
The top local movie, the dragon thriller "D-War" came second with about 2.1 million admissions.
By contrast, the No. 1 movie in 2006, the South Korean monster thriller "The Host," drew about 3.6 million viewers in Seoul.
Movie executives are hoping the new star-studded production — featuring Jung Woo-sung, Lee Byung-hun and Song Kang-ho — can turn the tide.
"It is being seen as a critical release for the film industry as a whole — both because it's such an expensive, risky project and because there has been so little good news for the industry this year," said Darcy Paquet, founder of Koreanfilm.org.
The movie was shown in May at the Cannes Film Festival where it received positive reviews.
Hollywood trade magazine Variety's reviewer Derek Elley said it lacked the "epic breadth" of Leone's "The Good, the Bad and the Ugly" but its style is "100 percent Korean."
CJ Entertainment Director of Film Festivals Heejeon Kim said the movie has been sold to distributors in the U.S., Europe, Turkey, Iran, Russia, Singapore and Vietnam.
The film has drawn 2.7 million viewers nationwide since opening last Thursday, according to statistics provided by CJ Entertainment.
"If it sells 8 or 10 million tickets, then it may provide some reassurance to nervous investors that local audiences are still interested in Korean films," Paquet said.
But some observers also say a lone hit can't save the entire industry.
"What the industry needs is more films that make profit than one hit," said Jonathan Kim, chief executive of another South Korean movie studio, Dyne Film.
Imaju finansijskih problema i okolne filmske industrije,pogotovo Hong Kong,ali za razliku od Hollywooda barem imaju slobodne autore,dok globalisti imaju mocne producente. 8)
Eijanaika (1981) Shohei Imamura 3.5/5
Uvek je specijalan dan za mene kada se gledaju Imamurina remek dela.Svakih pola godine naostrim ochne kapke,protrljam mozdane celije,udahnem duboko,i krenem u zivotno-istorijsko iskustvo,nikad krace od 2 sata.Eijanaika traje 2 i po sata,ali koliko god neverovatno zvucalo,ovog puta su umetnost i emocija bile uskracene upravo zbog nedostatka dodatnih pola sata.Zasto?
Majstor jednostavnog zapleta ostaje MAJSTOR,i tu nema spora.Kenji je mladi Japanac,godina je 1866a.Njega brodom,pijanog,na obalu Yokohame dopremaju Amerikanci uz reci:"Kenji je americki drzavljanin sada(a nija ga bilo 6 godina !),treat him with respect !"Naravno,izlisno je reci da ga Japanci odmah strpaju u zatvor,iz kog on odmah i bezi.
Nesto ranije veleposednik,plemenski vodja,vlasnik bordela,osvedoceni poligamista,Kinzo na lukav i prepreden nacin sprovodi totalitarnu politiku dizanjem cena pirinca i ulja,izazivajuci nemire i pobune,koje uspesno reflektuje na protivnike.Sa njim zajedno kao bodyguard koraca i Furukawa,bivsi samuraj,sada ronin.
Bez prevelike pompe i naglasavanja Imamura Kenjiev dolazak simbolicno vezuje istorjiskim dogadjijama.Amerikanci ga(Jenikiji) vracaju kuci 1866e,a bio je tamo 6 godina,sto naravno znaci da je bio iskoriscen u gradjanskim sukobima 1861-65,a posle toga elegantno sutnut nazad.Na njegovoj sudbini Imamura fantasticno opisuje sudbinu prosecnog,siromasnog Japanca u XIX veku.Kenji je ponizavan,varan,hapsen,pustan,iskoriscavan,dizan iz pepela od pionira seoske pobune do tragicnog heroja.Na slican nacin,njegova zena Ine je simbol prosecne Japanke XIX veka,sto je u filmu jos explicitnije i grotesknije prikazano.Kada Kenji po povratku dodje zeninoj kuci,posle 6 godina,ocekuju ga tastove reci:"Nismo imali para,morali smo da je prodamo !!!"Imamura zenske likove tretira u Eijanaiki surovije no ikad.Ne postoji ni jedna koja nije kupovana,prodavana,silovana ili odata prostituciji.
Poseban i najbolji deo filma je poslednjih 20 minuta,koji se mogu nazvati i Imamurinom kadencom,jer se on do te mere specijalizovao,da mu retko ko ikad moze prici.On na duhovit nacin karnevalsko-maskaradnu paradu pretvara u pobunu protiv vladara,sa gorkim obrtom.Grupne scene su majstorski odradjene na sjajnim lokacijama.
Vrlo je tesko kvalitetno vrednovati Imamurine filmove,jer oni disu i posle nekoliko dana i nedelja,slike stizu jedna drugu,a elementi bivaju jasniji i znacajniji.Ipak,uvodjenjem gomile likova,obuceih u autenticne nosnje,predstavljenih u nekih 10ak minuta,Imamura stvara malu pometnju i konfuziju.Dijalozi su brzi i efektni,ali i teski za pohvatati.Duhovitost i vrcavost iz prvih pola sata se pretvaraju psihilosko seciranje likova,drustveno degradiranje i ismevanje.U tome je uspeo,ali meni licno fali Imamura koji mi ostavlja veru u zivot,i sirok osmeh na licu.
verovatno znas, al:
Quote from: "Shozo Hirono"Furukawa,bivsi samuraj,sada ronin.
ronin je i dalje samuraj.
Pa, dobro, al nema stalnog poslodavca. :lol:
ni sepuku u rezimeu :evil:
Quote from: "cutter"verovatno znas, al:
Quote from: "Shozo Hirono"Furukawa,bivsi samuraj,sada ronin.
ronin je i dalje samuraj.
Znam,a i znam sta pisem,jer gore navedeno ima smislenu materijalizaciju u samom filmu. :wink:
******QUOTE*******
Hanjiro:The Shogunate's people are to blame,They are no longer samurai. They're just fools
Furukawa:Don't you think samurai are necessary?
Hanjiro:That's going too far,you think farmers and
merchants can lead Japan?
Furukawa:America has no samurai
Hanjiro:Our history is different. Samurai have pride,Farmers and merchants are no patriots.
Furukawa:You should blame the social system
Hanjiro:Nonsense.Why did you come here?Because you are a samurai, right?
Furukawa:Yes. Because I'm a samurai,I will kill you.I still can't forget I'm a samurai.
Biyeolhan geori AKA A Dirty Carnival (2006) Ha Yu ***
A Dirty Carnival je jedan od mnogih Korejskih filmova poslednjih godina u kojima su nosioci radnje mladi kriminalci,odnosno u ovom slucaju mladi 29ogodisnji gangster.Film ima sve naznake kvalitetne tvorevine,dobru reziju,sjajan set,kvalitetan cast,ali ne uspeva da dobaci do svojih mnogo kvalitetnijih Korejskih prethodnika A Bittersweet Life ili Chingoo.
Ja znam da azijati vole karaoke(a posebno gangsteri ili jakuze !),jer im to dodje kao neka zal za mladost ili what so ever,emotivno praznjenje,ALI ovoliko karaoka i vriskanja na jednom mestu tesko ce covek naci.Cak se i main theme(neki korejski pop hit!),toliko usadi u organizam,da vas progoni danima !Naravno imamo i ogromne kolicine kise.
Ha Yuov pad u odnosu na prethodni Once Upon a Time in High School,zato sto A Dirty Carnival nema tradicionalnu nenametljivu duhovitost,ne ostvaruje ozbiljniji dodir sa gledaocem,ostaje usamljen u senci sveta o kome prica.Predvidivost je veliki problem takodje,tako da mozda Ha Yuu mozda fali malo Miikeove sokantne bizarnosti,ne bi li postigao kriticki uspeh svojih zemljaka.
If you're in dire need of a break from all things Indiana Jones this weekend, then we've got something just for you. The Good, The Bad, and The Weird is a Korean spaghetti western that's currently playing at the Cannes Film Festival. I hadn't even really heard of this until I saw the trailer, but now I'm pushing this out there because it looks so damn good. It reminds me a lot of Takashi Miike's Sukiyaki Western Django, but considering that film was absolute trash, this one looks a thousand times better. Plus - it's playing at Cannes! The fact that it got in and is playing there says a lot! I know this isn't everyone's cup o' tea, but it's a very refreshing diversion from the big summer blockbusters. Enjoy!
The 30ties in the Mandchurian desert. The Weird steals a map from a Japanese official. The Bad is paid to get it back. The Good is a bounty hunter who tracks them down. In this unpredictable, escalating battle for the map and the men, who will stand in the end as the winner?
The Good, The Bad, and The Weird is directed by Korean filmmaker Jee-woon Kim of A Tale of Two Sisters and A Bittersweet Life previously. The film has already played in theaters in Korea and is currently showing at the Cannes Film Festival in France. The film does not has a US distributor yet and has no US release date, although I'm hoping it will show at the Toronto Film Festival this year and probably pick up a US distributor quite soon.
'Red Cliff' Makes Box Office History
The most expensive Chinese film has finally become the most lucrative.
John Woo's battle epic "Red Cliff" has raked in 302 million yuan (US$44.04 million) as of Monday, setting a new record for Chinese films, Sohu.com reported.
It also became the only Chinese film so far to have crossed the 300 million yuan milestone, the report says.
Zhang Yimou's Oscar-nominated 2006 film, "Curse of the Golden Flower," was previously the most bankable Chinese film, earning 286 million yuan.
"Red Cliff" opened on July 10, and took only four days to earn 100 million yuan. It easily grossed 200 million yuan over ten days.
An unnamed representative from the China Film Group, which produced and distributed "Red Cliff," told Sohu that he expected the film to continue its popularity and eventually exceed the domestic record created by "Titanic." The 1997 American blockbuster, which grossed a total of 360 million yuan in China, is still unbeaten today.
Two gangsters, two actors, and a press conference
So Ji-sub and Kang Ji-hwan pose on press day (August 12) for upcoming movie A Movie Is A Movie (directed by Jang Hoon for Kim Ki-duk Films).
Well, they sure showed up in character. But with two such intense actors, I suppose that ought to be no surprise. I wish I could LIKE what either is wearing, but I'm content enough to stare anyway.
This is Kang Ji-hwan's big-screen debut — the two actors are the same age, but Kang explains, "When I debuted, So Ji-sub was already a big star, so I felt a strong sense of rivalry with him. With the two characters being antagonists in the film itself, and considering that on location we would be co-lead actors more than friends, it would be a lie to say I didn't feel any rivalry."
He explains that this is because he'd felt a burden when first finding out he'd be acting opposite So Ji-sub. "I was playing the role of the star actor, but when we first met, I could feel that he was more star-like.
Ang Lee Takes 'Woodstock'
"Lust, Caution" director Ang Lee will start filming his latest movie, "Taking Woodstock," by the end of August, the Oriental Morning Post reported on Thursday.
The movie is a biopic based on the 2007 Elliot Tiber memoir, "Taking Woodstock: A True Story of a Riot, a Concert, and a Life."
Elliot Tiber is one of the founders of the famous Woodstock music festival, and the movie is intended to as a tribute for the fortieth anniversary of the festival.
Emile Hirsch ("Speed Racer"), Liev Schreiber ("The Painted Veil"), and British actress Imelda Staunton are set to star in the film.
Ang Lee will collaborate on the film with longtime partner James Schamus, a famous screenwriter and CEO of Focus Features, and the film will appear under the Focus label.
'Sparrow' to Fly to Mainland
"Sparrow," a gangster thriller by Hong Kong director Johnny To, will premiere on the Chinese mainland on August 22.
The movie, starring Kelly Lin and Simon Yam, finished to enormous applause at a screening in Hong Kong in June, and has been entered in the 58th Berlin International Film Festival.
The movie tells the story of a gang of four thieves who try to steal a key for a beautiful, mysterious woman. Sparrow is the code word for "thief" within their gangster circle.
Johnny To spent four years working on the film, the Beijing Times reports.
Johnny To is famous for his works portraying the dark side of society, but says he wanted to add a little romance to "Sparrow."
To that end, the filmmaker invited dancers from the Hong Kong Ballet to create dances that add a romantic element to the movie.
"I wanted to express something both exciting and subtle in 'Sparrow,'" Johnny To explains.
Japan's Strong Contenders for Golden Lion
Japan will have a strong presence at this year's Venice International Film Festival. The latest works from Kitano Takeshi (61), Miyazaki Hayao (67) and Oshii Mamoru (56) have all been chosen to compete for the top prize. Miyazaki's "Gake no Ue no Ponyo" (Ponyo on the Cliff by the Sea), and Oshii's "Sukai Kurora" (The Sky Crawlers) are the only animated features among the 21 entries. It'll be the first visit to Venice for both anime directors in four years. Miyazaki's "Hauru no Ugoku Shiro" (Howl's Moving Castle) had its world premiere at Venice in 2004, winning the Golden Osella Award for Technical Achievement, while Oshii's "Ghost in the Shell 2: Innocence" was entered in the main competition. Meanwhile Kitano will be hoping that his latest, "Akiresu to Kame" (Achilles and the Tortoise), can achieve the success of 1997 Golden Lion winner "Hana-bi." All three directors are planning to attend the festival which runs from August 27 to September 6.
Sex is Zero 2 (2007) Yoon Tae-yoon 2.5/5
Ovo je jedan od retkih filmova koje je Wikipedia detektovala pre IMDBa.A nije narocito kvalitetan.Sve sto je vidjeno u prvom delu se na manje vise slican nacin ponavlja i u drugom,sa razlikom sto su neki junaci malo stariji,ali ni za milimetar pametniji ili zreliji.Explicitnije tretiranje golotinje i sexa je razlika u odnosu na American Pie serijal,ali ipak neubedljivo,nedovoljno i cak pomalo i dosadno.
CROSSING. Director Kim Tae-gyun (Volcano High, Millionaire's First Love) has been making headlines with his latest production. It's the story of the problems facing North Koreans who cross the border into China. In the movie, Kim Yong-su crosses from a border town in North Korea to get medicine for his sick wife. However, he finds that he cannot return. When he doesn't come back, his eleven year old son decides to risk a trip across the border himself to find him. Cha In-pyo (Mokpo: Gangster's Paradise, Zzang) stars as Yong-su and his son is played by Shin Myeong-cheol. Also appearing are Seo Yeong-hwa (Memories of Murder) and Jeong In-gi (The Railroad). Produced by Camp B, the director and staff met with over 100 defectors to depict their experiences as realistically as possible. Filming is complete and this drama will be released by new distributor Vantage Holdings.
PUBLIC ENEMY RETURNS. ("Gang Cheol-jung: Gonggong-ui jeok 1-1") Director Kang Woo-suk got some egg on his face for his last attempt at a big-budget blockbuster, the chest-thumping Hanbando, and now he is returning to the series that resurrected his career. The original Public Enemy, starring Sol Kyung-gu, was a commercial and critical hit in 2002. The 2005 followup, Another Public Enemy, also starred Sol but he was playing a completely different character in that film. For the third time around, Sol will reprise the role of Kang Chul-joong from the original film, and he will be joined by talented actors Jung Jae-young, Lee Moon-shik, and Yu Hae-jin. Interestingly, the screenplay is written by Jang Jin, who is best known for his comedies but who has also shown interest in the action genre. Seemingly unsure of whether it is a sequel or a prequel, the film is calling itself "Public Enemy 1-1" in Korean.
LIKE FATHER, LIKE SON. ("Abeoji mari-wa na") A rock musician who has always believed in the free and easy life is reunited with his son after a fifteen-year separation. The character of his son is just the opposite of his father's and the two gradually realize that they compliment each other well. But then one day, a woman named 'Marie' comes to the house where they live. This is the plot of the third film by director Lee Mu-yeong who first gave us the black comedy Humanist and followed that up with the quirky Bizarre Love Triangle. Now after a five year hiatus, his third film is nearing completion. It stars Kim Sang-joong (My Boss My Hero, Holy Daddy) as the father Tae-soo, Kim Heung-soo (Romantic Assassin, Over the Rainbow) as his son and Yoo In-yeong (Spy Girl) as Marie. A bright spot in this cast appears with Oh Kwang-rok (A Moment to Remember, Waikiki Brothers).
LIFE IS COOL. ("Geunyeo-neun yeppeotta") Director Choi Equan, who debuted with Voice, the fourth film in the Whispering Corridors series of high school horror films, is turning to something completely different for his sophomore feature. Life is Cool is an animated film about three grown up men who all end up infatuated with the same woman. It ranks as the first Korean feature to use the "rotoscoping" animation technique that was used for Richard Linklater's Waking Life and A Scanner Darkly, in which real footage is shot and then later animated by computer. Starring in the film are Kim Soo-ro (Vampire Cop Ricky), Kang Sung-jin (Kidnapping Granny K), and TV actor Kim Jin-soo as the men, and Park Yeh-jin (Memento Mori) as the woman who turns their heads.
An Interview with Bong Joon-ho
Born in 1969 in Daegu, Bong studied sociology at Yonsei University in Seoul. In 1994-1995 he attended the Korean Academy of Fine Arts,where he produced his first short films. His first feature-length movie, Barking Dogs Never Bite ("Flanders-ui gae") won the Fipresci Prize at the Hong Kong Film Festival in 2001. Two years later he directed the serial killer movie Memories of Murder ("Salinui Chueok"), considered by many critics to be his best feature. In 2004 he produced a digital short for the Jeonju International Film Festival along with Asian directors Ishii Sogo and Yu Lik Wai for the collective feature Digital Short Films by Three Directors. His third film, The Host ("Gwoemul"), won Best Picture at the inaugural Asian Film Awards in Hong Kong, and established a national box office record in Korea with over 13 million tickets sold. Currently, he is working on a segment of an omnibus film focusing on the city of Tokyo involving also the French cineastes Leo Carax and Michel Gondry. This interview is extracted from a conversation with Bong Joon-ho during the Dongfang Film Festival in Naples (Italy).
How did you start approaching cinema?
I used to watch plenty of movies as a child. Television had a vital importance to my formation, because VHS tapes were not circulating yet in South Korea at that time. In the late 1980s, together with other sociology students, I created "Cineclick" -- a local organization devoted to discussion of Mass Communication and Media Arts.
Could you tell me more about Cineclick's activities?
We promoted screenings of Japanese and European films still unfamiliar to South Korean students. Cineclick attempted to encourage debate on audiovisual culture, and this experience helped to expand my vision of cinema. My gaze on moving images eventually became more reflexive and conscious. In 1993 we also shot a 16mm collective documentary, before I completed a short film vaguely based on the surrealistic atmosphere contained in David Lynch's Blue Velvet (1986).
What about your relationship with South Korean producers?
To date, I have been able to take advantage of a certain protege status. I have been both lucky and sharp to create durable relations with local producers. Tcha Seung-jae who produced my first two feature films has always trusted me. He defended the artistic choices I made, even when my debut film failed miserably at the box office.
Do you think that the theatrical flop of Flandersui gae (2000, pictured left) drove you towards film genres that were on the outside more conventional?
The screenplay of Flandersui gae is mainly based on my personal experiences, compared to the following features which were taken from news stories occurring in my country. The interiors for that film were shot at my former flat in Seoul. It can be considered as an autobiographical comedy, which follows the developmental pattern of a thriller. Who kidnapped the dog? Some settings like the hot-water heating room in the building may seem to evoke a dark ambiance that is far from comedic.
Your second film Salinui Cheok (2003) deals with a mass murder. Japanese cineaste Kiyoshi Kurosawa revealed that Se7en (1996), directed by David Fincher, had an influence on the direction of Cure ("Kyua", 1997). Did you take any inspiration from Hollywood serial killer movies such as The Silence of Lambs?
Both American movies you mentioned have become milestones in nineties cinema. They continue to exert a transversal influence worldwide on the new generation of film-makers. Besides I've always been an enthusiast of Japanese directors such as Kiyoshi Kurosawa and Shohei Imamura. Nevertheless, I don't consider them to have had a great influence on Salinui Cheok, which is based on a true story that really occurred in Gyeonggi Province between 1986 and 1991.
"Memories of Murder is made up of an unrelenting series of failures, frustrating the proper political vision of a country", argued Antoine Thirion in Cahiers du Cinèma. The story seems to implode, being adverse to any turning point. How did you come up to this narrative structure?
I attempted to focus on the characters' visceral feeling of ineffectiveness. The police detectives are doomed to fail in their investigations. This mysterious serial killer who truly haunted South Korean people twenty years ago still stays unpunished in our country.
This moving picture displays once more Song Kang-ho's actorial talent. How did you come to collaborate with him?
Despite the convincing performance of Lee Sung-jae, Flandersui gae was definitely a "floppola" in Seoul theaters. Therefore I decided to work with Song Kang-ho. His popularity was constantly growing, even among Western audiences since Park Chan-wok picked him for Sympathy for Mr. Vengeance (2002). Yet we should not forget that Song Kang-ho was already showing his talent on the stage until he left his theatrical career behind in 1997.
Could you tell us more about your contribution to the project Digital Short Films by Three Directors 2004?
The three of us each worked on our own. I have to admit that I didn't even view the episodes directed by Ishii Sogo and Yu Lik Wai. Apart from the aesthetic results, this cinematic experience personally gave me the opportunity to check the possibilities offered by digital production.
Loss of control over reality is a topic that remains under the skin throughout your filmography. Panic attacks usually erode the relationships of the characters you invented. Even Gwoemul, despite the happy ending, gives evidence to this feature...
The concept of chaos has always fascinated me from a philosophical perspective. Moreover I would mention also a peculiar form of chaos reflecting the social and cultural context in South Korea. Anyhow, the positive epilogue in Gwoemul is deliberately pretentious. Just consider that the Park family is slaughtered before the final victory against the monster.
The Gwoemul monster iconography is very different from the classical appearance of bipedal monsters such as Godzilla and King Kong. How did you come up with its final look?
The monster's appearance is not based on a pre-existing model. The starting idea was taken again from a true story. I read in the newspapers about a deformed fish with an S-shaped spine caught in the Han River. The monster design came mainly from this strange discovery.
Do you consider that monstrous creatures on screen, such as the North Korean Pulgasari, could convey ideological and moral values?
The role of the monster in Gwoemul is progressively reduced throughout the film. The initial scene set in the military laboratory reveals an attraction-repulsion dynamic towards Americans that is also responsible for the fake virus invention that will disband Park family. However familiar relationships are most assuredly a dominant topic in the movie.
The Gwoemul monster iconography is very different from the classical appearance of bipedal monsters such as Godzilla and King Kong. How did you come up with its final look?
The monster's appearance is not based on a pre-existing model. The starting idea was taken again from a true story. I read in the newspapers about a deformed fish with an S-shaped spine caught in the Han River. The monster design came mainly from this strange discovery.
Gwoemul won funding from the Pusan International Film Festival's Pusan Promotion Plan, and attracted more than 13 million people in South Korean theaters. How does it change your approach to direction when you work on high-budgeted features?
The remake rights to this film have already been sold to a major movie company. I should confess that I am growing weary of writing screenplays. Sometimes I question myself about the future with the same concern that thrills horror film movie-goers. However that may be, my next movie is a low-medium budget feature which is currently in development.
'Dachimawa Lee,' Ryoo Seung-wan's spy spoof '
Ryoo Seung-wan, director of THE CITY OF VIOLENCE, is back with a new movie and it's something a little different. DACHIMAWA LEE is a spy-action spoof of '60s and '70s Korean cinema, right down to the exaggerated acting, crazed martial arts action and post-production dubbing. The film is based on Ryoo's first work, a short film produced in 1998.
Under Japanese Imperialism, a Korean national treasure known as the Golden Buddha is stolen. The interim government appoints legendary Korean spy Agent Dachimawa Lee(Lim Won-hee) to recover the fabled statue and reveal the plot behind the theft. The first attempted operation fails miserably with Agent Lee losing both the statue and his sexy partner. He discovers that he was betrayed by an insider. Fueled by a desire for revenge, he faces off with the shadowy figure behind the plot on a snowy field in Switzerland where the statue is believed to be hidden.
The film co-stars Park Si-yeon, Kong Hyo-jin and Ryoo Seung-bum (CRYING FIST). Lim Won-hee began his acting career in Ryoo's original short and is reprising the role for the feature film. Since 1998 he has appeared in numerous films including NO BLOOD NO TEARS and CRYING FIST.
Chi bi AKA Red Cliff Part I (2008) John Woo ****
John Woo se vratio kuci i krenuo stopama svojih sunarodnika Z.Yimoua i A.Leea u stvaranju i slikanju epova iz kineske proslosti.Cini mi se da je odavno i trebao to uradit.
Red Cliff opisuje poslednje dane Dinastije Han,tradicionalne sukobe,stremljenja,dogme koje su vladale u trecem veku nove ere,uz fantasticnu scenografiju,kostime i zvuk tradicionalnog istoka.
Ne pruza nam Woo nista epohalno i novo,ali ono sto je njegov trademark zasenjuje kompletan film.Retko koji ep nam je u proslosti pruzio ovakve akcione i masovne scene borbe,sto Red Cliff stavlje u vrh ovogodisnjih ostavarenja u zanru.
Quote from: "Shozo Hirono"Ne pruza nam Woo nista epohalno i novo,ali ono sto je njegov trademark zasenjuje kompletan film.
jel proleću golubice ispred stotina hiljada statista koji jurišaju jedni na druge?
Quote from: "Ghoul"Quote from: "Shozo Hirono"Ne pruza nam Woo nista epohalno i novo,ali ono sto je njegov trademark zasenjuje kompletan film.
jel proleću golubice ispred stotina hiljada statista koji jurišaju jedni na druge?
Nema golubica,ali je jednom scenom sa pocetka napravio omaz samom sebi,kroz podsecanje na film Hard Boiled. :evil:
GIRL SCOUT. Four women from very different walks of life unite in order to track down a thief who absconded with an enormous sum of money. Kim Suna (TV drama My Name is Sam-soon, S-Diary), Kim Kyeong-shil, veteran actress Na Moon-hee (The Quiet Family, Kidnapping Granny K) and Kim Eun-joo (Hansel and Gretel) comprise the main part of the cast who form their unique brand of girl scouts, despite their age, in order to take down the scheming owner of a beauty parlor played by Im Ji-eun (Fly Low, Sympathy for Mr. Vengeance). This is the first film directed by Kim Sang-man, but he is no stranger to making movies. He has experience working as an art director (If the Sun Rose in the West, Happy End) and as a music director (Bloody Tie).
Taiyô no kizu AKA Scars of the Sun (2006) Takashi Miike ****
Ovaj film je zrtva guzve i prasine koja je bila oko Sukiyaki manije,a nije ni za milimetar slabiji od pomenutog.Svaki kadar je detaljno osmisljen i razradjen,uz sporo kretanje i podrahtavanje kamere,preko prigusenog zvuka i neutralnog sountracka.Sho Aikawa u najboljoj ulozi od Rainy Doga,par zaista neverovatno zlih spodoba uoblicenih u maloletne delikvente.Efektno prikazane administrativno pravne zavrzlame i zackoljice,koje na srecu rezultuju prelepim sirokoosmehnim osvetnickim krvoprolicem za laku noc i lepe snove nevinog posmatraca.Ko je voleo Death Wish i Mad Max volece i Sun Scarred.
Daj neki rapidshare za braću.
shozo is a torrente man, no RS! :cry:
danas ću ja da pročačkam malo...
Pročačkaće i brat Meho. Taman će igre koje skidam da se skinu dok ne dođem kući pa će Miike da lepo utrči.
Evo ga torrent...Sun scarred...
http://www.demonoid.com/files/details/1596703/775222/
Zah Valjujem!!!
DIVINE WEAPON. ("Shingijeon") In the year 1448, the Joseon Kingdom is threatened by invasion from China, and Korea's prospects look weak. However hope exists among a small group of people who are developing a new type of launched weapon. This big-budget film stars Jeong Jae-young (Going by the Book), with TV actress Han Eun-jeong, Heo Jun-ho and Ahn Sung-ki co-starring. Veteran filmmaker Kim Yu-jin (Wild Card, A Promise) directs.
ROUGH CUT. ("Yeonghwa-neun yeonghwa-da") Su-ta (Kang Ji-hwan) is an arrogant star who is constantly getting into fights. Gang-pae (So Ji-sub) is a cool, menacing young gangster who conceals a lifelong wish to become an actor. When Su-ta injures his co-star on the set of his new film, Gang-pae ends up taking the now-vacant role. Debut director Jang Hoon is a former assistant director/editor on numerous films by Kim Ki-duk, who also produced this modestly-budgeted film.
ULHAKGYO ET. Comic master Kim Su-ro (Vampire Cop Ricky, Volcano High) is back in the role of Cheon Seong-geun, a high school physical education teacher who wants to teach English. His unusual character, teaching style and questionable English ability make him the center of attention at the school. Joining in on the fun are Lee Han-wi (April Snow, Holy Daddy) and Baek Seong-hyeon (Marathon, Kiss Me Much). This fast-paced, teen comedy is directed by Park Kwang-choon who has given us to date Soul Guardians (1998), Madeleine (2002) and She's On Duty (2004).
Jedan od favorita godine iz Japana
Tokyo Sonata
Kiyoshi Kurosawa
Country: Japan/The Netherlands/Hong Kong, China
Year: 2008
Language: Japanese
Runtime: 119 minutes
Format: Colour/35mm
Rating: 14A
Tokyo Sonata is the latest invention of Kiyoshi Kurosawa's generous artistic soul, and an archetypal product of a powerful cinema prone to investigating the borders between the visible and the invisible. Straying from the trendy J-horror genre, the master of Japanese chills ventures into family drama, territory that carries a different dark suspense.
Loyal salaryman Ryuhei Sasaki (Teruyuki Kagawa) loses his job when his company begins outsourcing to China. Incapable of facing the tragedy of his new reality, he hides his failure from his family and, weaving an intricate web of lies, pretends to have kept his job. As it turns out, he is not alone in this deception. At home, he tries to maintain the normal routine, though it soon becomes clear that this family has tragically lost touch with one another. His wife Megumi (Kyoko Koizumi) attends to her chores and keeps up with their two boys, rebellious college-age Takashi (Yu Koyanagi) and quiet, younger Kenji (Kai Inowaki). However, nothing feels or looks the same for Ryuhei, who has lost his honour and his place in society. Kenji's simple request for extra money to take piano lessons however tips the balance of their artificially sustained family stability, pushing it over a ruinous precipice of unforeseeable external events.
Kurosawa's quiet, elegant di2rection guides his actors – especially Koizumi and Kagawa – to outstanding performances. As a wife left starving for affection and contact, Koizumi is devastating, and she never exploits the natural pathos of her character's plight. At the same time, Kurosawa puts his own stamp on the domestic drama genre. The family is ordinary, but the narrative takes unusual turns. The mise-en-scène lends an eerie mood. Overall, the effect is of a poignant reflection on a kind of mass uncertainty sweeping Japan.
Saam bat gun AKA Chaos (2008) Herman Yau **
Zloglasni Herman,cuven po svojim Cat III ludorijama i perverzijama tipa The Ebola Syndrome ili The Untold Story,uzjahao je talas apokalipticno-futuristickog mudrovanja,donoseci pricu o dve persone zaglavljene saobracajnom nesrecom u izolovanom zatvoru buducnosti.
Ono sto Hermanu najvise nedostaje jeste nesto pozamasniji budzet,jer danasnji SciFi nosi odredjene standarde,a u klaustofobicnoj atmosferi ni prica mu ne pije vodu.Nema onog njegovog tradicionalnog humora,sve je sumorno,mracno i UZASNO DOSADNO !!!
Geuddae geusaramdeul AKA The President's Last Bang (2005) Sang-soo Im 4.5/5
Vec 24 sata me progone kadrovi i scene ovog filma stvarajuci gomilu pomesanih osecaja.Nema sumnje da je Sang-soo Im stvorio delo koje ima i umetnicku i istorijsko-biografsku vrednost koje ce sa godinama zasigurno biti kao kvalitetno vino.
Najbolja stvar koju uradim kada osetim da u rukama imam malo remek delo je da ne citam i spojlujem previse o njemu !Ono sto je fakat,je cinjenica da The President's Last Bang na prvu loptu i odmah razumeju ljudi koji su bar nekoliko godina ziveli u totalitarnom sistemu ili pod bilo kakvom vrstom politicko-drustvene represije.U tom smislu ovo je A MUST-SEE,koliko god to danas otrcano zvucalo !
Autor filma imao je pred sobom izuzetno tezak posao i zadatak u pokrivanju najkriticnijeg vremenskog perioda u istoriji Juzne Koreje.Sve je to smesteno u okviru 24 casa.Umesto pukog naklapanja,nabrajanja i prepricavanja,Sang-soo Im koristi nekonvecionalnu metodu,a to je tradicionalni azijski crni humor.I to ima zastrasujuci efekat.U momentima kada sam potpuno zbunjen i konfuzan,kazem sebi:"Pa ovo je istina i deo istorije !"Jer neki fakti izgledaju malo reci cudno,neverovatno ili krajnje nepredvidivo....a opet su istiniti !
Pokusaj "plisane revolucije" specijalne sluzbe Koreje u to vreme se sukobljava,u okviru par sati sa ipak najvecim monstrumom totalitarizma,koje predstavlja Armija.Na kakvim staklenim nogama stoje takvi sistemi,Sang-soo Im sjajno dokumentuje.I ne samo to.Svaki kadar je temeljito osmisljen,menja tempo kada je to potrebno,ali i nikada ne zaboravlja da je film pre svega umetnicko delo,shodno tome uspeva da docara i samu lepotu pokretnih slika.
Poseban segment predstavlja krajnje emotivan momenat,koji prikazuje koliko je tesko oduzeti ljudski zivot,ma koliko bilo veliko i zlo cudoviste koje stoji ispred vas.Sjajna je i scena u kojoj President Park proziva Amerikance i tadasnjeg njihovog predsednika Cartera,zbog stalnog pritiska da Koreja krene putem demokratizacije:"Pa sta hoce oni.Koliko demokratija imamo danas[u pitanju je 1979a!!!]???U.S.A.,Canada,New Zealand,Australija,par zapadno evropskih,u Aziji samo Japan,u Africi nijedna,u Juznoj Americi nijedna !!!JA BAR IMA OPOZICIJU[onda sledi gromoglasan smeh!]""Kakva bizarna cinjenica !
"Asian Invasion" (2006) - Japan
BBCjev dokumentarni serijal iz tri dela bavi se naletom azijske filmske industrije u poslednjih 10-15 godina na zapadno trziste i kulturu.
Japan je u tom pogledu najkomleksnije obraditi na ovaj nacin i kvalitetno smestiti u nesto manje od sat vremena.
Host serijala je bio fan azijske kinematografije Jonathan Ross.On se prvo fokusirao na rezisera u naletu sa kojim je ugovorio intervju,a to je R.Kitamura.Razgovor je tekao na tecnom engleskom,s obzirom da se Kitamura skolovao u Australiji.Inserti iz Versusa,Azumi i Final Wars su isli tokom razgovora,uz Kitamurine komentare o uticaju Raimija i slicnih na njegov rad.
Dobar segment dokumentca zahvata i deo o Kitanu uz inserte iz Violent Cop i Sonatine,i Miikeu pracen Audicijom,Gozuom i HOTKatakuris.Nazalost,iako je to lepo prokomentarisano nema razgovora.
Neizbezni anime-manga uticaj na zapadnu umetnost sagledan je temeljito uz kratak razgovor sa Miyazakijem,malo duzim sa Mamouru Oshiijem,i podsecanje na radove K.Otomoa.
Glavna steta i propust je studiozna obrada J-Horor zanra i njegovog znacaja i uticaja.Znaci nema pominjanja ni Nakate niti Shimizua.Prilicno nedopustivo.Ipak,interesatno,zanimljivo i informativno,ako nista drugo.
Asian Invasion (2006) - Hong Kong
Mozda usled dugogodisnje vladavine britanske imperije ovim prostorom,koje je opet rezultovalo znanjem engleskog jezika,ovaj deo serijala ispade najtopliji i otvoreniji.
Rossovo sentimentalno podsecanje na Bruce Leea i njegov znacaj na tzv. martial arts zanr zahvataju dobar deo uvoda.Sledi pogovor o njegovim naslednicima,koji opet uticu i jedan na drugog:Jackie Chan i Stephen Chow.Odbegli Chan je bio nedostupan,a razgovor na Chowom je i najduhovitiji deo epizode,jer se radi o otvorenoj osobi vedrog karaktera,spremnoj na komunikaciju.
HK legenda John Woo ima svoje naslednike,i oni stizu i liku i delu Johnny Toa i Infernal Affairs autore,koji ce samo godinu dana kasnije prodati prava Scorseseu,Wai-keung Lau i Sui Fai Mak.
Poslednji segment govori o drami ovog 6 milionskog megapolisa,i tu je neizostavan Wong Kar Wai,i njegov naslednik Derek Yee.
Asian Invasion (2006) - Korea
Ovaj treci deo je trebao biti najcelovitiji,jer je u biti zahvatao razdoblje od nekih 10-15 godina,koliko korejska kinematografija pravi znacajan iskorak za zapadnom filmskom carstvu.
Dobrih 20 minuta je autor serijala posvetio the one and only[barem u tom momentu] Chan Wook Parku.Uz osvrt na gotovo sve njegove filmove,ovo je as expected.Broj 2 u Koreji je naravno Ki-Duk Kim i njegove psiho drame,uz temeljit sazetak masterpisa Spring,Summer.....
E onda krece prica o njihovoj industriji i blokbasterima,gde znacajan upliv ima Je-gyu Kang sa svojim hitovima Swiri i Tae Guk Gi: The Brotherhood of War.Malo se tu zvakalo,kao i u slucaju JSO Parka,o odnosima Severa i Juga podeljenog ostrva,politici,totalitarizmu i politickoj represiji.
Prva moja ozbiljna sugestija ide na racun pokrivanja segmenta o hororu.OK,Su-chang Kong je bio u tom momentu najznacajniji sa filmovima kakvi su Tell Me Something i R-Point,ali ne pomenuti A Tale of Two Sisters je neoprostiv greh.A sam Ji-woon Kim je zestoko ostecen,jer je u delu o Japanu i Miikeovom Katakurisu,film je pomenut kao rimejk korejskog horora,bez pominjanja njegovog autora,niti imena doticnog originala.Plus Kim je imao vec jedan hit na box offficeu The Foul King.
Druga VELIKA zamerka:PA GDE DOKUMENTARAC O FILMOVIMA O KOREJI A DA NE POMENETE Memories of Murder !!!!
Nema pomena ni imena kakva su Sang-soo Hong,Chang-dong Lee,Hae-sung Song,Hyun-seung Lee,koji su vec tada dali znacajan doprinos korejskoj drami.Umesto toga bilo je reci o bioskopskom hitu My Sassy Girl,koji je vec tada imao ugovor za americki rimejk,a ni pomena o filmu Siworae,koji je kao rimejk pretekao Sasi devojcicu !
Lepo,ali nedovoljno !
Da li postoji neki drugi termin za ono sto Mamoru Oshii zove deriva?
Ne mogu na netu nigde da nadjem.
Deriva > Adrift
U segmentu o Japanu sjajan je razgovor sa Oshiijem.On je daleko,daleko ispred svog vremena.Ali i pored toga daje smislena objasnjenja detalja i sekvenci iz Ghost in the Shell.Svaka sitnica kod njega ima smisao i unapred je pripremljena.Mozda bolji odgovor moze da ti pruzi neko ko pomnije preti mange.
Kao i vecina gledalaca istreniran sam bio na americkim filmovima gde ima akcije i radnje non-stop.
Zato ranije uopste npr. nisam mogao da gledam Akiru ili GITS, upravo zbog te pauze u radnji. Tada sebi nisam mogao da objasnim zasto je to tako, i zasto su mi ti filmovi bili teski za gledanje.
Oshii kaze, citiram:
"Deriva means the area of time where the drama doesn't develop within the film's storyline. I think action sequences and deriva or atmosferic pieces are the same thing. That is because the main character does get involved in these sequences even though the drama or storyline is not developing.
In Hollywood films they tend to avoid deriva, they have too many action sequences in general, in my films, ok maybe they have too much deriva, however they're both very important elements. There are sections where the director wants to show not the drama itself but the world that the character inhabits. What I'm trying to show in my films is a world that seems very real and works in real time and real scale."
Upravo je ovo ono sto me je nekada odvlacilo od japanske animacije i Oshiija u ovom slucaju. Naravno to vise nije slucaj.
Mada zanimljivo je da i za to postoji termin.
Pa to objasnjenje je i dao i u dokumentarcu,a i u intervjuima. :)
Iskreno,imam vise njegovih filmova no sto sam stigao da pogledam.I video sam samo 3:The Red Spectacles,GitS i Avalon.
ONCE UPON A TIME IN SEOUL. ("Sonyeon-eun ulji anneunda") While some people might argue that Bae Hyeong-joon's debut film, Too Beautiful to Lie was too light for its own good, nobody will be able to say that about his follow-up film. Set in 1953, immediately after the conclusion of the Korean War, two boys struggle for survival in the remains of the city that cannot afford to take care of people lost and weak. Lee Wan (mostly known for his tv roles but also appeared in a Japanese film called Veronika Decides To Die) as Jong-doo, Song Chang-ui (My Girl and I), Jeong Kyeong-ho (R-Point, Lump of Sugar) and Park Glena (Flying Boys) will star in the film based on a novel by Kenzo Kitakata. Described as a hard-boiled action film, this MK Pictures production will be released by Studio 2.0 on November 6.
CHONGQING. Director Zhang Lu originally intended for Iri and Chongqing to be a single feature, but he found that the footage he shot in Chongqing, China was enough for a film of its own. The story provides a dark portrait of contemporary China, through the tale of a Chinese language teacher who becomes sexually involved with a policeman. There is a slight connection with Iri: one of the characters is a Korean man living in Chongqing, and one day he tells about his hometown Iri (Iksan) and the tragedy that happened there. Sponge Pictures will release the film on November 6.
TOKYO! Three short films set in Tokyo comprise this omnibus included here because one of the films is directed by Bong Jun-ho (The Host, Memories of Murder). Bong tells the story of a person suffering from agrophobia and the young woman who gets him out of the house. It is entitled Shaking Tokyo and if you are thinking an earthquake is involved somewhere, then you are right. It stars Yu Aoi (Don't Laugh at My Romance), Teruyuki Kagawa (Sukiyaki Western Django) and Naoto Takenaka (Catch a Wave). Also directing films for this collection are French directors Michel Gondry (Eternal Sunshine of the Spotless Mind) and Leos Carax (Pola X). This film is co-produced by Sponge and the Japanese company Bitters End. It will open in Korea on October 23.
Oneechanbara: The Movie (2008) Yôhei Fukuda 2.5/5
Koncipiran kao tipican industrijski produkt,ovaj film baziran na VG,ne izlazi iz okvira poluzabavnog proizvoda,usmerenog pre svega ka japanskoj napaljenoj tinejdz generaciji,koja posle The Machine Girl uzima vazduh pre pojave Tokyo Gore Police.
Nisam apsolutno siguran da li bi ovo u kakav takav film pretvorio i veci znalac iza kamere,pa mu ovo dodje iskljucivo kao produkt koji se konzumira uz kokice i kolu,ukoliko ako vam ne presednu usled beskonacnih vratolomija prilicno zanimljivo odabrane grupe glavnih protagonistinja.
A s obzirom da ovde imamo izuzetno zgodne japancice,prilicno oskudno odevene,pa jos u borbi protiv zombimanije,bicu slobodan da ovaj film toplo preporucim Harviju ! :!:
Quote from: "Shozo Hirono"A s obzirom da ovde imamo izuzetno zgodne japancice,prilicno oskudno odevene...
Skinuto! :!:
Quote from: "Milosh"Quote from: "Shozo Hirono"A s obzirom da ovde imamo izuzetno zgodne japancice,prilicno oskudno odevene...
Skinuto! :!:
Daj link!
http://www.mininova.org/tor/1710145
http://www.mininova.org/tor/1870410
OUR SCHOOL'S ET. ("ULHAKGYO ET") Comic master Kim Su-ro (Vampire Cop Ricky, Volcano High) is back in the role of Cheon Seong-geun, a high school physical education teacher who wants to teach English. His unusual character, teaching style and questionable English ability make him the center of attention at the school. Joining in on the fun are Lee Han-wi (April Snow, Holy Daddy) and Baek Seong-hyeon (Marathon, Kiss Me Much). This fast-paced, teen comedy is directed by Park Kwang-choon who has given us to date Soul Guardians (1998), Madeleine (2002) and She's On Duty (2004).
Oh! Soo-jung AKA Virgin Stripped Bare by Her Bachelors (2000) Sang-soo Hong 3.5-5
Iza ovog lascivnog naziva se krije drama koja nestabilno plivo izmedju Nouvelau Vague i W.Kar Waiovih sentimentalnih hongkongskih uradaka.Medjutim,Sang-soo Hong ne postize efekat koji je autentican za slicne naslove,koji se bave ovom tematikom.U crno-belo naslikanom svetu intelektualnog ljubavnog trougla,nije nimalo lako pratiti dogadjaje,jer su oni prikazani iz dva razlicita ugla gledanja,pa to moze bez docnijeg spojlovanja,stvoriti konfuziju.Nedostatak dinamike nadoknadjuje se artsy efektima i simapticnim dijalozima,koji na zalost ne mogu prici Kitanovim slicinim akciono-dramskim postupcima.Ako na stranu stavimo elemente koji meni zapadaju za oko,ovaj film sigurno ima svoje sledbenike i poklonike.
Heh, pošto je engleska verzija naslova parafraza imena jednog od Dišanovih velikih dela, baš me zanima šta znači naziv na korejskom...
Quote from: "Meho Krljic"Heh, pošto je engleska verzija naslova parafraza imena jednog od Dišanovih velikih dela, baš me zanima šta znači naziv na korejskom...
Oh! Soo-jung= rekao bih da znači: PRSTE SEBI, ONA JE OH TAKO MLADA!
Quote from: "Ghoul"Quote from: "Meho Krljic"Heh, pošto je engleska verzija naslova parafraza imena jednog od Dišanovih velikih dela, baš me zanima šta znači naziv na korejskom...
Oh! Soo-jung= rekao bih da znači: PRSTE SEBI, ONA JE OH TAKO MLADA!
Naravno,Soo-jung je ime glavnog zenskog karaktera u filmu.Na zalost,glumica Eun-ju Lee je par godina kasnije izvrsila samoubistvo,presekla je vene i obesila se u svom stanu,a sve zbog porodicnog sukoba oko scena iz filma The Scarlet Letter.
:cry:
Quote from: "Shozo Hirono"Naravno,Soo-jung je ime glavnog zenskog karaktera u filmu.Na zalost,glumica Eun-ju Lee je par godina kasnije izvrsila samoubistvo,presekla je vene i obesila se u svom stanu,a sve zbog porodicnog sukoba oko scena iz filma The Scarlet Letter.
:cry:
to se zove TO BE ON THE SAFE SIDE!
bilo bi zabavno da se obesila sopstvenim venama... ehh, pusti snovi...
:idea:
To poigravanje venama me uvek podseti na Fredijevo puppetarenje iz treceg dela ! :evil:
Quote from: "Shozo Hirono"To poigravanje venama me uvek podseti na Fredijevo puppetarenje iz treceg dela ! :evil:
a mene na san marija bave o violinisti koji gudi po sopstvenim ogoljenim venama...
Welcome to the Quiet Room (2007) Suzuki Matsuo ***
Suzuki Matsuo je poznati epizodista japanske industrije,a kao reziser potpisuje par interesantnih naslova,koji se iskljucivo bave feministickim pogledom na svet.To je slucaj i sa filmom prelepog naslova,koji nazalost nije jednako kvalitetan produkt.
Privukla me epizoda S.Tsukamote,koji vrlo retko izlazi ispred kamere,ali kad god to uradi zasenjuje ekran.Njegova kratka rola nije sporna,ali je upitno zasto je Matsuo u godini Parkovog Cyborga,napravio japansku kopiju koja nije dovoljno efektna i surealna da bi zasenila korejsku budalastinu.A mogao je.
Za razliku od Parkovog filma,gde imamo instituciju punu neizlecivih sizofrenih lujki,u WttQRoom imamo gomilu drustveno-socijalno izopstenih individua zenskog pola,a njihovo poigravanje nalikuje natezanju tinejdzerki u osnovnoj skoli ko ce biti odeljenski staresina,a ko higijenicar.
Nista explicitno,sokantno,a polulezboromanticno,dosadno i usmereno ka populaciji izmedju 13-19 godina.
Rough Cut (2008) Yang Hoon ***
Videvsi ko stoji iza ovog projekta,svojevremeno sam se zaradovao ko prase u pezejca.I simbolicno prodjoh kao i mispigi gledajuci ovaj ep od 2 sata.
Yang Hoon je dugogodisnji Kim Ki-dukov asistent,a Rough Cut Ki-duk potpisuje kao producent i scenarista !Iako imamo naizgled naivan,a opet donekle inventivan pristup tematici koja govori o sudaru dva finansijski nedodirljiva i nespojiva centra moci,autori nisu ispeli da razvezu cvor u koji su se sami upleli.Razmazeni snob glavna nam zvezda filma izaziva i budi duboko skriveni usud mladog yakuze da postane akcioni heroj na velikom platnu.I ako uopste neko moze da poveruju u to da kriminalac zeli takvu vrstu publiciteta u demokratski uredjenom drustvu,sledi nam valjda barem dobra zabava,sa umereno doziranim humorom na azijski nacin.Ali ne,umesto toga likovi dozivljavaju neuspele emotivne preobrazaje,a dramska proseravanja dostizu nivo kicaste kvazikomedije,bez smisla za humor.
Mozda ovo ima prodju kod mladje populacije,sudeci prema izvestajima sa boxofisa.A mozda je i sam potpis na ovom filmu Ki-duk razlog.Svejedno,dugorocno gledano ovo je promasaj Ki-dukovog pulena i njega samog.
Joheunnom nabbeunnom isanghannom AKA The Good, the Bad, and the Weird (2008) Ji-woon Kim 4.5./5
Moderan rimejk Leoneovog spaghetti western klasika je definitivno zapao u prave ruke.Autoru koji se prethodnih godina dokazao kao vrstan dirigent i strateg na sahovskom polju bilo kojeg filmskog zanra.
Istorijsko-akcioni spektakl sa nezaobilaznim,vratolomnim scenama,uz umerenu dozu humora i dramaturgije,predvodi trio renomiranih korejskih zvezda na celu sa nezaobilaznim Kang-ho Songom.
Ji-woon Kimov film je istinski bioskopski hit,sto pokazuju i brojke na korejskom boxofisu,stavljajuci ga na prvo mesto za 2008u,ispred The Chaser.Steta sto ga verovatno necemo videti i kod nas.
Jaka spona sa Leoneovim klasicima je izrazena i kroz soundtrack,koji nalikuje Morriconeovim besmrtnim muzickim delima,ali poseduje i odredjenu originalnost,docaranu zvucima tradicionalnih azijskih instrumenata.
Posebno treba apostrofirati spektakularne akcione scene,moderno-majstorski proizvedene,a medju njima prednjaci multinacionalna jurnjava na konjima i dzipovima,pustinjom kilometrima unedogled.
Sta jos reci.I dalje sam pod utiscima.Vreme ce pokaziti koliko vredi ovaj film,ali ako je i bilo sumnjicavih skeptika da Korejci,i uopste Azijati,ne znaju da reziraju akcione filmove nalik holivudskim,vreme je da se poklone pred Ji-woon Kimom.
Dramska podela,poredjenje i uporedba.
DOBRICINE - Woo-sung Jung vs Clint Eastwood
Ovo je svakako najnezahvalnije poredjenje.Eastwood je harizmaticno-generacijski simbol spaghetti westerna,neprevazidjeni pozitivac i nemilosrdni borac za pravdu.Kao takvom jedini takmac u istoriji zanra mu je niko drugi do John Wayne.Mladjani Jung se istakao pre svega u melodramama,medju kojima prednjaci Momenat za Pamcenje,ali uloga mlakog pozitivca i borca za nezavisnost Koreje,je previse neaktivna i bleda u poredjenju sa Eastwoodovom okorelom i prljavom bravurom iz Leoneovog originala.Sve je jasno.EASTWOOD !
ZLIKOVCI - Byung-hun Lee vs Lee Van Cleef
Ovde imamo prilicanu egal borbu.I u ono vreme iskusni Van Cleef je mogao lako zauzeti Eastwoodovu ulogu i promeniti nepovratno tok istorije.Ali nije.Umesto toga igrao je sa druge strane,coveka otudjenom od drustva,odmetnika zlih namera i nemilosrdnog revolverasa.Medjutim,tokom celog filma Leone je imao tezak zadatak da od tradicionalno dobrocudnog izraza Van Ceefovog lica,docara publici hladnokrvog ubicu.Uspeo je,ali u to vreme je mozda i bilo boljih resenja za tu rolu.Sa druge strane maco izgled Leevog negativca je u skladu sa skriptom i zadatkom koji mu je poveren.On odlicno nosi ulogu,do samog kraja,brisuci zacrtane granice crno belog,i uvodi nas u senke sivog.Ipak u ovoj izjednacenoj borbi dajem glas starijem.VAN CLEEF !
RUZNI,GLUPI I CUDNI - Kang-ho Song vs Eli Wallach
Verovatno likovi koji su pokupili najvise emocija i aplauza,svak u svoje vreme.Praveci se naivni,nevesti,obojica plivaju kroz sistem u kojem vladaju jaki,mocni,bogati i zli.Obojica dozivljavaju usput twist transformacije.Mimika,osmeh uz politicno-takticku podobnost,zauzimanje razlicitih strane zarad sopstvene dobiti i koristi,karakterisu njihove uloge.Ja ipak blagu prednost dajem mladjem.SONG !
jedan od mojih omiljenih azijskih filmova je Three Times od Hsiao-Hsien Hou-a
tri ljubavne price sa istim parom glumaca ispricane u tri vremenska razdoblja
potpuno fantasticna estetika, kadar skoro zakucan u celom filmu...
potpuno neverovatno iskustvo. dugo traje ali je sve vreme kao neka pesma tkao da se jako alko gleda..
mei iskreno najdraza srednja prica koja se desava u '60im
izasao je i kod nas ima na ulici za 250 din pod imenom VREME ZA LJUBAV
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Nisam ga pogledao,ali ako je i nalik Houvom prethodniku A City of Sadness,onda je nesumnjivo odlican.
ja sam čuo samo preporuke o ovom filmu
ali ga ne mogu naći :cry:
Nema seedera na Avistazu,ali ga imas na Pirate Bayu.
A samo je trebalo kupiti novembarski broj Yellow Caba, pošto su delili DVD džabe uz časopis...
Lepo,ali zasto kad sam ga vec imao.Mozda zbog Taxi Zuce i naseg prevoda. :evil:
ima i novi A flight of a Red Baloon
ima na piratebaY-u skinula sam ali jos nisam pogledala
jos jedna preporuka
slicna forma - LUTKE (Dolls) od Takeshi Kitana
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Truck (2008) Kwon Hyeong Jin 3.5/5
Oko ovog filma se podigao preveliki hajp,verovatno su ocekivanja bila da ce Kamionce doseci uspeh i slavu ovogodisnjeg prethodnika The Chaser.Ali ne bese tako.
Brojke ne govore mojoj kritici u prilog,jer se Truck solidno kotira na korejskom boxofisu,ali kada splasne manija i spusti se prasina,ovaj krimi-triler ostace zapamcen kao prosecan industrijski uradak kinematografije u usponu(ili zenitu ?).
Inventivnost Kwon Hyeong Jina i vecine Korejaca u kreiranju fabule je impresivna,ali nacin na koji je sprovedena u samo delo nije drasticno razlicita u odnosu na americke savremene trilere.Shodno toj cinjenici,a suska se o mogucem rimejku,evo prilike Hollywoodu da stvori dostojan parnjak.
Glavni junak price suocen sa ozbiljnim finansijskim poteskocama,posledicno vezanim za neophodnu transplataciju srca svoje maloletne devojcice,biva uvucen u beskonacnu trku sa vremenom i lesevima kojih se treba osloboditi u sto kracem vremenskom periodu.Usput mu se put ukrsta sa babyface serijskim ubicom,koji je upravo pobegao iz policijskog kombija koji se kretao ka zatvoru.Sve se to tradicionalno desava naravno u vreme totolne provale oblaka,a scenografija je maximalno obogacena munjama,gromovima i litrima kise.Trejdmark,brend ili lajt motiv,svejedno,ove pojave i ovde imaju ulogu motornog pokretaca price.Ali sve to nije dovoljno,jer reziser poseze u samom finalu razradjenim kliseima,overtajmuje neminovno,gluma je izvestacena i prepotentna,a sam kraj blago patetican.
Evo neceg sto sa istorijske tacke gledano moze imati worlwide odjek
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Tagline:
The celebrated Kung Fu master of Bruce Lee.
Plot:
A semi-biographical account of Yip Man, the first martial arts master to teach the Chinese martial art of Wing Chun.
Ip Man AKA The Legend of Yip Man (2008) Wilson Yip ***
Kao sto sam i sumnjao, ekranizovanje biografije velikog kung fu majstora je zapalo u ruke pogresnih autora. Neiskusni scenarista i nedovoljno potvrdjeni reziser su isterali na cistac svoje vidjenje istorije i dogadjaja u juznoj kineskoj pokrajini Fuosan, poznatoj po cuvenoj skoli Wing Chun kung fu tehnici drevne borilacke vestine.
Wilson Yip je pre par godina obogatio HK opus rip-offom Romerovog klasika Dawn of the Dead, zvanog Bio Zombie, ali je to otprilike i highlight njegove karijere do Yip Mana.
Kao akcioni film, Ip Man je izuzetan. Fantasticne akcione scene, par brutalnih, na kojima mu bi i Steven Seagal pozavideo.ALI, kao istorijska drama, film pada na svakom koraku. Tesko da sam gledao ove godine pateticniju pricu, stilski promasenu romansiranu biografiju, i ocajnu razradu karaktera. Ne postoji ama bas nikakav trag iz proslosti cuvenog majstora. Ne znamo kako je on postao veliki, ko mu je bio ucitelj, gde je se i kako skolovao, sta opste on zna da radi i cime se uopste bavi. Vidljiva cinjenica je da potice iz dobro stojece aristokratske kineske porodice. Film zahvata kratak vremenski period, istorijski aspekt sukoba Japana i Kine je providno i stripovski banalno prikazan kroz tradicionalno nadmudrivanje u borilacko-tehnickim disciplinama, gde naravno Kinezi ostaju nedostizni u svojoj konfucijevski filozofskoj mudrosti sirovim Japancima.
Steta. Ovo je projekat koji je kung fu filmove trebao barem na trenutak da vrati na staze stare slave. Ako nista, Yip Man nas podeseca, a i najvise nalikuje cuvenoj Brus Lijevoj Kineskoj Vezi. Ipak, pre 40 godina sve je to stilski izgledalo zabavnije, simpaticnije, ovako, ostaje nam da se nadamo da ce nastavak u kojem se naveliko najavljuje pojavljivanje cuvenog Brus Lija, biti nesto iskreniji i dramski potpuniji.
Wong Kar-wai is reportedly working on his own biopic titled The Great Master. The film has been in development and will feature Tony Leung Chiu-Wai as Yip Man. However, it was revealed that Wong's five-year rights to make the Ip Man biopic had expired !!!!! :cry: :cry: :cry:
L: Change the World (2008) Hideo Nakata ***
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Treci i poslednji nastavak Death Note serijala nije striktno vezan za prethodna dva, vec nas vraca par dana pre konacnog sukoba Yagama Lajta i L-a, ali samo u naznakama prikazuje razresenje svog prethodnika. To ukljucuje bilo kakvo pojavljivanje vecine likova iz The Last Name, a paznja posmatraca je skrenuta na poslednje sate zivota Watarija, L-ovog mentora i licnog konsultanta.
Nazalost fanova, Hideo Nakata lisava Bogove Smrti bilo kakvog znacajnijeg ucesca vec u u prvim minutima spaljivanjem Liste smrti, koja je uopsteno i pokretac tematike celog serijala. Umesto lokalnog rivaliteta, koji je prezentovan kroz mentalno psiholoske igre na telepatskom nivou, treci nastavak je cisto akcioni triler sa znacajnim brojem grotsknih elemenata karakteristicnih za japansku kinematografiju.
Simbol homo-emo-metroseksualnosti L, se ovde namece kao akcioni junak koji pored detektivskih vratolomija u Japanu, radi i za FBI, te mu se kao nenadani poslovi javlaju i globalni problemi. Teroristicka grupa, uz par naucnika upusta se u beskonacnu igru macke i misa u trci za smrtonosnim virusom, koji preti da drasticno redukuje broj stanovnika na zemlji. Vec vidjeno, prepricano, tu su naravno hrabra klinka, superinteligentni decak, ali i par simpaticnih Nakatinih zanrovskih elemenata iz pionirskih dana.
Nedovoljno za neki znacajniji doprinos celokupnom serijalu, ali kao akcioni produkt hiperproduktivne industrije film sasvim korektno funkcionise, sto u poljuljanoj karijeri jednog od najznacajnijih japanskih mejnstrim rezisera danasnjice dugorocno moze predstavljati plus.
The Monster X Strikes Back: Attack the G8 Summit
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20-seiki shônen AKA 20th Century Boys (2008) Yukihiko Tsutsumi 3.5/5
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Ocekivao sam vise od rezisera jednog od mojih omiljenih horora. Nazalost ovde opet na delu imamo klasican slucaj japanske zaljubljenosti u maketarenje i papetarenje, gde tradicionalnost sturog koriscenja specijalnih efekata u reziji Tsutsamija prosto pobedjuje zelju za modernim shvatanjem zapadnjackog pojma blockbuster.
Stilski i dramaturski kombinujuci Kingov It i Godzilla serijale Tsutsumi je filmizujuci popularnu mangu dosledno pratio zadati materijal vrlo retko skrecuci sa zadatog kursa. Ipak, a s obzirom na duzinu od skoro 2 i po casova, Momci dvadesetprvog veka su krajnje dinamican dozivljaj. Tsutsumi uspeva u freneticnom tempu da nam nekako oslika pejzaz klinacke opsednutosti misterijama, modernim mitovima i legendama. Na trenutak film nam donosi i par sjajnih autorskih momenata kao sto su pasioniranost Dylanovom Like a Rolling Stone ili T-Rexovom naslovnom numerom celokupnog projekta. Ipak, ja licno sam najvise ostao impresioniran minijaturnim zvucnim efektom i sklopom koji se svaki put pojavljuje pri pojavi misterioznog vodje kulta koji sebe naziva Friend.
Malo se javnost zasitila apokalipticnih predvidjanja koja su se u proslosti bavila krajem prethodnog milenijuma. Ponajvise zato sto ama bas nista spektakularni i nije desilo. Mozda naredni nastavci trilogije u najavi budu uspesniji. Ja se nadam da barem sami finalni klimaxi budu manje trivijalni i bledi, a i zacinjeni ubedljivijim efektima.
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Zenzen daijobu AKA Fine, Totally Fine (2008) Yosuke Fujita ****
Fujitin debi ljubitelje romanticnih komedija podeseca na dane kada je Juzo Itami tokom 80ih osvojio kriticare svojim autorskim projektima u kojima je introvertne i spolja nezanimljive persone nadahnuo zrakom humora. Na poprilicno artificiran i spor nacin, reziser izgradjuje atmosferu u kojoj dominiraju neostvareni snovi, tastina, promasene profesije i pogresne ljubavi, ali upokros neuverljivom pocetku, nekako sve te kockice uspevaju do kraja da oblikuju jednu koherentnu sadrzajnost i funkcionalnu celinu.
Sam geg i komicni elelment Fujita na perfidan nacin preuzima iz Kitanovih filmova, s tim sto brutalne i hladne likove menja toplim i nespretnim, medju kojima se glumom izdvaja Yoshino Kimura kao povucena i baksuzna femme fatale. Ona na neki nacin ovde i simbolizuje vecni lajt motiv mladih Japanaca: neukrotiva, daleka, nevina, bespomocna zenska persona.
Fine Totally Fine ima zaista puno sitnih pozitivnih minijaturnih elemenata, scenski nenametljivih koji osvajaju vremenom, sto ga cini poprilicno neodoljvim, a kada se tome doda njegova sofisticiranost i atristicke pretenzije i aspiracije, on postaje miljenik kako publike tako i kritike.
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Achilles to kame AKA Achilles and the Tortoise (2008) Takeshi Kitano ****
Bez sumnje jedan od najmocnijih izdanaka cuvene japanske skole slobodnog i modernog autorskog izrazavanja, Kitano filmom koji svojim simbolicnim naslovom aludira (i direktnom animacijom na samom pocetku) na cuvenu Zenovu filozofsko bizarnu teoriju, zavrsava takozvanu self-reflective trilogiju.
Ahil i kornjaca je daleko najsuperiorniji deo u celokupnoj trilogiji, i u odnosu na Takeshis' i Kantoku · Banzai! predstavlja vrhunsku vizuelnu rapsodiju. Ovoga puta Kitano se otvoreno okrece svojoj velikoj strasti - slikarstvu. Dramski koncipiran iz tri dela, film prati zivot umetnika iz njegove tri razlicite zivotne faze. U prvoj Machisu (junak) kao sasvim mali osnovac prozivljava teske emotivne trenutke (gubitak roditelja i konstantno lutanje i promena lokacija). Njegova introvertnost i emotivna otupelost su vec u prvim minutima vesto naznaceni, a opet sa druge strane do samom kraja on i ne dozivljava znacajniju psihogenezu.
Kao adolescent Machisu traga kroz studije za sopstvenim izrazom eksperimentisuci sa kolegama, sto ga neminovno gura u drustveno socijalnu izopstenost i duhovnu izolovanost. Podrsku dobija od svoje verne zivotne saputnice, sa kojom dobija "naslednicu".
Kitano sam uskace u poslednji segment, koji je daleko najbizarniji. Prozet crnim humorom karakteristicnim za njegove projekte, on nam slika svet u kome autor ni na koji nacin nije sazreo. Ni duhovno, niti umetnicki, beskrajno kopirajuci svetske trendove i shvatanja Machisu zauvek ostaje izolovan u svojoj bezlicnoj ljusturi neuspelog i potrosenog umetnika poznog doba, emotivno neosetljivog na desavanja oko sebe. Indolentnog cak i na smrt sopstvenog deteta.
Bez obzira na njegov beskonacni eksperimentalni dramski pristup, Kitano je kao reziser besprekoran paradigmatik neverovatnih umetnickih sposobnosti koje u spoju sa paletom raznovrsnih boja u ovom filmu sijaju mocnije no ikad. Ahil i koranjaca automatski postaje domaci zadatak i obavezna lektira za sve koji se ozbiljno ili svejedno amaterski bave slikarstvom kao umetnoscu visokih estetskih pretenzija. Kitano je kao i u nekim svojim prethodnim filmovima, autor najveceg broja, ako ne i celokupnog naslikanog opusa. Znaci temeljito je izucavao i interpretirao Miroa, Picassa, Mondriana, Hundertwassera, Kleea, pa cak i Basquiata.
Sad si mi dao žešću erekciju za ovaj film. :lol:
Quote from: "Shozo Hirono"ONCE UPON A TIME IN SEOUL. ("Sonyeon-eun ulji anneunda") While some people might argue that Bae Hyeong-joon's debut film, Too Beautiful to Lie was too light for its own good, nobody will be able to say that about his follow-up film. Set in 1953, immediately after the conclusion of the Korean War, two boys struggle for survival in the remains of the city that cannot afford to take care of people lost and weak. Lee Wan (mostly known for his tv roles but also appeared in a Japanese film called Veronika Decides To Die) as Jong-doo, Song Chang-ui (My Girl and I), Jeong Kyeong-ho (R-Point, Lump of Sugar) and Park Glena (Flying Boys) will star in the film based on a novel by Kenzo Kitakata. Described as a hard-boiled action film, this MK Pictures production will be released by Studio 2.0 on November 6.
Mislim da ovo vredi pogledati. Upravo ga skidam.
Ako si ga već pogledao, znaš šta ti je činiti. :)
Hm, imam taj film ali ga jos nisam pogledao. Prioriteti za ovu nedelju su mi Red Cliff II i Paco and the Magical Picture Book.
Ako ga pogledas pre mene napisi koju rec i preporuku. :wink: :)
Hoću, naravno.
A, baš sam mislila da si ažurniji od mene. :lol:
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Chi bi xia: Jue zhan tian xia AKA Red Cliff II (2009) John Woo ****
Bio sam prilicno štur prošle godine kada sam pisao o prvom delu, verovatno cekajuci celokupan paket. I evo ga.
Crvena stena ii greben je najprofitabilniji kineski film svih vremena, i to je respektabilna cinjenica imajucu u vidu da je Woo morao da nadmaši filmove kao što su Crouching Tiger...., Hero i House of Flying Daggers. Zapravo nadmašio je njihov bum na box ofisu. Kao najskuplji projekat u istoriji kineske kinematografije (otprilike nešto kao naša Aždaha), od ovog filma se to i sa pravom ocekivalo.
Da bi se ispunio vekovni projekat i ovencao slavan mit doveden je još slavniji režiser. Tu nastaje prvi problem. Koliko su u prošlosti slavni reditelji uticali jedni na druge, koliko su im se zanrovske tendencije preplitale i kakav je njihov znacaj u današnjem svetu u odnosu na prošlost. Ang Lee, Yimou Zhang i John Woo su nesumnjivo imali dijametralno suprotne karijere, povremene uspone i padove, ali su na kraju, odnosno poslednjih godina doživeli priznanje sopstvene nacije i države, koja basnoslovnim budžetima dotira njihove projekte, koji imaju nacionalnu vrednost i znacaj (otprilike nešto kao naša Ažadaha).
John Woo poslednji uskace u voz galopirajuce industrije u usponu. Sam Woo danas predstavlja paragon za mocan i koherentan akcioni spektakl, a kada se na to prikljuci i istorijski aspekt, onda i njegove cuvene golubice polete visoko. U drugom nastavku imamo samo jednog pismonošu doduše. Sve ono što krasi drevnu Kinu, konfucijska mudrost, suncuovska umetnost ratovanja, rano korišcenje baruta kao eksplozivnog sredstva, bogat harmonski kolorit starih žicanih instrumenta i lepota njihove muzike, Woo majstorski implicira u dramski sadržaj. Još kad svemu dodamo i impresivnu borbu za ono vreme u kojoj participira preko 150000 ratnika, jasno je da Woo neposredno, bez vidljive stigmatizacije, porucuje zapadu sreca vaša te smo se medu sobom tukli, inace bi se vec poodavno suncali na Atlanskom okeanu.
U poslednjih pola sata filma krece scena koja s pravom zaslužuje epitet najvece kopnene akcione borbe ikada prikazane na velikom platnu, pa još u reziji najcuvenijeg režisera hongkoške produkcije. Ovo zaista vredi pogledati u bioskopu.
Medutim, nažalost, Wuovi majesticni likovi su previše udaljeni od današnjeg coveka. Previše elemenata fantazije, premalo verizma i brutalnosti, da bi se pothranila glad gledaoca danas. Ako u prošlosti nije bio naivan i patetican, onda je bio perfekcionista, tako da se i embolicnost prepoznavala u autorskom opusu Wooa. S te strane ostaje dosledan samom sebi, i Red Cliff ne predstavlja izuzetak.
Generalno Red Cliff ne predstavlja nikakav pomak u odnosu na Tigra, Heroja ili Letece bodeže, ali se uspešno nadovezuje i predstavlja pompezan povratak Johna Wooa na tlo Kine. E kad bi sad napravio i jedan akcijaš sa Johnny Toom recimo, gde bi mu bio kraj.
...ja ni prvo parče RC nisam odgledao, problem su mi pravili nekakvi nedruželjubivo sitni titlovi, da stvar bude hardcoded...
Sećam se te verzije. :)
Srećom, postoje kvalitetne kopije oba dela, pa još i naš prevod.
...u toku prethodne noći se pojavio dvd rip (na dva diska i sa softsub engleskim titlovima) OKURIBITO (DEPARTURES), najsvežijeg dobitnika Oskara za najbolji strani film.
U pravu si......thanks.
Departures.2008.JAP.DVDRip.XviD-CiELO
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Yôgisha X no kenshin AKA Suspect X (2008) Hiroshi Nishitani 3.5/5
Nišitanijev misteriozni triler pred kritiku i publiku ponovo stavlja večito pitanje koje kruži oko termina opravdano ubistvo. Naravno uz to sledi i tradicionalno japansko žrtvovanje zbog viših ciljeva, a taj cilj je i ovde ljubav. Sve bi ovo zvučalo patetično i donenekle dosadno da nema veštog scenarija koji u samu pricu uključuje razne propratne elemente koji ovaj film oblikuju u jednu koherentnu celinu i čine čvrst spoj.
Ambivalentni profesor matematike igrom sudbine biva povezan sa ubistvom koje se dogodilo u njegovoj zgradi. Zarad višeg cilja, on svesno sebe gura u igru macke i miša sa policijom, koju obilato pomaže njegov kolega iz studentskih dana, inace profesor fizike.
Najkvalitetnije scene i dijalozi upravo pripadaju ovom duu. Nadmudrivanje potrošenog i umornog matematičara i napaljenog ženskaroša fizičara, te njihova psihointelektualna povezanost cine ovaj film pokretljivim i umno misaono motoričnim sa metafizičkim naznakama. Njihov probudeni duh prošlosti ce ih obojicu odvesti u emotivno rastrojstvo i društvenu degradaciju.
Marginalizovanje i nipodaštavanje žesnkog intelekta je u ovom filmu prilično uvredljivo implicirano. Mlada detektivka služi za kuvanje kafe, peckanje i sitne provokacije, a podstanarka se obasipa nepotrebnim sexizmima.
Sam kraj je uverljiv i emocionalno iznenađujuce brutalan i veran. Preokret na kraju otkriva snagu skrivenih emocija i razbijanje introvertnosti, tako da završni nihilizam gura Suspect X u tragične drame koje simbolično predstavljaju mračnu stranu ljudske psihe.
Quote from: "Shozo Hirono"Marginalizovanje i nipodaštavanje žesnkog intelekta je u ovom filmu prilično uvredljivo implicirano. Mlada detektivka služi za kuvanje kafe, peckanje i sitne provokacije, a podstanarka se obasipa nepotrebnim sexizmima.
wow, ovo zvuči mega-zanimljivo! :!:
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fwww.freesmileys.org%2Fsmileys%2Fsmiley-happy120.gif&hash=e9e4a915b62cf07c3cd034531837cdc95dcce195) (http://www.freesmileys.org)
E, stvarno si sladak.
Iz dana u dan, sve si mi draži.
Quote from: "Ghoul"Quote from: "Shozo Hirono"Marginalizovanje i nipodaštavanje žesnkog intelekta je u ovom filmu prilično uvredljivo implicirano. Mlada detektivka služi za kuvanje kafe, peckanje i sitne provokacije, a podstanarka se obasipa nepotrebnim sexizmima.
wow, ovo zvuči mega-zanimljivo! :!:
Svejedno, kod Nišitanija daleko bolje prolaze nego kod Kitana.
kitanov problem je što pravi nesnosno dosadne filmove, i to nikakvi mizogini začini ne mogu da (bar za moje nepce) učine jestivim!
Teško da se tvoja terminologija može učiniti podesnom za celokupan njegov opus.
Tvojim nepcima uglavnom ne odgovaraju artističke pretenzije autora.
Kitano ima par fantastičnih filmova i to je FAKAT!
Quote from: "Ghoul"kitanov problem je što pravi nesnosno dosadne filmove, i to nikakvi mizogini začini ne mogu da (bar za moje nepce) učine jestivim!
Ipak za tebe -možda- i ima nade što se žena tiče.
:D
gđice akacijo,
veseli me tvoj optimizam, skoro isto koliko šozov optimizam povodom opusa ovog bez kite (kita-no)!
Quote from: "acaciA"Quote from: "Ghoul"kitanov problem je što pravi nesnosno dosadne filmove, i to nikakvi mizogini začini ne mogu da (bar za moje nepce) učine jestivim!
Ipak za tebe -možda- i ima nade što se žena tiče.
:D
Ovo već postaje tendenciozno
Teorija br. 1:
Ghoul konačno pronalazi ženu svog života i dovodi je u Ženevu. Da bi je potom oženio.
Jasno Acacia ima intelektualnog potencijala, i ma kako god izgledala u 3D, ona je već svojim dosadašnjim delovanjem na Sagiti dokazala da je premija za dotičnog. Fejs it. Ko od osoba nežnijeg pola uopšte gleda one explicitnosti tipa Killer Nun i ostalo.....rispekt.
One njegove koleginice s posle. Ma nema ništa. Popišulje. A i znamo da je gospodin virtuelni robijaš.
Acacia je valjda raskrstila prošlogodišnji problem?
Što nas opet dovodi do.....
Teorija br. 2
Pre godinu dana, kada je zatekao svoju ljubav kako baulja po Sagiti, Acacijn dečko joj na prevaru oduzima nick i pass, i loguje se par meseci kasnije. Ova teorija je prilično realna, jer je Acacia u međuvremenu beskrajno proširila vidike delovanja na forumu. Po povratku naravno. Ako je ovo tačno, Gholuotresina ga je najebo sledeći put ka prođe Bubanj potok.
Teorija br. 3
Son of Man se odavno registrovao kao Acacia i za par meseci će ispuniti svoj Evil plan. Ubiti svog idola. A pre toga ga navući na sastanak u Bg, na neviđeno sa nepoznatom osobom.
Teorija br. 4
Iza nicka Acacia stoje članovi tima SF Srbija, koje sam onomad jedva sprečio da ne naprave sranje na promociji Studije Strave ispred NKCa. Ovo je njihov destruktivni plan. Navući bitangu na tanak led, u drugi grad.
Teorija br. 5
Acacia je ustvari Ghoul 2, koji će konačno uništiti svoj alter ego, badisnečovati moždane i telesne funkcije. I imaćemo umesto Ghoul i Ghoul 2, Bob i Mike.
e, moj šozo...
Teorija br. 1:
Ghoul konačno pronalazi ženu svog života i dovodi je u Ženevu.
=ma našo sam ja ženu svog života odavno. problem je samo što je istovremeno bila i žena moje smrti.
+ nije volela nunsploitation filmove!
Teorija br. 2
Acacijn dečko
=sviđa mi se implikacija da neko ko postuje iza nicka akacija ne može da bude žensko!
Teorija br. 3
Son of Man - Evil plan.
=sin je pokušao da me sjebe prošlog petka kada me je namamio u studentski park, navodno samo na nedužno ispijanje piva s njegovom drugaricom – a zapravo kako bismo isprovocirali neku od uobičajenih policijskih racija na tom mestu. ta uštva se nadala da će pajkani da me smeste iza brave i tako sruše moju mukotrpno građenu reputaciju – bio je spreman i sebe da žrtvuje samo da mene sjebe!
srećom, policija nas nije dirala, verovatno zato što nam se ubrzo pridružio milosh – a svakome ko vidi milosha jasno je da na 200m od njega nema nikakvih droga, poroka i bluda!
Teorija br. 4
članovi tima SF Srbija
=neubedljivo.
oni bre ne znaju ko je zoran živković, a kamo li da su čuli za KILLER NUN!
Teorija br. 5
Acacia je ustvari Ghoul 2,
=Ghoul2 je muško.
:lol: :lol: :lol:
...Shozika, bio si jedan od retkih koji mi je poželeo dobrodošlicu na ovom forumu,
tako da si uspeo da me kupiš još tada. :wink:
Ali sada, posle ovog posta si dospeo na počasno 1. mesto najdražih!
Ove teorije su, malo je reći, fascinantne i neverovatne..toliko, da bi neko mogao i pomisliti da su tačne! :D
Ali, ne mogu da verujem da se ona jedina prava ne nalazi ovde.
Ona prva joj je na tragu...ali i dalje je daleko od istine.
Pomirite se sa time da se iza nika acaciA krije devojka,
koliko god to neverovatno vama izgledalo.
Quote from: "acaciA"Ona prva joj je na tragu...ali i dalje je daleko od istine.
acaciA konačno pronalazi muškarca svog života (ko god on bio)?
Quote from: "Ghoul"a svakome ko vidi milosha jasno je da na 200m od njega nema nikakvih droga, poroka i bluda!
Kakve klevete!
Quote from: "Milosh"
acaciA konačno pronalazi muškarca svog života (ko god on bio)?
:wink:
Ne, već ga je pronašla.
Quote from: "acaciA"Quote from: "Milosh"
acaciA konačno pronalazi muškarca svog života (ko god on bio)?
:wink:
Ne, već ga je pronašla.
kažem ja tebi, moj miloše – sve prave žene su već zauzete (najčešće – pogrešnim muškarcima)! :(
Okej, sad baš nazivati akaciju pravom ženom ili uopšte ženom, malo je... pretjerano.
Quote from: "Harvester"Okej, sad baš nazivati akaciju pravom ženom ili uopšte ženom, malo je... pretjerano.
u pravu si, moja opaska je više en generale nego u betonu (in concrete).
za akaciju za sada samo znamo da nije (samo) biljka.
istraga je u toku.
Quote from: "Ghoul"
kažem ja tebi, moj miloše – sve prave žene su već zauzete (najčešće – pogrešnim muškarcima)! :(
:o Dobila sam kompliment od Gospodina Ghoula?!!! :shock:
------> Inače, to važi i za muškarce...
hm...ja bih se zapitala... :?:
Quote from: "acaciA"Quote from: "Ghoul"
kažem ja tebi, moj miloše – sve prave žene su već zauzete (najčešće – pogrešnim muškarcima)! :(
------> Inače, to važi i za muškarce...
oćeš reći: svi pravi muškarci su već zauzeti (najčešće – pogrešnim muškarcima)!??? :shock: :?
Ako si ti to tako shvatio, ok.
8)
Kako to reče moj drugar Sale: "Urke, a što ne probamo da postanemo pederi? Kad se ovako dobro kapiramo sada, što se ne bi dobro kapirali i ako bi se karali?"
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Okurbito AKA Departures (2008) Yojiro Takita *****
Teorija po kojoj japanski režiseri u zrelim godinama kreiraju svoja najveća dela pokazala se tačnom i u slučaju Yojiro Takite. Sem par interesantnih naslova, tipa Comic Magazine sa Beat Takeshijem, i nekoliko smelih žanrovskim izleta Takita nije imao veće uspehe. I onda, iz neba pa u rebra Oskar za najbolji strani film. Pobediti The Class, Gommoru, Il Divo, Waltz for Bashir i ostale pretendente nije bilo lako. Čak se ni scenarista Kundo Koyama ne može pohvaliti značajim naslovom u prošlosti. Ali, kako to obično biva, u životu ne postoje zacrtana pravila.
Mladi čelista iz velegrada kakav je Tokio, nakon gubitka posla hrabro odlučuje da krene u provinciju iz koje je i došao u glavni grad. Gubitak posla u simfonijskom orkestru neminovno uslovio je promenu profesije.
Iza naslova filma krije se ceremonijalno tradicionalno obredno pospremanje pokojnika za poslednje putovanje. Nepopularan zanat, anatemisan od strane meštana, mladom čelisti stvara emotivne probleme kako na samom poslu, tako i u odnosu sa verenicom. Ali samo u startu. Povratak kući donosi i neminovan sudar sa prošlošću.
Na početku prožet crnim humorom, bizarni sklop okolnosti i događaja Okurebito vuče ka melodramatičnom klimaksu i katarzičnom krešendu i finalu, u kome spoznaja smrti biva poražena rađanjem novog života.
Narativno i zanatski Takita se maestralno nadovezuje na epohalni Ozuov opus i njegova najuspešnija dela, koristeći pritom moderne tehničke elemente, stvarajući vizuelne iskustvo koje će sa godinama dobiti još veći sjaj i značaj. Iako naizgled i na momente predvid, Okurebito nije nimalo naivan i njegova nevina filozofska intencija nikako ne treba biti olako shvaćena i pogrešno tumačena.
...odlično odličan film, sasvim zaslužen Oskar, a elaboracija ove ocene u 3000 i kusur karaktera u skorom Popboks osvrtu.
...obećani Popboks osvrt...
http://www.popboks.com/tekst.php?ID=7315
Shozo i drugari, jel moze nesto Korejsko (i okolo, samo da nije japansko) na fazon Chasera i Truck, znaci neki triler il tako nesto, jurnjava i to - nisam u toku jbga pa reko da pitam mozda ima nesto novo od tog fazona ? :)
Evo ti dva stara koja možda nisi gledao:
A Bittersweet Life
Nowhere to Hide
Attack the Gas Station!
The President's Last Bang
The City of Violence
Nije Korejac, ali Johnny To ima par naslova koja bi ti bili gotivni.
A od novih, i kod mene na listi za gledanje su tek:
Handphone
Private Eye
Missing
The Pot
Dachimawa Lee
Fala, benzisku stanicu sam poco da gledam i ucini mi se nekakva parodija ? :shock:
Quote from: "Son of Man"Fala, benzisku stanicu sam poco da gledam i ucini mi se nekakva parodija ? :shock:
slabo je to, sine.
od ovog što je šozo nabrojo, najbolji je A Bittersweet Life.
Još pre par meseci sam bio upitan da napravim listu najznačajnijih starijih ostvarenja koja dolaze sa Dalekog istoka.
To je bio obiman zadatak, jer je svakako uključivao moje gledanje naslova koje sam propustio da prostudiram u prošlosti. I to je opet trajalo par meseci; a fokus mi je bio na japanskoj kinematografiji.
E sad, lista je gotova - ali bi bilo malo neozbiljno ne reći po nešto o samim tim ostvarenjima. Barem po jednu rečenicu.
Gotove su dve dekade: od 1941 do 1960. Prvi je The 47 Ronin, a poslednji The Island.
Ključna dekada (najobimnija), biće započeta filmom Cruel Story of Youth, a biće zaključena nekim ostvarenjem iz 1969.
Zatim dekada 1970 - 1980
I onda na kraju 1980 - present day
Čekamo :)
The 47 Ronin (1941) Kenji Mizoguchi
Osporavan kao propagandni materijal fašistickog Japana, sniman usred WWII, ovaj Mizoguchijev klasik predstavlja izuzetan doprinos samurajskim epovima. Prvi pravi veliki film japanske kinematografije.
Drunken Angel (1947) Akira Kurosawa
Prva kolaboracija tandema Mifune-Kurosawa je potcenjen mali film velikog odjeka; posebno medu režiserima novog vala. Rani prikaz gangstera u posleratnom Japanu.
Rashômon (1950) Akira Kurosawa
Jedan od najznacajnijih filmova svetske filmske baštine. Umetnost stilskog i dramskog pripovedanja. Prodor Japana na filmsku mapu sveta i opšte prihvaćen originalan naslov.
Tokyo Story (1953) Yasujiro Ozu
Ozuova simfonija revolucionarno-tehničkih inovacija; impresivna poetika narativno-duhovne stilizacije. Tužna, a ujedno i topla priča o životu i smrti, vernosti i izdaji. Sight & Sound je stavio Tokyo Story na mesto br. 1 najboljih filmova svih vremena.
Ugetsu monogatari (1953) Kenji Mizoguchi
Eksploatacija siromaštva u feudalnom Japanu pomešana sa pričom o duhovima je više psiho-sociološka studija nego zastrašujuća bajka. Magično uslikane proganjajuće sekvence.
Gate of Hell (1953) Teinosuke Kinugasa
Jidai Geki ep melodramatičnih proporcija o zabranjenoj ljubavi iz 12. veka. Prvi japanski film u Eastmancolor tehnici i dobitnik Oskara za najbolji strani film.
Seven Samurai (1954) Akira Kurosawa
Iluzorno je uopšte trošiti reči na Kurosawin klasik. Obavezna ektira za svakog iskrenog ljubitelja filmske umetnosti.
Gojira (1954) Ishirô Honda
Pokretac neuništivog serijala koji traje do današnjeg dana. Rano korišcenje efekta je daleko prevaziđeno, ali moralna poruka sa kraja filma ima odjek i u modernom dobu.
Miyamoto Musashi (1954) Hiroshi Inagaki
Veoma značajana Jidai Geki trilogija, i još jedan Oskar za Japan. Mifune kao simbol filmskog samuraja
Twenty-Four Eyes (1954) Keisuke Kinoshita
Kinoshitina drama o učiteljici iz malog mesta i njenom odnosu sa učenicima. Njen inspirativni pogled na svet koji okružuje predratni Japan čini ovaj skriveni klasik nezaboravnim i večnim.
The Burmese Harp (1956) Kon Ichikawa
Jedan od najmoćnijih prikaza WWII iz vizure prosečnog japanskog vojnika. Proganjajuće melodije uz impresivno Ichikawino korišćenje crno-bele tehnike.
Punishment Room (1956) Kon Ichikawa
Ichikawin nihilistički prikaz zabludele mladosti predstavlja pionirski zahvat i začetak novog vala u japanskoj kinematografiji.
Crazed Fruit (1956) Ko Nakahira
Još jedan rani film novog vala. Ljubavni trougao kao preteča Trifoovog Jules and Jim, značajan i kao film u kome se golotinja prvi put pojavljuje u japanskoj kinematografiji.
Street of Shame (1956) Kenji Mizoguchi
Poslednji film majstora umetnički secira prostituciju na ulicama i u bordelima Tokija.
Giants and Toys (1958) Yasuzo Masumura
Novovalna pop satira japanskog zlog dečka predstavlja uspešan prikaz manipulatornog advertajzinga i marketinga u kapitalističkom sistemu. Refleksije i poruke se očitavaju i danas.
Ballad of Narayama (1958) Keisuke Kinoshita
Čuveni japanski ruralni obicaj prepričan u tradicionalnom kabuki stilu u Kinoshitinom izvođenju je opušteniji i mnogo manje zlokoban i napet od Imamurinog kasnijeg rimejka, ali ništa manje vredan i impresivan.
Ghost Story of Yotsuya (1959) Nobuo Nakagawa
Jedna od najprepričavanijih epskih prica o duhovima u japanskoj kinematografiji. Kinoshitina iz 1949. je bila više psihološka studija, dok Nakagawa prvi unosi elemente horora i šoka u konzervativnu priču koja je dotad bila prepuna naivnih nagoveštaja.
Floating Weeds (1959) Yasujiro Ozu
Priča o Kibuki trupi koja se u primorskom seocetu zadržava duže od očekivanog je jedan od najmoćnijih Ozuovih dramskih poduhvata; beskrajno kopiran u budućnosti. Roger Ebertov pik u najboljih 10 svih vremena.
Fires on the Plain (1959) Kon Ichikawa
Brutalno-realističan portret patnji i stradanja pred kraj WWII, praćeno ponosnim marširanjem malarije, tuberkuloze, dijareje, kanibalizma, i svega onoga što sukob čini ogavnim i nepoželjnim.
The Human Condition (1959-61) Masaki Kobayashi
Anti-ratna sonata upakovana u koherentnu trilogiju epskih razmera i majestičnih proporcija. Prvi veliki Kobayashijev film.
The Island (1960) Kaneto Shindô
Landmark stilsko-narativnog minimalizma i Shindov tour de force večite borbe čoveka protiv sila prirode.
lepo je to sve, šozo, ali šta ćemo sa tvrdnjma nekih istaknutih proučavalaca da se zlatno doba japanskog filma u stvari završava sa II svetskim ratom?
i da ovo što je usledilo ne može ni da prismrdi onome od ranije?
odnosno, da je kurosava jedan od najvećih grobara autentičnog japanskog filma, zbog svojih zapadnjačkih uticaja, kako književnih tako i filmskih – dakle, i idejnih, i tematskih, i stilskih, formalnih...? tj. da je kurosava 'pozapadnio' japanski izraz i tako izdao njegovu autohtonost?
:P
Quote from: Ghoul on 03-05-2009, 18:12:02
lepo je to sve, šozo, ali šta ćemo sa tvrdnjma nekih istaknutih proučavalaca da se zlatno doba japanskog filma u stvari završava sa II svetskim ratom?
Taj romantizam ne pije vodu.
Pa i pre WWII su bili aktivni Mizoguchi i Ozu, ali je najveći broj njihovih filmova pogubljen. Može biti i neki rani Narusov film značajan, ali je to daleko od standarda koji su tridesetih vladali u Holivudu ili dvadesetih u Nemačkoj.
Nema značajnog kritičara koji obara vrednost filmova kao što su Tokyo Story ili Ugetsu, u odnosu na neki pre WWII.
O Kurosawi ću večeras kad dođem kući. ;)
možda, ali u pitanju su ipak ZAPADNI kritičari.
jasno da će njima više da se dopada ono što im je bliže i razumljivije.
Quote from: Ghoul on 03-05-2009, 19:21:30
možda, ali u pitanju su ipak ZAPADNI kritičari.
jasno da će njima više da se dopada ono što im je bliže i razumljivije.
Ok. Jasno mi je zašto vole Kurosawu (on je otvoreno veličao Forda), ali ne vidim zašto i kako su im bliski Ozu i Mizoguchi.
Quote from: Ghoul on 03-05-2009, 18:12:02
odnosno, da je kurosava jedan od najvećih grobara autentičnog japanskog filma, zbog svojih zapadnjačkih uticaja, kako književnih tako i filmskih – dakle, i idejnih, i tematskih, i stilskih, formalnih...? tj. da je kurosava 'pozapadnio' japanski izraz i tako izdao njegovu autohtonost?
:P
Ne postoji ozbiljna lista najznačajnijih japanskih filmova bez Rashomona i Seven Samurai.
Ne postoji ni jedna realna, nepristrasna lista najboljih filmova svih vremena bez barem jednog od ta dva. Koji god ih kritičar sastavljao: zapadni ili istočni.
Na dalje od 60ih na mojoj listi videće se jasno da nijedan autor samostalno nije mogao da bude grobar, niti da sahrani umetnički potencijal i kreativni izraz nadolazećih snaga. pa makar to bio i sam Kurosawa!
Šta više, malo će ko u budućnosti stvarati pod njegovim direktnim uticajem (možda Hideo Gosha i nešto malo Kobayashi), te samim tim on nije mogao biti grobar sopstvene industrije, već samo njen sastavni deo.
A i mi pričamo o 50im. Avangardne autore si u ono vreme mogao nabrojati na prste.
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Paco and the Magical Picture Book (2008) Tetsuya Nakashima ****
Konačno je na red za gledanje došla toliko hvaljena porodično-dečija fantazija Tetsuya Nakashime. Nakashima se u prethodnom delu svoje karijera i isticao kao sjajan dramaturg porodičnih tragedija; ovde, uprkos slobodnom tretiranju elemenata animacije, fikcije, fantazije, ipak ostaje na svom terenu.
Melodramatičan u samoj svojoj srži, film nam donosi neobično slikovitu i bizarno-opsesivnu priču o prijateljstvu sebičnog industrijskog magnata i sedmogodišnje devojčice, koja usled saobraćajne nesreće i oštećenja mozga, proživljava svako novo jutro kao jedinstveno iskustvo, bez ikakvog sećanja na prethodni dan; i sve je to smešteno u nekoj vrsti mentalne institucije. Što je i prilično tipično za tradicionalnu japansku bizarnost i njihovo konsekventno veličanje kulta smrti.
U prvih pola sata može delovati naporno gledati pozorišno preglumljavanje i bacakanje, praćeno pompeznom animacijom. Ali kako priča ide dalje, gledalac biva nekako sasvim naivno uvučen u svet ludih doktora, opsesivnih sestara, grabežljivih naslednika i navalentnih klovnova.
Maestralna scenografija nalikuje Bartonovim delima; uprkos kamernoj atmosferi, dinamika ima furiozni krešendo - koji vodi u katarizičan finale.
evo ga onaj kinez nad čijom su se sudbinom svojevremeno sažalili Goran marković, Biljana Srbljanović i ekipa, kada mu film nije pušten na Autorskom zbog protesta kineske ambasade...
Cannes
Spring Fever
Chunfeng chenzuide yewan (Hong Kong - France)
By DEREK ELLEY
A Le Pacte (in France) release of a Dream Factory H.K. (Hong Kong)/Rosem Films (France) production, with participation of Fonds Sud Cinema, French Ministry of Culture & Communication, CNC, French Ministry of Foreign Affairs. (International sales: Wild Bunch, Paris.) Produced by Nai An, Sylvain Bursztejn. Co-producer, Lou Ye. Directed by Lou Ye. Screenplay, Mei Feng.
With: Qin Hao, Chen Sicheng, Tan Zhuo, Wu Wei, Jiang Jiaqi, Huang Xuan, Liang Ming.
(Mandarin, Cantonese dialogue)
Three years after tweaking the nose of China's Film Bureau with full-frontal nudity and direct references to the 1989 Tiananmen Square incident in "Summer Palace," mainland helmer Lou Ye is at it again -- this time with lashings of gay sex -- in the five-way ensembler "Spring Fever." Pic circumvents the bureau's five-year filmmaking ban on Lou by being registered as a Hong Kong-French co-production, though beyond fests (especially gay ones) and the hardcore arthouse crowd, this over-long, very Euro-flavored "Spring" won't make many B.O. wickets bloom.
Shot clandestinely in Nanjing, central China, on digital equipment -- cleanly transferred to 35mm, though murky in interiors -- "Spring Fever" aims to evoke an atmosphere in which characters are swept up in a metaphysical fever, which blurs some sexual inclinations while reinforcing others. The movie's poetic Chinese title literally means "A Night Deeply Drunk on the Spring Breeze."
With its shifting, unstable weather -- from spring rain and overcast haze to sunny spells -- the pic does intermittently evoke a time of year when nature is stirring after a long period of hibernation. But the effect is weakened by the lack of visual consistency in d.p. Zeng Jian's lensing, and with a lot of the action taking place in dully lit interiors, the connection between nature and the human world remains more in the pic's English and Chinese titles than in what comes through on the bigscreen. Overall tone, especially in the second half, is more of autumnal melancholy than of spring fever.
Helmer Lou starts off as he means to continue, with a full-on (but genitalia-free) sex sequence between married Wang Ping (Wu Wei) and his male lover, Jiang Cheng (Qin Hao). What Wang doesn't know is that his wife, schoolteacher Lin Xue (Jiang Jiaqi), is having him followed by unemployed Luo Haitao (Chen Sicheng), who snaps photos of the two men together.
During an awkward dinner a trois, in which Jiang poses as Wang's old university friend, Lin plays along. But when Wang later finds out she's had him followed, Lin not only bawls her hubby out at home but also humiliates Jiang at his workplace.
These brief scenes, superbly played by actress Jiang Jiaqi, are among the few authentically emotional and gripping sequences in the movie, which otherwise schematically moves feelings and characters around at the script's convenience.
Things turn more melancholy and moony as Luo -- in a sudden development that's never properly justified dramatically or psychologically -- becomes less interested physically in his g.f. (Tan Zhuo) and more sexually drawn to his initial quarry, Jiang. Ensuing emotional complications over the remaining 75 minutes result in a suicide, much heart-searching (though little of it via meaningful dialogue) and one scene after another of gay lovemaking.
The screenplay is much better constructed than the untidy "Summer Palace," but the pic is still a long, long way from Lou's inventive and involving "Suzhou River" and flawed but impressively ambitious period drama, "Purple Butterfly." As Lou has seemingly catered more and more to Euro tastes (and Western sensibilities), his vision and imagination have become progressively more restricted.
Script has little idea what to do with Wang or either of the female characters, all of whom are left stranded as the pic focuses on Luo's homosexual "affair" with Jiang. Perfs are OK, but with little to chew on in the script, the actors almost seem to blend into each other at times.
Atmospheric score by Iranian composer Peyman Yazdanian ("Summer Palace") adds some color.
More than one option
Camera (color, DV-to-35mm), Zeng Jian; editors, Robin Weng, Zeng, Florence Bresson; music, Peyman Yazdanian; additional music, Mickey Zhang; art director, Peng Shaoying; sound (Dolby Digital), Fu Kang; assistant director, Zhao Zhiyang; casting, Zhang Yanjia. Reviewed at Cannes Film Festival (competing), May 13, 2009. Running time: 116 MIN
Tokyo! (2008) Michel Gondry/Leos Carax/Bong Joon-Ho ****
Dugo očekivani sequel omnibusa Paris, je t'aimee, prosto nazvan Tokyo!, prilično je kasno došao u bioskope; a onda još sporije izašao na DVD. Tako da, eto, gotovo posle godinu dana distributerskih peripetija i zavrzlama, film je stigao do ljubitelja piraterije; i naravno do onih koji nikada ovaj film neće moći da odgledaju na bioskopskom platnu.
Neizvesnost je trajala pre svega u srcima Gondryjevih i Bongovih fanova, koji su prethodnim ostvarenjima u svojoj karijeri, svaki na svoj način, stvorili moćnu bazu sledbenika i poklonika.
Artistički triptih otvara Gondry pričom o paru koji iz provincije dolazi u Tokio tražeći umetničku satisfakciju i priznanje. U tom duu, jaču polovinu predstavlja dečko, koji odlično pliva kroz radničke vode, dok se cura na metaforičan način i bukavalno pretvara u stolicu, usled Gondrijevog stalnog insistiranja na njenoj indolentnosti i parazitarenju.
Gondry je celu priču prilično približio japanskom mentalitetu, kombinujući je sa svojim tradicionalnim filozofijama o društvu i okruženju u kome živimo; tako da prva priča ima prelaznu ocenu, ali ne predstavlja vrhunac triptiha.
Carax je najmanje poznato ime u ovoj rediteljskoj trilogiji. Ipak, njegova surealna priča nekako najviše drma korene i stubove samog Japana, iako nije najveštije izvedena. Priča o dementnom liku koji povremeno izlazi iz kanalizacije da bi maltretirao stanovnike Tokija, otvoreno simbolizuje mit o Godzili i njegovoj pedestogodišnjoj misterioznoj ulozi i značaju za japansko društvo. Ispod crnokomične satire krije se jasno naznačeni podkontekst o tradicionalnoj japanskoj homofobičnosti i rasnoj netrpeljivosti, naročito prema strancima i turistima koji pohode zemlju izlazećeg sunca.
Bongova društveno socijalno satira, sa elementima Itamijevih misaono-artističih komedija iz osamdesetih, je najuspeliji poduhvat celokupne trilogije. Bong nam govori o hikikomoriju (japanski izraz za usamljenika, koji živi i parazitira potpuno izolovan i otuđen od vanjskog sveta, i dešavanja u njemu), čiji se sistem ruši onog trenutka kade se pogledom susretne sa mladom i atkraktivnom dostavljačicom iz lokalne picerije.
Bong je izuzetno maštovito i inventivno ugradio japanske fetiše i strahove u svoje kadrove, stvarajući verne likove sa čijim sudbinama se gledalac barem na momenat može identifikovati. I na kraju, iako izolovanost simbolizuje strah od smrti i neku bizarnu težnju ka savršenošću i perfekcionizmu, poslednja priča ima najmanje tragova otvorene mizantropije; i jedino ovde na kraju, u biti ljubav pobeđuje smrt.
Photobucket jutros radio nije, pa evo poster tek sad. 8-)
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E ovo smo cekali :!:
Cannes
City of Life and Death
Nanjing! Nanjing! (China - Hong Kong)
By DEREK ELLEY
'City of Life and Death'
'City of Life and Death'
A China Film Group (in China)/Media Asia (in Hong Kong) release of a China Film Group, Stellar MegaMedia, Jiangsu Broadcasting System (China)/Media Asia Films (Hong Kong) production. (International sales: Media Asia, Hong Kong.) Produced by Lu Chuan. Executive producers, Han Sanping, Qin Hong, Zhou Li, John Chong. Directed, written by Lu Chuan.
With: Liu Ye, Gao Yuanyuan, Hideo Nakaizumi, Fan Wei, Jiang Yiyan, Qin Lan, Yuko Miyamoto, Ryu Kohata, John Paisley, Liu Bin, Zhao Yisui, Beverly Peckous, Sam Voutas.
(Mandarin, Japanese, English, Shanghainese dialogue)
At times semi-impressionistic, at others gut-wrenchingly up close and personal, Nanjing massacre chronicle "City of Life and Death" lives up to hype and expectations. Third feature by mainland Chinese writer-director Lu Chuan inhabits a strange space between art movie and the mainstream that Lu has made his own with his previous, very different pics ("The Missing Gun," "Kekexili: Mountain Patrol") and, despite having been lensed in widescreen black-and-white with an almost clinical detachment, packs emotional punches throughout. Inexplicably turned down by Cannes, pic deserves major fest platforms in Europe and North America to launch its specialty career in the West.
In China, where it opened April 22, "City" has notched up a surprising 150 million yuan (north of $20 million) in its first 2½ weeks alone. Much-laureled German movie "John Rabe," a more conventional version of the same events, was released a week later and, as in Deutschland, flopped.
Even after more than 70 years, the 1937-38 Nanjing massacre remains an unresolved sore: China has claimed a death toll of around 300,000 and Japan has generally admitted to about half that number and still furnished no official apology. The event has featured in several Chinese-language TV series and movies over the years, but Lu's film reps the first full-on, non-melodramatic treatment by a Chinese filmmaker.
What's surprising about "City" is all the things it isn't. It isn't a bombastic, nationalistic slice of melodrama; it isn't wall-papered with emotive music; and it isn't two-hours-plus of unmitigated grief and wailing.
Only partly because it's in black-and-white, the pic recalls Central Euro war dramas of the '50s and '60s (such as Andrzej Wajda's "Kanal"), with their powerful mixture of both grit and spiritual emptiness. But underneath the visual trappings, the movie remains deeply Chinese in its emotional underpinnings and relationships.
Lu's screenplay is more a succession of events centered on a relatively small number of characters -- both Chinese and Japanese --than an attempt to tell the complex story of the mass executions and other atrocities committed by Japanese troops. There's personal bravery but little movie-style heroism, more a general sadness at human behavior during wartime.
Characters are a mix of real personalities -- such as Rabe, who helped save many civilians by setting up an international safety zone -- and fictional alloys. Main character is not Chinese but a young, conflicted Japanese officer, Kadokawa (Hideo Nakaizumi), who's a member of a platoon led by the ruthless Ida (Ryu Kohata) and who falls for a shipped-in Japanese "comfort woman," Yuriko (Yuko Miyamoto).
Balancing them on the Chinese side are a young general, Lu (Liu Ye), who leads a unit in street-to-street fighting, and Tang (Fan Wei), longtime assistant to Rabe (John Paisley), who organizes the safety zone with a young female teacher (Gao Yuanyuan).
As civilians and soldiers are herded into groups and massacred, Tang tries to protect his wife (Qin Lan) and young sister-in-law (Jiang Yiyan). The killings and humiliations continue throughout the winter and up to the official celebration of Nanjing's conquest by the Japanese troops in March.
Pic's most powerful moments are the small setpieces: Chinese women volunteering to become comfort women, sparse dialogue exchanges or farewells, or (most cinematically striking of all) the Nipponese troops' bizarre conquest dance.
Lack of characters' backgrounding gives the pic a visceral immediacy and makes the historical situation the movie's real star. The downside, is that, at least initially, it's difficult to work out Tang's exact relationships with the women around him.
Fan, known better as a comic in China but arguably even stronger in dramatic roles ("The Parking Attendant in July"), delivers the most powerful screen presence with the least effort, resulting in some genuinely heart-rending scenes in the final reels. Gao ("Shanghai Dreams") matures more gradually but delivers in the last lap, while Liu, one of the most versatile of China's younger actors ("Lan Yu," "The Underdog Knight"), dominates the early going as a gritty soldier whose bravery is tempered by an almost childlike innocence.
On the Japanese side, Nakaizumi is a tad too low-key to fully flesh out the conflicted Kadokawa, and is easily overshadowed by the excellent Kohata as his loony commander.
Monochrome processing would have benefited dramatically from fewer grays and harder blacks and whites, but widescreen lensing (largely handheld) by d.p. Cao Yu is aces amid Hao Yi's terrific sets (built in northeastern China) of blasted Nanjing buildings. Liu Tong's soulful, evocative music is sparingly deployed to maximum effect.
More than one option
Camera (B&W, widescreen), Cao Yu; editor, Teng Yu; music, Liu Tong; production designer, Hao Yi; costume designer, Wang Rong; sound designer (Dolby Digital), Lai Qizhen; assistant director, Li Qining. Reviewed at Cannes Film Festival (market), May 14, 2009. Running time: 133 MIN.
Ako je ceniti po Kekexiliju, ovo bi trebalo biti dobro. :)
"Kekexili: Mountain Patrol" je vrlo dobar film, a ovo ću jedva dočekati: deluje vrlo obećavajuće!
Kinatay
(France-Philippines)
By JAY WEISSBERG
'Kinatay'
'Kinatay'
An Equation (in France) release of a Swift Prods. (France)/Centerstage Prods. (Philippines) production. (International sales: the Match Factory, Cologne.) Produced by Rodel Nacianceno. Executive producer, Didier Costet. Directed by Brillante Ma. Mendoza. Screenplay, Armando Lao.
With: Coco Martin, Julio Diaz, Mercedes Cabral, Maria Isabel Lopez, John Regala, Jhong Hilario.
(Tagalog dialogue)
Acolytes convinced Brillante Mendoza is ready for his second Cannes competish slot will dwindle following "Kinatay," an unpleasant journey into a brutal heart of darkness. Mendoza strengthens his gift for describing space with inquisitive cameras, but as the helmer's star rises, his subtlety wanes, resulting in obvious statements made banal by heavy-handed ironies. This noirish tale of an innocent guy drawn into a dark world of torture and dismemberment understands that an unwilling accomplice is still tarred by fate, but the pic's graphic nature does realism no favors. Fest life may linger, but theatrical won't survive long.
Exec producer Didier Costet is well aware of the risks; his distrib company Equation has already released three Mendoza titles in France, including last year's controversial Cannes entry "Serbis," which he co-produced under Swift Prods. "Kinatay" is Tagalog for "slaughter," which could be a prescient title given the likely drubbing the pic will receive from mainstream critics.
The first 15 minutes or so showcase what Mendoza does best: capturing the chaos of life in the teeming slums and streets of Manila. Accompanied by a cacophony of noises and voices, police cadet Pepoy (Mendoza's muse Coco Martin, also credited as producer under his real name, Rodel Nacianceno) and his g.f. Cecille (Mercedes Cabral) drop their baby off with an "auntie" and head to city hall to get married. Money is scarce, but their happiness is palpable, and everyone in the wedding party optimistically dreams of purchasing big-ticket items.
The next day, Pepoy hooks up with friend Abyong (Jhong Hilario), who promises him a nice chunk of change if he joins some shady cohorts for an unspecified job. Accepting the offer, Pepoy watches as Sarge (John Regala) lures deadbeat drug addict/prostitute Gina, aka Madonna (Maria Isabel Lopez), into a van, where the thugs pummel the helpless woman on the orders of Vic (Julio Diaz).
A long nighttime ride follows, as the van departs Manila, with a terrified Gina watched in the back by a silent, frightened Pepoy. Mendoza shoots much of the ride inside the darkened van, its indistinct, menacing forms accompanied by strange soundscapes meant to invoke viewer anxiety.
On reaching their destination, Gina is brought to a room where she's beaten, raped and finally dismembered. Unfortunately, the graphic nature of the presentation is so coldly matter-of-fact and overtly in-your-face that auds are unlikely to feel anything other than anger at being subjected to such unnecessary scenes. It's not that the helmer takes any glee in the sadism, but the nightmarish quality he captures is merely vile, without a deeper sense of the scene's horror.
Thus, Mendoza's stated aim, to show how one misstep can turn a basically decent guy into a scarred and culpable soul, becomes a pseudo-noir treatment in which the brutality, alternately coy and explicit, overshadows the soul-searching. Worse, the helmer insists, as he did in "Serbis," on hitting auds over the head with unsubtle ironies, such as a poster of Jesus hanging near Gina's torture room.
On a purely technical level "Kinatay" impresses, especially in the first quarter. D.p. Odyssey Flores shoots each scene from a variety of angles, as if the camera itself had an urgent need to understand where characters are in space and in relation to their surroundings. Early scenes were shot on film and have a bright, colorful glow -- Mendoza gets the joyful anticipation of the wedding day absolutely right -- while the endless night sequences, deliberately murky and ashen, were lensed digitally with the versatile Arriflex D-21.
More than one option
* (Co) Arriflex Camera
* (Co) ArriFlex
Camera (color, 35mm, HD-to-35mm), Odyssey Flores; editor, Kats Serraon; music, Teresa Barrozo; production designer, Dante Mendoza; art directors, Harly Alcasid, Deans Habal; costume designer, Hedji Calagui; sound (Dolby SR), Albert Michael Idioma; associate producer Aurora dela Cruz; casting, Ed Instrella. Reviewed at Cannes Film Festival (competing), May 16, 2009. Running time: 109 MIN.
Zahvaljujući Shozovom i mrkoyevom joint effortu, pogledao sam TOKYO! omnibus od tri priče koji se nastavlja na prethopdni pariski omnibus u kome je doduše bilo više reditelja.
Selekcija reditelja je zanimljiva. Producenti su izabrali tri različita autora koji se suštinski obraćaju trima različitim publikama. Njihove publike su priličnoj meri, i u brojnim tačkama preklapaju, ali ipak Gondry, Carax i Bong su reprezenti apartnih mileja savremene internacionalne kinematografije.
Najveće ime među njima svakako je Leos Carax, reditelj koji je jedna od ikona francuskog neobaroka koji nažalost nije uspeo da postigne svetski uspeh kao njegovi savremenici i saborci Besson ili Beineix zbog svoje neukrotive sklonosti ka provokaciji, evropskom art ekscesu i bezobzirnošću prema publici. Upravo zato, on nije bio sposoban da proizvede film Bessonove komunikativnosti ili pitki art house kao Beineix ali ostao kao jedan od cenjenih enfant terriblea francuskog filma koji više nije dete. Carax je i dalje velika atrakcija evropskog filma, što potvrđuje i ovaj film.
S druge strane, tu je Michel Gondry, takođe francuska art house faca koja je paradoksalno vezanija za američku hipstersku scenu, i iako radi filmove i u Evropi, ipak je Amerika njegov ključni teren. Gondry je vremenom uspeo da se osamostali od scene koja je nastala oko scenariste Charlie Kaufmana i da pođe svojim arty putem, međutim vezanost za Ameriku u suštini nije raskinuo.
Konačno, tu je Bong Joon Ho, što se mene tiče, najznačajniji reditelj u ovoj ekipi, veliki genre bender koji snima megahitove za korojeske bioskope koji zbog svog vrhunskog umetničkog dometa u Evropi prolaze kao festivalski favoriti. Bong Joon Ho je što se mene tiče pretekao Chan Wook Parka koji je ranije držao vrlo sličnu poziciju u korejskom i svetskom filmu, a to je čak i internacionalna kritika počela da primećuje. Ipak, sve do ove godine, Bong je ipak imao manju težinu od Caraxa i Gondryja.
Međutim, u omnibusu TOKYO!, Bongova priča je daleko najbolja. Iako se on i dalje služi tim vrlo specifičnim korejskim ritmom pričanja priče, sa vrlo neobičnim kadriranjem, izuzetnom vizuelnom kulturom filma i tehničkim perfekcionizmom koji krasi njegove filmove i inače, SHAKING TOKYO je u suštini najkomunikativnija priča u omnibusu. Naime, Bong je odbio da se uključi u trku i nadmetanje sa Gondryjem i Caraxom u ludilu bez pokrića pa je snimio jedan film koji je precizan, racionalan, sa jasnom emocijom, temom i idejom.
Svojom apsolutnom tehničkom superiornošću, priča o hikikomoriju, i trenutku kada on izađe na ulicu a svi ostali se povuku u kuće, u vrlo kratkom trajanju nudi zaokruženu priču, socijalni angažman, kako već rekoh jasnu emociju i ideju. Vrlo je lako moguće da Bong bude ismejan kao što su često đaci koji nauče za ispit ismejani od strane slackera, kada se uporedi sa Gondryjem ili Caraxom, međutim siguran sam da je ne samo snimio najbolji film u omnibusu nego je bio i najkorektniji prema Tokiju kao gradu domaćinu.
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Zašto govorim o korektnosti prema Tokiju kao gradu domaćinu? Pa zato što iako se i Bong bavi japanskim ekscentričnostzima, on im daje neku vrstu čudnog dostojanstva dočim se Gondry i Carax bave nekim freakshow elementima u kojima grad Tokio i njegovi stanovnici ipsadaju žešći debili.
Gondryjev film je u svom većem delu klasična euro-realistička postavka o dvoje mladih ljudi bez para koji pokušavaju da nađu stan a mladić se usput u BE KIND REWIND maniru bavi filmom, da bi onda u jednom momentu počela kafkijanska transformacija glavne junakinje i film potpuno promenio žanrovski predznak, po čemu me je na sitno podsetio na Miikeov ODISHON.
U Gondryjevom filmu prikazana je mračna strana Tokija gde grad izgleda mnogo više kao Manila nego kao Tokio, sa prljavštinom i prenaseljenošću, neljubaznim službenicima i sl.
Sama priča je manie-više solidno odrađen arty blef u kome Gondry spaja svoju sklonost ka pretencioznom realizmu i neke vizuelne trikove po kojima je poznat iz svojih spotova. Iako je utisak koji je ova priča ostavila na mene slab, nesumnjivo je da ona ipak ima dovoljno kompetencije da se nekome i jako dopadne.
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I naravno, tu je granddaddy Leos Carax koji u svojoj priči ostaje na svojoj liniji bezobrazluka sa koje ne skreće. On polemiše sa mitom o Godzilli, tako šo prikazuje priču o neimenovanom humanodinom freaku koji izlazi iz kanalizacije i cima građane Tokija. Posle jednog krajnje iracionalnog (i odlično režiranog) murder spreeja, freaka hvataju, a kao jedini koji može da komunicira sa njim dolazi francuski advokat, freak slične fizionomije, sa advokatskim pristupom Jacques Vergesa i počinje suđenje.
Carax stvara priču pereubovskog pristupa stvarima koja nadalje preuzima iracionalnu premisu i tretira je kao običnu, racionalnu socijalnu satiru. Prikaz Japana je flah, Carax se dosta oslanja na predrasude koje imamo o japanskom društvu, i suštinski, za razliku od Bonga koji iz japanske priče cedi univerzalno značenje, i Gondryja koji je kvinetsencijalno tokijski, Carax koristi Tokio kako bi snimio svoj, francuski film koji se tamo dešava, sticajem okolnosti.
I u tom smislu, Carax je snimio "svoj" film koji se razlikuje od njegovog kanonskog opusa utoliko što je bliži žanru komdije, međutim sama postavka i razbarušenost su isti kao i u njegovim drugim radovma.
Isto kao i Gondry, Carax je snimio film koji ima kapacitet da se dopadne publici koju to zanima.
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Iako je mene suštinski samo Bobngov film istinski zadiovoljio, TOKYO! je jedan od retkih omnibusa koji zapravo nema slabu priču. Kada čitam stranu kritiku štaviše, mislim da će jedino u Srbiji Bongova priča biti smatrana najboljom. U drugim zemljama se hvale potpuno druge priče što pokazuje da je TOKYO! uspeo eksperiment koji se zahvaljujući ovakvoj selekciji reditelja obraća jako širokoj publici u kojoj doduše nikoga zapravo neće u potpunosti zadovoljiti.
Prilično čudno da smo se u konstatacijama uglavnom složili. xcheers
E sad još samo da odgledaš novog Kaufmana, pa da kolektivno skočimo sa mosta. :evil:
Da nema neko slucajno u steku japanski film "Vengeance iz mine" iz '79 ?
http://www.imdb.com/title/tt0079182/
Taj je film fenomenalan.
Kao i većina Imamurinih. :)
Imaš to na Surrealu sigurno.
Ne preterano explicitan, ali sjajna psihološka studija.
Svaka preporuka.
Quote from: Son of Man on 03-06-2009, 00:02:59
Da nema neko slucajno u steku japanski film "Vengeance iz mine" iz '79 ?
http://www.imdb.com/title/tt0079182/
cd1:
http://rapidshare.com/files/59719826/Vengeance.Is.Mine.cd1.part1.rar
http://rapidshare.com/files/59719243/Vengeance.Is.Mine.cd1.part2.rar
http://rapidshare.com/files/59718982/Vengeance.Is.Mine.cd1.part3.rar
http://rapidshare.com/files/59719334/Vengeance.Is.Mine.cd1.part4.rar
http://rapidshare.com/files/59719077/Vengeance.Is.Mine.cd1.part5.rar
http://rapidshare.com/files/59719474/Vengeance.Is.Mine.cd1.part6.rar
http://rapidshare.com/files/59718341/Vengeance.Is.Mine.cd1.part7.rar
cd2:
http://rapidshare.com/files/59719277/Vengeance.Is.Mine.cd2.part1.rar
http://rapidshare.com/files/59723899/Vengeance.Is.Mine.cd2.part2.rar
http://rapidshare.com/files/59723899/Vengeance.Is.Mine.cd2.part2.rar
http://rapidshare.com/files/59719119/Vengeance.Is.Mine.cd2.part3.rar
http://rapidshare.com/files/59719289/Vengeance.Is.Mine.cd2.part4.rar
http://rapidshare.com/files/59719354/Vengeance.Is.Mine.cd2.part5.rar
http://rapidshare.com/files/59724813/Vengeance.Is.Mine.cd2.part6.rar
http://rapidshare.com/files/59718492/Vengeance.Is.Mine.cd2.part7.rar
Pogledao sam CRUSH AND BLUSH Kyoung-mi Leeja. To je ekscentrična korejska romantična komedija koju je producirao i pisao Chan Wook Park, a zanimljiv detalj je i to da je među scenaristima filma i Eun-kyo Park, saradnik na scenariju na novom Bongovom filmu MOTHER.
CRUSH AND BLUSH nudi Chan Wookov pogled na tipičan kanon romantične komedije na tragu BRIDGET JONES, obogaćen nekim tipično korejskim dodacima pre svega u formi neobično opsesivnih likova koji čine da junakinja koja bi inače u tipičnom zapadnom romcomu bila ružno pače, u ovom postane neka vrsta monstruma koja ni ne zasluži, niti dobije hepiend.
Zapadna kritika je hvalila prvu polovinu filma a imala je problem sa opadanjem tempa i ispovednim situacijama u drugoj, međutim, meni je upravo ta druga polovina ono po čemu se ovaj naslov izdvaja. Situacija suđenja na kraju tokom koga junaci pričaju šta su radili i njihove postupci se procenjuju počinje kao serija tipičnih Richard Curtis-ispovsti a onda se pšretvara u chanwookovsku situaciju kada se otkriva plot behind the plot. Ono što je osnovna razlika jeste to što bi kod Chan Wooka tu imali revelation nečega što ne znamo a u ovom slučaju se onome što znamo i što nam deluje kao niz tipičnih romcom radnji daje nova dimenzija.
Za razliku od većine azijskih komedija u mom slučaju, CRUSH AND BLUSH mi je bio zanimljiv pre svega zato što se ne oslanja previše na gegove, a one situacije koje su u širem smislu smešne prevazišle su kulturološku barijeru. Tempo je dobar a posebno drag touch su cameo uloge Chan Wook Parka i Bong Joon Hoa u filmu.
Film nema vizuelnu ekspresivnost Bongovih i Chan Wookovih filmova ali sasvim dobro izgleda i mislim da ima crossover potencijal i za Zapad.
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sine, nije taj vendžens baš tolko dobar kolko ga svi puvaju.
pogledaj svakako, al ne očekuj ne znam šta. meni je to samo lepa, čvrsta trojka...
ocekujem samo dobrog serijskog ubicu, hvala narode. xnerd
Pogledao sam TAE-POONG Kwak Kyung-taeka, akcioni film koji je važio za najskuplji u istoriji južnokorejskog filma, sa budžetom od 15 miliona. na korejskim blagajnama je zaradio oko 25 miliona dolara što je solidan skor ali nije uspeo da postigne značajniji internacionalni uspeh, o čemu će biti reči nešto kasnije.
TAE-POONG spada u red holivudizovanih južnokorejskih akcionih filmova. Zahvaljujući visokom budžetu, on i izgleda kao vrlo solidan američki akcioni film. Južnokorejski holivudizovani žanrovski filmovi su najbolji onda kada sa većom ozbiljnošću od samog Holivuda prilaze nekoj žanrovskoj matrici koja bi tamo inače bila rutinski odrađena bez truda, novca i inspiracije. U slučaju, TE-POONGa, bave se matricom koja je možda za današnji Holivud malo prevaziđena ali kada se radila, bila je tretirano vrlo ambiciozno. U tom smislu, TAE-POONG ostavlja sličan utisak kao SHIRI ili TUBE, impresionira svojom mogućnošću falsifikovanja holivudskog ugođaja, ali ti filmovi su ipak, pre svega na nivou priče korak nazad.
Naravno, TAE-POONG je za klasu iznad prve generacije ovih epigonskih filmova kao što su bili PAHNTOM SUBMARINE i sl.
Međutim, za razliku od SHIRI i TUBE, TAE-POONG pokušava i da unese neke korejske toucheve u celu priču iako je okosnica i dalje rip-off američkog filma (PACEMAKER i THE ROCK). Korejska dopuna svemu tome je teška melodrama na korejski način kojom se objašnjava motivacija glavnog negativca. Naime, negativac je pokušao da kao dete da pobegne sa Severa na Jug, međutim diplomate Južne Koreje su ih izigrale u Pekingu, porodica je vraćena na Sever i on i sestra su jedva izbegli pokolj ali su pošli putem koji ih je koštao raznih poniženja, a nju i zdravlja.
Središnji deo filma i završnica ulaze u weepie teritoriju sa svim mogućim touchevima korejske patetike, uključujući i objektifikaciju sablasno lepe sestre na umoru u OLDBOY maniru. Posle akcione završnice, sledi još jedna deonica teške melodrame, i na neki način tu Kwak i poentira ključnu karakteristiku svog akcijaša, a to je da je reč o filmu sa jasnom političkom porukom koja ne samo da je data implicitno, već i vrlo agresivno, ne samo kroz tu gotovo incestuoznu melodramu već i kroz glavnog junaka koji shvata negativca kao svog zabludelog prijatelja (premda film suštinski ne nudi nikakav mannovski ili wooovski dualizam).
A šta je politička poenta? Pre svega, Sever je naravno mesto potpunog zla, beznađa i gladi. To je uzeto kao aksiom pa film ni ne polemiše sa tim. Zatim, Južna Koreja nije dovoljno učinila za braću sa Severa i ne sme da prestane da misli na njih-njihove muke su strašne i niko im zapravo ne može pomoći osim Juga. Film nameće da treba još agresivnije razmišljati o tome kako da im se pomogne jer administracija ponekad zaboravi na njih kako bi vodlila globalnu politiku. I konačno, treće, Amerika se peviše meša, ona jeste saveznik ali je Jug je mnogo kompetentniji da rešava svoje probleme od njih.
U principu, antiameričko raspoloženje je sasvim legitimno u južnokorejskom filmu, uostalom zar THE HOST nije jedan od simbola antiamerikanizma u recentnoj produkciji.
E sad, ono što čudi je da je TAE-POONG u jednom trenutku uzeo da distribuira DreamWorks u Americi. Ovaj film ima production values i to nije sporno, ali realno, nije reč o nekom cutting edge žanrovskom filmu koji bi bio interesantan Dream Worksu. U to vreme je bila i priča o rimejku, što je tek potpuno besmisleno, jer upravo je TAE-POONG rip-off Dream Worksovog PEACEMAKERa.
Čini mi se da iza odluke da tako ugledan distributer plasira film u Americi stoji neka vrsta lobističke priče pošto ni mnogo uspešniji & kvalitetniji korejski filmovi nisu imali tako moćnog distributera.
Film je vrlo loše prošao u Americi, zaradio je tek 100ak hiljada dolara. Kritika ga je primila dosta polovično, premda je bilo onih kojima se umereno dopao. Međutim, razlog za neuspeh je vrlo jasan, iako TAE-POONG nije dosadan, s jedne strane na nivou akcije nije naročito senzacionalan a s druge, sa tom depresivnom melodramom naprosto nije zabavan. Ljubitelji azijske akcije vole kada im je film začinjen nekom vrstom patetike i melodrame, ali ovde su ti weepie delovi malo izdvojeni iz celine, i zaista deluju nametljivo. Štaviše, neki od tih flešbekova su lako mogli biti uklonjeni.
Stoga, TAE-POONG je holivudizovani akcijaš preopterećen svojom političkom agendom. Kwak je postigao istorijski uspeh sa svojim filmom FRIENDS a posle toga je dosta lutao sa naslovima poput CHAMP i TYPHOON. Čini se da se sa novim filmom vratio u formu, ali taj još uvek nisam pogledao.
Iako TAE-POONG nije loš film, čini se da je zapadna kritika od njega ipak više očekivala.
U svakom slučaju, ukoliko se spremate da gledate ovaj film očekujte nešto kao apgrejdovanu, sentimentalniju verziju SHIRIja.
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Pogledao sam Joheunnom nabbeunnom isanghannom Kim Ji-Woona, poznatiji pod naslovom THE GOOD THE BAD AND THE WEIRD.
Poznato je da sam ja prema prethodnim Kimovim filmovima imao prilične rezerve, TALE OF TWO SISTERS mi je ostavio utisak dosta kičaste reakcije na japanske horore, a BITTERSWEET LIFE mi je bio mediokritetska, ponovo kič reinterpretacija najprežvakanijih klišea HK krimi filma.
THE GOOD THE BAD AND THE WEIRD mi je u tom smislu korak napred za Kima, iz prostog razloga što se u ovom konkretnom slučaju bavi žanrom koji je legitimnije reciklirati (dočim su TALE i LIFE bili više u domenu imitacije jer nijedan od datih žanrova nije retro) a pošto mu je primarna potreba da polemiše sa špageti vesternom, dakle sa jednom aproprijacijom izvornog vesterna, ovde je reč o znatno održivijoj žanrovskoj pozajmici. Naime, kada se imitiraju konkretne miteme već poznate u žanrovskim, a u slučaju špageti vesterna i širim, okolnostima, onda je jako bitno da se film jasno pozicionira u svojim namerama. Ili se radi o rip-offu čija je ideja da se preuzme aktuelna ili uspešna žanrovska matrica i da se predstavi na novi, svežiji način koji bi bio konkurentan na žanrovskom tržištu (što je u neku ruku Kim radio sa svojim prethodnim filmovima, ali realno nije bio bolji od onih od kojih je pozajmljivao) ili se ekshumira neka poznata matrica koja se onda ili ponovo oživljava ili interpretira unekom drugom ključu. Izvorni špageti vesterni su bili exploitation koji je u pojedinim izdanjima postajkao vrhunska umetnost (naročito u radu Sergio Leonea). Kim preuzima špageti vestern kao polazište i od njega pravi film koji istovremeno želi da bude i omaž žanru ali i kurentan exploitation, i u tome uglavnom uspeva.
Leone je reditelj koji je danas mezimče čak i najpretencioznijih art reditelja. U tom smislu, Kimu nije teško da svaki njegov omaž Leoneu bude prepoznat kao hvale vredan umetnički zahvat. Ipak, isto tako, na leonoevsku konstrukciju, Kim je nadogradio odlično postavljene akcione sekvence i dinamičnu priču koji danas imaju itekakvu exploitation vrednost o čemu najbolje svedoči sjajan rezultat sa južnokorejskih blagajni. Jedina stvar koja vuče na art u filmu jeste skor koji je i najslabiji deo filma sa nekonzistentnim konceptom koji je u rasponu od nekih bregovićevskih polki, do morikoneovskih tema pa čak i hip-hop beatova, s tim što taj miks nije tako vešt kao recimo u KILL BILLu u kome je i izbor muzike umetničko delo. Izvesna ironija izražena u muzici na svu sreću uglavnom ne remeti sada već poznatu južnokorejsku pefrekciju u tehničkoj izvedbi.
Iako se ponovo radi o žanrovskoj matrici koje se Holivud ne bi latio sa ovim stepenom budžetske i zanatske ozbiljnosti, što sam već ranije pepoznao kao jednu od karakteristika južnokorejskog repertoarskog filma, u konkretnom slučaju THE GOOD THE BAD AND THE WEIRD važno je napomenuti da je prošle godine baš Holivud imao jedan film sa vrlo uporedivom poetikom. To je bio četvrti INDIANA JONES, koji u poređenju sa THE GOOD THE BAD AND THE WEIRD izgleda kao inferioran proizvod nastao u jednoj manje razvijenoj kinematografiji.
Po osmišljenosti pokreta kamere i montaže u akcionim scenama kao i na nivou egzekucije stuntova THE GOOD THE BAD AND THE WEIRD je na vrhunskom nivou, naročito ako imamo u vidu konkretan milje u kome se sve dešava a to je Mandžurija u svojim vestern aspektima. Nekih 40ak godina posle izvornih špageti vesterna, Kim daje u tehničkom smislu ultimativnu interpretaciju te estetike.
Jedino što Kimu nedostaje u odnosu na špageti vesterne jesu američki glumci koji su obeležili ključne Leoneove naslove. Iako ni Kimovi nisu loši, on je jedan od poslednjih internacionalno afirmisanih korejskih reditelja čiji se likovi ponekad ne razlikuju, gledano iz vizure zapadnog gledaoca. Ipak, čini mi se da je to mnogo manje nego ranije.
S druge strane, to što nema američkih glumaca, u startu je onemogućilo ovaj film da bude interacionalna bioskopska senzacija kao što su bili Leoneovi vesterni. Naravno, nisu azijski glumci jedina prepreka. Kim ima odeđenu azijsku iracionalnost u ambiciji svog filma, kako u trajanju tako i u količini događaja, i čini mi se da su savremeni blokbasteri svedeniji od ovoga. Iako se ne može reći da THE GOOD THE BAD AND THE WEIRD dosadan, može se konstatovati da je malo presadržajan i da su izvesni delovi mogli biti uklonjeni.
Primetna je tendencija raznih vanameričkih kinematografija u poslednje vreme da se izražavaju kroz filmove koji su pravljeni po matricama određenih vesterna. Kod nas su najbolji primeri toga DUST, ČARLSTON ZA OGNJENKU i SVETI GEORGIJE, a THE GOOD THE BAD AND THE WEIRD je sjajan primer kako se to radi.
Iako se formalno reći da THE GOOD THE BAD AND THE WEIRD donosi nešto novo u tehničkom i formalnom smislu (kao što se moglo reći za THE HOST), činjenica je da se jako etko viđaju akcinose sekvence realizovane sa takvom pažnjom i ambicijom, i da je Kim očigledno jedan od retkih savremenih reditelja koji akciju smatra umetničkom formom, pa za to zaslužuje sve pohvale.
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:cry: Moram to da dogledam do kraja. Ghoul mi ga je ishajpovao o Novoj Godini, ja seo da gledam i prispavalo mi se posle 15 minuta (posle odlične scene u vozu) i evo do danas ga nisam pogledao...
da pojasnim ovo o hajpu: meni je to vrlo dobar film, jaka trojka, ali to je isto tako film na koji sam se brzo 'ohladio': dakle, dok sam gledo, bilo je WOW i OPSA i JUHU, i odma sam ga rezerviso da napišem rivju na popboksu. ali par nedelja kasnije, kad je kao trebalo da to i napišem - shvatih da je prvobitni zanos iščezao i da me mrzi da o njemu pišem.
akcione scene, koje su kupile dimba, zaista su izvanredne i neviđene; avaj, priča i junaci su vrlo BLEH, a sam kraj je UŽASNO LOŠ i toliko jadno pada u poređenju sa leoneovim remek-delom na koje se poziva da je taj kraj (rastegnut, a prazan) totalni antipod genijalne završnice G&B&U.
kad se sve to sabere i oduzme, jaka, fina trojka, ali ne više od toga.
Quote from: Ghoul on 09-06-2009, 13:12:04
da pojasnim ovo o hajpu: meni je to vrlo dobar film, jaka trojka, ali to je isto tako film na koji sam se brzo 'ohladio': dakle, dok sam gledo, bilo je WOW i OPSA i JUHU, i odma sam ga rezerviso da napišem rivju na popboksu. ali par nedelja kasnije, kad je kao trebalo da to i napišem - shvatih da je prvobitni zanos iščezao i da me mrzi da o njemu pišem.
akcione scene, koje su kupile dimba, zaista su izvanredne i neviđene; avaj, priča i junaci su vrlo BLEH, a sam kraj je UŽASNO LOŠ i toliko jadno pada u poređenju sa leoneovim remek-delom na koje se poziva da je taj kraj (rastegnut, a prazan) totalni antipod genijalne završnice G&B&U.
kad se sve to sabere i oduzme, jaka, fina trojka, ali ne više od toga.
Pa dobro, to je generalno i moj utisak. Mislim da je to veliki domet za Kim Ji Woona koji ranije nije uspeo ni za vreme gledanja da me zainteresuje. Preokreti na kraju su totalno besmisleni. Ne toliko što u izvesnoj meri obesmišljavaju priču koliko zato što testiraju strpljenje gledalaca.
Što se likova tiče, osnovni problem je u tome što Kim Ji Woon nije dovoljno vešt na nivou scenarija da ih prati kako treba tako da postoje likovi koji se pojave u priči i potom nestanu, maltene ih zaboraviš a vrlo su važni. Što se same atraktivnosti likova tiče, mislim da je Azija umela da iznedri i jače od ovih, ali i slabije.
Pogledao sam DACHIMAWA LEE Seong-wan Ryooa. Od Ryooa sam prethodno gledao ARAHAN i taj film mi je bio simpatičan, čak razmišljam da ga ponovo repriziram, premda nije bio ujednačen.
DACHIMAWA LEE je Bond-spoof. Lokalni Bond-spoofovi generalno imaju tendenciju da internacionalno prepoznatljive miteme Bond-filmova spoje sa lokalnim temama, i u tome je njihova suština. Lokalni Bond-spoofovi pre svega oslonac grade na spoju visokostilizovanih Bond okolnosti sa lokalnom bizarnošću. U tom smislu, bilo mi je dosta teško da ispratim sve slojeve filma DACHIMAWA LEE jer sam siguran da je obilovao lokalnim referencama i etničkim stereotipima (Kinezi, Japanci) koje ja nisam mogao da razumem. Sasvim je moguće, dakle, da je ovaj film mnogo efektniji Korejancima nego što je bio meni.
S druge strane, kad je reč o tehničkoj egzekuciji, DACHIMAWA LEE nimalo nije ispušten kao što se čsto dešava komedijama. U tehničkom smislu, reč je o ozbiljnom repertoarskom filmu koji se može meriti sa sličnim spy spoofovima sa drugih tržišta kao što su AUSTIN POWERS ili OSS 117.
U nekim kritikama sam video da DACHIMAWA LEE referiše i na neki podžanr korejskih akcionih filmova iz sedamdesetih. Sa tim arhaičnim pravcem nisam upoznat. Možda je to pitanje za Shoza.
Upravo zato, mislim da su me nepoznavanje korejskog mentaliteta i izvesnih tradicija tamošnjeg filma u priličnoj meri hendikepirali u razumevanju ovog inače vrlo pristojnog naslova.
* * 1/2 / * * * *
P.S. Ko voli Si-hyeon Park iz MARIN BOI ima je i u ovom filmu.
Ovaj korejski autor ima dva znatno bolja filma pre dugometražne verzije D. Lee, a to su Craying Fist sa sjajnim Min-sik Choiem i simpatični The City of Violence.
Nisam baš siguran u koji žanr spada ovaj film, pošto sam gledao samo ovaj insert (http://theeasternstandard.blogspot.com/2009/06/japan-still-has-it.html), ali verujem da nije horor. Zove se Shinboro (simbol), a režiser je Hitoshi Matsumoto.
Film je u postprodukciji; ali sudeći po njegovom prethodniku Big Man Japan, biće to jedan blesav film.
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F40470handp.jpg&hash=de410d560f4d543dbcdf77241986c246b094caca)
Haendeupon AKA Handphone (2009) Han-min Kim 2.5/5
Konačno sam ove moje na poslu oterao u kurac, pa mogu da se posvetim komentarisanju i seciranju pojednih naslova koje sam overio prethodnih nedelja.
Čast da otvori forum ima još jedan korejski trilerčić, odgledan još pre mesec dana. I on je baš to - trilerčić.
Problemi na svakom koraku; generalno ja jesam pobornik blesavog japanskog crnohumornog iživljavanja po nervima gledaoca; čak i nemam unapred određenu granicu ili samocenzuru i kočnicu - ALI SVE TO MORA BITI URAVNOTEŽENO I PAMETNO DOZIRANO! Ovde nije.
Jedna umerena komedija se pretvara u juranjavu mačke i miša sa naznačenim akcionim elementima, koji su karakteristični za američke blago-retard providne trilere. E tek onda nas reziser iznenadi: umesto da uverljivo i logično finišira, on pravi završni twist, koji umesto da vas opali iz neba pa u rebra (na pozitivan način), mlatne vas po sred tintare i maximalno iznervira.
Da naravno - mobilni telefoni su junaci mnogih holivudskih serija i filmova prethodnih 15 godina; ovde postoji zaplet, ali je on odrađen - i pored kvalitetnih tehničkih detalja i visoko budžetne produkcije - krajnje amaterski i početnički.
I dobro je da pišem sada o filmu Handphone, jer postoji tendensija da bi ga za mesec dana već zaboravio.
(skoro) nimalo mi se nije dopao omnibus TOKYO.
1. priča o ženi koja se pretvara u stolicu: ljupko, ali so what?
2+
2. o stvoru iz kanalizacije – pointless & uninvolving – couldnt care less.
=2
3. o hikikomoriju, blago zanimljiva, ali ipak daleko od bilo čega bongovog.
=3-
sve zajedno = 2+
:(
Tokyo Sonata (2008) Kiyoshi Kurosawa 3.5/5
S obzirom da je ovo prvi Kurosawin film koji se prepričava na ovom topiku, nije zgoreg spomenuti par reči o jednom od vodećih japanaskih režisera današnjice. Kiyoshi ima u prošlosti par zaista žanrovski reprezentativnih naslova, koji ulaze u magični krug večnosti; izdvajaju se psiho-triler sa naznačenim elementima horora Cure, i famozni opsesivno-apokaliptični horor Pulse. Značajni pomena su i Charisma, Eyes of the Spider i Serpent's Path, te rimejk Forbsove Seanse; i po koji iz osamdesetih, koji su ostali na nivou expolatacije. Prethodnih godina nije bio toliko uspešan, pa se nekako od Sonate očekivalo mnogo više nego od filmova kao što su Sakebi i Loft.
Ipak, porodična drama nije u potpunosti opravdala hajp koji sam joj posvetio na ovom topiku, reklamirajući je kao jedno od najočekivanijih dela koja dolaze u budućnosti iz Japana.
A lepo je Kiyoshi počeo: umeren tempo, odmeren tajming uvođenja likova, standardan zaplet vezan za japansku svakodnevicu. Sve je to u prvih pola sata ničilo na dostojan omaž slavnom sunarodniku i njegovom najvećem delu - Sonata ne samo da naslovom nalikuje Ozuovoj Priči, već statičnom kamerom, karakterističnim uglovima i monatažom sekvenci, Kurosawa Sonatu oslikava Ozuovim stilom.
A onda se unervozio: praveći dinamički krešendo, autor skreće sa dobro utabane staze i film pretvara u još jednu u nizu prosečnih porodičnih crnohumornih drama, bez naznačenih elemenata preko potrebne društvene satire. Kurosawina dramska ondulacije je nedorečena i nepotpuna; umesto da dodatno produbljuje pukotinu u srži japanskog društva (koju simoblizuje ironija odlaska mladića u američku vojsku), on nam ostavlja prostor da gradimo sopstvenu sliku na osnovu prethodno već nadaleko eksploatisanih, empirijskih pojmova o brutalnosti i emboličnosti jakog patrijarhalnog uređenja.
Epizoda Kiyoshijevog prijatelja, i sjajnog glumca, Koji Yakusha jeste duhovita, ali dodatno razbija ton i linearnost dramatike.
Pomak napred u odnosu na prethodna dva filma, ali još uvek daleko od svojih najviših žanrovskih dostignuća, Sonata bi trebalo da bude Kurosawina scenaristička egzibicija i uvod u neke stilski i dramski nadahnutije naslove.
Kiyoshi Kurosawa je car, ali moram priznati da Tokyo Sonatu nemam nameru da gledam. Možda, ali samo možda, se predomislim. Više sam za njegove "psiho-trilere sa naznačenim elementima horora i famozne opsesivno-apokaliptične horore". Jeste, pomalo ograničeno, ali šta da radim - tako je.
TOKYO SONATA počinje toliko dobro da sam čak mestimično pomišljao da bi mogla da od mene dobije PETICU.
prvih 40ak minuta je skoro pa savršeno, ali postepeno to slabi i zaista drastično pada sa svojim drastičnim preokretima i naglim, extremnim zbivanjima koja potpuno uništavaju dotadašnji realizam i ubedljivost.
jasno je ovde da je kjoši veliki, ali ta azijska nedisciplina da se dosledno, od početka do kraja, sprovede neka tema, ideja, priča, intonacija, na kraju i ovaj film potapa znatno ispod onoga na šta je imao pravo da pretenduje.
kad se odlična 1. polovina zbroji sa razočaravajućom 2. i podeli, dobijamo nešto kao 3+
svakako treba pogledati, mnogo je bolji nego što bi se na osnovu prepričanog zapleta reklo.
TOKIJSKA SONATA - Kiyoshi Kurosawa
Srbija do Tokija!
Ako je suditi po novom filmu Kiyoshija Kurosawe (nagrada Un certain regard u Kanu 2009), nekadašnji ekspanzionistički, velikosrpski slogan o proširenju naših granica sve do zemlje izlazećeg Sunca pokazuje se kao ne naročito mudar. Izgleda da ni Japanci nisu imuni na boljke koje nas ovde izjedaju...
ostatak vidi ovde:
http://www.popboks.com/tekst.php?ID=7517 (http://www.popboks.com/tekst.php?ID=7517)
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F482344dream.jpg&hash=7aa0124fad1efba1c6ef3a068c29fa9de630a27d)
Bi-mong AKA Dream (2008) Ki-duk Kim ***
Jedan od vodećih, a kada je drama u pitanju svakako najznačajniji, korejski režiser Kim Ki-Duk svojim najnovijim filmom exploatiše već njemu proverene teme i frustracije.
Mixujući dramu sa fantazijom, Kim i ovog puta hoda po oštrici sečiva i na margini društvenog ukusa i političke korektnosti. Kao već dokazani stručnjač anatomije ljudske patnje, ovog puta nam prezentuje tragičnu ljubavnu priču ispresecanu događajima iz sna i jave, koji se međusobno prepliću, sudaraju, i utiči jedni na druge. Ali ne baš na najljupkiji način, i nekako providno i traljavo.
Istina, i dalje njegove beskrajno mučne mazohističke scene čekićanja i seciranja lobanje skalpelom bole, i odišu svežinom kakva nedostaje danas njegovim kolegama (šta više, mnogi horor režiseri plaču za ovakvim duhovnim nadahnjućem), Kim nekako sputava bizaran dramski tok nepotrebnim žrtvovanjem, simbolično ga prikazujući kao najviši oblik ljudske egzistencije. Uz tradicionalni element fantazije, Dream deluje kao Parkov I'm Cyborg na LSD-u, sa frustrirajuće malom dozom psihoaktivnih supstanci u samom jezgru, koje na kraju dovode do duševno-emotivnog fijaska i u snu i na javi.
Čekajući titlove, najaviću potencijalnu bombu, od proverenog majstora.
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Flef.jpg&hash=4e7fd31f6576ce60f94631e96968d111ed4319f4)
LOVE EXPOSURE
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F696803BreathlessA.jpg&hash=efc6f08d9c3766f7ad269af628563cc8d81707aa)
Ddongpari AKA Breathless (2009) Yang Ik-Joon 3.5/5
Za sada miljenik kritike, kao i publike, kompletan autorski prvenac korejskog glumca je daleko od originalnog i jedinstvenog koncepta (računajući tu i izlizan naslov). Stvaran u turbulentnim vremenima za svetsku ekonomiju, Breathless prepričava svakodnevnu dramu iz života nasilnika i uterivača dugova, bez značajnijieg osvrta na globalne probleme, fokusirajući se u celosti na porodično nasilje. Nažalost, sami derivativni procesi nasilja su prilično banalno i nemaštovito izvedeni.
Breathless nosi u sebi explozivnu crnohumornu brutanost japanskih, i romantičnu patetičnost hongkoških filmova. Koreni Yangovog prvenca sežu daleko prošlost i idu u šezdesete podsećajući na rane radove Suzukija i Shinode, koji su među prvima, na efektan način oslikavali stanje svesti nasilnika (uglavnom jakuza), i pogled na svet iz njihove vizure. Na njihove novovalske autorske bravure, nadovezao se Fukasaku, i baš u njegovim filmovima Street Mobster i Graveyard of Honor, sam Yang crpi energiju.
Korejac živi u bržim i dinamičnijim vremenima, pa je tako i njegov film mnogo više okrenut mejnstrim publici, koju već pothranjuju Tarantino, Kounen, Ritchie..... ipak, Breathless najviše nalikuje ranim Kitanovim delima. Noseći Takeshijevu magičnu konsekventnu brutalnost i teatralnost autor dobija na atraktivnosti, međutim, kao što se i na početku filma moglo predvideti, u drugoj polovini, dinamiku ubija nepotrebno razvijanje likova koje nas vodi u melanholični dekrešendo.
Yang Ik-Joon je kod gledoaca uspeo da stvori umixnane osećaje blagog saosećanja sa junakom i kreira nepotrebnu kukumavku nad njegovom sudbinom; usput i sudbinom ljudi koji ga okružuju, a koji su mu pružali prijateljsku podršku tokom celog toka dvočasovnog filmskog iskustva. Kim Ki Duk je tako nešto veštije činio u njegovim naslovima iz devedesetih. Ja ću ipak uvek i na svakom mestu stati iza autora i filmova kao što je Graveyard of Honor, koji me nateraju da vrištim: "Umri bre bitango!"
nisam uspeo da nadjem linkove za breathless (rs, megaupload i sl.) da li ih neko moze postovati?
Quote from: dejan on 19-08-2009, 13:42:23nisam uspeo da nadjem linkove za breathless (rs, megaupload i sl.) da li ih neko moze postovati?
http://rapidshare.com/files/263863265/Breathless.2008.DVDRip.XviD-NEREiD.part1.rar
http://rapidshare.com/files/263963636/Breathless.2008.DVDRip.XviD-NEREiD.part2.rar
http://rapidshare.com/files/263901748/Breathless.2008.DVDRip.XviD-NEREiD.part3.rar
http://rapidshare.com/files/263913317/Breathless.2008.DVDRip.XviD-NEREiD.part4.rar
http://rapidshare.com/files/263925072/Breathless.2008.DVDRip.XviD-NEREiD.part5.rar
http://rapidshare.com/files/263936529/Breathless.2008.DVDRip.XviD-NEREiD.part6.rar
http://rapidshare.com/files/263951589/Breathless.2008.DVDRip.XviD-NEREiD.part7.rar
http://rapidshare.com/files/263951599/Breathless.2008.DVDRip.XviD-NEREiD.part8.rarhttp://www.turkcealtyazi.org/subs/down1/144309-Ddongpari-2009-2CD-23.976fps-EN-33kB-TurkceAltyazi-org.rar
hvala!
Quote from: Shozo Hirono on 19-08-2009, 10:54:35Nažalost, sami derivativni procesi nasilja su prilično banalno i nemaštovito izvedeni.
Quote from: Shozo Hirono on 19-08-2009, 10:54:35...međutim, kao što se i na početku filma moglo predvideti, u drugoj polovini, dinamiku ubija nepotrebno razvijanje likova koje nas vodi u melanholični dekrešendo.
Sa ove dve poente se izrazito ne slažem. Kao prvo, gotovo sve scene nasilja su urađene u prilično crnohumornom ključu, čime je napravljen kontrast sa završnom scenom gde se od (nasilne) komedije, pa preko tragikomedije stiže do čiste tragedije, bez imalo humora, pa je stoga i završnica sasvim efektna u emocionalnom smislu, što se mene tiče. Inače, stvarno mi nije jasno kako neko može da prigovori "nepotrebnom razvijanju likova", osim ako je u pitanju neki treš film ili eksploatacija, a Breathless je daleko od toga.
Pa ne znam baš šta je crnohumorno ili tragikomično u scenama kada brat šamara sestru, ili sin oca.
Da, crnohumorno je kitanovsko uterivanje dugova; i sa tim se slažem.
Čista tragedija se u ovom slučaju KLIŠE, i to vidljiv iz ptičije perspektive.
Završnica jeste efektna, ali već viđena milion puta u azijskoj kinematografiji u poslednjih 20 godina, stoga ne mogu da je nešto naročito vrednujem i zasebno izdvajam.
Ono što meni smeta kod ovakvih filmova je činjenica da autori konstantno žele gledaoca da uvuku u emotivnu igru saosećanja sa junakom, koji je obična bitanga, ili street thug; šta me briga za njegovo nesrećno detinjstvo (neinventivno sklepno u flešbekovima), i za činjenicu da ga okolina uporno pokušava prilagoditi ustaljenim društveno-moralnim normama i pravilima. Pa još kad pridodamo tu svakodnevnu čamotinju epizodista, eto ti patetisanja u HK stilu.
Ja sam oštar sa ovakvim filmovima jer od njih uvek očekujem žanrovski pomak i iznenađenje; Breathless je kvalitetan naslov, i ne treba moje kritike shvatati zlonamerno i negativno u svakom smislu. I ocena mu nije loša od mene.
Međutim, daleko je Korejac od Kitana i Fukasakua; a da bi se imala celokupnija slika, bez pominjanja nekih bazičnih naslova ovih autora ne treba ozbiljnije polemisati.
nego, šozo, kaće nam otkriješ šta su dobro japanci snimali u 1960im, i nadalje?
drhtimo u trepidaciji tremora i šiversa pred novim nastavkom tvoje istorije japanskog filma.
nou šit.
Eto. Taman sam hteo da te iznenadim seciranjem Meat Grindera na blogu, a ti me podseti na dato obećanje.
Šezdesete su ključne i zahtevaju ozbiljnu analizu i pregled. Biće tu oko 30 naslova.
Još uvek studiram opuse novovalace (Yoshida, Matsumoto, Shinoda, Wakamatsu, Hani) i moram konkretno da ocenim koji njihovi filmovi zavređuju da se nađu na listi.
A neke moram i da repriziram. :roll:
prvih pola sata Meat Grindera je nešto toliko iritirajuće nepregledno i konfuzno i uninvolving 'ispričano' da sam se iznervirao i ugasio.
ali nateraću se da završim, čisto da vidim tu izvikanu torturu prema likovima filma, a ne prema meni kao gledaocu, kao u prvoj trećini.
U sledećem osvrtu na film ima previše SPOJLERA!
Ko želi da ga odgleda bez predsrasuda i bilo kakvog predznanja, neka ne čita naredne redove!
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Flef.jpg&hash=4e7fd31f6576ce60f94631e96968d111ed4319f4)
Love Exposure (2008) Shion Sono
Kada jedan film traje 4 sata prirodna reakcija prosečnog radno-opterećnog čoveka je "Au jebote: gde iskopati te sate u nizu?"
Međutim, kada takav ep potpisuje jedan Shion Sono, svaki minut proveden uz pokretne slike vredi; pa makar kao guilty pleasure.
I da nisam znao ko je režirao ovaj naslov i gledao ga bez dodatnih informacija znao bi da iza ovoga stoji ili Miike ili Sono. Samo su njih dvojica sposobni da kreiraju delo koje balansira između totalnog emo kič spektakla i superiorne društveno-političko-religiozne alegorije sa naglašenim satiričnim tonovima, koju je žanrovski nemoguće svrstati i odrediti. Love Exposure je sve to, pa još na kvadrat.
Gotovo 48 časova prikupljam skrivene deliće i parčiće u glavi. Odakle početi, a ne otkrivati previše.
Ovaj film nije za svakog. Introvertni i zadrti filmofili sa standardno profilisanim ukusom za dramatiku i storiteling mogu odmah da ga preskoče; jer da bi se Sono shvatio, nije dovoljno voleti sedmu umetnost, već je i otvorenog uma prihvatiti kao pojavu koja različite individue na potpuno drugačije načine pokreće i motiviše. S te strane, Sono je maximalno konsekventan, jer i njegovi najuspeliji prethodni filmovi ne zaostaju mnogo za Love Exposure; dele njegovu explozivnost, nepredvidivost i apstraktnost u samom stilskom izrazu.
Prva trećina - u kojoj nas autor upoznaje sa Yuom - neverovatno je dinamična, pa sam se iskreno zapitao kako on uopšte misli da ovaj perpetumobile razvuče na čitava 4 sata. Mladi adoloscent u potrazi za originalnim, izvornim grehom kreće stazama kung-fu peek-a-panty maga, a svojim oružjem (moderan digitalni, cybershot aparat) uslikava na hiljade ženskih gaćica, i sve to u potrazi za dečačkom vizijom Marije (ne Magdalene, no Bogorodice). U ovom delu filma, Sono ne želi da šokira, već se uporno trudi da nasmeje i zabavi. Da li? Prosečnom gledaocu na prvi pogled izgleda tako. Međutim, servirajući emo tinejdž naivce i blago-perverzne prestupnike, Sono šalje parabolu japanskom učmalom i zadrtom društvu o religioznoj izopačenosti, stanju duha kod izgubljenih adolescenata.
U samom filmu koristi i nekonvecionalan stilski zahvat odbrojavajući 365 dana do "Čuda", koristeći gotovo sve vreme zvuke Bolera. Briljantno i efektno.
U drugoj trećini se Sono uozbiljuje i kreće dramatika na klasičan način. Uvodi dva ključna ženska lika: naivnu, čednu Yoko, i zločestu sektašicu Koike. Obe vezuje child abuse and molestation iz prošlosti. Razlike su: Yoko postaje agresivni mizandrik lezbo tendencija, a Koike manipulator i beskompromisni vođa kulta. Pratimo i njihov adolescentni razvojni put koji pokazuje incestuodna strujanja, brutalnost i nasilje koje uobičajeno karakterizuje filmove Sona i Miikea, uz jednu lepu blurovanu - ali i krvopljusnu - scenu kastracije! U par dana dve kastracije: prvo Antichrist, pa LE. Što je mnogo - mnogo je. Ali idemo dalje...
Ova trećina filma pokazuje izvesne nedoslednosti i manjkavosti, ili barem mnogo više razumevanja; tako da u ovom trenutku i dalje razmišljam da li da mu oprostim razvodnjivanje, nepotrebno detaljisanje i raznežljivo patetisanje. Ne znam da li se ovde Sono udvara tinejdžerima, ili ih otvoreno provocira i omalovažava umom iskusnog lisca. Kada ovaj film dopre do šireg auditorijuma na zapadu, sredina filma može biti naznačena kao kičasta deja-vu tirada sa klimakteričnim tufnicama obojenim u roze.
I onda ide definitivno naojozbiljnija trećina, gde religijsko poimanje sveta po Shion Sonu doživljava katarzu kroz deklamovanje biblijskih citata o ljubavi, praćenih Betovenovom Sedmom Simfonijom (drugi stav svakako - i dalje mislim da ga je na pijedestal nedodirljivosti popeo Noe!)
Sam kraj, tragediju u nagoveštaju, izvrgava ruglu i pretvara je u srceparajuću romantičnu melodramu, nalik pojedinim HK suzopljuskajućim trešinama iz 80-ih.
Sve je ovo previše dugo trajalo da bi se posle nekoliko dana donosio valjan i validan zaključak o stvarnoj vrednosti Sonog filma, jer čini mi se da oni sa godinama dobijaju na ceni. Tu naravno ne mislim na Exte recimo, već na Suicide Club i Noriko. Ima u Love Exposure od svega pomalo, i za svakog po nešto. Žanrovski ga je teško odrediti, a godine će suditi o njegovoj večnosti.
Auh...
No dobro, svakako je vredan gledanja. Ali to bih znao i bez čitanja ovog tvog uistinu dobro uobličenog kolebanja. Gde sada nać četiri neprekinuta sata jeste pravo pitanje.
The.Pit.And.The.Pendulum.2008.KOR.DVDRip.XviD-BeFRee
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F762997PitPendulum.jpg&hash=ef0562e84220854a18894b2a5ad249d64cd8a698)
Synopsis/ Plot
Classmates reunite at the funeral of their history teacher, Sang-tae, and talk about his bizarre life. their recollections produce another story, and the cycle of the stories reorganizes the relationship, and lead to the labyrinth of the narration. the director SOHn young-sung, shakes the boundary between the stories, and between life and death, as it is known that he is interested in Jorge Luis Borges. the new approach to the narration is the major topic among young filmmakers in Korea. From the perspective of Korean film history, the "disappearance of narration" first suggested by HOnG Sangsoo has been studied more deeply since. In this film "the Pit and the Pendulum", SOHn's unique sense of humor and wittiness is presented without any constraints of time or place through his clever words. the existence of a ghost at the funeral is also one of
the charms of this film.
Kako dobro rade plaHate ovi Korejanci, odma mi se gleda film...
4th.Class.2009.HD.DivX-IND
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Synopsis/ Plot
During fourth period, high schooler Da-jeong finds his classmate Tae-gyu dead in a classroom and Jeong-hun standing in front of him with blood on his clothes. In order to stop Jeong-hun from becoming the prime suspect, Da-jeong must help him find the real murderer, who is still inside the school building, under 40 minutes before period four ends.
pošto je boban podlegao pretnjama onih azijata, da obavestim da mother može da se skine sa linkova koji su na ovom mestu:
http://www.surrealmoviez.info/readarticle.php?article_id=18605 (http://www.surrealmoviez.info/readarticle.php?article_id=18605)
inače, moj masterpis-radar mi kazuje da ovo ne mož imat manje od 4 po mojoj tarifi pa da jebe mamu!
a ja samo da se zahvalim administratoru što je ugasio bongov topik, tako da će i dalje vesti, filmovi, ili bilo šta drugo ekskluzivno objavljivati ovde. :|
Hehe, nije uspeo da nadje ove linkove na surealmoviez posto je zatvoren sajt, tj. moze mu se pristupiti samo sa registracijom, tako da ga gugl ne vidi...
http://rapidshare.com/files/284259301/Mother.2009.DVDRip.XviD-BiFOS.part01.rar
http://rapidshare.com/files/284259310/Mother.2009.DVDRip.XviD-BiFOS.part02.rar
http://rapidshare.com/files/284259303/Mother.2009.DVDRip.XviD-BiFOS.part03.rar
http://rapidshare.com/files/284259307/Mother.2009.DVDRip.XviD-BiFOS.part04.rar
http://rapidshare.com/files/284259304/Mother.2009.DVDRip.XviD-BiFOS.part05.rar
http://rapidshare.com/files/284259305/Mother.2009.DVDRip.XviD-BiFOS.part06.rar
http://rapidshare.com/files/284259311/Mother.2009.DVDRip.XviD-BiFOS.part07.rar
http://rapidshare.com/files/284259296/Mother.2009.DVDRip.XviD-BiFOS.part08.rar
http://rapidshare.com/files/284259309/Mother.2009.DVDRip.XviD-BiFOS.part09.rar
http://rapidshare.com/files/284259294/Mother.2009.DVDRip.XviD-BiFOS.part10.rar
http://rapidshare.com/files/284270389/Mother.2009.DVDRip.XviD-BiFOS.part11.rar
http://rapidshare.com/files/284270439/Mother.2009.DVDRip.XviD-BiFOS.part12.rar
http://rapidshare.com/files/284270477/Mother.2009.DVDRip.XviD-BiFOS.part13.rar
http://rapidshare.com/files/284270538/Mother.2009.DVDRip.XviD-BiFOS.part14.rar
http://rapidshare.com/files/284270579/Mother.2009.DVDRip.XviD-BiFOS.part15.rar
http://rapidshare.com/files/284270777/Mother.2009.DVDRip.XviD-BiFOS.part16.rar
ili
http://www.megaupload.com/?d=U8TI65FR
http://www.megaupload.com/?d=64YF04YQ
http://www.megaupload.com/?d=YZBGD7DJ
http://www.megaupload.com/?d=H8Y2ENGY
http://www.megaupload.com/?d=DDZ0OXE5
http://www.megaupload.com/?d=APIOYYGZ
http://www.megaupload.com/?d=AJI9A9XT
http://www.megaupload.com/?d=0343CTSD
http://www.megaupload.com/?d=IABZH8NV
http://www.megaupload.com/?d=WJKVFZI6
http://www.megaupload.com/?d=7CSUJCUM
http://www.megaupload.com/?d=6X58BWG3
http://www.megaupload.com/?d=S4Z89C6B
http://www.megaupload.com/?d=IERCR0JF
http://www.megaupload.com/?d=BN8R71X6
http://www.megaupload.com/?d=DLDEQAOV
Rar Password: http://am-addiction.com
My Girlfriend is an Agent 2009.DVDRip.XviD-BiFOS
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http://www.imdb.com/title/tt1432078/ (http://www.imdb.com/title/tt1432078/)
pogledao sam MAMU.
avaj, nije isporučila dovoljno... :(
http://ljudska_splacina.com/2009/09/mother-2009.html (http://ljudska_splacina.com/2009/09/mother-2009.html)
jes vala, film super pochinje, pravo onako veselo u duhu, al kako odmico sve vise usporava, i ulazi u neki mrak, e sad mozda je to bilo samo moje stanje svesti suzeno...
ma nije tolko ni MRAK, da je mrak ne bih se ja žalio, nego ulazi u neku tmušu, sumaglicu, gubi se, vrti se u krug... :(
Mislio sam mrak vise u smislu da je sve snimano u nekom mraku, il je losa kopija pa su boje bledunjave ? Jbga ja sam ocekivo pravu crnu-komediju...ko me jbe...a tako je film poco...
a reci, pocetak je dojaja, posebice ono pishanje... xrofl
ma ne sumnjam da si se prepozno u masi scena.
recimo, ono kad spava sa majkom i drži je za sisu.
ili kad ga u zatvoru zovu 'retard'. itd.
nije film bez ništa - al nedovoljno je to sve... :(
istina :evil:
Invisible.Killer.2009.CN.DVDRip.XviD-XTM
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PLOT
Some of the best suspense films manage to mix in a dash of social commentary with a plotline that can stand alone. This new offering from director Wang Jing, set to hit theaters on August 28, is just such a film. In his third feature flick, Wang invites audiences to ponder the dangers of internet vigilantism without actually getting up on his soapbox to do it.
When the police in small-town Yangshan bust a gangster ring in a hotel, they notice one man trying to escape. Gao Fei (Yin Xiaotian) is quickly apprehended and brought to the station. But what the cops have unknowingly uncovered is an entirely different sort of crime. Gao Fei is on the run – from China's Internet users.
The initial interrogation uncovers the bare bones of the story – a few flirtatious emails between married computer geek Gao Fei and lonely housewife Lin Yan (Tang Yan) were blown out of proportion by her angry husband Cheng Tao (Li Yixiang), who went online in search of a mob to destroy Gao Fei's name. Soon online harassment turned into physical threats and stalking, most notably by online journalist Xu Wei (Xie Yanxiao, in a solid performance as a self-righteous busybody) and his video-filming web techie sidekick Zhou Qiang (Cao Wei), who fly from Beijing to track down the woebegone Gao Fei.
The police set Gao Fei free, only to haul him back in when Lin Yan's headless corpse washes up onshore. The subsequent interrogation is spliced with flashbacks that flesh out the true story. Soon the police are questioning everyone involved in the case, and each adds another layer to a deliciously tangled mystery.
Casting for this flick was spot on, with the actors fleshing out their characters nicely. Xu Wei and Zhou Qiang add some comic relief to break up the serious tone of the film, and Li Ran's slick cinematography visually satisfies as the film unfolds. This is one of the better flicks to come out of the mainland in recent memory. Kudos to Wang Jing – we're looking forward to his next project.
Gleda mi se Love Exposure ali tih 4 sata moraću da razvučem u 3-4 dana...
Shozo, jel se gleda u jednom dahu ili ima celina sa pauzama za "reklame" ?
Film je definitivno gledljiv u jednom dahu, ali je pitanje da li i ko koliko može taj isti dah dugo držat u dijafragmi. :)
Gledao sam Bi Mong i pored tvoje ne baš blagonaklone kritike...
Mogu vam reći da se, "šetajući po ivici sečiva", Kim Ki Duk ovde sapleo i posekao poprilično. Odgledao sam ga do kraja, bez motanja (keve mi), dao sam sve od sebe ali jednostavno ne zavređuje neku posebnu pažnju kao ni ponovno gledanje.
ja veoma volim kima, ali ovaj mu je zaista promašen žešće.
toliko je loš da me mrzelo i da pišem o njemu.
dao sam mu 2-.
FEMALE PRISONER SCORPION: BEAST STABLE
http://ljudska_splacina.com/2009/10/female-prisoner-scorpion-beast-stable.html (http://ljudska_splacina.com/2009/10/female-prisoner-scorpion-beast-stable.html)
Himalayaeui Sonyowa (Himalaya, Where the Wind Dwells) 2009
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A Korean executive ventures into the Himalayas in order to deliver the remains of a Nepalese migrant worker to his family.
Blood.2009.JAP.DVDRip.XviD-AXiNE
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Blood
Also Known As:
Buraddo ブラッド (Japanese Title)
Year: 2009
Country: Japan
Director: Ten Shimoyama
Genre: Action
Runtime: 85 min
Language: Japanese
Subtitles: None at time of post
: http://imdb.com/title/tt1414465/ (http://imdb.com/title/tt1414465/)
Theatrical Release Date: 04/29/2009
Cast Aya Sugimoto,Guts Ishimatsu, Jun Kaname, Satoshi Matsuda, Hidejiro Mizumoto, Yuri Morishita, Atsushi Narasaka, Rin Sakuragi, Harumi Sone, Masahiro Sudo
Synopsis/ Plot
Not to be confused with Chris Nahon's live-action version of Blood: The Last Vampire nor 2008's Oroshi (Blood) which shares the same English title, Ten Shimoyama's Blood is a totally unrelated vampire movie starring 40-year-old Aya Sugimoto (MILF!) as a seductive vampire. Sugimoto is a former J-pop star who caused a stir in 2003 when she divorced her husband of 11 years on the grounds that they didn't have enough sex, making her sort of a cultural icon for neglected housewives everywhere. In 2004 she starred in Takashi Ishii's remake of the BDSM classic, Flower & Snake, cementing her status as Japan's foremost self-aware sexpot.
In the film, Detective Hoshino (Kanji Tsuda) visits the mansion of Miyako Rozmberk (Sugimoto) in order to investigate the murder of her former maid. She blames the murder on a man named Ukyo Kuronuma (Jun Kaname), whom Hoshino catches in the act of biting a young girl's neck as she begs for her life. Ukyo was once known as Okita, a swordsman from Edo period who was turned into a vampire by Miyako. Hoshino soon finds himself turned into a vampire as well, and ends up in a battle with Ukyo for the right to spend eternity with the irresistible Miyako.
i ovaj KRV, sa VAMPIRIMA, itd - je 'izvan horora'?
pa šta je onda U hororu???
Znao sam da će se praviš mudrica.
IMDb kaže action, i ja im verujem dok se ne uverim u suprotno. :evil:
isti si alex, samo još neartikulisaniji.
Upravo okačih na svoj blog prikaz Čokolade
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Pa koga zanima evo početka
Mene inače filmovi o genijalnim autistima principijelno nerviraju. Još od Rejnmena smatrao sam ih za emotivno ucenjivačke jer nam pokazuju u socijalnom smislu bespomoćne osobe i nimalo suptilno u nama izazivaju zaštitničke reflekse, a onda koriste taj štimung da nam podmetnu ideju o tome kako te bespomoćne osobe u društvu dovoljno naprednom da prepozna njihove potencijale mogu da budu kapacitet a ne samo balast. Jes baš. Ideološki ovo mi je uvek smetalo jer se redovno prodaje ideja da ,,drugi" (koje simbolišu autistične ili na drugi način duševno abnormalne osobe) zapravo društvu bivaju korisni jer se, eto može desiti da imaju supermoći. Nekako ne vidim da je ovo u političkom smislu ovo ikako unapređivalo percepciju i položaj autističnih osoba (ili bilo kojih osoba sa socijalne margine) i zapravo je pod plaštom humanizma veličalo elitizam. (http://cvecezla.wordpress.com/2009/10/02/chocolate/)
A ostatak je tamo. Vrlo prijatan film.
Lepo, lepo. E sad samo i ja da uglavim ovu šokoladu u svoj zgusnuti asian raspored. :(
Fala Meho, ovo cu da gledam.
Gledaj, gledaj, obavezno, a ako nisi, pre toga pogledaj Ong Bak 1 i 2 i Tom Yum Goong (The Protector). Meni je prvi Ong Bak najbolji od svih ovih filmova, ali svaki valja gledati.
Overheard.2009.DVDRip.XviD-WZW
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Synopsis / Plot / Review
A major stock exchange in the world, Hong Kong attracts not only money but any who try to manipulate the market. At the Hong Kong Police Force Commercial Crime Bureau, an operation is underway to infiltrate a trading company, Feng Hua International where a man, nicknamed "Boss" is the chief suspect.
The team, led by Inspector Leung (Lau Ching Wan) together with Yeung (Louis Koo) and Lam (Daniel Wu) install interception devices to monitor the company's communications. When a crucial information on a surging share was intercepted, a moment of greed led the team in a cross fire between the Bureau and the boss.
KungFu.Cyborg.Metallic.Attraction.2009.DVDRip.XviD-WZW
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Synopsis / Plot / Review
The film takes place in 2046. The Chinese government has created the first cybernetic organism, K1, programmed with sophisticated social conscience, ideal for police applications. Initially deployed in a remote village for testing, K1, is loved by the villagers, and performs all duties and expectations flawlessly, except one. Su Mei, a fellow police officer falls in love with K1, creating a problem as cyborgs are not programmed to feel such feelings. Meanwhile, another cyborg, K88, disappears after suffering a neural meltdown, and K1 is called in to hunt down the renegade robot....
Dance.Subaru.2009.DVDRip.XviD-CoWRY
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Synopsis / Plot / Review
Adapted from a popular Japanese manga (comic book) of the same title, Dance Subaru! is a motivating tale about the self-realization of a young ballerina under adversity. Subaru tells the story of genius ballerina Subaru Miyamoto with a special emphasis placed on the harsh training she undergoes and the immense social and psychological pressure she experiences. Subaru overcomes these issues to give a performance that leaves her audience crying for more.
jel postoje titli za KungFu.Cyborg.Metallic.Attraction?
Postoje.
dao sam šijanu sonu 4 sata života!
da li je LOVE EXPOSURE vredeo?
evo, sve piše:
http://ljudska_splacina.com/2009/10/love-exposure-2008.html (http://ljudska_splacina.com/2009/10/love-exposure-2008.html)
Rain.Fall.2009.JAP.DVDRip.XviD-AXiNE
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Cast Gary Oldman, Kippei Shiina, Kyoko Hasegawa, Misa Shimizu, Takumi Bando, Akira Emoto, Dirk Hunter,
Synopsis/ Plot
You can't go wrong with Gary Oldman in a movie about a hitman, a pretty girl, and evil CIA assassins. Sony Pictures Japan's Rain Fall, a thriller in the style of Bourne Ultimatum, stars Gary Oldman, is the first film in Japan to be shot on the new Panavision Genesis HD digital video camera jointly developed by Panavision and Sony.
According to Panavision, the Genesis has a chip the size of a Super 35 mm frame, a log curve that emulates film, and a depth-of-field characteristic similar to film cameras. The camera has the equivalent of a 2,500 exposure index and its electronic shutter can be set to 360 degrees.
Rain Fall is helmed by Max Mannix with Jack Wareham as director of photography. The film is adapted from a novel by best-selling American author Barry Eisler.
It tells the story of a hit man who is forced to protect the daughter of one of his victims against the CIA. Besides Oldman, the film stars Kippei Shiina, Kyoko Hasegawa, Misa Shimizu, Akira Emoto, Takumi Bando, and Dirk Hunter. The lead in "Rain Fall" is Japanese, as are most of the cast, the setting, and dialogue.
The most unusual thing about this film is that although the story is based on an American Novel, directed by an Australian director, this is a Japan movie production in the new trend of Asian film production going the "Hollywood" route and casting Western actors in a few roles.
2022.Tsunami.2009.DVDRip.XviD-AsiSter
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Synopsis / Plot / Review
Thailand 2022. Signs of a terrible catastrophe are lurking. Prime Minister Tribhop cooperates with Doctor Siam setting the Asia-Pacific and India Ocean base alarm centre to monitor and predict earthquakes and Tsunami. Nevertheless, the biggest disaster is abruptly and unpredictably rising from the Thai Gulf and heading towards land, and nothing can stop it. All life is swept away in an enormous tidal wave, the land is destroyed, and the only way to survive now is to battle nature itself.
SUBS - ENGLISH
Goemon.2009.JAP.DVDRip.XviD-AXiNE
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Synopsis / Plot / Review
"Goemon" is based on the life of Ishikawa Goemon a legendary 16th century ninja warrior and bandit who stole valuables and gave them to the poor. There is little historical information on Goemon's life, and thus he has become a folk hero, whose background and origins have been widely speculated upon. The movie version is set to create a new interpretation of the character.
Pogledao li si Goemona? Kakav je?
Ma kakvi, tek juče u toku dana izašla dvdrip kopija.
Sve i da sam imao vremena, titla još uvek nema. :(
Aha, video sam i ja da nema titla. Pričekat ćemo. Nije da nemam stotine filmova na gomili za gledanje.
Quote from: Shozo Hirono on 12-10-2009, 20:25:52You can't go wrong with Gary Oldman in a movie about a hitman, a pretty girl, and evil CIA assassins.
xcheers
Jel se pojavio HAEUNDAE?
Quote from: crippled_avenger on 13-10-2009, 12:40:22
Jel se pojavio HAEUNDAE?
ima neka Haeundae.2009.DVDScr.Xvid-NEREiD verzija po nekim trekerima. ne znam da li ima prevod u sebi; valja čekati dvdrip.
Quote from: crippled_avenger on 13-10-2009, 12:40:22
Jel se pojavio HAEUNDAE?
Ja sam našao ovaj film na asiandvdclub.org, fullDVD 5.1 sa engleskim titlom. Po broju ljudi koji ga skidaju rekao bih da je hit.
Quote from: crippled_avenger on 13-10-2009, 12:40:22
Jel se pojavio HAEUNDAE?
za sada samo ovo:
http://rapidshare.com/files/288668913/wGet_Haeundae.2009.DVDScr.XviD-NEREiD.CD-1.avi.001
http://rapidshare.com/files/288667734/wGet_Haeundae.2009.DVDScr.XviD-NEREiD.CD-1.avi.002
http://rapidshare.com/files/288667808/wGet_Haeundae.2009.DVDScr.XviD-NEREiD.CD-1.avi.003
http://rapidshare.com/files/288670812/wGet_Haeundae.2009.DVDScr.XviD-NEREiD.CD-1.avi.004
http://rapidshare.com/files/288668045/wGet_Haeundae.2009.DVDScr.XviD-NEREiD.CD-1.avi.006
http://rapidshare.com/files/288668861/wGet_Haeundae.2009.DVDScr.XviD-NEREiD.CD-1.avi.005
http://rapidshare.com/files/288670501/wGet_Haeundae.2009.DVDScr.XviD-NEREiD.CD-1.avi.007
http://rapidshare.com/files/288669083/wGet_Haeundae.2009.DVDScr.XviD-NEREiD.CD-2.avi.001
http://rapidshare.com/files/288669911/wGet_Haeundae.2009.DVDScr.XviD-NEREiD.CD-2.avi.002
http://rapidshare.com/files/288670303/wGet_Haeundae.2009.DVDScr.XviD-NEREiD.CD-2.avi.003
http://rapidshare.com/files/288668834/wGet_Haeundae.2009.DVDScr.XviD-NEREiD.CD-2.avi.004
http://rapidshare.com/files/288668461/wGet_Haeundae.2009.DVDScr.XviD-NEREiD.CD-2.avi.005
http://rapidshare.com/files/288669962/wGet_Haeundae.2009.DVDScr.XviD-NEREiD.CD-2.avi.006
http://rapidshare.com/files/288669978/wGet_Haeundae.2009.DVDScr.XviD-NEREiD.CD-2.avi.007
+ subs
http://hotfile.com/dl/14139609/ea6b973/wGet_Haeundae.2009.DVDScr.XviD-NEREiD-ENG.CHS.THAI.Subtitle.rarkazu ljudi da kvalitet subova nije neki...no, ja ionako ne govorim koreanski (korejski) pa mi ne pravi veliku razliku...bar dok ne izadje dvdrip sa dobrim prevodom.
Sanpei.The.Fisher.Boy.2009.JAP.DVDRip.XviD-AXiNE
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F16106sanpei1.jpg&hash=c132acefcdf139ffdb37c62727f6b7f745cba313)
Synopsis/ Plot
Director Yôjirô Takita, who last directed Departures, winner of the 81st Academy Awards Oscar for Best Foreign Film, brings Takao Yaguchi's classic fishing manga "Tsurikichi Sanpei" (1973-84 Shonen Magazine comic) to the big screen. The comic, in turn, was also created into a successful 109 episode cartoon series in 1980 by Nippon Animation. Tsurikichi Sanpei centers around a young boy named Mihira Sanpei, who lives with his grandfather, a master fishman. Young Mihira also has a gift and passion for fishing. Then one day, he then enters several fishing competitions.
no sub
The Founding of a Republic
Jian guo da ye (China)
By DEREK ELLEY
A China Film Group release, presented in association with China Movie Channel, Shanghai Film Studio, Beijing Radio, Film & TV Group, Media Asia Films, Emperor Film Group, Beijing Guoli Changsheng Movies & TV Prods. Co., Beijing Hualu Baina Film & TV, Jiangsu Broadcasting, Beijing Polybona, DMG Entertainment, Beijing Xin Bao Yuan Film & TV Co. (International sales: China Film Group, Beijing.) Produced by Han Sanping, Huang Jianxin. Executive producers, Han, Yan Xiaoming, Ren Zhonglun, Albert Yeung, Peter Lam, Zhang Guoli, Liu Dehong, Zhou Li, Yu Dong, Xiao Wenge, Ding Xin. Directed by Han Sanping, Huang Jianxin. Guest directors, Chen Kaige, Peter Chan, Feng Xiaogang. Executive director, Du Jun. Screenplay, Wang Xingdong, Chen Baoguang.
With: Tang Guoqiang, Zhang Guoli, Xu Qing, Vivian Wu, Wang Wufu, Shi Xin, Wang Xueqi, Liu Jin, Hu Jun, You Yong, Zong Liqun, Wang Jian, Jin Xin, Xiu Zongdi, Liu Sha, Jiang Shan, Lu Liping, Wang Bing, Chen Kun, Feng Xiaogang, Chen Hao, Leon Lai, Huang Shengyi, Andy Lau, Sun Honglei, Tong Dawei, Wu Gang, Jet Li, Liu Hua, Chen Daoming, Jiang Wen, Ge You, Chen Kaige, Vicki Zhao, Donnie Yen, Yang Ruoxi, Che Yongli, Gong Beibi, He Lin, Chen Hong, Tao Zeru, Liu Yiwei, Lian Jin, Huang Xiaoming, Shen Aojun, Deng Chao, Zhang Ziyi, Wang Yajie, Ning Jing, Xu Fan, Fan Wei, Feng Fan, Tony Leung Kar-fai, Dong Xuan, Miao Pu, Guo Degang, Chen Shu, Zhang Hanyu, Wang Baoqiang, Chen Baoguo, Jackie Chan, John Leighton Stuart, Donald Freeman, Alexander Pavlov, Donald Eugene McCoy, Leslie H. Collings.
(Mandarin, English dialogue)
By far the biggest of a slew of pics celebrating New China's 60th anni, "The Founding of a Republic" is a cannily assembled, smoothly made chunk of political filmmaking. Perhaps realizing that few Chinese would line up nowadays for a regular "official" production, China Film Group topper Han Sanping (who shares the main helming credit with Huang Jianxin) has turned "Founding" into the most lavish star-spotting game in mainland cinema history, marbled with a few Hong Kong cameos for good measure. Pic isn't likely to get Western distribution anytime soon, but on several levels is worthy of attention.
"Founding," which swamped local screens Sept. 17, has officially passed Feng Xiaogang's 2008 romantic comedy "If You Are the One" as the biggest grossing Chinese film ever, with a whopping 334 million yuan ($49 million) in its first 20 days. The film could surpass "Titanic" as China's all-time B.O. champ by the end of its run, though local spy whodunit "The Message" started taking over screens in late September. In Hong Kong, "Founding" took a surprising $700,000 in its first five days.
Traversing most major (and a few minor) events in the gradual victory of the communists over the nationalists from August 1945 to October 1949, the pic adopts the usual format of datelined scenes, with characters introduced via captions. However, this time the fast-forward format -- largely consisting of men meeting in rooms -- is leavened by a fair amount of light comedy and actors who go beyond merely spouting historical background and political standpoints.
Most notably, a genuine dynamic emerges between communist leader Mao Zedong (Tang Guoqiang) and KMT head Chiang Kai-shek (Zhang Guoli). Seemingly reflecting the contempo detente between China and Taiwan, Chiang is treated as more than a simple villain. An early scene of the two meeting in Chongqing to talk terms after the end of the Sino-Japanese War in 1945 stresses that both were disciples of Sun Yat-sen, who set up the country's first republic in 1911.
The film could be the first of its kind to get a release in Taiwan -- early next year -- if statements by the Taiwan government are to be believed. However, some scenes -- especially a late one in which Chiang confesses to an officer (Andy Lau) that "the KMT has been ruined by our own hands" -- may prove too bitter a pill for even the island's current KMT administration to swallow.
Tang, the latest in a huge number of lookalikes to Mao, has a twinkly-eyed slyness that chimes well with Zhang's excellent perf as the unbending Generalissimo Chiang, who slowly realizes he's losing the game to a player who's even smarter than he is. On a secondary level, Xu Qing, as Sun's widow Soong Ching-ling, and Vivian Wu, as Chiang's wife Soong May-ling, powerfully portray the ice-cold ruthlessness of two sisters who deem power a right rather than a privilege.
Performances like these, and those of others such as Liu Jin as Mao's admired deputy, Zhou Enlai, create character arcs that help to bind the succession of small scenes into a greater whole. Though considerable material disappeared during the final edit (as well as other cameos, like John Woo's), the pic manages to take some time out with more extended sequences -- notably the nationalists' bombing of Mao's hideout in Yan'an -- that humanize the players.
For movie geeks bored with the politics, the pic is a cameo-spotter's paradise: There's Jet Li as a naval officer, Jackie Chan as a Hong Kong journalist, and Zhang Ziyi as a young communist in a women's group photo, to name just a few.
Going beyond mere walk-on, Chen Kun brings a frighteningly cool focus to Chiang's son, Chiang Ching-kuo. Equally effective are actor-helmer Jiang Wen as a quietly ruthless KMT officer, and, most entertainingly, helmer Feng as Shanghai's most famous gangster, Du Yuesheng.
The bulk of the pic was directed by Huang, whose fine list of credits portraying contempo China with an ironic eye stretches back to "The Black Cannon Incident" (1986). Both Feng and Chen Kaige (who also has an extended cameo as a nationalist officer) are among those who helped with helming chores.
Docu footage is sparingly used, except in the final rally in Tiananmen Square on Oct. 1, 1949, when Mao declared the PRC's founding. Use of large-scale military scenes from earlier pics -- here printed in black-and-white -- helped keep the pic's tab down to a relatively modest 30 million yuan ($4.4 million). Throughout, Zhao Xiaoshi's widescreen lensing is topnotch.
Han recently announced he's planning a similar extravaganza, "The Founding of a Party," set during 1917-21, for the 90th anni of the Communist Party in 2011.
Camera (color, widescreen), Zhao Xiaoshi; editor, Xu Hongyu; music/songs, Shu Nan; production designer, Zhao Jing; sound (Dolby Digital), Wang Danrong; visual effects supervisor, Fang Rongguo. Reviewed at Broadway Cinemas Star City 2, Beijing, Sept. 23, 2009. Running time: 138 MIN.
Quote from: Shozo Hirono on 14-10-2009, 09:30:20
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F16106sanpei1.jpg&hash=c132acefcdf139ffdb37c62727f6b7f745cba313)
ne mogu da verujem da su ladno turili preko celog postera kurac u erekciji, i to zamaskirali u 'ribu'!
istina, zakrivljen na pogrešnu stranu...
bizaran smisao za humor veselih japanaca nema granica. xrofl
e sad: što u pogrešnu stranu? misliš ako se kreće ka mladom momku onda je to GAYFISH?!
Quote from: dejan on 13-10-2009, 15:12:19kazu ljudi da kvalitet subova nije neki...no, ja ionako ne govorim koreanski (korejski) pa mi ne pravi veliku razliku...bar dok ne izadje dvdrip sa dobrim prevodom.
uf, ovaj titl je praktično neupotrebljiv – besmisleno je gledati film sa ovako bednim, mehaničkim 'prevodom'...
tacno, kao da je ga radio 'google translator' (a verovatno i jeste), negledljivo
Quote from: crippled_avenger on 14-10-2009, 12:46:33
The Founding of a Republic
Jian guo da ye (China)
The founding of a republic – Han Sanping, Huang Jianxin (2009)
Mandarin | Subtitle: English (hard coded) | 2:14:58 | 624 x 272 NTSC | DivX | MP3 – 121 kbps | 529 MB
Genre: Drama
za sada ova verzija
http://rapidshare.com/files/292960740/founding_of_republik.part1.rar.html
http://rapidshare.com/files/292968855/founding_of_republik.part2.rar.html
http://rapidshare.com/files/292976586/founding_of_republik.part3.rar.html
http://rapidshare.com/files/292994395/founding_of_republik.part4.rar.html
http://rapidshare.com/files/292994731/founding_of_republik.part5.rar.html
http://rapidshare.com/files/293001274/founding_of_republik.part6.rar.html
http://rapidshare.com/files/292955355/founding_of_republik.part7.rar.html
pass: malamute
Za one koji preferiraju MKV format.
Quote from: Shozo Hirono on 12-10-2009, 20:25:52
Rain.Fall.2009.JAP.DVDRip.XviD-AXiNE
Pronashao li je ko neki subtitle za ovaj film?
Quote from: Le Samourai on 15-10-2009, 18:04:27
Quote from: Shozo Hirono on 12-10-2009, 20:25:52
Rain.Fall.2009.JAP.DVDRip.XviD-AXiNE
Pronashao li je ko neki subtitle za ovaj film?
Još uvek ga nema.
Tidal Wave AKA Haeundae 2009
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Tidal Wave (Haeundae)
Movie:Tidal Wave Haeundae
Directed: Yun Je-Gyun
Genre: Action | Drama
Runtime: 1h 43 mins
Country: Korea
Language: Korean
Subtitles: English idx/sub
Cast:
Sol Kyung-gu ... Choi Man-sik
Ha Ji-won ... Kang Yeon-hee
Park Joong-hoon ... Kim Hwi
Uhm Jung-hwa ... Lee Yoo-jin
Lee Min-ki ... Choi Hyeong-sik
Kang Ye-won ... Kim Hee-mi
Kim In-kwon ... Oh Dong-choon
Imdb: http://www.imdb.com/title/tt1153040/ (http://www.imdb.com/title/tt1153040/)
Official Site: http://www.haeundae2009.co.kr (http://www.haeundae2009.co.kr)
Synopsis / Plot / Review
Man-sik, a native of Haeundae, lost a co-worker to a tsunami on a deep-sea fishing trip four years ago. He leads a simple life running a small seafood restaurant and is preparing to propose to his longtime girlfriend, Yeon-hee. Man-sik's brother Hyung-sik works as a coast guard. One day, he rescues a female college student from Seoul who promptly, comes on to him aggressively. While these everyday domestic affairs unfold, geologist Kim Hwi, an expert on tsunami research, discovers the East Sea is showing signs of activity similar to the Indian Ocean at the time of the 2004 tsunami. Despite his warnings, the Disaster Prevention Agency affirms that Korea is in no harm of being hit. When he discovers a mega-tsunami is headed straight for the Korean peninsula, he quickly heads down to Haeundae. Eventually, Kim gets a call about a deadly oncoming wave, with only ten minutes to spare! A mega-tsunami is headed straight for Haeundae at 500 miles per hour.
Kamogawa.Horumo.2009.JAP.DVDRip.XviD-AXiNE
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Year: 2009
Country: Japan
Director: Katsuhide Motoki
Genre: Comedy
Runtime: 113 min
Language: Japanese
Subtitles: None at time of post
http://www.imdb.com/title/tt1381065/ (http://www.imdb.com/title/tt1381065/)
Theatrical Release Date: 04/18/2009
Cast Takayuki Yamada, Chiaki Kuriyama, Gaku Hamada, Sei Ashina, Takuya Ishida, Yoshiyoshi Arakawa
Synopsis/ Plot
Manabu Makime's best selling novel now becomes a movie following a television adaptation for his "Shikaotoko Aoniyoshi". The story, set in Kyoto, is a supernatural coming-of-age comedy about a group of college students which includes Takayuki Yamada (the love-sick nerd in Densha Otoko) as Akira Abe, Chiaki Kuriyama and Sei Ashina, as students who are involved in a mysterious club called "Kyoto University Azure Dragon", playing a mysterious game known as "Horumo" that started over 1,000 years ago in the Heian period. They compete using their ability to manipulate shikigami (a type of spirit), which are referred to as "oni." Their participation only awakens the spirits as they wage fierce battles amongst themselves against the backdrop of the breathtaking beautiful city of Kyoto.
The.Founding.Of.A.Republic.2009.DVDRip.XviD.AC3.SUBBED-VanCo
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F819661anGuoDaYe1.jpg&hash=443cfa776441c38543c5247b5f2f6113dd1473ef)
AKA: The Founding of a Republic (Jian guo da ye)
Year:2009
Directed: Sanping Han, Jianxin Huang
Genre: Drama, History, Biography
Runtime: 138 min.
Country:China
Language:Mandarin, English, Russian
Subtitles:Chinese, English (hardcoded)
IMDb : http://www.imdb.com/title/tt1438461/ (http://www.imdb.com/title/tt1438461/)
Cast
Guoqiang Tang, Guoli Zhang, Jet Li, Jackie Chan, Stephen Chow, Zhang ZhiYi, John Woo, Andy Lau, Donnie Yen, Leon Lai
Synopsis / Plot
he bio pic that charts the ascendency of Chairman Mao and the founding of modern China was funded by the state-owned China Film Group, to celebrate China's 60th Anniversary of China's Communist revolution.
The film hosts a galaxy of Chinese stars including Jackie Chan, Jet Li and Zhang Ziyi who lent their services to the film in support of the 60th Anniversary celebrations. The film chronicles the birth of Communist China through Mao's defeat of the Nationalist forces of Chiang Kai Shek in fierce battles between 1945-49.
Na kom sajtu ti doznajesh za sve ove naslove, Shozo?
Avistaz.
Rebellion.2009.CN.DVDRip.XviD-XTM
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F577705rebellion1.jpg&hash=51c68d732166757e5d193dcd4a2e9afd91cad67c)
Also Known As:
Tung Moon 同門 (Cantonese Title)
Year: 2009
Country: Hong Kong
Director: Herman Yau
Genre: Action, Crime, Thriller
Runtime: 87 min
Language: Mandarin Dubbed
Subtitles: Simplified Chinese
http://www.imdb.com/title/tt1345525 (http://www.imdb.com/title/tt1345525)
Theatrical Release Date: 10/08/2009
Cast Shawn Yue, Elanne Kwong, Chapman To, Ada Choi, Convoy Chan, Renee Dai, Ella Koon, Anson Leung, Paul Wong, Parkman Wong, Tommy Yuen, Jun Kung, Austin Wai
Synopsis/ Plot
From the director of recent movies Laughing Gor and Turning Point, comes a action/thriller genre that's reminiscent of the old HK action flix. The story here involves the brooding tension within a triad society which heightens when the mob boss is found murdered. His top and most trusted man, Bao, decides to manage a new organization and at the same time suppresses other triads who had previously been enjoying peace under the reign of the murdered boss. However, for a group of policemen, the fun is just beginning. For them, it is time to shake the triads down to its very foundations.
Originally, the movie was 100 minutes in length, but due to the realism of the story, actors Shawn Yue Man Lok, Chapman To Man Jat, Paul Wong Koon Chung and Chan Chi Chung all had a lot of foul language dialogues. Thus the film received a category III rating. The film company decides to release a category IIB version, thus editing out a lot of the coarse language and kept only some in order for more viewers to be able to see it, hence the final 87 minutes run time.
The.Case.of.Itaewon.Homicide.2009.HDRip.XviD-IND
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Also Known As:
Itaewon Salinsageon 이태원 살인사건 (Korean Title)
Year: 2009
Country: South Korea
Director: Hong Ki-seon
Genre: Mystery, Crime, Thriller
Runtime: 100 min
Language: Korean
Subtitles: None at time of post
IMDB: -
Theatrical Release Date: 09/10/2009
Cast Jeong Jin-yeong, Jang Geun-seok, Shin Seung-hwan, Oh Kwang-rok, Ko Chang-seok, song Jung-ki, Kim Jung-ki, Choi Il-hwa, song Young-chang, Kim Chae-eun
Synopsis/ Plot
Based on an unsolved murder case at a Burger King hamburger fast-food chain in Seoul's multicultural Itaewon district in 1997, "The Case of Itaewon Homicide" opens with a graphically brutal scene in which an innocent college student is stabbed to death by a stranger.
Two Korean-American teenagers, Pearson (Jang Geun-seok) and Alex (Sin Seung-hwan), are the prime suspects in custody, and each blames the other for the horrific crime. The suspects throw contradictory evidence at investigators, creating confusion about what actually happened, leaving prosecutor Park (Jeong Jin-yeong) to try to figure out the truth.
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Madeo AKA Mother (2009) Joon-ho Bong 3.5/5
Nesumnjiva i neosporiva činjenica je da Bong trenutno spada u top 5 najkvalitetnijih autora koji već godina moćno reprezentuju korejsku kinematografiju. Imajući to u vidu, bez pardona i lažnog uvijanja potražujem savršenstvo ili barem napredak u odnosu na prethodne naslove iz njegovog opusa. I tu imam problem.
Madeo, stilski i dramski najviše nalikuje naravno njegovom najuspešnijem filmu Memories of Murder. Međutim, tu negde i prestaju značajnije sličnosti, jer Mother ne doseže ni u jednom svom minutu eleganciju, gracioznost i monumentalnost slavnijeg prethodnika. Možda dele u pojedinim trenucima ludost, apstraknost, grotesku prikazivanja familijarnih i društvenih odnosa, ali jednostavno Mother ostaje kratkih rukava u poređenju sa egzotičnim duhovima misterije prošlosti koji bogato opskrbljuju Bongovo najuspelije delo.
Jednostavno krivulja dinamičnog i zdravog inetenziteta ima preterano vijugavo kretanje; od duhovitih i smelih konotacija, do patetičnih, izvitoperenih scena preglumljavanja, pretvaranja, pozorišno-teatralnog valjanja u blatu. Možda se neko i nevoljno nasmeje retardiranosti junaka, ali se nikako ne može smejati naivnosti Bongovog finala, koje, na neki bizaran način nosi u sebi i najjači emotivni naboj.
Svakako pad u odnosu na prethodne filmove, što nikako ne znači da Bong neće iznenaditi narednim, jer i najveći autori u svojim opusima imaju uspone i padove, a sa Majkom se on samo malo zagrcnuo.
The Founding Of A Republic (2009)
DVDRIP by ViSiON | Chinese | Subs : Eng Hardcoded | 138min | 1.45 GB | 720x356 | XVID - 1147kbps | AC3
http://rapidshare.com/files/294934080/T.F.O.A.R.2009.ViSiON.part1.rar
http://rapidshare.com/files/294934071/T.F.O.A.R.2009.ViSiON.part2.rar
http://rapidshare.com/files/294934187/T.F.O.A.R.2009.ViSiON.part3.rar
http://rapidshare.com/files/294934111/T.F.O.A.R.2009.ViSiON.part4.rar
http://rapidshare.com/files/294934082/T.F.O.A.R.2009.ViSiON.part5.rar
http://rapidshare.com/files/294934104/T.F.O.A.R.2009.ViSiON.part6.rar
http://rapidshare.com/files/294934126/T.F.O.A.R.2009.ViSiON.part7.rar
http://rapidshare.com/files/294933220/T.F.O.A.R.2009.ViSiON.part8.rar
Izashla i ova verzija:
The.Founding.Of.A.Republic.2009.DVDRip.XviD.AC3-ViSiON
Hardsubs na Engleskom i Kineskom, jedni ispod drugih. Ne izgleda shtrashno.
EDIT: Preteche me :)
Gulaal.2008.PROPER.DVDRip.XviD-QUANTAM
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गुलाल (Hindi Title)
Year: 2009
Country: India
Director: Anurag Kashyap
Genre: Crime, Drama, Thriller
Runtime: 140 min
Language: Hindi
Subtitles: English
http://imdb.com/title/tt1261047 (http://imdb.com/title/tt1261047)
IMDB Rating: 8.2/10 (1,101 Votes)
Theatrical Release Date: 03/13/2009
Cast Kay Kay Menon, Jesse Randhawa, Deepak Dobriyal, Ayesha Mohan, Mahie Gill, Piyush Mishra, Pankaj Jha, Raj Singh Chaudhary, Aditya Srivastava, Mukesh Bhatt
Synopsis/ Plot
Gulaal is set in Rajpur a fictional city of Rajasthan, where a member of the erstwhile royal family stakes claim to the land of Rajasthan and wants to go back to the days of royalty. He wants Rajputana back from the Government of India and challenges the very idea of democracy. His history backs him, his people too, but the power corrupts him.
DA LI JE OVO NAPOKOM JEDAN ZREO POKUŠAJ BOLLYWOODA DA ISKOČI IZ KIČASTIH ŠINA KOMIČNIH ARŠINA.
SUDEĆI PO TREJLERU - NE! ALI...
I DA: TRY NOT TO LAUGH AT HINDU LANG. :| xrofl xcheers :evil:
Gulaal (2009) - A Film By Anurag Kashyap Exclusive trailer - Bollywoodtadka.com (http://www.youtube.com/watch?v=dj8nLtdpxos#normal)
Jao jao jao!
Ovaj soundtrack je zaraza. 5 minuta ga već pevam u sebi.
Awoid trejler! 8-)
Quote from: Shozo Hirono on 19-10-2009, 13:45:54DA LI JE OVO NAPOKOM JEDAN ZREO POKUŠAJ BOLLYWOODA DA ISKOČI IZ KIČASTIH ŠINA KOMIČNIH ARŠINA.
Pa dobro, A Wednesday je poprilichno iskochio. A i nije da je jedini. Ima kod njih raznih filmova, manje-vishe svi bez muzike nisu pravljeni po komichnim arshinima.
A nisi me valjda shvatio previše ozbiljno. :)
Jasno, tolika produkcija izbaci godišnje sigurno više od jednog kvalitetnog naslova (pogotovo nezavisna). Ali im je distribucija uglvanom loša.
Quote from: Meho Krljic on 13-10-2009, 10:58:15
Aha, video sam i ja da nema titla. Pričekat ćemo. Nije da nemam stotine filmova na gomili za gledanje.
E pa izašao titl. :)
Neko se baš uželeo robinhudovanja. :lol:
Copy.Cat.2009.CN.DVDRip.XviD-XTM
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Also Known As:
Dao Ban Mao 盗版猫 (Mandarin Title)
Year: 2009
Country: China
Director: Gao Yixin
Genre: Comedy
Runtime: 89 min
Language: Mandarin
Subtitles: Chinese Hard-subbed
IMDb: None
Theatrical Release Date: 09/29/2009
Cast Sun Nan, Jing Gangshan, Gao Xiaosong, Duo A, Zhou Xiaoou, Kong Lingqi, Xie Tianxiao
Synopsis/ Plot
Xiao Long wishes to become a hip-hop star, with help from a British guy Henry. One day, after getting drunk, he discovers a bootleg disc factory and soon his life falls into chaos. With some of his best buddies, he decides to find out what is really going on. When is getting closer to the truth, he finds out everything he knows is unreal...
"Copy Cat" is a black comedy starring Sun Nan who plays the hip-hop singer that wages a Bruce Lee-like crusade against the problems of music piracy.
I trejler.
盗版猫 发正式预告片 (http://www.youtube.com/watch?v=kkb2r6IL0o8#normal)
ovo mi se bash neshto dojmi interesantno...no slichno mi je delovao i Kung Fu Flid, so what do I know...
evo i trejlera. trebalo bi neki ljubitelj hip-hopa da se upeca i prenese utiske. :)
Simpatično izgleda trejler mada sve to dosta sprdalački miriše...
sudeci po trejleru - kineske kung fu Munje. shto je skroz u redu.
A Little Pond
Jak-eun yeon-mot (South Korea)
By RUSSELL EDWARDS
A Nogunri Prod. presentation of a Nogunri, Mofac Studio, Trans-Dimensional Stageship Theater Co. production. (International sales: M-Line Distribution, Seoul.) Produced by Lee Woo-jung. Executive producer, Lee Eun. Co-producer, Jung Sung-ho. Directed, written by Lee Saang-woo based on the books "The Bridge at Nogunri" by Choe Sang-hun, Charles Hanley, Martha Mendoza, and "Do You Know Our Sorrows?" by Jung Eun-young.
With: Moon Seung-guen, Kim Rae-Ha, Jeon Hye-jin, Shin Myung-cheol, Park Gwang-jun, Moon So-ri. (Korean, English dialogue)
Rustic life is brutally shattered by oppressors and liberators alike in the simple and confrontational Korean war drama "A Little Pond." Lee Saang-woo's feature bow is direct, uncomplicated and incredibly moving in its depiction of the events leading up to the real-life Nogunri massacre; in particular, the pic will touch the raw nerves of South Korean auds still impacted by the not completely resolved civil war of the 1950s. Outside the Korean peninsula, this by turns splendid and harrowing film reps a perfect festival item, matching pacifist themes with fine ensemble perfs and picturesque lensing.
The yarn is set in July 1950, just one month into the Korean War, in the small village of Bawulgol, whose inhabitants have little knowledge of the international politics escalating the battle on the Korean peninsula. Townsfolk talk vaguely of their plans if the war spills into their lives. Some are embittered that South Korean President Rhee Syng-man has already hightailed it down to the port city of Busan, leaving the rest of the population endangered by advancing North Korean forces. But mainly, Bawulgol's citizens just live their lives: farming, bickering and bitching about the summer heat while the local schoolchildren prepare for a singing competish in Seoul.
The idyll ends when advancing American troops order everyone to evacuate what will soon be a war zone. The villagers obey, but lack of a coordinated plan and U.S. military indifference mean the townsfolk are thrust from the frying pan into the fire.
Much of the pic's second half is concerned with the villagers' trauma as other U.S. Army units mistake the rural Koreans for enemy combatants. The film enters a phase that is as grueling as the opening section of "Saving Private Ryan"; the dramatic impact is even more devastating as the easygoing first half has established an intimate audience connection with the besieged townfolk.
The script is based on books about and interviews with survivors of the Nogunri incident -- a wartime massacre of more than 200 Koreans that, per press materials, was denied by the American and South Korean governments until 2005. Exact details of the massacre are still in dispute. Pic presents the incident in realistic fashion, but twice (once at the halfway mark and again at the finale), helmer Lee makes audacious use of CGI, briefly transporting the film from faithful re-creation into the realm of the fantastic. The bold embellishments will awe some (and are sure to rankle others) but are consistent with the poetic tone established in the pic's first half.
The large ensemble cast prevents any one character becoming a chief protagonist. Collectively, the thesps ease auds into the rhythms of village life, heightening sensitivity to the shocking reality of wartime slaughter. Pic is dedicated to thesp Park Gwang-jung ("Driving With My Wife's Lover"), who died during post-production.
Known for his theatrical work, Lee makes an accomplished and vivid transition to the cinema, approaching his potentially loaded story with compassionate detachment and refusing to coast on easy emotion or sentimental manipulation.
Title refers to a well-known 1972 antiwar song by Korean pop composer Kim Min-ki; in a deliberate anachronism, a children's choir sings his songs. The titular tune refers to a battle to the death between two fish in a little pond -- a metaphor readily understood by Korean auds that also goes some way toward explaining the pic's CGI gambit.
Camera (color), Choi Jin-woong; editor, Jang Sung-ho; music, Bang Jun-seok; production designer, Yoon Jung-sup; sound (Dolby Digital), Kim Suk-won. Reviewed at Pusan Film Festival (Gala Presentations), Oct. 13, 2009. Running time: 86 MIN.
Paju
(South Korea)
By RUSSELL EDWARDS
A Myung Films presentation, in association with MK Pictures, Kofic, of a TPS production. (International sales: M-Line, Seoul.) Produced by Kim Ju-kyung, Lee Eun. Directed, written by Park Chan-ok.
With: Lee Sun-kyun, Seo Woo, Shim Yi-young, Kim Bo-kyung.
Radical politics offer no place to hide from guilt and shame in the superior Korean mystery meller "Paju." Park Chan-ok's long-awaited follow-up to her celebrated 2002 debut, "Jealousy Is My Middle Name," reveals the helmer has retained her powerful ability to depict the burning passions that can make relationships searingly painful. Complex narrative will make this emotionally intense pic a tough sell at Korean arthouse venues, and fest auds also will need patience to fully absorb Park's dense storyline, but perseverance will be rewarded.
Twentysomething Eun-mo (Seo Woo, "Crush and Blush") listens to a taxi driver drone on as she rides down a foggy highway. The story then cycles back eight years earlier, when a lustful Joong-shik (Lee Sun-kyun) accidentally causes a woman to neglect her baby with disastrous consequences. Ashamed, Joong-shik goes on the lam and holes up in the titular city of Paju near the North Korean border. Teaching religious classes to the town's schoolgirls, Joong-shik captures the heart of local house owner Eun-soo (Shim Yi-young), despite the protestations of her pubescent younger sister and Joong-shik's student Eun-mo.
Back in the present day, Joong-shik is now the ringleader of a political protest group whose interests run from obstructing the city's plans of gentrification to strengthening relations with North Koreans. Squatting in Paju's derelict apartments, the group is under siege from an unidentified property developer who has engaged goons to bulldoze the buildings. With only the briefest of hints as to what has transpired, Eun-soo is nowhere to be seen and Joong-shik and Eun-mo are clearly at odds. Narrative flashes back twice more to sparingly fill in the gaps on their shifting lives.
An unusual structure and deliberately opaque transitions require auds to work hard, but each installment smartly sets up sufficient story hooks to keep the viewer engaged. Though it works primarily as a meller, the story also has some action and mystery elements that make it function like a Bergmanesque thriller. A final extended flashback successfully draws myriad threads together to reveal truths avoided by the participants and deftly alluded to by the filmmaker.
Helmer-scripter Park has a strong grip on her material and rolls it out with confidence in the audience's ability to handle narrative complexity. With equal confidence, Park has clearly given precise instructions to her thesps, but leaves them plenty of room to breathe.
Perfs are riveting and pitch-perfect. Woo convinces in each stage of Eun-mo's life, from immature, jealous schoolgirl to rebel whose cause is to unravel the circumstances around her sister's fate. Lee's changes are less pronounced, but the thesp is also versatile in his portrayal of Joong-shik. Supporting cast is flawless.
Grainy blue-gray lensing by Kim Woo-hyung ("A Good Lawyer's Wife," "Resurrection of the Little Match Girl") adds a docu feel and acts as a metaphor for the murky secrets at the yarn's heart. Other tech credits are pro.
Despite powerful content, the uninformative title -- though instantly evocative for Korean auds -- may compound the pic's commercial obstacles abroad.
Camera (color) Kim Woo-hyung; editor, Kim Hyung-joo; music, Jang Young-kyu; production designer, Kim Joon; sound (Dolby Digital), Kim Suk-won. Reviewed at Pusan Film Festival (New Currents), Oct. 10, 2009. Running time: 110 MIN.
Wheat.2009.CN.DVDRip.XviD-XTM
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Also Known As:
Mai Tian 麦田 (Mandarin Title)
Year: 2009
Country: China
Director: He Ping
Genre: Action, Drama, History
Runtime: 104 min
Language: Mandarin
Subtitles: Chinese Only (sub/idx, srt)
http://www.imdb.com/title/tt1388901/ (http://www.imdb.com/title/tt1388901/)
World Premier Release Date: 06/13/2009 (Shanghai International Film Festival)
Cast Fan Bingbing, Huang Jue, Du Jiayi, Wang Xueqi, Wang Zhiwen, Wang Ji, Li Ge, Jin Yaqin, Sun Guihua, Wang Jiajia
Synopsis/ Plot
Chinese director He Ping ( "Warriors of Heaven and Earth" ) presents "Wheat," a high-profile historical action drama about the women left behind when their men have gone off to war -- and the lies they are told to keep them from knowing the awful truth. Set during the Warring States period, the film is divided into five sections corresponding to the Chinese system of elements: gold, wood, water, fire and earth.
The film stars Fan Bingbing, Wang Jue and Wang Zhiwen, and was produced on a budget of $6 million by Xian Film Studio, Beijing Polybona and his own company Beijing Classic Culture, a hefty sum by Chinese standards.
[CN-MOVIE] "麦田 Wheat" Trailer (2009) (http://www.youtube.com/watch?v=_NiMCzrxfTo#normal)
Quote from: Shozo Hirono on 13-10-2009, 10:57:10
Ma kakvi, tek juče u toku dana izašla dvdrip kopija.
Sve i da sam imao vremena, titla još uvek nema. :(
http://rapidshare.com/files/295408851/goemon.zip (http://rapidshare.com/files/295408851/goemon.zip)
Quote from: Ghoul on 23-10-2009, 18:46:16
Quote from: Shozo Hirono on 13-10-2009, 10:57:10
Ma kakvi, tek juče u toku dana izašla dvdrip kopija.
Sve i da sam imao vremena, titla još uvek nema. :(
http://rapidshare.com/files/295408851/goemon.zip (http://rapidshare.com/files/295408851/goemon.zip)
gledao jutros.
impresije kad budem imao vremena.
vredi li vremena i truda? u 2 reči.
tako sam i misleo. ;)
Meni je i Casshern bio dovoljan da shvatim da na Kiriyu ne vredi bacati vreme. Azijski Nochnoj Dozor my ass.
Qiu.Xi.2009.CN.DVDRip.XviD-XTM
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Chinese Title: 秋喜
English Title: Qiu Xi (Literal: Autumn Happiness)
Released Date: October 14, 2009
Country: China
Language: Mandarin
Genre: Thriller / Romance / Action
Synopsis:
The story takes place in wartime Guangzhou before the country's liberation by the Communist Party of China in 1949. A young woman named Qiu Xi is a "boat person", or Tanka, living in the coastal area of Guangdong Province. Qiu Xi, played by actress Jiang Yiyan (Nanking, Nanking), becomes a servant to Yan Haiqing, played by actor Guo Xiaodong (Summer Palace, An Empress And The Warriors). She finds herself falling for the undercover communist agent who works with the Kuomintang regime that ruled China until 1949. The story unfolds as the two fall for each other but are kept at distance because of the wartime situation.
[CN-MOVIE 预告] "秋喜 Qiu Xi" (2009) Trailer (http://www.youtube.com/watch?v=1K-8k-Hwino#normal)
Jing.Tian.Dong.Di.2009.CN.DVDRip.XviD-XTM
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◎ translation of earthshaking
◎ Title Jing Tian Dong Di
◎ Age 2009
◎ National China
◎ Type Drama
◎ Language Mandarin
◎ Subtitles Chinese (inline)
◎ IMDB score N / A
◎ IMDB link N / A
File format XviD + MP3 ◎
◎ Video size 624 x 272
◎ file size 1CD 50 x 15MB
◎ Runtime 102 mins
◎ director Wang Jia Jia Wang
Shen Dong Dong Shen
◎ Starring
Liyou Bin .... Luong Chi Dung
Hou Yong .... Tang newborn
Yue-Hong .... any month
Song Chunli .... either on the mother
Tong Lei .... Wei Jihong
Wu Gang, deputy governor of the Qin Gang Wu ....
Liu Bing .... YUAN Zhong-Min
Jia Jia Wang .... Qi Hongyu
Xu Jian Chuan Zhang Jian Xu ....
Han Bing Xiao Xiong ....
Guo Xiaodong
Sun Hongtao
Shikui Yan Yan Shikui
Jin Xin
Zhu Xin-Yun
◎ Introduction
Don is a new army motorized infantry brigade, a brigade commander, he had just completed a group of color in the exercise task, to lead team to go back to camp on the mountain, suddenly, the earth was moving, the day is the year 2008 May 12 day, the Chinese region of Sichuan Province Wenchuan 8.0 magnitude earthquake that shook the world .
Immediately after the earthquake, all communication interruption, Tang and the new headquarters could not get in touch, when he was decisively ordered, led the troops rushed to the nearest city Ying-chuan. CPC Central Committee and State Council, the first time launched a national earthquake emergency plans, 【statement that the user has been security software automatically shielded】 The president himself orders, embarked on tens of thousands of troops to the disaster area. Luong Chi Dung was appointed commander of the former refers to the relief commander, he quickly embarked on a collection of troops to the disaster areas, including new-born wife of Don, the Navy medical team of doctors Wei Jihong. Along the way, roads and bridges damaged, the unit can only move forward on foot, the soldiers carrying a heavy rescue tools, organizing commando, braved aftershocks, the Rolling Stones, landslides, heavy rain towards the destruction, embarked on, this looks like a war of no smoke Nature at any time could kill these young lives. Ying-chuan became a hit island, seismic moments make this a beautiful and harmonious place to become a living hell, everywhere buried under reinforced concrete are people term as county executive Yue attend to home to find his mother, leading the affected areas mutual self-help rescue people.
Qi Hongyu secondary school teachers had already asked good marriage, an earthquake, her fiance is back on the road, this time dead or alive, but she must be strong in the face of all this, because she would also like to comfort the students to participate in self-help. The fiance, Zhang Qi-Yu Chuan is an armed special police officer, to the long-distance car Ying-chuan an earthquake, he immediately organized a self-help and rescue teams to disaster areas.
Nature's destructive power is enormous, rain hit again and again, was devastated in the most helpless hopeless when the new troops arrived Tang, Chang-Chuan with a self-rescue teams to come, large forces arrived. However, the relief work is still hard tough every minute of every person and nature in the struggle, aftershocks field soldiers sacrificed in order to save the high school students, and dammed lake emergency in any of Yue's mother, as soon as possible in order to allow rescue workers evacuated the sacrifice, in the before a disaster, everyone has shown good in human nature the most beautiful aspect of the toughest, they cherish their lives and not give up easily, to the safety of others, but at the expense of their own.
Tang Wei Jihong newborn and met at the ruins, and Qi-Yu and Zhang to Sichuan in the cemetery filled the paper money in the reunion, and disaster brought their unique experiences, special feelings. Earthquake led to the crisis continue to occur, and Tang led the team burst into the new gas-filled factories, Zhang Chuan to leave his fiancee again to follow the troop movements, Wei Jihong also ranks, in order to rescue the injured worker, and Tang Wei, Jihong almost both new sacrifice, Zhang to Use and use their own special police skills, at the last minute rescued them.
The ruins, the people of disaster areas in the PLA and the Chinese people's assistance, began to regain confidence and rebuild their homes. Hit new school term in the board room, in the fluttering red flag in our children's future full of hope.
Happily.Ever.After.2009.DVDRip.XviD-CoWRY
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Also Known As:
Hun Seung Wor Nei Choi Yut Hei 很想和你在一起 (Cantonese Title)
Hen Xiang He Ni Zai Yi Qi (Mandarin Title)
Year: 2009
Country: Hong Kong
Director: Y.Y. Kong, Azrael Chung
Genre: Romance
Runtime: 93 min
Language: Cantonese
Subtitles: English, Traditional Chinese, Simplified Chinese
http://www.imdb.com/title/tt1517475/ (http://www.imdb.com/title/tt1517475/)
Theatrical Release Date: 08/27/2009
Cast Ken Hung, Michelle Wai, Carlos Chan, Hui Siu-Hung, Anjo Leung, Gladys Fung
Synopsis/ Plot
Ou Yang Guan Nan (Michelle Wai) and Shi Tu Jie (Ken Hung) are born on the same day, have same interest on photography and characters. Both get to know each other from the school debate competition and they also like each other. Class monitor Lu Jun Wen (Carlos Chan) who accompanies Nan most of the time also has interest with Nan but fails to woo her.
After class they would visit a hill behind their school to take photo at midnight and take the rainbow's photo after rain. After finish high school Jie used half of his savings to buy a polaroid camera and give it to Nan as gift. Nan is mistaken with his intention, thinking that he wanted to tease her and later slaps his face. One day when Nan realizes Jie has been chasing her all this time it was already too late.
Four years later Jie opens a photography shop. On the same year their former school holds a reunion gathering with Nan and Jie meeting once again. Nan wants to get serious with Jie this time but sadly Jie decides to leave her after a short term relationship. Does Jie decided to leave Nan for good? Will Nan accept Wen's love? Who will Nan choose in the end?
很想和你在一起電影預告 Happily Ever After Trailer (http://www.youtube.com/watch?v=5bOq_c_LWw4#normal)
Beauty.of.Chongqing.2009.CN.DVDRip.XviD-XTM
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Also Known As:
Chong Qing Girl(Alternate English Title)
Chong Qing Mei Nu 重庆美女 (Mandarin Title)
Year: 2009
Country: China
Director: Yang Ziting
Genre: Comedy, Action
Runtime: 90 min
Language: Mandarin
Subtitles: Simplified Chinese Only (Hard Subbed)
IMDB: None
Theatrical Release Date: 10/16/2009
Cast Yu Na, Law Karying, Yuan Chenjie, Qi Wei, Wu Ma, Pang Bo
Synopsis/ Plot
The Story of Chong Qing Girl, set in Chongqing City of southwest China, begins with two brothers who own a hot-pot restaurant, entrust a sort of Jack-of-all-trade guy to steal the secret recipe from a rival restaurant.
[CN-MOVIE] "重庆美女 Beauty of Chongqing" Trailer (2009) (http://www.youtube.com/watch?v=LF73DmK1j98#normal)
My Father.2009.DVDRip.DivX-IND
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Also Known As:
Abuji 아부지 (Korean Title)
Year: 2009
Country: South Korea
Director: Bae Hae-seong
Genre: Drama, Family
Runtime: 100 min
Language: Korean
Subtitles: None at time of post
IMDb: None
Theatrical Release Date: 07/15/2009
Cast Jeon Moo-song, Park Cheol-min, Park Tam-hee, Jo Moon-kuk, Kim Ha-ram, Kook Jeong-hwan, Lee Byeong-cheol
Synopsis/ Plot
After all the films about mothers, here is a film about our dear fathers! The father of Ki-su (Jo Moon-gook), who only cares about farming, is enraged when his son applies for admission to middle school. One day, students including Ki-su get a chance to perform a play at the school. Watching the play, Ki-su's father (Jeon Moo-song) changes his mind and decides to sell a cow to pay his school expenses. The setting is in a peaceful countryside of the 70s where a 13 years old boy's story is told with nostalgia. It contains all the nostalgic stories of old memories that are cherished by many Koreans today.
My Father 2009 Korean Movie (http://www.youtube.com/watch?v=Kff4Wy6TXBs#normal)
SEOUL --- Korean helmer Kwak Kyung-taek is set to make the country's first 3D live-action film.
Tentatively titled "The Battle of Yellow Sea," pic is based on the true story of the 2002 gun battle between the North and South Korean navies, the biggest naval clash since the Korean War.
Kwak previously directed "Friend" and "Typhoon."
Co-produced by IM Pictures, pic's budget will be around $2 million.
Lensing will start in March, and pic will be released during the second half of next year.
About 60 screens in South Korea are equipped with a 3D projection system, but the number is expected to rise to 100 by next year.
Chingoo mu je bio dobar filmčić.
A.Million.DVDRip.XviD-BiFOS
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Year: 2009
Directed: Min-Ho Cho
Genre: Thriller
Runtime: 112 mins
Country: South Korea
Language: Korean
Subtitles: English/Korean
Cast: Hae-il Park, Hee-soon Park, Min-a Shin
Imdb: http://www.imdb.com/title/tt1535419/ (http://www.imdb.com/title/tt1535419/)
Synopsis / Plot / Review
8 contestants compete for 10 billion wons ($1 Million USD) in a survival reality TV show. The challengers must spend 7 days in the Australian desert. On the second day, one contestant is found dead. The other contestants then find themselves in horrifying situations as they deal with each others' lies and deceits.
In A MILLION, director Min-ho Jo offers something brilliantly noir and dramatically stimulating. The director of LES FORMIDABLES offers a story about a reality TV show gone awry ? or rather, just as planned in all its hardboiled horror. How far would one go to win $1 million? Eight lucky ? or not so lucky ? people from different walks of life are chosen in a draw to take part in a sensational televised game program. They all have come to Perth, Australia for one thing, to win a million bucks. Soon, however, they discover that the reality TV program's producer Jang (charismatic screen personality Park Heui-soon) really meant it when he said it was a survival game, and the kooky-eyed man makes no secret of it as contestants are soon dropping like flies. With a tightly knit script, seamless acting and layers of tense, involving drama, A MILLION will keep the audience at the edge of their seats. -- Hyo-won Lee
10억 [A Million] Trailer (http://www.youtube.com/watch?v=KIeZVsNVqmY#normal)
Zvuči obećavajuće.
THE NYMPH
http://ljudska_splacina.com/2009/11/nang-mai-aka-nymph-2009.html (http://ljudska_splacina.com/2009/11/nang-mai-aka-nymph-2009.html)
Pogledao sam korejski SHILJONG Kim Seong-honga. Iako volim korejski repertoarski film i nalazim dosta dobrih naslova izvan onog najslavnijeg mejnstrima ili festivalskog krema, ponekad naletim na minu kao što je ovaj ultrabesmisleni film baziran na istinitoj priči o ludaku koji je na svom salašu kraj Seula silovao i ubijao žene, dok je muškarce naprosto uklanjao da ne smetaju.
Gotovo je neverovatno da istinita priča razvije i rasplete kao najklišetiziraniji C-film, a krivica je autora da te klišee niuje obogatio auetntičnim, uverljivim ili barem dokumentarnim. Ovako, sa tako tankom realizacijom i imidžom istinite priče, SHILJONG stoji kao bizarna potvrda da narod u Koreji živi kao u nižerazrednom korejskom filmu. I to samo po sebi nije loša tema za film, ali svakako ne nižerazredni korejski...
Upravo to preplitanje stvarnosti i filma, činjenica da je slučaj iz stvarnosti tolio sličan filmu, trebalo je da bude osnov za nadgradnju priče. Umesto toga, dobili smo inferiorni film TRUCKovog profila...
* 1/2 / * * * *
da, ovaj je zaista skoro negledljiv koliko je isprazan i nebitan...
2-
M.W.2009.JAP.DVDRip.XviD-GiNJi
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Year: 2009
Country: Japan
Director: Hitoshi Iwamoto
Genre: Drama, Sci-Fi
Runtime: 129 min
Language: Japanese, Thai, English
Subtitles: None at time of post
http://www.imdb.com/title/tt1242755/ (http://www.imdb.com/title/tt1242755/)
Theatrical Release Date: 07/04/2009
Cast Hiroshi Tamaki, Takayuki Yamada, Kazuaki Hankai, Rio Yamashita, Ryo Ishibashi, Toru Kazama, Yusuke Yamamoto, Shingo Tsurumi, Yasufumi Hayashi, Ikuji Nakamura, Natsuki Obama, Yuriko Ishida,
Synopsis/ Plot
A live-action adaptation of Osamu Tezuka's mature manga masterpiece MW (pronounced "moo," like a cow), created to celebrate the 80th anniversary of Tezuka. When a top secret chemical compound called MW infects an island near Okinawa, the military is sent in to kill all the victims and cover up the incident. A survivor named Michio Yuki (Hiroshi Tamaki) grows up to become a highly-successful banker, but he is slowly being driven mad by the effects of MW. After committing a series of ruthless crimes to get revenge against the people responsible for the cover-up, he decides that the only way to truly get revenge is to unleash MW on the world and exterminate the entire human race. Takayuki Yamada stars as Father Garai, a priest desperately trying to save Michios soul—and possibly his own in the process—but not necessarily doing much to stop the crime spree.
[trailer] MW (2009) (http://www.youtube.com/watch?v=8BJVJCSha9M#normal)
Jesi li ga gledao? Ja sam mangu čitao pre nekoliko meseci i ozbiljno se oštrio za film.
imao sam ozbiljnu nameru, ali još uvek nisam toliko dobro ovladao japanskim jezikom. ;)
čekamo prevod i za ovaj. :(
The Sword With No Name
(South Korea)
By DEREK ELLEY
A Showbox/Mediaplex release of a Sidus FNH, Showbox presentation, in association with Boston Venture Capital, Michigan Venture Capital and Sovik Venture Capital, of a Sidus FNH production. (International sales: Showbox, Seoul.) Produced by Kim Mi-heui. Executive producers, Ryu Jeong-hun, Seo Beom-seok, Jo Il-hyeong, Harry H.W. Kim, Park Hyeon-tae, Kim Gil-su, Lee Guk-jin, Park Jun-tae, K.Y. Shin.
With: Jo Seung-woo, Su Ae, Sophie Broustal, Cheon Ho-jin, Choi Tae-woong, Kim Yeong-min, Park Min-huei.
A costume martial-artser that never fully realizes its potential, "The Sword With No Name" has several fine moments separated by many more that are just OK. Blending swordplay, high romance, on-the-cusp politicking and the theme of Korea dealing with foreign influences, this handsomely accoutred pic is most notable for a charismatic perf by actress Su Ae ("Family," "Sunny") as a royal spouse caught between duty, off-limits love and reforming zeal. A solid success locally this fall, the pic is ideal for film weeks and some cable outlets.
Late 19th-century setting sees the last of the Chosun dynasty, young King Go-jong (Kim Yeong-min), heading a country that's turned inward in response to growing Western influence (especially via Catholicism) and Japanese aggression. Go-jong is infuenced by his conservative father (Cheon Ho-jin, strong), and cuckolded by his young bride, Ja-yeong (Su), who's fallen for a master swordsman-turned-palace guard (Jo Seung-woo). Fascinating details, such as Ja-yeong's interest in all things Western, via a French friend (Sophie Broustal); the arrival of electricity in the country; and international power politics are unfortunately sidelined in favor of the less original central romance, richly scored by Choi Yong-rak.
Assassins.2009.DVDRip.XviD-GAYGAY
Yi ngoi
A cop teams up with a killer to dismantle an assassination cartel only to find himself becoming an assassin instead.
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fwww.moviexclusive.com%2Freview%2Faccident%2Fposter.jpg&hash=48640ca07476bb0cbb5478f0da0fb4a9f4140d2e)
Quote from: Meho Krljic on 11-11-2009, 10:44:00
Jesi li ga gledao? Ja sam mangu čitao pre nekoliko meseci i ozbiljno se oštrio za film.
:cry:
Ja razumem suprotan način razmišljanja: neko pogleda film i naoštri se da pročita mangu. Obrnuto mi ne funkcioniše. Možda film jeste moćniji medij, ali Tezuka je Tezuka, a Iwamoto
nije. U odnosu na iskorišćavanje ideja, tema, priča, likova, pa čak i načina pripovedanja iz mangi od strane japanske filmske industrije, Holivud sa svojim superherojima izgleda kao minorni trend.
Quote from: ridiculus on 12-11-2009, 01:46:19Tezuka je Tezuka, a Iwamoto nije.
ja sam čak, na neviđeno, spreman da ustvrdim da je taj Iwamoto, za razliku od Tezuke, zapravo - Iwamoto!
Stoji to, ali ipak je prošlo 30 godina od prvog pojavljivanja MW u stripu. Dakle, sasvim dovoljno da stekne auru klasika. Naprosto me zanima kako će film da izgleda.
Quote from: Ghoul on 12-11-2009, 02:57:19
Quote from: ridiculus on 12-11-2009, 01:46:19Tezuka je Tezuka, a Iwamoto nije.
ja sam čak, na neviđeno, spreman da ustvrdim da je taj Iwamoto, za razliku od Tezuke, zapravo - Iwamoto!
Ja sam, takođe na neviđeno, spreman da tvrdim da, kada se bude procenjivala vrednost njegovog rada za umetnost i kulturu uopšte, mu to neće biti od neke pomoći. :twisted:
Voleo sam VOLCANO HIGH i sad ima novi film...
Higanjima
(Japan)
By RUSSELL EDWARDS
A Warner Bros. Japan release and presentation of a Micott & Basara, King Record, Production Ogi, Yahoo! Japan (Japan)/Michigan Venture Capital, Kraze Pictures (South Korea) production. (International sales: Warner Bros. Japan, Tokyo.) Produced by Toru Miyake, Lee Jun-ho. Executive producers, Yuko Kameda, Shin Shon, Don Kwon, Yoshinori Fujita.
With: Hideo Ishiguro, Dai Watanabe, Miori Takimoto, Asami Mizukawa, Koji Yamamoto, Fumito Moriwaki, Osamu Adachi.
Vampires and contempo samurai schoolkids make an uneasy mix in the so-so Japanese frightfest "Higanjima," adapted from Koji Matsumoto's popular manga series. South Korean helmer Kim Tae-kyun ("Volcano High") tries to compensate for a sketchy story with sheer velocity, but the overall lack of substance undercuts Kim's genre ambitions. Japanese theatrical release is set for January, with low-level ancillary sales shaping up in the West.
A promising, spooky-but-fun opening sequence shows a salaryman being stalked by vampiric Japanese peasants; post-credits, the fun continues with an exhilarating pursuit of high-school student Akira (Hideo Ishiguro) by a violent gang. The scene economically introduces each of his buddies -- including archer extraordinaire Yuki (former J-popster Miori Takimoto) -- who help him escape. A rollicking good time seems to be in the cards, but nothing surpasses these first two setpieces.
The actual story starts as Akira is alerted to the whereabouts of his long-missing elder brother, Atsushi (Dai Watanabe), by sultry, leather-skirted Rei (Asami Mizukawa). Putting aside their reservations about the mysterious woman, Akira & Co. set sail for Vampire Island (the title's direct translation), where Atsushi is battling the bloodsuckers.
Once the action moves to the island, the script seems determined to squeeze as much as possible of the original manga's 24-book history into the two-hour running time. Battles with the vampires, led by Koji Yamanoto's regal albino, soon take on a vidgame-like repetitiveness.
The appearance of a CGI, H.R. Giger-like monster comes a little too late to up the ante. Unsurprisingly, the pic ends with the door left open for a sequel.
The helmer, who made an international name for himself with kinetic high school martial-artser "Volcano High" in 2001, does his best to keep things moving. Performances punch the clock, though production values (apart from the CGI monster) are high-gloss. Hiroyuki Sawano delivers a screaming thrash-metal soundtrack.
Directed by Kim Tae-kyun. Screenplay, Tetsuya Oishi, based on the manga by Koji Matsumoto. Camera (color), Shinji Kugimiya; editor, Hiroaki Morishita; music, Hiroyuki Sawano; production designer, Katsumi Nakazawa; sound (Dolby Digital), Hidetoshi Nonaka. Reviewed at Pusan Film Festival (Midnight Passion), Oct. 11, 2009. Running time: 122 MIN.
No.Puedo.Vivir.Sin.Ti.2009.DVDRip.XviD-GAYGAY
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Also Known As:
Bu Neng Mei You Ni 不能没有你 (Mandarin Title)
Year: 2009
Country: Taiwan
Director: Leon Dai
Genre: Drama, Teen Flick
Runtime: 93 min
Language: Hakka, Min Nan, Mandarin
Subtitles: English, Traditional Chinese
http://www.imdb.com/title/tt1456584/ (http://www.imdb.com/title/tt1456584/)
Theatrical Release Date: 03/26/2009 (HK), 08/14/2009 (TW)
Cast Chen Wenbin, Zhao Youxuan, Lin Zhiru
Synopsis/ Plot
As Taiwan's official submission to 82nd Academy Award's Foreign Language for 2010, Director Leon Dai presents a saga that shows a father's unconditional love for his child, a bond that can't be broken. But sometimes government bureaucracy can interfere. Li Wu-hisung lives in a harbor zone in Taiwan with his small daughter. He doesn't have a job, so he takes on risky tasks on boats to earn money. When he tries to do the right thing and enroll his daughter in a school, the government decides it's in the child's best interest to remove her from his care. He does everything he can to get her back, leading to a desperate standoff in front of the media and the world. Based on a true story, it conveys a quest of love that knows no bounds. Beautifully scripted and shot in both color and black & white.
No Puedo Vivir Sin Ti Trailer (http://www.youtube.com/watch?v=iRV2-qK8p8w#noexternalembed-normal)
The.Message.2009.CN.DVDRip.XviD-XTM
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F995694Message1.jpg&hash=edcf35a68d52efe2c57c382ea2c83844df17c1be)
Also Known As:
Feng Sheng 风声 (Mandarin Title)
Year: 2009
Country: China
Director: Gao Qunshu, Chen Kuo-fu
Genre: Crime, Drama, Thriller, War
Runtime: 114 min
Language: Mandarin
Subtitles: Chinese Only (srt, sub/idx)
http://www.imdb.com/title/tt1434423 (http://www.imdb.com/title/tt1434423)
Theatrical Release Date: 09/22/2009
Cast Zhou Xun, Li Bingbing, Zhang Hanyu, Huang Xiaoming, Wang Zhiwen, Alec Su, Ying Da, Ni Dahong, Duan Yihong
Synopsis/ Plot
The year is 1942, Nanjing (Nanking). This Blockbuster Movie follows a series of assassination attempts on officials of the Japanese-controlled puppet government, the Japanese spy chief gathers a group of suspects in a mansion house for questioning. A tense game of "cat and mouse" ensues as the Chinese code-breaker attempts to send out a crucial message while protecting his/her own identity.
風聲 (香港版預告) The Message (HK Trailer) (http://www.youtube.com/watch?v=W3mPd14d3-A#normal)
Empire.of.Silver.2009.DVDRip.XviD-GAYGAY
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F419749EmpireofSilver.jpg&hash=19b715bcde8802675240f6baecde4df23d80883d)
Also Known As:
Bai Yin Di Guo 白银帝国 (Mandarin Title)
Year: 2009
Country: China, Taiwan, Hong Kong
Director: Christina Yao
Genre: Drama
Runtime: 113 min
Language: Mandarin, English
Subtitles: English, Traditional Chinese
http://www.imdb.com/title/tt1362045/ (http://www.imdb.com/title/tt1362045/)
Theatrical Release Date: 07/31/2009
Cast Aaron Kwok, Zheng Tie Lin, Jennifer Tilly, Ding Zhi Cheng, Yu Lei Zhen, Chang Lan Tian, Hao Lei, Shih Chieh King, Jonathan Kos-Read, Zhong Lu, John Paisley
Synopsis/ Plot
China, 1899. A hedonistic young man must assume the role of heir to a banking empire he cares little about. Following the tragic kidnapping of his brothers wife, "Third Master" reluctantly submits to pressure from his overbearing father. Powerful bank-owner Lord Kang is determined to prepare Third Master for financial leadership by molding his son into his own image. The ruthless businessman tries to convince his son to choose a proven unscrupulous bank manager over a more honest one. But the idealistic Third Master has always questioned his father's autocratic rule and ethics. the tense relationship is further complicated by Third Masters undying love for his beautiful young stepmother, his first and only love stolen from him by his own father. Embarking on a metaphysical journey, Third Master must decide whether to follow his father's path or find his own. Greed, deception and jealousy surface under the pressures of war and the impending change from silver to paper bills...
YouTube - Broadcast Yourself. (http://www.youtube.com/watch?v=0xwTnxT9ihI#)
Donju.2009.JAP.DVDRip.XviD-GiNJi
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F789588donju1.jpg&hash=511f8f75306b5c3b3b8fa13e698d0c4a557208d5)
Also Known As:
Donju 鈍獣 (どんじゅう) (Japanese Title)
Year: 2009
Country: Japan
Director: Hideaki Hosono
Genre: Comedy
Runtime: 106 min
Language: Japanese
Subtitles: None at time of post
http://www.imdb.com/title/tt1267381/ (http://www.imdb.com/title/tt1267381/)
Theatrical Release Date: 05/16/2009
Cast Tadanobu Asano, Kazuki Kitamura, Yoko Maki, Yôko Minamino, Yusuke Santamaria
Synopsis/ Plot
How hard is it to kill an idiot? Just ask Kudo Kankuro! The acclaimed screenwriter brings his 2004 Kunio Kishida-winning stage play Donju (a.k.a. Dumb Animal) to the big screen in all its wacky tragicomedic glory. The one and only Asano Tadanobu sports a seriously nerdy bowl haircut to play the leading role of simple-minded novelist Dekogawa who has mysteriously disappeared. Dekogawa wrote an autobiography about his youth that reveals not only his past, but also some of his childhood friends' best-forgotten secrets. In order to keep the skeletons in the closet, these buddies of yesteryear try to silence him permanently. But no matter how hard they try to kill Dekogawa, he just keeps coming back - because he's simply too thickheaded to die!
Hosono Hideaki brings his CM background to his first stint as movie director, giving Donju a bright and fast-paced edge, but the road-runner humor, unpredictable story, and loony flights of fancy are all Kudo Kankuro. The over the-top suspense comedy even packs in some impressive animation sequences by Studio 4C. Joining in on the fun are co-stars Maki Yoko (The Vanished), Yusuke Santamaria (Kisaragi), Kitamura Kazuki (Suspect X), Minamino Yoko, and popular African-American enka singer Jero in his acting debut.
Dumb Animal [鈍獣] Teaser Trailer (http://www.youtube.com/watch?v=Ik5hwq1Mv8o#normal)
jao!
Bai Yin Di Guo 白银帝国
em režirala žena, em se zove kristina JAO!
jao!
jel' tebi to neko stao na nogu, il' samo ne voliš žene režisere? :lol:
Quote from: Shozo Hirono on 17-11-2009, 18:16:21
jel' tebi to neko stao na nogu, il' samo ne voliš žene režisere? :lol:
Imaš jednu reč viška u tom pitanju. ;)
biće da je ova poslednja.
a mogu da je preimenujem i u "pisce". xdrinka
Quote from: Milosh on 17-11-2009, 18:22:10
Quote from: Shozo Hirono on 17-11-2009, 18:16:21
jel' tebi to neko stao na nogu, il' samo ne voliš žene režisere? :lol:
Imaš jednu reč viška u tom pitanju. ;)
da, reč 'samo'.
Ko da mi ne znamo koja je to riječ...
Nego da ja pokvarim ovu sharmantnu i nadasve inspirativnu semantichku razmenu:
Kako se blizhi kraj godine, red je nadoknaditi propushteno tijekom iste, te me zanima - koji su ovogodishnji Azijski must-see-jevi? Shozo? Ostali rezident Azija eksperti?
Od onoga shto sam ispratio, bilo je dosta podbachaja, i negde su mi Breathless i Private Eye ponajbolje shto sam ove godine pogledao od Azijata, a nekako mi deluje da bi tu moglo i moralo biti josh boljih filmova.
ako je i bilo, do nas nije došlo.
sve se to nešto vrti oko trojke -po mojoj strogoj tarigi- baš ništa specijalno od žutaća ove godine :(
Od onog što sam ja pogledao bilo je nekoliko odličnih, konkretno: Tokyo Sonata, pa zatim Breathless, pa Mother (koji je najslabiji Bongov, ali i dalje vredan preporuke) i... to je otprilike to. Ako se računa, Detective Story od Miikea, pošto je u pitanju film iz 2007. koji je tek ove godine stigao do nas...
Vezano za ovu gornju raspravu, da pomenem da su žene u Japanu imale i još uvek imaju značaj u umetnosti kakav nisu imale ni u jednoj drugoj razvijenoj državi, uprkos svim polnim "nejednakostima", ali to isključuje film iz nekog čudnog razloga. Za Kinu već ne znam.
On-topic:
Treasure Hunter - full trailer (http://www.youtube.com/watch?v=0uBXme4GgcQ#normal)
Deluje megalomanski, ako ništa drugo. Moglo bi biti zabavno. Liči mi na Mumiju u istočnjačkoj izvedbi. Nadam se da se tu poređenja završavaju.
Quote from: Milosh on 18-11-2009, 00:45:23
Od onog što sam ja pogledao bilo je nekoliko odličnih, konkretno: Tokyo Sonata, pa zatim Breathless, pa Mother (koji je najslabiji Bongov, ali i dalje vredan preporuke) i... to je otprilike to. Ako se računa, Detective Story od Miikea, pošto je u pitanju film iz 2007. koji je tek ove godine stigao do nas...
Breathless i pomenuh gore, na Tokyo Sonatu sam zaboravio, a Mother se vec neko vreme kanim da pogledam, pashce ovih dana definitivno...
Detective Story, pak, je bash grozno losh film. Scenario je, ako zanemarimo Miikeovske touchove poput svojevoljnog upishavanja u muzeju, nekakav losh i neinspirisan krpezh svih trilera o serijskim ubicama, a film je rezhiran i usnimljen kao (losha) studentska vezhba.
Quote from: Le Samourai on 17-11-2009, 23:19:59
Kako se blizhi kraj godine, red je nadoknaditi propushteno tijekom iste, te me zanima - koji su ovogodishnji Azijski must-see-jevi? Shozo? Ostali rezident Azija eksperti?
Od onoga shto sam ispratio, bilo je dosta podbachaja, i negde su mi Breathless i Private Eye ponajbolje shto sam ove godine pogledao od Azijata, a nekako mi deluje da bi tu moglo i moralo biti josh boljih filmova.
ne treba mnogo mudrovati. dovoljno je vratiti se par stranica unazad i konstatovati:
iskusniji režiseri su mahom omanuili, ili nisu iznenadili; sa izuzetkom Kitana - njegov film vredi!
najbolji film iz azije ove godine je Okurbito. ujedno i jedan od filmova godine.
paco and the magical picture book je odličan film. stilski najmoćniji.
woova crvena stena je sjajan spektakl.
moraću da odgledam još par naslova koji za sada nemaju prevod, da bi mogao da donesem konačan sud. žao mi je i par naslova koji će moraju da čekaju naredne mesece. mnogo sam se istrošio gledajući fenomenalne starije naslove, koji su me emotivno ispraznili, i uglavnom fascinirali. o njima uskoro.
I Okuribito i Kitana imam na radaru.
Paco mi nije delovao toliko zanimljivo, ali I'll take your word for it. Metnuh na skidanje.
paco je dečiji film, sa moćnim melodramatičnim porukama.
Shozo, kaži mi, šta preporučuješ i šta je uopšte dostupno od južnokorejskog reditelja čija me životna priča beskrajno fascinira a to je Sing Sang ok? Kako stoji sa njegovim filmovima iz korejske faze? Jel dostupno nešto iz severnokorejske tipa čuveni PULGASARI i sl.? I, jel ima negde da se nađe MAYUMI? To je fascinantan slučaj, ne znam da li si čitao o njemu, ali to je možda jedna od najluđih severnokorejskih eskapada iz žanra otmica po kojima su inače oni oduvek bili poznati. Iako pretpostavljam da je MAYUMI plakatski film sigurno ga vredi videti baš zbog Shina...
Njegova biografija je mnogo zanimljivija od njegovih filmova, i tu bi u budućnosti mogao da padne jedan kvalitetan dokumentarac.
Pulgasari mi je zaglavljen međ kolekcijama negde sa gomilom godzilla filmova. Ne odskače previše od istih, s tom razlikom što vuče taj rep kontroverze.
Ostalih filmova nema na radaru, osim onih nindža, ako te interesuju.
Ni južnjaci, a tek severnjaci, nemaju neke značajnije naslove iz prošlosti koji bi na globalnom nivou tresli prašinu, pa makar na artističkom nivou..
Nadam se da će me demantovati, i konačno izvući nešto suvislo. Ko zna - možda baš Sing Sangovo. Lik je režirao sve i svašta: drame, horore, fantazije, komedije...
Znači, da se ne može naći ni Han nyeohaksaengeui ilgi tj. The Schoolgirl's Diary, ponos severnokorejskog filma na čijem je scenariju radio Kim Jong Il?
nema ga.
ali recimo nešto ovako se može naći, a bavi se S. Korejom.
http://www.imdb.com/title/tt0450065/ (http://www.imdb.com/title/tt0450065/)
http://www.imdb.com/title/tt1237805/ (http://www.imdb.com/title/tt1237805/)
i verovatno ovo, samo na nemačkom:
- (2000) Children Of The Secret State - North Korea
- (2002) The Game Of Their Lives
- (2003) North Korea - A State Of Mind
- (2005) North Korea - Kidnapped
- (2006) National Geographic - Inside Undercover - North Korea
- Dispatches - North Korea - Undercover In The Secret State
- "My Trip To DPRK"
Upravo ga skidam:
Samurai Princess
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Od scenariste Tokyo Gore Police... Pretpostavljam da je slična burgijada. Ali ako je tu negde i po kvalitetu, ja ću biti zadovoljan.
Izashao je i ovaj...
Murderer.2009.DVDRip.XviD-GAYGAY
Inache, pogledao sam Okuribito, i zaista je odlichan film. Potpuno upada u onu grupu "topla ljudska pricha" filmova, i nema tu nekih posebnih scenaristichkih ili rezhijskih inovacija, ali je film obojen sa toliko detalja i tako savrsheno, uverljivo i dosledno izveden, da je izvesna emotivna reakcija gotovo neizbezhna.
Boat DVDRip XviD-BeFRee
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fimg.rlslog.net%2Fimg%2F6c4f92d720.jpg&hash=b5c52a6cbcbbff56a75f06c7527cf074f14532c4)
Nobody.To.Watch.Over.Me.2008.DVDRip.XviD-CoWRY
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evo filma koji nedavno na slikovitom kvizu NIKO nije mogo da pogodi – izgleda da ga čak ni akacija nije gledala.
zato, evo šta ste propustili:
http://templeofghoul.blogspot.com/2009/11/bloody-aria-2006.html (http://templeofghoul.blogspot.com/2009/11/bloody-aria-2006.html)
najbolji film kim ki duka, opisan je tuka:
http://templeofghoul.blogspot.com/2009/11/3-iron.html (http://templeofghoul.blogspot.com/2009/11/3-iron.html)
Quote from: Ghoul on 25-11-2009, 16:37:22
najbolji film kim ki duka, opisan je tuka:
http://templeofghoul.blogspot.com/2009/11/3-iron.html (http://templeofghoul.blogspot.com/2009/11/3-iron.html)
Moguće je da si ovo već negde pominjao, ali kako bi rangirao sve filmove Kim Ki Duka koje si pogledao?
izgleda da kim nema svoj topik.
to se mora ispraviti... soon...
Zbirka četiri priče smeštene u motelsku sobu pod naslovom MOTEL SEONINJANG Park Ki-Yonga dokazuje bolnu istinu da je čak i Bong Joon Ho, velikan savremenog svetskog filma, nekada bio student.
Bong je u ovom zajedničkom zločinačkom poduhvatu imao ulogu saučesnika, potpisan je kao pomoćnik režije i ko-scenarista.
Što se posla pomoćnika tiče, uradio ga je vrlo dobro i omogućio je Wong Kar Waijevom redovnom saradniku Christopher Doyleu da postigne svoje karakteristične zahvate i omogući da Park Ki-Yongov showcase film dobije iznenađujuće visok nivo egzekucije.
Kad je reč o scenariju, međutim, MOTEL je tipičan studentski rad, pretenciozan bez pokrića, grčevit u pokušaju da pokaže šta sve autori znaju i donosi nekoliko najpre neubedljivih priča koje se ipak automatski aboliraju time što jedna od priča govori o snimanju studentskog filma.
Ta priča o snimanju studentskog filma u krajnjoj liniji zapravo razotkriva suštinski krajnje benignu klinačku prirodu ovog ostvarenja koje izgleda kao korejski film kako ga zamišljaju oni čije je strpljenje za azijsku kinematografiju nepovratno osakaćeno FESTom.
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Turning Point (2009) DVDRip XviD-GAYGAY
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The.Warrior.And.The.Wolf.2009.CN.DVDRip.XviD-XTM
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AKA: The Warrior and the Wolf
Year:2009
Directed: Zhuangzhuang Tian
Genre: Drama
Runtime: 92 min.
Country:China | Hong Kong | Japan | Singapore | USA
Language:Mandarin
Subtitles:Chinese-English
IMDb : http://www.imdb.com/title/tt1300169/ (http://www.imdb.com/title/tt1300169/)
Cast
Maggie Q, Jô Odagiri, Chung Hua Tou
Synopsis / Plot
The disillusioned general of an ancient Chinese army regiment finds himself stranded in a village populated by a strange clan with mystical connections to wolves.
THE WARRIOR AND THE WOLF (http://www.youtube.com/watch?v=8RO923HKC2Q#normal)
Crazy.Racer.2009.DVDRip.XviD-CoWRY
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Goemon (2009) Kazuaki Kiriya ***
Ovaj japanski blokbaster jeste spektakl epskih razmera,ali bojim se da će se ova robinhudovska lukalajk avantura u budućnosti pokazati srazmerno jednakim fijaskom. Osim naravno u očima Kiriyinih fanova, i ovih kojima se njegov prethodni Casshern dopao.
Previše ovde imamo patetike i kliše pomešanih tako da se mogu svariti samo na velikom platnu, i uz zabavno društvance. Oni koji ostanu u zamračenim prostorijama zagledani u svoj monitor, pa makar on bio big inch wajd skrin monster, ovu torturu od preko 2 sata će jedva prebroditi.
Eksplozije, mačevanje, skakanje po krovovima trošnih straćara od pre nekoliko vekova, je malo teže svarljivo starijim adolescentima, ali je ovo zato pravi mamac za mlade japance koji onanišu na noviju holivudsku bum-tras produkciju.
Uz to naravno idu i lepotice princeze, matori, debeli zlikovci, zanosne gejše, teorije zavere u srednjem veku. Ukratko, sve ono što voli dokon svet sa viškom vremena za gubljenje.
Casshern je imao sjajne kostime i fotografiju i ...malo šta drugo. Gledao sam trejler za Goemona pre par meseci i nije me povukao, blago rečeno. Kiriya je trebalo da ostane da snima video-spotove sa (bivšom) ženom.
Sad sam gledao trejler (http://twitchfilm.net/news/2009/12/new-trailer-for-confucius-hits-all-the-right-notes.php) za Confuciusa, koji me jeste privukao, jer izgleda motherfuckingly brilliant.
ako bi ulazili u dublju analizu - da kostimi i fotografija, kao i cgi su impresivni. ali to već neki standard za ovakve filmove.
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Haeundae (2009) Je-gyun Yun ***
Najveće dostignuće Je-gyun Yuna do juče je bio Sex is Zero (pisao sam već o njemu na ovom topiku), tinejdž nerd komedija, za jednokratnu upotrebu i brzi zaborav, koja ima i svoj nastavak. Ali stvari se menjaju...
Apokaliptična vizija o cunamiju, nalik onom koji je potopio dobar deo Malajskog arhipelaga, je film koji je u Koreji do danas zaradio najviše novca. S pravom: ljudi vole ovakve filmove. Uživaju gledajući kako elementarna nepogoda razara njihov glavni grad, selo ili barem ulicu. Haeundae je upravo to - blokbaster lokalnog karaktera i za domaće konzumente.
Režiser se već u prvih par minuta trudi da nam predstavi sve heroje i uvuče posmatrača u zamku, po kojoj bi opijeno oko bilo navučeno na njihov čemerni život. Preplitanje sudbina nas na naivan način priprema za kataklizmu, a nagoveštaji iste su prikazani in the face, nevešto i providno: naučnik priča, ali ga niko ne sluša.
Rudimentaran u startu, halucinogeno smotan u zapletu, amplitude emcoionalnog kretanja su toliko varijabilne, da bi im i sam John Woo pozavideo.
Ostaju na kraju memorabilne akcione scene sa izobiljem specijalnih efekata. Nedovoljno za neki povoljniji utisak.
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The Case of Itaewon Homicide (2009) Hong Gi-Seon 4.5/5
Sećate li se filma The Onion Field? To je onaj u kome ulične bitange ubiju policajca na vršenju dužnosti, njegov kolega uspeva da pobegne i biva glavni svedok optužbe. Ali ni to nije dovoljno. Proces ide u nedogled, preko 20 godina i... ništa.
E ni The Onion Field nije ovoliko dobar.
The Case of Itaewon Homicide ima sve one superlative koji čini veliki film nezaboravnim. Sjajnu režiju, koja vešto dozira svaki segment napetosti jednog trilera. Efektan soundtrack, začinjen u pozadini jezivo tutnjajućim zvučnim zapisima. Scenario koji istinit događaj mudro i neudvarački interpretira, bez namere da moralno i etički vuče linije dobrog ukusa, ili staje na nečiju stranu. Maestralno izvođenje celokupnog casta.
Šta još reći, a ne otkriti previše?
Paradoksalno, ovaj film još uvek nema stranu na imdbu!
Ne sećam se kada sam imao želju da jedan film odmah repriziram po završetku. Da, toliko je dobar! I ide od dobrog ka još boljem. Sam kraj je u rangu sa Memories of Murder.
Nemate šta da čekate - OVO JE A MUST SEE, sa moje strane. Kog obmanem u proceni, neka me javno psuje na ovom topiku.
Da, ovo je najbolji korejski film ove godine.
Torso
(Japan)
By JAY WEISSBERG
A 104 Co., Transformer production. (International sales: Transformer, Tokyo.) Produced by Yutaka Yamazaki, Eisuke Ishige, Michio Koshikawa. Directed by Yutaka Yamazaki. Screenplay, Aki Sato, Yamazaki.
With: Makiko Watanabe, Sakura Ando, Sola Aoi, Arata, Renjo Ishibashi, Miyako Yamaguchi.
The current inflated interest in the blow-up doll subgenre ("Lars and the Real Girl," "Air Doll") receives a further pump with the helming debut of Hirokazu Kore-eda's frequent d.p., Yutaka Yamazaki. "Torso," as the name suggests, features a headless synthetic trunk -- complete with male member that provides comfort and pleasure, if not quite companionship, to a solitary woman in Tokyo. Yamazaki's carefully calibrated, restrained visual style solidly grounds the narrative, which thankfully focuses more on the protag's self-imposed isolation than on her closet pal. This interesting but not incisive pic could receive a gentle boost from fests, and especially ancillary.
Parallels will be made with Kore-eda's recent "Air Doll" (not, in fact, lensed by Yamazaki, though its male star, Arata, has a small role here). But Kore-eda's penchant for a yin-yang of seriousness and whimsy is largely absent from the more psychologically dense "Torso." In addition, the doll here remains an inanimate object, its lack of head and limbs eliminating any possibility of anthropomorphism.
Like many single urban thirtysomethings, Hiroko (Makiko Watanabe, "The Rebirth") has carved out a tidy, if routine, life for herself. What sets her apart is the synthetic torso she keeps in her closet, blowing him up each night for bathing, cuddling and more. She's not interested in socializing with her younger co-workers, nor in fostering a close relationship with her outgoing younger half-sister, Mina (Sakura Ando).
After a fight with her abusive b.f., Mina turns up at Hiroko's apartment looking for a place to stay. During their uncomfortable cohabitation, it's revealed that Mina's b.f. was originally Hiroko's guy, leading the sisters to trade emotional epiphanies.
Yamazaki at no time makes Hiroko into a bizarre figure. She's slightly withdrawn, certainly unhappy, and carries around a lot of emotional baggage, but she's far from nuts. And while her relationship with the doll appears to give her a modicum of happiness, it elicits audience pity rather than discomfort. Keeping her things real -- inestimably helped by Watanabe's sympathetic performance -- saves "Torso" from becoming either fetishistic or prurient.
Watanabe and Ando are well paired (the two appeared together in Sion Sono's "Love Exposure") and it's their relationship that grounds the narrative. Given Yamazaki's fruitful tenure as a d.p. for Kore-eda, Naomi Kawase and others, it's no surprise his lensing here is satisfyingly confident, with handheld work kept to a controlled minimum and, when used, done for a reason.
Camera (color), Yamazaki; editor, Yuji Oshige; music, Akira Matsumoto; production designer, China Suzuki; sound (Dolby Digital), Eiji Mori. Reviewed at Turin Film Festival (competing), Nov. 18, 2009. (Also in Hong Kong Film Festival.) Running time: 103 MIN.
Vengeance 2009 DVDRip XviD-GYGAY
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...Johhnie To & Johhny Hallyday... HK & Francuska...
Toovi filmovi uvek nose u sebi provereni kvalitet HK produkcije.
Ovaj To/Holidej kombo mi deluje kao izvrstan fit.
Quote from: Shozo Hirono on 09-12-2009, 18:44:30The Case of Itaewon Homicide ima sve one superlative koji čini veliki film nezaboravnim. Sjajnu režiju, koja vešto dozira svaki segment napetosti jednog trilera. Efektan soundtrack, začinjen u pozadini jezivo tutnjajućim zvučnim zapisima. Scenario koji istinit događaj mudro i neudvarački interpretira, bez namere da moralno i etički vuče linije dobrog ukusa, ili staje na nečiju stranu. Maestralno izvođenje celokupnog casta.
Kog obmanem u proceni, neka me javno psuje na ovom topiku.
šozo, jebem li ti te tvoje neosnovane superlative, odgledah ovo, i u pitanju je običan pedestrian TV movie of the week banalno i neupadljivo režiran osrednji film ni po čemu upečatljiv niti poseban, a kamo li 'veliki' ili 'nezaboravan'!
ok, gledljiv je, 3-, ali zaista ništa posebno.
puka rekonstrukcija slučaja, bez duše, bez duha, bez 3-d likova, bez emocije, bez ideje, ko da ga je režirao pajkan a ne umetnik koji ima nešto na umu da (po)kaže.
izrazito prazan film.
Argh. Ja ga skino povučen Šozovim hajpom. Sad ću da ga gledam sa hipotekom Gulovog gnijeva.
meho, ghoul je u gnevno posttraumatskom transu, sa šizofreno-paranoičnim naznakama.
drugim rečima - zreo za lobotomiju.
opusti se i uživaj u filmu. ;)
Trudiću se. Prvo ipak mora da odgledam Samura Princess koja već nekoliko nedelja čami i čeka da bude ispoštovana.
to bi bio odličan dabl-heder. :)
e ovako: pre jedno dve-tri nedelje umro mi je hard disk na kome sam skladištio fajlove. sa njim su nažalost otišli i podaci koje sam skupljao o najznačajnijim japanskim naslovima od 1960 - danas. sa po par rečenica o svakom.
pre nekoliko dana sam se zainatio i danonoćno prebirao po memoriji, i donekle sam uspeo da rezurektujem izgubljeno.
however, greške su moguće. ako takvu otkrijem, ili se u međuvremenu pojavi naslov koji je vredan da se nađe na listi, intervenisaću.
da bi spisak bio iole validan, u prethodnih godinu dana odgledano je preko 50 naslova različitih autora, koji su značajni za japansku kinematografiju. neki filmovi novog talasa su i dalje zakopani u prošlosti, i ne postoji kvalitetna kopija. ili je nema uopšte.
autori kao što su teruo ishii ili hideo gosha su sa ove liste izostavljeni zbog daljeg proučavanja, ili jednostvno autor nije detektovao (odgledao) njihov film koji na bilo koji način izlazi iz klišea, ili ima neku kulturološku vrednost.
nažalost, najznačajniji gubitak je esej na 5 strana u pdf-u o epskoj četvorci (Mizoguchi, Kurosawa, Ozu, Kobayashi), i o autorima novog talasa. pa ipak, ovaj će mi spisak značajno pomoći u daljem proučvanju japanske kinematografije.
shozo's choice of japanese 60's
Cruel Story of Youth (1960) Nagisa Ôshima
Oshimin proboj. Kontroverzni film kao najozbiljniji produkt japasnkog novog talasa. Više provokativan, nego eksplicitan.
When a Woman Ascends the Stairs (1960) Mikio Naruse
Melodrama o sredovečnoj gejši i njenim životnim izborima je Narusin stilski i dramski najuspeliji film.
Jigoku (1960) Nobuo Nakagawa
Stilizovan portret Aligijerijevog pakla, uz mnoštvo surealnih imidža i danas predstavlja Nakagawino najpoznatije delo, značajno i na kulturološkom i žanrovskom nivou.
Yojimbo (1961) Akira Kurosawa
Kurosawino nezaobilazno remek-delo u bilo kojoj ozbiljnijoj raspravi o japanskoj i svetskoj kinematografiji. Nebrojeno puta kopiran i rimejkovan. Neverovatno duhovit i šarmantan, čak i iz današnje perspektive.
Hogs and Warships (1961) Shohei Imamura
Maestralna društveno-socijalna alegorija. Satira i kritika u Orvelovskom silu. Epohalna završna grupna scena u kojoj junak automatskom puškom rafalno kumuliše svoj nagomilani bes i razočarenje, uz stampedo svinja centralnim gradskim trgom.
The Pitfall (1962) Hiroshi Teshigahara
Sudar realnog i surealnog sveta. Preplitanje fantazije, izgubljenih duša sa ugnjetavanjem radničke klase, podvalama i neslogama u sindikalnim organizacijama. Sve to začinjeno bezočnim nasiljem, političkim ubistvima i čistkama oko njih.
Seppuku (1962) Masaki Kobayashi
Kobayashi širi svetski auditorijum upoznaje sa ritualnim činom samoubistva, koji je paradokslno i jedan od stubova samurajskog koda. Sarkastičan prikaz društvnog sistema u feudalnom Japanu, vanvremenski klasik.
An Actor's Revenge (1963) Kon Ichikawa
Ichikawin rimejk Kinugasinog klasika iz tridesetih je priča o kibuki trupi, i osveti za zločin koji seže daleko u prošlost. Na momente spor, ali dugoročno efektan i memorabilan.
Manji (1964) Yasuzo Masumura
"Love between women is like the love of a work of art"
Masumurina oda lezejskoj ljubavi je izuzetna psihološka ekspertiza i studija o društvenim previranjima, i šamar učmaloj konzeravtivnoj svesti savremenog Japana.
Onibaba (1964) Kaneto Shindô
Crno-beli klasik smešten u sirotinjsku močvarnu idilu ruralnog Japana 14-og veka. Stilska i scenografska superiornost, uz dramasku napetost i intenzitet horor krešenda. Jedan od najupečatljivijih i najjedinstvenijih žanrovskih izleta svetske, ne samo japanske kinematografije.
Gate of Flesh (1964) Seijun Suzuki
Suzukijevo prvo poigravanje sa nervima korporativne filmske industrije. Jasniji, eksplicitiniji pogled na prostituciju posle WWII. Svojevrsni nastavak Klasika kao što su Streets of Shame i Hogs and Warships, i uvod u vrtoglavi kreativni uspon hrabrog i beskompromisnog režisera.
Pale Flower (1964) Masahiro Shinoda
Ako izuzmemo Drunken Angel i još par manje-više neuspelih naslova, ovaj Shinodin rani rad je grandaddy yakuza žanra. Provokativan, smeo, iskren žanrovski film na gomilom cool citata i noir aluzija.
Woman in the Dunes (1964) Hiroshi Teshigahara
Surealni neo-noir, masterpiece svetske kinematografije, umetničko delo vanvremeskih proporcija. Alegorična spočitavanja i zaključci, enigmatična parabola, hiperboličan efekat. Najuspelija kolaboracija Abe/Teshigahara. U ono vreme i dve Oskar nominacije, uključujući režiju. Kadrovi koji vas prate i u snovima.A MUST-SEE.
Kaidan (1964) Masaki Kobayashi
Omnibus od četiri fantastične priče, vođen Kobayashijevim njuhom za istančani kvailitet, uz istočnjački senzibilitet i osećaj za stravu. Tehnički i stilski savršen, bukvar za svakog horor ljubitelja.
Tokyo Olympiad (1965) Kon Ichikawa
Rame uz rame sa Olimpijadom Leni Rifenštal. Jedan od najboljih sportskih dokumentaraca, izuzetno verno i realistično oslikan potret velikog takmičenja rukom majstora za sitne detalje i dramski intenzitet.
Irezumi (1966) Yasuzo Masumura
Prelepa Ayako Wakao kao femme fatale, u Masumurinom klasiku o prokletstvu i psihološkom dejstvu bizarne tetovaže. Veoma moćan i dinamičan scenario, kombinovan sa autentičnom fotografijom i scenografijom. Mnogo ispred svog vremena.
The Pornographers: Introduction to Anthropology (1966) Shohei Imamura
Maestralna društveno-satirična studija uslikana jezikom neorealizma. Neprevaziđen katarzični finale u kome junak u svojoj barci, zaglavljen sa gumenom lutkom na naduvavanje, plovi rekom u nepoznatom pravcu.
The Face of Another (1966) Hiroshi Teshigahara
Još jedna neverovatna kolaboracija Abe/Teshigahara. Psihoanalitične aluzije na Fantoma iz Opere i Oči bez lica. Maska predstavlja moćnu metaforu ljusdkog stanja, koliko i sredstvo za pokriće vizuelnog invaliditeta.
Tokyo Drifter (1966) Seijun Suzuki
Ono što je Antonionijev Blow Up za swinging 60's London, to je Suzukijev Drifer za Tokio. Kičasti elementi, vorholovska fotografija i šarenilo boja, kombinovanje crno-bele tehnike sa kolorom. Bizaran pop soundtrack.
The Embryo Hunts in Secret (1966) Kôji Wakamatsu
Jedan od kultnih klasika avangarde novog talasa. Wakamatsuov izlet iz ropstva bogatih studija i prelazak na sopstvene kapacitete. Sadizam i mučenje uz biblijske citate. Neobičan rad kamere, crno-bela tehnika, zumovi i krupni kadrovi, surealne vizije i efektna zvučna podloga. Film samo za sladokusce sa istančanim osečajem za ranu pinku eksploataciju.
Samurai Rebellion (1967) Masaki Kobayashi
Epska melodrama o čojstvu i junaštvu u feudalnom Japanu. Jedan od poslednjih zaista kvalitetnih jidea geki naslova. Na momente usporen, ali beskrajno memorabilan i sramno kopiran u budućnosti.
Branded to Kill (1967) Seijun Suzuki
Prekretnica u japanskoj kinematografiji, Masterpiece avangarde koji autor teksta stavlja u top 20 omiljenih. Suzuki posle Branded to Kill biva hiruški odstranjen iz Nikakatsu studija. Surealna poema, fetišističke fiksacije, otvoreno i bizarno tretiranje psihoseksulanih odnosa, opsednutost smrću, sve to začinjeno prilično eksplicitnim prikazom golotinje. Klasik B produkcije koji je u budućnosti uticao na mnoge značajne autore.
Nanami: The Inferno of First Love (1968) Susumi Hani
Najznačajniji naslov pionira japanskog novog talasa, koji se pre svega istakao kao režiser efektnih i provokativnih dokumentaraca. Hanijevi filmovi tek treba da vaskrnu na kvalitetnijim kopijama. Svejedno, Nanami je negde na nivou Buđenja pacova, i tematski i idejno. Korišćenje kamere iz ruke implicira snažan uticaj francuske škole: negde izneđu Godara i Šabrola. Provokativan, nasilan, eksplicitan i hrabar.
The Black Cat (1968) Kaneto Shindô
Ne baš na nivou Onibabe i Kaidana, ova atmosferična priča o duhovima, nasilnoj smrti i osveti, nosi u sebi melodramatični pristup, i Shindovu poetsku viziju ljubavi i smrti, koja će uticati u devedesetim na pojedne autore.
Death by Hanging (1968) Nagisa Ôshima
Crna komedija, ili farsa, kako ju je sam Oshima nazvao, predstavlja oštru kritiku ksenofobičnom japanskom društvu, političarima, smrtnoj kazni. Apsurdan i mračno-satiričan, praćen Oshiminom poslovičnom naracijom. Baziran na istinitim događajima.
Double Suicide (1969) Masahiro Shinoda
Sjajna adaptacija stare lutkarske predstave iz 18-og veka. Moderan i nekonvencionalan pristup režiji čine ovaj Shinodin film biserom japanske kinematografije.
Go, Go Second Time Virgin (1969) Kôji Wakamatsu
Jedan od najznačajnijih pinku naslova, u kome Wakamatsu sexom i nasiljem najotvorenije šalje političke poruke. Opisan kao alternativni tinejdžerski izraz ili borba sexa (Eros) i smrti (Tantos), u kome sex gubi zbog svoje otvorene ružnoće, pri čemu se smrt prezentuje kao jedini izlaz.
Eros plus massacre (1969) Yoshishige Yoshida
Istinita priča o Sakae Osugi, radikalnom japanskom anarhisti sa početka 20-og veka, ispričana efektno i slikovito, sa akcentom na njegov seksualni život i par neobičnih avantura, kroz koje se provlače moralne dileme i društvena stremljena u Japanu na raskršću vekova.
Môjû (1969) Yasuzo Masumura
Do današnjeg dana Blind Beast je najuspešnija adaptacija priče slavnog Rampo Edogawe, režirana rukom maestra Masumure. Kidnapovanje vodi u splet sadomazohističkih igara između slepog skulptora i mlade Japanke. U stravično-bizarnom krešendu pomahnitali vajar od devojke čini model za svoju skulpturu, uz pomoć oštrog sečiva. Svako poređenje sa kasnijim torture-porn podžanrom može biti slučajno, ali kao uvod ne sme biti zanemareno.
Funeral Parade of Roses (1969) Toshio Matsumoto
Reverse Edipovog kompleksa na veoma bizaran način. Šokantan i opskuran. Najznačajniji gay-cinema naslov, ujedno i veoma efektno prikazana studija o životu drag-queen, prostitutki, homoseksualaca, narkomana, dilera. Ukrašen mnoštvom neobičnih stilski zahvata, Matsumoto periodično uleće u poludokumetarni stil, praćen halucinogenom montažom. Par sekvenci iz ovog kultnog filma Kubrik direktno prenosi i koristi u Paklenoj pomorandži.
Bogami koristiće ovo i da Mehmet uposli svoj repidšer i friško kupljeni QNAP plejer. Arigato, što bi rekli hardkor otakui.
Svaka čast na ovom istraživanju i izboru filmova. xjap
Trenutno se zanimam kaidanom (ne istoimenim filmom, već književnom tradicijom), pa ću reprizirati i sveže pogledati sve što ima veze s tim.
Сазнаје се
Шопаловићи стигли до Сеула
Драма Љубомира Симовића ,,Путујуће позориште Шопаловић", после Токија, у марту идуће године биће изведена у Кореји
Љубомир Симовић (Фото Т. Јањић) Путујуће позориште Шопаловић – драма академика Љубомира Симовића, у марту идуће године доживеће своје премијерно извођење у Myeondong театру у Сеулу, у Кореји. Реч је о некадашњем Националном позоришту које је дало велики допринос корејској сценској уметности, а сада се као Myeondong театар окренуло колико класичним толико и модерним комадима.
Симовићев комад ,,Путујуће позориште Шопаловић" биће прва представа овог позоришта у сезони 2010, а у писму којим се наш познати писац обавештава о томе због чега је избор пао на Шопаловиће стоји:
,,Иако је ова драма заснована на чињеницама српске историје и културе, сматрамо да је њена главна тема универзална и посебно блиска Корејцима, који су прошли кроз цели Корејски рат и још су у сукобу са Северном Корејом. Такође сматрамо и да ваша драма добро осветљава улогу позоришта у савременом комплексном друштву, материјално богатом а емотивно сиромашном, што је и један од главних разлога наше одлуке да управо њоме отворимо нову сезону."
Један од највећих корејских редитеља, Byung-hoon Lee, веома је заинтересован да режира ,,Путујуће позориште Шопаловић" чиме ће се сигурно, на најбољи начин, корејска публика упознати са њој, како стоји у писму, релативно непознатом српском културом.
Токијски ШопаловићиОва Симовићева драма већ је изведена у Сеулу, у децембру 1998. године, али на малој сцени Арко театра, у преводу Ђихјанг Ким. Милан Мађарев, који је био гост у Сеулу где је држао уметничке радионице 2007, написао је да ,,ова драма и Љубомир Симовић уживају култни статус у Јужној Кореји", а да су Корејци нашег писца, због немогућности да презиме Симовић изговоре правилно, преименовали у Ши Мобичи.
Подсетимо и да је јесенас, 14. октобра, ,,Путујуће позориште Шопаловић" премијерно изведено пред пуним гледалиштем позоришта ,,Iwato" у Токију, у извођењу трупе ,,Black Tent" и у режији француског редитеља Проспера Диса. Дису су Шопаловићи блиски јер их је режирао пре 15 година у Француској, у Theаtre du Sablier, у Оранжу. Према речима нашег амбасадора у Јапану Ивана Мркића, публика је веома добро реаговала на представу која је први пут за ову прилику преведена на јапански језик (превод Сања Трипковић, а редактор Кајоко Јамасаки).
Наша амбасада је, како Љубомир Симовић каже за ,,Политику", а нарочито амбасадор Мркић, пружала токијском позоришту драгоцену помоћ у припремању представе. Порука српског амбасадора је штампана и двојезично у програму за представу. У тој поруци, између осталог, стоји и да је премијера у Токију ,,резултат вишегодишњег пријатељства између српских и јапанских позоришних и драмских уметника", да је Хиројуки Мунешиге, директор трупе Black Tent, заједно са својим сарадницима био гост Битефа 2001. године, а да су ,,његова заинтересованост за српску савремену драму и снажна повезаност са Народним позориштем у Београду изнедрили ову идеју да удахне живот Симовићевом комаду на јапанској позорници."
Љубомир Симовић за наш лист додаје и да је велику заслугу за постављање ,,Шопаловића" у Сеулу (1998) имала глумица Каћа Дорић, док је за ову другу поставку, планирану за март 2010, драгоцену помоћ пружио професор Мате Лончар.
– Постоје реалне шансе да обе ове представе, и јапанска и корејска, буду приказане идуће године и на Стеријином позорју – казао нам је Симовић.
А. Ц.
[објављено: 17/12/2009]
Toads.Oil.2009.JAP.DVDRip.XviD-AXiNE
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F632031ToadsOil1.jpg&hash=94b924d4ec4469a92d4220f339605e7972aab029)
Also Known As:
Gama no Abura ガマの油 (Japanese Title)
Year: 2009
Country: Japan
Director: Koji Yakusho
Genre: Drama
Runtime: 131 min
Language: Japanese
Subtitles: None at time of post
IMDB: http://www.imdb.com/title/tt1248922 (http://www.imdb.com/title/tt1248922)
Theatrical Release Date: 06/06/2009
Cast Koji Yakusho, Eita, Satomi Kobayashi, Kaoru Yachigusa, Toru Masuoka, Junichi Sawayashiki, Fumi Nikaido
Synopsis/ Plot
Venerated actor Koji Yakusho (Shall We Dance?, Tokyo Sonata, The Eel), in his directorial debut, also writes and stars in the charming drama Toad's Oil .It's a story about an egocentric high-rolling daytrader who claims he can earn hundreds of millions of yen in one day, and for those around him as they attempt to cope when his son falls into a coma after a devasting car accident. A chain of events is set to occur set-off by the father taking a phone call from an unsuspecting girl named Hikari. The father pretends to be his son ...
[trailer] Gama no Abura ( Toads Oil) (http://www.youtube.com/watch?v=EvEgWbOywyk#normal)
Crni Shozo, stvarno ga precerashe sa hiperbolom glede Itaewona. Mislim, solidan je to filmic, ali ipak ovo ponajvishe lichi na milion istovetnih trilera/sudskih drama iz 90tih i na dobar deo epizoda Law and Ordera, uz mozhda tek neznatno razvijenije likove.
A kada bilo ko izusti neshto na engleskom, zvuchi kao da je dijalog pisao neko ko je engleski nauchio iz gengsta repa 90tih.
Quote from: Le Samourai on 20-12-2009, 23:28:17
A kada bilo ko izusti neshto na engleskom, zvuchi kao da je dijalog pisao neko ko je engleski nauchio iz gengsta repa 90tih.
Hot damn, ovo dakle moram pod hitno da odgledam!!!1111
Quote from: Le Samourai on 20-12-2009, 23:28:17
Crni Shozo, stvarno ga precerashe sa hiperbolom glede Itaewona. Mislim, solidan je to filmic, ali ipak ovo ponajvishe lichi na milion istovetnih trilera/sudskih drama iz 90tih i na dobar deo epizoda Law and Ordera, uz mozhda tek neznatno razvijenije likove.
yo, man, zaboravio si da opsuješ šoza: reko je lepo da ga psuje svako ko misli da je ITAEWON nešto manje od remek dela, a ovaj TV film made-for-cinemas je poprilično daleko od zasluge za tako visoke vrhove 7. umjetnosti!
Itaewon mi je otupeo psovachki zhar svojom bezlichnoshcu.
to što vi ne vidite nesporne kvalitete ovog filma, ja vam nažalost ne mogu pomoći.
itaewon je američka vojna baza. kakve veze perfektan engleski ima sa filmom.
ovaj film je maestralno apsolvirao napaljenu, glupu i imitatorski nastrojenu omladinu, čiji moralni diskurs ide u katarzični fijasko.
Odgledah konačno Samurai Princess i evo utisaka na blogu (http://cvecezla.wordpress.com/2009/12/21/samurai-princess/). Ukratko: polovično sam zadovoljan. Frivolnost nije sama sebi dovoljna da iznese čak ni ovako kratak film, ali sa druge strane, ima ovde sjajno osmišljene akcije, odličnih lo-fi efekata i ponešto seksualne politike koja čoveku izmami osmijeh na lice.
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi46.tinypic.com%2F303czub.jpg&hash=0458bea5cbe2a6211641ae5cf7f69613eb2f61ac)
M.W. (2009) DVDRip by GiNJi
najvažnija vest vezana za m.w. je da je preveden na engleski. :|
ali ga još nisam pogledao. :(
međutim, meho je in the zone, pa ga možda overi i pre mene. :)
Iskopo sam i film i titl, pa ću ga pogledati čim prije.
stavio linkove na skriveno mesto
Video, hvala, al ja već pristavio daunloud sa repida. Ipak ja taj repid plaćam, sunce mu jebem.
M.W.2009.JAP.DVDRip.XviD-GiNJi
evo ga kopi-past imena mog torenta iz arhive, a opis se nalazi i na prethodnoj strani ovog topika.
Odgledah film. Umereno sam (ne)zadovoljan. Elaboracija uskoro, ako mi žena dopusti da je zapostavim dok pišem :lol:
mazi je jednom nogom dok ostalima kucaš.
inače, po mojoj tarifi je 2+, dakle, srednje-žalosno.
samo još da vidimo dal iz istih razloga...
Pa, moji problemi su vezani za film po sebi, ali još više za neadekvatnu ekranizaciju izvanrednog strip-predloška. Evo detaljne (i dosadne) eksplikacije tamo gde treba (http://cvecezla.wordpress.com/2009/12/23/mw/).
Ja još nisam sreo igrani film rađen po mangi koji uspešno prenosi dobre strane originalnog materijala, pogotovo od '80-tih naovamo. Čak i Kurošija Ići je bolji kao manga. Azumi je dobar akcioni film, ali slab u odnosu na mangu. Kitamurin film je isto toliko i Kojamin, neka vrsta guilty pleasure-a, i to je ono što uporno promiče većini zapadnih filmskih kritičara.
Izuzetak je Old Boy, ali to nije japanski film. I Hinoov Mermaid in a Manhole, ali to je specijalan, redak slučaj kada sam autor mange radi i film.
Da, ali u slučaju MW stvari su posebno složene jer je manga veoma filmična sa jedne strane a sa druge je film koji je rutinerski i neambiciozan, dakle ne samoneuspeo jer je mangu teško ekranizovati.
Dobrodošao u klub! :lol:
Korean actress Song Hye-kyo has joined Wong Kar Wai's next project "The Grand Master" reports Kung Fu Cinema.
The story centers around martial-arts master Wing Chun master Yip Man (played by Tony Leung Chiu Wai) who is best known internationally for being Bruce Lee's martial arts instructor. Ziyi Zhang, Chen Chang and veteran Zhao Benshan also star.
The actress has been studying Cantonese and martial arts for the film.
Yip Man je baš postao popularan u poslednje vreme...
Ima kineska serija o Bruce Leeju koja je interesantna po tome što u njoj Michael Jai White igra Alija, Ray Park igra Chuck Norrisa. Jel neko gledao?
Ne, ali ako nađeš ime, potražiću je.
Zove se THE LEGEND OF BRUCE LEE...
http://www.imdb.com/title/tt1059455/ (http://www.imdb.com/title/tt1059455/)
aziski serial killer artsy flick sa džoš hartnetom - as seen by ghoul:
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2F4.bp.blogspot.com%2F_8lK2el5pnbU%2FSzNBHWF9zaI%2FAAAAAAAAEOA%2FHI8-i7LGlII%2Fs320%2FI%2BCOME%2BWITH%2BTHE%2BRAIN%2B%25289%2529.jpg&hash=8297cc049ccc47ce2615e76ca3443051cd78de81)
http://ljudska_splacina.com/2009/12/i-come-with-rain-2008.html (http://ljudska_splacina.com/2009/12/i-come-with-rain-2008.html)
Quote from: Ghoul on 24-12-2009, 12:30:38
aziski serial killer artsy flick sa džoš hartnetom - as seen by ghoul:
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2F4.bp.blogspot.com%2F_8lK2el5pnbU%2FSzNBHWF9zaI%2FAAAAAAAAEOA%2FHI8-i7LGlII%2Fs320%2FI%2BCOME%2BWITH%2BTHE%2BRAIN%2B%25289%2529.jpg&hash=8297cc049ccc47ce2615e76ca3443051cd78de81)
http://ljudska_splacina.com/2009/12/i-come-with-rain-2008.html (http://ljudska_splacina.com/2009/12/i-come-with-rain-2008.html)
auuu, mile, ala se hartnet obrukao u ovome!
bolje bi mu bilo da film legalno ne bude dostupan na zapadu (pošto divx već niko ne može da zabrani)...
:(
Evo ove Legende o Brusu Liju
DVD 1
http://rapidshare.com/files/293207772/LegeBruLeD1.part1.rar
http://rapidshare.com/files/293208039/LegeBruLeD1.part2.rar
http://rapidshare.com/files/293206973/LegeBruLeD1.part3.rar
http://rapidshare.com/files/293208252/LegeBruLeD1.part4.rar
http://rapidshare.com/files/293206321/LegeBruLeD1.part5.rar
http://rapidshare.com/files/293208840/LegeBruLeD1.part6.rar
http://rapidshare.com/files/293206712/LegeBruLeD1.part7.rar
http://rapidshare.com/files/293207303/LegeBruLeD1.part8.rar
DVD2
http://rapidshare.com/files/293206218/LegeBruLeD2.part1.rar
http://rapidshare.com/files/293208940/LegeBruLeD2.part2.rar
http://rapidshare.com/files/293208398/LegeBruLeD2.part3.rar
http://rapidshare.com/files/293207667/LegeBruLeD2.part4.rar
http://rapidshare.com/files/293208480/LegeBruLeD2.part5.rar
http://rapidshare.com/files/293206707/LegeBruLeD2.part6.rar
http://rapidshare.com/files/293207014/LegeBruLeD2.part7.rar
http://rapidshare.com/files/293206011/LegeBruLeD2.part8.rar
Nisam još skinuo pa ne znam ima li i titlove ali u deskripciji stoji da ima i engleski i ruski audio trek.
Nema engleski audio, samo ruski... Prevara...
Ali ništa za to. Upravo sam odgledao Raging Phoenix, drugi film drage JeeJa Yanin, i evo utisaka (http://cvecezla.wordpress.com/2009/12/27/raging-phoenix/).
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Coweb 2009 DVDRip XviD-CoWRY
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Seven 2 One 2009 DVDRip XviD-GAYGAY
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Quote from: Meho Krljic on 27-12-2009, 00:25:06
Nema engleski audio, samo ruski... Prevara...
Ali ništa za to. Upravo sam odgledao Raging Phoenix, drugi film drage JeeJa Yanin, i evo utisaka (http://cvecezla.wordpress.com/2009/12/27/raging-phoenix/).
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi45.tinypic.com%2F2eycm7c.jpg&hash=c9412f60abf080bcd72afff0c111cdb3ce6bfdce)
Nema veze, ipak mi snimi molim te da overim dizajn, Whitea i celu priču barem na preskok...
Bat of kors.
2010 Korean Cinema Lineup
Movies slated for release in 2010 include period pictures. Above is the poster for Lee Jun-ik's "Gureumeul Beoseonan Dalcheoreom" (Like the Moon that Escaped the Cloud), starring Hwang Jung-min.
By Lee Hyo-won
Staff Reporter
The past year represented hope and revitalization for Korean cinema. While problems such as piracy linger on, the forecast for 2010 cinema appears promising with diverse projects in the making.
Cineastes are finding inspiration from the past and are bringing remakes of Korean classics as well as unique period movies. Big action flicks are gearing up for the 60th anniversary of the Korean War (1950-53) while much-anticipated sequels will cater to fans. Furthermore, a couple of Hollywood projects will head here for shoots.
2009 in Review
Both commercial blockbusters and unique indie films pulled the industry out of a three-year slump and cineastes made their mark near and far.
Kim Choung-ryoul's documentary ``Old Partner'' rewrote box-office history for the genre, while Yang Ik-june's ``Breathless'' made waves by sweeping almost two dozen prizes at international festivals. Park Chan-ok's low-budget drama ``Paju'' was well-received among critics and moviegoers and the micro-budget road movie ``Daytime Drinking'' gained popularity near and far.
The positivity peaked in the summer. The success of the sports movie ``Take-Off'' fed directly into the big-time box office scores set by the tsunami blockbuster ``Haeundae,'' which drew over 10 million audience members in Korea for the first time in three years since ``The Host'' in 2006.
Stars shined strongly through the big screen. Korean actors debuted in foreign works, most notably Lee Byung-hun in ``G.I. Joe'' and Rain in ``Ninja Assassin,'' while Kim Myung-min made headlines for shedding 20 kilograms for his role in ``Closer to Heaven.''
Celebrity directors also made long-awaited returns. Park Chan-wook revisited the Cannes Festival with his vampire flick ``Thirst'' while Bong Joon-ho made a splash with the thriller ``Mother.''
On the flip side, illegal online distributions of ``Haeundae,'' before its release in Chinese theaters, and of ``Thirst,'' before DVD sales opened in the United States, led to big financial blows and signaled the red light on piracy. The country's top stars, including Jang Dong-gun and Kim Tae-hee, stepped up as representatives for the anti-piracy campaign: "Good Downloader."
Meanwhile, imported 3D movies tapped into the local theater market. While the number of theaters catering to the genre remains relatively small, there seems to be growing reception for 3D films. Animations such as ``Monster vs. Aliens'' and ``Up'' drew family audiences while ``Avatar,'' new in theaters, has drawn over 1 million audiences in the shortest timeframe among 2009 films.
2010 Forecast
Back to Classics
During Korean cinema's Golden Age of the 1960s, well over 100 films rolled out per year (more than 200 from 1968 to 1969), and cineastes are finding inspiration in films from that time. Classics never go out of style, and next year, ``The Housemaid'' (1960) and ``Manchu'' (1966) will be reborn as modern reinterpretations.
Kim Ki-young's psychological thriller ``The Housemaid'' fetes its 50th anniversary next year with the remake by Im Sang-soo. Award-winning actress Jeon Do-yeon will play the film's lead character, a housemaid who becomes entangled in a dangerous love triangle with a middle class couple. It's slated for release in May.
The upcoming reinterpretation of Lee Man-hee's ``Manchu'' will bring together top Asian stars, hallyu heartthrob Hyun Bin and Chinese actress Tang Wei, who is best known as the heroine of Ang Lee's ``Lust, Caution.'' The joint Korea-United States project will be directed by Kim Tae-yong (``Family Ties") and will be set in the U.S. Kim Ki-young based his 1975 film ``Promises'' on ``Manchu,'' while Kim Su-yong also made a version of the film in 1981.
Another whiff of the past comes through Yoon Jeong-hee, a top star in the 1960s. She will return to the big screen after a 16-year hiatus in ``Si'' (Poem) by Lee Chang-dong, former culture minister and director of ``Secret Sunshine.'' The movie is about a woman in her mid-60s who, while raising her teenage grandson, makes her first attempt at composing poetry. It is scheduled for release in May.
Tradition Prevails
The popularity of exotic period movies is expected to continue. Kim Dae-woo, who mixed modern humor with Joseon Kingdom (1391-1910) palace life in ``Forbidden Quest,'' finds inspiration in the folk tale ``Chunhyang'' for a modern rendition called ``Bang-ja Jeon'' (Bang-ja Chronicles). It will star top talents Kim Ju-hyuk, Ryu Seung-beom and Cho Yeo-jung.
``The King and the Clown'' director Lee Jun-ik returns with an action-packed Joseon-era piece, ``Gureumeul Beoseonan Dalcheoreom'' (Like the Moon that Escaped the Cloud). Actor Hwang Jung-min stars as a legendary blind swordsman opposite Cha Seung won, who plays a revolutionary.
Master director Im Kwon-taek will present his 101st film, ``Dalbit Gireo Oligi'' (Scooping Up the Moonlight), about the art of making ``hanji'' or Korean traditional paper. Starring award-winning actress Kang Soo-yeon, the movie is due to premiere at the Jeonju International Film Festival in April.
Korean War in Memoriam
Next year marks the 60th anniversary of the Korean War and big budget action flicks boasting male bravado are in tow. ``Pohwa Sogeuro'' (In the Crossfire), to open in theaters in June, will depict a 12-hour conflict that ensued between 71 student soldiers and a North Korean troop along the Nakdong River. Directed by Lee Jae-han, the film boasts a star-studded male cast, including T.O.P., a member of the K-pop band Big Bang; Kwon Sang-woo; Cha Seung-won; and Kim Seung-woo.
Director Kim Yeo-bing will bring ``The Red Muffler 2,'' which is virtually a sequel to the famous 1964 Shin Sang-ok film about pilots during the Korean War. The grandson of the lead actor of the classic film will star in the movie. Plans are for an October release.
Meanwhile, the 2002 maritime conflict between the two Koreas near Yeonpyeong Island has inspired two films: ``Areumdaun Uri'' (Beautiful Us) and ``Yeonpyeong Haejeon'' (Yeonpyeong Naval Battle). The first film, directed by ``Friend'' helmer Kwak Kyoung-taek, is scheduled to go into production in March for a year-end release as a 20-billion-won 3D film. The latter movie, directed by Baek Un-hak (``Tube''), is a 12-billion-won project that will open in theaters in May.
Star Directors, Actors
Kang Woo-suk, who appeared as a producer this year with ``Baekyahaeng'' (Walking the White Night), will return as a director with ``Ikki'' (Moss). The ``Public Enemy'' series helmsman has based his new thriller on the eponymous Web cartoon series by Yoon Tae-ho. Popular actors Park Hae-il and Jung Jae-young star in the movie, about a hermetic rural village harboring secrets. It is slated for release in the first half of 2010.
Na Hong-jin, who made a name for himself through the 2008 hit film ``The Chaser,'' teams up with his former male leads, Ha Jung-woo and Kim Yoon-seok, in another thriller, ``The Murderer.'' Ha plays the role of a Korean-Chinese hit man who himself becomes a target of another hit man. The 11-billion-won project is targetting a summer release.
Kim Ji-woon (``Bittersweet Life'') will offer fans a horror thriller, ``Ayeoldaeui Bam'' (Night in the Subtropics). ``Old Boy'' star Choi Min-sik will play the role of a vengeful man who sets out to catch the psychopath who killed his fiancee.
Song Hae-sung, who directed ``Maundy Thursday,'' will remake the 1986 Hong Kong noir flick ``A Better Tomorrow'' starring heartthrobs Song Seung-hun, Joo Jin-mo and Kim Kang-woo.
``Il Mare's '' Lee Hyun-seung has cast actors Song Kang-ho and Kim Seung-woo in ``Bamangae'' (Night Mist).
The dominance of testosterone-driven films, however, means not-so-great news for productions of melodrama and for actresses. The makers of ``Sinaro Project,'' a romantic comedy, are reportedly having difficulty casting male actors, many of whom are already tied up with other projects.
Sequels
Moviegoers can look forward to sequels of box office hits. Kim Sang-jin's ``Attack the Gas Station'' starring Yoo Ji-tae drew in 2.4 viewers in 1999. Kim will handle the megaphone for the second installment, which will star younger actors, including Ji Hyun-woo and Jo Han-sun. It is touted for release in January.
The culinary comic book-turned-hit film ``Le Grand Chef'' (Shikgaek) will also be followed by a sequel dubbed ``Kimchi War.'' Jin Gu, who received critical acclaim for his supporting role in ``Mother,'' will star as an aspiring chef who competes to make kimchi against his Japanese counterparts. It will open in theaters in February.
Also awaiting fans are sequels to the 2008 teen slasher ``Death Bell'' and the 2006 tearjerker ``Hearty Paws."
Hollywood in Korea
Next year the country will be host to not only local projects but also Hollywood films. Erin Brevig, who directed last year's computer graphics-packed ``Journey to the Center of the Earth,'' will direct a big-budget 3D film about the Korean War, said Madmedia. The script is set to be ready by early next year and preproduction is to be completed by October. The shooting is scheduled to begin here around November. Brevig is said to have been inspired after watching Kang Je-gyu's Korean War blockbuster ``Tae Guk Gi: Brotherhood of War.'' It is slated for release in 2012.
Another Tinseltown venture that will find its way to Korea is an American remake of the local horror movie ``Phone.'' Imprint Entertainment, which produced the ``Twilight'' saga, drew up a budget of $10 million for the project, Miro Vision, the Korean leg of the project, recently announced at a press conference. The filming will begin in Korea during the second half of 2010 for a 2011 release.
hyowlee@koreatimes.co.kr
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Rain Fall (2009) Max Mannix ***
Nije se proslavio pisanjem Tokyo Sonate, a bogami razočarao me i kao režiser. Max Mannixovo viđenje špijunskog trilera sa elementima akcije je nemušto i rudimentarno na više nivoa.
Mannix ne samo da anticipira događaje, već ih nesvesno temeljito kopira iz priznatih klasika ovog žanra. Zašto bi neko poželeo da gleda 2 sata predvidive onanije i juranjave ulicama metropole, kad umesto toga može lepo recimo da reprizira North Northwest. Da je Mannix pažljivo čitao Hitchcocka, možda bi Rain Fall bio barem malo duhovit.
Ne pomaže ni Gary Oldman, ni njegovo mahnito dernjanje na gorile i poslušnike. Ove je jedan jednodimenzionalan mejnstrim blokbaster sa tendencijom da ubrzo bude zaboravljen. Gledati bilo koji akcijaš Johnny Toa ili Ringo Lama, uvek je veće zadovoljstvo, nego gubiti vreme na njihove klonove.
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Yi ngoi AKA Assassins AKA Accident (2009) Pou-Soi Cheang ****
Ovo je prijatno iznenađenje od autora hita Dog Bite Dog. Maštovit plot, po kome organizovana grupa "nevidljivih" ubica uspeva da temeljtim, planskim delovanjem iscenira gomilu nameštenih "nesreća", se razvija u efektan paranoični triler melvilovskog karaktera.
Inventivan rad kamere,uz puno slowmotiona (u pravo vreme i na pravom mestu), čine film dopadljivim oku posmatrača. Accident traži i određenu dozu strpljenja i razumevanja, i upravo mu taj elemanat dodaje i neophodan šarm i kvalitet koji ga izdiže iz žanrovskog okruženja.
Pou-Soi Cheang stvara jedan koherentan sklop, pokazuje da je sazreo kao autor, i ni jednog momenta ne pokazuje znake proleptčnosti i nervoze u svom doslednom građenju dramatike.
Moje zamerke pointuju na zbrzan završetak, karakterističan za TV filmove, koji ne odražava finale koje je ovaj kvalietetan triler zaslužio.
Deluje kao da vredi potrošiti malo vremena na njega. Skinuće se!!!
Jel ACCIDENT radio beše onaj Toov scenarista?
Szeto je više vezan za Yipa nego za Toa. Toovi ljudi od poverenja su Tin-Shing Yip i Nai-Hoi Yau. ;)
Ja samo pronadjoh neke subs za Rain Fall za rip od 2 cda, i film na jednom cdu.
Imal' negde titl za 1cd ili film na 2?
spoji te titlove preko subtitle workshopa. :)
Ne umem. :(
Petljah sinoc neshto, ali bez uspeha.
nije mi trenutno instaliran, al valjda vako beše:
tools/join subtitle.
ako ne pasuju, izjednačih ih vremenski u edit opciji.
Moj subtitle workshop nije imao tu opciju, pa sam skinuo neki drugi i izgleda mi je uspelo. Al' sad moram opet da ga skinem da vidim da li je u sinku.
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So-nyeon-eun wool-ji anh-neun-da AKA Once Upon a Time in Seoul (2009) Hyeong-jun Bae ***
Posle Kine, Amerike, Zapada i još po neke Bilo jednom... priče, na red je došao Seul. I on je u ovoj duelizaciji najinferiorniji naslov.
Iako se mladi režiser rukovodi dobro oprobanim principima kvalitetnog zapleta, i usput razrađuje ustaljene melodramatične teze, kakve su dobrano razradili veći majstori u prošlosti, njegov sintetički proizvod je daleko od kvalitetnog spoja istorije i drame, a još dalje od priče koja uspešno obrađuje maloletničku delikveciju i post-ratni kriminalni milje.
Fotografija, stilski moćna scenografija i setpiece, i vešte akcione sekvence, predstavljaju najveće adute, a nedostatak moćnijeg soundtracka, prozaičan scenario i patetičan prizvuk oduzimaju dušu filmu, koji je mogao mnogo više da nauči iz fantastičnog filma - sa sličnom tematikom - kao što je Welcome to Dongmakgol. Ali nije.
Ok je taj Bilo jednom u Seulu. Nishta specijalno, ali jedan fini klasichnoholivudski growing up in the hood soft gangsteraj. Pravi repertoarski filmic.
Quote from: acaciA on 09-03-2009, 04:01:15
Quote from: Shozo HironoONCE UPON A TIME IN SEOUL. ("Sonyeon-eun ulji anneunda") While some people might argue that Bae Hyeong-joon's debut film, Too Beautiful to Lie was too light for its own good, nobody will be able to say that about his follow-up film. Set in 1953, immediately after the conclusion of the Korean War, two boys struggle for survival in the remains of the city that cannot afford to take care of people lost and weak. Lee Wan (mostly known for his tv roles but also appeared in a Japanese film called Veronika Decides To Die) as Jong-doo, Song Chang-ui (My Girl and I), Jeong Kyeong-ho (R-Point, Lump of Sugar) and Park Glena (Flying Boys) will star in the film based on a novel by Kenzo Kitakata. Described as a hard-boiled action film, this MK Pictures production will be released by Studio 2.0 on November 6.
Mislim da ovo vredi pogledati. Upravo ga skidam.
Ako si ga već pogledao, znaš šta ti je činiti. :)
Izvini za negativnu kritiku, ali čim se nisi oglasila, pretpostavljam da te nije kupio. :)
Quote from: Le Samourai on 11-12-2009, 18:38:32Ovaj To/Holidej kombo mi deluje kao izvrstan fit.
Lepo sam predosetio. Fenomenalan film i nimalo skriveni omazh Melvilu, shto naravno znachi da me likey!
Malo gubi fokus na kratko u sredini, ali se onda vraca i nastavlja da razbija. Po mom citapu, jedan od filmova godine.
Quote from: Shozo Hirono on 30-12-2009, 17:59:46
ONCE UPON A TIME IN SEOUL
Izvini za negativnu kritiku, ali čim se nisi oglasila, pretpostavljam da te nije kupio. :)
pa, ja to još uvek nisam pogledala!
ali eto, sad bar znam da si definitivno ažurniji od mene. :lol:
Woochi
4 January, 2010 | By Darcy Paquet
Dir: Choi Dong-hoon. South Korea. 2009. 136 mins.
Medieval Taoist wizards run amok through modern-day Seoul in Woochi, a handsomely mounted but somewhat unfocused fantasy blockbuster from South Korea. With much for the eye to contemplate but little to quicken the pulse, the film bears the mark of a lesser work by a talented commercial director.
Woochi opened strong over the Christmas holiday in its native Korea, selling 1.8 million tickets in its first five days. It has pre-sold to a handful of Asian and European territories, but the biggest draw for international audiences is likely to be its genre credentials and lead actor Gang Dong-won's fan following in Asia.
The film opens with an extended sequence set 500 years in a mystical past, when the impish young wizard Woochi (Gang) is blamed for the murder of his master and sealed into a painted scroll. In 2009, goblins disguised as humans threaten to wreck havoc on the modern world, and a group of desperate Taoist elders decide to release Woochi and his sidekick Chorangyi (Yoo Hae-jin) from his magical confinement.
Director Choi Dong-hoon, responsible for previous hits Tazza: The High Rollers (2006)and The Big Swindle (2004), is famous locally for his narrative inventiveness, linguistic wit and skill in handling ensemble casts. However despite its distinctive characters and generally strong acting performances (particularly by Yoo and villain Kim Yoo-suk), Woochi lacks the smarts and drive of his previous work. It is also much too long at 136 minutes.
Visual effects, supervised by Jo Yong-suk, and the film's action sequences choreographed by Heo Myeong-haeng and Jung Doo-hong are both executed with skill and creativity.
Wangan.Midnight.The.Movie.2009.JAP.DVDRip.XviD-AXiNE
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Also Known As:
Wangan Middonaito 湾岸ミッドナイト THE MOVIE (Japanese Title)
Year: 2009
Country: Japan
Director: Atsushi Muroga
Genre: Drama
Runtime: 100 min
Language: Japanese
Subtitles: Japanese Only
IMDB: http://www.imdb.com/title/tt1504504 (http://www.imdb.com/title/tt1504504)
Theatrical Release Date: 09/12/2009
CastKazuki Kato, Ryoko Koboyashi, Yuichi Nakamura, Kosuke Yonehara, Masaki Sada, Shun Sugat, Maimi Okuwa, Rio Matsumoto, Yoshihiko Hakamada
Synopsis/ Plot
"Wangan Midnight The Movie" based on hit manga written by Michiharu Kusunoki, the film stars Yuichi Nakamura of D-BOYS, Kazuki Kato, and Ryoko Kobayashi. The story centers on a young man named Akio Asakura, a 3rd-year high school student who salvages "Devil Z", a custom-tuned Datsun Fairlady S30Z car with a supposedly cursed history despite not having a driver's license and having no idea how to operate a manual transmission. . .
A must-see film for those fans of the Import Car racing scene.
Wangan Midnight Movie Trailer (FULL) (http://www.youtube.com/watch?v=4EwE15wZT7M#normal)
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Vengeance (2009) Johnny To 3.5/5
Nepobitna je činjenica da je Vengeance imao sve startne premise da bude film godine, ali nije.. zašto nije, to verovatno zna samo legendarni Johnny.
Vigilante akcija u kojoj participiraju ozlojeđeni otac i deda (bivši policajac), tim profesionalnih ubica, u potrazi za grupom nemilosrdnih plaćenika. Vengeance ima stari šmek i duh hongkoških akcijaša, baš onih koji su krasili ovu kinematorgafiju u poslednjih 30 godina. Stilski moćan sa nekoliko prilično upečatljivih sekvenci, praćenih tradicionalnim slowmotionima.
Prva polovina filma je temeljito i strpljivo odrađena i koncipirana, na tragu francuskih noira melviloskog osećaja za gradaciju i britku emociju. Međutim, u drugoj polovini iskusni lisac se unervozio i prepustio se akciji, zaboravljajući da u dovoljnoj meri odradi uspešno građenje likova i njihovih unutrašnjih emotivnih borbi. Namerno puštanje leda pod noge oduzelo je početnu draž i na kraju stiče se utisak krajnje nedorečenosti i unutrašnje praznine. Jednom rečju - hladno. A dobro nas je zagrejao u prvom delu.
Šteta. Ja jesam veliki fan, a baš kao takav sklon sam i da žestoko kritikujem omiljene autore, jer je ovde To potrošio, i utrošio dosta energije na početku, da bi na kraju pokazao znake defetizma i sve izgrađeno jednostavno pustio niz vodu.
Vengeance mnogo dosadan. Kad je bilo pola filma ja sam mislio da se već završio. Bilo je pucnjave pet minuta i samo je jedan ranjen. Onda sam ga obrisao jer sam video da čovek nema pojma šta hoće.
Shozo, chini mi se da je Vengeance u izvesnom smislu zhrtva ochekivanja izgradjenih fascinantnim prvim delom filma. I, kada dodje do tog tonalnog zaokreta, javlja se neki osecaj ochaja ala Million Dollar Baby tipa "ali, ali, ali...ovo se ne mozhe zaista dogoditi."
No, koliko god je i mene taj zaokret rubovao the wrong way, mislim da je on bio potpuno nameran i skrojen da bi izazvao bash takvu reakciju, jer ne samo da znamo shta da ochekujemo od Toa, vec znamo i shta da ochekujemo od filmova koje omazhira, a on onda krece u potpuno drugom smeru i tera nas da se suochimo sa nekim drugim temama i motivima, koji su zapravo sve vreme bili tu, ali kojima ne bismo posvetili pazhnju da je film nastavio po ochekivanoj liniji.
Srećan mu put. Ne može to tako. Prvi deo filma je tipičan western. Da je Džoni poginuo na polovini, ja bih gledao šta će dalje da bude. Ali nije, nego je samo ranjen i izbačen iz stroja. Šta sad da gledam? Neki drugi film. I hoću, ali neki drugi film...
Missing Person (2009)
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Aka: Missing Person ( 사람을 찾습니다.)
Opening Date : Dec 17, 2009
Directed: Lee Seo
Genre: Crime, Drama, Mystery, Thriller
Runtime: 95min
Country: Korea
Language: Korean
Subtitles: None
IMDB: http://www.imdb.com/title/tt1559358/ (http://www.imdb.com/title/tt1559358/)
Cast:
Choi Myeong-su as Won-yeong
Kim Gyoo-nam as Gyoo-nam
Kim Gi-yeon as In-ae
Ahn Jang-hoon as Seon-woo
Jang Nam-yeol as Il-kwon
Song Won-yong as Jong-nam
Geum Dong-hyeon as Rice shop owner
Kim Seon-yeong as Won-yeong's wife
Baek Jin-hee as Da-ye
Synopsis:
Kyu-nam, who makes a living by posting notices of missing dogs, is constantly harassed by Won-yeong, a violent, greedy and lustful man. But when townsfolk start disappearing too, Won-yeong begins to suspect Kyu-nam. The film shows how people can be the victim and perpetrator at the same time.
Jeong.Seung.Pil.Mystery.2009.RETAiL.DVDRip.XviD-BeFRee
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Aka: The Weird Missing Case of Mr. J, Jeong Seung Pil Siljong Sageon, Where is Jung Seung-Phill
Year: 2009
Directed: Kang Seok-Beom
Genre: Comedy
Runtime: 97 mins
Country: South Korea
Language: Korean
Subtitles: English
Cast: Lee Bum-Soo, Kim Min-Seon, Son Chang-Min
Imdb:
Synopsis / Plot / Review
"The Weird Missing Case of Mr. J" is a detective-comedy centered around fund manager Seung-pil Jeong (Beom-su Lee). Seung-pil Jeong manages some 50 billion wons in assets and suddenly disappears one day. His fiance Mi-seon (Gyu-ri Kim) reports Seung-pil missing to the police. An overly aggressive detective named Inspector Kim (Chang-min Son) then suspects Mi-seon (Gyu-ri Kim) as the likely suspect - she took out an insurance policy on Seung-pil Jeong just the week before he went missing. Meanwhile, the disappearance of Seung-phil becomes a hot topic on national television
Korean Movie "정승필 실종사건 (Jung Sung-pil. 2009)" Main Trailer (http://www.youtube.com/watch?v=xb5nQzhtohU#normal)
Penthouse Elephant 2009
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Also Known As: Searching for the Elephant
Year: 2009
Directed: Jung Seung Goo
Genre: drama
Runtime: 145 min
Country: South Korea
Language: Korean
Subtitles: Chinese
IMDB: none
Cast:
Jang Hyuk play as a photographer
Lee Sang Woo
Cho Dong Hyuk
Lee Min-jung
Hwang Woo-seul-hye
Jeon Sae-hong
Jang Ja-yeon
Synopsis:
A man is in a shower washing the blood off his body. Soon after the police knocks at the door and the man hastens to clear away the mess in his apartment. Opening the door for the police, he hears a voice in his head saying, 'It's okay, there's no dead body here' and tries to solve the puzzle on what had really happened:
A freelance photographer Hyun-woo seems to live an enviable life with a successful career. But his inside is torn apart from the sorrow of being deserted by his ex-girlfriend Mari. He even gets unclear about what's really happening in reality and what's delusion. One of Hyun-woo's friend and a riding-high plastic surgeon, Min-seok is married to Soo-yeon, a sister of Hyun-woo. But he is always having affairs with the girls around him and doubts himself if he's addicted to sex. Jin-hyuk, their longtime friend, is a financing specialist. And he is having a secret affair with Min-seok's wife. He is willing to leave everything behind for the love.
Three men, who look like the winners in life, are in fact struggling with their own sufferings that they desperately strive to keep undisclosed. The harder they try to get out of the agony, the more complicated and puzzled it gets.
Yayoi.Kusama.I.Love.Me.2008.DVDRip.XviD-CoWRY
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Aka: Near equal Yayoi Kusama
Year: 2009
Directed: Takako Matsumoto
Genre: Documentary
Runtime: 108 Min
Country: Japan
Language: Japanese
Subtitles: English
Cast: Yayoi Kusama
Imdb: http://www.imdb.com/title/tt1171255/ (http://www.imdb.com/title/tt1171255/)
Synopsis / Plot / Review
This film in the New People Artist Series devotes itself to Japanese artist Yayoi Kusama. Not content to work in only one medium, the multitalented Kusama has earned the Japanese National Lifetime Achievement Award for her paintings, sculpture, and novels. Yayoi Kusama: I Love Me follows the artist as she brings her avant-garde sensibility to a series of dozens of drawings created over 18 months. ~ Kimber Myers, All Movie Guide
Yayoi Kusama: I Love ME Trailer (with English Subtitles) (http://www.youtube.com/watch?v=eoEHgwKp1Yc#normal)
Iron Men
Tie ren (China)
By DEREK ELLEY
A Hua Xia Film Distribution Co./Shanghai East Film & Distribution release of a Beijing Jinjuhai Culture Investment Co., Beijing Forbidden City Film Corp., Shanghai Film Group Corp. production. Produced by Gao Rongrong. Executive producers, Gao, Ren Zhonglun, Zhang Qiang. Directed, edited by Yin Li. Screenplay, Liu Heng.
A big hunk of barnstorming widescreen entertainment, "Iron Men" is the most spectacular of the celebratory pics trotted out for New China's 60th anni. Cleverly welding the content of old-style socialist-hero movies to slick, modern-day filmmaking techniques, this biopic of famed '60s oil driller Wang Jinxi has no market outside China but enough raw energy and production values to work as a specialty item in film weeks. Release last May started slow but recouped half its reported 50 million yuan ($7 million) tab after a couple of months.
As with their previous collaboration, "The Knot," helmer Yin Li and scripter Liu Heng crosscut between period and modern stories, starting with two contempo oil workers, Liu Sicheng (Liu Ye) and Zhao Yilin (Huang Bo, "Crazy Racer"), stranded in a desert. Without any further backgrounding, the film cuts back to March 1960 in freezing northeast China, where a band of roughneck drillers have arrived to explore the Daqing oil fields and, against all odds, begin a heroic struggle to find black gold under the leadership of never-say-die Wang (Wu Gang).
Structure becomes clearer about 30 minutes in, as the pic flashes back to the start of the contempo story. Workaholic Liu, who turns out to be Wang's son, is a troubled type who's spent too long in the desert. Female doc Wu Mengxia (Meng Su) tells him he's suffering from feelings of inadequacy over his dad's rep, and further flashbacks to the '60s expand on Wang's story, complicated by accusations of cowardice at the time.
Back in the present, Liu's story reaches a climax -- and eventually returns to the opening scene -- as he and Zhao quarrel over a cute young cook, Guo Xiaomi (Bai Jing), and Liu later goes to rescue Zhao and Guo when their truck breaks down in the desert.
Yo-yo-ing storyline works better than in "The Knot," and Huang's typically lusty performance as Zhao helps compensate for Liu Ye's over-introverted playing of the troubled Liu Sicheng. But the script never satisfyingly links the separate father-son stories into a dramatic whole. It's the '60s black-and-white sequences -- full of blood, sweat and tears -- that make the movie, buoyed by Wu's gritty perf as Wang, Zou Ye's broad symphonic score and the first-rate period design.
The other star of the film is the beautifully composed widescreen lensing of Zhao Fei, who's done sterling work over the years with everyone from Zhang Yimou and Chen Kaige to Jiang Wen and Woody Allen. From the hot deserts of Inner Mongolia to the snowy wastes of Daqing, Zhao makes the film an intensely physical experience, even when the psychology of the main characters isn't always convincing.
Pic was initially known under the English title "Iron Man" (referring to Wang) but has since adopted the more suitable plural form, "Iron Men." Original Chinese title can be read both ways.
Camera (color, widescreen), Zhao Fei; music, Zou Ye; production designers, Lu Yuelin, Yu Maiduo; costume designer, Huo Feng; sound (Dolby Digital), Zhao Wenzhong, Zheng Chunyu, Guan Shuxin; special effects supervisor, Xu Xin; visual effects supervisor, Chen Fei. Reviewed at China Film Group screening room, Beijing, Sept. 22, 2009. (In Beijing Screenings.) Running time: 104 MIN. (Mandarin dialogue)
da se podsetimo jednog ODLIČNOG filma koji sedi na ivici horora, ali po meni horor ipak nije:
http://ljudska_splacina.com/2010/01/13-beloved-2006.html (http://ljudska_splacina.com/2010/01/13-beloved-2006.html)
Ovaj Beloved ide direkt na vrh liste. Po tonu zvuchi malo nalik na onaj Sabuov fenomenalni film Monday. Bolje bi ti bilo da nisi pullovao Shozoa sa Itaewon hiperbolom!
ovo je film koji sam gledao pre 2 godine, a i dalje mislim isto, tako da nema ni govora o napaljivanju u afektu ili bilo čemu sličnom.
da, postoji neka daleka bliskost sa mandejom, po intonaciji i ded-pan uvrnutosti.
Tian An Men
(China)
By DEREK ELLEYRead other reviews about this film
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Propaganda film, 'Tian An Men,' directed by Ye Daying, follows the 1949 revamp of the famous ceremonial gate in Beijing.
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A China Film Group release of a China Film Group, China Movie Channel production. (International sales: China Film Group, Beijing.) Produced by Han Sanping. Executive producers, Han, Yan Xiaoming. Directed by Ye Daying. Executive director, Li Qi. Screenplay, Wang Bing; story, Ye.
(Mandarin dialogue)
The increasing quality of "official" mainland Chinese productions -- strikingly demonstrated by the recent "The Founding of a Republic" -- is more than evident in "Tian An Men," another state-funded celebration of New China's 60th anni, but one with considerable filmmaking smarts beyond its flag-waving. Terrific visual effects, engaging performances and an offbeat storyline spun around the hurried 1949 revamp of Beijing's most famous ceremonial gate make this a curio worthy of film weeks and Asiaphile events -- if free-thinking programmers can get their heads around the politics.
Reportedly based on a first-hand account told to helmer Ye Daying ("Red Cherry," "A Time to Remember"), Wang Bing's script focuses on a handful of members of a PLA drama troupe who are given the task of fixing up the massive gate (which now faces Tiananmen Square) in time for Mao's official declaration of the PRC's founding on Oct. 1, 1949. At the time, the 300-year-old gate tower was a dusty, crumbling pile, faced by a polluted stream and looking onto a weed-infested square.
Capt. Tian Zhenying (Pan Yueming), leader of the troupe's stage-design team, is entrusted with the task by Minister Zhang (Liu Xiaoxin) and given virtual carte blanche to come up with some interesting ideas. The catch is, he and his team have only a month to do it.
After deciding to decorate the gate with red flags and fabrics, Tian finds there's a shortage of red dye in the capital (red being the color du jour) and he has to bamboozle a dye-maker in Tianjin to come up with the goods. Two weeks later, scholars critique the design for being too blunt and militaristic, so Tian comes up with the idea of creating huge Chinese lanterns. This (amusingly) involves tracking down an aged lantern-maker, Lin (Tian Lihe), whose mindset is still in imperial times.
The script stirs in a considerable amount of genial light comedy as the clock ticks toward Oct. 1, showing argumentative party workers as well as the general fumbling around that went into the preparations for one of history's most famous events. The climax, starting with a breathtaking aerial shot of Tiananmen Square (enhanced to rep the era by state-of-the-art CGI), melds pristine archival footage with re-enacted material, and in its simplicity packs a surprisingly emotional punch as the human focus stays on Tian.
A subplot of a putative romance between a troupe member (Xin Peng) and an accordion-playing teacher (Guo Keyu) never gets off the ground, and an antiwar Japanese worker (Masanobu Otsuka) seems awkwardly stitched into the script. Still, other players are just fine, with the relationship between Tian and the minister artfully played by Pan and Liu.
Best of all, Quan Rongzhe's superb production design realistically captures a time when Beijing was still a low-lying, old-fashioned, provincial northern city that had just survived two major wars and was far from the showcase it's since become. Fluid, beautifully lit camerawork by Yang Tao, with sweeping crane shots, makes the pic an easy sit.
Reported budget of 50 million yuan ($7 million) -- almost double that of "Founding" -- is all up on the screen, with half spent on the awesome main set, built at the gigantic Hengdian World Studios south of Shanghai.
Camera (color, widescreen), Yang Tao; editor, Cheng Long; music, Xu Xiangrong; production designer, Quan Rongzhe; sound (Dolby Digital), Gu Changning; visual effects supervisor, Feng Liwei; artistic supervisor, Zhang Heping. Reviewed on DVD, London, Dec. 27, 2009. (In Beijing Screenings.) Running time: 97 MIN.
Girlfriends.2009
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F3546111.jpg&hash=57308b26b848fc0b058e0b16f5e4535a950d5f0d)
ka: Girlfriends [ 걸프렌즈 (Geol-peu-ren-jeu) ]
Release date in South Korea : 2009/12/17
Directed: Kang Seok-beom( http://www.hancinema.net/korean_Kang_Seok-beom.php (http://www.hancinema.net/korean_Kang_Seok-beom.php) )
Genre: •Comedy •Romantic comedy •Melodrama •Romance
Runtime: 114 min
Country: Korea
Language: Korean
Subtitles: none
IMDB: none
( http://www.koreanmovie.com/Girlfriends_km702/ (http://www.koreanmovie.com/Girlfriends_km702/) )
Cast
Kang Hye-jeong as Song-i
Han Chae-young as Jin
Heo I-jae as Bo-ra
Bae Soo-bin as Jin-ho
Jo Eun-ji as Hyeon-joo
Choi Song-hyeon as Soo-kyeong
Synopsis
Song-i (Kang Hye-jeong) starts dating her handsome co-worker Jin-ho (Bae Su-bin). But when she suspects Jin-ho might be cheating on her, she sets out to meet the ``other woman,'' only to learn that he has not one, but two, other ``girlfriends'': Jin (Han Chae-young), Jin-ho's first love, is a sexy and successful party planner, while Bo-ra (Heo I-jae), is a fearless, young college student. Strangely enough, Song-i finds that their similar taste in men to be the basis for a great friendship.
Good Morning President.2009
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F474445GoodMorningPresident2009.jpg&hash=f5c56e0d0c1654959be4a052b51ab24814b299f6)
Title: Good Morning President [ 굿모닝 프레지던트 (Goot-mo-ning Peu-re-ji-deon-teu) ]
Release date in South Korea : 2009/10/22
Directed: Jang Jin ( http://www.hancinema.net/korean_Jang_Jin.php (http://www.hancinema.net/korean_Jang_Jin.php) )
Genre: Comedy
Runtime: 132min
Country: Korea
Language: Korean
Subtitles: none
IMDB: http://www.imdb.com/title/tt1519466/ (http://www.imdb.com/title/tt1519466/)
Synopsis
The film takes viewers to the private quarters of the Blue House during the terms of three fictional presidents. Kim Jong-ho wins the lottery just before retiring. Cha Ji-uk, a young, handsome single parent, romantically involved with his childhood sweetheart, must deal with diplomacy problems. Last but not least, the nation's first female president, Han Gyeong-ja, has to deal with a loving but rather troublesome husband.
Be.Sure.To.Share.2009.JAP.DVDRip.XviD-AXiNE
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F458611BeSuretoShare.jpg&hash=be2bd0f5b1606410250557a8b9c43833b8e3d22e)
Also Known As:
Chanto Tsutaeru ちゃんと伝え (Japanese Title)
Year: 2009
Country: Japan
Director: Shion Sono
Genre: Drama
Runtime: 108 min
Language: Japanese
Subtitles: None at time of post
IMDB: http://www.imdb.com/title/tt1454612/ (http://www.imdb.com/title/tt1454612/)
World Premiere (NYAFF): 07/05/2009
Theatrical Release Date: 08/22/2009
CastAkira, Eiji Okuda, Ayumi Ito, Keiko Takahashi, Sosuke Takaoka
Synopsis/ Plot
Shiro's struggle with his father's cancer and impending death leads to a realization that he must communicate his love and admiration for him before it's too late. A series of flashbacks reveals their relationship over time, and the trouble Shiro faced connecting to his strict father who was also his teacher and soccer coach. With a consuming secret of his own, Shiro, now in his late twenties and about to get engaged, must eventually learn how to share it with his loved ones. -- Japan Society
Be Sure To Share - Trailer for new Sion Sono film (http://www.youtube.com/watch?v=ehmQ9fEf5bo#normal)
Ja sam jutros turio na skidanje erotsko-akcioni film Ninja Girl: Assassin of Darkness (http://www.play-asia.com/paOS-13-71-7k-49-en-15-assassin-70-3b7v.html)
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi47.tinypic.com%2F5ow8s6.jpg&hash=68f37ea229efbbb83a38e09a63120bd7e269d176)
Znam, ali nisam mogo da odolim...
Plot/Synopsis:
At the beginning of 21 century, the capital city, Tokyo, is full of spies in 60 years since World War II. The government without official intelligence agency deals with spy acts by foreigners and registers associated with private security organizations. However, the government which no longer fight against foreign spies plans to bring in ultimate fight skills passed on by beautiful and sexy female ninjas...
Pa reci da i tebi nije zaigralo srce!!!!
meni vrlo često zaigra srce kada su u pitanju cat III filmovi; ovaj bi po skrinovima reko da je cat IIb. :evil:
Thirsty, Thirsty 2009 HDTV.x264.450p
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F238348Thirstythirsty1.jpg&hash=26b7c5ec9919c747c7702825ea7e90a05077d268)
Muljomjuso 물좀주소 (Korean Title)
Please Give Me Some Water (Literal English Title)
Year: 2009
Country: South Korea
Director: Hong Hyun-gi
Genre: Drama
Runtime: 96 min
Language: Korean
Subtitles: None at time of post
IMDB: None
Theatrical Release Date: 06/04/2009
Cast: Lee Doo-il, Ryoo Hyeon-kyeong, Kang In-hyeong, Kim Ik-tae, Son Byeong-ho, Ahn Nae-sang
Synopsis/ Plot
GU Chang-sik is a debt collector working day and night to reform Korea's fiscal order and dreaming of becoming the 'King of debt collecting', so that he can earn a tremendous salary. Unfortunately, he is the last man in the race for three months in a row. One day he meets three debtors, which leads to the comedy of the film: KWAK Seon-ju, a young debtor who is struggling hard to raise a child alone; CHO Eul-sang, who goes bankrupt after his company collapsed but tries to keep his house for his soon-to-be-married daughter; and SHIM Su-gyo, who fails to get a job after graduating from a local university and falls into the private loan business.
Korean Movie "물 좀 주소 (Mul Jom JuSo. 2007)" Trailer (http://www.youtube.com/watch?v=wya5WL_x6ks#normal)
The.Treasure.Hunter.2009.CN.DVDRip.XviD-XTM
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F610598treasurehunter1.jpg&hash=a0c807af6abc2fbacea9c761119d28d7b199e647)
Also Known As:
Ci Ling 刺陵 (Mandarin Title)
Year: 2009
Country: Taiwan, China
Director: Kevin Yin-Ping Chu
Genre: Romance, Sci-Fi
Runtime: 102 min
Language: Mandarin
Subtitles: Chinese Only (sub/idx & srt)
IMDB: http://www.imdb.com/title/tt1328865 (http://www.imdb.com/title/tt1328865)
Theatrical Release Date: 12/30/2009
Cast: Jay Chou, Chiling Lin, Daoming Chen, Eric Tsang, Chuhe Chen, Pu Miao, Kenneth Tsang, Liu Keng Hung, Shuyuan Ke, Xiaotong Guan
Synopsis/ Plot
Tells the story of young knight Qiao Fei (played by Jay Chou) for combating organized crime, no effort to protect treasures and desperate story.
In the desert, once gave birth to countless downtown 1:00 dynasty has evolved out of countless cultural legend. This piece witness the birth of numerous dynasties fall of the desert, a surprising number of buried treasures, these treasures in the desert, under a quiet slumber, no one can enter the door here to open the treasure, because, here are a group of mysterious guardian of They magical wand omnipotent, generations are guarding this stretch of desert, to protect those non-owners of the wealth. Their leader, called desert eagle (played by Chen Chu River). However, the desert will soon usher in Once Upon a quiet storm, as a record of a lost treasure map of the Millennium trace of the ancient city of warlords has raised the competition ...
trailer The Treasure Hunter (http://www.youtube.com/watch?v=ahtm7nNFPZ8#normal)
Mr.Tadanos.Secret.Mission.From.Japan.With.Love.2008.DVDRip.XviD-CoWRY
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F659176e52f55e017eaf3e6a75a227cf5c10.jpg&hash=0d671ce48bcc369982ac8119472ac26623aec416)
Aka: Tokumei kakarichô Tadano Hitoshi: Saigo no gekijôban
Year: 2008
Directed: Hisashi Ueda
Genre: Action/Drama/Comedy
Runtime: 116 Min
Country: Japan
Language: Japanese
Subtitles: English
Cast: Katsunori Takahashi, Atsuko Sakurai, Masaru Nagai, Yuri Ebihara, Ryosei Tayama, Reiko Miura, Tatsuo Umemiya, Azumi Harusaki, Maria Ozawa
Imdb: http://www.imdb.com/title/tt1313158/ (http://www.imdb.com/title/tt1313158/)
Synopsis / Plot / Review
Based on the manga by Kimio Yanaagisawa, this quirky Japanese spy comedy tells the story of dorky wage slave Hitoshi Tadano, an everyday salaryman who's bland as toast by day, but who transforms into a suave, tuxedo wearing secret agent by night. When in the guise of his persona, Hitoshi can handle anything, but when a loose-cannon cowgirl of an endorsement model becomes the object of his protection, the man of mystery gets in over his head.
Mr. Tadano's Secret Mission: From Japan With Love TRrailer (http://www.youtube.com/watch?v=BMoNk4Y--4w#normal)
Dođavola, preko Popboksa saznajem da se pojavio FIRST SQUAD. Kakav je?
imao si ovde (http://www.znaksagite.com/diskusije/index.php?topic=7664.msg211105#msg211105)
a i linkove (http://www.znaksagite.com/diskusije/index.php?topic=7664.msg211154#msg211154)
Dođavola, to je podforum koji ne posećujem. Sećam se da sam odlepio kad sam video trejler, čak i embedovao na blogu kao poklon za 1. maj, i onda sam ceo film smetnuo s uma.
Hvala puno.
Bodyguards and Assassins 2009 CN DVDRip XviD-XTM
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Flookpic.com%2Fi%2F835%2FAVomwilp.jpeg&hash=b208adf5b823e915fa6bb2d531842cc75f29e453)
Bodyguards and Mother lead Asian Film Award nominations
20 January, 2010 | By Screen staff
Teddy Chan's Bodyguards And Assassins and Boon Jong-ho's Mother both scored six nominations, including best film and director, for the fourth Asian Film Awards.
The nominations, announced on January 20, also saw Park Chan-wook's Cannes winner Thirst and Lu Chuan's City Of Life And Death receive four nominations each, also including best film. The remaining contenders in the category are Brillante Mendoza's Lola, Leon Dai's No Puedo Vivir Sin Ti and Parade by Isao Yukisada.
The 14-person jury will be led by Hong Kong actor Tony Leung Kar-fai. Other jury members include Christian Jeune, director of film department and deputy director delegate at the Cannes Film Festival; Tokyo Film Festival programme director Kenji Ishizaka; Christophe Terhechte, head of the Forum sidebar at the Berlinale; Noah Cowan, artistic director at the festival centre Bell Lightbox; and film-maker Park Ki-yong, who is also head of the Korean Academy of Film Arts (KAFA). The awards will be held on March 22 at the Hong Kong Convention and Exhibition Centre.
AFA will be as the Opening Gala of Entertainment Expo Hong Kong and will coincide with two other events of the 34th Hong Kong International Film Festival (HKIFF), and the 8th Hong Kong – Asia Film Financing Forum (HAF).
The full nominations
Best Film
Bodyguards And Assassins (Hong Kong / China)
City of Life and Death (China)
Lola (The Philippines)
Mother(South Korea)
No Puedo Vivir Sin Ti (Taiwan)
Parade (Japan)
Best Director
Bong Joon-ho – Mother (South Korea)
Asghar Faradi - About Elly (Iran)
Lu Chuan - City of Life And Death (China)
Brillante Mendoza – Lola (The Philippines)
Sono Sion - Love Exposure (Japan)
Yonfan - Prince of Tears (Hong Kong / Taiwan)
Best Actor
Aasno Tadanobu - Villon's Wife (Japan)
Huang Bo – Cow (China)
Matsimoto Hitoshi – Symbol (Japan)
Song Kang-ho – Thirst (South Korea)
Wang Xueqi - Bodyguards And Assassins (Hong Kong / China)
Best Actress
Bae Doo-na - Air Doll (Japan)
Kim Hye-ja – Mother (South Korea)
Li Bingbing - The Message (China)
Matsu Takako - Villon's Wife (Japan)
Sandrine Pinna - Yang Yang (Taiwan)
Best Newcomer
Sonam Kapoor - Delhi 6 (India)
Kim Sae-ron – A Brand New Life (South Korea)
Li Yuchun - Bodyguards And Assassins (Hong Kong / China)
Ng Meng Hui - At The End of Daybreak (Malaysia / Hong Kong / South Korea)
Zhu Xuan - Prince Of Tears (Hong Kong / Taiwan)
Best Supporting Actor
Eita - Dear Doctor (Japan)
Huang Xiaoming - The Message (China)
Tou Chung-Hua - The Warrior And The Wolf(China)
Nicholas Tse - Bodyguards And Assassins (Hong Kong / China)
Won Bin – Mother (South Korea)
Best Supporting Actress
Anso Sakura - A Crowd Of Three (Japan)
Hirosue Ryoko - Villon's Wife (Japan)
Kim Kkob-bi – Breathless (South Korea)
Wai Ying-hung - At The End Of Daybreak (Malaysia / Hong Kong / South Korea)
Yan Ni – Cow (China)
Best Screenwriter
Asghar Farhadi - About Elly (Iran)
Hong Sang-soo - Like You Know It All (South Korea)
Park Eun-kyo, Bong Joon-ho – Mother (South Korea)
Phan Dang Di – Adrift (Vietnam)
Wai Ka-fai, Au Kin-yee - Written By (Hong Kong)
Best Cinematographer
CaoYu - City Of Life And Death (China)
Cheng Siu-keung – Vengeance (Hong Kong)
Chung Chung-hoon – Thirst (South Korea)
Ly Thai Dzung – Adrift (Vietnam)
Jake Pollcok - Yang Yang (Taiwan)
Zanima me da li je neko gledao, i ima mishljenje o:
Yang Yang
Like You Know It All
Prince of Tears
No Puedo Vivir Sin Ti
Ako sa gornjeg spiska izbacim sve shto sam gledao, shto zhelim da gledam, i shto znam da NE zhelim da gledam, ostaju mi ovi naslovi. Valjaju li shta? Shozo? Enibadi?
Bodyguards and Assassins 2009 DVDRip
CD1 http://www.megaupload.com/?d=SU4IGLDN
sub http://www.megaupload.com/?d=KE13QV91
CD2 http://www.megaupload.com/?d=DC79C9YQ
sub http://www.megaupload.com/?d=H9W39X5L
Quote from: Le Samourai on 27-01-2010, 20:30:51
Zanima me da li je neko gledao, i ima mishljenje o:
Yang Yang
Like You Know It All
Prince of Tears
No Puedo Vivir Sin Ti
Ako sa gornjeg spiska izbacim sve shto sam gledao, shto zhelim da gledam, i shto znam da NE zhelim da gledam, ostaju mi ovi naslovi. Valjaju li shta? Shozo? Enibadi?
iskreno, ni jedan nisam gledao od pomenuta 4; svi su relativno skoro izašli.
mahom su to drame, verovatno sasvim ok. ovaj poslednji imam i na hardu, pa ću ga verovatno i odgledati uskoro.
i svi imaju prevod.
Da, taj imam i ja na hardu, poshto im je (ako se ne varam) to bio Oscar submission. I meni deluju kao tek ok drame, pa zato i pitam, da se mozhda tu ne krije neki poseban spektakl nedokuchiv analizom trejlera/imdba/screenshotova...
City.Of.Fathers.2009.RETAiL.DVDRip.XviD-BeFRee(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F272933Busan-p1.jpg&hash=d58ea68da19836e944463cc315cbc90fe59adbef)
Aka: City Of Fathers
Year: 2009
Directed: Ji-won Park
Genre: Drama
Runtime: 96 Mins
Country: South Korea
Language: Korean
Subtitles: English
Cast: Ji-won Ha, Myeong-min Kim, Neung-mi Nam, Ha-ryong Lim, Jong-ryol Choi
Imdb:
Synopsis / Plot / Review
Gambling street thug Gang-su is always on the run from loan sharks. But when his young son Jong-chul is diagnosed with kidney cancer, he tries to be a real parent for the first time and seeks out Jong-chul's biological father, Tae-suk. Tae-suk, however, refuses to help.
(http://www.youtube.com/watch?v=CclL2U_SF6s#normal)
| City of Fathers Trailer[/url] |
Zvuči zanimljivo. Gledao si?
nisam, ovo je u toku noći izašlo.
Ma, skinuće se onda pa ćemo rizikati.
Ovo je vest za nepostojeci topik "Azija izvan Azije" (a kojem bi vec mogao da pripada i First Squad). Naime, izashao je teaser za jedan od bizarnijih projekata u poslednje vreme - ruski rimejk Toovog Breaking News u rezhiji Shvedjanina Andersa Bankea:
http://twitchfilm.net/news/2008/11/johnnie-to-goes-to-russia-first-teaser-for-newsmakers-arrives.php (http://twitchfilm.net/news/2008/11/johnnie-to-goes-to-russia-first-teaser-for-newsmakers-arrives.php)
Izašao je i trejler za Ong Bak 3:
http://twitchfilm.net/news/2010/02/tony-jaas-ong-bak-3-teaser-promises-more-elbows-to-the-head-than-any-head-can-stand.php (http://twitchfilm.net/news/2010/02/tony-jaas-ong-bak-3-teaser-promises-more-elbows-to-the-head-than-any-head-can-stand.php)
Takođe, Confucius je pušten u bioskope u januaru, i dok ima zanimljivu temu, rivju na twitchu nije baš povoljan (iako nije ni poražavajući):
QuoteAll in all CONFUCIUS does prove to be something of a mess, with an overwhelming feeling that it has been hacked at and reworked a number of times to please various cultural and governmental departments before finally escaping onto the screen. It is exciting, informative, tedious and baffling in roughly equal measure and is unlikely to stay with you for long afterwards. What the film does produce, however, is a stepping-stone to help Chow Yun Fat recover from the serious damage he has been doing to his career in recent years. In CONFUCIUS, he is understated yet quietly captivating, giving his reluctant admirers a little reminder of why he was once held in such high regard.
Trejler isporučuje. Ja sam prvi koji će reći da se Tony možda malo zaleteo sa režiranjem sopstvenih filmova (Pinkaew je ipak znatno bolji režiser pa je zato i Ong Bak bolji film od Ong Bak 2) ali nije da mi Ong Bak 2 nije prirastao srcu. Od trojke očekujem spektakularnu katarzu i sve što ide uz to. Iz trejlera bi se reklo da su Rittikrai i Jaa napustili ideju o borcu koji više nema kosti, mada "he was destroyed" sugeriše da možda i nisu i da će ovo zaživeti u jednom momentu filma. Vidim da se i Mum Jokmok vratio u kast, što me raduje pošto njega volim, ali pitam se kako će njegov komedi sajd-kik prsoneliti da se uklopi u dramatično ozbiljnu atmosferu Ong Bak 2/3...
Bio je onu u kastu i za dvojku...
Joj, pazi kad se ne sećam... Gde se pojavljivao? (I eto opravdanja da večeras ponovo gledam OB2!!!)
Bio je u par scena tokom Tonijevog detinjstva, sa njim su on i klinka uchili da pleshu ako se dobro secam...
A, vidiš, jeste. Sad me baš zanima da li će imati istu ulogu u trojci ili će dobiti novu rolu. Bilo bi kul da je nešto novo i da Toni dobije komik rilif saradnika.
Meni je prvi Ong Bak bio daleko intrigantniji, mada sam uživao i u drugom, ali samo na nivou koreografije, kao neki guilty pleasure. Ako mi prvi liči na filmove Brusa Lija, drugi je više u tradiciji Tarzana.
Pa, prvi je urbani gangsterski film, drugi je bajka, što ih po definiciji čini drugačijim iskustvima. Meni je po istoj toj definiciji prvi mnogo bliži ali razlika je svakako i u tome što Jaa naprosto nije režiser (za razliku od Prinkaewa) plus imao je tokom snimanja onaj "mali" brajkdaun kada je pobegao u džunglu i nije se pojavljivao mesecima, plus novčani brejkdaun... Dakle, nije bilo lako... Tako da je zaista na nivou kostima, scenografije i koerografije bio impresivan, ali kao film, kec je znatno bolji.
Maid Droid
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Maid-Droid
Source: DVD
Format: DVD-5
Region: Region 1
Audio: Japanese
Subtitles: English
Release: 2009
Rating: NR
Genre: Science Fiction
Runtime: 80 mins.
IMdB: http://www.imdb.com/title/tt1381106/ (http://www.imdb.com/title/tt1381106/)
Director : Naoyuki Tomomatsu
Cast: Akiho Yoshizawa, Anri Suzuki, Masayoshi Nogami
Description: In 20XX, Maria, a robot, came to Ueno's house while he was still a child. Programmed to take care of him, Maria was given to him by his parents. After his parents pass away, Ueno experiments with Maria by attempting to program her for sexual functions. Years pass and Ueno falls in love with Maria but she eventually runs out of power, leaving their love unconsummated.
ovo je bilo ipak jače od mene...
inače stejsi tomomatsu i tokio gor nishimura deliveruju u narednim nedeljama ovo remek-delo! u kome igra i sam shimizu
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Vampire Girl vs. Frankenstein Girl
izvinjam se kolegama, sada možete slobodno nastaviti priču o ong bak serijalu. :) xcheers
Quote from: Shozo Hirono on 08-02-2010, 16:01:02
inače stejsi tomomatsu i tokio gor nishimura deliveruju u narednim nedeljama ovo remek-delo! u kome igra i sam shimizu
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Vampire Girl vs. Frankenstein Girl
UUUUUuuUUuuuuuuuuuuuuuuuu!
A jel izašao? Ja svakih par dana searchujem al još ga nema. Doduše, u ovom momentu i Mejd Droid će da popuni prazninu u srcu.
jao, pa ovo je radio žuća koji je potpisao STACY!
uf, to ne obećava.
kao ni imdb komentari u stilu: "Two Good Ideas, One Bad Movie"... :(
ipak, ima i rivjua koji su along the Meho lines:
"It'll replace "Blade Runner" or "Metropolis" in nobody's heart, of course, but it's a good hour or so of diversion, again more artfully handled than it had to be. If you share many Japanese men's taste for eager-to-please young women in maid outfits, so much the better, I suppose."
The.Storm.Warriors.2009.DVDRip.XviD-CoWRY
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Fung wan II
===============================================
Aka: Storm Warriors (International: English title)
The Storm Riders 2 (Hong Kong: English title) (working title)
The Storm Riders II (Hong Kong: English title) (working title)
The Storm Warriors (International: English title)
Year: 2009
Directed: Oxide Pang Chun, Danny Pang
Genre: Action/Adventure/Fantasy
Runtime: 110 Min
Country: Hong Kong
Language: Cantonese
Subtitles: English
Cast: Aaron Kwok, Ekin Cheng, Kenny Ho, Nicholas Tse, Charlene Choi
Imdb: http://www.imdb.com/title/tt1186371/ (http://www.imdb.com/title/tt1186371/)
Synopsis / Plot / Review
Japanese evil warlord Lord Godless desired to conquer China. He imprisoned a large number of martial artists and tried to make them subjugate. Among the prisoners were Cloud and the martial arts elder statesman Nameless. Wind came to the rescue. The trio was badly wounded by Lord Godless's evil martial arts attack. Chu Chu was also knocked out when she blocked Cloud from Lord Godless's strike. The remaining martial artists sacrificed their lives to save the trio, in the hope that the trio would beat Lord Godless one day and save the country.
Chu Chu was badly wounded and stayed unconscious. Cloud was filled with remorse and vowed to take revenge. Wind chose to take the evil way to quickly boost up his martial arts skills, so that he could protect the people. During his training, he met the girl who changed his life, Dream. Meanwhile, the troop of Lord Godless came to attack. Wind's training was interrupted when he tried to save Dream from Lord Godless's assault. After some killings, Wind ran away and disappeared....
Lord Godless took The Emperor in captivity and stationed his troops in Heaven Cave. Cloud arrived alone and started a combat with Lord Godless. Lord Godless had the upper hand. In the meantime, the half-evil Wind appeared and joined the battle. During the fight, they inadvertently discovered the secret of the sovereign. The real intention of Lord Godless's invasion was related to an ancient tomb, a forbidden ground buried with the Royal family's secret. The truth was finally revealed. At last, how would the battle end? Who would eventually rule over the country?
Full Trailer For "The Storm Warriors" (http://www.youtube.com/watch?v=CiCCJozHB5s#normal)
Slice (2009)
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AKA: Slice | เฉือน
Year : 2009
Country : Thailand
Language : Thai
Subtitle(s) : Thai
Film Genre : Action | Drama | Thriller
IMDB : None
Links : eThaiCD
Director : Kongkiat Komesiri
Cast : Chatchai Plengpanich, Arak Amornsupasiri, Jessica Pasaphan
Plot/Synopsis
A terrible homicide has happened. The bodies of the victims are chopped into pieces and the police are desperately seeking for the serial killer. A former hitman named Tai(Arak Amornsupasiri) who is now imprisoned, tries to help solver the murders with Shin (Chatchai Plengpanich), a detective who is working on the case. Tai is set free from prison on the condition that he finds with 15 days. Tai uses his skills and inside knowledge from his hitman days to help him. Tai is set free from prison on the condition that he finds with 15 days. Tai uses his skills and inside knowledge from his hitman days to help him.
To.Live.And.Die.In.Mongkok.2009.DVDRip.XviD-CoWRY
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Aka: To Live and Die in Mongkok (Hong Kong: English title)
Year: 2009
Directed: Siu-hung Chung, Jing Wong
Genre: Crime/DRama
Runtime: 95 Min
Country: Hong Kong
Language: Cantonese
Subtitles: English
Cast: Nick Cheung, Lai-wun Chan, Roderick Lam, Chun-lung Leung, Sammuel Leung
Imdb: http://www.imdb.com/title/tt1547640/ (http://www.imdb.com/title/tt1547640/)
Synopsis / Plot / Review
Fai (Nick Cheung) grew up in Mongkok. In the 1970s, Fai replaced his pal, Porky, to go on a killing mission. He was shot at the back by the rookie police constable Gunner (Liu Kai Chi) and put in jail. However, this incident made him a Mongkok legend. Serving his prison terms, Fai's personality split into two — one was a fearless hitman; the other was a timid, indecisive pacifist who longed to live a peaceful life. With the help of Legislative Councilor Lady Han (Chan Lai Wan), Fai was paroled after nearly 30 years behind bars. When he returned to Mongkok, he found the place changed beyond recognition. Even his mother (Paw Hee Ching), who suffered from Alzheimer's disease, did not recognize him. At this time, the crime group he belonged is in the process of electing a new leader. His old pal Porky wanted to make use of Fai's legendary status to boost his popularity, while Peter planned to get rid of Fai by soliciting help from Gunner. Could Fai avoid getting involved in a possible gang war? Could he get out of Mongkok – a bigger and more dangerous prison?
旺角監獄 (原裝預告) To Live And Die In Mongkok (Originial Trailer) (http://www.youtube.com/watch?v=uXw2u4HlXVM#normal)
Zvuči kao Karlito's Vej na hongkonški način...
realno, teško da ovo može da dobaci toliko daleko; autor pre svega frazira i omažira fridkinov to live and die in l.a.
Skida se, videćemo.
True Legend (Su Qi Er)
15 February, 2010 | By Lee Marshall
Dir: Yuen Woo-ping. China-US. 2010. 116mins.
Set in 1961 China – "a turbulent time," according to the opening title - True Legend quickly dispenses with history lessons to deliver dark intensity and kung fu fighting sequences from the master of wuxia himself, Yuen Woo-ping. Touching on a famous Chinese legend for the third time in his career - his 1978 film Drunken Master launched Jackie Chan in Hong Kong, while Heroes Among Heroes was also a hit in 1993 – Yuen has again chosen a lead (Vincent Zhao) for his fighting skills above all else.
True Legend successfully blends the straight-faced, bone-crushing action of golden-age Hong Kong martial arts movies with the lush romance and landscapes of Crouching Tiger, Hidden Dragon
Streamlined to four classic kung fu battles and one long classic 'mountain training' sequence, True Legend opened in China on February 14, aiming at the lucrative Lunar New Year market. Darker and lacking the antics normally associated with the kung fu master who fights best while drunk, True Legend features top class choreography and wire work which could well make a strong impact in the international marketplace.
Shot partly in 3D, it takes the novel approach of flashing little icons up on the screen to tell viewers when to put on their 3D specs, a device which allows the costume drama and the rural landscapes of the bridging scenes to be filmed in lush traditional widescreen, while the 3D fireworks are reserved for action sequences.
Su Can (Zhao) is a noble general and war hero who gives up a military career to return to his young wife Ying (Xun) and have a son. But Ying's evil foster brother Yuang (On) has never forgiven Su's father for killing his own biological father. Yuang has been coaching himself in the dark art of 'the five deadly venom fists', which he uses to kill Su's father and take his sister and Su's young son hostage.
The scene is set for Su's two battles with Yuang. Poisoned by his nemesis after the first, Su is saved by Ying, and the two end up in the mountain refuge of a herbal healer played by Michelle Yeoh. Here, his fighting spirit broken, Su takes to the bottle – but is soon back in training again, helped by a mysterious whitebeard with long flowing eyebrows (veteran martial arts actor Gordon Liu) and The God of Wushu (Asian pop idol Jay Chou) – though Ying soon discovers that these masters exist only in Su's alcohol-soaked imagination.
Su will soon prove his worth though – only to lose what he holds most dear. This tragedy sets the scene for the film's final half hour, which can feel a little tacked on given that True Legend appears to already have completed its dramatic arc. But the showstopping last fight, in which the down-and-out, drink-addled Su takes on a group of huge Russian wrestlers – managed by a gambling den owner played by David Carradine in one of his very last roles – makes it all worthwhile
True Legend successfully blends the straight-faced, bone-crushing action of golden-age Hong Kong martial arts movies with the lush romance and landscapes of a Crouching Tiger, Hidden Dragon, playing to a core male audiences with fight sequences and that are so well staged they don't need flashy editing to work. It doesn't confuse us with dynasties but taps into legend, fairy tale and nightmare to stand up a strong dramatic structure. And it looks ravishing.
Symbol.2009.JAP.DVDRip.XviD-GiNJi
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Also Known As:
Shinboru しんぼる (Japanese Title)
Year: 2009
Country: Japan
Director: Hitoshi Matsumoto
Genre: Comedy, Drama
Runtime: 92 min
Language: Japanese, Spanish, English, Russian
Subtitles: None at time of post
IMDB: http://www.imdb.com/title/tt1410261 (http://www.imdb.com/title/tt1410261)
Theatrical Release Date: 09/12/2009
Cast: Hitoshi Matsumoto, Adriana Fricke, Carlos Torres, Octavio F. Islas, Jorge Diaz, Edgae Bernal, Kurt Common, Arkangel De La Muerte, Chris Grundy, Hitoshi Matsumoto, Aya Okamoto, Edi Saito, Daisuke Sasaki, Kiyomi Tsuno
Synopsis/ Plot
A Japanese man wakes up alone in a brightly illuminated white room with no windows or doors. When he presses a mysteriously phallic protuberance that appears on one wall, a pink toothbrush materializes from nowhere, clattering to the floor and setting in motion a genuinely bizarre chain of events. Soon the imprisoned man is engaged in absurd and hilarious attempts to escape the gleaming room, releasing random objects from the walls, creating a life sized mouse trap game in which a rope, a toilet plunger and an earthenware jug full of sushi might just be the keys to his escape. Meanwhile, in a dusty town, a green masked Mexican wrestler known as Escargot Man prepares for an important match. His family gathers around him, worried about his seeming impassivity before battle.
Symbol (Shinboru) - Hitoshi Matsumoto (http://www.youtube.com/watch?v=UAO52xo46LE#lq-lq2)
Ikechan.To.Boku.2009.JAP.DVDRip.XviD-GiNJi
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Also Known As:
Ikechan to Boku いけちゃんとぼく (Japanese Title)
Year: 2009
Country: Japan
Director: Toshihiko Ohoka
Genre: Drama
Runtime: 106 min
Language: Japanese
Subtitles: None at time of post
IMDB: http://www.imdb.com/title/tt1427236/ (http://www.imdb.com/title/tt1427236/)
Theatrical Release Date: 09/20/2009
Cast: Yu Aoi, Arashi Fukasawa, Rie Tomosaka, Masato Hagiwara, Fuyuki Moto, Misako Renbutsu, Tokio Emoto, Sosuke Ikematsu, Takashi Okamura, Kazuko Yoshiyuki
Synopsis/ Plot
Based on Saibara Rieko's manga, Ike-chan to Boku tells the heartfelt story of a young boy named Toshio and his imaginary friend Ike-chan. Toshio's floating blob of a friend has two big eyes and a mouth, and changes colors and sizes depending on the mood. When Toshio is sad, she turns small. When Toshio makes friend with a girl, she turns bright red from anger. Ike-chan stays by Toshio's side as he grows older, but the day he finds his first love, Ike-chan disappears from his life. Child actor Fukasawa Arashi (Helen the Baby Fox) takes the leading role in this heartfelt fable about chil
映画 『いけちゃんとぼく』 予告編 (http://www.youtube.com/watch?v=xYO78FH5_Eg#normal)
Yamagata Scream (2009)
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AKA: Yamagata Sukurimu
Year : 2009
Country : Japan
Language : Japanese
Subtitle(s) : English | Chinese T/S
Film Genre : Comedy | Horror
IMDB : Yamagata Scream
Director : Naoto Takenaka
Cast : Naoto Takenaka, Noboru Iguchi, Maiko, Riko Narumi, Keiko Oginome, Saaya, Kazuki Sawamura, Yoji Tanaka
Plot/Synopsis
Naoto Takenaka's horror comedy film "Yamagata Scream" comes on DVD! Starring Riko Narumi ("Tsumi toka Batsu toka" ). High school students Mikayo, Chuko, Kei, and Munae are members of a historical research club of the scool. To study remnants of an ancient clan of warriors called the ochimusha, they trip to Oshakabe village in Yamagata prefecture with their theacher Mr. Kachi. When they arrive, the local villagers are demolishing historic shrine and as a result, the ochimusha rise from the grave and attack the people. . . Includes a bonus disc with making-of footage, greetings, trailers, unreleased footage, a short drama "Murabito to Kajimodo no Polka," and more (all details subject to change).
Trailer :
http://www.nipponcinema.com/trailers/yamagata_scream_teaser/ (http://www.nipponcinema.com/trailers/yamagata_scream_teaser/)
Kamui.Gaiden.2009.JAP.DVDRip.XviD-GiNJi
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Year: 2009
Country: Japan
Director: Yoichi Sai
Genre: Action, Drama
Runtime: 120 min
Language: Japanese
Subtitles: none
IMDB: http://www.imdb.com/title/tt1156479 (http://www.imdb.com/title/tt1156479)
Theatrical Release Date: September 19, 2009
Cast: Ken'ichi Matsuyama, Koyuki, Hideaki Ito, Ekin Cheng, Kaoru Kobayashi, Suzuka Ohgo, Naoyuki Morita, Daisuke Ryu, Shigeru Nakano, Sei Ashina, Anna Tsuchiya
Synopsis/ Plot:
KAMUI is a Ninja on the run from the world of Ninja bound by rules in search of true freedom. However, he is burdened with the fate, where it is not allowed to take the secret of their powers outside of the tribe -- if you are born as Ninja, you must die as Ninja. This brings him to constantly fight for his life against other Ninjas who trie to kill him and hide the secrets within. He does not trust, and he does not love. Showing weakness leads to immediate death. An incident brings him to an old fisherman's village, where he finally starts to feel trust and affection towards other people. However, his pursuers where just minutes away from setting up a huge trap on Kamui...
Kamui Gaiden (カムイ 外伝 ) Teaser Trailer (http://www.youtube.com/watch?v=M1MJ4HULDiM#normal)
Fledgling LA-based producers Madmedia Entertainment have hired Journey To The Center Of The Earth director Eric Brevig (pictured) to direct the Korean War drama 17 Days Of Winter.
The story charts the 1950 Chosin Reservoir battle, a brutal 17-day encounter in which 12,000 US Marines known today as the Chosin Few faced sub-zero temperatures and a Chinese enemy that outnumbered them ten to one.
17 Days Of Winter will shoot on location in Korea. Producer Charlotte Huggins and the executive producers are in talks with screenwriters and are eyeing a 2012 release.
In an unexpected move the Minister Of Culture, In Chon Yu, and the Chairman of the Korean Veterans Association, Se Hwan Park, have backed the project.
"We pledge our unconditional support, including making use of equipment, weapons, shooting sites and military assistants in Korea," Park said. "It is our wish to be part of the process to educate and raise awareness throughout the world on the noble achievements and honorable sacrifice made by all Korean War veterans."
"The story of this forgotten war needs to be told," Brevig, whose upcoming credits include Yogi Bear for Warner Bros, said. "We now have the ability to tell it in an immersive, compelling way that does justice to the humanity exhibited under such inhumane circumstances."
"The state of technology, the unprecedented popularity of the 3-D medium and the 60th anniversary of the Korean War have aligned to make this the perfect time to tell this incredible story of salvation," Madmedia founder Jayson Won, who will serve as executive producer, said.
Brian Iglesias, a decorated Marine Captain and director of the documentary Chosin, will also serve as executive producer.
Tajomaru.2009.JAP.DVDRip.XviD-GiNJi
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Also Known As:
タジョウマル (Japanese Title)
Year: 2009
Country: Japan
Director: Hiroyuki Nakano
Genre: Action/Crime/Drama
Runtime: 131 min
Language: Japanese
Subtitles: Japanese Only
IMDB: http://www.imdb.com/title/tt1347008/ (http://www.imdb.com/title/tt1347008/)
Theatrical Release Date: 09/12/2009
Cast: Shun Oguri, Yuki Shibamoto, Kei Tanaka, Kyosuke Yabe, Yoshiyuki Yamaguchi, Gou Ayano, Takamasa Suga, Hiroyuki Ikeuchi, Hirotaro Honda
Synopsis/ Plot
TAJOMARU is the famous 'bandit' of the forest from RASHOMON. Whoever kills Tajomaru inherits his name, status and sword. A royal brother leaves his kingdom to protect the princess he loves, only to find a series of harrowing adventures along the way which lead him back to where he came from, and then disinheriting his past to become the bandit TAJOMARU.
[trailer] Tajomaru (http://www.youtube.com/watch?v=uNqFHxFGXRc#normal)
20th.Century.Boys.The.Last.Chapter.Our.Flag.2009.JAP.DVDRip.XviD-GiNJi
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AKA. 20th Century Boys 3: Redemption (USA TITLE)
Year: 2009
Country: Japan
Director: Yukihiko Tsutsumi
Genre: Action/ Adventure/ Drama
Runtime: 156 Min
Language: Japanese
Subtitles: none
IMDB: http://www.imdb.com/title/tt1181919/ (http://www.imdb.com/title/tt1181919/)
Theatrical Release Date: Aug. 29, 2009
Cast: Toshiaki Karasawa, Etsushi Toyokawa, Airi Taira, Takako Tokiwa, Hitomi Kuroki, Teruyuki Kagawa, Hiroyuki Miyasako
Synopsis/ Plot:
The year is 2017 and three years since Friend has governed the world with his Friendship Democratic Party. A destructive virus has hit Tokyo and the government builds a gigantic wall to quarantine the city. Friend makes the revelation that on August 12th at 12:00 the human race will be destroyed by aliens. The only people who will survive are true believers of Friend ...
The resistance continues their battle against the Friendship government. Ocho (Etsushi Toyokawa) discovers Kanna (Airi Taira) has separated from Yoshitsune (Teruyuki Kagawa) & his resistance group. Kanna plans to start a more radical resistance group that will arm themselves heavily. Meanwhile, Kenji (Toshiaki Karasawa) enters the divided city of Tokyo ... (from asianmediawiki)
20th Century Boys 3: Redemption Trailer (English Subtitled) (http://www.youtube.com/watch?v=eIqdxj0iSQo#normal)
Katen.No.Shiro.2009.JAP.DVDRip.XviD-GiNJi
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aka Castle Under Fiery Skies
Year: 2009
Country: Japan
Director: Mitsutoshi Tanaka
Genre: Drama / History
Runtime: 140 min
Language: Japanese
Subtitles: Japanese Only
IMDB: http://www.imdb.com/title/tt1467269/ (http://www.imdb.com/title/tt1467269/)
Theatrical Release Date: 09/12/2009
Cast: Toshiyuki Nishida, Shinobu Otake, Saki Fukuda, Kippei Shiinia, Shozo Endo, Tokuma Nishioka, Ikkei Watanabe, Renji Ishibashi, Takuya Ishida
Synopsis/ Plot
The year is 1575 in feudal Japan. Oda Nobunaga's (Kippei Shiina) forces defeat Takeda Katsuyori, when Nagashino Castle was besieged during the Battle of Nagashino. The next year Oda Nobunada decides to build a lavish new castle symbolizing his unification of various factions. The castle named Azuchi Castle will be built near water and high enough to be seen from the capital city of Kyoto.
katen no shiro tokuhoVol1 (http://www.youtube.com/watch?v=wcEBxRnu_QE#normal)
Confucius.2010.CN.DVDRip.XviD-XTM
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Aka: Kong Zi
Year: 2010
Directed: Mei Hu
Genre: Biography/Drama
Runtime: 120 mins
Country: China
Language: Mandrin
Subtitles: Chinese
Cast: Yun-Fat Chow, Xun Zhou, Yi Lu, Jianbin Chen, Lu Yao, Kaili Zhang
Imdb: http://www.imdb.com/title/tt1397498/ (http://www.imdb.com/title/tt1397498/)
Synopsis / Plot / Review
Based on the life of legendary Chinese social philosopher Confucius (551-479 BCE).
In the age of warring Chinese states, during which countless wars were waged to unify kingdoms, the King of Lu gets help from highly influential philosopher Confucius to regain his power. Confucius uses his intelligence and charisma to save the state of Lu from inner conflict and perpetual war. However, the political powerhouses of the state start to feel threatened by the philosopher, fearing that they may lose their control over the puppet king. Confucius goes willingly into exile, wandering from state to state without losing his ideals for peace and harmony.
Confucius trailer (http://www.youtube.com/watch?v=YgiM1ubNCYc#normal)
Female Combatants Battle School/Demonic Heroine In Peril (2009/2005)
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Female Combatants Battle School:
Directed and Coordinated by Motoharu Takauji
Screenplay by Sosuke Higashimura
Action Director: Shuya Yoshimoto
Female Combatants Battle School:
Directed by Kanzou Matsuura
Original Story & Screenplay by Kanzou Matsuura
Female Combatants Battle School (Cast):
Yuri Higashi as 841/Aoi Kono
Miyuki Saeki as 773 Chinami Fujisawa
Miki Makehashi as 625
Miya Nano as 445
Miro as 324
Tsugumi as Asterea
Shinya Nakamura as Leader
Demonic Heroine in Peril (Cast):
MISAKI as Saki (Outsider)
Takumi Tojo as Trio Red
Akira Fubuki as Trio Blue
Kosei Otsuka as Trio Yellow
Yohei Hirai as Pops
Ma-Kun ast Shota
Ryo Nakano as Gedo
Weirdness abounds in this double feature of subversive takes on the superhero genre that aren't nearly as clever as the word "subversive" makes them sound.
Female Combatants Battle School
Well, there are female combatants and they do attend battle school, so you can't fault them for false advertising. What do these female combatants learn in their battle school? The moves to take out a masked female superhero who's been dispatching some serious beatings to her antagonists as of late.
A secret agent attempts to infiltrate the Dark Mist organization, which is the primary hive of villainy, outfitting its evildoers (all female) in leather and sending them out to get kicked in the face repeatedly. She finds out it's a hard life being a flunkie.
Can a movie with a synopsis like that and the title Female Combatants Battle School be anything less than awesome? Oh yes, it can. The possibilities for henchmen amusement are there—just watch a random episode of The Venture Bros.—but the sad sacks behind Combatants poop out a bizarre and, worse, boring effort. The big fight scenes? Awful, featuring jumpsuit-wearing extras shrieking out the most annoying sound you've ever heard and engaging in terrible hand-to-hand combat. And the "plot" that holds it together is even more forgettable, witless and flat.
Demonic Heroine in Peril
Said demonic heroine is actually an assassin, charged with a formidable assignment: killing the "Trionger," a trio of aging Power Rangers-types who can barely fight a dispensable goon without throwing out their backs. She's not going to have much trouble smiting them—but then she befriends their sidekick, a freaking young boy with a plastic face and a mouth that doesn't move (seriously). Now fighting on the side of the good and the decrepit, she will use her considerable fisticuff acumen to take on the bad guys.
Heroince is far better than the Combatants, but it still falls short of being something interesting and worth checking out. It's definitely more bizarre, in that fun and slightly off-putting way that the Japanese have mastered. The villains don red afro wigs and plastic faces of their own and have pudgy male thugs dressed in uncomfortably skintight one-pieces. Plus, the torture scenes go on for some time.
While it's nice to get all manner of eccentricity from the Land of the Rising Sun, this double feature fails to measure up. Female Combatants is a complete waste of time. Demonic Heroine in Peril is redeemed only because of its ludicrousness.
Super Heroine - Amazing Female Combatants Action Pt.2 (http://www.youtube.com/watch?v=G4Mhecb6fMg#normal)
Jos jedan generici c'n'p i treba te kastrirati.
meho, reaguj na ovaj ispad. :evil:
Kler Vojant je očigledno ustao na levu nogu. Mene je ova vest baš obradovala.
Quote from: Meho Krljic on 27-02-2010, 19:36:54Kler Vojant je očigledno ustao na levu nogu.
reko bih da taj jadna kler drugu i nema.
Wedding.Dress.2010.KOR.HDRip.XviD-BeFRee
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Also Known As:
Wedingdeureseu (Korean Title)
Year: 2010
Country: South Korea
Director: Kwon Hyeong-jin
Genre: Drama / Family
Runtime: 109 min
Language: Korean
Subtitles: None at time of post
IMDB: None
Theatrical Release Date: 01/10/2010
Cast: Song Yoon-ah, Kim Hyang-gi, Lee Ki-woo, Kim Myeong-kuk, Jeon Mi-seon, Kim Ye-ryeong, Kim Yeo-jin
Synopsis/ Plot
Go Eun (Song Yoon Ah), a wedding dress designer and single mom, has only a limited number of days to live. Before parting from her young daughter So Ra (Kim Hyang Gi), Go Eun wants to do everything she can for her, including making a beautiful wedding dress for So Ra for the future.
As her condition worsens, So Ra finds out about the cancer and tries to fulfill her mother's wishes one by one, in secret...
Korean Movie "웨딩드레스 (Wedding Dress. 2010)" Trailer (http://www.youtube.com/watch?v=y2IMAEu19vo#normal)
Actress.2009.KOR.DVDRip.XviD-IND
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Also Known As:
Yeobaewoodeul 여배우들 (Korean Title)
Year: 2009
Country: South Korea
Director: Lee Jae-yong
Genre: Drama
Runtime: 105 min
Language: Korean, English
Subtitles: None at time of post
IMDB: http://www.imdb.com/title/tt1303833/ (http://www.imdb.com/title/tt1303833/)
Theatrical Release Date: 12/10/2009
Cast: Yoon Yeo-jeong, Lee Mi-sook, Ko Hyeon0-jeng, Choi Ji-woo, Kim Min-hee, Kim Ok-bin
Synopsis/ Plot
Director E J-yong mixes reality and fiction by bringing together top actresses to play themselves onscreen. It's Christmas Eve, and six actresses ranging from their 20s to 60s, including Choi Ji-woo and Kim Ok-vin, come together for a photo shoot for Vogue magazine. Trouble ensues as the women, each used to basking alone in the spotlight, must get along with one another, from choosing dresses to addressing personal issues such as divorce.
Actresses (2009) Korean Movie Teaser (http://www.youtube.com/watch?v=GGuD4aV8zHs#normal)
Children.At.War.2009.DVDRip.XviD-CoWRY
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Also Known As:
Sai Gaai Han Ho Ngoh Moon Han Jo 世界很好 我們很糟 (Cantonese Title)
Shi Jie Hen Hao Wo Men Hen Zao (Mandarin Title)
Year: 2009
Country: Hong Kong
Director: Choi King-Man
Genre: Drama
Runtime: 85 min
Language: Cantonese
Subtitles: English, Traditional Chinese, Simplified Chinese
IMDB: N/A (http://n/A)
Theatrical Release Date: 08/12/2009
Cast: Jam Chen, Jessie Yeung, Lai Kit Fat, Dennis Yeung
Synopsis/ Plot
The story takes place in 1995, 15-year-old twin brother and sister's Army and Jun, compared to Mo Yu, strive to live happy lives. Couple's intimate relationship and slowly evolved into a near-love ambiguity. One quiet afternoon, the brothers and sisters sensual temptations gives way and results in a incestual relatioship. Their father was informed and was furious strove to separate the brothers and sisters ...
In 2005, two siblings met two of the wounds of the past, became a lifetime mark, the two decided to use extraordinary measures, retaliation, against their father, in order to wash away their traumatic past.
世界很好我們很糟 預告片 Children At War - Trailer (http://www.youtube.com/watch?v=-R9SRcakUxg#normal)
Stop.The.Bitch.Campaign.2009.DVDRip.MP4.(Ver. 2.0)
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WARNING Not appropriate for all viewers. 18+
Aka: Compensated Dating Eradication Campaign (Japan: English title) (literal title)
Stop the Bitch Campaign (International: English title)
Stop the Bitch Campaign - Version 2.0 (Hong Kong: English title) (DVD title)
Year: 2009
Directed: Kôsuke Suzuki
Genre: Eortic, Drama
Runtime: 110mins
Country: Japan
Language: Japanese
Subtitles: English
Cast: Kenichi Endo, Kenji Ezure, Kyônosuke Hanai, Emi Hirai, Goro Kataoka
Imdb: http://www.imdb.com/title/tt1363366/ (http://www.imdb.com/title/tt1363366/)
Synopsis / Plot / Review
Mysterious pervert Kuni (Endo Kenichi) is strongly against the practice of "compensated dating" prostitution, and yet inexorably drawn to the sexy young call girls he scorns. To make Japan a better place, he embarks on a cruel campaign to rape, punish, and humiliate teenage call girls. After a number of girls fall victim to Kuni's SM torture, Aya decides to fight back with a campaign of her own! Based on Yamamoto Hideo's manga, the oh-so-entertaining sexploitation revenge flick Stop the Bitch Campaign keeps its priorities in the right place, going completely over the top with a loopy storyline of sex, sadism, and sweet comeuppance!
Kanikosen.2009.JAP.DVDRip.XviD-GiNJi
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Also Known As:
Kanikosen 蟹工船 (Japanese Title)
Year: 2009
Country: Japan
Director: Hiroyuki Tanaka
Genre: Drama
Runtime: 108 min
Language: Japanese
Subtitles: Traditional Chinese Only
IMDB: http://www.imdb.com/title/tt1323930/ (http://www.imdb.com/title/tt1323930/)
Theatrical Release Date: 09/04/2009
Cast: Ryuhei Matsuda, Hidetoshi Nishijima, Kengo Kora, Hirofumi Arai, Tokio Emoto, Takayuki Kinoshita, Takehiro Kimoto, Masaki Miura, Terunosuke Takezai
Synopsis/ Plot
Aboard the Japanese crab ship 'Kanikosen' equipped with a cannery facility, workers are forced to labor under pitiful conditions at minimum wages. Some even die of cruel labor and malnutrition. And to top it off, the factory superintendent Asakawa (Hidetoshi Nishijima) is the most brutal sort who does not treat the workers as human beings.
Shinjo (Ryuhei Matsuda), one of the workers, persuades the others that they should wish to become rich in their next life as there is no future for them in the present. So all of them try to commit suicides, which ends up in a comedy of errors. SHINJO then escapes the Kanikosen and is rescued by a Soviet vessel. He is astonished by the new social system on the vessel that is so much different from the one he left behind. In realization, Shinjo returns to the ship to save the others.
[trailer] Kanikosen (The Crab Cannery Ship) (http://www.youtube.com/watch?v=KhZVpC4LCp0#normal)
Wish.2009.KOR.No.Cut.DVDRip.XviD-IND
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Also Known As:
Baram 바람 (Korean Title)
Year: 2009
Country: South Korea
Director: Lee Seong-han
Genre: Drama
Runtime: 110 min
Language: Korean
Subtitles: None at time of post
IMDB: http://www.imdb.com/title/tt1519660/ (http://www.imdb.com/title/tt1519660/)
World Premiere (Pusan Int Film Fest): 10/10/2009
Theatrical Release Date: 11/26/2009
Cast: Jeong Woo, Hwang Jeong-eum, Yang Gi-won, Son Ho-joon, Kwon Jae-hyeon, Jo Yeong-jin
Synopsis/ Plot
Jjang-gu joins "Monster", a violent organization at his high school. As a rite of passage, he learns a lesson about being a man while following the course.
Korean Movie "바람 (Wish. 2009)" Main Trailer (http://www.youtube.com/watch?v=NWx-mUyyki8#normal)
Korejska verzija Crows Zero?
veoma moguće; ali se nadam da je barem malo manje dosadan. :lol:
Juče sam na odgovarajućem topiku kačio theme songove, a to nije bilo slučajno te sada evo i opširnijeg osvrta na dva recentna filma Takashija Miikea. Doduše, oba su iz prošle godine, ali lenjost, nemanje vremena, itd... Koga zanima, evo mojih meandrirajućih, laičkih impresija filmovima Crows Zero 2 i Yatterman (http://cvecezla.wordpress.com/2010/03/14/takashi-miike-%e2%80%93-autor-filmova-za-decu-i-omladinu-crows-zero-2-i-yatterman/). Plus, hvala bogu, neke lepe slike.
super-temeljno. baš si bio inspirisan. :|
Bilo je ili to ili titlovanje nekih intervjua sa nekim babama u zamenu za nekih stopedeset evra... Jasno je bilo da se ja ne mogu prodati za male pare.
ajd što mehu niej do para, to znamo, ali - BABE???
inače, txt je kao i filmovi koje opisuje: dobar, ali predug.
sjajan način omažiranja miikea!
Babe su snimljene samo od vrata pa nagore. Mislim, i to je lepo, ali... nije to to.
Quote from: Ghoul on 14-03-2010, 20:30:45
inače, txt je kao i filmovi koje opisuje: dobar, ali predug.
luk huz tokin. :roll: :)
Little.Big.Soldier.2010.DVDRip.XviD-XTM
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An old soldier kidnaps a young general of an enemy state and takes him on a long journey to collect the reward. | Add synopsis »
http://www.imdb.com/title/tt1319718/ (http://www.imdb.com/title/tt1319718/)
The.Sword.With.No.Name.2009.DVDRip.XviD.AC3-ViSiON
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A Joseon dynasty bounty hunter becomes the body guard of the queen he secretly loves
http://www.imdb.com/title/tt1465518/ (http://www.imdb.com/title/tt1465518/)
http://www.imdb.com/title/tt1368116/ (http://www.imdb.com/title/tt1368116/)
ja sad ovo skidam!
prvih 15 minuta price i ostatak fajt!
http://i44.tinypic.com/2l8kuoi.png (http://i44.tinypic.com/2l8kuoi.png)
A, imam taj Merantau. Vidim da sami Indonežani kažu "fala kursu da konačno snimimo još nešto osim usranih ljubavnih komedija"
Za jesen je najavljen film Neck (Nekku), prvi za koji je scenario pisao Otaro Maiđo (Otaro Maijo), jedan od najekstremnijih pisaca u Japanu danas, koji se zadnjih godina posvetio obnovi stanja japanske filmske industrije preko svog projekta Real Coffee (http://www.realcoffee.jp/main/index.html).
U filmu glumi Chiaki Kuriyama, što mi se uvek sviđa (iako ima užasan ukus što se mangi tiče - well, nobody's perfect!)
Hard Revenge, Milly : Bloody Battle (2009)
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AKA : Hado ribenji, Miri : Buraddi batoru
Year: 2009
Country : Japan
Language : Japanese
Subtitle(s) : English
Film Genre : Action | Drama | Sci-Fi
IMDB : Hard Revenge, Milly : Bloody Battle
Director : Takanori Tsujimoto
Cast : Miki Mizuno, Rei Fujita, Mitsuki Koga, Masahiro Komoto, Nao Nakazawa, Kazuki Tsujimoto
Plot/Synopsis
Hard Revenge Milly Bloody Battle The story starts in the devastated rogue city of Yokohama, surrounded by rubble. After Milly killed Jack, the main villain from the first movie, and finally satisfied her thirst for revenge for the deaths of her husband and child, she seems to be on safe ground for the moment. But just as she starts to relax, she is targeted by strange guys. They are here to avenge Jack's death. In the meantime, a singularly beautiful girl, Hal, comes and asks for her help getting revenge for her boyfriend. Milly turns and says "If you love him so much, do it yourself," but Hal is even willing to pay a reasonable price for Milly's help. But, Milly knows well how Hal feels in the depths of her sol, and so they go into intensive training. In the meantime, the new enemy, Ikki, and his brother, Huma, show up along with their followers. Milly, with an arm-shotgun, nunchakus, and lots of weapons, blwos up the punks and seems totake over the battle when she finally knocks out Huma. However, steel-armed Ikki inflicts a severe injury on Milly that leaves her barely alive.
HARD REVENGE MILLY：BLOODY BATTLE（Eng Ver.）Trailer (http://www.youtube.com/watch?v=9w3hJutIA3c#normal)
Ou jea!!!
malo ga smoriše ti japanci i drugi kosooki sa 'hot chicks hellbent on revenge' exploatacijom.
razumem appeal, razumem ciljnu grupu, razumem da se pravi ono što se prodaje, ali ipak - come ON!
Ma, da, naravno. Ali, ako je dobro, dajte što više!!!
Pre svega da se zahvalim odlicnom forumu
Izasao je
http://www.downarchive.com/movies/116299-vampire-girl-vs-frankenstein-girl-2009.html (http://www.downarchive.com/movies/116299-vampire-girl-vs-frankenstein-girl-2009.html)
Imaš pivo od mene!!!
White.Night.2009.DVDRip.XviD.AC3-MZone
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Directed: Park Shin-woo
Genre: Thriller
Runtime: 02:15:57
Also Known As: Walking Through White Darkness
Country: South-Korea
Language: Korean
Subtitles: English + Korean .idx .sub
PLOT
A pawnbroker is found murdered in a remote town in a derelict building. three people come under suspicion but all of them have perfect alibis and the investigation comes to a standstill. Almost fifteen years pass and the lead inspector decides to reinvestigate.
Dir/scr/prod: Scud. 2010. Hong Kong/China. 97 mins
The third film from experimental Hong Kong filmmaker Scud, Amphetamine is the story of a doomed love affair between a gay man and an emotionally damaged straight man which, while always visually arresting, ultimately rings hollow. The film is certainly flashy – filled throughout with two second flashbacks, dreamlike imagery and fantasy sequences – but its self-conscious artiness dilutes the potential dramatic impact and it plays as more stylistic curio than full-blooded character piece.
Amphetamine has its best shot of profile on the gay and lesbian film festival circuit and its best sales chance is to niche distributors tapping into gay audiences on DVD and TV.
The film had its world premiere in Panorama at the Berlinale this year and is one of the closing night films at this year's Hong Kong International Film Festival. But, peopled as it is by beautiful men in various states of undress and embrace, Amphetamine has its best shot of profile on the gay and lesbian film festival circuit and its best sales chance is to niche distributors tapping into gay audiences on DVD and TV.
The lead character is Kafka (Pang), a fitness instructor who works several jobs to support his ailing mother. Although he has a girlfriend, his sexuality is apparently fluid since he agrees to a hand-job from a dirty old man in a changing room. He and his slacker brother are also amphetamine addicts.
Just as he is breaking up with his girlfriend, he meets handsome finance executive called Daniel (Price), an out gay man from Australia in Hong Kong on business. Daniel falls for Kafka and pursues him confidently, even while Kafka tells him that he is straight and they can never have sex.
But their love for each other grows, despite the hurdles – the sexuality difference and Kafka's addiction – and the two men become convinced that love will conquer all. Daniel tries to help him off the amphetamine after a close call with the Chinese authorities but he doesn't know the whole story and Kafka is harbourin dark secrets from his past, which might prove insurmountable.
Scud teamed up with veteran director Lawrnce Ah Mon on the direction of the film and enlisted cinematographer Charlie Lam (Isabella, Exodus) to shoot it. On the one hand, the film's attempts at visual expressiveness are striking. The visual design is striking - the persistent water or angel motifs, scenes of Kafka's martial arts routines, the lingering shots of the men's hard bodies. And the narrative drifts in and out of dream and memory lend a certain druglike quality to it.
On the other hand, Scud's focus on the superficial is jarring and much of the film doubles as an affluent lifestyle commercial. If they are not racing each other in sports cars and motorbikes or bungee jumping off motorway bridges, the men are splashing handsomely in the pool and gazing at each other's muscular bodies in the shower afterwards. That's not to mention Daniel's limitless wealth which includes stunning Hong Kong penthouse and rooftop Jacuzzi. By showing us these glam trappings at such length and with minimal irony, it appears that Scud himself is seduced by them himself.
Attack the Gas Station 2 DVDRip 2010
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Plot/Synopsis:
It's been 10 years since Mr. Park's gas station was attacked by motorcycle gangs. To get his revenge, Park hires a quartet of dodgy boys: a lethal puncher, a footballer with a killer high kick, a potbellied wrestler, and a video game addict who mastered the art of bluffing. But these employees turn out to be more dangerous when they demand their overdue salaries.
Attack the Gas Station! 2 2010 Teaser (http://www.youtube.com/watch?v=Q8jJrgxRGpo#normal)
72 Tenants of Prosperity (2010)
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Director : Shiu-Kai Chung, Patrick Kong, Eric Tsang
Cast : Jacky Cheung, Eric Tsang, Anita Yuen, Bosco Wong, Stephy Tang, Cho-Lam Wong, Ka- Yan Chung, Tian Liang.
Plot/Synopsis
72 Tenants of Prosperity (72家租客) is a 2010 Hong Kong comedy film by Shaw Brothers Studio, Television Broadcasts Limited, United Filmmakers Organization, Sil-Metropole Organisation and Sun Wah Media Group. Directed by Eric Tsang and starring Tsang, Jacky Cheung and Anita Yuen. It was released in Hong Kong, Malaysia, Australia, and New Zealand on 11 February 2010. In 1970s Hong Kong, rapacious landlords try to evict 72 tenants but sworn brothers Ha Kung and Shek Kin help the group of 72 defeat the landlord and landlady and coincidentally rescue Pinky from a planned forced marriage. When both sworn brothers fall for Pinky and propose to her, she flips a coin heads or tails and Ha wins her hand in marriage. The sworn brothers become sworn enemies and Sheks hatred fuels intense rivalry against Ha in business dealings ranging from the manufacture of plastic flowers to the selling of stinky bean curd. Even after 40 years they continue to clash and in 2010 they are in keen competition selling electronics appliances in Sai Yeung Choi Street, Mongkok, the busiest street in the city and still home to the 72 tenants. In fiercely competitive Sai Yeung Choi Street high rents force businessmen to use every means to survive, with electronics shops employing pseudo models in sales promotion campaigns and comic shops offering foot-massage services by Lolita, etc. These ploys are minor compared with the tactics of the landlord who threatens to close down the shops unless his demands for triple rental are met. Amidst this strife and struggle the street is hit by acid-attacks and in high spirits the 72 tenants unite and pledge to safeguard their home. Against a background of fear and turmoil, with the old love triangle between Ha and Pinky and Shek still festering, the next generation of the Ha and Shek families embarks on their own heroic love affairs: MJ-style dancer Ha Junior is fascinated by Shek's daughter who is a Japanese AV culture fan; Ha's daughter, a kung fu maiden, is pursued by Shek's love-struck son, the smart shortie. Affairs of the heart yet to be resolved.
《72家租客》电影Trailer (http://www.youtube.com/watch?v=dyBMdBbIQEw#)
Slice
(Cheun) (Thailand)
By RUSSELL EDWARDS
A Metro Pro-Disc, Five Star Prods. production. (International sales: Five Star Prods., Bangkok.) Produced by Kiatkamon Iamphungporn. Executive producer, Chareon Iamphungporn. Directed, written by Kongkiat Komesiri, from a story by Wisit Sasanatieng.
(Thai, English dialogue)
A sleazy thriller about a serial killer who slaughters sex tourists, "Slice" is a notch above the average Thai slasher pic, but has trouble cutting through its knotty yarn. Offering queasy delights for gore hounds and an initially suspenseful atmosphere, the story runs off its circuitous rails before getting back on track with a genuinely surprising twist. Despite an apparent stance to the contrary, pic's homophobic elements will make Western remake an iffy proposition. "Slice" opened to lackluster Thai B.O. but positive critical response in October, and will be popular with genre fests abroad.
Grindhouse helmer-scripter Kongkiat Komesiri ("The Art of the Devil" sequels) adapted "Slice" from a story by Wisit Sasanatieng (writer-director of "Tears of the Black Tiger"), with whom he collaborated on the 2006 gothic horror pic "The Unseeable."
After an unsettling opening shot of a red suitcase floating in the ocean, a similar suitcase is delivered to a man's hotel room. Before the man can use a young boy to fulfill his desires, a red-cowled figure intervenes, murdering the would-be perp before adding a shocking finishing touch.
Corrupt cop Lt. Chin (Chatchai Plengpanich, in an absurd white wig that brings Jim Jarmusch to mind) is baffled by the string of murders. Chin turns to imprisoned ex-cop Tai (Arak Amornsupasiri), who acts as Chin's undercover assassin as penance for a police hit gone wrong years before. Plagued by red-suitcase nightmares, Tai suspects a childhood friend may be connected to the crimes and negotiates with Chin for 15 days' freedom to unravel the mystery.
Heading back to his home village near Thai resort Pattaya, Tai finds that the further he digs, the more his suppressed childhood memories -- involving the persecution of an effeminate boy -- come to the surface. Dwelling far too long on the flashbacks, the yarn begins to chase its tail and labor its points about bullying, and it takes far too much delight in scenes of abuse to make its ostensible anti-homophobic stance seem anything but disingenuous. Inventive finale delivers a convincing wallop, but the film would still benefit from a hefty trim.
Komesiri's helming varies from pedestrian to stylishly proficient, even cribbing the circular pan from Kenji Mizoguchi's famous "Ugetsu" at one point. Lensing (handled by Komesiri and Thanachat Boonlah) capitalizes on bloody and lurid story elements to create a sleazoid atmosphere.
Amornsupasiri gives a strong perf as the ex-cop investigating murders as well as his own past. All other perfs meet Thai horror standards, as do the rough but typical tech credits.
Pic garnered several noms including best film at the Subhanahongsa Awards, Thailand's film kudos, which at press time had been postponed due to political unrest.
Camera (color), Komesiri, Thanachat Boonlah; editor, Sunit Asavinikul; music, Wild at Heart; production designer, Thana Maykaumput; art director, Wuttikorn Sripothong; costume designer, Kiattichai Kheereesri. Reviewed at Hong Kong Filmart, March 22, 2010. (Also in Hong Kong Film Festival.) Running time: 101 MIN.
(Thai, English dialogue)
14 Blades
(Gam yee wai) (Hong Kong-China)
By RUSSELL EDWARDS
A Visualizer Film (Hong Kong)/Shanghai Film Group, Desen Intl. Media (China) production. (International sales: Arclight Films, Sydney.) Produced by Susanna Tsang, Wang Tianyun. Directed by Daniel Lee. Screenplay, Lee, Abe Kwong.
(Mandarin dialogue)
Feudal China gets a dash of spaghetti Western atmosphere in "14 Blades," an above-average martial-arts actioner that reinforces Donnie Yen's "Man With No Name" ambience. After a halting start, helmer Daniel Lee follows through on the improvement he showed in 2008 wuxia epic "Resurrection of the Dragon." Stylish package has thesps hitting their marks (and each other), but also keeps the human drama from being swamped by wirework and CGI effects. Pic has done brisk biz on the mainland and other Asian territories since February; international ancillary should also be robust.
In China during the Ming Dynasty, Qinglong (Yen, covered in Blue Dragon tattoos as per his character's name) is an assured martial artist who leads the emperor's band of crack assassins, called the Jinyiwei. The film's English title refers to Qinglong's personal arsenal, a large oblong box of 14 sharp weapons and other handy accessories he wields with a nimble mastery.
Qinglong is ordered to keep the royal seal from falling into the hands of a vengeful insubordinate (Sammo Hung, in a cameo), thereby keeping China from plunging into civil war. On Qinglong's trail is Tou Tou (Kate Tsui), a veiled, dreadlocked warrior woman whose emblematic cloak allows her to dazzle her opponents in combat (and to showcase the finesse of a South Korean f/x team).
Making his way toward the border, Qinglong encounters aging patriarch Qiao Yong (Shaw Brothers vet Wu Ma, perfect), his feisty daughter, Qiao Hua (Zhao Wei), and their loyal bandits. After receiving help from the old man and his band, Qinglong kidnaps Qiao Hua but makes sure she's well looked-after.
Despite the circumstances, Qiao Hua falls in love with her captor, a development made believable by Zhao's warm and affecting perf. Yen's Eastwood-like poise is used to good effect here, and the romantic tension keeps the narrative effectively taut between the battle sequences.
Action scenes, staged by Ku Huan-chiu, are unobtrusively helmed. Standout fight scene, in which Qinglong, armed only with chicken bones, takes on an array of bandits, also provides the pic's most humorous sequence.
Lensing is a tad flat, but action fans are unlikely to be distracted. Some intriguing costumes of Islamic influence, reflecting Qinglong's westward journey, provide a visual high point.
Rousing score by Henry Lai continues the musical allusions he began in "Resurrection of the Dragon," recalling Ennio Morricone's compositions for the films of Sergio Leone. No editor was credited on print caught.
Camera (color, widescreen), Leung Cheungtung; music, Henry Lai; art director, Cyrus Ho; action director, Ku Huan-chiu; sound (Dolby Digital), Ma Jie. Reviewed at Hong Kong Filmart, March 22, 2009. Running time: 113 MIN.
(Mandarin dialogue)
nakon grdne muke da dođem do gledljive verzije NEGATIVE HAPPY CHAINSAW EDGE ispalo je da filmić nije bio vredan trudova, pa sam ga nakon 40ak minuta smaranja bacio u kantu za smeće.
ljubitelji romantičarskih komendija (ali bez romantike, i bez humora) mogu mu dati šansu.
Ang Panday (2009) DVDRip SoftEngSub WingTip
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Director: Mac Alejandre
Writers: Carlo J. Caparas (graphic novel) & R.J. Nuevas (screenplay)
Duration: 110 min
Year Released: 2009
Release Date: December 25, 2009 (Philippines)
Genre: Action | Adventure | Fantasy
Country: Philippines
Language: Filipino | Tagalog
Subtitle: Soft English Sub
Color: Color
Certification: Philippines:G (MTRCB)
Company: GMA Films
Awards: 2009 Metro Manila Film Festival
Best Actor Ramon 'Bong' Revilla Jr.
Best Child Performer Robert Villar
Best Original Theme Song Ogie Alcasid For the song "Ikaw Lamang".
Best Picture
Best Production Design Richard Somes
Best Sound Recording Albert Michael Idioma
Best Special Effects Jay Santiago
Best Supporting Actor Phillip Salvador
Cast
Ramon 'Bong' Revilla Jr. ... Flavio
Phillip Salvador ... Lizardo
Iza Calzado ... Maria
Rhian Ramos ... Emelita
Geoff Eigenmann ... Celso
Robert Villar ... Budoy
Joonee Gamboa ... Lolo Isko
Luz Valdez ... Lola Mameng
Benjie Paras ... Zanboro
Gladys Guevarra ... Babang
Carlene Aguilar ... Teresang Aswang
Marissa Sanchez ... Miling
John Lapus ... Kruma
King Gutierrez ... Kubada
Stef Prescott ... Ditas
Also Known As: Dugo ng Panday Philippines (original script title) (Tagalog title)
Panday Philippines (informal title) (Tagalog title)
Synopsis:
A meteor crashes into the desert of Sto. Sepulcro. The town blacksmith, Flavio, forges a dagger and a churchbell from the remains of the meteor. He uses the dagger to fight off the evil Sombra Oscura, who constantly attacks the town. By some mystical power, the dagger transforms into a great sword every time Flavio wields it.
In his final battle against evil, the Panday faces off against Lizardo, the son of the devil and the leader of the Sombras. The battle is intense, but Flavio prevails in the end, vanquishing Lizardo.
Having saved Sto. Sepulcro, Flavio decides to give up his sword. He goes to the church and casts his fabled weapon into the bell he also made. A white light then shoots out from the sky, and it lifts up Panday into the heavens.
The people of Sto. Sepulcro rejoice now that Panday has brought them peace. Unbeknownst to them, the Sombras discover that there is a part of Lizardo that is still alive - his brain.
In order to bring him back to life, they must transcend time and space to look for the girl who can resurrect their master.
Ang Panday 2009- Full Trailer(HIGH QUALITY) (http://www.youtube.com/watch?v=8jqadlyNem8#)
Once.Upon.A.Chinese.Classic.2010.CN.DVDRip.Xvid-XTM
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Also Known As:
Yue Guang Bao He 越光宝盒 (Mandarin Title)
Just Another Pandora's Box (Hong Kong English Title)
Year: 2010
Country: Hong Kong
Director: Jeffrey Lau
Genre: Comedy / Fantasy
Runtime: 86 min
Language: Mandarin Dubbed
Subtitles: Chinese (Hard-Subbed)
IMDB: http://www.imdb.com/title/tt1612143 (http://www.imdb.com/title/tt1612143)
Theatrical Release Date: 03/18/2010
Cast: Ronald Cheng, Betty Sun, Gigi Leung, Ada Choi, Eric Tsang, Sandra Ng, Yi Huang, Kenny Bee, Johnny Kong, Hsiao Liang, Yuen Biao, Wah Yuen
Synopsis/ Plot
A bandit Ronald Cheng effortlessly pulls out the magic sword belonging to Fairy Athena Chu, and Fairy Sun Li who lives by love, is drawn as moth to flame by this deja vu-like infatuation. As Sun Li chases after the Ronald Cheng, who just wants to get away from this "rotten peach blossom", the Pandora's Box opens a doorway into another time zone...
Thus begins their incredible journey that is filled with fantasies, traipsing through A Chinese Odyssey, Eagle Shooting Heroes, Red Cliff, Kungfu Hustle, Painted Skin, Kungfu Panda, Crouching Tiger, Hidden Dragon, and even The Matrix, with appearances by a number of the original cast members plus, reportedly, recreation of the original movie sets.
Just Another Pandora's Box Trailer / 月光宝盒 预告 (http://www.youtube.com/watch?v=8mHMBprP-Gk#)
Kaiji : The Ultimate Gambler (2009)
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AKA : Kaiji : Jinsei gyakuten gemu | Gambling Apocalypse Kaiji
Year : 2009
Country : Japan
Language : Japanese
Subtitle(s) : English
Film Genre : Drama
IMDB : Kaiji : The Ultimate Gambler
Links : Asian Media Wiki
Director : Toya Sato
Cast : Ken'ichi Matsuyama, Tatsuya Fujiwara, Teruyuki Kagawa, Taro Yamamoto, Yuki Amami, Yuriko Yoshitaka, Suzuki Matsuo, ken Mitsuishi, Kei Sato, Sotaro,Ryushin Tei, Bobby
Plot/Synopsis
Kaiji Ito moves to Japan after graduating from high school. Unable to find a job and frustrated with society at large, Kaiji spends his days gambling, vandalizing cars, and drinking booze.
Two years later and his life no better, a debt collector named Endo arrives to collect money. The debt collector then offers two choices to Kaiji: spend 10 year paying off your loan or board a gambling boat for one night to repay your debt & possibly make a whole lot more. Meanwhile, the unscrupulous Endo is actually conning Kaiji, believing he won't come back from voyage. Kaiji is then up for the night of his life.
Kaiji the Movie - Trailer feat YUI's「It's all too much」 (http://www.youtube.com/watch?v=K7XRk0gQsRs#)
Obrada mange Nobuyukija Fukumota. Ako bude imao 50% psihološke suptilnosti originala (pošto je već onaj stil crtanja nemoguće preneti u igrani film) sedam u prvi avion, letim u Japan, pronalazim Toyu Satoa, zahvaljujem mu se i vršim seppuku pred njim. Ozbiljno.
Pogledah trejler za novi Ong-bak, koji je ušao u kraljevstvo čistih bajki.
Brine me što je u Tajlandu trenutno politički haos ušao u viši režim rada. To će verovatno usporiti dolazak Ong Bak 3 na naše male ekrane...
evo linkova za Kaiji : The Ultimate Gambler (2009)
CD1 - http://www.megaupload.com/?d=X7HAI4QT
CD2 - http://www.megaupload.com/?d=PMY4MO3S
SUB (srt) - http://www.megaupload.com/?d=6FTRKLFC /// [idx/sub]
upravo skidam film pa ne mogu da kazem nista o kvalitetu ripa, linka, prevoda...
Je l' gledao neko ovo?
Liči na japanski Das Boot
Manatsu no Orion aka Battle Under Orion
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Hm. Nisam ga gledao i nemam ga na radaru; odnosno kopiju, prevod i kvalitet.
Odgledaj ako ga imaš, pa javi da li vredi. :)
A.Man.Who.Was.Superman.DVDRip.XviD-BiFOS
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Aka: A Man Once a Superman, 슈퍼맨이었던 사나이(A Man Who Was Superman)
Year: 2008
Directed: Jeong Yoon-cheol
Genre: Drama/Romance
Runtime: 105 mins
Country: South Korea
Language: Korean
Subtitles: English
Cast: Jeon Ji-Hyeon, Hwang Jeong-Min(a), Jin Ji-Hee
Imdb: N/A
Synopsis / Plot / Review
The two join forces in ``A Man Who Was Superman,'' a story about an unlikely ``hero'' (Hwang), who goes out of his way to help ― or rescue ― the planet by helping senior citizens cross the street and hand-standing in the middle of the road ``to push away'' the detrimental effects of the sun. Jun plays the role of Song Su-jeong, a cynical documentary filmmaker who records his story.
...
Kryptonite is a fictional substance that weakens Superman's powers in the original American comic series. In the movie, his character claims to have kryptonite stuck in his head, and when Song (Jun) discovers through an X-ray that there really is something in his brain, she knows she has the story of her life...
Fire.of.Conscience.2010.CN.DVDRip.Xvid-XTM
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For Lung 火龙/火龙对决 (Cantonese Title)
Huo Long (Mandarin Title)
Year: 2010
Country: Hong Kong
Director: Dante Lam
Genre: Action / Thriller
Runtime: 105 min
Language: Mandarin Dubbed
Subtitles: Chinese
IMDB: http://www.imdb.com/title/tt1602500/ (http://www.imdb.com/title/tt1602500/)
Theatrical Release Date: 04/01/2010
Cast: Leon Lai, Richie Ren, Baoqiang Wang, Vivian Hsu, Michelle Ye, Kai Chi Liu, Wilfred Lau, Charles Ying, Kai Tan, Xiaojun Yue, Yan Tan, Kuan Tai Chen
Synopsis/ Plot
The investigation of a prostitute homicide brings headstrong, heavy-handed Detective Manfred in an unlikely collaboration with sly, man-of-the-world Inspector Kee from the Narcotics Bureau.
When the DNA samples of one of Manfred's fellow officers are found at the crime scene, implicating him as the prime suspect, Manfred must look beyond the obvious to get to the truth. Meanwhile, Kee's uncanny eagerness to lend a helping hand every step of the way outside his own turf is beginning to smack of evil.
In the line of fire between high levels of corruption and possible malice, Manfred must solve all the twists and turns of the mystery, trying to figure out who his enemy is and how to save his innocent partner from unfathomable disgrace. Unwittingly, he is about to open a Pandora's Box that will threaten to upend the entire Hong Kong Police Force.
Fire of Conscience (http://www.youtube.com/watch?v=zJ-hcoMj6Qc#lq-lq2-hq)
Vampire Girl vs. Frankenstei Girl je iznenađujuće pitak i ne malo subverzivan (s obzirom da se ipak radi o omladinskom filmu). Elaboriraću čim me prođe paklena glavobolja.
Quote from: Meho Krljic on 23-04-2010, 23:07:59
Vampire Girl vs. Frankenstei Girl je iznenađujuće pitak i ne malo subverzivan (s obzirom da se ipak radi o omladinskom filmu). Elaboriraću čim me prođe paklena glavobolja.
to ću radi pročitati, budući da je meni bio zamorno redundantan u toj J-xploataciji J-ludila i J-horor-splattera, a potencijalno intrigantne hintove je uglavnom ostavio u skicama...
A.Man.Who.Was.Superman
skinula ovo, ubrzavala malo ...deluje glupavo ,gledo neko?
Ne, ali eto prilike da ti to učiniš i uputiš nas!!!!
A evo mog osvrta na Vampire Girl Vs. Frankenstein Girl. (http://cvecezla.wordpress.com/2010/04/24/vampire-girl-vs-frankenstein-girl/) Tekst je možda glup ali oko kepova sam se baš potrudio. A Eihi Shiina čak ni nije ni na jednom od njih!!! Srećom, tu je Sayaka Kametani:
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Kep klasik! :|
Nišimura pravi kadrove za sladokusce.
True Legend (2010)
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AKA : Su Qi-Er | Beggar Su | The Legend of Beggar Su
Year : 2010
Country : China
Language : Mandarin
Subtitle(s) : Chinese T | English
Film Genre : Action | Drama | History
IMDB : True Legend
Links :
Director : Woo-ping Yuen
Cast : Man Cheuk Chiu, Xun Zhou, Michelle Yeoh, Xiaogang Feng, Andy On, Luxia Jiang, Chia Hui Liu, Ka-Yan Leung, Will Liu, Jay Chou, Xiaodong Guo, Cung Le, Jacky Heung, David Carradine
Plot/Synopsis
At the end of the Qing Dynasty, war hero Su Can returns home to his beloved wife and their newborn son. Six years later, his vengeful step-brother Yuang returns from war unrecognizably consumed by Dark Martial Arts and severely injures Su as payback for a long and dark family history. Su and his wife escape with their lives, but their son is held captive. Over many long and difficults months, Su recovers from his injuries and hones his craft with the help of a mysterious Bearded Man and his apprentice, Lord Wushu, a Golden Monk of unimaginable martial arts virtuousity. But even with this training, Su is unable to save his wife's life when she stakes out to find their son. Utterly broken by grief, Su wanders the streets as a drunken beggar. It is only when his son is once again threatened that an inebriated Su summons all his fighting skills to save him and unwittingly forges a new style of martial arts forever known as The Drunken Fist.
TRUE LEGEND 2010 MOVIE TRAILER (http://www.youtube.com/watch?v=n7RZpZvNcwU#lq-lq2-hq-vhq-hd)
Quote from: Meho Krljic on 24-04-2010, 13:50:51
Nišimura pravi kadrove za sladokusce.
Umetnik čovek. :)
Future.X-Cops.2010.CN.DVDRip.Xvid-XTM
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AKA: Future X-Cops
Year:2010
Directed: Jing Wong
Genre: Sci-Fi, Action
Runtime: 94 min.
Country:Hong Kong, Taiwan
Language:Mandarin
Subtitles:Chinese
IMDb : http://www.imdb.com/title/tt1337055/ (http://www.imdb.com/title/tt1337055/)
Cast
Bingbing Fan, Siu-Wong Fan, Mike He, Barbie Hsu, Andy Lau
Synopsis / Plot
Kidd (Andy Lau) a police officer from the year 2080 and his wife Millie (Bingbing Fan) are summoned to protect Dr. Masterson (Jingwu Ma), who is known as the "Father of Solar Energy" due to creating a cheap method to replace fossil fuel with solar energy. Because of Dr. Masterson's creation, oil tycoons have made several attempts on the life of Dr. Masterson. The Special Force of the police department has received credible information that an army of humanoids (half-man/half-machine) led by Kalon (Siu-Wong Fan) & Fiona (Yifei Tang) are set to ambush Dr. Masterson at the Convention Center.
At the Convention Center a fierce battle ensues that leaves Kidd's wife Millie and all of the humanoids dead, except for Kalon & Fiona.
The oil tycoons then steal the secrets of time travel to send revamped 2.0 versions of Kalon & Fiona to the year 2020 to murder Dr. Masterson when he was a 12 year old kid.
The government learns of the oil tycoons plans to go back in time and this is when Kidd volunteers to have radical surgery to transform himself into a bionic man with mechanical arms and legs. He then travels back to 2020 with his daughter Kiki, who will go to the same school as the young Dr. Masterson. Kidd works as a police officer in 2020, to avoid suspicion of his background, while fellow police officer Holly (Barbie Hsu) becomes attracted to Kidd. Knowing he will go back to 2080 after his mission is complete he is unable to return Holly's affection for him.
A fierce show down with the androids Kalon & Fiona is then set to occur ...
FUTURE X-COPS 2010 OFFICIAL NEW MOVIE TRAILER 1 (http://www.youtube.com/watch?v=a-KlEHa_Dkw#lq-lq2-hq-vhq-hd)
Jeonwoochi.DVDRip.XviD-COLONiZE
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Aka: Jeon Woo Chi ,JEON WOO CHI : The Taoist Wizard
Year: 2009
Directed: Dong-hun Choi
Genre: Action/Adventure/Comedy
Runtime: 136 Min
Country: South Korea
Language: Korean
Subtitles: English
Cast:
Su-jeong Lim
Yun-seok Kim
Dong-won Kang
Yeon-su Seo ... Palace girl
Ji-hyeok Min ... Jeon Woo-chi's 10
Min-gyoo Park ... White jacket
Jong-gu Yun ... Aristocrat
Hyeon-woo Son ... Warrior
Imdb: http://www.imdb.com/title/tt1274293/ (http://www.imdb.com/title/tt1274293/)
Synopsis / Plot / Review
500 Years Ago in the Chosun Dynasty. The Pipe of the prophecy has fallen into the evil hands of the goblins, propelling the world into a whirlwind of disorder. The ancient Taoist wizards turn to the greatest ascetics of their time, the Master and Hwadam (Kim Yoon-seok) for help in vanquishing the goblins and trust each wizard with one half of the Pipe. Meanwhile, the Master's rascal student Woochi (Kang Dong-won) tricks the king with the art of transformation and creates a fiasco, which makes the three Taoist wizards and Hwadam visit the Master. But the Master has been murdered and his half of the Pipe is missing! By taking his master's pipe out to the market streets, Woochi has been pushed into a corner, ultimately getting sealed into a painting along with his trusty dog, Chorangyi (Yoo Hae-jin)
Jeon Woochi: 전우치 (12.23.2009) starring Kang Dong Won (http://www.youtube.com/watch?v=s2KaskWyY5U#lq-lq2-hq)
No.Mercy.DVDRip.XviD-COLONiZE
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Aka: Yongseoneun Eupda
Year: 2010
Directed: Kim Hyeong-Jun
Genre: Thriller/Crime
Runtime: 123 Min
Country: South Korea
Language: Korean
Subtitles: English
Cast:
Seol-kyung Ku
He-jin Han
Seung-beom Ryu
Imdb:
Synopsis / Plot / Review
Forensic pathologist Kang (Seol Kyeong-gu) is assigned to examine the dismembered corpse of a female murder victim. Detective Min (Han Hye-jin) points to a fanatic environmentalist, Lee Sung-ho (Ryoo Seung-beom), as the primary suspect. But when Kang's daughter is kidnapped, a manipulative game begins between Kang and Lee, who holds secrets about the homicide case.
No Mercy (2010) Korean Movie Trailer (http://www.youtube.com/watch?v=a7C7V5myA_k#lq-lq2-hq)
Listen.to.My.Heart.2009.JAP.DVDRip.XviD-GiNJi
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Also Known As:
Hikidashino Nakano Rabu Retâ 引き出しの中のラブレター (Japanese Title)
Year: 2009
Country: Japan
Director: Shinichi Miki
Genre: Drama
Runtime: 107 min
Language: Japanese
Subtitles: None at time of post
IMDB: http://www.imdb.com/title/tt1487109 (http://www.imdb.com/title/tt1487109)
Theatrical Release Date: 10/10/2009
Cast: Takako Tokiwa, Kento Hayashi, Tomoko Nakajima, Nozomu Iwao, Terunosuke Takezai, Kaoru Yachigusa, Mitsuru Fukikoshi, Hagiwara Masato
Synopsis/ Plot
A radio DJ, Mao starts a new program called, "Love Letters from the Drawer" to assist people who need an extra push to send out their simple yet very important message for their loved ones. Through her radio show, various characters come to light as everyone awaits for a miracle to happen. A miracle which can occur only by them expressing their true feelings...
Listen to My Heart 引き出しの中のラブレター Japanese Movie Trailer [eng subbed] (http://www.youtube.com/watch?v=geUxU73Kuok#lq-lq2-hq-vhq)
Battle Under Orion (2009)
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AKA : Manatsu no Orion | Last Operations Under the Orion
Year : 2009
Country : Japan
Language : Japanese
Subtitle(s) : English
Film Genre : Action
IMDB : Battle Under Orion
Links :
Director : Tetsuo Shinohara
Cast : Yoshikuni Dochin, Mitsuru Fukikoshi, Mutsutoshi Furuhata, Yuta Hiraoka, Fumio Ito, Masaya Kikawada, Keiko Kitagawa, Andrew Krakat, Toru Masuoka, Naoya Matsunaga, Yu Miura, Tomofumi Okumura, Danny Pennacchi, Charles Petraske, Joe Rayome, Andrew Slagen Mishuho Suzuki, Taku Suzuki, Taiga, Hiroshi Tamaki, Kimito Totani, John Everett Trowbridge, Adam Van Der Voort, Jonthan Winnicki, Davind Winning, Yukinobu Yamada, Eisaku Yoshida
Plot/Synopsis
The final days of World War II - the ocean southeast of Okinawa. The Japanese last hope is entrusted on i-77, the last of the deployed submarines to strike at the U.S. Navy's fuel-supply lines. Takayuki Kuramoto (Hiroshi Tamaki), Commander of the i-77 is up against Mike Stewart, the captain of the U.S. destroyer Percival who has the finest record U.S. Navy. As the i-77 and U.S. destroyer Percival begin a mutual hunt, the two captains bring all their knowledge and power to bear as, with lessening supplies of torpedoes and depth charges, they battle. Kuramoto the lives of his young crew members in his charge, is forced by the difficulties of battle into a serious decision. With Midsummer Orion, a piece of music sheet, in his breast pocket, he sets out on a final battle that will mean life or death. August, 1945: the fuse is lit on a final battle to the limits of mind and body.
Manatsu no Orion Trailer (http://www.youtube.com/watch?v=GYSRYzkNRmo#lq-lq2-hq)
Ip.Man.2.2010.DVDRip.XviD.AC3-ViSiON
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Also Known As:Yip Man 2: Chung si chuen kei
IMDB LINK:http://www.imdb.com/title/tt1386932/
RATiNG .........: 7.8/10
Cast:
Donnie Yen
Sammo Hung
Lynn Hung
Huang Xiaoming
Directed:Wilson Yip
Genre:Action | Biography | History
Runtime:01:45:08
Country:China
Language: Mandarin
Subtitles:None Yet
Plot:
Continuing from where the first film left off, Wing Chun master Ip Man and his family move to Hong Kong in the early 1950s after their escape from the Japanese. Ip Man decides to open a school to teach Wing Chun and propagate the martial art, as well as make his living. However, as Ip Man's fame is not well known in the region, he has a hard time looking for students. After more than a week, a young man named Wong Leung (Huang Xiaoming) appears and asks to be taught Wing Chun. Upon first meeting the unassuming Ip, Wong challenges him to a fight and declares he will take him as his master and pay his school fees if he loses. After a couple of rounds of sparring, Ip easily defeats Wong, sending the humiliated young man leaving and coming back with a group of his friends who attempt to gang up on Ip. However, they are no match for Ip as he beats them. Stunned and impressed by his skills, Wong and his friends become his students. Eventually, Wong brings in additional students.
One day, while Ip is out shopping for his family, he encounters his old friend Chow Ching-chuen (Simon Yam), who has become a beggar. Ip meets his son Kong-yiu, who tells him that his father suffered brain damage from a gunshot wound to the head while fleeing from the Japanese during their occupation years ago. As a result, Chow no longer recognizes anyone. Ip is saddened by his friend's fate and offers to help Kong-yiu take care of his father. He also helps Kong-yiu by finding him a job in a newspaper agency run by Leung Kan (Pierre Ngo), who earlier helped Ip find a suitable location for his Wing Chun school.
Pogledao sam povratničku režiju Yuen Woo Pinga TRUE LEGEND. Meni je Yuen Woo Ping jedan od najdražih, ako ne i najdraži hongkonški reditelj. Iako naravno ne spadaju svi filmovi u njegov kanonski opus tipa TIGER CAGE ili IN THE LINE OF DUTY, ono što volim je stvarno klasika i pokazuje da je on nesporno najbolji koreograf među Yuenima. DRUNKEN MASTER, IRON MONKEY a naročito TAI CHI MASTER spadaju ne samo u vrhunac njegovog opusa već stoje i kao najbitnije tačke glumaca koji su u njima igrali.
Nažalost, u novom filmu Yuen Woo Ping pokazuje da luta. Godine rada na poslu akcionog koreografa učinile su da malo izgubi rediteljski edge. Ranije je pored akcije, Woo Ping odlično vodio priču, o okvirima onoga što su zahtevi žanra. Uostalom pogledajmo TAI CHI. Sada međutim, u ovom talasu renesanse HK filma, Yuen ne uspeva da nađe ono po čemu se ranije izdvajao. U izvesnom smislu Yuen Woo Pinga je iskvario Zapad. I to ne samo u smislu pokušaja da približi HK film zapadnoj publici. Štaviše, TRUE LEGEND ima manji potencijal crossovera nego ikada. Problem je u tome što on primenjuje neke stvari koje je pokupio sa Zapada u lokalnim filmovima koji nemaju puno perspektive van matičnog tržišta u Kini.
Prvo, TRUE LEGEND je neopravdano ambiciozan na nivou priče. Yuen Woo Ping nudi tri filma, ili barem dva filma u jednom. Od ta dva, barem jedan, to jest samo razrešenje priče na borilčačkom turniru je apsolutni višak jer se ne bavi onim što je osnovna tema filma niti postavka karaktera. Svakako da su izvesni motivi u tom razrešenju proistekli iz tog središnjeg dela, ali oni sugerišu jednu epsku strukturu koju sama priča ne zaslužuje.
Glumačka podela je lokalna, bez ikakve mogućnosti crossovera. Meni kao nekome ko ipak poznaje HK film ali ne može da pobegne od problema nerazlikovanja azijskih glumaca, ovaj naslov nije bio tegoba. Junaci su kastovani tako da se razlikuju, međutim, glumci su potpuno lišeni harizme. U zanemarljivo maloj ulozi pojavljuje se Michelle Yeoh.
Ono što je najzanimljivije na nivou reference jeste Yuen Woo Pingova polemika sa KILL BILLom. Ne samo da se u maloj ulozi negativca pojavljuje David Carradine već i Gordon Liu igra rolu vrlo sličnu Pei Meiju. Inače, Yuen Woo Ping je bio koreograf borbi u KILL BILLu i izvorno je razmatran da igra Pei Meija.
Pored toga, film nudi sličnu priču o osveti i rehabilitaciji povređenog junaka, tehniku Five Deadly Venoms i živosahranjivanje junakinje.
Ono što je možda najveći letdown su borbe. Yuen Woo Ping je doveo wirework do ovoga što je on danas, i tu mi wirework sam po sebi ne smeta. Međutim, ovde je zaista prevelik spoj CGIja sa wireworkom, a čak su i čitavi setovi CGI tako da se izgubio onaj stari utuisak da u tim borbama ima istinske akrobatike i čisto filmskih trikova sa kamerom i montažom. CGI sve to obesmišljava i čini se da umesto proširi horizont Yuenovih zahvata on ih sužava.
Tako se TRUE LEGEND svodi na sećanje na neke mnogo bolje filmove čiji se duh povremeno oseti u ponekoj situaciji, ali to ipak nije dovoljno od jednog takvog reditelja kao što je Yuen Woo Ping.
* * / * * * *
Sad mi nešto nije žao što se ovo još nisam nakanio da pogledam. Grrr, žica plus CGI su opasna kombinacija i baš me jedi da je i YWPing posrnuo na ovaj način. Slutim da mi sledi repriziranje Tai Chi Mastera...
Yuen Woo je bio toliko talentovan da je učinio žicu onim što je ona danas. Sada nažalost, mislim da je sam poklekao pred onim u šta se žica pretvorila...
http://www.popboks.com/tekst.php?ID=8045 (http://www.popboks.com/tekst.php?ID=8045)
Ovaj Symbol deluje prilično zanimljivo...
Izgleda. Sam da se setim da ga pojurim danas popodne. Penise ipak treba ispoštovati.
linkovi za penise tamo gde su linkovi
Al'lah će ti platiti, sinko.
O ovom SYMBOLu sam čuo da je ludilo još pre jedino godinu dana, ortak ga je gledao na festivalu. Nikako da stignem da ga pogledam.
No More Comics (http://ljudska_splacina.com/2010/05/imghttpi234.html)
Quote from: Meho Krljic on 14-05-2010, 11:44:38
Al'lah će ti platiti, sinko.
Prihvatamo samo danak u krvi xD
Reciprocitet ftw
ima li smisla da, kad shozo javi za neki novi rip, 'po defaultu' postavim rs hf ili mu linkove tamo (http://www.znaksagite.com/diskusije/index.php?topic=9042.0?)(naravno ako ih i kad ih nadjem)?
Bat of kors. To mi štedi skakanje između ZS-a i WBB-a ili kakvog drugog saita.
Naravno, i naravno da cemo preferirati muuuu.
ok poslednjih par naslova stavljeno
edit: javite ako vas neki posebno zanima, ja sam stavio samo one koje sam sebi skinuo
Ballad.2009.JAP.DVDRip.XviD.GiNJi
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IMDB LINK....: http://www.imdb.com/title/tt1424045/ (http://www.imdb.com/title/tt1424045/)
Cast.........: Tsuyoshi Kusanagi, Yui Aragaki, Mitsuru Fukikoshi, Kyôko Kagawa, Kenji Motomiya...etc
Directed.....: Takashi Yamazaki
Genre........: Action | Drama | Romance
Runtime......: 02:10:12
Also Known As: Ballad: Na mo naki koi no uta (2009)
Country......: Japan
Language.....: Japanese
Subtitles....: N/a
File Format..........: AVi
Codec................: XViD
Resolution...........: 640x272
AR...................: 2.35:1
Video Bitrate........: 879Kbps
Audio................: AC3
Audio Bitrate........: 448Kbps
Plot Summary:
Shinichi runs away from his problems and the people he fears. When Shinichi prays to the great Kawakami oak tree for courage, he is plunged into ancient feudal Japan. He awakens in the province of Kasuga, in the midst of a battle. It is there he meets the great warrior samurai, called the Demon Ijiri. Ijiri is a worthy adversary in battle, but he proves to be a less successful lover. He has been in love with Princess Ren since his youth. She has fiercely loved him in return, rebuking offers of marriage in the hopes of marrying for love. When the powerful Lord Takatura asks for her hand in marriage, she dares not refuse him for the safety of her kingdom. When Shinichi's family emerges from the future to search for him, they bring stirring news to the town elders. The Kasuga province had never been recorded in history, and their enduring battles with other clans were seemingly fruitless. In light of this news, Princess Ren is relinquished of her duty to marry the formidable Lord Takatura. Ijiri is overjoyed, as is the Princess Ren. Yet Lord Takatura is unaccustomed to rejection, and his rage results in a fearsome battle.
Genkai.in.a.Black.Company.2009.JAP.DVDRip.XviD.AC3
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Black Gaisha ni Tsutometerundaga, Mou Ore wa Genkai Kamoshirenai (Romanized)
Year: 2009
Country: Japan
Director: Yuichi Sato
Writer: Yuichi Sato (Screenplay) Kuroi Hayato (Original Story)
Genre: Comedy
Runtime: 104 min
Language: Japanese
Subtitles: None
IMDB:
Theatrical Release Date: November 21, 2009
Cast:
Teppei Koike - Masao Oneta (Mao)
Maiko - Ayako Nakanishi
Kei Tanaka - Shota Kimura
Hiroshi Shinagawa - Michihiro Abe
Tetsuhiro Ikeda - Tetsuya Ide
Yasuhi Nakamura - Manabu Uehara
Masako Chiba - Sadako Seko
Takamasa Suga - Shibata
Mayumi Asaka - Keiko Oneta
Toshiyuki Kitami - Shinji Ohneta
Leo Morimoto - Sakushi Kuroi
Seiichi Tanabe - Takumi Fujita
Synopsis/ Plot:
On a hot steamy day in Yurakupo, a man falls down ont the asphalt. Salarymen and OL's walk by him, before he gets himself up. The 26 year old man's name is Masao Oneta (Teppei Koike).
When Masao arrives home he turns on the computer and logs onto the internet. He inputs his nickname MAO and writes that his job is a programmer and warns others of the dangers of working at his company. A reply is left for Masao asking why his company is dangerous. He then starts to write his story and what pushed him to the limit.
Masao was bullied in high school so he dropped out of school and did not leave his room for 8 years. His mother died and Masao decided to get a programmer's certificate. The economy was bad and it wasn't easy to find a job, but Masao found a job at a small IT company six months ago - 'Kuroishi Systems Corporation'.
The company was a black company (Japanese slang for companies that overwork their employees). From his first day at the company Masao was placed in an unimaginable work environment and overworked. His boss Michihiro Abe (Hiroshi Shinagawa) acted as if he had no responsibilities, co-worker Tetsuya Ide (Tetsuhiro Ikeda) always seemed to be up to suspicious things, another co-worker Takumi Fujita Seiichi Tanabe) seemed like a nice guy but acted as if he was hiding a secret, while the company president Sakushi Kuroi (Leo Morimoto) seemed to have his own secrets. The workers often shouted at each other & sometimes fought with each other. The workload was so heavy that they sometimes didn't have time to sleep or rest.
Masao eventually gets promoted to project leader and the company hires two new employees. The two new employees are beautiful Ayako Nakanishi (Maiko) & the ambitious Shota Kimura (Kei Tanaka). With the addition of these two new employees the moral of the office improves temporarily. But then Masao gets the worst news. He starts to tear up and shouts at the workers in the office. Mao then runs out of the office. Is it possible for the workers to meet the project deadline?
Notes:
1. Story is based on a popular forum thread on the Japanese website 2chan - the same website where the story for "Densha Otoko" first originated.
2. The term "black company" (burakku gaisha) is a Japanese slang referring to companies which overwork their employees beyond the legal limits and exploit people who cant find a better jobs.
3. "Genkai in a Black Company" was also adapted to a best-selling novel in 2008
映画 ブラック会社に勤めてるんだが、もう俺は限界かもしれない 予告 (http://www.youtube.com/watch?v=xiKhh6ACins#lq-lq2-hq)
Tajomaru.2009.DVDRip.XviD.AC3-ViSiON
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Dir: Takeshi Kitano. Japan. 2010. 109mins
After eight years of soul-searching filmic experiments, using himself, his art and everything he did in the past for metaphorical purposes, Takeshi Kitano is back at what obviously comes easiest for him, another Yakuza picture, his first since Brother (2000). And indeed, he willingly admits that shooting violence is one of his specialties, as simple for him to put on screen as preparing an everyday dish is for an experienced cook.
The film does have qualities that Kitano aficionados will enjoy.
He certainly seems to relish the experience here, improvising new ways of administering brutal beatings, chopping off fingers, sticking chopsticks in victims' ears, drilling out their teeth, strangling the life out of them, blowing up their heads and more, all with a cold-blooded efficiency that will discourage even his most ardent followers from attempting to make sense of all the mayhem.
His Yakuza films have always been amongst his most successful in international markets, and buyers will be happy to see Kitano back in the gangster market.
Fast-forwarding into a war of succession that shakes the entire Tokyo crime world and spares no one, Kitano's picture looks dangerously similar to an exploitation movie catering to a type of audience which doesn't really care who was standing behind the camera.
The Chairman of Sanno-kai (Kitamura), the ruling Yakuza clan in town, is displeased with one of his affiliates, Ikemoto (Kunimura), for striking an alliance with the drug-dealing Murase family. This has to stop immediately and Ikemoto asks Otomo (Takeshi), who heads one of his subsidiary gangs, to appease the Boss and make a tentative move against Murase (Ishibashi).
As one violent action is retaliated by an even more violent one, this triggers an orgy of killings, takeovers of territories and settling of accounts, in which promises, commitments, obligations or business ties are completely ignored, as each of the warriors in the field trying to manipulate or eliminate the competition. In the ensuing free-for-all, no one is safe, from the most insignificant soldiers to the highest echelons, while the law, far too corrupt to put a stop to it all, allows itself to be bribed and sits back, enjoying the show.
The film, though, does have qualities that Kitano aficionados will enjoy. The plot, making no concessions, works like a perfectly tuned homicidal machine and all its characters are despicable villains that can't possibly have any sympathy for them.
Impeccably shot and cut, with clever sound design enhancing the violence, the images rush impetuously ahead, stressing the hard lines of a perfectly ordered world, almost antiseptic in its shining brilliance, a clean bright world, strangely unmoved and unconcerned with the Yakuzas who race through it, frenetically driven in black limousines which more often than not end by being their own coffins.
da, da, čekamo kopiju toga. :lol:
Outlaw.2010.KOR.DVDRip.XviD-IND
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LINK....:http://www.hancinema.net/korean_movie_Outlaw.php
LINK....:http://asianmediawiki.com/The_Outlaw_(2010-South_Korea-Movie)
Cast.........: Kam Woo-seong, Jang Sin-yeong, Lee Seung-min ,Choi Won-yeong, Yoon Ji-min, Tak Tu-In...etc
Directed.....: Kim Cheol-han
Genre........: •Crime •Mystery •Thriller
Runtime......: 01:33:33
Also Known As: Mubeobja
Country......: South-Korea
Outlaw (2010) Korean Movie HD Teaser (http://www.youtube.com/watch?v=JMkLNKsfL_g#lq-lq2-hq-vhq-hd)
Language.....: Korean
Subtitles....: N/a
Korea's 'Devil' in the details for ARP
Thriller stars Choi Min-shik, and Lee Byung-hun
By Park Soo-mee
May 16, 2010, 02:46 PM ET
SEOUL -- Kim Ji-woon's "I Saw the Devil," a hard-boiled thriller starring a pair of top Korean actors -- Choi Min-shik ("Oldboy") and Lee Byung-hun ("G.I. Joe: The Rise of Cobra") -- was picked up by France's ARP in a presale at Cannes on Thursday, according to Seoul-based sales outfit Finecut.
ARP bought the director's previous "kimchi Western" "The Good, the Bad, the Weird" at Cannes in 2007 for a wide release in France and other Asian arthouse films including Wong Kar-wai's "Happy Together."
More Cannes coverage
"Kim has a unique style for variation of genres including comedy, horror and film noir," ARP chief Michele Halberstadt said. "'The Good, the Bad, the Weird' was an unseen Western film. We expect that his new thriller will show something new."
Kim's promo film screened in Cannes on Friday and will screen again Sunday. "I Saw the Devil" is the story of a man chasing a psychopath who murdered his fiancee. The film will be released in Korea in the summer.
Izašao je cam rip Ong Bak 3. Poznato je da ja cam ripove nikada ne skidam, ali za Tonija bih prekršio i zakon, a nekmoli nekakve principe. Mislim, makar da prelistamo film... Ostavio sam RS linkove na poznatom mestu.
na starom mestu, tamo gde ljubav počinje.
Warezeted forever ,warezeted for life!
For Lung aka Fire of Conscience 2010 DVDRip Xvid-GAYGAY
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Quote from: crippled_avenger on 13-05-2010, 14:13:34
Ono što je možda najveći letdown su borbe. Yuen Woo Ping je doveo wirework do ovoga što je on danas, i tu mi wirework sam po sebi ne smeta. Međutim, ovde je zaista prevelik spoj CGIja sa wireworkom, a čak su i čitavi setovi CGI tako da se izgubio onaj stari utuisak da u tim borbama ima istinske akrobatike i čisto filmskih trikova sa kamerom i montažom. CGI sve to obesmišljava i čini se da umesto proširi horizont Yuenovih zahvata on ih sužava.
Tako se TRUE LEGEND svodi na sećanje na neke mnogo bolje filmove čiji se duh povremeno oseti u ponekoj situaciji, ali to ipak nije dovoljno od jednog takvog reditelja kao što je Yuen Woo Ping.
* * / * * * *
Dobro si ovo napisao, sa CGI , wire-fu je izgubio smisao, sve je toliko vjestacki da je nemoguce gledati.
Sto se tice koreografija, meni se mnogo vise svidja Ching Siu Thung (Duel To The Death) i neki filmovi kasne faze Shaw Brothersa.
[Tv-Japan] Zebraman 2 Dvdrip [704x396 DivX6.8.5+MP3] [no sub]
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IMDB LINK....: http://www.imdb.com/title/tt1534568/ (http://www.imdb.com/title/tt1534568/)
Cast.........: Sho Aikawa Riisa Naka Tsuyoshi Abe Masahiro Inoue Naoki Tanaka Guadalcanal
Directed.....: Takashi Miike
Genre........: Action
Runtime......: 1h 46mn
Also Known As: Zeburaman: Zebura Shiti no gyakushu
Country......: Japan
Language.....: Japanese
Subtitles....: No Subs
Release Date.: May 1, 2010
Plot Summary:
School teacher Ichikawa (Sho Aikawa), sometimes known as Zebraman, suddenly awakes 15 years later in the year 2025. The megapolis known as Tokyo has now been renamed to Zebra City. The city has become virtually crime free due to a new measure known as "Zebra Time." Every morning and evening for five minutes "Zebra Time" is implemented, which allows the Zebra Police to eliminate any potential criminals.
Soon enough, Ichikawa comes under attack by the Zebra Police, but is saved by Ichiba (Naoki Tanaka) and taken away to a safe haven known as the "White Horse House". At the "White Horse House," survivors of "Zebra Time" recover from their wounds, while plotting methods to overthrow the city's govenor who implemented "Zebra Time". Throughout all of this, Ichikawa has lost his memory & cannot remember his past as Zebraman ...
JAPONIA DREAM PRESENTS: ''Zebraman 2'' Trailer (http://www.youtube.com/watch?v=D5Fj3k_RCVY#lq-lq2-hq-vhq)
Quote from: Shozo Hirono
Ip.Man.2.2010
Odgledao sam ga. I moramd a priznam da je slabiji od prvog dela.
Nema mi tu neku tezinu. Prvi deo je ipak mnogo vishe okrenut Kini i njihovoj tradiciji..
Ovaj Zebraman me intrigira... Prvi mi je bio prerazvučen i premalo smešan, ali kako Miike u poslednje vreme uglavnom pravi tu neku laku zabavu, ovo bi moglo da bude dobro. Doduše, mali je ovo budžet, cenim, neće tu biti Yatterman ekstravagancije.
Shozo moze neka preporuka, sta valja od ovih novijih, naravno samo da nisu nindze i samuraji, a sve ostalo, tople ljudske, trileri i tako to, full :)
Quote from: Son of Man on 05-06-2010, 15:26:40
Shozo moze neka preporuka, sta valja od ovih novijih, naravno samo da nisu nindze i samuraji, a sve ostalo, tople ljudske, trileri i tako to, full :)
evo nešto i za tebe i za meha. ;)
Hebi ni piasu (http://www.imdb.com/title/tt1254249/)
jeeeee!
cik-la-ma!cik-la-ma! cik-la!cik-laaa-ma!
Zebraman (http://www.youtube.com/watch?v=ZvVmGBXvROA&feature=related#lq-hq)
Hehe, dojaja, vidim glumi ova mala sto je glumila Mitsuko u Norikos dinner table, awesome :|
Fala Shozo xcheers
EDIT : Nego kad izlazi taj Zebraman ?
Echoes.of.the.Rainbow.2010.DVDRip.XviD-GAYGAY
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Aka: "Echoes of the Rainbow" - International (English title)
Year: 2010
Directed: Alex Law
Genre: Drama/Comedy/Romance
Runtime: 117mins
Country: Hong Kong
Language: Cantonese
Subtitles: English
Cast:
Sandra Ng Kwan Yue ... Mrs Law
Simon Yam ... Mr Law
Lawrence Ah Mon ... Goldfish Seller
Tung Cho 'Joe' Cheung ... Doctor
Evelyn Choi ... Flora
Buzz Chung ... Big Ears
Paul Chun ... Big Uncle - barber
Chun Chau Ha ... Old Man at the printer's
Imdb: http://www.imdb.com/title/tt1602572/ (http://www.imdb.com/title/tt1602572/)
Synopsis / Plot / Review
The film depicts Hong Kong in the striving 60s, as seen through the eyes of a child. Nosy, naughty and always running into trouble, the kid observes with wit and humor the ever changing society of Hong Kong.
The story revolves around the kid and his family - a working class father, a happy-go-lucky mother, an aspiring, starry-eyed elder brother, and our young protagonist himself. Through the elder brother's first romance, and the family's encounters with love, hope, failure, death and rebirth, we travel back to a place called old Hong Kong, a time we'll always remember, and a place we have always called home.
Echoes of the Rainbow (http://www.youtube.com/watch?v=KbDNZK-siQA#lq-lq2-hq)
Secret.Reunion.2010.DVDRip.XviD.AC3-ARJ
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Also Known As:Ui-hyeong-je .Blood Brothers
IMDB LINK:http://www.imdb.com/title/tt1535491/
Cast:Kang-ho Song Dong-won Kang Yun-seo Choi Kyeong-min Go Seung-do Han Su-ho Ha
Directed:Hun Jang
Genre: Drama | Thriller
Runtime:1.57.16
Country:South Korea
Language:Korean
Subtitles:ENGLISH and Korean..Softsub.srt...smi.
Plot:
When North Korean secret agent Ji-won (Kang Dong-won) crosses the 38th Parallel on a mission, the National Intelligence Service (NIS) led by Han-gyu (Song Kang-ho) intervenes, and a shooting rampage ensues in the heart of Seoul. For the incident, Han-gyu is fired and Ji-won is deserted by his agency. Six years later, the two meet by chance and start a business partnership in order to steal information from the other.
Six years ago a mysterious shooting takes place in Seoul. The after effects of the shooting results in Han-kyu Lee (Song Kang-Ho) losing his job at the NIS (National Intelligence Service). Six years later, Ji-won Song (Kang Dong-Won), an ex North Korean spy. now operates somewhere in the Seoul metropolitan area. As these two men hide their identities and work their particular angles, trouble brews again ....
Secret Reunion - Trailer (http://www.youtube.com/watch?v=WKKx5rG5mSI#lq-lq2-hq)
Opa, nas omiljeni glumac uraaaa !!! :!: :D :!:
Legend.of.The.Tsunami.Warrior.2008.DVDRip.XviD-TASTE
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plot
As sea pirates threaten to invade their kingdoms, three queens of Langkasuka must band together to defend their land s and people...
Bloody Shake 2009 KOR DVDRip XviD-CiNE21i [no sub]
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IMDB LINK.......: http://www.hancinema.net/korean_movie_Bloody_Shake.php (http://www.hancinema.net/korean_movie_Bloody_Shake.php)
Cast............: Jeon Hye-jin, Seong Hyeok, Jang Seong-won, Kim Do-yong...etc
Directed........: Kim Jee-yong (김지용)
Genre...........: •Crime •Drama •Fantasy
Runtime.........: 1h 46mn
Also Known As...: Beul-leo-di Swe-i-keu
Country.........: South Korea
Language........: Korean
Subtitles.......: No Subs
Plot Summary:
Blind Su-kyeong, an uncle who has the mentality of a 5-year-old, pickpocket Chan-woo, a gentleman who works at a publishing company, Ji-ni at the butcher shop, Ru-pi (?) who has many wounds, and salaryman Man-ho all come out in this movie. Su-kyeong and her uncle run a flower shop together. It may seem that Su-kyeong's uncle is a burden, but he is her only light in her world of darkness and her only family. And then, two men appear in her life. Chan-woo, who is always looking after himself. A gentleman like soft ice cream. Her uncle feels competition. Although she can't see, Su-kyeong tries to be a friend to Chan-woo, and the gentleman's soft exterior becomes cold-hearted and obsessive. The characters get tangled up in each other's lives.
Bloody Shake 1st Official Trailer (http://www.youtube.com/watch?v=UrY2s9os1tQ#normal)
Pandemic 2009 (Kansen Retto)
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Also Known As: Kansen Retto
Year: 2009
Directed by: Takahisa Zeze
Genre: Drama | Sci-Fi | Thriller
Runtime: 138 min
Country: Japan
Language: Japanese
Subtitles: Chinese (hardcoded)
IMDB: http://www.imdb.com/title/tt1185654/ (http://www.imdb.com/title/tt1185654/)
Synopsis/Plot:
Tsuyoshi Matsuoka, a doctor at a Tokyo hospital, misdiagnoses a patient's disease as a common cold. But after the patient's sudden death, he realizes that it's very serious disease, which can make a population extinct, so he struggles to find out the cause of the disease with doctor Eiko Kobayashi.
Kansen rettô TRAILER [MQ] (http://www.youtube.com/watch?v=R-ertVeZmpg#normal)
Zvuci kao malo nabudzenija epizoda Doktora Kuce. :lol: :lol:
True.Legend.2010.PAL.DVDR.EngSub
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AKA : Su Qi-Er | Beggar Su | The Legend of Beggar Su
Year : 2010
Country : China
IMDB : http://www.imdb.com/title/tt1425257/ (http://www.imdb.com/title/tt1425257/)
Source : DVD9 Retail
Video type : PAL 16:9 (720x576) VBR, Auto Letterboxed
Audio type : 1. Chinese (Dolby AC3, 2 ch, 192 kb/s, 48 kHz) 2. Russian (Dolby AC3, 2 ch, 192 kb/s, 48 kHz)
Subtitle : English, Russian
Menu : YES
Genre : Action | Drama | History
Runtime : 01:54:37
Director : Woo-ping Yuen
Cast : Man Cheuk Chiu, Xun Zhou, Michelle Yeoh, Xiaogang Feng, Andy On, Luxia Jiang, Chia Hui Liu, Ka-Yan Leung, Will Liu, Jay Chou, Xiaodong Guo, Cung Le, Jacky Heung, David Carradine
Plot/Synopsis
At the end of the Qing Dynasty, war hero Su Can returns home to his beloved wife and their newborn son. Six years later, his vengeful step-brother Yuang returns from war unrecognizably consumed by Dark Martial Arts and severely injures Su as payback for a long and dark family history. Su and his wife escape with their lives, but their son is held captive. Over many long and difficults months, Su recovers from his injuries and hones his craft with the help of a mysterious Bearded Man and his apprentice, Lord Wushu, a Golden Monk of unimaginable martial arts virtuousity. But even with this training, Su is unable to save his wife's life when she stakes out to find their son. Utterly broken by grief, Su wanders the streets as a drunken beggar. It is only when his son is once again threatened that an inebriated Su summons all his fighting skills to save him and unwittingly forges a new style of martial arts forever known as The Drunken Fist.
True Legend - International Trailer (http://www.youtube.com/watch?v=GVJU-Pa_hFY#normal)
Da li je neko naleteo na titlove za Twilight Gansters?
Na http://titlovi.com/ (http://titlovi.com/) su postavljeni titlovi za Goth: Love Of Death.Ghoul mu dao 3+
Illusion.Apartment.2010.CN.DVDRip.Xvid-XTM
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Also Known As:
Yi Du Gong Yu 异度公寓 (Mandarin Title)
Year: 2010
Country: China
Director: Cheung Kwok Kuen
Genre: Drama
Runtime: 87 min
Language: Mandarin
Subtitles: Chinese Only
IMDB: None
Theatrical Release Date: 06/04/2010
Cast: Stephanie Hsiao Cheung, Eddie Siu-Fai Cheung, Ray Tianyu Ma, Amguulan, Linna Yao, Xie Chunxin
Synopsis/ Plot
Stephanie Hsiao Cheung portrays famous writer Plum, a well-known mystery writer who once had a happy family. That was until six months ago when her son died of illness, sending the whole family into a downward spiral. Since that day, Plum has started to experience odd phenomenas and claims to see her son everywhere. As her mental state quickly deteriorates, Plum is forced to quit her job and is eventually hospitalized to try and help her recover. However, as her husband begins to suffer from the same visions, their apartment becomes the subject of a supernatural investigation...
Illusion Apartment (2010) Trailer (http://www.youtube.com/watch?v=vu7EKYuMY64#normal)
Black.Ransom.2010.DVDRip.XviD.FEEL-FREE
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Aka: See piu fung wan
Year: 2010
Directed: Kwok-Man Keung
Genre: Action, Thriller, Triads
Runtime: 01:32:33
Country: Hong Kong
Language: Cantonese
Subtitles: English, Chinese
IMDB: http://www.imdb.com/title/tt1572168/ (http://www.imdb.com/title/tt1572168/)
Cast: Simon Yam, Kiu Wai Miu, Fala Chen, Bo-Yuan Chan, Ka-lun Cheung, Kuen Cheung, Lui Cheung, Zuki Lee, Winnie Leung, Yang Liu, Andy On, Samuel Pang
Plot:
Zhang Bo Wen (Simon Yam) is a middle-aged police officer who serves as a role model for the younger police cadets for being a sharp shooter and possesses a calm character. His glorious days are over when he used to be the former elite member in the police unit.
Everything changes when his wife is murdered by the triads and later he sunk into depression and his relationship with his daughter also affected. One day he is required by Madam Gu Guo Qiang (Fala Chen), the newly appointed Chief Superintendent of Police to investigate the high level triad leaders.
During the investigation he discovers that former police officer He Zhan Sen (Michael Miu) and his men are behind the crimes and decides to deal with him. However He knows very clearly about the police procedures and is always ahead of the authorities. Soon the battle between a police officer and an ex-police officer commences. Will Zhang successfully arrest He in the end?
Black Ransom Trailer / 撕票风云 预告 (http://www.youtube.com/watch?v=sG-sEphiKEs#normal)
The.Hovering.Blade.2009.JAP.DVDRip.RAW
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Also Known As:
さまよう刃 (Japanese Title)
Samayou Yaiba (Romanized)
Year: 2009
Country: Japan
Director: Shoichi Mashiko
Writer: Keigo Higashino (novel), Shoichi Mashiko
Genre: Drama, Criminal
Runtime: 112 min
Language: Japanese
Subtitles: N/A
IMDB: http://www.imdb.com/title/tt1415224/ (http://www.imdb.com/title/tt1415224/)
AsianMediaWiki: http://asianmediawiki.com/The_Hovering_Blade (http://asianmediawiki.com/The_Hovering_Blade)
Theatrical Release Date: October 10, 2009
Cast:
Akira Terao (Shigeki Nagamine)
Yutaka Takenouchi (Takashi Oribe)
Shiro Ito (Shinichi Mano)
Miki Sakai
Hatsuo Yamaya
Houka Kinoshita
Hatsunori Hasegawa
Mansaku Ikeuchi
Naoki Miyata
Kohei Kuroda (Atsuya Tomotaki)
Ryosuke Okada (Kaiji Sukano)
Takahiro Sato
Synopsis/Plot:
A middle school aged girl is dragged into a car while her screams fades away into the darkness of the night. The next day, the young girl's body is discovered along the Arakawa river. Detectives Takashi Oribe (Yutaka Takenouchi) and Shinichi Mano (Shiro Ito) arrive on the scene and discover that the girl was drugged and sexually assaulted before being brutally murdered. Shortly later, the girl's identity is discovered. Her name is Ema and she is the only daughter of Shigeki Nagamine (Akira Terao). Shigeki Nagamine is then called in to the station to identify her body. After identifying the body of his only daughter Shigeki loses the will to live.
One day, Shigeki receives a phone call from an unidentified person. The unidentified caller leaves Shigeki the names of two young men, Atsuya Tomotaki (Kohei Kuroda) and Kaiji Sukano (Ryosuke Okada), who killed his daughter and also leaves Shigeki the address of Atsuya Tomotaki. Shigeki already frustrated with the lack of progress in the police investigation, decides to go to Atsuya Tomotaki's home.
Shigeki enters the empty apartment of Tomotaki and discovers a video tape containing two men drugging his daughter and then brutally assaulting her. Shigeki is now enraged. Atsuya Tomotaki then enters his apartment. Shigeki stabs Tomotaki to death with a knife, but before he is killed, Shigeki finds out the whereabouts of his accomplice Kaiji Sukano.
Det. Oribe and Det. Mano receives a letter from Shigeki Nagamine confessing to the murder of Atsuya Tomotaki. He writes that because the young men were minors they would have likely gotten light sentences. No matter what, Shigeki cannot forgive the men for what they did to his daughter. The detectives must now track down Shigeki who is a wanted fugitive, while Shigeki hunts for Kaiji Sukano.
Assault.Girls.2009.JAP.DVDRip.Xvid-zdzdz
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Also Known As:
アサルトガールズ (Japanese Title)
Asaruto garuzu (Romanized)
Year: 2009
Country: Japan
Director: Mamoru Oshii
Writer: Mamoru Oshii
Genre: Sci-Fi
Runtime: 70 min
Language: English
Subtitles: Japanese Hard
IMDB: http://www.imdb.com/title/tt1478800/ (http://www.imdb.com/title/tt1478800/)
Theatrical Release Date: December 19, 2009
Cast:
Meisa Kuroki - Gray
Rinko Kikuchi - Lucifer
Hinako Saeki - Colonel
Yoshikatsu Fujiki - Jäger
Synopsis/ Plot:
In the contemporary world where the humanity cannot escape its true nature - thirst for violence and destruction - people try to escape reality in a inovative virual game. Players access the game through a special equipment that transmits the vitual reality to their cerebral cortex. Avalon (f) is a world where people can accomplish everything they can't in a real war.
The actual story is about four players trying to clear a level in desert where big worms must be killed. Eventually they conclude that solo playing style won't lead them anywhere...
アサルトガールズ／ASSAULT GIRLS 予告編 (http://www.youtube.com/watch?v=hn2aP4vN7KI#normal)
Quote from: Shozo Hirono on 07-06-2010, 13:24:42
Secret.Reunion.2010.
IMDB LINK:http://www.imdb.com/title/tt1535491/
Nista spec.
Mogao je da bude dobar spijunski film, ali se negde u procesu pisanja scenarija omanulo.
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The Secret Reunion (2010) Hun Jang ***
Novi korejski bioskopski hit je samo svojom početnom premisom pretendovao da bude na tragu masterpisa kakav je Parkov JSA. Međutim, Tajna udružba mnogo više nalikuje sličnim špijunskim holivudskim klonovima, tako da mu u poređenje sa njima dođe kao lepo doterana i našminkana kopija loših i prežvakanih američkih originala.
Kompeleksnost i zategnutost političkih odnosa između dve zavađene bratske nacije je nažalost na mnogo višem i kontemplativnijem nivou nego što nam Hu Jang prezentuje u njegovom prvom kompletnom autorskom debiju. S obzirom da je sarađivao kao asistent režije sa već iskusnim i velikim imenom kao što je Ki-Duk Kim, Jangova režija nije previše ipitna. Tajna udružba je kvalitetno i temeljito odrađen akcijaš, ali na nivou dramatike, lucidnosti i maštovitosti Jang još uvek ima mnogo toga da nauči od svojih mentora.
Providan plot ostaje plesniv do samog holivud endinga. Humor na nivou srednjoškolskog vica, nedostatak tradicionalnog crnog humora, tako karakterističnog za Korejce. Sve su to neoprostivi propusti, koji sudbinu ovog filmčića ne dobacuju ni do nivoa prosečnog mejnstrim letnjeg hita.
Svetla tačka je opet jedino Kang-ho Song, čije glumačke trasnformacije su već odavno prevazišle okvire korejske filmske industrije.
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Parallel Life (2010) Ho-Young Kwon ***
Evo još jednog autorskog debija koji je pretendovao da bude mnogo uspešniji nego što to krajnji učinak govori.
Iako naslov otvoreno asocira na metafizičke elemente u dramaturškoj postavci priče, Parallel Life je mnogo više akcioni triler, nego li sci-fi fentezi flik.
Život ljigavog sudije se okreće naglavačke kada počnu da mu se dešavaju identične nezgode kao i njegovom prethodniku od pre 30 godina... tandara-broć!
Jeste da se neki događaji u ovom filmu prepliću i ponavljaju, što ga čini dinamičnim, ali u suštini, gotovo sve vreme, ima se neki čudan osećaj da smo ovako nešto več više puta u životu videli ili čuli. Nije da baš po svaku cenu tražim i zahtevam novum, ali šaka maštovitosti bi bila dovoljna da zadovolji gladnog kritičara, kamoli gledaoca.
Kao da novija ekipa korejskih autora nije imala od koga da uči; kao da su morali da probijaju led, ruše dogme, bore se sa konzervativnim establišmentom... Ne, sve su to već odradili stariji za njih, tako da mi ovakvi bezmudi pokušaji kopiranja američkih originala služe samo za pothranjivanje agresivnog spisateljskog super-ega!
Jeste li stavili negde linkove za ovaj SECRET REUNION?
aha, na starom mestu...
Kom starom mestu?
Tamo gde ljubav počinje :)
Ne mogu da ih nađem.
poslao sam ti linkove na pp.
Hvala!
Nema na cemu.
Inace film mozete gledati i na netu.
VIDEO (http://www.zshare.net/video/77036826c45ba829/)
Agrarian Utopia (2009)
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AKA : Sawan baan na
Year : 2009
Country : Thailand
Language : Thai
Subtitle(s) : English | Thai (both hardsubbed)
Film Genre : Drama
IMDB : Agrarian Utopia
Links :
Director : Uruphong Raksaddad
Cast : Prayad Jumma, sai Jumma, Sompong Jumma, Nikorn Mungmeung, Somnuek Mungmeung
Plot/Synopsis
Facing seizure of their own lands, two families find themselves farming together on the same field, hoping just to get through another rice-farming season. But no matter how much the world is evolving, how much the country is going through economic, political, and social changes, they still cannot grasp the new ideology of "happiness." How can you dream of utopia when your stomach is still grumbling?
Agrarian Utopia trailer (http://www.youtube.com/watch?v=Pj4eHeo_l7g#normal)
Au.Revoir.Taipei.2010.DVDRip.XviD.AC3-nLiBRA
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Also Known As:
Yi yè Tái bei 一页台北 (Mandarin Title)
First Page Taipei (Alternate English Title)
Year: 2010
Country: USA / Taiwan
Director: Arvin Chen
Genre: Comedy / Romance
Runtime: 85 min
Language: Min Nan / Mandarin
Subtitles: English / Traditional Chinese
IMDB: http://www.imdb.com/title/tt1291125/ (http://www.imdb.com/title/tt1291125/)
World Premiere Date: 02/11/2010 (Berlin Int'l Film Festival)
Theatrical Release Date: 04/02/2010
Cast: Amber Kuo, Hsiao-chuan Chang, Tony Yang, Peggy Tseng, Jack Yao, Jack Kao, Lingfeng Gao, Jiang Kang-zhe
Synopsis/ Plot
A hectic and hilarious crime caper played out on the neon streets of Taipei. Shy student Kai is desperate to visit his girlfriend in France, whether she likes it or not. When a spot of smalltime gangstering offers itself as a route to an airfare, he bites – little suspecting that his evening, his travel plans and his relationship are all about to be set seriously off kilter... Sharply choreographed and winningly eccentric, this is a total delight and a tremendously confident debut.
Au Revoir Taipei trailer ~ English Subtitles ~ 一頁台北 (http://www.youtube.com/watch?v=z4vZcZ8xe6M#normal)
Shitsuren.Satsujin.2010.JAP.DVDRip.XviD-AXiNE
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Also Known As:
失恋殺人 (Japanese Title)
Lovelorn Murder (Literal English Title)
Year: 2010
Country: Japan
Director: Shoji Kubota
Genre: Crime / Thriller
Runtime: 100 min
Language: Japanese
Subtitles: None at time of post
IMDB: http://www.imdb.com/title/tt1645138 (http://www.imdb.com/title/tt1645138)
Theatrical Release Date: 04/24/2010
Cast: Mao Miyaji, Yurei Yanagi, Ryuichi oura, Mari Hoshino, Kouta Kusano, Kinuo Yamada
Synopsis/ Plot
"Shitsuren Satsujin" is an an erotic suspense film based on a famous Ranpo Edogawa novel and featuring Ranpo's star detective, Dr. Kogoro Akechi. Stars Mao Miyaji.
映画『失恋殺人』予告編 (http://www.youtube.com/watch?v=2v-Gg13jHpU#normal)
Pogledao sam UI-HYEONG-JE Hun Janga, poznat i kao SECRET REUNION. Film mi je bio izuzetno zanimljiv i lepo mi je legao. Kada je SHIRI uspeo da omasovi i internacionalizuje visokobudžetni korejski repertoarski film uvodeći koncept rip-offa na visokom nivou kao koncept, nešto što je delovalo kao dead end na kraju se pretvorilo u početak razvoja jedne vrlo kvalitetne i autentične filmske industrije koja će potom iznedriti Chan Wooka i Bonga. UI-HYEONG-JE je povratak na liniju te rip-off koncepcije, ali sa iskustvom vrlo kreativne kinematografije nastale u međuvremenu.
Ono što karakteriše UI-HYEONG-JE je pre svega utisak da taj rip-off više nije samo mehaničko preslikavanje američkog uzora već i da uspeva da funkcioniše na nivou karaktera i emocije što raniji filmovi tog tipa nisu uspevali. Sigurno je tome doprineo i Song Kang-ho koji je uostalom almunus SHIRIja iako ga prevashodno znamo po radu sa Chan Wookom i Bongom.
Song ovde ima ulogu sa kojom želi da se nametne kao korejski Bruce Willis. Njegov lik počinje kao južnokorejski Jack Bauer a potom ga sudbina učini tamošnjom Joe Hallenbeckom. Buddy formula se sprovodi spajanjem njega sa starim severnokorejskim rivalom. Pošto je obojicu napustila matična služba, oni su primorani da rade kao private dickovi na ponižavajućem poslu lova na odbegle mail order brides, iako zapravo pokušavaju i da rade jedan drugom o glavi.
UI-HYEONG-JE što se mene tiče, ima koncept pravljen za lokalno tržište ali uspeva da se nametne kao sasvim pristojan dodatak internacionalnoj tradiciji buddy cop filma. Svakako da kao i inače sa azijskim filmom ima tih nekih uneasy promena u tonu između ozbiljnosti i komedije, ali to je svedeno na minimum. Doduše, sasvim je moguće da mi je film lepo legao jer sam sucker za buddy cop filmove.
Interesantno je koliki stepen uvažavanja prema pojedincima iz Severne Koreje pokazuju južnokorejski autori. Ako imamo na umu stepen zaoštrenosti odnosa, čini se da su ovi filmovi pravljeni ne samo kako bi pokazali empatiju prema narodu, nego kao da postoji i svest o tome da se gledaju na Severu. Znamo da je Kim Jong Il ozbiljno potegao da nabavi SHIRI u vreme izlaska, a ovaj film će mu biti još zanimljiviji jer se deo zapleta odnosi i na ubistvo njegovog odbeglog rođaka.
Film nudi dosta male bondinga i bromancinga za one koji to vole ali i dva izvanredna akciona set-piecea u kojima Hun Jang radi onu vrstu akcije po kojoj je Holivud poznat i pokazuje da to itekako može dobro i ubedljivo da se uradi u Koreji.
U krajnjem zbiru, što potvrđuje i odličan rezultat sa blagajni, UI-HYEONG-JE nudi odličan crowd pleasing, u jednoj formi koju je proslavio Holivud ali joj se sve ređe vraća na pravi način.
* * * / * * * *
Pogledao sam izvanredan kratkometražni film INFLUENZA Bong Joon Hoa.
Film je koncipuiran kao kolekcija CCTV snimaka jednog čoveka koji od tipično socijalno ugroženog nezaposlenog pojedinca postaje beskrupulozni lopov i na kraju ubica sa psihopatskim ponašanjem.
Bong je maestralno režirao ovaj film ne samo zbog sjajne postavke mizan kadrova koji se beleže CCTV kamerama već i zbog poigravanja sa samom percepcijom unutar prizora, naročito u slučaju kamera koje nude mogućnost split-screen slike ili švenka.
Štaviše, INFLUENZA je film koji je naizgled jednostavan ali zapravo poziva na više gledanja kako bi se uhvatili svi detalji u Bongovoj egzekuciji.
Naravno, u osnovi svega je izuzetno britak humor ovog reditelja & scenariste od koga INFLUENZA vrca i crni humor izbija iz samih situacija. INFLUENZA je aposlutna preporuka za sve one koje zanima kratki film a naročito one koji žele da se bave filmom.
Koliko se sećam, ni ostala dva iz omnubusa nisu nimalo lošija; pogotovo Ishiijev.
http://video.yahoo.com/watch/6658080/17294300 (http://video.yahoo.com/watch/6658080/17294300)
Gledajući ovo sve sam više ubeđen da su hip-hop i brejkdens nastali iz kung-fua.
et Li and Tsui Hark, who previously teamed on "Once Upon A Time In China", are set to reunite for a 3D remake of the 1967 martial arts film "Dragon Inn" for Polybona reports The Playlist.
The story follows Chow Wai-On, a Ming Dynasty General whose rivalry with the power-hungry eunuch Tsao Siu-Yan reaches a climax at the deserted Dragon Gate Inn.
Zhou Xun will play Jade, the inn's seductive owner and possible love interest for Li's character. No casting has yet taken place for the role of Tsao, though shooting kicks off in September.
Hark wrote and produced a previous remake in 1992 which starred the likes of Tony Leung, Maggie Cheung and Donnie Yen.
Best Seller (2010)
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AKA: 베스트셀러, Beseuteu Serreo, Bestseller
Year: 2010
Genre: Thriller, Mystery, Psychological Horror
Runtime: 118 mins.
Country: South Korea
Language: Korean
Subtitles: none at time of post
Director: Lee Jeong-Ho
Cast: Eom Jeong-Hwa, Ryoo Seung-Ryong, Park Sa-Rang, Lee Do-Kyeong, Jo Jin-Ung
Links: AsianMediaWiki, Hancinema
Synopsis:
"Best Seller" is a thriller centered around writer Hee-Soo (Eom Jeong-Hwa) who moves to a small house in a rural area after becoming involved in a plagiarism scandal. Hee-Soo then hears a mysterious figure tell horrifying stories and she writes a new novel based on those stories. Her novel becomes another best seller, but Hee-Soo's success is short lived. The stories in the novel are discovered to have been published 10 years ago. To prove her innocence, she goes back to the house to uncover the mystery that lies there.
The.Neighbor.Zombie.2009.DVDRip.DivX.ItZuMo5
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Country: South Korea
Title: The Neighbor Zombie / 이웃집 좀비 (I-oot-jib Jom-bi)
Cast: Hong Young-Guen, Ryoo Hoon, Kim Yeo-jin-I, Bae Yong-geun, Ha Eun-jeong, Lim Jeong-seon
Homepage: http://blog.naver.com/50punk?&t__nil_upper_main=homepage (http://blog.naver.com/50punk?&t__nil_upper_main=homepage)
Genre: Comedy, Horror, Fear
Subtitles: N/A NOT AVAILABLE
Release date in South Korea: 2010/02/18
Directors: Hong Young-Guen, Jang Youn-Jung, Oh Young-Doo, Ryoo Hoon
Screenplay: Hong Young-Guen, Jang Youn-Jung, Oh Young-Doo, Ryoo Hoon
Synopsis:
The Neighbor Zombie is comprised of six episodes centering on the theme of a zombie virus. This film is set in the aftermath of a zombie outbreak in Seoul, 2010. The government orders the execution of those that are infected. People who have infected family members or lovers try to defend them from the government policy. Eventually, a vaccine is developed, but the transition from zomebiehood to humanity, is stressful and difficult. Episode 1 "Crack" directed by OH Young-doo An action figure collector accidentally gets infected by the zombie virus. Episode 2 "Run Away" directed by OH Young-doo A special love story of a beautiful girl and her romantic boyfriend, who gets infected and slowly transforms into a zombie. Episode 3 "Mother, I Love You" directed by HONG Young-geun A woman having to witness her infected mother slowly deteriorate each day. Episode 4 "The Age of Vaccine" directed by RYOO Hoon Dr. Park, who acts as a guinea-pig himself, tries to make a vaccine to cure zombie virus. He finally develops the cure but he's left with a big debt he must run from. Episode 5 "After That, I'm So Sorry" directed by JANG Yoon-jung After the development of vaccine, Seoul once again finds peace. However, the future is still uncertain for those who were cured. Episode 6 "Pain Killer" directed by HONG Young-geun A story about strained life of a writer, who always has to work under tight deadline.
Omnibus movie with the theme of a zombie virus
As a worldwide virus that turns people into zombies starts to spread in Seoul, the Korean government declares martial law to wipe it out. The government's plan becomes more vigorous and the zombies are put in great danger. But people work to protect them by providing shelter and food as they are more than just infected patients - they are friends and family members as well.
Movie Episode List/ Sypnosis:
Episode 1 - Between Gaps - Script/producer Oh Young-Doo. The process of a figure mania changing into something through some unknown power... A human story that becomes the starting point of the whole movie.
Episode 2 - Let's Run - Script/producer Oh Young-Doo. A boyfriend who is turning into a zombie and has a changing eye, and a normal girlfriend. Their love story and their story of escape.
Episode 3 - Love that Cuts Bones - Script/producer Hong Young-Guen. A mother and daughter. Their story with police forces who come into their home to destroy the zombies.
Episode 4 - The Era of Vaccines - Script/producer Ryoo Hoon. The story seen through a special forces officer's viewpoint. About the struggle between a zombie whose both eyes have changed but has found its intellect and a medicine company related to the zombie vaccine.
Episode 5 - After... Sorry... - Script/producer Jang Youn-Jung. The vaccine has gotten rid of the zombies in the city... A man who had been a zombie and a woman who lost her parents because of zombies... Who is the victim and who is the attacker?
Episode 6 - Pain Killer - Script/producer Hong Young-Guen. A writer who is fighting against the deadline without even seeing how he is changing. A story about what kind of ending he faces.
the neighbor zombie trailer (http://www.youtube.com/watch?v=fRwdEXAhKoc#normal)
I, kakvo je to, gledo si?
Shozo, imas linkove ili torent za Best Seller (2010) ?
Quote from: Meho Krljic on 11-07-2010, 13:02:56
I, kakvo je to, gledo si?
Ma jok. Ovo noćas izašlo... bez titlova.
Quote from: Son of Man on 11-07-2010, 13:13:23
Shozo, imas linkove ili torent za Best Seller (2010) ?
Ni ovo nema titlove, a i meni se gleda. Kad bude, izvestiću.
Izvesti, Alah će ti platiti!!!!!!!!!!
Avaj, ovaj SF baš produhovio i oraspoložio forumaše. xrofl
Hello.Murder.2010.DVDRip.XviD-BiFOS
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A.K.A
Hi Murderer
IMDB LINK:NONE
Cast: Yu Oh-Seong, Kim Dong-Wook(a), Shim Eun-Kyung
Directed:Kim Dong-Wook
Genre: Comedy, Thriller
Runtime:106mins
Country:South Korea
Language:Korean
Subtitles:ENGLISH : KOREAN [SOFT].idx.sub.
Plot:
Rookie detective Jeong-Min (Kim Dong-Wuk) finds difficulties with his new job. His boss doesn't like him, he has to secretly prepare for a public service exam, and the local residents are up in arms over a serial killer that the police can't catch. A protest is then organized in front of the police station by the local residents. To Jeong-Min's horror, his own mother leads the protest as she works as the general affairs manager for the women's association. The residents are particularly peeved that the serial killer is causing the value of their homes to drop. Jeong-Min then decides that he will catch the serial killer once and for all.
Sayonara.Itsuka.2010.JAP.DVDRip.XviD-AXiNE
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Also Known As:
Sayonara Icheuka 사요나라 이츠카 (Korean Title)
Sayonra Itsuka サヨナライツカ (Japanese Title)
Saying Goodbye, One Day (Literal English Title)
Year: 2010
Country: South Korea
Director: Lee Jae-han (John H. Lee)
Genre: Drama / Romance
Runtime: 133 min
Language: Japanese
Subtitles: Japanese only
IMDB: http://www.imdb.com/title/tt1383251/ (http://www.imdb.com/title/tt1383251/)
Japan Theatrical Release Date: 04/08/2010
South Korea Theatrical Release Date: 04/15/2010
Cast: Miho Nakayama, Yuriko Ishida, Hidetoshi Nishijima, Supakorn Kutsuwon, Masaya Kato, Magii, Erich Fleshman, Jude S. Walko, David Firestar
Synopsis/ Plot
Sayonara Itsuka, the highly anticipated adaptation of a 2001 novel by Hitonari Tsuji, stars Miho Nakayama, Tsuji's wife, who returns exclusively to the screen for this film. The story, set in 1975, is about Yutaka (Hidetoshi Nishijima) who is transferred to the Bangkok branch of Eastern Airlines where he meets a woman named Toko (Nakayama) at a bar. He's set to marry Mitsuko (Yuriko Ishida), the daughter of the airline's founder in the near future, though he's with her primarily to further his career ambitions. As his wedding date gets closer, he gets caught up in a passionate love affair with Toko, but he eventually decides to break it off and go through with his marriage after all. Toko is heart-broken, and moves to New York.
Twenty-five years later, Yutaka is still married and now has two sons, but he can't seem to shake the memory of his brief love affair in 1975. He travels back to Bangkok on business, unaware that he's destined to be reunited with Toko once again.
An interesting note that despite this being a Japanese language movie, this is a South Korean production. There were two versions released: one being this presentation and a 170 minute version.
"사요나라 이츠카 (Sayonara itsuka. 2009)" Korean Trailer (http://www.youtube.com/watch?v=RNV3X2Hcmak#normal)
OVO JE REDITELJSKI POVRATAK ČOVEKA KOJI KREIRAO JEDNU OD NAJMOĆNIJIH KOREJSKIH MELODRAMA.
Zoom.Hunting.2010.DVDRip.XviD-CoWRY
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Aka:
Year: 2010
Directed: Zhuo Li ((Cho Li (卓立))
Genre: Drama/Mystery
Runtime: 87 Min
Country: Taiwan
Language: Mandarin
Subtitles: English
Cast: James Wen, Chun-Ning Chang , Zhiying Zhu
Imdb:
Synopsis / Plot / Review
Taipei, the present day. Fashion photographer Yang Ru-yi (Ning Chang), 32, shares an upstairs flat with her sister, crime novelist Yang Ru-xing (Chu Chih-ying), 33, in a quiet neighbourhood. By chance, Ru-yi snaps an apartement window opposite, where a man (James Wen) and a woman (Chou Heng-yin) are making love. Intrigued, Ru-yi does some detective work and discovers they're both married and having an affaire. Ru-xing, who has writer's block and is behind deadline on her latest book, uses Ru-yi's pictures for inspiration, incorporating the story into her novel, Zoom Hunting. But when Ru-yi later thinks the man has been murdered after a lovers' quarrel, she suspects her sister may be involved in the drama.
zoom hunting trailer (http://www.youtube.com/watch?v=iNlJP2Z5RWY#normal)
Odgledao sam Symbol. Vrlo sam zadovoljan. Jodorowski i Kubrick se sreću u sobi punoj penisa, sve garnirano Luča Libreom. Svaki pravi Srbin treba ovo da pogleda.
Evo u to ime linkova za prvi Matsumotoov film, Big Man japan:
http://rapidshare.com/files/349588467/Big_Man_Japan__2007__DVDRip__Japanese_.part1.rar
http://rapidshare.com/files/349589483/Big_Man_Japan__2007__DVDRip__Japanese_.part2.rar
http://rapidshare.com/files/349590204/Big_Man_Japan__2007__DVDRip__Japanese_.part3.rar
http://rapidshare.com/files/349591263/Big_Man_Japan__2007__DVDRip__Japanese_.part4.rar
http://rapidshare.com/files/349592313/Big_Man_Japan__2007__DVDRip__Japanese_.part5.rar
http://rapidshare.com/files/349593095/Big_Man_Japan__2007__DVDRip__Japanese_.part6.rar
http://rapidshare.com/files/349594452/Big_Man_Japan__2007__DVDRip__Japanese_.part7.rar
pass: www.crackedsoftwares.com (http://www.crackedsoftwares.com)
Evo proširenih impresija za Shinboru na mom blogu. (http://cvecezla.wordpress.com/2010/07/17/symbol-shinboru/)
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Love in a Puff 2010 DVDRip XviD-GiNJi
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http://www.imdb.com/title/tt1602479/ (http://www.imdb.com/title/tt1602479/)
Aferim Meho za Big Man Japan!
S and M (2010) DVDRip
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Movie: S&M
Director: Yutaka Oogi
Cast: Rika Kawamura / Ryohei Odai / Sora Aoi / Haruka Nishimoto
Genre: Erotic / Drama
DVD Release date: 2010
Synopsis
Makoto Toda is a serious salaryman who's built a happy family with his wife and three adorable daughters by taking great pains to avoid trouble of any kind. One day, Saya appears at his workplace as a contractor. For reasons only known to herself, she tries to seduce him, and they finally begin an affair. Starting as a discrete relationship, it escalates and ends up breaking up his family. Making matters worse, his trusted right-hand woman, Tsuboi, comes onto him. It seems that the strong sexuality of women has ruined Toda's life, but he discovers a fact that proves to be even more astonishing.
映画『SとM 劇場版』予告編（"S and M" Trailer） (http://www.youtube.com/watch?v=BqOcpDwdJFE#normal)
Yuriko's Aroma (2010) DVDRip
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Movie: Yuriko no Aroma
Romaji: Yuriko no Aroma
Japanese: ユリ子のアロマ
Director: Kota Yoshida
Cast: Noriko Eguchi, Saori Hara, Noriko Kijima, Jun Miho, Shota Sometani
Genre: Drama, Comedy
DVD Release date: May 8, 2010
Imdb link: http://www.imdb.com/title/tt1603463/ (http://www.imdb.com/title/tt1603463/)
Synopsis
Some things are just impossible to resist...
Yuriko(played by Noriko Eguchi) is a 30-something aromatherapy masseuse. Her specialty is healing tired souls with her exquisite choice of aromas and her sensitive touch. She has a dark secret. It's a 17-year-old high school boy, Tetsuya(played by Shota Sometani). She's drawn to his special aroma...his sweaty body odor. But he is her boss's nephew! As Yuriko struggles with her dilemma over Tetsuya, well-endowed Ayame(played by Saori Hara) demands private aromatherapy lessons from Yuriko...
A Kota Yoshida film "Yuriko's Aroma" official trailer (eng.sub) (http://www.youtube.com/watch?v=VRz1nMQMa-s#normal)
Big Tits Dragon: Zombies vs Strippers (2010) DVDRip
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Japanese Title: Kyonyû doragon: Onsen zonbi vs sutorippâ
English Title: The Big Tits Dragon: Hot Spring Zombies vs Strippers
Director: Takao Nakano
Cast: Io Aikawa, Saori Andô, Sora Aoi, Kaworu Asakusa
Genre: Action / Comedy / Horror/ Erotic
DVD Release date: 2010
Imdb link: http://www.imdb.com/title/tt1642252/ (http://www.imdb.com/title/tt1642252/)
Synopsis
Rena Jodo (Sola Aoi) is a stripper who just got back from Mexico and she has been offered a gig at a hot spring resort. When she arrives, she finds a deserted country town. There's hardly anyone in the audience at the strip club and all the other strippers, including Ginko (Risa Kasumi), Maria (Mari Sakurai), Nene (Tamayo) and Dana (Io Aikawa) are all bored stiff. They don't know what to do with their time and they are on the verge of fighting each other. ¶ When they decide to go down to the basement of the club to kill time, Maria finds a 'Book of the Dead' near the 'Well of the Spirit'. But who could have imagined the horror and panic that find would bring? Maria's reading of the book out loud has somehow revived the dead and zombies start appearing all over the world attacking mankind. It's Hell in the real world! ¶ Dana and Nene are bitten by the zombies and they turn into living dead who attack Rena and Ginko. The poor big-bosomed babes have no choice but to fight against Maria who now rules the zombies and tries to establish a kingdom of zombies. Rena and Ginko have to challenge Maria and the hordes of zombies! And how does the Blue Demon Devil (Minoru Torihada) fit in?
Rubbers Ou Onna (2010) DVDRip
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Japanese Title: Rubbers Ou Onna ラバーズ～覆う女～
English Title: Rubbers Ou Onna
Director: Takafumi Watanabe
Cast: Aino Kishi, Tomohisa Yuge
Genre: Drama / Erotic
DVD Release date: 21.7.2010
Synopsis
Rubbers Ou Onna is a new Japanese film that follows a young woman with a latex fetish and explores how that effects her blossoming romance with a co-worker who struggles to understand it.
Tokyo.Gore.School.2009.DVDRip.XviD-SSF
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Also Known As:
Gakkô Ura Saito 学校裏サイト (Japanese Title)
Year: 2009
Country: Japan
Director: Yohei Fukuda
Genre: Thriller / Action
Runtime: 104 min
Language: Japanese
Subtitles: English
IMDB: http://www.imdb.com/title/tt1473361/ (http://www.imdb.com/title/tt1473361/)
Theatrical Release Date: 07/25/2009
Cast: Yusuke Yamada, Nako Mizusawa, Shunya Shiraishi, Masato Hyugaji, Takafumi Imai, Kenta Itogi, Shinwa Kataoka, Kohei Kuruda, Shion Machida, Shuichi Matsuda, Mikiya, Masanori Mizuno, Makoto Sakamoto, Sotaro
Synopsis/ Plot
Shinichi Sanada, a young high school student, attempts to kill himself by jumping to his death. Shinichi survives but is seriously injured. Hayato Fujiwara (Yusuke Yamada), the High School Student President, senses there's more to this than just Shinichi being bullied. Hayato decides to talk one of Shinichi's teachers named Kyoko Aizawa (Shion Machida). Hayato can't get many answers from Kyoko Aizawa except cryptic warnings to "watch out" and "be careful."
Shortly later, Hayato Fujiwara is chased by a gang of youths led by Kenji Todoroki (Shunya Shiraishi). Hayato is able to escape, while also capturing one of the youths named Masashi Kajima (Shoichi Matsuda). After confronting Masashi, Hayato learns about a secret game that forcibly requires people to participate. Secrets are revealed and the stakes are incredibly high. Soon, Hayato Fujiwara becomes involved in the game and he's determined to survive, while protecting his very own secret that should never come out.
Despite IMDB stating that this is a horror, it is far from being a horror genre, but rather a drama akin to Battle Royale and Crow's Zero, a thriller/action picture.
Tokyo Gore School - Gakkô ura saito (2009) (Trailer / Zwiastun / Teaser) (http://www.youtube.com/watch?v=9XNsUi3LZ9M#normal)
Jinx (Indonesia) 2010 DVDRiP
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Synopsis/ Plot
Jinx (Bearer Shit) tells of a young girl named Shanti (Aurellie Moeremans) who intend to commit suicide because of despair. But rather than achieved his desire to die, not only survived, his actions were in fact caused many problems for many people. Contretemps broke out everywhere and hit the people around him. From the hotel security who helped him to a big mafia boss was bad luck that either terundung where it is coming. Even people who only had met in the street did not escape the bad luck. Of which only leave was denied, the street was robbed, cheated, robbed and some even up to life
How the story more? What exactly was the cause of all misfortune, who Jinx (Bearer Shit) the truth? And why is that bad luck can be spread to all people?
Once.A.Gangster.2010
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Classification: 18
Country: Hongkong
Language: Mandarin
Genre: Action / Drama
Subtitles: NOT AVAILABLE
General Release Date: 20 May 2010
Running Time: 1 Hour 35 Minutes,
Distributor: Golden Screen Cinemas
Cast: Ekin Cheng, Jordan Chan, Michelle Ye, Nong Fu, Wilfred Lau, Yu An An
Director: Felix Chong
Synopsis:
Past young and dangerous slayers, Roast Pork (Jordan Chan) and Sparrow (Ekin Cheng) are now asked to run for the "Dragon Head" position in the underworld. While these two reluctant candidates are racking their brains to outwit each other so that they can stay out of the race, their inglorious pasts eventually catch up with them as their followers are plunged into mayhem and bloodshed to get their leaders onto the throne.
Once A Gangster - Trailer 2 (http://www.youtube.com/watch?v=drW1S85dTAM#normal)
The Shikisoku Generation (2009)
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AKA : Oh! My Buddha | Shikisoku zenereishon
Year: 2009
Country : Japan
Language : Japanese
Subtitle(s) : English [English subtitles by Jeanette Amano]
Film Genre : Comedy
IMDB : The Shikisoku Generation
Director : Tomorrowo Taguchi
Cast : Daichi Watanabe, Kazunobu Mineta, Shigeru Kishida, Asami Usuda, Chiemi Hori, Lily Franky
Plot/Synopsis
"Actor/director Taguchi Tomorowo's second feature tells a sexual coming-of-age story about an average, if extraordinarily excitable, teenage boy. The year is 1974 and the setting is Kyoto, Japan's ancient capital. Since Taguchi was a teenager at the same time and, like the hero, had a major fixation on Bob Dylan, the film has an autobiographical element, as well as a warm glow of nostalgia. (The novel on which the film is based, however, is by Miura Jun.) What sets Oh, My Buddha! apart from the many similar seishun eiga ("youth films") in Japan by similarly nostalgic middle-aged directors, is that, instead of trying idealize his youthful self (or rather his fictional stand-in), Taguchi gives us a hero who is dopey, gawky and sex-besotted in the extreme. At the same time, this hero, Jun (Watanabe Daichi), is not a comic caricature, though his adventures, including the romantic and erotic, are mostly played for laughs. He is rather an average middle-class kid in whom many a male audience member will see his idiotic adolescent self, whether he wants to admit it or not. Jun attends a Buddhist high school, which may sound New Age-y, but the black- uniformed student body is universally bored by the chanting and other religious rigamarole that is being crammed down their throats. Instead, Jun and two of his pals become obsessed with a plan for vacationing on an island known for its "free sex." But when they finally arrive for their three-day stay (all they can evidently afford), they find themselves in an ordinary youth hostel, managed by a welcoming, worldly-wise hippie who calls himself Hige Godzilla (Bearded Godzilla, Mineta Kazunobu). Promisingly, though, one of their fellow guests is the sweet, curvy, easy-going Olive (Usuda Asami) - or "free sex" personified. When she learns that Jun is a guitar player and song writer - and asks him to sing and write something for her - his hopes soar. Oh, My Buddha! wouldn't be a comedy if Jun's hopes weren't dashed (though not completely). It also wouldn't be a seishun eiga if he didn't also find himself attracted to Kyoko (Ishibashi Anna), his pretty, virginal classmate since childhood, to whom he can barely speak: pure-hearted puppy love of this sort is a genre staple. The film, though, is light on cliches, dense with close, funny observations about its period and characters. You don't have to be a Japanese of Taguchi's generation to understand Jun's growing pains, which are universal. It may make you wish, though, that you had taken up the guitar, a peerless seduction tool, even in the hands of a teenage goof. Mark Schilling"
The.Shadow.of.Naka.2010.DVDRip.XviD-XTM
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Also Known As:
Nak Prok นาคปรก (Thai Title)
Shadow of Naka (Alternate English Title)
Year: 2010
Country: Thailand
Director: Nasorn Panangkasiri
Genre: Action | Thriller
Runtime: 92 min
Language: Thai
Subtitles: English, Simplified Chinese
IMDB: http://www.imdb.com/title/tt1276963/ (http://www.imdb.com/title/tt1276963/)
Theatrical Release Date: 03/18/2010
Cast: Intira Jaroenpura, Somchai Kemglad, Pitisak Yaowananon, Ray MacDonald, Sa-aadee Peampongsan
Synopsis/ Plot
Three thieves, disguised as Buddhist Monks in an attempt to recover buried treasures underneath a temple, are chased by the police after robbing an armoured vehicle and end up burying the stolen money on the grounds of a temple. When the thieves return they discover their money is now buried under a temple and eventually disguise themselves as monks to recover the stolen loot. Further complications are just about to take place ...
"Nak Prok" was banned back in 2007, but thanks to the Thai government's new ratings system that will allow the film to be shown to an 18+ ...
ตย. นาคปรก (http://www.youtube.com/watch?v=KaL3EvLyC20&feature=player_embedded#normal)
Im Kwon-taek, Bong Joon-ho, Park Chan-wook, Ryoo Seung-wan, Kim Jee-woon, Jang Jin, and Choi Dong-hoon are among those moving to new hub.
South Korea's Goyang City is kicking up interest with new initiatives to bring in film production houses and creating a $29.02m (KW34bn) visual media fund with Gyeonggi Province.
Im Kwon-taek, Bong Joon-ho, Park Chan-wook, Ryoo Seung-wan, Kim Jee-woon, Jang Jin, and Choi Dong-hoon were among the filmmakers who signed an MOU with the city last week agreeing to move their offices to Goyang to create jobs and improve the contents production environment there.
About an hour's drive from downtown Seoul, the satellite city in Gyeonggi Province recently announced plans to develop itself into a film, broadcasting and communications hub. In addition to the new fund, the city is covering rent on the building where the film companies are gathered, so that the filmmakers only have to pay for utilities. Goyang also offers producers 50% back on expenses paid to businesses based in the city for food, lodging and post-production. Additionally, they can get a loan of up to $42,700 (KW50m) without deposit from the Gyeonggi Credit Guarantee Foundation.
Film and broadcasting-related companies such as Barunson, Shin Cine and CJ Power Cast have been relocating from Seoul to Goyang since 2007. The city has four buildings which house about 70 companies in the broadcasting, film, and high-tech IT sectors.
Golden.Slumber.2010.JAP.DVDRip.XviD-AXiNE
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Also Known As:
Gôruden Suranbâ ゴールデンスランバー (Japanese Title)
Year: 2010
Country: Japan
Director: Yoshihiro Nakamura
Genre: Drama | Thriller
Runtime: 140 min
Language: Japanese
Subtitles: Japanese only
IMDB: http://www.imdb.com/title/tt1413529 (http://www.imdb.com/title/tt1413529)
Theatrical Release Date: 01/30/2010
Cast: Masato Sakai, Yuko Takeuchi, Hidetaka Yoshioka, Nao Omori, Teruyuki Kagawa, Akira Emoto, Saki Aibu, Shihori Kanjiya, Hitori Gekidan, Shiro Ito, Gaku Hamada
Synopsis/ Plot
Once again, Yoshihiro Nakamura adapts another Kotaro Isaka novel. "Golden Slumbers" depicts people's ties through the escape of a young man who is falsely accused of assassinating the Prime Minister. As Aoyagi runs for his life, his old classmates are ruthlessly hunted down by a government hatchet man (Teruyuki Kagawa, SUKIYAKI WESTERN DJANGO). All hope seems lost until Aoyagi meets "Kill-O," the friendly neighborhood serial killer, and when old-flame-with-a-kid Haruko enters the fray, stubbornly unwilling to believe the worst of her ex, it looks like the titular Beatles song just might be right - there really is a way to get back home.
The first prime minister from opposition party, Prime Minister Kaneda, is involved in a car parade through the Sendai area of Japan. Meanwhile, delivery man Masaharu Aoyagi (Masato Sakai) has a reunion with former college classmate Shingo Morita (Hidetaka Yoshioka). Then a sudden explosion occurs killing the Prime Minister Kaneda. The police runs toward Masaharu Aoyagi with their guns pointed at him. Shingo even tells Masaharu that he has become Lee Harvey Oswald. Masaharu flees the scene ...
[trailer] Golden Slumber (http://www.youtube.com/watch?v=9XFE5pSO2YI#normal)
The.Vanquisher.2009.DVDRip.XviD-SSF
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Also Known As:
Suay Samurai สวย...ซามูไร (Thai Title)
Year: 2009
Country: Thailand
Director: Manop Udomdej
Genre: Action | Martial Arts
Runtime: 99 min
Language: Thai
Subtitles: English, Thai, Traditional Chinese
IMDB: None
Direct Video Release Date: 11/05/2009
Cast: Sopita Sribanchuen, Kessarin Ektawatkul, Jacqueline Apithananont, Sarunyu Wongkrachang, Pete Thongchua
Synopsis/ Plot
Beautiful CIA agent Genja has just completed a covert operation in southern Thailand. She then finds herself the target of an assassination attempt by her own organization. Genja is able to survive the assassination and lays low for two years. She then re-emerges in Bangkok to gain vengeance ...
suay samurai - The Vanquisher (http://www.youtube.com/watch?v=Fn1AwYv-z6s#normal)
Flying.Seagull.2009.DVDRip.XviD-BeFRee
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Also Known As:
Naneun Galmaegi 나는 갈매기 Korean Title)
Flying Seagull (Alternate English Title)
Year: 2009
Country: South Korea
Director: Kwon Sang-joon
Genre: Sports | Drama | Documentary
Runtime: 85 min
Language: Korean
Subtitles: Korean only (smi)
IMDB: None
Theatrical Release Date: 09/26/2009
Cast: Jerry Royster, Lee Dae-ho, Kang Min-ho, Jo Seong-hwan, Hong Seong-heun
Synopsis/ Plot
"Naneun Kalmaegi" is a documentary on the Koren baseball team Lotte Giants. The baseball team is based out of Busan, South Korea and they have some of the most fervent fans in Korea.
나는 갈매기 예고편 (http://www.youtube.com/watch?v=gdpLhiNH0YU#normal)
Aftershock (2010)
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AKA : Tangshan dadishen
Year: 2010
Country : China
Language : Mandarin
Subtitle(s) : Chinese and English (both hardsubbed)
Film Genre : Drama
IMDB : Aftershocks
Director : Xiaogang Feng
Cast : Jingchu Zhang, Daoming Chen, Yi Lu, Fan Xu, Jin Chen, Chen Li, Guoqiang Zhang, Ziwen Wang, Zi-Feng Zhang, Mei Yong, Tie-Dan, Li-Li Liu, Lixin Yang, Zhong Lu
Plot/Synopsis
Director Feng Xiaogang is poised to bring audience to tears this summer in China's major blockbuster film Aftershock. Budgeted at somewhere between $10-25 million, the disaster drama is based on the 1976 Tangshan earthquake that claimed the lives of atleast 240,000 people and severely injured a further 164,000, making the tragedy the largest earthquake of the 20th century by death toll. It deals with the heartbreaking fallout between a mother (Fan Xu) and her quake surviving daughter (Jingchu Zhang) and their eventual reconciliation. Media Asia has debuted the first trailer which in actuality is really more of a clip featuring a little girl waking up amidst of the corpses and devastation.
AFTERSHOCK 唐山大地震 Teaser Trailer [OPENS 22 JULY 2010] (http://www.youtube.com/watch?v=YDjWcuzzyCc#normal)
Novi rekord u kineskoj kinematografiji: "Aftershock" Ksjaoganga Fenga
Poslednji film poznatog autora Ksjaoganga Fenga, Aftershock, koju na teritoriji Srbije i regiona zastupa ,,MCF MegaCom Film", postala je film na kineskom jeziku sa najvećom zaradom u istoriji kineske kinematografije.
Tokom prikazivanja u kineskim bioskopima ova drama o katastrofi je zaradila 78,47 miliona dolara. "Aftershock" je rekord postigao u prvih 18 dana prikazivanja.
Prethodni film na kineskom jeziku koji je držao rekord u zaradi je film "The Founding of a Republic", koji je u oktobru 2009. postigao zaradu od 61,49 miliona dolara. U bioskopima u Hong Kongu "Aftershock" je takođe filmu na kineskom jeziku doneo najveću zaradu do sada – 1,55 miliona dolara.
Novim rekordima reditelj Feng potvrdio je svoj status filmskog stvaraoca koji zarađuje najviše novca – među prvih 5 kineskih filmova sa najvećom zaradom u Kini nalazi se još jedan njegov film, If You Are the One.
,,Aftershock" je drama o porodici koju je 1976. godine razdvojio katastrofalni zemljotres u Tangšanu, da bi se na okupu našla decenijama kasnije nakon velikog sečuanskog zemljotresa 2008.
Kako sam ovaj mail dobio od PRa Megacoma, mogu da zakljuchim da postoji shansa da ovo dodje i u bioskope, mada oni umeju da najave pa puj pike ne vazhi.
Mutant Girls Squad (2010) DVDRip
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Details
Movie: Mutant Girls Squad
AKA: Sentô shôjo: Chi no tekkamen densetsu
Japanese: 戦闘少女 血の鉄仮面伝説
Genre: Action, Gore
Director: Noboru Iguchi, Yoshihiro Nishimura, and Taku Sakaguchi
Writer: Noboru Iguchi, Jun Tsugita
Cast: Yumi Sugimoto, Suzuka Morita, Yuko Takayama
Release Date: May 22, 2010
Runtime: 90min
Language: Japanese
Country: Japan
IMDb link: http://www.imdb.com/title/tt1590796/ (http://www.imdb.com/title/tt1590796/)
Synopsis
At 2009's New York Asian Film Festival, action choreographer and director Tak Sakaguchi (BE A MAN! SAMURAI SCHOOL), director and special effects genius, Yoshihiro Nishimura (TOKYO GORE POLICE) and cherubic pervert, Noboru Iguchi (ROBOGEISHA), got drunk and vowed to make a movie together. One year later, here it is. For better or worse, this splatter-ific, fetishy, hyperactive take on the X-Men is going to shock, horrify and delight you. It comes at you fast and furious and if something crosses the line between good and bad taste, don't worry: five minutes later you'll see something that makes that previous transgression seem downright quaint.
Rin is a normal high school girl, but on her super sweet sixteen her body starts changing and the special forces (armed with nose-mounted machine guns) bust up her birthday party and kill her guests with booger bullets. It turns out that Rin is one of the reviled mutants, known as Hiruko's, who are the latest inferior race slated for extinction. But Rin runs, and discovers a resistance movement made up of other mutants. Not only are they dangerous, but they're also armed, only their arms stick out from the sides of their heads. Swords shoot out their nipples, chainsaws project from their butts, deformed faces grow on their bellies and metal claws erupt from their wrists. But these deformities are the weapons they'll use to tear down straight society.
Mutant Girl Squad Trailer (Final Splatter Version) (http://www.youtube.com/watch?v=-e2wy4r1510#)
A.Woman.A.Gun.And.A.Noodle.Shop.2009.DVDRip.XviD.AC3-ViSiON
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A.Woman.A.Gun.And.A.Noodle.Shop.2009.DVDRip.XviD.AC3-ViSiON
Also Known As (AKA):
"San qiang pai an jing qi" China (original title)
"A Simple Noodle Story " Hong Kong (English title) / International (English title)
"The First Gun" International (English title)
Warning: Rated R for some violence [source:IMDB]
Country: China
Director: Yimou Zhang
Cast: Honglei Sun, Dahong Ni, Ni Yan, Xiao Shen-Yang, Xiaojuan Wang, Benshan Zhao
Genre: Drama, Black Comedy
Runtime: 95 min
Language: Mandarin
Subs: NO SUBS
MPAA: Rated R for some violence
Remake of "Blood Simple", 1984, from Coen Brothers
Writing credits:
Jianquan Shi (screenplay)
Jing Shang (screenplay)
Ethan Coen 1984 screenplay Blood Simple
Joel Coen 1984 screenplay Blood Simple
Plot:
The owner of a Chinese noodle shop's scheme to murder his adulterous wife and her lover goes awry.
[IMDB]
IMDB URL: http://www.imdb.com/title/tt1428556/ (http://www.imdb.com/title/tt1428556/)
Quote from: Shozo Hirono on 16-08-2010, 19:34:04
Mutant Girls Squad (2010) DVDRip
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Details
Movie: Mutant Girls Squad
AKA: Sentô shôjo: Chi no tekkamen densetsu
Japanese: 戦闘少女 血の鉄仮面伝説
Genre: Action, Gore
Director: Noboru Iguchi, Yoshihiro Nishimura, and Taku Sakaguchi
Writer: Noboru Iguchi, Jun Tsugita
Cast: Yumi Sugimoto, Suzuka Morita, Yuko Takayama
Release Date: May 22, 2010
Runtime: 90min
Language: Japanese
Country: Japan
IMDb link: http://www.imdb.com/title/tt1590796/ (http://www.imdb.com/title/tt1590796/)
Synopsis
At 2009's New York Asian Film Festival, action choreographer and director Tak Sakaguchi (BE A MAN! SAMURAI SCHOOL), director and special effects genius, Yoshihiro Nishimura (TOKYO GORE POLICE) and cherubic pervert, Noboru Iguchi (ROBOGEISHA), got drunk and vowed to make a movie together. One year later, here it is. For better or worse, this splatter-ific, fetishy, hyperactive take on the X-Men is going to shock, horrify and delight you. It comes at you fast and furious and if something crosses the line between good and bad taste, don't worry: five minutes later you'll see something that makes that previous transgression seem downright quaint.
Rin is a normal high school girl, but on her super sweet sixteen her body starts changing and the special forces (armed with nose-mounted machine guns) bust up her birthday party and kill her guests with booger bullets. It turns out that Rin is one of the reviled mutants, known as Hiruko's, who are the latest inferior race slated for extinction. But Rin runs, and discovers a resistance movement made up of other mutants. Not only are they dangerous, but they're also armed, only their arms stick out from the sides of their heads. Swords shoot out their nipples, chainsaws project from their butts, deformed faces grow on their bellies and metal claws erupt from their wrists. But these deformities are the weapons they'll use to tear down straight society.
Mutant Girl Squad Trailer (Final Splatter Version) (http://www.youtube.com/watch?v=-e2wy4r1510#)
ARGH!!!!!!!!!!!!!!! Prijavi kad se pojavi release!
pojavio se, ali nema titlova, kao po običaju. :(
no, pojavio se i novi tomomatsu.
At the Mercy of Darkness : Ayano's Bizarre Delusion (2009)
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AKA: Yami no Manimani : Hitozuma - Ayano no futei no moso
Year : 2009
Country: Japan
Language : Japanese
Subtitle(s) : English (Custom subbed by lordretsudo, brolen and paid for by kemushi)
Film Genre : Erotic | Horror | Pinku
IMDB : At the mercy of the Darkness : Ayano's Bizarre Delusion
Director : Naoyuki Tomomatsu
Cast : Kotono, Tsubasa Usagi, Taishi Takemoto, Ykiharu Inoue, Yuya Takayama, Mariko Tsuboi, Mari Yamaguchi, Yoko Satomi, Shungiku Uchida
Plot/Synopsis
Ayano is trapped in a loveless marriage with a guy who redefines the word "jerk". She works at a company selling English learning materials and is suffering from increasingly disturbing hallucinations, which only get more intense when she starts an affair with a successful co-worker. All the while, gruesome murders involving dismemberment are plagueing Tokyo...
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Air doll (http://www.imdb.com/title/tt1371630/)
Air Doll US/UK Trailer (http://www.youtube.com/watch?v=R2T3YkiazkM#)
Odlichan je Air Doll.
CASTAWAY ON THE MOON 2009
CASTAWAY ON THE MOON Trailer (http://www.youtube.com/watch?v=BnF7cZcwPHM#)
dopao mi se trejler pa ako stignem pogledacu veceras
gledo netko?
ja gledao pre desetak dana, no još uvek ne stižem da napišem koju lepu reč.
generalno sam zadovoljan; ne iznenađen ili fasciniran, ali definitivno jedan od boljih korejaca u poslednje vreme.
Ja ga bash pogledah juche. IZUZETAN film, near masterpiece. Potpuno sam odushevljen.
Mada, Castaway on the Moon je prilichno bezvezan naslov u svetlu pogledanog filma; direktan prevod sa koreanskog Kim's Island je mnogo bolji i smisleniji.
castaway je marketinški trik korejskih distributera za američko tržište.
u pitanju je otvorena aluzija na zemekisov film, na koji i podseća... donekle.
Motivi su mi vrlo jasni, samo mislim da je naslov mogao biti mnogo prikladniji. Mislim da im Kim's Island ponajvishe ne odgovara poshto Kim amerikancima mozhe na prvu loptu samo da zvuchi kao zhensko ime, a imali su i onaj film Nim's Island nedavno koji je bio neki girlie naslov.
Kad su se vec odmicali od direktnog prevoda, mogli su i bolje da improvizuju.
hm, da li je baš tako?
kim's island može amerima, a i južnokorejcima, da asocira na jednog popularnog političara na severu ostrva, koji bi voleo da celo poluostrvo ima pod svojom šakom. :evil:
jong il kim's island. xrofl
Mislish na one amere medju kojima raste mishljenje da je Obama musliman i da je Irak zemlja koja se granichi sa Avganistanom i iz koje deluje Al-kaida? xrofl
Pre ce se oni setiti Kim Kardashian nego Kim Jong-Ila, nazhalost.
I ja sam ga overila sinoc i mnogo mi se svideo.
Bas sam se istipovala jer me Kimovo ostrvo podsetilo na nase veliko ratno ostrvo i bas sam se pitala dal bi neko tamo preziveo tri meseca.
Quote from: agota on 20-08-2010, 17:54:17
Bas sam se istipovala jer me Kimovo ostrvo podsetilo na nase veliko ratno ostrvo i bas sam se pitala dal bi neko tamo preziveo tri meseca.
I meni je to palo na pamet. :)
:)
Malo mi nije jasna devojka koja je u sobi 3 god ,ne razumem razlog primetila sam da ima oziljak na celu al' dal je moguce da je to uzrok socijalne ankcioznosti jer ona zivi zivot posredno putem interneta uz podrsku samo svojih roditelja ili je to vise metaforicno da ukazu na ozbiljan socijalni problem u Aziji.
Glumac je sjajan ali ona je otkrovenje.
Uzasno mi je simpa bio i dostavljac za posebne :)
Pa prisustvo ozhiljka sugerishe neku traumu, neki dogadjaj kroz koji je takav ozhiljak zaradila koji je privremeno disableovao njenu sposobnost za zhivot u drushtvu drugih ljudi.
svakako trauma koja je dovela do socijalne izolacije (saobraćajka, požar...), što je opet povezano sa njenim fejk statusom na internet fandomu.
Ok trauma jasno.
sad bas vidim komentar na youtubu vezan za film
,,Najbolja romaticna drama od my sassy girl''.Jer gledo neko taj film?
Necu vise davim.
Ja sve planiram, pa nikako, poshto mi deluje previshe saharinski. Ipak, dolazi highly recommended.
saharinski :)pa ne znam dobro se kotira
ja sve planiram pa nikako ovaj
WELCOME TO DONGMAKGOL (2005) Trailer (http://www.youtube.com/watch?v=PDgue1pGmZw#)
drama ratni komedija a gledajuci korejce uvek je uvrnut humor a ja to volim
a jel se pojavilo ovo ?
At the Mercy of Darkness : Ayano's Bizarre Delusion (2009)
^
Kažu da je ovde:
http://www.megaupload.com/?d=KUVXXH6U
Sub
http://www.megaupload.com/?d=TG6593QH
thanx xwink2
The Legend is Born - Ip Man (2010)
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AKA: Yip Man chinchyun | The Legend is Born - Ip Man
Year : 2010
Country: Hong Kong
Language : Mandarin
Subtitle(s) : English | Chinese
Film Genre : Action
IMDB : The Legend is Born : Ip Man
Director : Herman Yau
Cast : Ip Chun, Siu-Wong Fan, Yi Huang, Sammo Hung, Tin Chiu Hung, Suet Lam, Bernice Liu, Andy Taylor, Yu-Hang To, Jiao Xu, Biao Yuen
Plot/Synopsis
The film focuses on Ip Man's early life and the story of how he learnt Wing Chun. In contrast, Ip Man and Ip Man 2 focus on the events in his life that took place during the Second Sino-Japanese War and after he moved to Hong Kong.
As a child, Ip Man learns Wing Chun from Chan Wah-shun together with Ip Tin-chi (Ip Man's adopted brother) and Lee Mei-wai. After Chan's death from illness, Ip continues to learn Wing Chun from his senior, Ng Chung-sok, before eventually leaving Foshanto study in Hong Kong. In Hong Kong, during a hockey match, Ip and his schoolmates are racially insulted by a Westerner. Ip Man defeated him and his popularity soared after the incident. While getting medicine to treat the Westerner, he meets master Leung Bik, who is actually the son of Leung Jan, Chan Wah-shun's teacher. Ip Man learns a different, improved style of Wing Chun from Leung and his prowess in martial arts improves tremendously. Meanwhile in Foshan, Ip Tin-chi rose to become a prominent businessman under another Wing Chun martial arts association.
The Legend is Born: Ip Man movie trailer | Wing Chun Orange County (http://www.youtube.com/watch?v=Ramwk_AkhgA#)
Golden Slumber (2010)
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AKA: Goruden suranba
Year : 2010
Country: Japan
Language : Japanese
Subtitle(s) : English
Film Genre : Drama | Thriller
IMDB : Golden Slumber
Director : Yoshihiro Nakamura
Cast : Yuko Takeuchi, Nao Omori, Teruyuki Kagawa, Masato Sakai, Hidetaka Yoshioka, Akira Emoto, Saki Aibu, Shihori Kanjiya, Gaku Hamada, Gekidan Hitori, Ryushin Tei, Sonim
Plot/Synopsis
"In Yoshihiro Nakamura's seriocomic thriller, when easy-going Aoyagi meets an old friend for a fishing trip, he ends up drugged, framed for the Prime Minister's assassination, and on the run from corrupt cops. It's only the beginning of what quickly becomes the worst, weirdest day of his life. But he'll get by with a little help from his friends, who include a famous pop diva, a rockabilly deliveryman, a crippled old gangster, and the world's most cheerful serial killer."
[trailer] Golden Slumber (http://www.youtube.com/watch?v=9XFE5pSO2YI#ws)
Krenula eksploatacija lika IP mana.
Posle dva dela ide njegovo rano detinjstvo, a krajem godine i Von Kar Vai terba da izbaci svoju viziju mastora ving chuna...
Quote from: namsey on 23-08-2010, 22:42:34
Krenula eksploatacija lika IP mana.
dobro je dok ne krenu da eksploatišu njegovu IP adresu. xrofl
May Story (2009)
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AKA: Soon-ji
Year : 2009
Country: South Korea
Language : Korean
Subtitle(s) : English (Hardsubbed)
Film Genre : Drama
IMDB : None
Links : Han Cinema
Director : Park Gwang-Man
Cast : Jang Se-yoon, Kim Yoon-seong, Yang Im-ho, Choi Dae-sung, Yoo jeong-ho, Lee Seol-goo
Plot/Synopsis
On May 18, 1980, the Gwangju (or Kwangju) Uprising broke out against South Korea's military dictatorship. In 2008, the city of Gwangju staged a mass re-enactment of the events that are now celebrated as a milestone of South Korea's quest for democracy. While the uprising itself has been dramatized in Korean cinema, director Park Kwang-man used the re-enactment as a backdrop for a story that suggests that, for some people, history hasn't been as neatly reconciled as the civic commemoration might proclaim.
The Korean title names the film after its main character, a chicken farmer who runs a roadside restaurant. While she's attractive, she was unpopular in school because she was a bit of a hick who, as one classmate says, smelled of chicken shit. Her father disappeared during the 1980 uprising, and she goes to the nearby big city on every anniversary date to see if the authorities have fresh info on his fate. In a way, she's stuck in the past, sneered at by the same classmate who moved out and up in the world. That woman gets a plate of food dumped on her head for her trouble, while Soon-ji has to catfight another female customer who thinks she's flirting with her husband. Jung, a local cop, has his heart set on her, but she's about to be swept off her feet by an unlikely suitor.
Dir: Kim Jee-woon. South Korea. 2010. 143mins
Viewers who thought Oldboy was violent are in for "extreme" on an entirely different level with I Saw the Devil, a grisly revenge thriller from Korean director Kim Jee-woon. Although the film is exquisitely shot and even, in many parts, beautiful to look at, Kim's determination to push the envelope will make it hard for many mainstream viewers to stomach.
Despite its probably unnecessary gory flourishes, I Saw theDevil makes its simple theme resonate in unexpected ways.
In Korea the film was rejected twice by the censorship board before being secured for release on August 12 with seven cuts totalling 80 seconds. Despite a strong marketing campaign and the high-profile casting of stars Lee Byung-hun (G.I. Joe) and Choi Min-sik (Oldboy), the film has suffered poor word of mouth and disappointed slightly at the box office, earning $1.1 million in 11 days.
The film, which has been presold to France (ARP Selection) and the UK (Optimum Releasing), will be screened uncut for its international premiere at Toronto and in competition at San Sebastian.
The rather straightforward plot involves a serial killer (Choi) who hatchets the young fiancée of a National Intelligence Service agent (Lee). Grief stricken, the agent swears to find the killer and to make him live through all that his deceased lover suffered, and more.
Local critics have accused Kim of taking part in a game of one-upsmanship with his compatriot Park Chan-wook. But despite its probably unnecessary gory flourishes, I Saw theDevil makes its simple theme resonate in unexpected ways. Ultimately, the protagonist's desire to enact revenge is presented less as an act of defiance than as a further bit of damage inflicted upon the bereaved.
unapred se radujem svakom kimovom filmu. dva njegova imaju na mojoj listu petice.
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Bittersweet Life i...Sisters ili Good/Bad/Weird?
a bittersweet life i a tale of two sisters.
Šozo kao i ja shvata da je A tale of two sisters najbolji j-horor koga Japanci nikad nisu snimili.
tu činjenicu smo poodavno apslovirali. xcheers
podatak iz mojih top 100:
3. Ôdishon (1999) Takashi Miike
5. Ju-on (2000) Takashi Shimizu
10. Tetsuo (1989) Shinya Tsukamoto
13. Kaidan (1964) Masaki Kobayashi
24. Cure (1997) Kiyoshi Kurosawa
26. Batoru rowaiaru (2000) Kinji Fukasaku
31. Noroi (2005) Kôji Shiraishi
34. Gokudô kyôfu dai-gekijô: Gozu (2003) Takashi Miike
37. Janghwa, Hongryeon (2003) Ji-woon Kim :lol:
39. Tokyo Fist (1995) Shinya Tsukamoto
50. Onibaba (1964) Kaneto Shindô
itd...
Zajebano je ovo. Janghwa, Hongryeon ispred Tokyo Fist, doduše zamalo. Mislim, svakako je JH ambiciozniji i atraktivniji film, ali Cukamotova silovitost je u tom filmu naprevaziđena. Osim u Tetsuu koji je ipak snimljen ranije. Ako smem da budem bezobrazan, Ju On mi je previsoko, mada uvažavam da je uspostavio žanr, ma su mi kasniji uradci u istom elegantniji i boljiji...
Paprika director Satoshi Kon dies, aged 46
Satoshi Kon, the widely-acclaimed anime writer-director, has passed away, reportedly from pancreatic cancer, at the age of 46. Long associated with Tokyo's Madhouse studios, Kon helmed four animated features, including 2006's Paprika, as well as creating the TV series Paranoia Agent. He had most recently been working on a fifth movie as director, The Dream Machine.
Collider reports that news of Kon's death first surfaced on Twitter late yesterday. Although rumours were initially treated with caution, they have since been substantiated, when the Otakon website got confirmation from Masao Maruyama, the co-founder of Madhouse. Otakon's post was as follows:
'We don't have many details yet, but have confirmed (via Mr. Maruyama at Madhouse) that it isn't a rumor. Our friends at Madhouse are understandably upset; Kon was a phenomenal director and a huge asset for the studio, but also a good friend of Mr. Maruyama, Rintaro [fellow Madhouse director, responsible for Metropolis in 2001], and many of our former Madhouse guests. To say he'll be missed is an understatement.'
The formidable reputation enjoyed by Kon can be largely attributed to the level of psychological depth he brought to his work. For example, his first film, Perfect Blue, is on one level a female-in-peril slasher. Yet it also manages to offer an affecting account of the main character's fracturing relationship with everyday reality, and deliver a convincing portrait of the sinister side of the fame game.
Paprika seems likely to be remembered as the director's defining artistic statement; the messily ambitious but hugely interesting film having screened in competition at the Venice Film Festival in 2006. With the psyches of its main characters again being crucial to the central narrative, the movie used the playground of the dream state to deliver a kind of surreal sci-fi/fantasy elements adventure.
Kon's latest project was The Dream Machine, which he discussed in a 2007 interview posted on Anime101Suite: "It will be an original story scripted by myself, and I have a feeling that two to two-and-a-half years from now you will see it. It will not be like Paprika in that it will not have a mature target audience but be one that children could enjoy. That said, it will not be a child-orientated film so it could be viewed with an adult's perspective differently from how children will watch it."
Stills from that new movie appeared on Slash Film last year, with the depicted robot characters and future environments reflecting what Kon said about the setting of The Dream Machine in that 2007 chat. "In anime we often create a future that is near, that we can imagine but this movie is about the future of the future, a future folklore story. From a child's perspective it is an adventure film while an adult may view it differently." The title of the film offers intriguing possibilities – is the 'dream machine' simply a reference to some piece of technology? Perhaps the landspeeder-type vehicle pictured below? Or could it be something more complex, akin to the widget that causes all the confabulated chaos in Paprika? Hard to know when, or even if, viewers will get to find out, given that the status of the project is unknown in the light of news of Kon's death.
Kon began his career as a manga illustrator, before working as an artist on Roujin Z, a 1991 anime feature scripted by Akira creator, Katsuhiro Otomo. And his first significant anime credit also came via an Otomo production, with him scripting the 2001-esque Magnetic Rose segment of Memories, the 1995 anthology project based on a trio of Otomo comic strips. Kon made his own directorial debut in 1998 with Perfect Blue, before making Millennium Actress in 2001, in which a famous film star looks back on her life through the prism provided by her own movies. Tokyo Godfathers followed in 2003, his third movie made in collaboration with Madhouse, and in 2004 he created a 13-episode animated television show, Paranoia Agent.
Then, two years later, came Paprika, based on a novel by Yasutaka Tsutsui. Based around the concept of a machine that allows for the entering of other people's dreams, the convoluted story finds boundaries between imagination and reality becoming blurred, and has been repeatedly compared to Inception. An English-language live-action remake has been in the works for a while, under the aegis of Poseidon (ugh) and Troy (double ugh) director, Wolfgang Petersen. Though seeing as Matthew Vaughn has been junking scenes from his X-Men: First Class in a bid to avoid accusations of aping Inception, you do wonder if a Petersen-helmed Paprika will ever make it before the cameras.
Though if the project does falter, it seems unlikely to be on account of any lack of enthusiasm from Petersen – not if his interview with MTV in March of this year is any reliable indicator. "We have a young writer on it, and he jut delivered a very specific and detailed treatment that we're working on. And then if that's a go then he will write the screenplay and that will go very fast track because the treatment is already very detailed. So I'm very excited about that."
Petersen also chronicled the impact the Kon-directed version had on him, remarking that, "the original one - the anime I saw – my people here they came to me and said 'Have a look at this'. And I saw it and bingo, I thought this is fantastic. This is a great piece. That will be a very, very interesting movie. We open it a little bit more so it's more accessible for a wide audience."
Hmm, when big Hollywood types like Petersen, known for making big bland movies like Troy, talk about rendering interesting material 'more accessible for a wide audience', the alarm bells do tend to start clanging somewhat. Film fans saddened today by news of Satoshi Kon's death will surely feel that the release of a completed The Dream Machine would provide more fitting tribute to the late director, rather than a blandified version of Paprika.
http://www.indiemoviesonline.com/news/paprika-director-satoshi-kon-dies-aged-46-082510 (http://www.indiemoviesonline.com/news/paprika-director-satoshi-kon-dies-aged-46-082510)
greota...
Quote from: Meho Krljic on 25-08-2010, 19:39:50
Zajebano je ovo. Janghwa, Hongryeon ispred Tokyo Fist, doduše zamalo. Mislim, svakako je JH ambiciozniji i atraktivniji film, ali Cukamotova silovitost je u tom filmu naprevaziđena. Osim u Tetsuu koji je ipak snimljen ranije. Ako smem da budem bezobrazan, Ju On mi je previsoko, mada uvažavam da je uspostavio žanr, ma su mi kasniji uradci u istom elegantniji i boljiji...
zajebano je sastavljati bilo kakvu listu, i gotovo po pravilu nijanse odlučuju.
ju on me je prosto oduvao u trenutku u kome sam ga odgledao. saspens u ovom, nepobitno, low-budget tv filmčiću je nenadjebiv. naizgled nabacane i nepovezane epizode kriju korene i esenciju poimanja straha u japanu. ju on je više stravični kolaž nego li elegantno odrađen posao, ali iz te prljavštine izviru male šimicuve sitne bravure, koje mi nedostaju u ispeglanim nastavcima.
satoshi konov perfect blue je izuzetan naslov.
rip. :(
Two Sisters mi je uvek bio malo precenjen. Ima taj film svojih vrednosti, ali ipak ima i previshe proizvoljnosti i nedostataka i najmanje jedan tvist previshe. Mislim, dobar je, vrlo dobar chak, ali daleko od remek-dela.
Kim je meni ipak tek jak drugoligaš u Koreji. Bong i Chan Wook su na vrhu s tim što je Bong znatno ispred Chan Wooka. Kim je tu negde iza ali nije inovator a u pojedinim slučajevima kao što je BITTERSWEET LIFE nije čak ni pristojan falsifikator tuđih originala. SISTERS je OK J-horror koji možda i prevazilazi japanske izvornike, tu se slažem sa Mehom, ali opet nećemo valjda J-horror smatrati nekom ozbiljnom vrstom filma, njih i američki rimejk kad se lepo uradi ume da prevaziđe. :) BAD WEIRD je takođe supersimpatičan spektakl ali je to mnogo slabije od sličnog crowdpleasinga koji nudi HOST...
e, baš tako i baš zato - crowd je lako zadovoljiti, a pojedinca malo teže. :)
Quote from: crippled_avenger on 26-08-2010, 02:10:47
Kim je meni ipak tek jak drugoligaš u Koreji. Bong i Chan Wook su na vrhu s tim što je Bong znatno ispred Chan Wooka. Kim je tu negde iza ali nije inovator a u pojedinim slučajevima kao što je BITTERSWEET LIFE nije čak ni pristojan falsifikator tuđih originala. SISTERS je OK J-horror koji možda i prevazilazi japanske izvornike, tu se slažem sa Mehom, ali opet nećemo valjda J-horror smatrati nekom ozbiljnom vrstom filma, njih i američki rimejk kad se lepo uradi ume da prevaziđe. :) BAD WEIRD je takođe supersimpatičan spektakl ali je to mnogo slabije od sličnog crowdpleasinga koji nudi HOST...
sva trojica su, barem po mojim standardima, korejski prvoligaši, i sama njihova industrija ulaže dosta u njihove projekte.
tačno je da bong ima najmanje padove i odstupanja, ali, osim naravno MoM, on nema perfektan film u striktno dramaturškom pogledu. kimovi manje poznati naslovi (quiet family) su ubedljiviji od bongovih (barking dogs).
nijedan, naravno, nije inovator, i naslonjeni su na tradicije japanskih i honkonških filmova, ali meni to u principu i nikad nije zvezda vodilja u sagledavanju ukupnog dela.
park je i dalje ispred obojice, bez obzira na višegodišnja posrtanja. njegovi rani radovi su, uz još par, i vrhunac korejske kinematografije uopšte.
Mislim da Cripple ovde odlazi predaleko u provokaciji i utrčava licem i telom u farsu. Američki rimejkovi bolji od japanskih originala??? Gde? U kom univerzumu?? Meni se dopadao američki Ring, dramaturški je svakako disciplinovaniji od Nakatinog i glavna glumica mi je seksualno privlačnija ali u njemu ima previše pojašnjenja, previše, er... diskursa za moj ukus. Japanski je... prazniji, baš kao i Ju on i to su za mene nepobitno intenzivnija iskustva što u domenu horor filmova skoro da mi je dovoljno. Da ne pominjem Nakatino apsolutno remek delo, Dark Water... Pa tu je poređenje naprosto drsko!!!!!!!!!!!
Uzgred, evo jednog strašno učenog eseja o Ring/ Ringu fenomenu. Lakan i te fore:
http://blogs.arts.unimelb.edu.au/refractory/2010/07/18/ringu-the-ring-tracing-the-analog-spirit-in-a-digital-era-michael-fisch/ (http://blogs.arts.unimelb.edu.au/refractory/2010/07/18/ringu-the-ring-tracing-the-analog-spirit-in-a-digital-era-michael-fisch/)
Quote from: Meho Krljic on 26-08-2010, 10:35:31
Uzgred, evo jednog strašno učenog eseja o Ring/ Ringu fenomenu. Lakan i te fore:
http://blogs.arts.unimelb.edu.au/refractory/2010/07/18/ringu-the-ring-tracing-the-analog-spirit-in-a-digital-era-michael-fisch/ (http://blogs.arts.unimelb.edu.au/refractory/2010/07/18/ringu-the-ring-tracing-the-analog-spirit-in-a-digital-era-michael-fisch/)
upravo taj analogno.tehnički detalj u samom serijalu mi nekako oduvek reckao percepciju, pored traljavog koncepta o kruženju proklete video kasete.
međutim, ringu jeste fenomen baš zbog činjenice da iz jednog generičkog pop modusa izvlači najfiniju nit japanskog poimanja užasa, sve to uvaljano u mejnstrim oblandu.
e sad, nije suzuki kriv zato što je u vreme kada je pisao novelu bila era vhs-a.
Pa, da, on je to pisao krajem osamdesetih/ početkom devedesetih, izašlo 1991., tad je to imalo smisla. Danas, sa Internetom i mobilnim telefonima sve to izgleda drugačije, ali dobro, mnoga klasična dela horora (i drugih, jelte, žanrova) oslanjaju se na određene tehnološke pretpostavke koje vreme prevaziđe... U slučaju Ringua, bile su prevaziđene već kad je film izašao, ali meni to nije ništa pokvarilo...
City.Under.Siege.2010.CN.DVDRip.Xvid-XTM
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Movie: City Under Siege
Chinese: 全城戒备 (Chun sing gai bei)
Director: Benny Chan
Writer: Kan-Cheung Tsang
Producer: Benny Chan
Cinematographer: Anthony Pun
Release Date: August 6, 2010 (China)/August 12, 2010 (Hong Kong)
Runtime: 113 min.
Language: Cantonese / Mandarin
Country: Hong Kong
Imdb link: http://www.imdb.com/title/tt1691832/ (http://www.imdb.com/title/tt1691832/)
Cast:
Aaron Kwok - Sunny
Jacky Wu - Sun Hao
Qi Shu - Angel
Jingchu Zhang - Hua
Colin Chou - Chang Tai Chu
Austin Wai
Chrissie Chau
Elanne Kwong
Synopsis
Sunny (Aaron Kwok) is a clown in a circus act but he aspires to be a top performer just like his dad, The King of Flying Knife. While in Malaysia, Sunny and a few of his circus performer friends go for a treasure hunt, stumbling upon barrels of bio-chemicals left from the war. Upon returning, some of the members are mutating due to inhaling the bio-chemicals but Sunny seems fine from the exposure. They gain extraordinary superhuman powers. The leader of the entertainment outfit Chang Tai Chu (Colin Chou) decides to use this newfound strength to do evil. As there is an increase of crime in the city, the media and the police get involved. Kungfu master Suan Hou (Wu Jing) and policewoman Xin Hua (Zhang Jin Chu) enter the fray, while Angel (Shu Qi), a reporter who is recently demoted, also pursues the case in hopes of rescuing her flagging career.
City Under Siege new Trailer 2010 [HD] (全城戒備) (http://www.youtube.com/watch?v=oQY5YdKzh4g#ws)
šali se malo sa vama vaš čika zuko. zar ne vidite smajli, aman zaman, u delu o j-hororu?
inače, meni je bong najjači jer su njegovi filmovi najslojevitiji. on možda nije izbio na scenu kao park, ali isto tako više mi je rewatchable od njega.
Ja preferiram Parka naravno ali Bong jeste entertejner poštenog kalibra.
bong je rewatchable. i kim je rewatchable. filmovi su im svakako zabavniji od parkovih, ali zato ovaj bije direktno u stomak.
bar nekad bilo. sad bije ispod pojasa, i nervira. :roll:
E, to. Meni je ipak Simpati for Mister Vendžns baš onako, pesnica u glavu. Bong je lepršaviji i ume da namiguje i sve to, ali Park (je) ume(o) da nokautira i po više puta tokom filma (videti pod Oldboj). Možda se može reći i da je Bong naprosto bolji zanatlija i da bolje vlada formom.
Quote from: Meho Krljic on 26-08-2010, 21:29:43
Možda se može reći i da je Bong naprosto bolji zanatlija i da bolje vlada formom.
и да се ликови у његовим филмовима понашају као срби....
kako smo svi razliciti,ja na primer najvise volim kim ki duka s tim sto ovaj poslednji film dream ne moz da se gleda.
parka opet obozavam, naravno ko i svi zbog oldboya , volim i I'm a Cyborg, But That's OK i da onu poslednja prica u triologiji 3 Extremes ma sve price su mi sjajne volim taj film.
volim bongov humor u domacinu i majci a pa i secanje na ubistvo ...tokyo je sranje
inace prvi juznokorejski film koji sam pogledala je a bloody aria i taj me kupio potom sam pogledala dokumentarac asian invasion i onda sam pocela ko nenormalna da pratim azijske filmove.Sto se tice azije korejci su sjajni ali
japanci prave remek-dela pa kad je smimljen kwaidan '64 jos uvek prvi na mojoj listi
Quote from: agota on 27-08-2010, 01:24:02
i da onu poslednja prica u triologiji 3 Extremes ma sve price su mi sjajne volim taj film.
njegova je najslabija u toj trilogiji.
tu, na opšte iznanađenje, šnjur nosi ludi fruit chan! :)
Meni je u omnibusu TOKYO najjači Bongster...
A ja bih dodao - meni je Bongster najjachi u Tokyo omnibusu.
Quote from: crippled_avenger on 27-08-2010, 01:45:04
Meni je u omnibusu TOKYO najjači Bongster...
pa moram se sloziti ta treca prica je opet najbolja jer sam se spalila gledajuci prve dve
Ali moram da priznam da me je i Carax vrlo zabavio mada njegov film tu ne smatram za posebno dobar.
Quote from: Le Samourai on 27-08-2010, 02:06:00
Ali moram da priznam da me je i Carax vrlo zabavio mada njegov film tu ne smatram za posebno dobar.
Carax je dno dna al opet stvar ukusa.
o tokiju smo raspravljali još...
http://www.znaksagite.com/diskusije/index.php?topic=5560.150 (http://www.znaksagite.com/diskusije/index.php?topic=5560.150)
Mene nervira što nikada nisam pogledao celovečernju verziju Chanovog Dumplingsa iz Three... Extremes. Niti bilo šta drugo od Chana. Kakvi su mu ostali fimovi'
iskreno, gledao sa samo još made in hong kong, i on je svakako slabiji. ali, ima tu intersantnih naslova novijeg datuma.
ovaj chengdu treba overiti, kao i public toilet.
Chengdu je bio i na Festu, sigurno ga je neko nama poznat overio...
Mene dosta loži taj Public Toilet. Sigurno zbog naslova. Dobro, imaću šta da svučem kad dođem u Srbijicu.
@Shozo Hirono
Quote from: Ghoul on 27-06-2009, 18:45:04
(skoro) nimalo mi se nije dopao omnibus TOKYO.
1. priča o ženi koja se pretvara u stolicu: ljupko, ali so what?
2+
2. o stvoru iz kanalizacije – pointless & uninvolving – couldnt care less.
=2
3. o hikikomoriju, blago zanimljiva, ali ipak daleko od bilo čega bongovog.
=3-
sve zajedno = 2+
:(
prvi put citam ovu diskuziju
Eto i ovom baksuzu se ne dopada 2+ :evil:
s druge strane ocenio je tokijsku sonatu 3.5 nerealna ocena skroz,a meni je sjajan kolko se secam gledala u balkanu na festu .
Celovečernju verziju Chanovog Dumplingsa iz Three Extremes takodje nisam pogledala, pa ni Three Extremes II
a Public Toilet skidam :!:
taj baxuz ne bi bio baxuz da ume da sluša kad mu neko veli: "nije taj film za tebe." :roll:
no, neki uvek imaju višak vremena. :lol:
Tere.Bin.Laden.2010.DVDRip.XviD-DDR
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Man.Of.Vendetta.2010.KOR.DVDRip.DiVX5-KTH
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AKA: 파괴된 사나이, Pagwidwon Sanai, The Destroyed Man
Year: 2010
Genre: Crime, Thriller
Runtime: 114 mins.
Country: South Korea
Language: Korean
Subtitles: none at time of post
Director: Woo Min-Ho
Cast: Kim Myeong-Min, Eom Ki-Jun, Kim So-Hyun, Park Joo-Mi, Lee Byeong-Jun
Links: AsianMediaWiki, Hancinema
Synopsis:
One day, Hye Lin, the five-year old daughter of a devoted pastor, Joo Young Soo, is kidnapped. Pastor Joo, who has a rock solid faith in God at this time, prays wholeheartedly for her safe comeback, but she does not return. Eight years later, Joo Young Soo, who now does not believe in God and leads a completely secular life, receives a call. Hye Lin is still alive and is with the kidnapper. Joo Young Soo's resolute attempt to rescue his daughter begins...
Saru.Lock.2010.JAP.DVDRip.XviD.AC3-zdzdz
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Year: 2010
Country: Japan
Director: Tetsu Maeda
Writer: Naoki Serizawa (manga)
Genre: Comedy
Runtime: 195 min
Language: Japanese
Subtitles: None
IMDB: http://www.imdb.com/title/tt1525886/ (http://www.imdb.com/title/tt1525886/)
Theatrical Release Date: February 27, 2010
Cast:
Hayato Ichihara - Yataro Sarumaru
Manami Higa - Mayumi Shinozaki
Manami Konishi - Eiko Mizuki
Sousuke Takaoka - Jiro Yamada
Sei Asina - Ritsuko Mizuhara
Gota Watabe - Yamamoto
Toshihiro Wada - Iwaki
Ken Mitsuishi - Fujiyama
Masahiko Nishimura - Kanai
Jun Kunimura - Ogasawara
Synopsis/ Plot:
Beautiful Mayumi (Manami Higa) enlists the help of Yataro Sarumaru (Hayato Ichihara) - a master locksmith and a notorious womanizer - to open a bank safe deposit box. This results in Yataro fleeing from the police who are in hot pursuit ...
Saru Lock The Movie trailer 2010 (猿ロック THE MOVIE) [Japan].mp4 (http://www.youtube.com/watch?v=cRvDBL8WrPY#)
Dir: Tsui Hark. China. 2010. 122mins
There's a tasty idea in here, and its entertainingly executed: graft a detective story onto a historical martial arts actioner set during the Tang dynasty, and see what emerges. Director Tsui Hark has never been a less-is-more kind of guy, and the sheer abundance of plot threads and sumptuous, FX-enriched set pieces threatens to swamp the story at times.
The hyper-real artisanal quality of the computer graphics suits the style of a film that has a likeable period nonchalance to it.
But it all moves along at a cracking pace, and the film's half serious, half tongue-in-cheek tone will endear it to Western audiences who bridle at the more self-important style of kung fu epic. Hark fans will also embrace his latest as a return to the classic supernatural kung fu territory that the director made his own in films such as Zu: Warriors from the Magic Mountain.
In fact although budgeted at a lowish $13 million, Detective Dee may turn out to be a better performer than Hark's previous martial arts bonanza, Seven Swords, which cost a fair bit more and yet underperformed both in Hong Kong and mainland China. The economies show through here in some of the CGI backdrop work, which at times is so artificial it looks like 3D animation. But while this may annoy the geeks, the hyper-real artisanal quality of the computer graphics suits the style of a film that has a likeable period nonchalance to it.
The action is set in the year 690 on the eve of the coronation of Empress Wu Zeitan (Carina Lau), China's first female ruler. A huge, hollow stupa, or statue-temple of Buddha, is being built in front of the imperial court to glorify her reign; but while showing a foreign ambassador the view from the eye of the Buddha, a court officer suddenly bursts into flames.
Another spontaneous combustion soon follows – and in a court riven by plots, suspicions and internecine strife, the empress is keen to find the culprit. A court magician in the form of a talking stag advises her to send for courtier Di Renjie (Andy Lau) – anglicised as 'Detective Dee' – who was sentenced to hard labour seven years previously for criticising Wu for the way she seized power after the death of her husband the Emperor.
She does so, and appoints Lau to head the investigation – but being a wily and wary soul, sends her beautiful and martially talented protégée Jing-er (Bingbing) to watch over Dee. Also on the case is hotheaded albino court official and co-investigator Donglai (Chao), who gradually comes around to Dee as the latter proves his strength, intelligence and integrity.
The third main location - in addition to the Luoyang court and city, and the Escher-like interior of the giant Buddha statue with its struts and pulleys, wooden lifts and endless staircases - is an underground city called the Phantom Market, where a ghostly nether people live in a network of caves.
Choreographed by Hong Kong maestro Sammo Hung, the film's fight sequences are marked by Hark's usual inventiveness; perhaps the best is also the simplest, a comedy-tinged fight-seduction sequence between feisty Jing-er and unflappable Dee, which morphs in seconds from sparring to foreplay to the two of them teaming up to repel a death squad attack.
Much was being made in Venice of Dee as a sort of Tang dynasty Sherlock Holmes, but in fact another Holmes derivative, William of Baskerville from The Name of the Rose, is a better parallel: both men are smart forensic investigators who are part of and subject to the closed, hierarchical communities they're holding up to scrutiny. The Tang court protocol and ceremony feel right (the credits include no less than two court etiquette consultants, as well as a sword design consultant), though costumes (especially those of the outlandishly-coiffed Empress) are closer to Alice in Wonderland than the historical record – and no worse for that.
Jackie.Chan.Kung.Fu.Master.2009.DVDRip.XviD-RUBY
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Tetsuo - The Bullet Man
Asmik have announced the Japanese DVD release of 'Tetsuo - The Bullet Man' for the 4th November, 2010. Directed by Tsukamoto Shinya, the film is the third entry in the hard-hitting sci-fi series and centres around an American living in Tokyo who begins the transformation into the metallic superman.
Anthony (Eric Bossick) is an American businessman living in Tokyo with his Japanese wife (Momoo Akiko) and his son. One day, Anthony's son is killed in a car accident. Amid his unbearable grief, Anthony's body slowly begins to transform and grow metal parts. As he grows angrier, the metal parts on his body gradually become increasingly powerful weapons. Soon, he realizes that his change is not coincidental, and that someone close to him set it in motion with sinister intentions.
Tetsuo The Bullet Man trailer (http://www.youtube.com/watch?v=88kU9LxZqrE#ws)
The Stool Pigeon (2010)
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Also Known As:
Sin Yan (Cantonese Title)
Xian Ren (Mandarin)
Beast Stalker 2 (Alternate English Title)
Year: 2010
Country: Hong Kong
Director: Dante Lam
Genre: Action | Drama |Thriller
Runtime: 113 min
Language: Mandarin Dubbed
Subtitles: Chinese Hard Subbed Only
IMDB: http://www.imdb.com/title/tt1535492/ (http://www.imdb.com/title/tt1535492/)
Theatrical Release Date: 08/24/2010
Cast: Nick Cheung, Nicholas Tse, Lunmei Kwai, Kai Chi Liu, Pu Miao, Yi Lu, Lawrence Cheng, Sherman Chung, Deep Ng
Synopsis/ Plot
Policeman Don Lee often works with informants but numerous too-close calls and failed missions cause him to see the world as one betrayal after another - then he meets Guy, and is given a new chance to change his views.
Stool Pigeon Trailer / 綫人 (http://www.youtube.com/watch?v=myS6apiKxzs#)
Ocean.Heaven.2010.DVDRip.XviD-ZHiZHi
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Also Known As:
Hai Yang Tian Tang 海洋天堂 (Mandarin Title)
Ocean Paradise (Alternate English Title)
Year: 2010
Country: China
Director: Xue Xiao Lu
Genre: Drama
Runtime: 96 min
Language: Mandarin
Subtitles: English, Traditional Chinese, Simplified Chinese
IMDB: http://www.imdb.com/title/tt1498858/ (http://www.imdb.com/title/tt1498858/)
Theatrical Release Date: 06/16/2010
Cast: Jet Li, Wen Zhang, Guey Lun-mei, Zhu Yuanyuan, Chen Rui, Dong Yong, Gao Yuanyuan, Yan Mingqiu, Yong Mei
Synopsis/ Plot
Jet Li, in his first non-action film, turns in his best performance of his career as Sam, a terminally ill single father in this true story of the relationship between him and his teenage autistic son (Zhang Wen). Sam, who is a marine park worker, is diagnosed with cancer and begins his search for a home for his son and to groom him so that he can survive on his own. This heartwarming film marks the directorial debut of Xue Xiaolu, protege of famous director Chen Kaige.
Ocean Paradise trailer (http://www.youtube.com/watch?v=n_7UtVXxQ5M#)
Life.Of.Never.End.Co.Ltd.2009.DVDRip.XviD-PK
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Also Known As:
Sheng Ming Wu Xian Gong Si 生命无限公司 (Mandarin Title)
Life is Wonderful (Alternate English Title)
Year: 2009
Country: Taiwan
Director: Looloo Lu
Genre: Drama
Runtime: 77 min
Language: Mandarin
Subtitles: English, Traditional Chinese
IMDB: n/a
Theatrical Release Date: 01/21/2010
Cast: Lu Yi-Ching, Sara, Sandy Lin, Hsien Yuan-Yu, Ken Lin, Han Xian
Synopsis/ Plot
An audience's favorite at the 2009 Kaohsiung Film Festival, Taiwanese director Looloo Lu's (assistant director for idol drama Honey and Clover) directorial debut Life of Never End Co. Ltd. tugs at heartstrings, making the audience laugh and weep, often at the same time. The touching drama tells the simple story of a seven-year-old girl (Sandy Lin) and her granny (acclaimed actress Lu Yi Ching). Taipei girl Chi Ting is forced to stay with her granny in Kaohsiung when her parents leave her there one day. In Chi Ting's eyes, granny is a weirdo, what with her Taoist medium profession and her claim that she's the director of the so-called "Life of Never End Co. Ltd." Chi Ting wishes to go back to Taipei to find her parents, so she begins to sneak away, only to be caught by the pesky granny every single time. It is 20 years later when Chi Ting finally finds out the secret to granny's "immortality";...
Life of Never End (http://www.youtube.com/watch?v=26w5yJLwht8#)
Filmmaker Takashi Miike ("13 Assassins," "Audition") will make a currently untitled pic based on "Harakiri" (Seppuku), Masaki Kobayashi's 1962 period classic reports Variety.
Tatsuya Nakadai starred in the original as a samurai seeking revenge after his son-in-law is forced to kill himself with his sword.
Ebizo Ichikawa will take on the lead role in this version. The 3D feature will begin shooting in October for release next year.
now, this is goin' to be fun! xcheers
Moss.2010.KOR.XviD-INTELiAN
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Homepage: http://www.moss0715.co.kr (http://www.moss0715.co.kr)
Country: South Korea
Language: Korean
Release date in South Korea: 2010/07/14
Genre: Thriller
Subtitles: NOT AVAILABLE
Cast: Jeong Jae-yeong, Park Hae-il, Yoo Joon-sang, Yoo Seon, Heo Joon-ho, Yoo Hae-jin
Screenplay: Jeong Ji-woo
Director: Kang Woo-seok
Technical Information:
File Format: AVI
Length: 02:42:41
Resolution: 800x480
Data Rate: 1084kbps
Total Bitrate: 1212 kbps
Frame Rate: 29frames/second
Audio Bit Rate: 128kbps
Channels: 2 (Stereo)
Audio Sample Rate: 44kHz
Synopsis:
Movie remade from a popular internet cartoon. The story of the few people who live in a village, and a man who comes to the village for his father's funeral. He tries to figure out the mystery of his father's death, but the villagers watch his every move.
Note
RYU Mok-hyeong, a member of a small prayer house located in a remote mountain village, is well-respected for his leadership and gift of speech. In order to build a new prayer house Mok- hyeong leaves the mountains to build a new village with the help of his friend, Yong-duk. Many years pass and Mok-hyeong is discovered dead after sharing a bottle of rice wine with Yong-duk. Mok-hyeong's good for nothing son, RYU Hae-guk, arrives from Seoul to attend his father's funeral. Hae-guk soon realizes that the villagers are trying to hide something from him leading him to seek the help of PARK Min-uk, the public prosecutor responsible for his demotion to a local branch during his more reckless past. Hae-guk plans to conduct his father's autopsy himself, but arrives at his father's grave only to find his corpse missing. Hae-guk suspects that Yong-duk is responsible.
Moss (이끼) Main Trailer (http://www.youtube.com/watch?v=5GwGsEWVdqo#ws)
Liar.Game.The.Final.Stage.2010.JAP.DVDRip.XviD-AXiNE
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Also Known As:
ライアーゲーム ザ・ファイナルステージ (Japanese Title)
Raiâ Gêmu: Za Fainaru Sutêji (Romanji Title)
Year: 2010
Country: Japan
Director: Hiroaki Matsuyama
Genre: Drama
Runtime: 133 min
Language: Japanese
Subtitles: English, Japanese
IMDB: http://www.imdb.com/title/tt1423953 (http://www.imdb.com/title/tt1423953)
Theatrical Release Date: 03/06/2010
Cast: Erika Toda, Shota Matsuda, Seiichi Tanabe, Kosuke Suzuki, Megumi Seki, Yoshyoshi Arakawa, Toshihiro Wada, Yuki Akimoto
Synopsis/ Plot
College student Nao Kanzaki (Erika Toda) ends up in debt after being lured to participate in a mysterious game called "Liar Game Tournament" (LGT). In order to get her money back she consults the help of genius swindler Shinichi Akiyama (Shota Matsuda) and following his help she manages to enter into the final.
And waiting in the final stage a game called "Garden of Eden Games" that offers 5 billion yen as prize money. The theme of the game is to believe each other and if all the eleven players can trust and work together, everyone can win the game.
Other players participating in the LGT are Eri (Michiko Kichise), Tanimura Mitsuo (Ikkei Watanabe) and Yuji Fukunaga (Kosuke Suzuki). However, their probability to win the game is significantly threatened when a mysterious player known as "player X" lurks among them.
Can Nao win the LGT and what is the purpose behind it?
[Trailer] LIAR GAME: THE FINAL STAGE (诈欺游戏：终极之战) w/ English & Chinese Subtitles (http://www.youtube.com/watch?v=MEHRF9AXR9M#)
Last Train Home (2009) DVDRip XviD
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Genre: Documentary / Drama
Director: Lixin Fan
Release Date: 2009 (IDFA), 2010 USA
Runtime: 85 min
Language: Mandarin
Country: China
Imdb link: Last Train Home
Synopsis
Every spring, China's cities are plunged into chaos, as all at once, a tidal wave of humanity attempts to return home by train. It is the Chinese New Year. The wave is made up of millions of migrant factory workers. The homes they seek are the rural villages and families they left behind to seek work in the booming coastal cities. It is an epic spectacle that tells us much about China, a country discarding traditional ways as it hurtles towards modernity and global economic dominance.
Last Train Home draws us into the fractured lives of a single migrant family caught up in this desperate annual migration. Sixteen years ago, the Zhangs abandoned their young children to find work in the city, consoled by the hope that their wages would lift their children into a better life. But in a bitter irony, the Zhangs' hopes for the future are undone by their very absence. Qin, the child they left behind, has grown into adolescence crippled by a sense of abandonment. In an act of teenage rebellion, she drops out of school. She too will become a migrant worker. The decision is a heartbreaking blow for the parents. In classic cinema verité style, Last Train Home follows the Zhangs' attempts to change their daughter's course and repair their ruptured family. Intimate and candid, the film paints a human portrait of the dramatic changes sweeping China.
LAST TRAIN HOME - Official trailer [HQ] (http://www.youtube.com/watch?v=4XnIUAWwhWY#ws)
Desire To Kill.2010.KOR.DVDRip.DiVX5-KTH
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Cast............: Cheon Ho-jin, Yoo Hae-jin, Seo Hyo-rim, Lee Jeong-heon, Ra Mi-ran ...etc
Directed........: Jo Won-hee-I (조원희), Kim Sang-hwa (김상화)
Release.........: Release date in South Korea : 2010/08/26
Genre...........: •Thriller
Runtime.........: 01:31:46
Also Known As...: 죽이고 싶은 (Jook-i-go Sip-eun)
Country.........: South Korea
Language........: Korean
Subtitles.......: No Subs
Plot Summary:
Also known as "Enemy at the Dead End"
The man who wanted to die meets someone he wants to kill!
Min-ho always tries to commit suicide. He is in the hospital long term from a brain disorder and suicide attempts when Sang-eob joins his room. It's the man Min-ho would risk his life to find and kill. He has amnesia and is fully paralyzed but Min-ho can't let him off easy. Although Min-ho isn't in the best health, he has to live if he wants to kill Sang-eob.
The man who survived death meets an irritating man!
One day, Sang-eob opens his eyes to find himself a hospital room. He doesn't know who he is and he can't move a muscle. Min-ho is in the next bed with powerful eyes. They're both patients, but he's irritating. Every time Sang-eob wakes up, his head hurts, his body aches. As his memory returns, he remembers hostile things about Min-ho.
August 2010, an extraordinary combat between the two men begins.
Korean Movie 죽이고 싶은 (Desire To Kill. 2010) Trailer (http://www.youtube.com/watch?v=lJMnrQW_Pss#)
Good Morning :!:
obecava ovaj trejler ,gledo netko?
zasad samo oni koji odlično poznaju korejski.
Quote from: Shozo Hirono on 22-07-2010, 21:40:46
Big Tits Dragon: Zombies vs Strippers (2010) DVDRip
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Japanese Title: Kyonyû doragon: Onsen zonbi vs sutorippâ
English Title: The Big Tits Dragon: Hot Spring Zombies vs Strippers
Director: Takao Nakano
Cast: Io Aikawa, Saori Andô, Sora Aoi, Kaworu Asakusa
Genre: Action / Comedy / Horror/ Erotic
DVD Release date: 2010
Imdb link: http://www.imdb.com/title/tt1642252/ (http://www.imdb.com/title/tt1642252/)
Synopsis
Rena Jodo (Sola Aoi) is a stripper who just got back from Mexico and she has been offered a gig at a hot spring resort. When she arrives, she finds a deserted country town. There's hardly anyone in the audience at the strip club and all the other strippers, including Ginko (Risa Kasumi), Maria (Mari Sakurai), Nene (Tamayo) and Dana (Io Aikawa) are all bored stiff. They don't know what to do with their time and they are on the verge of fighting each other. ¶ When they decide to go down to the basement of the club to kill time, Maria finds a 'Book of the Dead' near the 'Well of the Spirit'. But who could have imagined the horror and panic that find would bring? Maria's reading of the book out loud has somehow revived the dead and zombies start appearing all over the world attacking mankind. It's Hell in the real world! ¶ Dana and Nene are bitten by the zombies and they turn into living dead who attack Rena and Ginko. The poor big-bosomed babes have no choice but to fight against Maria who now rules the zombies and tries to establish a kingdom of zombies. Rena and Ginko have to challenge Maria and the hordes of zombies! And how does the Blue Demon Devil (Minoru Torihada) fit in?
Eh... sad kao da snimaju filmove samo za Harvija.
Ji-woon Kim ("I Saw the Devi," "The Good, The Bad & The Weird") is set to direct the action thriller "Last Stand" reports Latino Review.
The story follows a cartel leader who uses a Gumpert Apollo race car to break out of a courthouse. As he speeds to the Mexican border, the only thing standing in his way is a border-town sheriff and his inexperienced staff.
Andrew Knauer penned the script which made the 2009 Black List. Lorenzo DiBonaventura ("Salt," "Transformers") is producing and shooting aims to begin in the spring.
15Malaysia (2009)
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AKA 15 Malaysia; 15Malaysia - Voices of new Malaysia
o Year: 2009
o Directors: Yasmin Ahmad, Khairil M. Bahar, Tan Chui Mui, Linus Chung, Ho Yuhang, Johan John, James Lee, Woo Ming Jin, Amir Muhammad, Namron, Desmond Ng, Kamal Sabran, Liew Seng Tat, Mussadique Suleiman
o Genre: Comedy | Drama | Documentary | Animation
o Runtime: 80 min - 3 to 8 min each (approximate)
o Country: Malaysia
o Language: Malay, Tamil, Mandarin, Cantonese, English
o Subtitles: English (Hardsubbed)
o IMDB: http://www.imdb.com/title/tt1512689/ (http://www.imdb.com/title/tt1512689/)
o Casts: (refer to details description)
PLOT/SYNOPSIS
Fifteen short films with socio-economic subject matter by 15 directors of Malaysia's "New Wave" and "No Wave."
15Malaysia is a short film project. It consists of 15 short films made by 15 Malaysian filmmakers. These films not only deal with socio-political issues in Malaysia, they also feature some of the best-known faces in the country, including actors, musicians and top political leaders. You may think of them as funky little films made by 15 Malaysian voices for the people of Malaysia.
Hana.No.Ato.2010.JAP.DVDRip.XviD-AXiNE
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Also Known As:
Hana no Ato 花のあと (Japanese Title)
Year: 2010
Country: Japan
Director: Kenji Nakanishi
Genre: Comedy | Drama
Runtime: 107 min
Language: Japanese
Subtitles: None at time of post
IMDB: http://www.imdb.com/title/tt1487916 (http://www.imdb.com/title/tt1487916)
Theatrical Release Date: 03/13/2010
Cast: Keiko Kitagawa, Masahiro Komoto, Shuntaro Miyao, Akiko Aitsuki, Megumi Sato, Kamejiro Ichikawa, Jun Kunimura, Akira Emoto, Ayumi Ito
Synopsis/ Plot
Hana no Ato is based on a short story by the late Shuhei Fujisawa (The Twilight Samurai, Love and Honor, et al.) The film stars Keiko Kitagawa as Ito, a member of a small clan in the Tohoku region. One day she meets a young swordsman of a lower social caste named Magoshiro (Shuntaro Miyao) and challenges him to a friendly duel with bamboo swords. The exhilarating match sparks feelings between the two, but Ito is already betrothed to another man and decides to put Magoshiro out of her mind and wait for her fiance to return from his studies in Edo. However, when Magoshiro is forced to commit seppuku due to the plotting of a cowardly noble, Ito decides to take it upon herself to seek justice.
「花のあと」 予告編 (http://www.youtube.com/watch?v=LTCNsBmU29k#)
71 Into The Fire 2010 DVDRip XviD-SSF
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http://www.imdb.com/title/tt1587729/ (http://www.imdb.com/title/tt1587729/)
Seven.2.One.2009.DVDRip.XviD-GAYGAY
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A.K.A: Kwan yan chut si
IMDB LINK: http://www.imdb.com/title/tt1535475/ (http://www.imdb.com/title/tt1535475/)
Cast: Elanne Kong Yeuk-Lam, William Chan Wai-Ting, Chrissie Chau Sau-Na, Jones Xu, Wylie Chiu, Pakho Chow Pak-Ho, Siu Fei, James Ho Seung-Him, Stephanie Cheng
Directed: Danny Pang
Genre: Crime | Drama | Thriller
Runtime: 1.20.24
Country: Hong Kong
Language: Cantonese
Subtitles: ENGLISH | CHINESE T/S srt.idx.sub
Plot:
Convenience store clerks Chrissie (Chrissie Chau) and Katy (Katy Kung) decide to get back at their sleazy manager Leo (Leo Chim) by having their friends pose as robbers and hold up the store, but events escalate out of control into murder. What started as an elaborate prank sets off a butterfly effect of crime, consequence, and desperation as more and more people get pulled into the mess
Detective.Dee.2010.DVDRIP.XviD.AC3-ZJM
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A.K.A: Di Renjie | Detective Dee and the Mystery of the Phantom Flame
IMDB LINK:http://www.imdb.com/title/tt1123373/
Cast: Andy Lau, Bingbing Li, Carina Lau, Tony Leung
Directed: Hark Tsui
Genre: Action | Crime | Thriller
Runtime: 1h 58mn
Country: China | Hong Kong
Language: Mandarin
Subtitles:ENGLISH CHINESE [HARD]
Plot:
In 690AD, ancient China witnessed one of its most prosperous and dynamic era through the powerful Tang Dynasty. Reaching its peak of time, Tang boasted of the highest population and broadest borders amongst all nations. Neighboring countries bowed to China's emperor, and European ministers travelled thousands of miles to visit this great kingdom for trade and cultural exchange, and it was also during this time, Empress Wu, the first and only female emperor to ever rule China, was preparing to officially announce her place in throne.
Our story begins at just weeks before the grand inauguration ceremony of Empress Wu is to take place. The entire country had been preparing for this day for many years, redecorating the Imperial Palace, the capital city Luoyang is retouched to the last detail, rare delicacies are shipped in from every corner of the country for the banquet feast, and foreign Ambassadors from around the world have begun to arrive to attend this great celebration. All that was to be done was the completion of the 100 meters tall Stupa that was being built and worked on day and night.
Pogledao sam poravu poslasticu iz domena već dekadentnog geekdoma - Bong Joon Hoov studentski film INCOHERENCE iz 1994. godine koji se smatra njegovim prvim pravim iskorakom iz Koreje jer je dobio pozive za neke internacionalne festivale.
Reč je o odličnom stuentskom radu u kome se već pepoznaju neke od Bongovih kako estetskih tako i ideoloških opsesija kao što su kadar-sekvence, crni humor i poliička dimenzija naizgled čistih žanrovskih stvari. Iza studentske realizacije sasvim je izvesno da je prisutan talenat koji će napraviti nešto značajno u "velikim" filmovima.
Comedy.Makes.You.Cry.2010.DVDRip.XviD-GAYGAY
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AKA: Black Fairy / Pai mai chun tian
Genre: Comedy, Drama
Director: Zong-de Wu
Writer: Zong-de Wu
Release Date: 28 May 2010 (Taiwan)
Runtime: 112 min.
Language: Mandarin
Country: Taiwan
Cast
Bingbing Bai, Ling Bai, Chao-jung Chen, Lene Lai
Synopsis
This story is a description of how modern people search for their happiness and self-worth in Taipei City. In order to make a living, a man and a woman applied for a job as Call Man and Call Girl in the same day coincidentally, and they also sat out with the same taxi in that day. More spontaneously, due to various factors, both of them always fail to get clients which produced a lot of funny accidents. Finally, these pitiful and ridiculous "chicken and duck" have an opportunity to break the shackles on their body toward the well-being reality. The film's unique humor in trying to approach the interpretation of the most true humanity.
《拍賣春天》Comedy Makes You Cry_電影預告03 (http://www.youtube.com/watch?v=DeWMQs-s-R0#)
Girl.2010.DVDRip.XviD-GAYGAY
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A.K.A: Nam nam
IMDB LINK:http://www.imdb.com/title/tt1611944/
Cast: Michelle Wai, Bonnie Xian, Una Lin, Venus Wong, Deep Ng Ho-Hong, Derek Tsang Kwok-Cheung, Karson Lok, Eric Tse Hoi-Wing
Directed: Kenneth Bi
Genre: Drama
Runtime: 1.28.28
Country: Hong Kong
Language: Cantonese
Subtitles: ENGLISH | CHINESE T/S .idx.sub
Plot:
Girl$" follows four girls who turn to prostitution through the internet for various reasons. Icy, the leader of the group, sells herself to support her deadbeat boyfriend, Gucci sells her virginity for an expensive handbag, Ronnie is a rich girl who sells herself out of boredom, and Lin sells herself in hope to find true love
Norwegian.Woods.2010.KOR.DVDRip.XViD-ONBiZNET
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A.K.A: No-reu-we-i-eui Soop
IMDB LINK: NONE
External Links: http://www.hancinema.net/korean_movie_Norwegian_Woods.php (http://www.hancinema.net/korean_movie_Norwegian_Woods.php)
http://asianmediawiki.com/Norwegian_Woods (http://asianmediawiki.com/Norwegian_Woods)
Cast: Jeong Kyung-ho, Park In-soo,Seo Yoon,Jo Myeong-yeon,Ji Hyeon, Song Hyeon-jin
Directed: Noh Jin-soo
Genre: Comedy | Fear | Crime
Runtime: 1.21.33
Country: South Korea
Language: Korean
Subtitles:NONE
Plot:
Joong-rae and Chang-wook come to the deep forest to bury a body. When they almost finished digging a pit, they find out the body vanished. Myung-sook and Kyung-soo are having an affair. Suddenly Myung-sook sees something outside the car and asks Kyung-soo to find out but he never returns. In the meantime, 3 high school students sniff on gas and glue. The boys become dazed and try to rape the girl but she finally escapes. These 8 people run after another in the forest until they meet a mysterious killer and end in a blood bath
Toki.wo.Kakeru.Shoujo.2010.JAP.DVDRip.XviD.AC3-zdzdz
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Also Known As:
時をかける少女 (Japanese Title)
Time Traveller: The Girl Who Leapt Through Time
Toki wo Kakeru Shoujo (Romanized)
Year: 2010
Country: Japan
Director: Masaaki Taniguchi
Writer: Yasutaka Tsutsui (novel)
Genre: Romance / Adventure / Sci-fi
Runtime: 121 min
Language: Japanese
Subtitles: Japanese
IMDB: http://www.imdb.com/title/tt1614408/ (http://www.imdb.com/title/tt1614408/)
Theatrical Release Date: March 13, 2010
Cast:
Riisa Naka - Akari Yoshiyama
Akiyoshi Nakao - Ryota Mizoroki
Narumi Yasuda - Kazuko Yoshiyama
Masanobu Katsumura - Goro Asakura
Kanji Ishimaru - Kazuo Fukamachi
Munetaka Aoki - Gotetsu (Masamichi Hasegawa)
Anna Ishibashi - Kazuko Yoshiyama
Shota Chiyo - Goro Asakura
Tokio Emoto - Satoru Motomiya
Mayu Kitaki - Natsuko Ichise
Yuya Matsushita - Tetsuo Toi
Synopsis/ Plot:
Quirky high school student Akari Yoshiyama (Riisa Naka) suddenly attains the power to leap through time ...
映画「時をかける少女」予告編 (http://www.youtube.com/watch?v=aZk7MZi7O14#)
Poetry.2010.DVDRip.XviD.AC3-BAUM
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Title: Poetry (2010)
Year: 2010
Country: South Korea
Language: Korean
Film Genre: Drama
Original Title: 시 (詩, poetry)
Subtitles: English, Korean (idx, sub)
Director: Chang-dong Lee
Cast: Jeong-hee Yoon, Nae-sang Ahn, Hira Kim, Da-wit Lee, Yong-taek Kim
IMDB: http://www.imdb.com/title/tt1287878/ (http://www.imdb.com/title/tt1287878/)
NFO: YES
Source: DVD9 NTSC (from hodyssey at ADC)
Release Date: 2010 / 10 / 22
Three years after Secret Sunshine, acclaimed director Lee Chang Dong made a splash at the Cannes Festival again in 2010 with his Poetry winning Best Screenplay. Lee wrote the bittersweet story with veteran actress Yoon Jeong Hee in mind for the gentle role of an inquisitive grandmother who seeks solace through writing. One of Korea's most famous and prolific actresses during the late sixties and seventies, Yoon Jeong Hee came out of retirement to star in Poetry, her first film in 15 years. Also co-starring Ahn Nae Sang (Fate), seventies action star Kim Hee Ra, and poet Kim Yong Taek, Poetry quietly writes the hope, tragedy, vulnerability, and tenacity of life on screen. Grandmother Mi Ja (Yoon Jeong Hee) works part-time as a caretaker, and struggles to raise a teen grandson (David Lee, Paradise Murdered) by herself. Despite her tough situation, she speaks softly, dresses fashionably, and approaches the world with child-like curiosity. Enrolling in a poetry class, she endeavors to capture life in verse form, but her simple dream of completing a poem is stalled by the early signs of Alzheimer's disease and the heavy financial and emotional burden of her grandson's shocking wrongdoing.
Gde ima ovaj film da se nadje?
Lee Chang Dong je poznat širem auditorijumu. Izaći će ovo na javne trekere, ako već nije...
Parade (2009)
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AKA : Paredo
Year : 2009
Country: Japan
Language : Japanese
Subtitle(s): English (custom subbed)
Film Genre : Drama
IMDB : Parade
Links :
Director : Isao Yukisada
Cast : Tatsuya Fujiwara, Karina, Shihori Kanjiya, Kento Hayashi, Keisuke Koide
Plot/Synopsis
"Parade" is the story of a strange living situation in a 2LDK apartment (having two bedrooms, a living-dining room, and a kitchen) in suburban Tokyo. There are five residents ranging in age from eighteen to twenty-eight: a male student with no evidence of any drive; Kotomi (Shihori Kanjiya), an out-of-work aspiring actress who longs for a celebrity boyfriend; Miki (Karina), a heavy-drinking female illustrator; Satoru (Kento Hayashi), a male prostitute with a spectator like attitude toward life; and Naoki (Tatsuya Fujiwara), a salaryman who works for a film distribution company and says strange things in his sleep. The roommates are not in any way romantically involved with one another, but one can see subtle hints of affection and friendship among them. In the end, however, none of them really know each other.
Parade - movie trailer (http://www.youtube.com/watch?v=yqNRFk2Gz8o#ws)
Onima koji vole Bongstera preporučujem sjajno američko DVD izdanje filma MADEO.
Magic (2010)
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o Myoung-jin, who is merely a cello student at his music school, Jung-woo is seen as the most brilliant musical genius. When Myoung-jin suddenly receives news to audition alongside with Jung-woo, he asks Ji-eun to be his accompanist. Myung-jin is surprised to learn that Ji-eun has already been asked by Jung-woo to be his accompanist, and to play the same piece at that, but Ji-eun is unable to refuse their touching offers. Come audition day, Jung-woo and Myoung-jin are both unable to audition, due to Jung-woo's grand mistake. Shortly after, Jung-woo faints while playing Ji-eun's composition, "Magic," and Myung-jin has no choice but to continue in his place. As Myung-jin nurses Jung-woo back to health, he gives him musical lessons. As Jung-woo's health deteriorates, he gradually begins to learn about the depth of "Magic." Jung-woo asks Ji-eun about the truth of "Magic," but she hesitates; the more he wavers from Ji-eun to Myung-jin to "Magic," Jung-woo waxes cynical. Ji-eun, unable to withstand Jung-woo's change, runs out, but Jung-woo stops her from doing so. Myung-jin, on the other hand, cannot hide his feelings anymore and kisses Ji-eun...
Runtime : 94 Mins
Genre : Drama
Frame : 23.976 f
Resolution : 640 * 272
Language : Korean
Subs : -
Korean Movie "요술 (Magic. 2010)" Trailer (http://www.youtube.com/watch?v=VkHbpp8EE7k#)
Hitoya.ni.Saku.Hana.2010.JAP.DVDRip.XviD-PK
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Also Known As:
Hitoya ni Saku Hana 獄に咲く花 (Japanese Title)
Year: 2010
Country: Japan
Director: Shigeru Ishihara
Genre: Drama | Historical
Runtime: 91 min
Language: Japanese
Subtitles: Japanese Only
IMDb: http://www.imdb.com/title/tt1606611/ (http://www.imdb.com/title/tt1606611/)
World Premiere Date: 02/06/2010
Theatrical Premiere Date: 04/10/2010
Cast: Hana Konoe, Michiyoshi Maeda, Yuki Meguro, Miyoko Akaza, Mansaku Ikeuchi, Masanobu Kasumura, Hirotaro Honda, Shigeru Koyama, Takashi Nishina
Synopsis/ Plot
"Goku ( Hitoya) ni saku hana (Flower in Prison)" has been produced to commemorate the 180th anniversary of the birth of Yoshida Shōin, a samurai, child prodigy, and imprisoned intellectual who was instrumental in Japan's shift from the rule of the Tokugawa Shogunate to the Meiji Restoration. Born in 1830 Shōin grew up in a society that had been closed off from the rest of the world for two centuries and he thought that this isolation and Japan's rigid caste system were strangling the future of his country. His famous quote on the total seclusion of Japan was "It is like a person in a dark room holding his breath."
When U.S. Commodore Matthew Perry's infamous Black Ships arrived in Uraga Harbour in 1853 saw his chance to let that breath out, and he and a friend snuck aboard Perry's ship in an attempt to return with him to America. When Perry's crew caught him and returned him to the mainland the ruling Shogunate put him under house arrest, a light sentence considering that the official penalty for leaving Japan was death. It was during his time of house arrest that Shōin saw the whirlwind of foreign influence that Perry's visit had initiated. To try and counteract this Shōin set up a school in his native Hagi in Yamaguchi Prefecture where he taught traditional Japanese values, military strategy and a redefinition of bushido, the samurai code. This school, the Shoka Sonjuku produced some of the leading revolutionaries who would bring about the downfall of the Shogunate.
Ishihara's film, based on a novel by Yamagushi-born author Kaoru Kogawa, captures Shōin's historical struggle with actor Michiyoshi Maeda who already tackled similar territory when he played one of the Chosyu Five, five young men who traveled to Great Britian in 1853, in Sho Igarashi's 2006 film of the same name. It definitely looks like Ishihara is playing up the romantic subplot between Shōin and a lower caste love interest played by actress Hana Konoe, but even with the added shmaltz this is definitely a fascinating subject for a film.
映画「獄（ひとや）に咲く花」予告篇 (http://www.youtube.com/watch?v=zqadZ0cvLpY#ws)
The.Island.2010.CN.DVDRip.XviD-XTM
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Also Known As:
Jue Ming Dao 绝命岛 (Mandarin Title)
Adventure Island (Working English Title)
Suicide Note Island (Literal English Title)
Year: 2010
Country: China
Director: Chao Feng
Genre: Thriller | Action
Runtime: 86 min
Language: Mandarin
Subtitles: Chinese Only
IMDb: N/A
Theatrical Premiere Date: 10/12/2010
Cast: Hua Liu, Suet Lam, Siyan Huo, Cheung Yung, Tianlong Shi, Miao Yu, Yi Cheng, Shenlong Xiao, Feiyu Chen, Chi Hung Ng, Wen Er, Bo Peng
Synopsis/ Plot
Billionaire Long Ye lost his only child in a plane crash, well, almost, because the heart of his son was still pumping. In an attempt to save his son, who has a rare RH negative blood type, Long Ye needs to find the heart from another person. He picks up 7 Asians from different regions, asked them to play a deadly game on an island, but only one of them can survive. Actress Huo Siyan plays one of the candidates. She talks about the shooting.
A slick and visually dazzling Hollywood style tour-de-force also stars Hong Kong favorite, Suet Lam.
2010.09.20電影《绝命岛》最新預告片 (http://www.youtube.com/watch?v=Jpn8lEgZI4k#ws)
Skinuo Poetry, sad samo cekam titl ;)
Man.Of.Vendetta.2010.DVDRip.x264.AC3-BAUM
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Title: Man Of Vendetta (2010)
Year: 2010
Country: South Korea
Language: Korean
Film Genre: Crime l Thriller
Subtitles: English(srt/idx, sub), Korean(smi/idx, sub)
Director: Woo Min-ho
Cast: Kim Myeong-min, Eom Gi-joon, Park Joo-mi, Kim So-hyeon-I, Lee Byeong-joon, Lee Ho-jae
Info Link: http://www.hancinema.net/korean_movie_Man_of_Vendetta.php (http://www.hancinema.net/korean_movie_Man_of_Vendetta.php)
NFO: YES
Source: DVD9 Rental
Release Date: 2010 / 11 / 14
One day, Hye Lin, the five-year old daughter of a devoted pastor, Joo Young Soo, is kidnapped. Pastor Joo, who has a rock solid faith in God at this time, prays wholeheartedly for her safe comeback, but she does not return.
Eight years later, Joo Young Soo, who now does not believe in God and leads a completely secular life, receives a call.
Hye Lin is still alive and is with the kidnapper. Joo Young Soo's resolute attempt to rescue his daughter begins...
In "The Destroyed Man," Kim Myeong-min plays the role of Joo Young Soo, a pastor, whose young daughter is kidnapped by a psychopath named Rudolf. Joo Young Soo is convinced that his daughter is dead, but eight years later he is contacted again by Rudolf, who still has Joo's daughter with him. Joo Young Soo is determined to find his daughter. Kim Myeong-min, as Joo Young Soo, is expected to capture the audience again with his signature charisma.
Eom Gi-joon is cast in the role of Rudolf, a psychopath who is relentlessly pursued by Kim Myeong-min. Uhm has proven himself a serious actor in musicals as well as in television dramas. The role of Kim Myeong-min's wife, Min Kyung, is played by Park Joo-mi, who starred in "Yeoin Chonha" (Women's Rule) eight years ago. This will be her debut on the big screen. She is expected to express painful, motherly love of a woman who loses her child to a criminal.
This movie is an exciting, hair-raising thriller, a story of breathtaking chases of a father who finds out that his daughter kidnapped 8 years ago, is alive. Filming of "The Destroyed Man" began in January, and the movie is expected to be released sometime around the middle of this year.
Korean Movie "파괴된 사나이 (Man of Vendetta. 2010)" Main Trailer (http://www.youtube.com/watch?v=JS4FEOU4lQQ#ws)
"Oldboy" director Park Chan-wook is in talks to direct the English-language drama "Stoker" for Scott Free and Fox Searchlight reports The Los Angeles Times.
The story follows a young woman (Carey Mulligan) whose eccentric uncle comes back into her life after the death of her father. The uncle role has yet to be cast.
"Prison Break" star Wentworth Miller penned the script while Jodie Foster also stars.
aha, iznenada si mi ulepšao veče! xcheers
Quote from: namsey on 06-11-2010, 15:06:47
Skinuo Poetry, sad samo cekam titl ;)
bice na festivalu autorskog filma
DKC Sreda 01.12, 15:30, 150 din
DKC Četvrtak 02.12, 20:00, 300 din
DKC Utorak 07.12, 10:00, 150 din
DKSG Subota 04.12, 19:00, 120 din
Kinoteka Petak 03.12, 21:30, 200 din
Video sam ;)
Ako se dobije akreditacija, gleda se :)
Trouble.Shooter.2010.KOR.XviD-CiNE21
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Also Known As:
Haegyeolsa 해결사 (Korean Title)
Troubleshooter (Literal English Title)
Year: 2010
Country: South Korea
Director: Kwon Hyeok-Jae
Genre: Drama
Runtime: 99 min
Language: Korean
Subtitles: None at time of post
IMDB: None
Theatrical Premiere Date: 09/09/2010
Cast: Sol Kyung-Gu, Lee Jeong-Jin, Oh Dal-Su, Song Sae-Byeok, Lee Seong-Min, Ju Jin-Mo, Moon Jung-Hee, Choi Ji-Ho, Lee Young-Hoon
Synopsis/ Plot
Ex-detective and now private eye Kang Tae-Sik (Sol Kyung-Gu) enters a love motel to take pictures of a couple for an unknown client. Kang Tae-Sik is then shocked to discover a bloody slain woman on the bed. Kang Tae-Sik flees the scene when the police arrive and mistakenly believes he is the killer.
A mysterious man then calls Kang Tae-Sik and offers to clear his name if he kidnaps a high-profile lawyer embroiled in a political scandal. Even more mystifying, the caller is constantly aware of Kang Tae-Sik's every move.
Kang Tae-Sik must now use all of his muscles and the bevy of technological gadgetry at his disposal to clear himself and find the mastermind behind this intricate conspiracy.
Troubleshooter (해결사) Trailer (http://www.youtube.com/watch?v=M7LA8ZbADTs#ws)
Bedevilled.2010.KOR.DVDRip.x264.MP3-HReEnc
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Fbedevilled.jpg&hash=add1ea9ec33ef50c08cb824f2fff1f74218c59e7)
The Whole Story of Kim Bok-nam's Murder Case (Literal English Title)
Year: 2010
Country: South Korea
Director: Jang Cheol-Soo
Genre: Thriller
Runtime: 116 min
Language: Korean
Subtitles: None at time of post
IMDB: http://www.imdb.com/title/tt1646959/ (http://www.imdb.com/title/tt1646959/)
World Premiere Date: 05/2010 Cannes Film Festival
Theatrical Premiere Date: 09/02/2010
Cast: Seo Yeong-Hee, Ji Seong-Won, Baek Soo-Ryeon, Park Jeong-Hak, Bae Seong-Woo, Woo Yong
Synopsis/ Plot
Sick of all the inhumane treatment by others, Bok-nam tries to escape the island with her daughter, but her daughter gets killed in the process. When she loses the only thing that had kept her going, Bok-nam takes a sickle in her hand for revenge.
South Korea's Feature Selection at both the 2010 Cannes Film Festival and 2010 Puchon International Film Festival.
Bedevilled Trailer (http://www.youtube.com/watch?v=3YZQnY6FABI#)
Assault.Girls.2009.DVDRip.XviD-VoMiT
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Fassaultgir.jpg&hash=26865f2c252a0cd5fff37190ce2fe5778a3f7e03)
A.K.A: Asaruto gâruzu
IMDB LINK: http://www.imdb.com/title/tt1478800/ (http://www.imdb.com/title/tt1478800/)
Cast: Meisa Kuroki, Rinko Kikuchi, Hinako Saeki, Yoshikatsu
Directed: Mamoru Oshii
Genre: Action | Sci-Fi
Runtime: 1.10.13
Country: Japan
Language: Japanese | English
Subtitles: ENGLISH .idx.sub
Plot:
The global nuclear war turns the planet into a dessert battlefield. In an area called "Avalon (f)", three beautiful female assault hunters: Gray (Meisa Kuroki), Lucifer (Rinko Kikuchi) and Colonel (Hinako Saeki) are hunting for giant sand whales called Sunakujira.
Gray pilots a fighter plane, Lucifer is a sorcerer who can transform herself and Colonel is a woman fighter equipped with a rifle gun. The sand whales have multiple eyes that can move through the volcanic ash and the hunters use both land and sky to fight with these monsters.
The main feature in this virtual reality game is to battle out with Madara Sunakujira, the biggest giant sand whale and the "Game Master" (Ian Moore) watches the players from the air and reminds Gray to cooperate with Lucifer and Colonel to overpower Madara. Will Madara gets defeated in the end?
S obzirom ko je režirao, ovo bi moglo zapravo da bude ozbiljno štivo, bez obzira na plakat i sinopsis.
Shozo, ja sam gledao ponešto, ali bilo bi lepo ako bi ovde mogao da nabaciš neke zamniljive naslove o konfliktu Severne i Južne Koreje.
Plus, imaš li linkove za neke severnokorejske filmove? Tipa Učenice na kom je radio Kim Jong Il i sl.
Quote from: Meho Krljic on 20-11-2010, 11:08:05
S obzirom ko je režirao, ovo bi moglo zapravo da bude ozbiljno štivo, bez obzira na plakat i sinopsis.
Ghoulu se nije dopao
http://ljudska_splacina.com/2010/06/assault-girls-2009.html (http://ljudska_splacina.com/2010/06/assault-girls-2009.html)
i ja mislim da bi Oshii trebalo da se drži animiranih filmova, sa živim ljudima se slabije snalazi.
Quote from: crippled_avenger on 20-11-2010, 11:27:58
Shozo, ja sam gledao ponešto, ali bilo bi lepo ako bi ovde mogao da nabaciš neke zamniljive naslove o konfliktu Severne i Južne Koreje.
Plus, imaš li linkove za neke severnokorejske filmove? Tipa Učenice na kom je radio Kim Jong Il i sl.
postoji gomila intersantnih
dokumentaraca o severnoj koreji, i o sukobima sa južnom braćom; mnogo je manje intersantnih filmova.
themepark 1984
children of the secret state
friends of kim
a day in the life
welcome to north korea
red chapel
the game of their lives - ovo je moj favorit!
inače, i južnokorejska kinematografija je na globalnom nivou bila poprilično inferiorna do pre petnaestak godina. šta je kočilo, ili još uvek koči, severnjačke autore, možemo samo da pretpostavljamo. možda je represivni aparat prejak, imajući u vidu da je sadašnji predsednik veliki filmofil, a ima karijeru i kao izvršni producent gloglasnog pulgasarija. ove dnevnike nisam gledao, niti ih ima na netu. inresantno bi bilo overiti to, mada možda šef nije bio zadovoljan filmom, pa je zaustavio distribuciju; ili ga sabotiraju globalisti. ;)
najbolji ratni film je južnokorejski (tea guk gi); a najbolji o apsudrnosti sukoba JSA.
zabavno je videti da se kao autori nekih starijih severnokorejskih filmova navode: Director: Students of Kim Il Sung University Pyongyang :|
mada, to su uglavnom neke komedijice, ili patetične drame.
ipak, ili na sreću, ima par izuzetaka: 2 koja koliko toliko vrede su: on the railway (ratni iz 1960), i koprodukcija sa italijanima - ten zan: the ultimate mission (majimak immu). za fanove i filmofile. ;)
Da, TAE GUK GI (ovo GI malo vuče na tvoj kraj, Shozo? :) ) i JSO, pardon JSA sam gledao. I TAEPONG i sl. Kakva je ta melodrama KEUROSING o mukama severnokorejskog naroda koju je radio ovaj baja što je snimao, inače odlični VOLCANO HIGH?
taj crossing nisam stigao da odgledam, ali ovaj njegov naredni - haganjima, vreme je.
hajde, ja ću pogledati, pa javljam...
jel ima nekih linkova za PULGASARI?
ne znam za javne, ali ga ima na privatnim trekerima. naravno, i na surrealu. :)
Quote from: tomat on 20-11-2010, 12:14:34
Quote from: Meho Krljic on 20-11-2010, 11:08:05
S obzirom ko je režirao, ovo bi moglo zapravo da bude ozbiljno štivo, bez obzira na plakat i sinopsis.
Ghoulu se nije dopao
http://ljudska_splacina.com/2010/06/assault-girls-2009.html (http://ljudska_splacina.com/2010/06/assault-girls-2009.html)
i ja mislim da bi Oshii trebalo da se drži animiranih filmova, sa živim ljudima se slabije snalazi.
Grrrr... mada, jeste, već je i Avalon bio malo... ekscentričan. Ali ajde, uzdam se u to da je meni čak i Casshern bio gledljiv pa će mi možda i ovo prijati.
THE GAME OF THEIR LIVES sam gledao. To je ono ludilo o 1966.?
taj je. xcheers
nadao sam se da mogu ove godine da ponove rezultat, i ostvare barem jednu pobedu, ali ništa. :(
Drago mi je da su oni kompleksaši Portugalci posle prošli kako su prošli jer su se za razliku od gospode Brazilaca iživljavali nad nejakim protivnikom, a posle pokazali da su tanki...
Pogledao sam KEUROSING Tae Gyun Kima. Ovaj film iz 2008. godine ne spada u red naslova kojima južnokorejska kinematografija može da se pohvali. Naime, reč je o filmu koji je opterećen propagandističkim ambicijama i u svom ocrnjivanju Severne Koreje postaje neubedljiv, a to je neobično jer su navodno reditelj i ekipa proveli dosta vremena u razgovoru sa ljudima koji su zbilja prebegli sa Severa. Međutim, možda je upravo u tome problem jer Severna Koreja je prikazana kao pakao na zemlji, i sasvim je moguće da su mnoge izbeglice možda zacementirale svoju poziciju na Jugu time što su insistirale na pljuvanju Severa.
Međutim, čak i da pretpostavimo kako je na Severu stvarno tako kako ovaj film opisuje, odnosno da nema tendencionih propagandističkih zahvata, što je sasvim moguće, to ne čeni KEUROSING boljim filmom jer je oslonjen na neuverljivu patetičnu premisu o ugroženoj nejači čija loša pozicija biva dovedena do paroksizma i na kraju ne uspeva da izmami suze koje su autorov primarni cilj.
S druge strane, Severna Koreja u ovom filmu deluje kao jedan vrlo uopšten pakao na zemlji, bez nekog karakterističnog obeležja. U tom smislu, KEUROSING bi mogao da bude priča o bilo kojoj siromašnoj zemlji.
Ono što recimo deluje upadljivo neuverljivo nisu samo obeležja ukupne atmosfere beznađa i haosa, već i vrlo konkretni detalji poput dece koja lutaju ulicama, beskućnika, granice preko koje se manje-više slobodno prelazi što je dosta neobično. Teško je poverovati da jedna zemlja toliko optrećena bezbednošću dozvoljava toliko "slobodnog kretanja". Isto važi i za tretman dece. Teško je poverovati da u jednoj komunističkoj zemlji deca mogu na takav način ostati "izvan sistema". Kolika god da je beda, sasvim je sigurno da Severna Koreja makar radi represije pazi gde su joj građani u svakom trenutku.
Prilično je čudno da, ako imamo u vidu karakterističnu taktičnost južnokorejskog filma prema temi Severa, baš ovakav film bude južnokorejski kandidat za "oskara" pre par godina, jer ne samo da ima umetnički vrednijih filmova već i politički ubedljivijih. Ruku na srce, KEUROSING se bavi severnokorejskim narodom kao žrtvom, ali stanje u kome ih prikazuje toliko je ekstremno da ti ljudi neumitno zaliče na nekakve idiote.
* 1/2 / * * * *
Cripple me je juče pitao je li se pojavio leak za I saw the devil. Ja sam mu odgovorio da ne znam (jer i nisam znao, bio sam udaljen od Interneta), ali jutros sam ga našao i pristavio. Pa da se zna.
http://ljudska_splacina.com/2010/11/i-saw-devil-2010.html (http://ljudska_splacina.com/2010/11/i-saw-devil-2010.html)
Ja okom, Gul skokom. :lol:
U svetlu današnjih događaja na korejskom poluostrvu, da podsetim na jedan golden oldie link
http://www.nk-news.net/extras/insult_generator.php (http://www.nk-news.net/extras/insult_generator.php)
Pogledao sam BULGASARI Shin Sang-oka, najčuveniji film koji je snimio dok je bio u Kim Jong Ilovom zatočeništvu. U priči o ovom filmu postoji dosta kontradiktornih informacija među kojima je i ona da je deset godina bio bunkerisan u Severnoj Koreji zbog Shinovog bekstva na Zapad. Ipak, film je konačno otkriven u Japanu gde je prošao relativno pristojno na blagajnama a po ostatku sveta distribuiran je na home video formatima. Shin Sang-okova severnokorejska karijera je pod velom misterije, kao i sve okolnosti koje su ga tamo dovele. Sada neću ulaziti u detalje jer sam o toj temi koja me fascinira već više puta pisao.
Ipak, svakako je zanimljivo da je BULGASARI monster movie po uzoru na filmove iz serijala GODZILLA, mada bi se tu mogli naći i neki DAIMAJIN uticaji, pa i ponešto od hongkonškog pristupa u dramskim scenama. Film je realizovan uz pomoć Nakanove japanske ekipe koja je radila film GODZILLA 1985 a Suit je nosio lično Kenpachiro Satsuma.
Navodno, sam Kim Jong Il je kao veliki fan Godzille bio autor ideje za ovu priču, i BULGASARI je film koji se može čitati i kao anti-kimovski i kao pro-kimovski film.
Ideološka dimenzija žanrovskog filma je svakako dobro poznata i njena svesna integracija kako od strane autora, tako i od strane producenata nije ništa novo. Međutim, BULGASARI je verovatno jedini monster movie koji je na nivou jedne cele države i to jedne krajnje ideologizovane države odabran da reprezentuje njeno političko sagledavanje realnosti. U tom pogledu, BULGASARI je sasvim unikatan film.
Štaviše, BULGASARI se uz Bong Joon Hoov THE HOST može smatrati zapravo ključnim monster moviejem nastalim u Koreji u širem istorijskom kontekstu.
THE HOST i BULGASARI imaju dosta sličnosti, jedna od njih je svakako politička. Naime, u oba film monstrum nastaje kao direktan proizvod političkih okolnosti. U THE HOSTu to je zbog američkih vojnih lekara koji prosipaju otpatke u reku jer u Južnoj Koreji mogu da rade šta hoće zahvaljujući svojoj privilegovanoj poziciji. U BULGASARIju, monstrum nastaje kao daimajin, neka vrsta Golema koga pravi potlačeni seljak iz nemoći kako bi se opirao despotskom, kulačnkom, rečju nenarodnom režimu lokalnog vladara u trianestovekovnoj Koreji (iako, budimo pošteni, autori BULGASARIja ne pretenduju da ovaj film smeste u konkretan istorijski kontekst).
Razlika između monstruma u THE HOSTu i u BULGASARIju je u tome što je Bongov monstrum u početku odbojan, zastrašujući, surov i služi kao agens koji menja okolnosti i tera porodicu da se okrene sama sebi, ustane protiv sistema, u slučaju nekadašnjeg političkog demonstranta počne ponovo da diše punim plućima, da bi tek na kraju, na samrti to čudovište bilo tretirano kao greška prirode koje zapravo nije imalo zlu nameru i pridružilo se celokupnoj porodičnoj tragediji. Kod Shina, Pulgasari je "dobri monstrum" kao Godzilla u određenoj fazi razvoja lika, hrani se gvožđem, dakle oružjem, i raste sve do razmera kada vladareva vojska ne može da ga porazi. Međutim, kada porazi vladarevu vojsku i kada narod preuzme vlast, pojavljuje se problem Pulgasarija koji bi i dalje da se hrani metalom. Tada se Pulgasariju prinosi žrtva kako bi se uklonio ali i posle stradanja u svom nepobedivom, velikom obliku, on ostaje da živi kao malo stvorenje kao na početku.
Šta je onda ideološka agenda BULGASARIja. Jasno je da je feudalac simbol starog sistema, kapitalizma, feudalizma i svih klasnih razlika koje su hranile postojanje tog sistema. Štaviše, feudalizam na vrlo dobar način, možda i bolje nego kapitalizam, ilustruje samu prirodu korejskom poimanja vlasti pošto se Kim Il Sung u svojim spisima nikada nije sasvim odrekao koketiranja sa feudalizmom, barem kao pogledom na svet, te otud i na vlasti imaju naslednu dinastiju. Međutim, iz ove posavke čitljivi su negativci.
Ipak, Pulgasari je enigma jer on prvo pomaže narodu da se oslobodi ali onda postaje i mora biti uklonjen kroz žrtvu devojke sa kojom ima neku vrstu telepatske veze. Dakle, šta je Pulgasari?
Ovaj film, koliko ja znam, nije do sada nešto ozbiljnije teorijski tumačen i u principu, Pulgasari je tretiran kao greška odnosno kao slika samog Kima koji je bio bitan u jednoj fazi razvoje Severne Koreje ali onda je postao problem, i to je istorija u određenom smislu potvrdila ako imamo u vidu da je Severna Koreja šezdesetih bila prosperitetnija od Južne. Međutim, rekao bih da nije reč o nekakvoj lošoj ideološkoj proceni već pre o tome da Pulgasari ne simbolizuje ličnost već proces, da je on monstrum koji prestavlja revolucionarni teror kao neophodan deo borbe, a da uklanjanje njega kao entieta a ne ideje zapravo sugeriše potrebu da se neki drugovi nepovratno deformisani sprovođenjem revolucionarnog terora moraju skloniti.
S druge strane, možda je Pulgasari oličenje nasilja kao takvog premda prefiks revolucionarnog se ne može izbeći ako imamo u vidu funkciju ovog monstruma u priči.
Ako imamo u vidu militarističku prirodu severnokorejskog režima i akcenat koji se stavlja na razvoj odbrambenih mogućnosti ne čudi toliko insistiranje na oružju kojim se Pulgasari hrani i na opsesiji razoružavanjem, i zapravo, rekao bih da BULGASARI nije film koji tematizuje aktuelni trenutak severnokorejskog društva odnosno Pulgasari kao protagonista nije tema jedne završene priče već je ideja da se severnokorejsko društvo tada (i sada) zapravo nalazi negde na pola puta ovog neo-mita. U tom smislu BULGASARI deluje kao geška ako se gleda kao priča o zaokruženoj borbi ali ne i kada se tumači kao vizije jednog dalekog ishoda te borbe.
U estetskom i zanatskom smislu, BULGASARI nije ni nraročito slab, ni naročito kvalitetan film. Štaviše, jako je teško vrednovati ga jer nemamo nikakve parametre pošto je tadašnja severnokorejska filmska produkcija prilična misterija. Iako je japanska ekipa radila efekte, opet nije pošteno porediti ga sa tadašnjim GODZILLA filmovima, ali za njima ne zaostaje previše. Ipak, u poređenju sa onim što je snimano na Zapadu, BULGASARI najviše podseća na radove iz šezdesetih.
* * / * * * *
gotovo je nemoguće baviti se izdankom jedne siromašne produkcije, a ne uplesti se u njegove političke kontekste i ideologije.
intersantno bi bilo naći bilo kakvu kimovu izjavu povod i o filmu, jer ja blanko ne kupujem priču o otmici, zatočeništvu i ostalim glupostima. ako bih ja nekog oteo i naredio mu da mi režira film, pa makar to bio i pulgasari, sam bih ga i potpisao.
kakav je to totalitarizam u kome zatočenik dolazi u kontakt sa hiljadama ljudi, statista, upravlja setom, prezentuje film... osim ako se ne radi o umnom zatočeništvu. :lol:
što ima svoju logiku: kada je osetio čovek blagodeti kapitalizma, hedonizma i trošenja novca, odlučio da traži azil. xdrinka
IRIS.THE.MOVIE.2010.DVDRip
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A.K.A: 아이리스
IMDB LINK: http://www.imdb.com/title/tt1555024/ (http://www.imdb.com/title/tt1555024/)
Cast: Byung-hun Lee,Tae-hee Kim,Seung-hyeon Choi,So-yeon Kim,Jun-ho Jeong,Seung-woo Kim
Directed: Yun-ho Yang, Kyu-tae Kim
Genre: Action | Adventure | Drama | Romance
Runtime:1hr 57min
Country: South Korea
Language: Korean
Subtitles: NONE
Plot:
Korea, the last divided nation on earth, is constantly under political and military tension with the surrounding countries especially with the North Korean nuclear issue. To avoid the second Korean War, the secret service agency NSS exists for the national security on the Korean peninsula.
NSS special agents are trained specialists who would use any means to fulfill their mission. They officially do not exist and are not acknowledged or protected by the government. Although they are trained to be cold-blooded killers, there is one taboo they cannot avoid; that is love.
Hyeon-jun (Lee Byung-Hun) and Sa-woo (Jeong Jun-Ho) are close friends and rivals in the 707 special forces. They are both recruited into NSS and quickly become the best of the best. Each with different secret assignments, they soon have to take on different paths of life, and even against each other. In a world of conspiracy and betrayal, they both fall for Seung-hee (Kim Tae-Hee), the beautiful but lethal profiling specialist at NSS. They are forced to make their final decision when they are faced against each other in a nuclear terrorist attack, and Seunghee's formidable secret is revealed.
Ni Južna Koreja nije kupila priču o otmici tako da je Shin tamo procesuiran kao prebeg i tek pred kraj života je bio aboliran. Ko zna šta se tu desilo, meni tu isto ima fishy stvari s tim što treba imati na umu, njemu je CIA u stvari jako mnogo pomogla kad je otušai u SAD jer im je doneo prve audio snimke Kim Jong Ila. Do Shinovog prebega sa tim adutom, oni nisu imali nijedan snimak Kim Jong Ila i maltene nikakav psihološki profil o njemu.
Severna Koreja je oduvek negirala da je otela Shina, no poznato je da su otmice njihov modus operandi, i da stručnjake iz raznih oblasti često naprosto otmu.
Već dugo tražim, i ne uspevam da nađem Shinov film o toj temi MAYUMI koji govori o čuvenom severnokorejskom terorističkom napadu na južnokorejski putnički avion posle koga su počinioci uhapšeni i izeđu ostalog je otkrivena mreža otimanja Japanaca koji su, ni krivi ni dužni služili za obuku undercover agenata i savladavanje japanskog svakodnevnog govora.
Dakle, Shin je možda čak i bio otet. Imaj na umu da je navodno tri-četiri godine bio u gulagu i da mu je tek onda Kim izneo svoj plan, otud i rupa u karijeri od četiri godine. I još je zabavnije to da je PULGASARI i potpisao drugi reditelj pa je Shin iz egzila sudski tražio da mu se vrati ime na film.
Pogledao sam AKMAREUL BOATTDA Kim Ji Woona. Rekao bih da je sa ovim filmom posle BITTERSWEET LIFEa, Kim ji Woon možda najbolje objasnio zašto je ipak druga liga, iako prvak druge lige, korejskih reditelja. Njegove kopije, prvo hongkonških, pa japanskih žanrovskih filmova imale su manje ili više uspeha pre svega zahvaljujući poslovičnoj pedantnosti južnokorejske produkcije, a u slučaju filma THE GOOD THE BAD AND THE WEIRD, reklo bi se čak da je to i bio svojevrstan događaj u sezoni.
I SAW THE DEVIL je prvi slučaj u kome Kim Ji Woon reinterpretira žanrovsku matricu koja je potpuno bajata, i to mu se nije desilo još od BITTERSWEET LIFEa. Kao što je u tom filmu obnavljao hardver HK krimića na K-način, pošto je oivaj prethodno bio apsolviran u samom Hong Kongu, Americi i Francuskoj, ovde se laća vrlo prepoznatljive matrice južnokorejskog osvetničkog filma koji je najviše afirmisao Chan Wook Park, reditelj koji je više od pet godina u stagnaciji i više nije ono što je bio, a u međuvremenu je lidersku poziciju i prepustio Bong Joon Hou koji se nametnuo kao ključni reditelj te generacije upravo zato jer se manje oslanjao na senzacionalizam. Kim Ji Woonov film je sav baziran na senzacionalizmu parkovskog tipa ali bez veštine narativnog oblikovanja manje ili više fetišističkih prizora fizičkog nasilja, i gotovo minimumom psihološkog nasilja. Dok je kod Parka pored fizičkog nasilja ključ uvek bio u psihološkoj dimenziji odnosa među likovima i surovosti koja iz njih provejava, Kim Ji Woon je od starta dosta jasan u tom domenu, jasno je ko tu kome šta i zašto i time gubi možda i ključni adut Parkove efektnosti a to je da žrtva do samog kraja ne zna zapravo zašto joj se nešto dešava. Tom direktnom postavkom nažalost nije ni dostigao bilo kakvu pročišćenost postupka, ako je to uopšte bio cilj, jer I SAW THE DEVIL ipak nije straightforward revenge flick, niti su fizičke manifestacije te osvete, a suočimo se sa tim, ovde se ipak sve svodi na to, naročito zanimljive, čak bih rekao da su fizički dosta blage.
Doduše, sasvim je moguće da idejna, a povremeno i tehnička naivnost tih Ripper sekvenci upravo proističe i nepostojeće investicije u likove i odnose usled čega se sva filmska iluzija vrlo lako razotkriva, a neke surove stvari deluju krajnje pitomo. Naravno, I SAW THE DEVIL nije jedini film baziran na šoku koji u krajnjem ishodu deluje krajnje tupo, u najboljem slučaju gadno, ali se od reditelja Kim Ji Woonove veštine očekivalo da nema takve probleme.
Izbor trajanja filma od bezmalo dva i po sata, čak i u odsustsvu seksa sa novorođenčetom kao ipak najpouzdanijeg signala višeslojnosti :) , sugeriše da Kim Ji Woon pokušava da kaže "nešto više", jer ipak suviše je mlad da do te mere izgubi osećaj za tempo i dimenzije filma. Problem je u tome što, i na tome mu ne zameram, ova priča prosto nema naročit podtekst i sve što se iz nje može pročitati iskažu likovi ("Ne smeš da postaneš monstrum da bi kaznio monstruma", "Čim si u prilici ubij silovgatelja i serijskog ubicu, nemoj da se igraš sa njim jer su velike šanse da bude igračka-plačka" i sl.) a s druge strane, ono što je možda u žanrovskom smislu bila namera a to je da se napravi dvoipočasovno izdrkavanje zaa pamćenje takođe nije dalo očekivane rezultate. U tom smislu, nije problem trajanja ovog filma isključivo u nekom od klasičnih temporalnih aspekata filmskog iskustva tipa dosade. Problem je upravo u umetničkom iskazu koji implicira takva forma, i koji je potpuno drugačiji u filmu od sat i po.
Štaviše, film je do te mere oslonjen na opšta mesta da je često negledljiv osim ako gledalac nije gledao nijedan korejski film, ili pak beskrajno uživa u generic scenama serijskog ubice koji seksualno uznemirava, tranžira ili verbalno gnjavi svoje žrtve odnosno ako mu nije dosta tihovanja glavnog junaka obučenog u neki bizaran hibrid kožnjaka i perjane jakne. Ipak, na kraju reditelj se u svojoj želji da nam dočara nasilje, bol i osvetu pretvara u Batu Živojinovića iz ŠTEFICE CVEK i sve ostaje mahom na obećanjima, kako njegovim datim kroz film tako i onim koja likovi daju jedni drugima.
Uostalom, najveća ironija u ovom filmu koji se toliko bavi bolom jeste zapravo koliko je samo skončavanje negativca kome su namenjene sve te salve bola zapravo paradoksalno bezbolno. Ovom prilikom ga neću razotkrivati, ali veću emotivnu i fizičku prazninu na mestu akcenta koji bi trebalo da odvede do katarze kroz masakr odavno nisam video.
Vesti da će Kim Ji Woon sada pokušati da radi nešto u Holivudu mogu samo da raduju jer I SAW THE DEVIL je dead end za reditelja koji poseduje sasvim dovoljno poznavanje stila da na solidnom nivou proizvodi globalno komunikativan mejnstrim, pa zašto da ne, i da nastavi da se za Amerikance bavi onim što je i do sada radio - falsifikovanjem znatno boljih uzora.
* * / * * * *
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Ryu Hae-Kuk (Park Hae-il) enters a reclusive country village to attend his father's funeral. During his stay he investigates the death of his father and uncovers what appears to be a conspiracy. Why do the villagers act so strange? Why do they keep asking him when he will return to Seoul? The man then confronts the village leader Cheon Yong-Deok (Jeong Jae-yeong). The secrets of the village then start to unravel ...
Video Codec ...... XiVD 1.03@
Video Bitrate .. 961kbps AVG
Audio ........... Ac3 386Kbps
Frame rate ....... 23.976 fps
Runtime ........ 162mins
Resolution ........ 640 x 272
Language ........ Korean
Subtitles ...... Kor/Eng
IMDB Rating............ 7.1/10
Genre .......... Mystery
namsey, sjajno je što je naslov film koji preporučuješ ostao misterija za sve nas :)
BTW, film se zove MOSS :)
Joj, vidi stvarno sam zaboravi da stavim naslov ;)
ništa ne brini, ima na prethodnoj strani ovaj poster i sa naslovom. ;)
kakav je buzz za ovaj IRIS?
iris nekako ide uz nedavne događaje i trenutnu situaciju; možda je to izvor bazzovanja.
nije još gledano - nema titlova. 8-)
A jel ima titlova za seriju? Vidim da je izmontiran iz serije?
Upravo sam odgledao I Saw the Devil. Poučen Crippleovim razočarenjem, ja sam očekivao tek pitak eksploatacijski film i Woon tu isporučuje. Naravno, sve je to prilično heavy handed i glavni junak, umesto da bude ljudsko biće koje se pred našim očima pretvara u monstruma je zapravo plačipička koja samo manifestno ejpuje čudovište, ali bar je Min-sik Choi na nivou, iako je njegova uloga naglašeno stereotipna. Meni je njegova barem perverznost prijala i nije rđavo ni razrešenje iako je telegrafisano... Dok ne vidimo drugi film Hong-jina Naa, možemo da sa oprezom zaključimo da je korejski film u stagnaciji.
Quote from: crippled_avenger on 29-11-2010, 22:41:49
A jel ima titlova za seriju? Vidim da je izmontiran iz serije?
serija ima hardsubed english. 20 epizoda.
Shozo, daj neke linkove za seriju na PM, molim te.
Quote from: Meho Krljic on 29-11-2010, 23:12:09
Upravo sam odgledao I Saw the Devil. Poučen Crippleovim razočarenjem, ja sam očekivao tek pitak eksploatacijski film i Woon tu isporučuje. Naravno, sve je to prilično heavy handed i glavni junak, umesto da bude ljudsko biće koje se pred našim očima pretvara u monstruma je zapravo plačipička koja samo manifestno ejpuje čudovište, ali bar je Min-sik Choi na nivou, iako je njegova uloga naglašeno stereotipna. Meni je njegova barem perverznost prijala i nije rđavo ni razrešenje iako je telegrafisano... Dok ne vidimo drugi film Hong-jina Naa, možemo da sa oprezom zaključimo da je korejski film u stagnaciji.
Upravo tako. Mislim, da mi je prvi film te vrste verovatno bih bio zadovoljniji, ali sada je prosto dosadilo gledati maltene iste kadrove koje gledamo već bezmalo deset godina. Slično kao sa muzikom kad mejnstrim uzme nešto od avangarde ili alternative i onda to zgadi svima za godinu dana. S tim što ja nisam ni slutio da mi se korejski vengeance film može tako brzo potrošiti.
This.Man.2010.KOR.HD.XviD-LOTTE
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Title: The Man From Nowhere (2010)
Year: 2010
Country: South Korea
Language: Korean
Film Genre: Action | Crime | Thriller
Subtitles: None
Director: Lee Jeong-beom
Cast: Won Bin, Kim Sae-ron, Kim Tae-hoon, Kim Hee-won, Kim Seong-oh, Lee Jong-pil
IMDB Link: http://www.imdb.com/title/tt1527788/ (http://www.imdb.com/title/tt1527788/)
PLOT or SYNOPSIS
Having once done time behind bars, CHA Tae-sik now leads a quiet life. His only connection to the rest of the world is a little girl, So-mi, who lives nearby. So-mi's mother, Hyo-jeong, smuggles drugs for a drug trafficking organization and entrusts Tae-sik with the product. When the traffickers find out they kidnap both Hyo-jeong and So-mi. Mistaking Tae-sik for another mule, the brothers that lead the gang—Man-sik and Jong-sik—promise to release Hyo-jeong and So-mi if Tae-sik makes a delivery for them. Tae-sik makes the decision to face the outside world in order to rescue So-mi. However, the delivery was part of a larger plot to eliminate a rival drug ring leader, Mr. Oh, and Tae-sik is arrested. At the same time, Hyo-jeong's disemboweled body is discovered, and Tae-sik realizes that So-mi's life may also be in danger. He fights off half a dozen detectives and escapes from the police station. Now on the run, Tae-sik pursues Man-sik and Jong-sik. In the process, he discovers that their drug ring operates around kidnapped children. Stumbling upon a factory where the brothers have children's organs removed to accommodate the drugs, Tae-sik rescues one child just before surgery and becomes enraged at the prospect So-mi may already be dead. Tae-sik prepares for a battle with Man-sik and Jong-sik, putting his own life at risk...
Korean Movie 아저씨 (The Man From Nowhere. 2010) Main Trailer (http://www.youtube.com/watch?v=nVl1bwWCXTU#ws)
odakle skidate ove azijate? vidim da su to scene ili p2p izdanja, ali ih scenereleases ili rlslog ne indeksiraju.
na bazi imena fajla možeš da ih nađeš manje više gde god hoćeš... problem je kad nam ih Shozo ne servira, mada ako znaš šta tražiš uz malo muke, ime reditelja u imdb transkripciji i sl. nađe se...
Evo mojih oficijelnih impresija o Ong Bak 3 (i o I Saw the Devil) (I o Langovom Metropolisu u najnovijoj restauriranoj verziji, ali to nema veze s Azijom).
Video sam Đavla u Metropolisu kako se moli Budi (http://cvecezla.wordpress.com/2010/12/10/video-sam-davla-u-metropolisu-kako-se-moli-budi/)
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Elevator Trap (2009) DVDRip XviD – GiNJi
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LINK...........: http://asianmediawiki.com/Elevator_Trap (http://asianmediawiki.com/Elevator_Trap)
Directed........: Keisuke Horibe
Cast............: Masaaki Uchino, Aimi Satsukawa, Fuyuki Moto, Takumi Saitoh...etc
Genre...........: adventure, drama, romance, science fiction
Release Date....: 10 October 2009 (Japan)
Runtime.........: 1h 45mn
Also Known As...: Akumu no Elevator
Country.........: Japan
Language........: Japanese
Subtitles.......: None
Plot Summary:
"Akumu no Elevator" takes place in a broken elevator, where three men and a woman are trapped.
Akumu no Elevator (悪夢のエレベーター ) Trailer (http://www.youtube.com/watch?v=9JfaXKUxiVQ#)
Outrage.2010.DVDRip.x264.AC3-GERRY
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"The Outrage" is Takeshi Kitano's first yakuza movie since 2001. The movie is said to contain a frightening level of violence.
Directed........: Takeshi Kitano
Cast............: Takeshi Kitano - Kippei Shiina - Ryo Kase - Fumiyo Kohinata - Renji Ishibashi - Hideo Nakano - Takashi Tsukamoto ...etc
Genre...........: adventure, drama, romance, science fiction
Release Date....: June 12, 2010
Runtime.........: 1h 49mn
Also Known As...: Autoreiji (Japanese)
Country.........: Japan
Language........: Japanese
Subtitles.......: None
Plot Summary:
In the Tokyo underworld, dominated by the Sanno-kai crime organization & ruled by Mr Chairman (Soichiro Kitamura), rival clans clash for power and money while temporal alliances and betrayals become indistinguishable.
Kato (Tomokazu Miura), the #2 man in the Sanno-kai group, warns regional crime boss Ikemoto (Jun Kunimura) about his increasingly friendly dealings with rival regional crime boss Murase (Renji Ishibashi). In order to appease Mr. Chairman's suspicions of any type of planned coup, Ikemoto orders Otomo (Takeshi Kitano), crime boss for the smaller Otomo group, to take action against the Murase group.
Outrage - Trailer (http://www.youtube.com/watch?v=ZrGnJm6qASY#)
Jesu li se pojavili u međuvremenu titlovi za Outrage??? AAARGHHHH!!!!!!!!1
nisu još uvek.
moja procena da ćemo čekati najviše 4-5 dana. :)
Jedva cekam da se pojavi til :)
Trick.The.Movie.Psychic.Battle.Royale.2010.JAP.DVDRip.XviD.AC3-BAUM
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Directed........: Yukihiko Tsutsumi
Cast............: Yukie Nakama Hiroshi Abe Katsuhisa Namase Tetsuhiro Ikeda Yoko Nogiwa ...etc
Genre...........: comedy, adventure, drama, romance, science fiction
Release Date....: May 8, 2010
Runtime.........: 1h 59mn
Also Known As...: Gekijoban Trick: Reinosha Battle Royale
Country.........: Japan
Language........: Japanese
Subtitles.......: None
Plot Summary:
Naoko Yamada (Yukie Nakama), a female magician, and Jiro Ueda (Hiroshi Abe), a genius physicist, are back again to solve the mystery of supernatural happenings.
In a village where people are cured, a battle royale is held to find the successor for shamen Kamahaeri. Naoko attempts to gain big money by participating in the battle royale, while Jiro is invited to the village to stop this custom. Naoko and Ueda then challenges this amazing trick ..
劇場版TRICK-霊能者バトルロイヤル(CM5)_2010-5-8公開 (http://www.youtube.com/watch?v=sCrMrR4UOvc#ws)
Kimjongilia.2009.DVDrip.H264
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KIMJONGILIA, The Flower of Kim Jong Il, is the first film to fully expose the disaster through a tapestry of defectors' stories, North Korean propaganda, and original performance. This feature documentary shows why the defectors fled, describes their hair-raising escapes, and recounts the dangers they face in China, hunted by Chinese as well as North Korean police. These refugees are from every walk of life, from child concentration camp inmates to an elite concert pianist. But their stories all speak of body-and-soul killing repression and paint a picture of a country so far off the rails it defies belief. Ultimately, these humble heroes are inspiring, for despite their suffering, they hold out hope for a better future.
Director: N.C. Heikin
Writer: N.C. Heikin
Stars: Kang Chol Hwan, Lee Shin and Choi Young Hun
Type.................: Movie/Documentary
Production Year......: 2009
Origin...............: South Korea, USA
Language.............: Korean and English
File Format..........: MP4
Codec................: H264
Resolution...........: 720x480
Video Bitrate........: 1201 Kbps
Duration.............: 1h 14mn
Audio................: MP3
Audio Bitrate........: 160kbps
Subtitles............: Hardcoded English
Source...............: DVD
IMDB.................: http://www.imdb.com/title/tt1180311/ (http://www.imdb.com/title/tt1180311/)
Kimjongilia trailer (http://www.youtube.com/watch?v=YTragUC8AnY#ws)
A.Better.Tomorrow.2010.DVDRip.XviD-XYZ
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LINK...........: http://asianmediawiki.com/A_Better_Tomorrow_(Korean_remake) (http://asianmediawiki.com/A_Better_Tomorrow_(Korean_remake))
Cast............: Joo Jin-mo , Song Seung-heon , Kim Kang-woo , Jo Han-seon...etc
Directed........: Song Hae-seong
Genre...........: Action
Release Date....: Release date in South Korea : 2010/09/16
Runtime.........: 2h 3mn
Also Known As...: The Invincible
Country.........: South Korea
Language........: Korean
Subtitles.......: N/a
Plot Summary:
PAlso known as "The Invincible".
"A Better Tomorrow" is a remake of the 1986 film "A Better Tomorrow" by John Woo, it's a co-production between South Korea, Hong Kong and Japan.
Kim Hyuk (Joo Jin-Mo) lives the fast life as a high ranking mobster in the port city of Busan, South Korea. His closet friend is fellow mobster Lee Young-Choon (Song Seung-Heon). Even though Kim Hyuk seems to be on top of the world, he is haunted by the memory of leaving behind his younger brother Kim Chul (Kim Kang-Woo) and mother as they attempted to flee into South Korea from North Korea. Kim Hyuk's mother was beaten to death and Kim Chul imprisoned after they were caught by North Korean authorities.
Kim Hyuk then travels to Thailand with new gang recruit Jung Tae-Min (Jo Han-Seon) for a meeting with Thai gangsters. The meeting turns out to be a set-up, planned in part by Jung Tae-Min. Kim Hyuk is able to shoot his way out the meeting, but he is later caught by the Thai police and imprisoned. When good friend Lee Young-Choon hears of what happened to Kim Hyuk in Thailand, he goes to the Thai gang's holdout in Pusan to kill their boss. During the shootout Jung Tae-Min is shot in the leg.
Three years later, Kim Hyuk is finallly released from prison and travels back to Busan. He finds his close friend Lee Young-Choon washing cars now and has a limp leg. Jung Tae-Min, the man that betrayed him, has climbed up the mob ranks and is now a feared crime boss. Furthermore, Kim Hyuk's younger brother Kim Chul has arrived in Busan and works for the Busan Police Department. Meanwhile, Kim Chul keeps close tabs on Jung Tae-Min as he attempts to take down their gang.
When Jung Tae-Min attempts to take out Kim Hyuk's younger brother, Kim Hyuk throws himself back into the gang world to exact revenge.
Korea A Better Tomorrow Trailer1 (무적자 2010) (http://www.youtube.com/watch?v=xhGt1f-T4g0#ws)
Ups, rimejk??? Odakle ovo dođe, nisan bio ni svestan...
rimejk, nerimejk, sve više me nerviraju naslovi koje ne mogu da overim još u toku večeri... sve zbog prevoda. 8-)
that's it shozo: od sutra učim japanski! :lol:
o ne, ovo korejac. :x
Shozo, prestani da plasiraš južnokorejsku propagandu. :)
moram. plaćaju ljudi. ;)
Shozo, očekujem da vrlo pažljivo proučiš sledeće spise...
http://dobanevinosti.blogspot.com/2010/12/kinematografija-moze-da-cveta-samo-ako.html (http://dobanevinosti.blogspot.com/2010/12/kinematografija-moze-da-cveta-samo-ako.html)
Quote from: Shozo Hirono on 14-12-2010, 21:53:22
Kimjongilia.2009.DVDrip.H264
Gledao ga na RIFF-u ove godine.
Poprilicno sam razocaran ostvarenjem.Apsolutno nista novo nije doneo, neverovatno pristrasan, a ni rediteljka ni producent nisu mogli da odgovore na postavljena pitanaj u publici vec vrtili pricu na svoju vodenicu. Jedino pozitivno je bio nacin snimanja...
Quote from: namsey on 16-12-2010, 00:46:45
Quote from: Shozo Hirono on 14-12-2010, 21:53:22
Kimjongilia.2009.DVDrip.H264
Gledao ga na RIFF-u ove godine.
Poprilicno sam razocaran ostvarenjem.Apsolutno nista novo nije doneo, neverovatno pristrasan, a ni rediteljka ni producent nisu mogli da odgovore na postavljena pitanaj u publici vec vrtili pricu na svoju vodenicu. Jedino pozitivno je bio nacin snimanja...
a nemoj tako. nemoguće da su ovi moji sa juga mogli da naprave do te mere tendenciozan uradak, i da su toliko zaslepljeni mržnjom prema svojoj braći sa severa. :evil:
evo, odgledaću i ja kimjong-ilu, pa ćemo da vidimo gde je zakazala temeljitost i iskrenost propagandne mašinerije. :lol:
Pazi film je radila amerikanka i americki je producent, sve to skupa u saradnji sa Juznokorejancima... Mnogo kvalitetniji je "Yodok stories", koji je izasao pre neku godinu, ali opet nekako tendenciozno. jer ne postoji i druga strana price, a mogli su da odu u Severnu Koreju, ne bi ih niko ubio niti ima sta radio. Bilo je nekoliko ljudi u publici koji su tamo boravili, i vratili se zivi i zdravi, a da im nije falila ni jedna dlaka sa glave.
" Like the leading article of the Party paper, the
cinema should have great appeal and move ahead
of the realities. Thus, it should play a mobilizing
role in each stage of the revolutionary struggle."
KIM IL SUNG
I Saw The Devil (2010)
Izvanredna gluma. Odlična fotografija. scenarij dobar. Malo isklišejiziran. Volio bih da sam mlađi i naivniji, bar bi u tom segmentu film bio još bolji. Emocionalni impakt slab do srednje slab. Nemogućnost povezivanja sa likom. Zamjeram kontrast nasilja i katarze. Sve mi je nekako sterilno ispalo. kraj slab. Isforsiran. Uglavnom netko je već spomenuo, možda je nekom neiskusnom ovo vrh, al kad jednom pogledaš nešto ovako, kao da si vidio sve. Ali film ima oriđiđi ideja i mislim da film ispunjava svoju svrhu i nema neku potrebitost da bude više od onoga što je... a nemam ni ja
Silovanja, ubijanja, rezanja udova; you name it
Sve u svemu dobra zabava za cijelu obitelj. Naravno podrazumijevajući da je puna psihopata...
8.564/10
Outrage.2010.DVDRip.XviD-WRD
za ovu varijantu ima titlova, a i u .avi je formatu pa to možda nekom više odgovara
http://scenereleases.info/2010/12/outrage-2010-dvdrip-xvid-wrd.html
Quote from: Tvrdo Kuhan on 16-12-2010, 22:46:33
Silovanja, ubijanja, rezanja udova; you name it
Sve u svemu dobra zabava za cijelu obitelj. Naravno podrazumijevajući da je puna psihopata...
8.564/10
Za obitelji trenirane fimovima kao što su Koroshiya Ichi, Gozu, Visitor Q ili Izo (da nabrojim samo Miikeove radove), I saw the Debil je takoreći pitka, topla ljudska priča :lol:
Sympathy for the Debil
Sympathy for Mr. Debil. Mislim, da ostanemo u okvirima južnokorejske kinematografije.
Zatoichi.The.Last.2010.JAP.DVDRip.XviD-GiNJi
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LINK...........: http://asianmediawiki.com/Zatoichi_the_Last (http://asianmediawiki.com/Zatoichi_the_Last)
Directed........: Junji Sakamoto
Cast............: Shingo Katori , Takashi Sorimachi ,Satomi Ishihara ,Arata ...etc
Genre...........: Action
Release Date....: 29 May 2010 (Japan)
Runtime.........: 2h 12mn
Also Known As...: Zatoichi: The Last International (English title)
Country.........: Japan
Language........: Japanese
Subtitles.......: N/a
Plot Summary:
A blind master swordsman attempts to lead a quiet life with his wife but he is provoked back into battle.
Zatoichi: The Last trailer (http://www.youtube.com/watch?v=m_pl7JS9-ZM#)
Šta hoće da kažu? Da posle ovoga više neće biti Zatoiči filmova & serija? Nešto ne verujem...
Debil's Advocate :)
the last zatoiči mu dođe kao poslednja fredijeva noćna mora.
mada znamo da poslednji zatoiči može biti isključivo amerikanac; po mogućstvu tom kruz. :evil:
Mada bi pravi potez bio da umesto njega tu rolu odigra Nikolas Kejdž. On i ovako izgleda kao da ne vidi ništa i posrće kroz svet lud i besan.
neće moći. aludirajući na skeč iz jedne od čuvenijih epizoda south parka, dobro znamo da nikolasa kejdža odavno spremaju za ulogu džingis kana. xrofl
Onda Steven Seagal. On ionako već izvesno vreme tvrdi da je Azijat.
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Fimages.jpg&hash=73fdd9839b31972be39f0206905be0c9b2a7d373)
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Fnicolas-cage.jpg&hash=d66b34b910b9c035295c20ea2735001f7bf2120f)
ne bih da budem maliciozan, ali on se sprema za ulogu svog života - the king!
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Keitai.Kareshi.2009.JAP.DVDRip.XviD-GiNJi
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Also Known As:
携帯彼氏 (Japanese Title)
Year: 2009
Country: Japan
Director: Shinju Funabiki
Genre: Comedy | Horror | Romance
Runtime: 102 min
Language: Japanese
Subtitles: None at time of post
IMDB: http://www.imdb.com/title/tt1517206/ (http://www.imdb.com/title/tt1517206/)
Theatrical Premiere Date: 10/24/2009
Cast: Umika Kawashima, Aki Asakura, Hideo Ishiguro, Shigemitsu Ogi, Mari Hoshino, Yuka Nishi, Motoki Ochiai
Synopsis/ Plot
High school student Ayumi kills herself and leaves behind a cryptic message that says "will be killed by boyfriend." Ayumi's classmates Satomi (Umika Kawashima) and Yuka (Aki Asakura) investigates her suicide and quickly links her death to a cellphone dating simulation game called "Keitai Kareshi." The game distributed by popular mobile gaming site "Ice Cream" allows players to pick avatars and exchange messages with other players. A love gauge determines how well the player is faring.
Satomi then downloads cellphone boyfriend Riku, which her co-worker Eri downloads onto her cellphone. Soon after, Eri dies from electrocution - not long after the love gauge on her cellphone hit zero. Yuka also downloaded cellphone boyfriend Masaya, which Eri sends to her manager Ishikawa. The next day, Ishikawa dies from a mysterious accident. The mystery deepens as Satomi discovers the image of Naoto (Hideo Ishiguro), a senior student whom Satomi secretly admired, on her friend Hisami's cellphone ....
keitai kareshi trailer (http://www.youtube.com/watch?v=V5JrVeA8BuE#)
A.Lone.Scalpel.2010.JAP.DVDRip.XviD-GiNJi
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Also Known As:
Kokou no Mesu 孤高のメス (Japanese Title)
Year: 2010
Country: Japan
Director: Izuru Narushima
Genre: Drama
Runtime: 125 min
Language: Japanese
Subtitles: Japanese Only
IMDB: http://www.imdb.com/title/tt1468338/ (http://www.imdb.com/title/tt1468338/)
World Premiere Date: 02/25/2010 (Yubari Int'l Fantastic Film Festival)
Theatrical Premiere Date: 06/05/2010
Cast: Shinichi Tsutsumi, Yui Natsukawa, Yu Yoshizawa, Noriko Nakagoshi, Kimiko Yo, Hiroki Narimiya, Mitsuru Hirata, Yutaka Matsushige, Kenichi Yajima, Akira Emoto, Katsuhisa Namase
Synopsis/ Plot
Abandoning a promising career with the medical elite, Dr Touma opts to station himself in a small city hospital. Mayor Okawa is admitted with cirrhosis of the liver requiring a crucial transplant. At about the same time, a brain-dead patient is also admitted who happens to be an exact match. In a contentious compelling drama, Touma must decide his next course of action, and fast.
JAPONIA DREAM PRESENTS: Trailer for ''A Lone Scalpel'' (http://www.youtube.com/watch?v=yW-z8xmiN90#ws)
In.Case.of.Love.2010.DVDRip.XviD.AC3-nLiBRA
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A.K.A: 街角的小王子 (Jie Jiao De Xiao Wang Zi)
IMDB LINK: NONE
External Link: http://asianmediawiki.com/In_Case_of_Love (http://asianmediawiki.com/In_Case_of_Love)
Cast: Tony Yang, Guo Biting, Ye Yi-jun, Lee to positive, Yang Shan, Lin Chen Xi, Tang Zhiwei, Li Yunchan
Directed: Xiaoqian Lin
Genre: Drama | Romance
Runtime: 77 Mins
Country: Taiwan
Language: Mandarin
Subtitles: ENGLISH | CHINESE .idx.sub
Plot:
Nothing heals a damaged soul like the sight of a small,adorable animal. In director Gavin Lin's feature film debut IN CASE OF LOVE, a tiny cat not only heals a young woman (Haden Kuo) reeling from the death of her mother, it also helps her find love with a lonely rock musician
(Tony Yang, FORMULA 17). A pure love story in every sense of the word, IN CASE OF LOVE is a simple, heartwarming little movie about learning how to stand back up when life knocks us down.
街角的小王子 (香港版預告) In Case Of Love (HK Trailer) (http://www.youtube.com/watch?v=s8JQANKbaGA#)
Don.Quixote.2010.CN.DVDRip.Xvid-XTM
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LINK...........: http://hkmdb.com/db/movies/view.mhtml?id=13984&display_set=eng (http://hkmdb.com/db/movies/view.mhtml?id=13984&display_set=eng)
Directed........: Agan
Cast............: Guo Tao, Wang gang, Liu Hua, Karena Lam Ka-Yan, Hai Yi-Tian, Miao Pu, Paul Chun Pui, ...etc
Genre...........: Comedy | Martial Arts
Release Date....: 10/15/2010
Runtime.........: 1h 46mn
Also Known As...: -
Country.........: China
Language........: Mandarin
Subtitles.......: chinese .idx .sub
Plot Summary:
The first Asian film shot entirely in 3D, "Don Quixote", has released a series of stills, depicting some impressive magical scenes, Sina.com.cn reports.
Images of the main character Don Quixote are also revealed in the stills.
According to the film's director, A Gan, nearly 60 percent of the film is made up of special effects, but China simply does not have technology advanced enough to deal with these shots. Aiming to make a truly domestic 3D film, A Gan tried several special effects companies before eventually taking his film to England, where he was able to use the equipment and technology from the hit film "Ice Age"
Don Quixote 3D trailer 2010 [HD] (http://www.youtube.com/watch?v=pz-8rQQJgUI#ws)
Gothic.and.Lolita.Psycho.2010.JAP.DVDRip.XviD-GiNJi
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Also Known As:
Gosurori Shokeinin ゴスロリ処刑人 (Japanese Title)
Year: 2010
Country: Japan
Director: Go Ohara
Genre: Action | Horror
Runtime: 87 min
Language: Japanese
Subtitles: None at time of post
IMDB: http://www.imdb.com/title/tt1666700/ (http://www.imdb.com/title/tt1666700/)
Theatrical Premiere Date: 09/04/2010
Cast: Rina Akiyama, Misaki Momose, Asami, Fumie Nakajima, Ruito Aoyagi, Yukihide Benii, Satoshi Hakuzen, Masahiro Okamoto, Yurei Yanagi, James Mark
Synopsis/ Plot
Gothic & Lolita Psycho is intended to be completely tongue-in-cheek, there's also a gag version to go with it—complete with ridiculous voice-overs and hyperactive over-explanation.
The film stars actress and gravure idol Rina Akiyama as Yuki, a girl who lives at home in peace until one day a unit of assassins breaks in and slaughters her mother.
In order to reveal the truth behind the seemingly senseless murder, Yuki transforms herself into a demon of vengeance by donning gothic lolita clothing, wielding a parasol as a deadly weapon, and executing the guilty in the name of God.
[Trailer] Gothic & Lolita Psycho Trailer (http://www.youtube.com/watch?v=-nXwlTxsJeg#ws)
http://www.guardian.co.uk/world/2010/dec/20/iran-jails-jafar-panahi-films (http://www.guardian.co.uk/world/2010/dec/20/iran-jails-jafar-panahi-films)
Naš stari znanac sa FESTa je konačno dolijao...
Trebalo mi je dva dana i viđe etapa ali sam ipak uspeo da savladam Takeshi Kitanov OUTRAGE. Kada poglčedam kroz kolike sam muke prošao gledajući ovaj film, i koliko mi je testirao strpljenje, prosto mi je neverovatno da gledam film reditelja, i u pravom smislu autora, u koga sam se nekada kleo. Zapravo, ja već jako dugo nisam gledao Kitana od kada je potonuo u jalovi art-house no OUTRAGE sam kao povratak gangsterskom filmu koji ga je proslavio, morao da pogledam.
Objektivno gledano, BROTHER je bio bookend film za Kitanovu gangstersku fazu jer je u jednoj simpatičnoj, zdrtavoj meri prostituisao njegovu gangstersku fazu, doveo je u jednu holivudsku formu na OK način i na tome je trebalo da se završi. Kitano je pošao svojim putem i sada kada baulja kada dobrano izudarani bokser vraća sa gangsterima, ali bez one sposobnosti da njihov u suštini amoralni, besmisleni život učini smislenim barem u zih sat i po/dva filma.
U OUTRAGEu, Kitano se bavi crnom komedijom u suštini, dakle to je upliv onoga što je pokupio u međuvremenu dok se vukao po art-house talogu i umišljao da je japanski Jacques Tati, a sve je samo zaodnuto u formu yakuza filma. Ideja OUTRAGEa je da se prikaže kako neki moćni, dekadentni ljudi tretiraju niskopotčinjene kao šahovske figure i žrtvuju ih u svojim igrama da bi potom i njima samima takve igre došle glave. To je naravno sve jasna društvena metafora, if there ever was one, a yakuza film bi u osnovi bio dobar prenosilac takve teze da ga je Kitano radio sa uverenjem koje je posedovao u svojim ranijim, često vrlo apsurdnim ali na jednom speciofičnom nivou ubedljivim filmovima. Međutim, ni sam Kitano nimalo ne veruje u bilo kakvu priču, likove ili bilo šta drugo u ovom filmu koji u svojim naboljim momentima može da pruži poneku relativno inspirisanu scenu nasilja koje po svojoj prenaglašenosti prelazi više na Miikeovu teritoriju. U ovom filmu, osim tog ključnog koncepta šahovske partije koji uvodi u gangsterski film, Kitano više ne donosi niz bitnih odluka i tako se OUTRAGE pretvara u niz epizoda manje ili više podnošljivih.
Sve ono što je dobro u ovom filmu nije ono zbog čega je Kitano nekada bio ozbiljan i svež filmski autor. Za razliku od vremena kada je čak i holivudski film imao šta da nauči od njega, danas njegov rad stoji kao studentska vežba u odnosu na naslove poput THE TOWNa a koji su pak vrhunskog mejnstrima. Naravno, nikada Kitano nije mogao ni da se približi zaokruenosti američkog filma izuzev u tako koncipiranom BROTHERu ali je nudio poneku svežu ideju koja je bila do tada nepoznata. U njegovom novom filmu, deluje kao vlastiti drugorazredni sledbenik.
* * / * * * *
Čak je i Brother bio izrazito epizodne strukture i moglo je tu štošta da se oduzme (ili doda) a da opšta slika ostane nepromenjena. Ali jeste mu to bio poslednji neproblematičan film :lol: U svakom slučaju, sad kad znam da Outrage ima titlove, izložiću sebe ovom iskustvu.
Kitano generalni nije nikada bio posvećen strukturi ali je imao tajno oružje - verovao je u vlastite likove pa je to prolazilo.
Da, brine me što ga opisuješ kao jedan napadno maniristički film. Sonatine je film skoro pa bez strukture ali čiji likovi zaista rade, iako većinu vremena.. ne rade ništa :lol: Boleće me ako ovde vidim njihove karikirane odjeke.
SONATINE je filmčina.
Videćeš odjeke i reagovanja. :)
Samo neka ostane MEĐU NAMA.
:)
Ima li šta lepše nego kada se dopisujemo u maniru Vojka i Savla?
Jeli kripl, gde si nabavio titl za outrage?
Ups, link koji sam ostavio je mrtav.
Ali ovaj release tvrdi da ima link u sebi
http://www.fileserve.com/file/qwajjYN/kdz-O.D.X.WRD.rar
Gledao sam ga sa Kitanom pa mi je on prevodio. :)
Šalu na stranu, nisam ja skidao film, ne znam odakle je titl, ali nije hardcoded dakle slutim da ima da se skine.
Ne da mi se ni gledat ovog kitana kad vidin ovakve recenzije. Ali Dolls je jebeno remek-djelo. Minimalizam kakav mi savršeno odgovara; za razliku od Ozua npr.
...iden vidit na imdb ima li šta novoga u planu za snimanje.
moraću da odreagujem.
nisam još ništa napisao povodom kitanovog povratka korenima, ali ću nakon desetak dana i utisaka koji su se slegli da budem kranje iskren... kao što sam uvek bio. :)
poštujem criplov stav kao tvrdog holivudskog pozicioniste, ali outrage nikako ne korespondira, niti se ijednog trenutka obraća zapadnjačkoj filozofiji poimanja filmske umetnosti (zabave!).
po mom mišljenju brother je kitanov extra promašaj, i outrage je, pa jedno deset pita ubedljiviji. neprikosnoveni yakuza filmovi su mu i dalje Violent Cop, Sonatine i Hana-bi, i ovakav Outrage je za klasu slabiji od njih, ali nikako nije loš film.
da bi razumeli Outrage, gledaoci moraju poznavati, poštovati i voleti rane Fukasakuove radove iz 70-ih, i Kitano ovde sjajno omažira filmove Street Mobster, Yakuza Papers i najviše moj omiljeni Sympathy For the Underdog.
žao mi je što je Kitano odstupio od njegove tradicionalne lajt-motiv matrice brzih, kratkih, krvavih i efektnih nasilnih scena, ali ni egzekuciono približavanje Miikeu nije ni malo dosadno; sa dozom crnog humora, brutalnost je maximalno zabavna.
criplov pik o društvenoj metafori u yakuza esnafu je ispravan, ali čak i na taj način Kitano se vraća korenima koje su posadili Suzuki, Shinoda i Fukasaku, što nije originalno, ali ja cenim da se Kitano još odavno idejno istrošio, pa kreće Tarantinovim i Rodrigezovim stopama, što je opet krajnje legitimno i ja to poštujem.
no, vratimo se na sam film.
često sam kroz život u beslovesnim pokušajima da ogolim, analiziram i seciram neku kompoziciju, album, ili šire i veće umetničko delo, kao što je film, zapostavljao suštinu i lepotu užitka koju pruža dinamika kompozitivnosti i pitka harmoničnost samog dela.
o čemu mi ovde zapravo raspravljamo: pa možda outrage deluje arhaistično, ali, bre, ovde scene ne traju duže od 2 minuta, a ceo film pa skoro cela 2, i gotovo svaka scena se završava nasiljem i najavom istog. ovaj i ovakav patern imaju isključivo japanski režiseri, i samo oni umeju da ovakvu naizgled banalnu i trivijalnu apologizaciju nasilja artikulišu i učine zabavnom. znači - zabavnom. a o širim socijanim kontekstima se može raspavljati na svakoj temi koja u naslovu ima film Takeshi Kitana, i to može da ode u nedogled.
Hrabriš me, Šozo, to je dobro.
Nego, ako nekom i dalje treba titl, neka javi da aploudujem.
Kitano se u ovom filmu sve vreme obraća zapadnim gledaocima i nudi svoj pokušaj da radi zabave svojih zapadnih naručilaca, malo prostituiše mit o yakuzama.
To što se svaka scena završava nasiljem nije nikakav argument već pre dobar znak Kitanove potpune bezidejnosti. Kao, kako ćemo da završimo scenu, hm, pa hajde da je završimo nasiljem. To je neki njegov pokušaj da osmisli epizodičnost svog filma, ali slab je to način. A što se holivudskog pozicioniranja tiče, to je tačno, ja ni ne sporim da je to moj stav i moja deformacija, i isto tako ja i ne smatram BROTHER Kitanovim najboljim yakuza filmom, već njegovim poslednjim dobrim filmom uopšte. No, kad smo kod OUTRAGEa, zar upravo OUTRAGE ne nudi najbedniji vid koketiranja sa Zapadom (to sam zaboravio da napomenem u komentaru) koji je mnogo godi od onog u OUTRAGEu. Naime, dok Kitano u BROTHERu koketira sa jednom "živom" filmskom/muzičkom kulturom afroameričkih gangstera, živom utoliko što je relevantna na ulici, on u OUTRAGEu takođe koketira kroz lik afričkog diplomate, sa tom nekom kao multi-kulti Euro, mixed languages scenom. Dakle, OUTRAGE u toj multilingualnoj ravni za razliku od BROTHERa koji približava yakuze exploitationu ovde pokušava da koketira festivalima i krajnje je vesternizovan, a po ritmu bih rekao da nema nikakve veze za japanskim načinom pričanja priče već mnogo više sa evropskom tradicijom single-take režije koja sada dominira na festivalima. Naravno, ima i kod Korejanaca tih kadar-sekvenci, tog korišćenja off-prostora i sl. ali to je sada već postao najčistiji izvozni artikal.
Ovaj film je po ritmu krajnje evropski jer nije njegova struktura dovoljno "oneobičena" time što se ređaju epizode i scene nisu snimljene iz više pozicija kamere. Ritam glume je potpuno strejt, akcenti i intervali su potpuni euroamerički mejnstrim.
Što se Fukasakua tiče, šta ti misliš, da smo mi ovde sisali vesla pa ne znamo za Fukasakua? Ja sam Fukasakua gledao davnih dana, i moram priznati da me izuzev činjenice da su ovde yakuze i da su u crnim odelima, ništa nije podsetilo na pokojnog maestra. Fukasaku je kao i svi stari majstori yakuza filma imao snažno ubeđenje sa kojim je nastupao, to su bili pravi likovi u koje on veruje a ne neke karikatura iz druge ruke koje nudi Kitano.
Seijun Suzuki je s druge strane (pretpostavljam da si mislio na Seijuna a ne na moj miljenika Norifumija) otvoreno stilizovan, i za razliku od Kitana od aprorira yakuze kao što Godard aproprira žanrovske konvencije krimića. Mene Fukasaku za razliku od Suzukija, a tome je bliži i Kitano, uvk ubeđuje da je to o čemu on govori stvarno, i mi bi sad mogli da koristimo ovde Suzukija kao opravdanje, odnosno kao neku referencu u odnosu na koju se Kitano zajebava, ali ovde to što on ne veruje u svoje likove nema veze sa Suzukijevim postupkom gde je to namera, ili greška koja deluje kao namera, već naproso kao greška sa ozbiljnim konsekvencama.
e aj sad polako, jedno po jedno.
za početak, ti si, ne samo geografski na zapadu, nego si i kvalitetno zapadnjački odgojen holivudskim načinom razmišljanja. da li ti se dopao film? nije. ili ja grešim, možda se tebi i ne obraća? znači, kitano je pogrešio, njegov film, gledano isključivo kao izvozni produkt je epik fejl.
zar nije evidentnije da kitano celog života pravi filmove isključivo i samo za sebe. nijednog momenta ne koketira, ne prodaje i ne udvara se publici! ON TAČNO ZNA KOME SE OBRAĆA. a to sigurno nisu ljubitelji američkih akcionih filmova. tu ne mislim na tebe. ti, pre svega kao kritičar, nastupaš sa pozicije sudije koji kod filmskog fanatika, večitog iluzioniste, slikara i zakletog umetnika tražiš smisao, osmišljavanje... ponekad i besmislica ima svoj smisao.
nisam nidge rekao da je brother tvoj omiljeni kitanov film, već da je po mom mišljenju njegov najveći promašaj.
što se tiče ritma režije i samog filma, ne slažem se. kitano je ovde ostao dosledan kadar-sekvencama, kao i korišćenju off-prostora; to što je sada trend, ne mora mu se uzeti za zlo, što mu svakako ne daje ni poen više u konačnom zbiru pozitivnih elemanata. izgubio je u autentičnosti kod japanske publike, pre svega približavenjem miikeu. nažalost, dosledan je i totalnoj destrukciji (ne želim da spojlujem), koja klizi u nihilizam.
nemam nameru da prosipam znanje, i daleko od toga da mislim da ovde neko sisa vesla. zašto si se našao prozvanim?
Što se Fukasakua tiče, šta ti misliš, da smo mi ovde sisali vesla pa ne znamo za Fukasakua? Ja sam Fukasakua gledao davnih dana, i moram priznati da me izuzev činjenice da su ovde yakuze i da su u crnim odelima, ništa nije podsetilo na pokojnog maestra.
oprostiću ti, pošto si fukasakua gledao odavno, scenu odsecanja malog prsta po sredini središnje kosti, ili recimo doslovno preuzete fabule pomenutih filmova sa gomilom likova. da ne idem dalje.
slažem se sa kostatacijama o stilizovanosti suzukijevih najznačajnijih filmova iz sredine šezdesetih; outrage nije na tom tragu, već se, u poređenju sa ključna 2 suzukijeva, yakuza podzemlje može posmatrati samo i isključivo kao šira društvena metafora. kitano poslednjim filmom i nema te visoke stilske aspiracije.
ne želim da ovde ispadne da isključivo branim film, ali outrage je i dalje iznad prosečan film u godini ispod prosečnih filmova. kitano je i dalje prepoznatljiv i markanatan, ne preterano ubedljiv, ali i dalje na uvrnuti način zabavan.
Pa čekaj, ali zar nemamo u svakom filmu o Yakuzama odsecanje prsta? Mislim, to yakuze na filmu rade. Amutacije su njihova loša navika. Nisam priznaću obraćao pažnju na anatomske finese odsecanja kod Fukasakua u odnosu na sve ostale gde ima odsecanje prsta, a rekao bih da je i Miike rimejkujući Fukasakua dosta upoznao narod sa tim filmovima sa masom likova, s tim što su kod Fukasakua ti likovi ubedljiviji i različitiji od Miikeovih rimejkova.
Ono što je generalni problem starih Fukasakuovih pa i dela Miikeovih yakuza filmova jeste to što ne možeš da razlikuješ likove, što je logično kad si Japanac pa su oni svi slični jer su yakuze a fizionomije lakše ralikuješ. Ipak, mislim da je deo Fukasakuovog iopusa iako je on uspeo da čak i radi u Holivudu ostao nerazumljiv ili barem nedovoljno lako razumljiv publici na Zapadu zbog glumaca koji se ne razlikuju.
Ali, recimo, ako OUTRAGE nije za izvoz zašto su onda svi likovi u njemu upadljivo fizički različiti?
Ja bih da sam Japanac veropvatno popizdeo od takvog šarenila fizionomija odabranog da olakša izvoz, inače film na početku ima Warnerov logo, dakle, iako je verovatno da ga je WB pomogao i radi svog nastupa u Japanu, film je i najdirektnije pravljen za stranu korporaciju.
Quote from: crippled_avenger on 28-12-2010, 19:56:14
Pa čekaj, ali zar nemamo u svakom filmu o Yakuzama odsecanje prsta? Mislim, to yakuze na filmu rade. Amutacije su njihova loša navika. Nisam priznaću obraćao pažnju na anatomske finese odsecanja kod Fukasakua u odnosu na sve ostale gde ima odsecanje prsta, a rekao bih da je i Miike rimejkujući Fukasakua dosta upoznao narod sa tim filmovima sa masom likova, s tim što su kod Fukasakua ti likovi ubedljiviji i različitiji od Miikeovih rimejkova.
tradicionalni ritual yubitsume nije urbana legenda o yakuzama; žao mi je što nema tog klipa na you tubu, ali na dvd dodatku za serijal yakuza papers, sam fukasaku priča o legendi, i kako je došao na ideju da oživi legednu na filmu kada je posle WWII negde u predgrađu video klinca kako nesrazmerno malim prstom čačka nos. u nastavku saznajemo od majstora lično kako se prst ne seče na mestu gde može da izazove manje bola, već po sredini središnje kosti.
u kom je to njegovom filmu prvi put legenda oživljena neću reći, jer izgleda da taj podatak nema ni sveznadar zvani wikipedija. bitno da je pomenut polakov yakuza i gomila varijacija i sprdačina na temu yubetsumea. :roll:
Quote from: crippled_avenger on 28-12-2010, 19:56:14
Ono što je generalni problem starih Fukasakuovih pa i dela Miikeovih yakuza filmova jeste to što ne možeš da razlikuješ likove, što je logično kad si Japanac pa su oni svi slični jer su yakuze a fizionomije lakše ralikuješ. Ipak, mislim da je deo Fukasakuovog iopusa iako je on uspeo da čak i radi u Holivudu ostao nerazumljiv ili barem nedovoljno lako razumljiv publici na Zapadu zbog glumaca koji se ne razlikuju.
a ovo je već stereotip; sa valjanim opravdanjem. teško da će zapadnjak uočiti na prvi mah razliku između korejca, kineza i japanca, što je i razumljivo - rastao je i živeo u okruženju kojim je dominirala drugačija ljudska fizionomija.
likove u japanskim yakuza filmovima ćeš sa svakim gledanjem novog filma sve više razlikovati; čak se i glumci posle nekog vremena prepoznaju. kod fukasakua je to malo teži posao zbog furioznog tempa naracije i haotične režije. akcione scene mogu delovati kao da ih je odradio mali perica na spidu.
fukasaku izvan yakuza žanra nije previše uspešan (čast battle royalu); fantastika i fikcija su mu bili rogobatniji teren, dok su mu yakuze oredstavljale prirodno okruženje.
Quote from: crippled_avenger on 28-12-2010, 19:56:14
Ali, recimo, ako OUTRAGE nije za izvoz zašto su onda svi likovi u njemu upadljivo fizički različiti?
Ja bih da sam Japanac veropvatno popizdeo od takvog šarenila fizionomija odabranog da olakša izvoz, inače film na početku ima Warnerov logo, dakle, iako je verovatno da ga je WB pomogao i radi svog nastupa u Japanu, film je i najdirektnije pravljen za stranu korporaciju.
to što su likovi fizički različiti govori u prilog tezi da kitano kao kompletan autor (glumac, režiser, scenarista) mora da karakterno i fizički oplemeni svoje glumce da bi ih na setu razlikovao. :evil:
kitano dosta impovizuje na samom setu, i njegovi glumci su često i njegovi prijatelji i saradnici, koji u izbor svoje fizičke pojave na filmu imaju upliva. iako je prilazio svakom od njih i davao direktne instrukcije povodom izgleda, očigledno je da se samo dobro zabavljao.
to što WB stoji kao sufinansijer ili distributer, govori da kitano ima bazu sledbenika na zapadu; što uopšte nije čudno - imaju je i miike, shimizu, tsukamoto, nakata... njihovi filmovi se dobro prodaju i privlače publiku.
Niko ne kaže da nema sledbenike, nego samo da nije baš reč o delu posvećenom uskom krugu niponofila i Japancima koji ostali na večnim ognjištima.
:)
Što se razlikovanja Japanaca tiče, mislim da je od mene dosta što razaznajem Reiko Ike i Miki Sugimoto.
Let The Bullets Fly 2010 DVDSCR XviD-ZJM
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Quote from: Meho Krljic on 17-12-2010, 11:17:59
Quote from: Tvrdo Kuhan on 16-12-2010, 22:46:33
Silovanja, ubijanja, rezanja udova; you name it
Sve u svemu dobra zabava za cijelu obitelj. Naravno podrazumijevajući da je puna psihopata...
8.564/10
Za obitelji trenirane fimovima kao što su Koroshiya Ichi, Gozu, Visitor Q ili Izo (da nabrojim samo Miikeove radove), I saw the Debil je takoreći pitka, topla ljudska priča :lol:
onaj psihopata sve vreme pokusava da se olaksa al muz osvetnik se iznenada pojavljuje i resava stvar -how sweet
Najbolji film svih vremena! :)
http://attackedbygorillas.com/2008/05/02/crippled-masters/ (http://attackedbygorillas.com/2008/05/02/crippled-masters/)
je li gledao neko, isječci sa youtuba su fantastični (vidi link)
taj film je kultan u krugovima ljubitelja treš klasika. :)
imaš jedan kvaliteniji i godinu dana stariji od respektabilnijeg režisera - crippled avengers... u koji se kune crippled avenger. :)
Shozo me zna u dušu. :)
jebote zar ima više takvih filmova :lol:
Pirotski opanci za Japance
3. januar 2011. | 15:09 | Izvor: Beta
Pirot -- Kompanija "Tigar" iz Pirota isporučila je jesenas japanskom tržištu 2.000 pari novog modela pirotskog gumenog opanka.
Izvršni direktor kompanije "Tigar" Jelena Petković izjavila je agenciji Beta da je japanskim partnerima iz firme "Vallauris" isporučen redizajnirani model gumenih opanaka, simboličnog naziva "1935", koji predstavlja datum osnivanja fabrike.
"Modifikacija proizvoda je simbolična i dodala je jednu rustičnost, a osnovna konstrukcija i forma ostala je ista. Tokio se ubraja u gradove sa najlepšim prodavnicama na svetu i za nas je velika čast da budemo deo te ponude", rekla je Petkovićeva.
Prema njenim rečima, japanskim kupcima isporučeni su tradicionalno ručno radjeni gumeni opanci u nekoliko boja, uključujući i crnu, a dodate su i aplikacije.
Nov model pirotskog opanka ima atraktivan izgled moderne niske obuće, izuzetno je udoban, lak za obuvanje i veoma jednostavan za održavanje, rekli su u kompaniji "Tigar".
Precice ovo u horror topic cim Japanci otkriju aromaticne kvalitete pirotskog opanka.
Jug Srbije je već glavno uporište ljubitelja dalekoistočne kinematografije, zašto ne bi Japan bio uporište modnih detalja sa juga Srbije.
Apsolutno sam saglasan s tom konstatacijom. Narod u cijoj tradiciji nailazimo na stvari kao sto su ritualana samoubistva, ihtio i ostale perverzije, te ini slicni rogobatni izlivi mazohizma kao i sadizma (bonsai mi je nesto najokrutnije sto sam video u zivotu) prosto se namece kao izvrsno trziste za ovaj pirotski "Ground Max" prozivod.
narodi koji imaju u svojoj tradiciji ritualna samoubistva su mnogo, mnogo časniji od onih koji u svojoj tradiciji imaju spaljivanja na lomači, javna vešanja i inkviziciju.
uostalom, samoubistvo je najviši čin čojstva i junaštva; zna se da u životu ko ne uništvava druge, uništava samog sebe; ako ne čini ništa na samouništavanju, uništiće ga drugi. ciklično kruženje karme.
ponosan sam na piroćance zbog ove tradicionalne tigrovske konekcije, a magični ćira verovatno sija od sreće, i verovatno će se od danas manje govorkati kako posle sićevačkog tunela nema ljudi. :evil: :)
Shozo, vrci katanu u korice! Ne sporim ja to, cak i postujem vise nego sto mozda cini na prvi pogled.
Samo sam hteo da naglasim, mozda ne dovoljno, kolika je hrabrost (i pomalo uvrnutost) potrebna za oblacenje opanka, ili bolje receno bitisanje u blizini nekog ko ga je upravo skinuo.
Sonkei xjap
Razocharava me shto se zapravo ne radi o pravom opanku nego vishe o onim gumenim Pirocanama. Autentichni opanak bi se mnogo bolje uklapao u japansku estetiku.
jasno, ne sporim ja da smo mi modno lobotomisani sa zapada.
ovaj kožni opanak je idealan pri kopanju i obrađivanju zemlje na selu, a još je bolji za pentarnje uz planinu.
takve ljude u ovoj zemlji treba podržavati, a ne pozere koji pederiraju tržnim centrima. ne mislim na tebe, karl. ;)
znaju japanci šta rade i uvoze.
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Quote from: Le Samourai on 05-01-2011, 17:15:03
Razocharava me shto se zapravo ne radi o pravom opanku nego vishe o onim gumenim Pirocanama. Autentichni opanak bi se mnogo bolje uklapao u japansku estetiku.
baš tako, taj autentični je za šetnju po livadi. on je estetsko-kontemplativne prirode - za filozofe i mislioce.
The.Seaside.Motel.2010.JAP.DVDRip.XviD-Solitude
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English Title: The Seaside Motel
Original Title: Shisaido moteru
Year: 2010
Directed by: Kentaro Moriya
Genre: Drama
Runtime: 103 min
Country: Japan
Language: Japanese
Subtitles: English | Chinese | Japanese (all idx, sub)
Cast:
Toma Ikuta ... Masayuki kameda
Kumiko Aso ... Candi
Takayuki Yamada ... Yosuke asakura
Masaaki Akahori ... Yusuke
Tokio Emoto ... Chiibo
Arata Furuta
Tetsuhiro Ikeda ... Tatsuya
Hijiri Kojima ... Misaki
Riko Narumi ... Rui
Seiji Nozoe ... Yasuhiko
Yoichi Nukumizu
Tetsuji Tamayama
Mami Yamasaki ... Malin
Synopsis/Plot:
Director Moriya Kentaro (School Daze) goes for a Japanese take on Four Rooms with Seaside Motel, an ensemble comedy based on the comic book Motel by Okada Yukio. The surreal comedy first hilariously sets up its premise by bringing groups of strangers that include gangsters, gamblers, and call girls into four separate rooms, only to send them into a chaotic colliding course over one fateful night. To match his eccentric group of characters, Moriya has brought together an equally eccentric cast that includes Ikuta Toma (The Fallen Angel), Aso Kumiko (Instant Swamp), Yamada Takayuki (Crows Zero), Tamayama Tetsuji (Goemon), Narumi Riko (Bushido Sixteen), and Furuda Arata (20th Century Boys).
The first thing that's wrong with the Seaside Motel is that it's surrounded by mountains with no sea by its side. The second thing wrong is its weird group of guests tonight: A traveling salesman of bogus cosmetics (Ikuta Toma) and a call girl (Kumiko Aso); a businessman with erectile dysfunction (Furuta Arata) and his bored wife; a indebted gambler (Yamada Takayuki), his girlfriend (Narumi Riko), and his debt collector (Tamayama Tetsuji); and don't forget the cabaret girl and her usual customer. They may all be in different rooms with their own problems, but the paths of these strangers will intertwine into an unsolvable knot on this particularly eventful night, and it can only happen at the Seaside Motel.
海側予告 (http://www.youtube.com/watch?v=U8ofoZvSQaU#ws)
Quote from: Shozo Hirono on 05-01-2011, 17:22:39
Quote from: Le Samourai on 05-01-2011, 17:15:03
Razocharava me shto se zapravo ne radi o pravom opanku nego vishe o onim gumenim Pirocanama. Autentichni opanak bi se mnogo bolje uklapao u japansku estetiku.
baš tako, taj autentični je za šetnju po livadi. on je estetsko-kontemplativne prirode - za filozofe i mislioce.
Iz ovog, a i svega proisteklog, da se zakljuciti da je miris istog vama nepoznat faktor. a to je poenta cele price... No dobro...bitno je da smo se razumeli, xcheers
Apel mladih reditelja za pomoć Pahomiju
http://www.popboks.com/vest.php?ID=14649 (http://www.popboks.com/vest.php?ID=14649)
...THE MAN FROM NOWHERE, mada definitivno ne dostiže visove THE CHASER-a, recimo, je ostvarenje koje se bez mnogo relativizacije može glasno pohvaliti. Priča se kreće u okvirima očekivanog i tipskog (zapravo, najlakše bi se dala predstaviti kao južnokorejizacija Bessonovog LEONa), tipskog i po pitanju dinamike odnosa glavnih junaka i na planu prikazivanja azijskog gangsterskog miljea, ali ovo je film koji dosta toga polaže na samo pakovanje već davno viđenog i datosti. Na sreću, TMFN može da se podiči ubedljivom i znalačom i funkcionalnom egzekucijom, gde sve dođe na svoje mesto, te i sasvim očekivano preterivanje i bučna stilizacija u naglašeno koreografisanim scenama obračuna i nasilja dođu kao prirodno i sasvim prihvatljivo ishodište. Film sasvim na svom mestu i još jedan od dokaza o vazda visokom estetsko-zanatskom nivou ondašnjih prvoligaških ostvarenja...
Close to You (Taiwanese) 2010
A.K.A: Jin zai zhi chi
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Year: 2010
Runtime: 1h 43min
Country: Taiwan
Language: Mandarin
Subtitles: English | Chinese
Genre: Romance | Sport
Director: Hsiao-tse Cheng
Cast: Eddie Peng, Amber Kuo, Ming Dow, Xin-yu Yuan, Shaun Tam, Hei Wong
Plot/Sypnosis:
Ah Xiang (MD) study in Beijing, while it is not in the study thought he lost his mind .. Jie Xiao Kui a club member who came to Taipei to find her lover .. Xiaoling (Yuan Xing Yu), a very great music but she has weakness when she was nervous he would not ungodly sing .. Ah Xiang participated in a baseball game and slowly remember their past
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Attorney Song And Ji
Year: 2010
Runtime: 44 min [average] per disc
Country: China
Language: Mandarin
Subtitles: English
Episodes: 35
Genre: Comedy
Director: Billy Deng
Cast: Jordan Chan, Li BaoTian, Eric Wan, Jo Koo, Jade Liang Zheng, LIU YING, ZHANG JIA NAN
Links: Yesasia
Plot/Sypnosis:
In the chaotic late Qing times, two major attorneys in China are famous for their intelligence and will of justice. They help the public against the unjust treatment of the officials. Collectively they are called "Northern and Southern Great Attorneys".
Northern Great Attorney Ji Xueli (by Li Baotian) is the descendant of the famous official Ji Xiaolan. He succeeds in one case defeating the 7 other attorneys, but this case also indirectly leads to the death of the man seeking for his help. After this case, he shuts himself away in his house. He turns down all the requests for his representation in court.
Southern Great Attorney Song Shijie (by Jordan Chan) is from humble origins. He hates the injustice in the regional government office and he sees himself as the defender of justice. However he has a critical weakness – women and unfortunately he meets too many captivating women one after one in his life!
At first they are only famous in their own regions. However, one complicated case brought them together as the conflicting parties, how will they use their intelligence to solve the case?
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On Next Sunday (Japanese) 2010
A.K.A: Kondo no nichiyobi ni
Year: 2010
Runtime: 1h 44min
Country: Japan
Language: Japanese
Subtitles: English | Korean
Genre: Drama
Director: Satoshi Kenmochi
Cast: Somegoro Ichikwa, Mi-seon Jeon, Jin-woo Yang, Younha, Erina, Koji Higuchi, Rie Minemura, Shunta Nakamura, Miho Owada, Naoto Takenaka, Shoichiro Tanigawa, Koichi Ueda
Plot/Sypnosis:
Sora (Younha), a Korean high schooler, chases after a boy she likes who has moved to Japan for college. Unfortunately, after she gets there, she discovers that he has returned to Korea due to family circumstances. She remains in Japan, but things eventually end in heartbreak for Sora. Shortly after, she runs into an odd man called Matsumoto (Ichikawa), who works multiple jobs to pay off his debts but also spends his time gathering discarded glass bottles. With her video camera, she begins documenting Matsumoto and his bottles, and in the process, she regains her lost smile.
"이번 일요일에 (Kondo no nichiyôbi ni. 2009)" Korean Trailer (http://www.youtube.com/watch?v=3PgbnnBGIqY#)
SEOUL, South Korea (AP) -- Acclaimed South Korean film director Park Chan-wook is wielding a new cinematic tool: the iPhone.
Park, director of the internationally known "Old Boy," "Lady Vengeance" and "Thirst," said Monday that his new fantasy-horror film "Paranmanjang" was shot entirely on Apple Inc.'s iconic smartphone.
"The new technology creates strange effects because it is new and because it is a medium the audience is used to," Park told reporters Monday.
"Paranmanjang," which means a "life full of ups and downs" in Korean, is about a man transcending his current and former lives. He catches a woman while fishing in a river in the middle of the night. They both end up entangled in the line and he thinks she is dead.
Suddenly, though, she wakes up, strangles him and he passes out. When the woman awakens him, she is wearing his clothing and he hers. She cries and calls him "father."
The movie, made on a budget of 150 million won ($133,000), was shot using the iPhone 4 and is slated to open in South Korean theaters on Jan. 27. Park made the 30-minute film with his younger brother Park Chan-kyong, also a director.
Park Chan-wook's "Old Boy," a blood-soaked thriller about a man out for revenge after years of inexplicable imprisonment, took second place at the 2004 Cannes Film Festival. His vampire romance "Thirst" shared the third-place award at Cannes in 2009.
Park Chan-kyong said that a wide variety of angles and edits were possible because numerous cameras could be used.
"There are some good points of making a movie with the iPhone as there are many people around the world who like to play and have fun with them," Park Chan-wook said. Compared to other movie cameras, the iPhone was good "because it is light and small and because anyone can use it," he said.
He said the directors attached lenses to their phones and nothing was particularly different from shooting a regular movie.
Lee Jung-hyun, who plays the woman, said the film has a bit of everything.
Though it is a short film with a running time around 30 minutes it "mixes all elements from horror and fantasy to some humor," she said.
Dršćem.
Chan Wookovo je prošlo...
... ali zato iphone doživljava renesansu. :evil:
Bruce.Lee.My.Brother.2010.BluRay.720p.DTS.2Audio.x264-CHD
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A.K.A: Bruce Lee
IMDB LINK: http://www.imdb.com/title/tt1482989/ (http://www.imdb.com/title/tt1482989/)
Cast: Aarif Lee, Tony Leung Ka-Fai, Christy Chung Lai-Tai, Jennifer Tse Ting-Ting, Wilfred Lau Ho-Lung, Jin Au-Yeung
Directed: Manfred Wong, Wai Man Yip
Genre: Biography | Drama
Runtime: 02:09:39
Country: Hong Kong | China
Language: Cantonese | Mandarin (Dual Audio)
Subtitles: NONE A.T.M
Plot:
Bruce Lee, My Brother is an action-dramatic biopic of the eponymous martial arts legend as told by his younger brother, Robert Lee. It revolves around Bruce Lee's life as a rebellious adolescent in Hong Kong before he sets off for the USA and conquers the world at the age of 18 with only US$100 in his pocket.
As a young man, Bruce was a rebel who was always engaging in street fights with his buddies, Kong and Unicorn, a fellow child actor who would later appear in Fist of Fury and Way of the Dragon. Invincible as he is as a street fighter, Bruce's romantic escapades are not as smooth and successful. He is head over heels in love with Mandy only to realize his mate Kong shares the same passion.
File Format: MKV
Codec: x264
Bit Rate: 5028 kbps
Resolution: 1280 x 544(16:9)
Frame rate: 24.000 fps
Audio 1: Cantonese DTS 5.1 @ 1536 kbps(From TrueHD7.1)
Audio 2 : Mandarin DD5.1 @ 640 kbps
Bruce Lee My Brother - Official Movie Trailer (http://www.youtube.com/watch?v=5g1lde6-rWA#ws)
Odgledao sam Kitanov "Outrage".
Nisam nista ocekivao, nisam nista ni dobio. Sporo su prolazili minuti, koji broje skoro cela dva sata u dosadnoj prici u josh jednom filmu o jakuzama, kojih smo se nagledali u proslosti, ali je valjda dosao red na recikliranje i kod Japanaca ili je to samo Kitano. Ostao je veran sebi, malo crnog humora, malo akcije, ovog puta sa ne toliko prolivene krvi, kako nas je navikao. Razmishljao sam i o "Gomori", koji je o gangsterima, mafijashima u Italiji, ali "Outrage" je generalno gledano, mbogo bolji film, jer je celovit i ima radnju, za razliku od prethodno pomenutog, aLi ipak nedovoljno da te prikuca uz monitor. Jedino je bio kraj dobar kada je krenula masovna odmazda, i pretposlednja egzekucija u automobilu.
http://www.looo.ch/global/2011-01/430-north_korea_sex (http://www.looo.ch/global/2011-01/430-north_korea_sex)
Quote from: crippled_avenger on 13-01-2011, 11:53:02
http://www.looo.ch/global/2011-01/430-north_korea_sex (http://www.looo.ch/global/2011-01/430-north_korea_sex)
:)
Kim Jong Il je šmeker na tatu.
http://www.davidbordwell.net/blog/?p=11612 (http://www.davidbordwell.net/blog/?p=11612)
dobra lista. neke od ovih starijih nisam gledao.
Bash sada bistrim onu Nikkatsu Noir kolekciju i pitam se zna li ko (Shozo, gledam u tvom general direction) da li i gde mozhe da se pribavi muzika iz tih filmova, i uopshte iz tih Nikkatsu krimica bilo iz tog perioda, bilo iz kasnijeg, pa sve zakljuchno sa Suzukijevim progonom. Naravno, u nekakvom rapid/torent obliku. Mada, ako nema, zadovoljicu se i preporukom za dobru legalnu kompilaciju.
Remi Aso & The Flowers - Cult GS Collection (Nikkatsu Issue) [2000] [Anthology]
what.cd
Nemam pojma kako da udjem na taj what.cd. Ima samo Home i Login, nishta Sign Up.
(Pretpostavljam da je to mesto sa kojeg mogu skinuti ovaj album.)
imaš suzukijevu music kolekciju iz šezdesetih na avistazu. pokrenuću je, pa ćeš imati i više seedera.
Izvini, nemam pozivnicu, ako ne uspe ovo Šozovo, daću ti login podatke.
Ovaj Suzuki koliko vidim ima jedan seed i to disconnected, ali valjda ce uspeti nekako da ga posrche. Hvala!
uključiću se i ja kasnije. ;)
Kao i svaki pravi musliman, ispoštovao sam Konfučija.
Confucius (http://cvecezla.wordpress.com/2011/01/16/confucius/)
Doduše, nisam prezadovoljan, ali pošto kao i svaki pravi Srbin smatram da Chow Yun Fat zaslužuje da se gleda, makar i u reklami za jogurt, nije mi ovaj film bio ni previše rđav.
Jel ima scena u kojoj Konfučije koristi dva pištolja?
Da, tome sam se i ja nadao... avaj...
Ja ga pustih celu noc i nishta se nije skinulo. :/
Piratizujete film o jednom takvom mudracu. Kako vas nije stid?
Edit: zaglupelo se pod stare dane.
Kokuhaku.2010.JAP.DVDRip.x264
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F425pxconfession282010ja.jpg&hash=f893546264359dd8a091053e05c04b3b617b423d)
Kokuhaku (Romanized)
Year: 2010
Country: Japan
Director: Tetsuya Nakashima
Writer: Kanae Minato (novel), Tetsuya Nakashima
Genre: Drama
Runtime: 106 min
Language: Japanese
Subtitles: None
IMDB: http://www.imdb.com/title/tt1590089/ (http://www.imdb.com/title/tt1590089/)
Theatrical Release Date: June 5, 2010
Cast:
* Takako Matsu -Yoko Moriguchi
* Masaki Okada - Yoshiteru Terada
* Yoshino Kimura - Naoki's mother
* Yukito Nishii
* Kaoru Fujiwara
* Manami Hashimoto
* Naoki Ichii
* Hirofumi Arai
* Makiya Yamaguchi - Masayoshi Sakuranomiya
* Mana Ashida - Manami Moriguchi
* Kinuo Yamada
Synopsis/ Plot:
Middle school teacher Yoko Moriguchi's (Takako Matsu) life comes crashing down after the murder of her 4 year old daughter. Eventually Yoko Moriguchi suspects some of her own students to have been responsible for her daughter's death. An elaborate plan for revenge then ensues, including forcing students to drink HIV tainted milk ...
Notes:
1. Based on Kanae Minato's 2008 best selling novel "Kokuhaku" (has sold 700,000+ copies to date).
2. After reading the novel "Kokuhaku" director Tetsuya Nakashima wanted actress Takako Matsu to play the main role. Enough so that he said if Takako Matsu would not play the role he would not have made the film.
3. Filming began October 24th, 2009.
4. Auditions were held for potential actors to play the students. Of which 34 were selected out of 1,000.
映画 『告白』予告編 (http://www.youtube.com/watch?v=YZXKSoG72NY#ws)
Sukeban Hunters (2010)
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Fzlw9e1.jpg&hash=88d3ccb5d6804f67d2f28f695f5f43a9cebc14fc)
AKA : Yakuza-Busting Girls: Final Death-Ride Battle
Year : 2010
Country: Japan
Language : Japanese
Subtitle(s) : English (Custom subbed by marukomu)
Film Genre : Action
IMDB : Sukeban Hunters
Links :
Director : Kazushi Nakadaira
Cast : Asami, Rena Komine, Kenji Motomiya, Jiro Sato, Misato Tate
Plot/Synopsis
The project was first announced as a trilogy of movies based on the 17-minute Yakuza Hunter short film which was included as a bonus feature on the 893239 (aka Yakuza Niju-Sanku) DVD box set. During production, the films were referred to as Yakuza Hunter, Yakuza Hunter 2, and Yakuza Hunter 3, but since the name change it seems to be down to two movies called "Sukeban Hunters: Soukatsu Nagurikomi Sakusen" and "Sukeban Hunters: Jigoku no Kettou" directed by Kazufumi Nakahira and Shinichi Okuda, respectively.
The first film features AV star Asami (Sukeban Boy, The Machine Girl) as the main "hunter" with her rival played by perma-grumpy Rena Komine.
[Trailer] Yakuza Busting Girls: Death Ride Battle (http://www.youtube.com/watch?v=zdKc3ONM_xQ#ws)
Lepo je videti da još uvek ima ljudi koji snimaju filmove samo za mene.
The Korean Film Council has announced its 2010 industry report with box office gross up 6.5% year-on-year to a record $1.02bn (KW1,150,100,000,000) despite admissions dropping 9.6% to 146.8 million.
KOFIC credits the rise in box office gross to the ticket price increase of June 2009 and the popularization of 3D films led by Avatar. Foreign films saw a box-office gross increase of 16.6% to $576.4m (KW645,700,000,000). The average ticket price went from $6.22 (KW6,970) in 2009 to $6.99 (KW7,834) in 2010, keeping more people away from the cinemas. Last year, 2.92 films were viewed per person as opposed to 3.15 in 2009.
Newly released Korean film market share in box office gross dipped slightly from 47.1% to 46.7% last year. Of films newly released in 2010, US films took 46.9% of the gross market share, up 1% year-on-year, while European films took 2.7%, Japanese took 1.9% and Chinese 1.4%.
Last year, 152 Korean films were produced and 140 were released in theatres, while 383 foreign films were imported and 286 were released. The total number of films to get theatrical release went up from 362 in the previous year to 426 last year.
KOFIC analyzes that despite a drop in admissions for local films, IPTV and Internet download services are invigorating the ancillary market and profitability for local films is on the way to stabilising. Profitability for the 123 released local films that KOFIC followed went up 4.1% last year to -9% with 21 films going over their break-even points, 13 films making more than 50% profit, and six films making more than 100% profits.
Korean films did $13,582,850 in export sales last year, down 3.82%. Sales to Asia dropped 34.4% while those to Europe jumped 72.1% and to North America, 59.4% year-on-year.
Film-related services such as CGI, special effects and make-up companies also reported about $28,637,506 in export sales – higher than actual film sales, which KOFIC has made a note to follow in future.
Top 10 Films in South Korea 2010
(title/country/gross)
1. Avatar (US) $74.4m (KW83,328,649,500)
2. The Man From Nowhere (Korea) $42.1m (KW47,119,192,000)
3. Inception (US/UK) $38.8m (KW43,414,055,667)
4. Secret Reunion (Korea) $35.9m (KW40,160,269,333)
5. Iron Man 2 (US) $29.2m (KW32,641,287,167)
6. Woochi (Korea) $23.5m (KW26,350,401,000)
7. Moss (Korea) $22.7m (KW25,450,346,500)
8. 71 – Into The Fire (Korea) $21.3m (KW23,837,369,933)
9. The Servant (Korea) $20.1m (KW22,494,814,000)
10. Harmony (Korea) $19.3m (KW21,646,974,333)
Boys on the Run (2010)
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Fu6uh67.jpg&hash=6e2ee8ec0a80a12a0fd4154ff6c3a94e09f34fbd)
AKA : Boizu on za ran
Year : 2010
Country: Japan
Language : Japanese
Subtitle(s) : English (custom subbed by chochoc)
Film Genre : Drama
IMDB : Boys on the Run
Director : Daisuke Miura
Cast : Kazunobu Mineta, Mei Kurokawa, Ryuhei Matsuda, You
Plot/Synopsis
"It's not often that a coming-of-age story revolves around a 29-year-old chronic masturbator who still lives with his mom, but that's just one example of the many ways Daisuke Miura's Boys on the Run is refreshingly atypical. The film is based on a manga by Kengo Hanazawa which was originally serialized in Shogakukan's Big Comic Spirits from 2005-2008, and although the adaptation is fairly loyal visually, the overall tone has been changed both in how the characters behave and how the story arc is presented."
映画『ボーイズ・オン・ザ・ラン』予告編 (http://www.youtube.com/watch?v=rnFhga_jfj8#)
jel se pojavio prevod za ovo?
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fwww.trailershut.com%2Fmovie-posters%2FAlien-vs-Ninja-Movie-Poster.jpg&hash=250f5ab5fee81013c6d03ec2627ffccac1dafbf4)
super. :)
šta je ovo u pozadini: zlatni paviljon?! xrofl
nema titlova još uvek. :(
mada, ako je to uopšte utešno, nema titlova ni za neke iz 2008-e.
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fimg522.imageshack.us%2Fimg522%2F430%2Fjpbc2.jpg&hash=8065b4cf5958ff8df44dfafa2dc9435ad3b90ddd)
Don't look back, Congkak 2
Year: 2010
Genre: Comedy | Horror | Mystery
Runtime : 1 hour 25 minutes
Subtitles : English [hard]
Country : Malaysia
Language : Malay
Director : Ahmad Idham
Cast : Mazlan Pet Pet, Lisa Surihani, Azlee Jaafar, Cat Farish, Bob Kuman, Nora Danish, Ruminah Sidek dan Wangi (The Fabulous Cats)
Links:
Plot/Synopsis:
After healing Punai (Mazlan Pet Pet) in the previous film; Asmat (Cat Farish) and Johan (Shaiheizy Sam) successfully defeats Mustika (Lisa Surihani). Pak Mor who was injured heads to the river bank and starts to chant some black magic. Soon, Mustika comes out alive and well from the body of Pak Mor. It becomes apparent that Pak Mor and Mustika have teamed up to inherit all of the money that was left by Pak Sudir. Inevitably, their plans are foiled by Punai, Asmat and Johan.
Jangan Pandang Belakang Congkak 2 Trailer (http://www.youtube.com/watch?v=V-OYi_v33Wk#)
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fimg600.imageshack.us%2Fimg600%2F9527%2Fnataliec.jpg&hash=617cdf42f1e257a267b6f572b55bdf3fcef2d65c)
Natalie (2010)
Year: 2010
Genre: Melodrama | Romance
Runtime : 1 hour 29 minutes
Subtitles : English | Korean
Country : S. Korea
Language : Korean
Director : Joo Kyeong-joong
Cast : Lee Seong-jae, Kim Ji-hoon-I, Yeon-woo Hyeon-jin, Kim Gi-yeon-I
Natalie is a masterpiece sculpture depicting beauty of a woman. The identity of the woman depicted in the sculpture is unknown. "Natalie" is then presented to the public at an art exhibition held by sculptor Hwang Jun-Hyuk (Lee Sung-Jae). On the last day of the exhibition Jun-Hyuk tells art critic Jang Min-Woo (Kim Ji-Hoon) about a passionate affair with modern dance student Oh Mi-Ran (Park Hyun-Jin). Art critic Min-Woo tells Jun-Hyuk that Mi-Ran loves him. Jun-Hyuk and Min-Woo have different memories surrounding Mi-Ran and they begin to unveil the secret surrounding her.
나탈리.wmv (http://www.youtube.com/watch?v=TBgIri0tWDk#ws)
uuu nije lose :D
http://ljudska_splacina.com/2011/01/azijski-film-danas.html (http://ljudska_splacina.com/2011/01/azijski-film-danas.html)
The.Recipe.2010.DVDRip.XviD.AC3-ARJ
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Ftherecipe.jpg&hash=7a5383d77968bbaab38f902ec8f65dd96d5f3417)
A.K.A: Doenjang
IMDB LINK: NONE
External Link: http://asianmediawiki.com/The_Recipe_(2010-Korean_Movie) (http://asianmediawiki.com/The_Recipe_(2010-Korean_Movie))
Cast: Ryoo Seung-yong, Lee Yo-won, Lee Dong-wook, Jo Seong-ha, Lee Yong-nyeo
Directed: Lee Seo-Goon
Genre: Romance | Mystery | Drama
Runtime: 1hr 44min
Country: South Korea
Language: Korean
Subtitles: ENGLISH | Korean .idx.sub.srt
Plot:
A man on deathrow wants to taste "doenjang jjigae" (a spicy Korean bean paste stew) before he dies. Television producer Choi Yu-Jin (Ryoo Seung-Ryong) hears of the inmate and researches his story for an upcoming news report. Choi Yu-Jin then comes across a mysterious woman named Jang Hye-Jin (Lee Yo-Won) who makes doenjang jjigae that brings tears of joy to those who tastes her recipe. As Choi Yu-Jin delves further, he learns of Jang Hye-Jin's heart breaking relationship with Kim Hyun-Soo (Lee Dong-Wook).
The Recipe 된장 Trailer (2010) English subs.wmv (http://www.youtube.com/watch?v=6boKRxRiIeM#ws)
Quote from: Shozo Hirono on 24-01-2011, 23:17:56
http://ljudska_splacina.com/2011/01/azijski-film-danas.html (http://ljudska_splacina.com/2011/01/azijski-film-danas.html)
sa ovim se vise nego slazem. skinuo sam sa asiatorentsa gomilu tajlandskih, indonezanskih, filipnskih i tandaramandara horora i ni najvecem neprijatelju ih ne preporucujem.
ps. osim sars wars koji i nije horor i jako je simpatican
Čitam nešto i povremeno bacam poglede na Ip Mana koji trenutno ide na RTSovom prvom programu. I kad sam ga prvi put gledao palo mi je na pamet da je ovo nešto kao kad bi Šotra/ Bjela režirali kung fu film, ali bolje. Mislim, režija je kudikamo solidnija, ali taj neki nostalgični ton, totalno je uporediv.
BECK.2010.JAP.DVDRip.XviD-zdzdz
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Fbeckp2.jpg&hash=538cb6507cd935917ead2826415a2da9fd7b1983)
Year: 2010
Country: Japan
Director: Yukihiko Tsutsumi
Screenwrieter: Harold Sakuishi (manga)
Genre: Drama, Music
Runtime: 145 min
Language: Japanese
Subtitles: None
IMDB: http://www.imdb.com/title/tt1587118/ (http://www.imdb.com/title/tt1587118/)
Synopsis/ Plot:
Maho Minami (Shiori Kutsuna) returns to Japan after studying in New York. Her half brother Ryusuke Minami (Hiro Mizushima) is an ultra talented guitarist. Maho & Ryosuke then meet Koyuki (Takeru Sato ), a fellow young teen whom Maho takes interest in. Soon enough, Ryosuke and Koyuki form a 5 piece rock band named "Beck," while Maho and Koyuki become involved in a romantic relationship.
The band starts to play live shows and grow an enthusiastic following. The release of their debut CD helps to further the band's popularity. People start to notice Koyuki. The band then endures a producer's planned conspiracy and other hardships. Beck then receives an offer to play at a rock festival, but with the unusual stipulation that the band may have to dissolve ...
Notes:
1. Based on Harold Sakuishi's manga "Beck" which was published by Kodansha in Monthly Shōnen Magazine from 1999 through 2008.
2. TV Tokyo also aired an animation series of "Beck" in 2004-2005.
3. Shiori Kutsuna, who was raised in Australia, stated she felt an immediate bond with "Maho Minami" after reading the script due to her upbringing in another country and other character similarities.
Beck (Live Action) Trailer (http://www.youtube.com/watch?v=CdJ0OKhpIKM#ws)
Psychic.2010.DVDRip.XviD-XYZ
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LINK...........: http://asianmediawiki.com/Haunters (http://asianmediawiki.com/Haunters)
Cast............: Kang Dong-Won Ko Soo Enes Kaya Yoon Da-kyeong Jung Eun-Chae Byeon Hie-Bong Yang Kyung-Mo ...etc
Directed........: Kim Min-suk (김민석)
Genre...........: Action Thriller Drama Science-Fiction
Release Date....: Release date in South Korea : 2010/11/10
Runtime.........: 1h 52mn
Also Known As...: Psychic / Hunters / Choin / Haunters / 초능력자 (Cho-neung-ryeok-ja)
Country.........: South Korea
Language........: Korean
Subtitles.......: English .SRT Sub Link : http://www.asiatorrents.com/index.php?page=torrent-details&id=1f981aa42400841066230cc731b1149185930ea3 (http://www.asiatorrents.com/index.php?page=torrent-details&id=1f981aa42400841066230cc731b1149185930ea3)
Plot Summary:
Also known as "Psychic", "Hunters", "Choin"
"Haunters," directed by Kim Min-suk - cowriter of "The Good, The Bad, The Weird" (2008) - depicts the struggle between a psychic named Cho-in (Kang Dong-won) who can control people with his mind and a man named Kyu-nam (Ko Soo) who is immune to the psychic's supernatural power.
Kyu-nam works at a run-down pawnshop. When Cho-in walks into the shop one day and tries to use his powers to rob the store, he soon discovers that his special talent doesn't work on Kyu-nam.
Upset by the fact that there is a person whom he cannot control, Cho-in chases Kyu-nam, accidentally killing someone in the process. This begins a confrontation that will push both men to the brink.
With this film, Kang, who is usually cast as in pretty boy roles, plays a villain for the first time in his career. He recently earned Best Actor honors at the Critics Choice Awards for his role in this year's hit "Secret Reunion."
Korean Movie 초능력자 (A Psychic. 2010) Trailer (http://www.youtube.com/watch?v=rGMieqJeTAY#ws)
Young women in Korea go to cinemas as much as 19 times per year.
SEOUL – South Koreans watch an average of 11.4 movies per year, according to a recent survey by the Korean Film Council.
The report surveyed 2,000 Koreans between the ages of 15 to 49 to analyze the consuming patterns of local moviegoers, the council found that Korean moviegoers watch an average of one movie per month.
Women between 19 and 23 watched the most movies in theaters, paying for an average of 19.1 films per year. Men between 24 and 29 followed, seeing 17.1 movies per year.
Action was the most popular genre in local theaters. In the survey 30.4% of respondents said action was their favorite genre in theaters, while 16.3% preferred science fiction-fantasy, and 16% preferred romantic comedy.
Only 8.5% said they watch thrillers in theaters.
Up to 70% said they didn't mind dubbing or subtitles when watching a foreign film. Among the respondents who were dissatisfied with dubbing, 58.8% said the casting of voice actors was inadequate for the film's narrative.
Forty-seven percent of the respondents said they preferred watching a Korean film in theaters, while 38.1% preferred Hollywood movies. About 1.8% said they watch a European film and 1.6% preferred Japanese films in the cinema. Only 0.9 percent watched a Chinese/Hong Kong film.
More than half of those surveyed -- 56.1% -- said they have watched a 3D film in the last year, up from 19.6% from 2009.
For questions on film piracy 0.5% said they have secretly recorded a film in a theater with their phone cameras or camcorders. In the same survey 2.6% said they have purchased a pirated DVD, while 39.7% said they have downloaded a free movie or paid less than a dollar to download a movie on an Internet file-sharing site.
Up to 27.5% of Koreans said they most preferred going to a movie theater as a leisure time activity. Twenty-one percent said they go to shopping, while 15.8% preferred dining out
Chonmage.Purin.2010.JAP.DVDRip.XviD-zdzdz
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Fchonmagepurinp2.jpg&hash=4ea595aebb8093f309c3a808911198c67bc7e7f4)
Japanese Ttle: ちょんまげぷりん
Romaji: Chonmage Purin (Chonmage Pudding)
Year: 2010
Country: Japan
Director: Yoshihiro Nakamura
Screenwrieter: Gen Araki (novel)
Genre: Comedy
Runtime: 108 min
Language: Japanese
Subtitles: English -> Subs with fixed timing for CD2
IMDB: http://www.imdb.com/title/tt1595354/ (http://www.imdb.com/title/tt1595354/)
Theatrical Release Date: July 31, 2010
Cast:
* Ryo Nishikido - Kijima Yasube
* Rie Tomosaka - Hiroko Yusa
* Fuku Suzuki - Tomoya Yusa
* Hiroki Konno - Tanaka
* Keisuke Horibe - Shirozaki
* Hitomi Sato - Yoshie Hiraishi
* Shiori Kutsuna
* Yuji Nakamura - MC
* Jun Inoue - Tonoma Tomoharu
Synopsis/ Plot:
Kijima Yasube (Ryo Nishikido), a samurai from the Edo Period, travels through time - 180 years - to arrive in present day Japan. He then meets divorcee Hiroko (Rie Tomosaka) & her son Tomoya (Fuku Suzuki). Yasube ends up working for Hiroko as a housemaid in return for food and lodging. One day. Yasube starts to make pastries for Tomoya, which leads to Yasube become popular patissier. In the process the three become very close, but the moment they must say good bye also draws near ...
Notes:
1. Actor Ryo Nishikido attended cooking classes for two months to prepare for his role in "Chonmage Purin".
2. Filming begins February 6th, 2010.
3. The chonmage (丁髷, ちょんまげ) is a form of Japanese traditional haircut worn by men. It is most commonly associated with the Edo Period and samurai, and in recent times with sumo wrestlers.
Chonmage Purin (ちょんまげぷりん) Trailer (http://www.youtube.com/watch?v=nZfDvzF3WP0#ws)
Gantz.2011.BDRip.XviD.Absurdity
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Fgantss.jpg&hash=8b4babc63d4683be7b7b467cb86ff343b00b9642)
A.K.A: Gantz: Zenpen
IMDB LINK: http://www.imdb.com/title/tt1525835/ (http://www.imdb.com/title/tt1525835/)
Cast: Kenichi Matsuyama, Kazunari Ninomiya, Takayuki Yamada, Natsuna Watanabe
Directed: Shinsuke Sato
Genre: Action
Runtime: 2h 10min
Country: Japan
Language: ENGLISH (Dubbed)
Subtitles: NONE A.T.M
Plot:
After trying to rescue a man on the subway tracks, two teens wake up in a room dominated by a mysterious black sphere that sends them to hunt down and kill aliens hiding on Earth.
Pogledao sam CHONEUNG RYUKJA Kim Min Suka, organima reda poznat i pod naslovima HAUNTERS ili PSYCHIC.
Scenarista efektnog Kim Ji Woonovog THE GOOD, THE BAD AND THE WEIRD se odlično snašao na rediteljskom debiju i kudikamo bi se moglo reći da je ponudio nešto više svežine nego što nudi Kim Ji Woon.
Ruku na srce, kao što Kim Ji Woon konstantno obrađuje već manje ili više savladane matrice i iz filma u film nudi svoje viđenje već uspostavljenih matrica, ni Kim Min suk nije daleko od toga i u njegovom debiju se u više navrtata može osetiti eho Shymalanovog UNBREAKABLEa. Međutim, ne samo da je UNBREAKABLE Shyamalnov najbolji film već bi se moglo reći da je to svakako dobrodošao eho u bilo kom filmu.
HAUNTERS govori o telepatski obdarenom negativcu krhkog tela koji posle teškog detinjstva koje je obilovalo traumama, danas ostvaruje egistenciju manipulišući ljudima, pljačkajući ih i sl. Stvari se intenziviraju kada sretne jedinog čoveka kojim ne može da manipuliše, i uskoro počinje dvoboj ove dvojice marginalaca iz koga će se do kraja filma izroditi jedan superheroj.
Ova premisa zvuči stripovski, i njen odnos prema stripu kao mediju je i najzanimljiviji. Naime, sasvim je sigurno da je Kim Min Suk imao određenu refleksiju na ovu temu kroz stripove, no za razliku od Shyamalana, njegovi junaci svoju situaciju ne reflektuju kroz strip što se na duže staze ispostavlja kao jedan od elemenata koji remete ubedljivost filma. Naime, danas ne samo da imamo comic book filmove smeštene u svet u kome stripovi postoje - uspelije u KICK-ASSu - potpuno neiskorišćeno u WATCHMENu - već se čini da su stripovi postali ključ za razumevanje pojedinih događaja, kao što su ovi koji se dešavaju Kimovim junacima. U tom smislu, Shyamalan je ipak mudrije procenio kada je uveo motiv stripa u UNBREAKABLE. Iako je vrlo lako da se odnos prema stripu protumači kao dodvoravanje geekovima, u krajnjoj liniji jako je teško poverovati da bilo koji savremeni čovek ne bi u susretu sa supermoćima zaboravio da je tako nešto video u stripu.
Otud, ako je već nemoguće staviti stripove u filmove o klasičnim superherojima, onda oni svakako imaju svoje mesto u pričama o onima koji su "stvarno" superheroji.
Kad je reč o domenu superherojskog filma, u njemu HAUNTERS automatski može zauzeti značajno mesto kao recept kako se priča o nadljudskim moćima, iotpadnicima koji uče da ih koriste itd. može realizovati u jednom konzistentnom ključu i sa adekvatnom dozom ubedljivosti.
Štaviše, rekao bih da Kim Min Suk u pojedinim deonicama i previše odmiče tok filma od osnovne teme, da se likovi ponegde čak i previše izgube u vinjetama koje nisu u funkciiji celine, tako da mu malo holivudfske samodiscipline ne bi škodilo, možda baš u rimejku, koji bi se vrlo lako mogao desiti.
Kim Min Suk je u rediteljskom smislu već na debiju pokazao zrelost. Likovi su jasno koncipirani, njihovi odnosi su razumljivi i funkcionalni a vizuelni aspekt je na tipično visokom nivou južnokorejskog prvoligaškog repertoarskog filma. U tom smislu, Kim pokazuje da voli vrlo filmičan pristup stvarima, sa malo dijaloga u akciji i odličnim korišćenjem svakodnevnih situacija i naizgled nezanimljivih javnih prostora za poprišta akcije.
U tom smislu, Kim u pojedinim deonicama pored onoga po čemu je korejski film poznat nudi i nešto šmeka američkog B-filma osamdesetih, sa marginalcima koji se nalaze i bore u zabačenim ćorsokacima, prolazima, garažama.
I uopšte, taj milje marginalaca karakteriše HAUNTERSe između ostalog i kroz dva sidekicka glavnog pozitivca, emigrante Turčina i Ganijca koji rade kao jeftina radna snaga u Koreji. Iako sam se i ranije susretao sa motivom stranaca na privremenom radu u Koreji, mahom Vijetnamaca, do sada barem ja, nisam imao iskustava sa likovima iz ovako dalekih zemalja koje Korejanci i tretiraju kao potpunu egzotiku i čude se njihovoj sposobnosti da govore korejski. Nisam dovoljno upućen u korejske prilike te ne moghu da procenim da li su ti junaci prisutni isključivo da bi ilustrovali marginu kojom se kreće glavni junak ili su oni aluzija na još neki problem.
HAUNTERS je odličan film, ne nudi ništa novo u globalnim okvirima kao što su svojevremeno radili Park ili Bong, ali sasvim sigurno pokazuje kako se ono čime je već ovladano radi dobro, i ponovo pokazuje zube Holivudu na njegovom terenu, osvežavajući njegovu vlastitu formulu.
* * * / * * * *
hm, ovo mu dođe preporuka. daću mu šansu, obećavao je još kad sam okačio poster. :)
no, buni me ovo semantičko rešenje zbirne imenice - ganijci. ;)
ovaj specifičan problem imali su pre par godina voditelji našeg eurosporta kada su prenosili afrički kup nacija, a koji se kao za inat održavao u gani.
i ljudi krenu sa onim narodskim, stanovnici gane - ganci. i usladilo im se. međutim, ajde, stignu žalbe na političku korektnost. ali se na kraju ispostavi da su bili u pravu, s tim što mi se čini da su dobili koloritnu preporuku: gana - ganjani. :lol:
Pa da, ja se sećam da su ih zvali Ganijci na prošlom SP, kada su bili dosta značajna tema za nas, zbog igranja u istoj grupi i sl.
Ja se sada oštrim da gledam ROUGH CUT pošto mi se inače dopao SECRET REUNION. Jesi li ga ti gledao?
nisam, ali mi je secret reunion u svetom kvartetu azijskih razočarenja iz prošle godine; rame uz rame sa moss, man of vendetta i 71 into fire.
Pa dobro, SECRET REUNION nije neki masterpis, slažem se, ali je sasvim u redu blokbaster, sa zajebanim Severnokorejancima, a ti znaš da ja to volim. :)
SECRET REUNION je meni recimo zbog svog integrisanja komedije bio negde i čitljiv na nivou formule (kao buddy film) i pomalo naporan, jer mi ta komedija mahom nije smešna, ali kapiram da ima kome jeste.
Nego, ovaj ROUGH CUT je pisao Kim Ki Duk i baš ga hajpuju a ja ne stigoh da ga pogledam kad je bio svež-svež. To mi deluje kao neka K-parafraza THE HARD WAY i sličnih filmova.
Inače, danas je Kimov rođendan...
secret reunion je imao zajeban zadatak, a to je doskočiti sjajnom joint security area, i to mu dođe kao olakšavajuća okolnost za potonji neuspeh. doduše, on je na njihovom box ofisu dobro prošao.
a ovaj rough cut sam, ne znam kako i zašto, pomešao sa dachimawa lee. mora da su na istom disku. :roll:
ovo sa kim ki dukom je - ja tebi ti meni. duk mu daje vetar u leđa zbog hwala. :)
Quote from: crippled_avenger on 16-02-2011, 18:42:02
Inače, danas je Kimov rođendan...
happy birthday, kim, if you're reading this. :lol:
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Fkim-jong-il-puppet-team-america.jpg&hash=00fda64eaa81946a1fb4a8c1739a391ce32d39ab)
овде линк (http://www.znaksagite.com/diskusije/index.php?topic=9042.msg307149#msg307149) за Осми путник против нинџе са тврдим преводом
ovaj ejlijen nema šanse.
ko vidi nindžino lice, i priča drugima o tome, umreće u najstrašnijim mukama! xrofl
онај нинџа нема маску :x
Da bi sto vise njih umrlo u najstrasnijim mukama :)
Pogledao sam JEONG-HWA-NEUN YEONG HWA-DA znan i kao ROUGH CUT Hun Janga koji je prošle sezone potpisao jedan od najgledanijih filmova u istoriji korejske kinematografije SECRET REUNION. Nažalost, reklo bi se da je REUNION znak sazrevanja za ovog reditelja pošto on na debiju uprkos producentskoj i scenarističkoj podršci svog mentora Kim Ki Duka irelativno zanimljivoj premisi ne uspeva da ozbiljnije prodre u temu kojom se bavi.
Tema kojom se bavi nije nova i ekskluzivna ali gotovo uvek radi posao i reklo bi se uvek može da rezultira atraktivnim filmom - ROUGH CUT govori o glumcu koji se sprijatelji sa gangsterom koga uvlači u snimanje filma i njihovi životi se prepliću.
Naravno, mogućnosti za razvoj ove priče su razne, tu imamo odnos filma i kriminala kao odnos međusobne inspiracije jer koliko kriminal iz stvarnosti utiče na film toliko i film regrutuje kriminalce; zatim, imamo odnos u psihološkom smislu, imitacije i prave stvari, unutrašnjih težnji ljudi iz tih miljea; fanatizam prisutan i u jednoj i drugoj oblasti čiji se protagonisti ne obaziru na okolinu kada se usmere prema svojim ciljevima; konačno, imamo zamenu uloga.
Nažalost, u ROUGH CUTu, tek ponegde Kim Ki Duk zaseca išta potentnije i rekao bih da nudi krajnje površan uvid u kriminal, što je negde i očekivano jer su azijski filmovi o kriminalu do te mere ritualistički i fetišistički da se u njima jako retko ulazi u ozbiljan tretman kriminala - što ne smanjuje njihovu umetničku vrednost; ali je jako površan i u odnosu prema filmu što me je ipak začudilo jer je Kim Ki Duk ipak neko ko je dosta upitan nad kinematografskim tokovima i voli o tome da diskutuje.
U ovom filmu se reditelj prema kome film ima nedopustivo ambivalentan odnos zove Bong. Ne znam da li je to produžetak polemike Kim Ki Duka i Bong Joon Hoa drugim sredstvima, ali kada je reditelj prikazan ovako površno, polu ali ne sasvim karikaturalno, onda film ne samo da biva lišen smisla već, rekao bih ispada upadljivo inferiorniji upravo od Bongovog HOSTa čiji je glasni protivnik svojevremeno bio Kim Ki Duk. Iz ove vizure gledano, čini se da je upravo Kim Ki Duk taj koji potcenjuje publiku čim misli da ovako treba da izgleda film koji pretenduje na rezultat.
U tehničkom smislu, ponovo, Korejanci su manje-više na nivou, ali svakako da kada ideja nije dovoljno snažna onda se vidi i više rupa u tehnici tako da ROUGH CUT ne ostavlja onako moćan utisak kao njihovi filmovi inače.
* * / * * * *
meni se čini da ovj jancek jang više režira bongovim stilom, no što poseduje dukov sofisticirani izraz.
pa dobro
bong je ipak maher, a ovaj se bavi aproprijacijom tog stila kako zna i ume...
Watch a world exclusive trailer for Norwegian Wood - video
Anh Hung Tran's adaptation of Haruki Murakami's novel hits British cinemas on 11 March. Here's a taster
Norwegian Wood (2010) Trailer (English Subtitles) (http://www.youtube.com/watch?v=tqiYXmpb41I#ws)
znao sam da će u bioskope pre doći norwegian wood, nego li prevod za norwegian woods. :(
ma bitno da se ekranizuju dobre knjige venders radi supu,a volela bih da vidim i ekranizacije misiminih knjiga i da bre kuhinju od banane mada bih u stvari vise volela da pogledam neki biografski o jukio misimi i moriti mada baba je baba- ipak je on sa osam godina imao ljubavnicu od sezdeset...
Quote from: agota on 18-02-2011, 22:17:45
a volela bih da vidim i ekranizacije misiminih knjiga....
gledaj onda mishima: a life in four chapters. ;)
hocu :!: hvala Shozo Hirono
kapetan mišimino zdanje :)
Evo vam vaša Azija...
http://www.trojka.rs/zavodjenje-i-seks/6888-park-u-koreji-o-seksualnoj-edukaciji-foto.html (http://www.trojka.rs/zavodjenje-i-seks/6888-park-u-koreji-o-seksualnoj-edukaciji-foto.html)
sjajno. čak ima i originalnih filmskih imitacija, ko recimo ona iz in the realm of senses.
i fejl iz bloodsucking freaks.
Norwegian.Wood.2010.JAP.DVDRip.x264.AC3-zdzdz
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F425pxnorwegianwoodp1.jpg&hash=ecc20745753a2993dcbca11b2a1cae2fd2779c5a)
Japanese Ttle: ノルウェイの森
Romaji: Noruwei no Mori
Year: 2010
Country: Japan
Director: Anh Hung Tran
Screenwrieter: Haruki Murakami (novel), Anh Hung Tran
Genre: Drama
Runtime: 128 min
Language: Japanese
Subtitles: Russian
IMDB: http://www.imdb.com/title/tt1270842/ (http://www.imdb.com/title/tt1270842/)
Theatrical Release Date: December 11, 2010
World Premiere: September 2, 2010 (Venice Film Festival)
Cast:
* Kenichi Matsuyama - Toru Watanabe
* Rinko Kikuchi - Naoko
* Kiko Mizuhara - Midori Kobayashi
* Tetsuji Tamayama - Nagasawa
* Kengo Kora - Kizuki
* Reika Kirishima - Reiko
* Eriko Hatsune - Hatsumi
* Tokio Emoto - Tai Totsugeki
* Shigesato Itoi - Theatre professor
* Haruomi Hosono - Record shop owner
* Yukihiro Takahashi - Gatekeeper
Synopsis/ Plot:
Set in the 1960's, high school student Toru Watanabe (Kenichi Matsuyama) loses his only friend Kizuki (Kengo Kora) after he commits suicide. Toru, now looking for a new life, enters a university in Tokyo. By chance, Toru meets Kizuki's ex-girlfriend Naoko (Rinko Kikuchi) in the university. They grow close because they both share the same loss.
As Toru and Naoko grow even closer, Naoko's sense of loss also grows. After Naoko's 20th birthday, she leaves for a sanitarium in Kyoto. Watanabe, devastated by the situation, meets pure-hearted Midori (Kiko Mizuhara) during the spring semester. Midori looks like a small animal that just came into the world ...
Norwegian Wood (2010) Trailer (English Subtitles) (http://www.youtube.com/watch?v=tqiYXmpb41I#ws)
Nude.2010.JAP.DVDRip.x264.AC3-zdzdz
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Year: 2010
Country: Japan
Director: Yuichi Onuma
Screenwrieter: Mihiro (novel), Yuichi Onuma
Genre: Drama
Runtime: 106 min
Language: Japanese
Subtitles: None
IMDB: http://www.imdb.com/title/tt1660399/ (http://www.imdb.com/title/tt1660399/)
Theatrical Release Date: September 18, 2010
Cast:
* Naoko Watanabe - Hiromi/Mihiro
* Aimi Satsukawa
* Takashi Nagayama
* Mihiro
* Hiroshi Yamamoto
* Ken Mitsuishi
* Shingo Ippongi
Synopsis/ Plot:
After graduating from high school, young Hiromi (Naoko Watanabe) moves from Niigata to Tokyo to pursue her dreams of becoming an actress. She first starts out in the adult film industry under the stage name of Mihiro ...
Notes:
1. Filming began May 17th, 2010.
2. Nude is based on the autobiograpahical novel "Nude" (published in 2009), written by real life AV actress Mihiro.
3. Mihiro makes an appearance in the film "Nude" as a mentor to main character played by Naoko Watanabe.
みひろ自叙伝映画『nude』( ヌード )劇場予告編 (http://www.youtube.com/watch?v=K-JiGzEeYEQ#)
wow
mora da je odron film
Midnight FM (2010) Main Trailer (http://www.youtube.com/watch?v=SbWumZjHsbA#ws)
Accidental.Kidnapper.2010.JAP.DVDRip.XviD-GiNJi
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Faccidental.jpg&hash=4771e9416efd2bcc0adf5d7d0b018307e4ca5136)
Also Known As:
Yukai Rhapsody 誘拐ラプソディー (Japanese Title)
Year: 2010
Country: Japan
Director: Hideo Sakaki
Genre: Action
Runtime: 111 min
Language: Japanese
Subtitles: Traditional Chinese Only
ENGLISH SUBS NOW AVAILABLE IN A SEPARATE TORRENT. DOWNLOAD HERE
IMDB: http://www.imdb.com/title/tt1587298 (http://www.imdb.com/title/tt1587298)
World Premiere Date: 02/27/2010 Yubari Intl Fantastic Film Festival
Theatrical Premiere Date: 04/03/2010
Cast: Katsunori Takahashi, Eiichiro Funakoshi, Sho Aikawa, Shun Sugata, Hideo Sakaki, Houka Kinoshita, Takashi Sasano, Toru Shinagawa, Kazue Tsunogae
Synopsis/ Plot
This splendid film, one of the best of its genre, stars Katsunori Takahashi as a down-and-out ex-con named Hideoyoshi Date with no girlfriend, no money, and no life. Out of desperation, he decides to kidnap a young rich boy (Roi Hayashi) for some quick ransom money, but realizes too late that the boy's father earned his money as a yakuza boss. Now being chased by both the yakuza and the police, Hideyoshi and the boy he kidnapped strike up an unlikely friendship.
綁架狂想曲/ Accidental Kidnapper 預告 高橋克典主演 (http://www.youtube.com/watch?v=QPRcSIggUwA#)
The.Incite.Mill.2010.JAP.DVDRip.x264.AC3-zdzdz
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F424pxtheincitemillp2.jpg&hash=8e210b75a2a99d4c60dbd64342731ddc7b8b461a)
Japanese Ttle: インシテミル ７日間のデス・ゲーム
Romaji: Inshite Miru: 7-kakan no desu gemu
Year: 2010
Country: Japan
Director: Hideo Nakata
Screenwrieter: Honobu Yonezawa (novel), Satoshi Suzuki
Genre: Thriller
Runtime: 107 min
Language: Japanese
Subtitles: None
IMDB: http://www.imdb.com/title/tt1586753/ (http://www.imdb.com/title/tt1586753/)
Theatrical Release Date: October 16, 2010
Cast:
* Tatsuya Fujiwara - Yuki Satoshihisa - freeter
* Haruka Ayase - Shoko Suwamei - OL
* Satomi Ishihara - Biyoru Sekimizu - web designer
* Tsuyoshi Abe - Takehiro Osako - resident
* Shinji Takeda - Sousuke Iwai - unknown
* Aya Hirayama - Wakana Tachibana - nailist
* Masanori Ishii - Munehiro Nishino - laid off worker
* Takuro Ohno - Setsuzin Maki - college student
* Nagisa Katahira - Sawako Fuchi - stay at home mom
* Kinya Kitaoji - Yoshi Ando - ex ceo
Synopsis/ Plot:
Ten people gather together at a complex named "Ankikan" after hearing of a short term job paying 112,000 Yen ($1,236 USD) per hour. The ten people are informed that they will be monitored 24 hours a day for 7 days straight in a psychological experiment. They are then sent to individual rooms with a different weapon located in each room. Once they are locked in they learn the rules of the psychological experiment. 1.) Each person must return to their room by 10 PM. 2.) At the end of 7 days or when there are only two surviving members left alive the experiment will end. The next day a person is found shot to death. Now, what looked like a dream job will turn into a nightmare ...
Notes:
1. "The Incite Mill" is a 50th anniversary project commenced by Horipro management company. All ten of the main actors awork under Horipro management company. The tenth main performer will be decided after a Janaury 31st, 2010 audition held by Horipro.
2. Based on the 2007 novel "The Incite Mill" by Honobu Yonezawa.
3. Filming begins March, 2010.
4. The theme song is "Shinjite Miru" performed by May'n.
The Incite Mill:7 Day Death Game Trailer (http://www.youtube.com/watch?v=3PCeopmGijs#ws)
Pogledao NORWEGIAN WOOD, ne znam za knjigu ali ovo je sranje.
ne vidim poentu da ovako nešto traje dva sata
nije to za gledanje, pre je za čitanje.
mada, za trenutak si me obradovao i pomislio sam da si gledao norwegian woods. ;)
ali, titlova nigde... :roll:
Quote from: Shozo Hirono on 13-03-2011, 11:25:31
mada, za trenutak si me obradovao i pomislio sam da si gledao norwegian woods. ;)
a? :)
ništa ja tebe ne razumijem
a ima engleskih titlova ako za NW tražiš
ok, postoji japanska adaptacija murakamijeve norveške šume, i korejske norveške šume - film koji još uvek nema engleski titl, i koji izgleda mnogo interesantnije od japanske adaptacije bestselera.
aha, sad vidim, i Woods mi zvuči mnogo bolje od ovog što sam gledao
a nema ga još ni na imdb
A ovo korejsko mi stvarno nije jasno šta će ta Norveška u naslovu...
With the giant earthquake and devastating tsunamis on Friday, along with the volcanic eruption and the growing potential nuclear accidents over the weekend, Japan is severly hurting right now and will have a long road of recovery ahead. As a result of the disasters though, two films are being pulled from Japanese theaters over understandable concerns of taste.
The first is Clint Eastwood's "Hereafter" which is being pulled specifically for its Oscar-nominated extended opening disaster sequence involving a very realistic tsunami hitting a South-East Asian coastal town.
Warner Entertainment Japan head Satoru Otani says continuing to run the film is "not appropriate" according to Deadline.
Meanwhile, Japanese distributor Shochiku is expected to delay the release of Chinese disaster film "Aftershock" to cinemas in the wake of Friday's deadly earthquake according to spokesperson for producers Huayi Brothers Pictures says the trades.
Feng Xiaogang's film depicts the devastating 1976 Tangshan earthquake which killed about 250,000 Chinese. It also deals with the 2008 Wenchuan Earthquake in Sichuan Province which killed nearly 80,000.
The film was scheduled for a regular and IMAX release March 26th across Japan.
Da, i neke igre su isto pulovane tj., odložen im je izlazak jer tematika u njima deluje neprimereno u ovom trenutku. (Yakuza of the End, Disaster Report 4, Motorstorm: Apocalypse...) (http://thegamershub.net/2011/03/games-delayed-due-to-japan-disaster/)
Možda će Japan da "odprizna" Kosovo sad kad im naš Crveni Krst pomogne...
Naš Crveni krst je objavio apel za pomoć Japanu, tako da, krećemo se u pravom smeru.
:)
Nećemo više Crveni Krst deliti na naš i nji'ov.
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Hereafter (tsunami) (http://www.youtube.com/watch?v=jUshKxtgV-s#noexternalembed-ws)
Akunin.2010.JAP.DVDRip.x264.AC3-zdzdz
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Japanese Ttle: 悪人
Romaji: Akunin (Villain)
Year: 2010
Country: Japan
Director: Sang-il Lee
Screenwrieter: Shuichi Yoshida, Sang-il Lee
Genre: Thriller | Drama
Runtime: 139 min
Language: Japanese
Subtitles: Japanese
IMDB: http://www.imdb.com/title/tt1542840/ (http://www.imdb.com/title/tt1542840/)
Theatrical Release Date: September 11, 2010
Cast:
* Satoshi Tsumabuki - Yuichi Shimizu
* Eri Fukatsu - Mitsuyo Magome
* Masaki Okada - Keigo Masuo
* Hikari Mitsushima - Yoshino Ishibashi
* Sansei Shiomi - Keiji Sano
* Mansaku Ikeuchi - Norio Kubo
* Ken Mitsuishi - Norio Yajima
* Kimiko Yo - Yoriko Shimizu
* Hisashi Igawa - Katsuji Shimizu
* Suzuki Matsuo - Tsutsumishita
* Kinuo Yamada - Tamayo Magome
* Hanae Kan - Kiri Tanimoto
* Ayaka Nakamura - Masako Adachi
* Yoshiko Miyazaki - Satoko Ishibashi
* Kento Nagayama - Koki Tsuruta
* Kirin Kiki - Fusae Shimizu
* Akira Emoto - Yoshio Ishibashi
* Shingo Ippongi
Synopsis/ Plot:
Yuichi Shimizu (Satoshi Tsumabuki) is a young man who takes care of his grandparents in a decaying fishing village in Nagasaki. His grandparents raised Yuichi instead of his mother. Yuichi now works as a civil employee. He is a lonely man.
One day, Yuichi meets Yoshino Ishibashi (Hikari Mitsushima) an insurance sales woman from Fukuoka. They first met through an online dating site. Their meeting ends in tragedy with Yuichi murdering Yoshino. Unexpectedly, a rich young university student from Fukuoka, named Keigo Masuo (Masaki Okada) endss up as the prime suspect. Hiding in fear & agony, Yuichi goes on with his daily life.
Then one day, Yuichi receives an email. The email is from Mitsuyo Magome (Eri Fukatsu), a woman from Saga. Yuichi and Mitsuyo exchanged emails in the past after meeting through an online dating site. Mitsuyo currently lives a mundane life, working at a men's clothing store and living with her younger sister. Looking for companionship, Mitsuyo decided to reach out to Yuichi after a lengthy time without correspondence.
The two lonely souls then meet for the first time and throw themselves into a moment of love. By this time, Yuichi is now a wanted criminal and his face appears on the news. Nevertheless, Mitsuyo persuades Yuichi to run away with her and not turn himself in. Running away places heavy burdens on their families as well as the victim's family.
悪人（Akunin）Trailer (http://www.youtube.com/watch?v=9IJd0BYieMo#ws)
Hello.Ghost.2010.KOR.DVDRip.XViD-CiNE21i
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Fhellogvvv.jpg&hash=694ec0d301a01491935bec1a758bf70c6c6f21bc)
Homepage: http://www.helloghost.co.kr/ (http://www.helloghost.co.kr/)
Country: South Korea
Language: Korean
Genre: Comedy
Subtitles: NOT AVAILABLE
Cast: Cha Tae-hyeon, Kang Ye-won, Lee Moon-soo, Ko Chang-seok
Release date in South Korea: 2010/12/22
Director: Kim Yeong-tak
Technical Information:
File Format: AVI
Duration: 01:51:14
Resolution: 720x400
Data Rate: 1632 kbps
Total bit rate: 1824 Kbps
Frame Rate: 23frames/second
Audio Bit Rate: 192kbps
Channels: 2 (Stereo)
Audio Sample Rate: 48kHz
Synopsis:
Sang-man (Cha Tae-hyeon) starts seeing four annoying ghosts after a failed suicide attempt. Carrying out their individual wishes, he finds the pleasures of daily life and forgets about his loneliness and depression. Directed by writer-turned-director Kim Yeong-tak of "Super Family" and "BA:BO."
Korean Movie 헬로우 고스트 (Hello Ghost. 2010) Main Trailer (http://www.youtube.com/watch?v=pbDA7O6owXA#)
Pogledao sam MAN OF VENDETTA Min Ho Wooa. Iako mi se više dojmio od Kim Ji Woonovog I SAW THE DEVIL, ovo je takođe jedan od korejskih osvetničkih filmova koji se vrte u krug utabanim chanwookparkovskim stazama. U ovom slučaju, rekao bih, ipak sve je to urađeno sa mnogo više ubedljivosti i autentičnosti nego kod Kim Ji Woona, ali isto tako ovaj film zahetva zaista mnogo "žanrovskih" podrazumevanja, zaista masu progledavanja kroz prste, da bi ishodište na kraju opet bilo u domenu priče koja nam je dobro poznata.
Ovog puta, kao što smo navikli, imamo duboko traumatizovanog junaka i psihopatu koji je do te mere bestidan, surov i monstruozan da prosto poziva na brutalnu osvetu.
Pozitivac je nekadašnji pastor koji usled nemogućnosti da locira svoju otetu kćer napušta veru, u gestu koji je na nivou stupidnije role Nicolasa Cagea, i postaje trgovac hirurškom opremom, što nažalost, uprkos elementarnoj dramaturškoj kulturi, začuđujuće ne zaigra kasnije i nema značajniju funkciju. Junak pokušava da zaboravi ćerku sa kojom je poslednji kontakt imao pre osam godina kada ga ponovo kontaktira manijak koji ju je oteo i ulazi u novu rundu pregovora oko otkupa.
tada MAN OF VENDETTA ulazi u svoju mešavinu bizarnog i manje bizarnog nasilja, egzistencijalizma i poslovično vešte korejste realizacije, sa dilemama koje su kod Chan Wook Parka pre bezmalo deceniju delovale sveže a sada su već postale gotovo parodično opšte mesto.
Za razliku od Kim Ji Woona koji je u svom filmu sveo priču na ono što je zapravo najmanje važno i najmanje zanimljivo kod Parka, a to je međusobni pritisak i sakaćenje, Min Ho Woo je ipak mnogo taktičniji i on uspeva da manje-više efektno zaigra na kartu zanimljivih ambijenata, socijalnih okolnosti, karakternih idiosinkrazija.
Ono što je suštinski najmanje istražen adut priče jeste zapravo celo pripitomljavanje devojčice od strane otmičara prema kome ona uspeva da razvije neku vrstu stokholmskog sindroma, međutim ta tema je dovoljno dotaknuta da na kraju nije ni mudro ostavljena u off prostoru ni sasvim istražena, i iako u sebi nosi neku istinitost deluje nedorečeno.
MAN OF VENDETTA je film koji međutim ostaje najslabiji upravo u tom domenu religioznosti glavnog junaka. Naime, stanje u kome on postaje osvetoljubih i shvata da ne može više da propoveda ljubav i praštanje može biti ubedljiv motiv, ali on napušta propovedanje ljubavi i praštanja u fazi kada zapravo on nije otkrio sve grešne naslade osvete već dok još uvek očekuje od Nebesa "da nešto preduzmu". To je potpuno devalviralo uvođenje ovog motiva jer još od vremena Charlesa Bronsona, junaci, a naročito filmski men of cloth, nemaju tako infantilan doživljaj vere.
S druge strane, moguće je da smo mi navikli da ovu vrstu filmova gledamo u superiornijem izdanju Chan Wook Parka te da samim tim mi to doživljavamo kao film visoke umetničke vrednosti a ne puku žanrovsku zabavu. U tom smislu, onima koji teskobne korejske filmove o osveti vide kao neki dalekoistočni pandan buddy cop filmovima ovaj film neće biti LETHAL WEAPON ali može stajati kao RED HEAT. Drugi pak, koji od ove vrste korejskog repertoara očekuju neku svežinu i ne nalaze zabavu u beskrajnom recikliranju iste formule, neće bti podjednako zadovoljni.
Otud, jako je teško odavde prioceniti tačno mesto naslova kao što je MAN OF VENDETTA na korejskom repertoaru. A treba ukalkulisati i vankorejske gledaoce kojima ovo može biti uvodni film za osvetnički južnokorejski ciklus, a oni bi mogli jako uživati u njemu. No, u svakom slučaju, gateway drug za adikciju na južnokorejski film pre svega treba da budu Bong Jong Ho i drugi veliki majstori.
Ipak, ovakva inflacija filmova koji recikliraju osvetničku formulu Chan Wookovih filmova otvara jedno drugo pitanje, a to je slika Južne Koreje koja se stiče na osnovu ovih radova i to ne u propagandnom pogledu "slike zemlje koju filmski autori šalju u svet" već upravo iz vizure repertoarske pozicije ovih filmova. Naime, nije Južna Koreja prva zemlja u kojoj je brutalni osvetnički film činio značajan deo repertioarske ponude - setimo se Amerike sedamdesetih - ali isto tako ovo je prva zemlja u kojoj takva zapravo vrlo okoštala formula biva vrlo istrajno tretirana sa najvećim mogućim ambicijama.
Otud zanimljivo je da ovu vrstu filmova korejska publika rado gleda, a reklo bi se da su MAN OF VENDETTA sa 6,5 miliona dolara u Koreji i I SAW THE DEVIL sa 12 bili poprilični hitovi, a imaju mesto i u svetu. Međutim, kao što je delovalo da su parkovi filmovi u sebi imali nešto autentično, tako i ovi filmovi sada imaju u sebi nešto konfekcijsko, skup klišea koji treba da stvore nekakvu emociju i kako se nalaze na pola puta između eksploatacije i art-housea oni podsećaju na neku kao cool varijantu evropskog fondacijskog filma sa kojim dele popriličnu neautentičnost.
* * 1/2 / * * * *
podbacio je taj čovek od osvete. :(
Shikeidai.no.Elevator.2010.DVDRip.x264.AC3-zdzdz
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Japanese Ttle: 死刑台のエレベーター
Alternative: Shikeidai no Elevator
Year: 2010
Country: Japan
Director: Akira Ogata
Screenwrieter: Noel Calef, Roger Nimier, Louis Malle, Kaoruko Kida
Genre: Drama | Thriller
Runtime: 112 min
Language: Japanese
Subtitles: Japanese
IMDB: http://www.imdb.com/title/tt1521237/ (http://www.imdb.com/title/tt1521237/)
Release Date: October 9. 2010
Cast:
* Michiko Kichise - Meiko Temiyako
* Hiroshi Abe - Tokito Takahiko
* Tetsuji Tamayama - Kunie Akagi
* Keiko Kitagawa - Mikayo Matsumoto
* Sei Hiraizumi - Kentarou
* Ryo - Sakuyoshi Nakai
* Takashi Sasano - Toono
* Mami Kumagai - Makiko Onda
* Tetsushi Tanaka - Senichi Izumi
* Keisuke Horibe - Kouichi Kudou
* Marie Machida - Haruka Namiki
* Koichi Ueda - Police Chief Shinkawa
* Masahiko Tsugawa - Takamitsu Temiyako
* Akira Emoto - Souichi Yanagimachi
Synopsis/ Plot:
A phone conversation occurs between a man and a woman. They both state their love for each other and that they will do this so they can be together. The woman is in a hotel room with a view of the port. The man is inside of a parked car with a view of the ocean. A man named Colonel appears and hands the man a box with a loaded gun inside. The Colonel states "its a present from the witch".
The woman's name is Meiko (Michiko Kichise) and she is the young wife of Takamitsu Temiyako (Takamitsu Temiyako) - president of a large medical corporation. The man in the parked car is Dr. Tokito Takahiko (Hiroshi Abe) an employee of the large medical corporation. This evening, Meiko and Tokito will implement their plan to murder Meiko's husband and frame his death as a suicide.
Because of an important government official visiting Japan, the streets of Yokohama have been cordoned off. Meiko's husband will also be alone in his office, allowing for the perfect opportunity for Meiko and Tokito's to implement their plan.
Tokito goes inside his office on the 5th floor and instructs his secretary not to allow any phone calls while he is doing paperwork. He then uses a rope from his balcony to climb to the 6th floor and heads for the bathroom. He goes ahead and completes his mission. While Tokito leaves the office he then becomes trapped in the elevator, which is turned off at 5:30.
Meanwhile, Tokito's Alfa Romeo is stolen by two young people. As Meiko waits for Tokito in a nearby cafe, she sees Tokito's Alfa Romeo drive by, but with a woman in the passenger seat.
The couple that stole Tokito's Alfa Romeo then checks into a villa using Tokito's name. A murder occurs at the villa that is widely reported by the news.
In the morning, the elevator turns back on and Tokito is finally able to leave the office. He is now the prime suspect in a murder he didn't commit. When the police arrive to interview Tokito they soon discover the dead body of the company president ...
Notes:
1. Remake of 1958 French film "Ascenseur pour l'échafaud" ("Elevator to the Gallows" - directed by Louis Malle.
映画『死刑台のエレベーター』予告編 (http://www.youtube.com/watch?v=36WdpZi_NTg#)
A.Night.in.Nude.Salvation.2010.JAP.DVDRip.x264.AC3-zdzdz
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Year: 2010
Country: Japan
Director: Takashi Ishii
Screenwrieter: Takashi Ishii
Genre: Drama, Thriller, Crime
Runtime: 144 min
Language: Japanese
Subtitles: None
IMDB: http://www.imdb.com/title/tt1653916/ (http://www.imdb.com/title/tt1653916/)
Release Date: October 2, 2010
Cast:
* Harumi Inoue - Momo Tanaka
* Machiko Kochi - Chihiro Anzai
* Hiroko Satô - Nami
* Jô Shishido - Naoki Yamagami
* Naoto Takenaka - Jiro Kurenai
* Shinobu Ôtake - Ayumi Kato
* Kanji Tsuda
* Yoshiyuki Yamaguchi
Synopsis/ Plot:
Jiro (Naoto Takenaka) is a man who can do anything for you for a price. Part odd jobs man and part private eye he takes on tasks as simple as clearing out storage lockers to tracking down lost items. That's what he's asked to do by a beautiful young woman (Hiroko Sato) who shows up at his warehouse living space one afternoon. This young woman asks Jiro to help her track down a lost Rolex watch that she says was accidentally thrown out of a helicopter while she was scattering the ashes of her late father. Jiro knows the story isn't true, but he needs the money so he and the young woman begin poking around miles of woodland in the proverbial search for a needle in a haystack. Miraculously Jiro finds the wrist watch, but it looks to be caked in rotting meat. Needy but not stupid Jiro hands the watch over to a sympathetic police woman he knows for analysis. Little does Jiro know that the discovery of this Rolex will lead to another case, one filled with violence, sex and danger, one that will lead him directly into the heart of darkness.
A Night in Nude: Salvation (Nûdo no yoru: ai wa oshiminaku ubau) theatrical trailer (http://www.youtube.com/watch?v=djZYxnzzVoE#ws)
13 Assassins 2010 DVDRip H264-NoGrp
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http://www.imdb.com/title/tt1436045/ (http://www.imdb.com/title/tt1436045/)
Pogledao sam THE MAN FROM NOWHERE Jeong Beom Leeja južnokorejski akcioni triler koji u sebi spaja ono što je dobro i sveže u južnokorejskom pogledu na tradicionalne američke žanrove i ono što je slabost njihovog pristupa tim temama.
Naime, Južna Koreja usled relativnog nedostatka tradicije žanrovskog filma naročito u ovim tipičnim repertoarskim formama u kojima Holivud dominira, poput akcionog trilera još uvek uspeva da tim temama priđe sa izvesnim žarom i nekonvencionalnošću sa kojima Holivud odavno ne samo da im ne prilazi već ih ni ne tretira ozbiljno. Štaviše, čini se da Holivud danas u stvari podjednako pokušava da ponovo pronađe smisao u tim žanrovima ali na drugi način, tretirajući ih postmoderno ili sa nekim dodatnim spinom poput angažovanja reditelja koji nisu specijalisti za to. Otud su holivudski filmovi koji su poslednjih godina uspeli da se nametnu kao standard za tu vrstu filma naslovi poput THE BOURNE SUPREMACY ili RED.
Ostatak strejt ponude, bez nekih naročitih dodataka, Holivud je prosledio na DTV gde tim žanrom suvereno vladaju nekadašnje bioskopske zvezde koje su ga i učinile popularnim.
U Koreji pak, još uvek postoji kapacitet da se bez stida snimi film o nekadašnjem operativcu tamošnje tajne službe koji sada radi kao tihi, usamljeni, vlasnik zalagonice ali spreman je da ponovo stupi u akciju kako bi zaštitio jednu devojčicu čija je mati pošla stranputicom.
Stepen ozbiljnosti sa kojom prilazi ovoj premisi koja je već od opisa lika potpuno seagalovska je impresivan i još da nema ozbiljnog problema koji datira iz ranih dana razvoja ovoga što danas znamo kao korejski repertoarski film a to je užasna derivativnost, a ovde je deriviran LEON, mogli bismo reći da je THE MAN FROM NOWHERE imao potencijal da bude veliko osveženje. Međutim, slično nama poznatom slučaju ČETVRTOG ČOVEKA u kome je sličnost sa Bourneom bila veliki hendikep i znatno degradirala film, ovde je isti slučaj sa LEONom. Doduše, LEON objektivno nije bio toliko skoro da bi stvorio problem kao što je BOURNE ULTIMATUM stvorio ČETVRTOM ČOVEKU kad su izašli praktično u isto vreme, ali u principu u ovo vreme se i u Holivudu kuvalo par filmova sa akcijom i spojem male dece sa herojima poput KICK ASS i sl. Dakle, THE MAN FROM NOWHERE je svoj utisak pokvario oslanjajući se na jedan trenutno eksploatisani koncept.
S druge strane, sasvim je razumljivo da ako pogledamo prilično visok nivo realizacije ovog filma, možemo pretpostaviti da je ova pozajmica više bila namera nego greška, odnosno da je reč o ekipi koja zna šta radi i da su naprosto osetili kako je korejskom filmu potreban film sa takvom karakternom dinamikom.
Drugi problem, ako se to može smatrati problemom a ne lokalnom idiosinkrazijom jeste sam format filma. Naime, THE MAN FROM NOWHERE traje skoro dva sata iako nema previše razloga za to. Znamo da jak akcijaš može bez problema da traje toliko, ali ovaj film prosto ipak nije to i ima dosta praznog hoda, suvišnih karakternih vinjeta, rekao bih čak ustupaka bizarnostima koje se očekuju od korejskog filma, možda i baš od stranaca. Otud su protivnici seagalovskog lika ovde bizarni kriminalci skloni tipičnim chanwookovskim vidovima kriminala poput trgovine organima i sl.
Ako se puka bizarnost i drastičnost chanwookovskog tipa mogu smatrati kao exploitation adut, ono gde THE MAN FROM NOWHERE onda tupi svoju oštricu jeste odricanje od onog što je možda najsnažniji adut korejskog filma o opsesivcima, psihopatama i osvetnicima a to je transformacija "običnog čoveka" u izopačenu mašinu za ubijanje, premda čak i Kim Ji Woon u svom I SAW THE DEVIL nudi glavnog junaka koji je pripadnik službi bezbednosti.
Zanimljiva je otud ta ideološka dimenzija prisutna u THE MAN FROM NOWHERE i I SAW THE DEVIL gde imamo junake iz tajnih službi koji čiste ulice od šljama, što je jeste u izvesnom smislu bilo prisutno kao tema naročito u reakcionarnom američkom exploitationu u post-vijetnamskom periodu sa tipičnim narativom o iscrpljenom ratnom heroju koji je krvario za pogrešnu politiku a onda se vratio kući i zatekao groznu hipokriziju među onima koje je otišao da brani/zastupa. Ne uspevam tačno da prepoznam simptome u južnokorejskom društvu koji bi mogli objasniti to okretanje bezbednjaka prema "unutrašnjem" neprijatelju. Naime, koliko god se južnokorejski film trudio da postojanje Severne Koreje tretira prevashodno kao tragediju grupe ljudi pa tek onda kao neki represivni režim i protivnika, Južna Koreja definitivno ima protivnika koji je za njihove pojmove vrlo prisutan i aktivan i za razliku od Vijetnama nije preko sedam mora i sedam gora. Otud okretanje bezbednjaka unutrašnjem neprijatelju ili ima neko značenje ili je potpuno kopiranje američkog modusa, u kome pak itekako ima značenje. Ne znam, ali pokušaću da saznam.
U triptihu osvetničkih filmova koji čine DEVIL, VENDETTA i NOWHERE, ne naročito kvalitetni VENDETTA mi je ostavio najsnažniji utisak. Ipak, isto tako, NOWHERE i nije tipičan korejski revenge film, već pre akcioni triler koji svoju priču shvata ako ne ozbiljno a ono ambiciozno pa se u tom smislu tu i tamo nadovezuje na korejski revenge film kao legitimisanu "umetničku formu". Kao fan akcionog filma, naravno, radujem se da ih neko tako ozbiljno radi, i u svakom slučaju ovaj film je obavezna lektira za fanove žanra, uprkos svojim, kako već rekoh brojnim i često vrlo ozbiljnim nedostacima.
* * 1/2 / * * * *
još nisam ovo odgledao, ali ako je slabiji od vendette... :(
Toilet.2010.DVDRip.x264.AC3-BAUM
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Toilet (Toiretto)
Director Naoko Ogigami's newest work!!!
Title: Toilet (2010)
Japanese: トイレット
Country: Japan
Language: English
Film Genre: Drama
Director: Naoko Ogigami
Cast: Masako Motai, Alex House, Tatiana Maslany, David Rendall, Sachi Parker
IMDB Link: http://www.imdb.com/title/tt1603933/ (http://www.imdb.com/title/tt1603933/)
Info Link: http://asianmediawiki.com/Toilet_(2010-Japanese_Movie) (http://asianmediawiki.com/Toilet_(2010-Japanese_Movie))
Plot or Synopsis
Ray is a 30 something engineer obsessed with Gundam toys. He has a motto not to become close to anyone. During his mother's funeral he showed no emotions. His life is further turned upside when he is forced to live with his older brother Maury and younger sister Lisa. Older brother Maury was a pianist but is now a recluse. Younger sister Lisa is a college student who tends to look down on those around her. Also in there home is their Japanese grandmother who doesn't speak English at all.
Ray's daily life is at first completely shaken, but soon the siblings and their grandmother form a bond and start to have compassion for one another ..
The Unjust 2010 DVDRip XviD-N3WS
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A.K.A: Unfair Dealings
IMDB LINK: NONE
External Link: http://www.hancinema.net/korean_movie_The_Unjust.php (http://www.hancinema.net/korean_movie_The_Unjust.php)
http://asianmediawiki.com/The_Unjust (http://asianmediawiki.com/The_Unjust)
Cast: Jeong-min Hwang, Seung-beom Ryu, Hae-jin Yu, Ho-jin Jeon
Directed: Ryoo Seung-Wan
Genre: Crime | Thriller
Runtime: 119min
Country: South Korea
Language: Korean
Subtitles: ENGLISH | Korean .idx.sub
Plot:
A serial killer targeting elementary school students is on the loose—and 5 victims means even the president gets involved in the investigation. When the most probable suspect dies in custody and the case looks like it's reached a dead end, high ranking police brass decide to create a killer—and anyone will do. Though Detective CHOI Cheol-gi boasts an incredible number of arrests over his career his rank never showed it. He was framed and demoted for another crime and decides that this is his last chance at professional redemption. He makes a deal with mob boss JANG Seok-gu, who he has been investigating, and together they decide to set up one of the existing suspects as the serial killer. The only hurdle in their plan is public prosecutor JU Yang, who takes on the case. JU himself had been involved in a deal with the boss of a rival criminal organization, and President Kim wants CHOI dismissed from his position. When the secret deals and back alley agreements start to come to light, it only serves to drag CHOI, JU, JANG, and KIM deeper and deeper into a dark hole of questionable ethics and abuse of the law.
Villain.2010.DVDRip.AC3.x264-LooKMaNe
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Movie: Villain
Romaji: Akunin
Japanese: 悪人
Genre: Drama
Director: Sang-il Lee
Writer: Shuichi Yoshida, Sang-il Lee
Producer: Genki Kawamura
Release Date: September 11, 2010
Runtime: 139min
Production Company: Toho
Distributor: Toho
Language: Japanese
Country: Japan
Cast:
Satoshi Tsumabuki, Eri Fukatsu, Masaki Okada, Hikari Mitsushima, Sansei Shiomi
Plot:
Yuichi Shimizu (Satoshi Tsumabuki) is a young man who takes care of his grandparents in a decaying fishing village in Nagasaki. His grandparents raised Yuichi instead of his mother. Yuichi now works as a civil employee. He is a lonely man.
One day, Yuichi meets Yoshino Ishibashi (Hikari Mitsushima) an insurance sales woman from Fukuoka. They first met through an online dating site. Their meeting ends in tragedy with Yuichi murdering Yoshino. Unexpectedly, a rich young university student from Fukuoka, named Keigo Masuo (Masaki Okada) endss up as the prime suspect. Hiding in fear & agony, Yuichi goes on with his daily life.
Then one day, Yuichi receives an email. The email is from Mitsuyo Magome (Eri Fukatsu), a woman from Saga. Yuichi and Mitsuyo exchanged emails in the past after meeting through an online dating site. Mitsuyo currently lives a mundane life, working at a men's clothing store and living with her younger sister. Looking for companionship, Mitsuyo decided to reach out to Yuichi after a lengthy time without correspondence.
The two lonely souls then meet for the first time and throw themselves into a moment of love. By this time, Yuichi is now a wanted criminal and his face appears on the news. Nevertheless, Mitsuyo persuades Yuichi to run away with her and not turn himself in. Running away places heavy burdens on their families as well as the victim's family.
Villain (2010) trailer (http://www.youtube.com/watch?v=VXPMQJInVtE#ws)
Shaolin 2011 DVDRip XviD-CoWRY
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A.K.A: Xīn Shàolín Sì
IMDB LINK: http://www.imdb.com/title/tt1533749/ (http://www.imdb.com/title/tt1533749/)
Cast: Andy Lau Tak-Wah, Nicholas Tse Ting-Fung, Jackie Chan, Fan Bing-Bing, Wu Jing, Xing Yu, Yu Shaoqun
Directed: Benny Chan
Genre: Action | Drama
Runtime: 02:11:06
Country: Hong Kong | China
Language: Mandarin
Subtitles: ENGLISH | CHINESE srt.idx.sub
Plot:
The film is set in Dengfeng, Henan, during the warlord era of early Republican China. The warlord Hou Jie defeats a rival named Huo Long and seizes control of Dengfeng. Huo flees to Shaolin Temple to hide but Hou appears and shoots him. Hou ridicules the Shaolin monks before leaving.
Feeling disadvantageous with his sworn brother, Song Hu, Hou sets a trap for Song in a restaurant, under the guise of agreeing to his daughter's engagement to Song's son. Meanwhile, Hou's deputy, Cao Man, feeling that he was being used by Hou and that he deserves better, decides to betray Hou. Cao sends assassins to murder Hou and his family. Hou manages to fatally wound Song with his handgun, but Song still saves Hou to allow him to escape from the assassin's ambush before succumbing to his injuries. Hou manages to escape together with his daughter, but his daughter was severely injured when a carriage knocked her down while she is fleeing, and worsen when they fall off a cliff. Hou's wife is rescued by some passing-by Shaolin monks, who were stealing rice from the military granary to help the refugees living near the temple. In desperation, Hou brings his daughter to Shaolin, begging the monks to save her life, but it is too late and she dies of her injuries. Hou's wife blames him for the death of their daughter and leaves him. Hou attacks the monks in anger but is quickly subdued.
Bangkok.Knockout.2010.DVDRip.x264.AAC-LP
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A group of martial arts students are enjoying a reunion party when a bomb goes off in the building. When they wake up, some of their friends have been kidnapped and they soon find a group of assassins coming after them. The only way to survive is to fight their way out.
Directed by: Panna Rittikrai
Country: Thailand
Language: Thai
Subtitle: None at the moment.
Year: 2010
Genre: Martial Art, Action
Release Name: Bangkok.Knockout.2010.DVDRip.x264.AAC-LP
Source: DVD5
Cast:
Kietisak Udomnak, Supakson Chaimongkol, Sorapong Chatree, Pimchanok Leuwisetpaibul
Bangkok Knockout long trailer 2010 [Full HD] (http://www.youtube.com/watch?v=p1GYw-3mPME#ws)
Gravitys Clown 2009 DVDRip XviD-FiCO
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A.K.A: A Pierrot | Jûryoku piero
IMDB LINK: http://www.imdb.com/title/tt1427241/ (http://www.imdb.com/title/tt1427241/)
External Link: http://moviereviewsquare.blogspot.com/2009/06/gravitys-clowns-2009.html (http://moviereviewsquare.blogspot.com/2009/06/gravitys-clowns-2009.html)
Cast: Ryo Kase,Masaki Okada,Fumiyo Kohinata,Kyoka Suzuki,Yuriko Yoshtaka,Yoshinori Okada,Atsuro Watabe
Directed: Junichi Mori
Genre: Drama,Mystery
Runtime: 119 minutes
Country: Japan
Language: Japanese
Subtitles: ENGLISH .idx.sub
Plot:
Directed by Mori Junichi (Laundry), A Pierrot (a.k.a. Gravity's Clowns) breaks down the modern family through an emotionally haunting suspense drama. Based on a novel by Isaka Kotaro whose Accuracy of Death was also recently adapted for the big screen, A Pierrot revolves around a family of four with a complicated past that brews mystery and trouble in the present. Kase Ryo (I Just Didn't Do It) and Okada Masaki (Halfway) form the core of the film as brothers who may be more different than anyone expected, while Kohinata Fumiyo and Suzuki Kyoka play the parents. Also co-starring Yoshitaka Yuriko (Snakes and Earrings) and Okada Yoshinori (Kisarazu Cat's Eye), A Pierrot explores the role of genetics in determining families and individuals as well as the nature versus nurture debate, giving the film's unsettling mystery an intriguing and affecting spin.
On the outset, the Okunos seem like a normal happy family with father Tadashi (Kohinata Fumiyo), mother Rieko (Suzuki Kyoka), and their two bright sons, genetics researcher Izumi (Kase Ryo) and artsy Haru (Okada Masaki). When a series of arson attacks strike the neighborhood, clues left at the crime scenes all seem to be somehow related to the Okunos. Izumi tries to get to the bottom of mystery, slowly unveiling a tragic family secret that has come back to haunt them.
The.Kidnap.2010.CHINESE.DVDRip.XviD-WZW
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Other titles : 绑架冰激凌 (HK Title)
Bang Jia Bing Ji Ling (HK Title)
Year: 2010
Genre: Comedy / Crime
Runtime: 1h 30min.
Country: China
Language: Speaking (Mandarin)
Subtitles: CHS (En SUBBED)
Ripper: WZW
More info at: Hkcinemagic, hkmdb,
Source: Movie Released
Director: Kris Gu Yu
Cast:
Gang Wu
Chapman To
Xing Sun
Meitong Zhao
Ying Qu
Yiqian Ye
Feier Li
Liu Lei
Qing Su
Wenlin Wang
Yuan Lin
Synopsis/Plot:
Amazing movie!
電影《绑架冰激凌》 预告片 (http://www.youtube.com/watch?v=ohGoa5qID3Q#)
Quote from: Shozo Hirono on 20-04-2011, 17:13:09Bangkok.Knockout.2010.DVDRip.x264.AAC-LP
AAAARGH!!!! :| :| :| :| Javi kad bude titlova!!!
Partners.2010.DVDRip.XviD-KeRO
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Also Known As:
Pâtonâzu パートナーズ (Japanese Title)
Year: 2010
Country: Japan
Director: Masaru Shimomura
Genre: Drama
Runtime: 119 min
Language: Japanese
Subtitles: English, Japanese
IMDB: http://www.imdb.com/title/tt1759727/ (http://www.imdb.com/title/tt1759727/)
Theatrical Premiere Date: 11/06/2010
Cast: Yosuke Asari, Chihiro Otsuka, Takehiro Murata, Maiko Kawakami, Risa Kondo, Mami Kumagai, Isao Natsuyagi, Toshie Negishi
Synopsis/ Plot
19-year-old freeter (a Japanese expression for people between the ages of 15 and 34 who lack full time employment or are unemployed, excluding housewives and students.) Tsuyoshi Osanai (Yosuke Asari) enters a school for guide dog trainers. After 2 years of training, Tsuyoshi becomes an assistant trainer. His first dog to train is Chie. Chie was separated from his mother 2 months after birth and then lived with the Hasegawa family. Chie lived there for 10 months and then was sent to the dog training school.
Tsuyoshi tries to train Chie as a guide dog, but it does not work well. Tsuyoshi then talks to Miwa (Risa Kondo), the 10-year-old daughter of the Hasegawa family. Miwa is especially close to Chie and tells Tsuyoshi the only thing she did with Chie was love the dog.
One day, in front of Tsuyoshi and Chie, a rock singer named Makoto appears. Makoto has become blind from a accident. Since losing her sight, Makoto has closed her mind to the world. Now, Tsuyoshi and Chie try to to open her mind, but an accident happens to Chie ...
映画『パートナーズ』予告編 (http://www.youtube.com/watch?v=7AuoJ0lLgpY#ws)
The Rabbit And The Lizard 2009 DVDRip XviD-N3WS
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A.K.A: Maybe | Tokkiwa rijeodeu
IMDB LINK: http://www.imdb.com/title/tt1517218/ (http://www.imdb.com/title/tt1517218/)
Cast: Seong Yoo-ri, Jang Hyeok, Lee Jang-hyeon, Kang San, Ahn Seo-hyeon, Kang Min-ho
Directed: Jihong Ju
Genre: Romance | Drama
Runtime: 102 Mins
Country: South Korea
Language: Korean
Subtitles: ENGLISH | KOREAN .idx.sub
Plot:
"Maybe" is a love story / road movie about a man who suffers from a rare heart disease and a woman who's searching for her past using the scar on her shoulder.
May (Seong Yoo-ri, singer from the group FINKL making her Motion Picture debut) is a Korean-American adoptee who returns to South Korea after 23 years. She carries a scar on her shoulder 13 cm. long that looks like a lizard. More than anything she wants to find her identity. Eun-seol (Jang Hyuk) is a taxi cab driver suffering from a rare heart disease. He waits for his death at any moment.
Girls Zombie.2011.DVDRip.AC3.x264-LooKMaNe
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Movie: Girls Zombie
Japanese: ガールズ ゾンビ
Genre: Horror/Erotic
Director: Masahiro Aso
Release Date: 2011
Runtime: 88 min.
Language: Japanese
Country: Japan
Cast:
Laura Aoyama / Ichiro Nishikoshi / Yu Minami / Ryuhei Kawana / Ken-ichi Takada
Plot:
Maki and her underling yakuza boyfriend, Akio, have a dream to live together by stealing the money from the black marketing Akio's group has engaged in. All goes according to plan until Akio dies when one of his partners in crime, Kenji, betrays him. Left alone, Maki is caught by the group and taken to the place where the money's hidden, which unbeknownst to them is a forest full of zombies, buried alive.
Wandering.Home.2010.DVDRip.XviD-KeRO
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Also Known As:
Yoi Ga Sametara, Uchi Ni Kaerô 酔いがさめたら、うちに帰ろう (Japanese Title)
Year: 2010
Country: Japan
Director: Yôichi Higashi
Genre: Drama
Runtime: 118 min
Language: Japanese
Subtitles: English, Japanese
IMDB: http://www.imdb.com/title/tt1566645/ (http://www.imdb.com/title/tt1566645/)
World Premiere Date: 10/23/2010 (Tokyo Int'l Film Fest)
Theatrical Premiere Date: 12/04/2010
Cast: Tadanobu Asano, Hiromi Nagasaku, Yosuke Fujioka, Kurea Mori, Yoshiko Kayama, Mikako Ichikawa, Go Riju, Masahiro Komoto, Makiko Watanabe
Synopsis/ Plot
War photojournalist Yasuyuki Tsukahara (Tadanobu Asano) married popular manga artist Yuki Sonoda (Hiromi Nagasaku) and had children. Because of Yasayuki's drinking problems the couple divorced.
Yasuyuki is now coughing up blood, hospitalized, and violent. Even with all of these problems Yasuyuki can't give up drinking alcohol. His family gets tired. Yasuyuki is then hospitalized in an alcoholic ward. There he finds comfort living with other patients and having conversations with doctors. With the help of his family, Yasuyuki recovers mentally and physically, but his body has already paid a heavy toll ...
"Wandering Home" is a fictionalized account of war photojournalist Yutaka Kamoshida and his ex-wife Rieko Saibara (award winning manga artist).
映画『酔いがさめたら、うちに帰ろう。』予告編 (http://www.youtube.com/watch?v=6JRsWTpekNE#)
Najzad se pojavio jedan od filmova koje sam očekivao sa najvećom pažnjom, ELEPHANT WHITE Prachye Pinkaewa. Računao sam da će debi ovog reditelja profilisan za zapadno tržište omogućiti da se on malo uozbilji upravo na nivou vođenja priče i efikasnosti. I zbilja, u ovom filmu Pinkaew bolje vodi priču nego inače, film je jasan i efikasan, podela koju predvodi Djimon Hounsou je vrhunska i dobro postavljena. Pinkaew sa samo dva glumca van Tajlanda uspeva da postigne dobar rezultat s tim što je Kevin Bacon nedovoljno iskorišćen i uključen u seriju zapravo repetitivnih scena.
Dakle, zapadni producenti i standardi su pomogli Pinkaewu da bolje savlada ono što je najvažnije u pravljenju filma a to je kako se vodi priča. Međutim, ono čega nema, to su akcione scene po kojima su se proslavili on i Panna Rittikrai. Odnosno, akcije zapravo ima dosta, u odnosu na minutažu čak i više nego u tipičnom Prachyinom filmu. Međutim, Djimonova specijalnost je pucanje i to naročito iz snajperskih pušaka tako da je on mahom daleko od svojih protivnika i tuča, a tuča - radi kojih smo se svi okupili, ima prilično malo, gotovo zanemarljivo u odnosu na Prachyine filmove. Na špici čak i nema Panne i čini se da je Prachya ovde više pokušao da se showcaseuje kao klasični reditelj akcionih filmova, bez akcenta na onome po čemu je prepoznatljiv što je zbunjujuće, mada se možda može objasniti time što Djimon, koliko god da je fizički spreman ipak nije Tony Jaa i moguće je da sa njim nisu mogle da se realizuju te borbe.
U svakom slučaju, Pinkaew se neće baš daleko probiti sa ovim filmom jer nije pružio ono što ume i što se od njega očekuje kao od svojevrsnog inovatora u akcionom žanru. Ovakav kakav je, ELEPHANT WHITE je vrlo solidan DTV, sa odličnom zvezdom u glavnoj ulozi i potencijalom koji nikada ne ispuni. Ipak, bilo bi lepo da ako se Pinkaew ikada vrati svojim akcionim obeležjima sa sobom ponese i pripovedačku disciplinu kojoj se naučio ovde.
* * 1/2 / * * * *
The.Showdown.2011.DVDRip.XviD.AC3-ARJ
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Set in 1619 in Manchuria China, three Korean soldiers survive a deadly battle between Chinese and Korean forces. The soldiers were coerced to come to China by the Ming Dynasty. The soldiers carry scars from the battlefield and their own pasts. Between these three men an even deadlier battle is soon to take place as they fight for their lives. Meanwhile, the Korean soldiers are getting closer to the tavern.
Directed by: Park Hoon-Jung
Country: South Korea
Language: Korean
Subtitle: English | Korean
Year: 2011
Genre: Action / Historical / War
Cast: Park Hee-Soon,Jin Goo,Ko Chang-Seok,Kim Kap-Soo,Jang Hee-Jin,Jeon Kuk-Hwan,Choi Il-Hwa
Edge Of The Empire 2010 DVDRip X264 AC3
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Othere: Kon Tai Ting Pandin
Release Date: April 28, 2010
Director: Nirattisai Kaljareuk
Genre: Action, Drama
Duration: 1hr 30mins
Subtitles: english
Actors:
Alisa Sontirod
Arnut Rapanit
Dilok Thongwattana
Kanta Kaljareuk
Sara Leigh
Tan Tanakorn
Youngturk Kaljareuk
Plot:
The film inspired by Thai historical heroes who sacrificed to fight against the invasion of
intruders and sought for the freedom of the country. Set in southern Mongolia over 1,000 years ago,
a small tribe called Tai was a colony under the power of the Great Han who enslaved them.
Oppressed by the Han, the Tai united, to strike back for their freedom, justice and country.
HD Trailer for Thai film "Edge of the Empire" - Kon Thai Ting Pan Din with English subs (http://www.youtube.com/watch?v=fR46pXGkXzc#ws)
Caterpillar (Koji Wakamatsu 2010)
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Movie Info:
Title: Caterpillar
Original Title: Kyatapira
Country: Japan
Year: 2010
Genre: Drama
Director & Producer: Koji Wakamatsu
Writers: Hisako Kurosawa & Masao Adachi
Original Story: Edogawa Rampo
Cast: Shinobu Terajima, Keigo Kasuya, Emi Masuda...
Production: Wakamatsu Productions
Runtime: 85 min.
Audio: Japanese
Subtitles: None
IMDB: http://www.imdb.com/title/tt1508290/ (http://www.imdb.com/title/tt1508290/)
Plot:
During the Second Sino-Japanese War, in 1940, Lieutenant Kurokawa returns home as a honoured and decorated soldier... but deprived of his arms and legs lost in battle in mainland China. All hopes, from the villagemen and women to close family members, turn to Shigeko, the Lieutenant's wife: she must honour the Emperor and the contry in setting an example for all by fulfilling her duty and taking care of the 'god soldier'...
The Unbroken 2009 DVDRip XviD-WRD
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A.K.A: The Sun That Doesn't Set | Shizumanu taiyô
IMDB LINK: http://www.imdb.com/title/tt1337125/ (http://www.imdb.com/title/tt1337125/)
http://asianmediawiki.com/The_Unbroken (http://asianmediawiki.com/The_Unbroken)
Cast: Ken Watanabe, Erika Toda, Teruyuki Kagawa, Misa Shimizu, Shun Sugata
Directed: Setsurô Wakamatsu
Genre: Drama
Runtime: 192 Mins
Country: Japan
Language: Japanese
Subtitles: English/Chinese/Japanese .idx.sub
Plot:
Hajime Onchi (Ken Watanabe) works for Goku Airlines. He becomes the head of the labor union and fights to improve working conditions for the workers. The corporate bosses at Goku Airlines doesn't take kindly to Hajime's efforts and soon banishes him to distant work locations. Hajime spends the next ten years working in branch offices located in Pakistan, Iran, and Kenya. His corporate bosses offer to bring him back to Japan if he would leave the union and apologize for his actions. Hajime refuses.
Meanwhile, his fellow labor union partner, Shiro Gyoten (Tomokazu Miura), has long sold out to management and is climbing the ranks in the corporate office. Hajime feels betrayed by his co-worker, but stoically works in Kenya with nothing much else to do except watch the sun.
Finally, after 10 years in exile, Hajime is ordered back to the head office in Japan. But everything is not roses on his return. His co-workers like Kazuo Yagi (Teruyuki Kagawa) are bullied for their labor union actions, while sellouts like Shiro Gyoten are rapidly ascending the corporate ladder. Hajime's new job is a difficult one as well. The worst airline accident in Japanese history then occurs. A Goku jumbo jet crashes and kills hundreds of passengers. Hajime is assigned to console the victim's families and provide restitution to those families
Yankee.Lady.2011.JAP.DVDRip.x264-zdzdz
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Japanese Ttle: ヤンキーお嬢様
Alternative: Yankee Ojyou-sama
Year: 2011
Country: Japan
Director: Wataru Oku
Screenwrieter:
Genre: Erotica
Runtime: 75 min
Language: Japanese
Subtitles: None
IMDB:
Release Date: April 6, 2011
Cast:
* Saotome Rui
* Miyamoto Mayumi
Synopsis/ Plot:
The story of an yankee leader, finding her love.
Yankee Lady - ヤンキーお嬢様 (2011) Trailer (http://www.youtube.com/watch?v=2qKOFzDQOEA#ws)
Glove.2011.DVDRip.XviD-Numberone
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Kim Sang-nam (Jeong Jae-yeong), a hot-tempered former professional baseball player, is sent to the countryside to coach a team of hearing-impaired players in order to avoid media coverage of his recent involvement in an assault case.
At first, Kim has a difficult time imagining how he can teach baseball to a group of boys who can't hear, but as he spends time with them he starts to believe that they can play the game.
Motivated, Kim decides to help them prepare for the nationals.
But things don't go the way Kim plans and their difficulties communicating with one another exacerbates the situation.
Kang, who is known for action and crime thrillers such as "Silmido" (2003) and "Public Enemy" (2002), said in a recent interview that he wanted to make a film that would make him happy during the production process.
Jeong won Best Actor for his performance in "Moss" (2010), which was also directed by Kang, at the 31st Blue Dragon Film Awards in November.
Also Known As: 글러브 (Geu-leo-beu)
Directed by: Kang Woo-seok (강우석)
Country: South Korea
Language: Korean
Subtitle: English : Korean
Year: 2011
Genre: Drama
Cast:
Jeong Jae-yeong
Yoo Seon
Kang Shin-il
Jo Jin-woong
Kim Mi-kyeong
Young.Black.Jack.2011.JAP.HDTVRip-Unknown
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Hmomepage: http://www.ntv.co.jp/ybj/ (http://www.ntv.co.jp/ybj/)
TV Movie: Young Black Jack
Romaji: Yangu Burakku Jakku
Japanese: ヤング ブラック・ジャック
Country: Japan
Language: Japanese
Release date in Japan: April 23, 2011
Genre: Drama
Subtitles: ENGLISH SRT, Chinese Hardsubbed
Cast: Masaki Okada,Riisa Naka,Yukiyoshi Ozawa,Kento Kaku,Haru,Takeo Nakahara,Misako Konno,Naho Toda,Masachika Ichimura,Roi Hayashi,Hirotaro Honda, Shinji Matsubayashi
Director: Kentaro Otani
Synopsis:
The drama will be an original story about the past of the brilliant mercenary doctor Black Jack, during his days as a medical student. In particular, the story will address questions such as why Black Jack does not have a medical license, why he seeks such expensive fees for his services, and how he is connected to his fateful rival Dr. Kiriko.
On Christmas day, a bomb explodes in a shopping mall. The explosion was perpetrated by a serial bomber. A 9-year-old boy Kuro Hazama and his mother Mitsuko (Naho Toda) are seriously and transfered to a university hospital.
With the elite skills of surgeon Dr. Jontaro Honma (Masachika Ichimura), Kuro survives, but is shocked to learn his mother is in a coma. Dr. Honma tells Tokio that when medical science advances, Michiko might one day awake. Tokio decides then to become a doctor.
15 years later, 24-year-old Kuro is a medical student and his mother is still in a coma. Kuro researches ways to awaken his mother. One day, on the street a medical student named Yuna (Riisa Naka) is about to give aid to a woman whose heart has suddenly stopped. But at that time, Kuro tells Yuna that there is a measure which should be done before giving cardiac aid. With Kuro's advice, the woman's life is saved. Meanwhile, Yuna's father is the chief director at the university hospital. A few days later, Tokio and Yuna meet again. Yuna (whose father is the chief director at the university hospital) has become interested in Kuro. She discovers that Kuro, without a license, treats patients who were rejected from the hospital ...
Young Black Jack 2011 trailer (http://www.youtube.com/watch?v=h9CgVhwAHqg#ws)
A detective comes across a paper-maker who may or may not be a renegade mass murder in director Peter Ho-sun Chan's latest film, to be released in the U.S. under the title "Dragon."
CANNES -- Bursting with light and color, and a torrent of martial arts action both swift and savage (arguably the best that lead actor Donnie Yen has choreographed for years), Wu Xia is coherently developed and stylishly directed by Peter Ho-Sun Chan to provide unashamedly pleasurable popular entertainment. Wu Xia created buzz before its premiere with acquisition by The Weinstein Company, which will release the title stateside as Dragon. Almost as picturesque as Crouching Tiger, Hidden Dragon, the film has a chance of expanding overseas audience base beyond Asian genre ghettos.
Related Topics
•Cannes Film Festival Revi...
•Cannes Film Festival
Set in 1917, on the cusp of China's transition from monarchy to republic, Wu Xia depicts the internal moral struggles of a detective and a paper-maker who may be a renegade mass murderer. Unfolding like a noir mystery in which Colombo meets CSI. It represents Chan's ambition to bridge the gap between Chinese and international tastes by giving a modern spin to the genre, while paying homage to the golden age of Hong Kong martial arts films through the special appearances of legendary action star Jimmy Wang Yu and Kara Hui.
Donnie Yen plays the said paper-maker Liu Jinxi, who has settled in an idyllic, hospitable village in Yunnan for ten years after marrying single mother Ayu (Tang Wei). The peaceful life of his family of four is disturbed when he accidentally kills two robbers who threaten his paper workshop. The incident has detective Xu Baijiu (Takeshi Kaneshiro) sniffing in his backyard. Xu is convinced that Liu's real identity is Tang Long, a runaway member of the 72 Demons, a dwindling clan of Tanguts (former rulers of China's neighboring Xixia kingdom) for whom rape, pillage and massacre are a way of life.
What makes the exposition novel in the genre is the attempt to peel away layers of oriental mystique surrounding martial arts through Xu's quasi-scientific or homeopathic theories of investigation, such as forensic science, physics, acupuncture and qigong, which also adds an endearingly nerdy side to his character. However, the CG-rendered charts of human anatomy are used too frequently until they interfere with the flow of action.
As a self-conscious homage to the brawny, starkly violent martial arts films of which Chang Cheh's classic One Armed Swordsman series (starring Jimmy Wang Yu) is exemplary, Yen's devises close-contact combats with a graphic, muscular, vicious style that aims to kill with a single strike. The three act structure each showcases a climactic combat in distinctly different styles. Liu's fight with a female Tangut (Kara Hui) is the most inventive, as it takes place in an ox pen where they have to skirt nimbly, yet dangerously around a stampede of buffalos.
After going through the motions in a recent string of dramatically unsatisfactory works, Yen and Tang both return to acting form, emoting in a quietly stirring manner. Aubrey Lam's subtle and understated script not only affectingly depict the pure but steadfast bonds of a simple family, but capture the neurosis of both Liu and Ayu, who separately grapple with their scarred pasts and fear that happiness is transient. The most fascinating character, however, turns out to be Xu, for whom the investigation becomes a personal moral and intellectual quest, in which he weighs the impartial efficacy of law against natural human compunctions of remorse and compassion. He too has to exorcize demons from the past, thus deepening the theme of redemption, which applies to Xu as well as to Liu.
Jake Pollock's luscious widescreen cinematography adds a dash of fairytale color to the moist, glossy rolling hills, meadows and bamboo bushes of the ethnically-rich Yunnan countryside. While hard rock score of Peter Kam and Chan Kwong Wing (the composing duo of Bodyguards and Assassins, produced by Chan) tends to be too relentlessly energetic at times, sound is used expertly for maximum threatening effect, especially in the presence of the chief of the 13 Demons (Jimmy Wang Yu).
Venue: Cannes Film Festival, Out of Competition
Sales: WE Distribution
Production companies: The Weinstein Company, UGC, WE Distribution presents a WE Pictures production.
Cast: Donnie Yen, Takeshi Kaneshiro, Tang Wei, Jimmy Wang Yu, Kara Hui
Director-producer: Peter Ho-Sun Chan
Producer: Jojo Hui
Screenwriter: Aubrey Lam
Director of photography: Jake Pollock, Lai Yiu-Fai
Production designer: Yee Chung Man
Music: Chan Kwong-Wing, Peter Kam
Costume designer: Dora Ng
No rating, 110 minutes
Kim Ki-duk's one-man show examines why he is now at an impasse after creating 15 internationally distributed and awarded films.
The glorious agony of struggling directors is a theme that's been around for as long as filmmaking itself. Kim Ki-duk's Arirang explores the reasons and emotions behind his three-year hiatus like a no-tech documentary answer to Fellini's 8 1/2. A one-man production in which Kim engages in deep conversation with himself, his shadow, recorded images of himself and excerpts of his screen performances, it is so navel-gazing it makes Takeshi Kitano's Takeshis and Glory to the Filmmaker seem positively self-effacing.
Related Topics
•Cannes Film Festival
•Cannes Film Festival Revi...
Never a reliable commercial bet, this will be Kim's least theatrically saleable work. The sour, malcontent attitude may be his devious way of playing up his bad-boy image to the cine-literati, but there's precious little with which even an arthouse-inclined audience can identify with.
Kim begins with self-examination of why, after making 15 films that were internationally distributed and awarded, he has reached an impasse. He initially attributes it to trauma from an accident on the set of his last film, Dream, but gradually, it transpires that what's holding him back is not creative block but financial.
In a swearing session delivered with machine gun speed and aggressiveness, he rants and riles at moviegoers, investors, protégés who in some way or other betrayed him. It culminates in a wish-fulfillment revenge spree that is funny for its anti-production-value statement.
Snippets of his hermitic mountain life become welcome diversions. As if he's getting in touch with the primal instincts that characterize his protagonists, he camps in a tent inside a hut, makes simple meals and has fun with self-reassembled espresso and drip coffee machines. His primitive yet meticulous and creative handiworks reveal more about his unique style as a filmmaker, than the self-indulgent shots of his handwritten scripts, posters of his films and his oil paintings.
Kim also provides the score by belting out Arirang in a coarse but plaintive voice. This most famous of Korean folksongs expresses an abandoned woman's feelings: She misses her lover even as she curses him. Although it's obvious Kim identifies with her bitter lament, there is a tinge of pathos when he says "I miss all the film festivals I've been to." The subtext being: he really misses filmmaking itself.
Filmed using a Mark II digital camera, Kim arranges the shots to make his monologues look like dialogues between — or commentaries on — two or three personas. Although sometimes the edits and compositions look casual, the overall technique is professional.
CANNES -- The push by Hollywood studios to make local-language movies and profit from the gold rush in booming international territories has reached the Cannes Film Festival, where two titles playing in Un Certain Regard are from Fox International Productions.
our editor recommends
Miss Bala: Cannes Review
Related Topics
•Cannes Film Festival
Sanford Panitch launched FIP three years ago with the goal of making commercial films in territories including India, Japan, China, Germany, Spain, Brazil, Korea, Argentina and Mexico. The idea that some of those titles are now hitting the major festival circuit is icing on the cake for Panitch and his team, which includes Rebecca Kearey, who was recently promoted to executive vp marketing and distribution for Fox International after a long stint at Fox Searchlight.
Miss Bala, a drama about a young woman thrust in the center of the Mexican drug wars, drew strong reviews when premiering here last week. Gerardo Naranjo directed the film, which stars Stephanie Sigman. Fox International is planning an early September release in Mexico, and is also mulling a limited U.S. run.
Korean film The Yellow Sea, directed by Na Hong-Jin, debuts Wednesday night on the Croisette. The thriller tells the story of a cab driver living in Yanbian province, a region between North Korea, China and Russia, whose wife goes missing in Korea. His life spirals downhill, until a hit man approaches him with a plan that will reunite him with his wife and resolve his gambling debt, but the plan goes horribly wrong.
Yellow Sea is already a box office hit in South Korea, grossing $17 million (the movie was made for $7 million).
"There has never been a Korean movie produced and distributed by a Hollywood studio," said Panitch, adding that he's signed a development deal with Hong-Jin.
It was Panitch who sought out Hong-Jin two years ago after noticing that the director's film Chaser was beating Fox's Jumper at the Korean box office.
On the eve of Cannes, 20th Century Fox Home Entertainment announced the formation of Fox World Cinema, which will work in tandem with Panitch's division and make festival titles like Yellow Sea available in the U.S. on DVD, VOD and digital download.
In addition to Yellow Sea, Fox World Cinema's initial slate includes Chinese film The Butcher, The Chef and The Swordsman, Indian film Dum Maaro Dum and Vallanzasca: Angel of Evil.
"Fox has always championed films that transcend language and social differences," Panitch said in announcing the new venture. "In recent years, American audiences have embraces successful foreign films such as Pan's Labyrinth and The Girl With the Dragon Tattoo. The universal themes represented with Fox World Cinema will be appreciated by film lovers everywhere."
Trailer de Life Without Principle (http://www.youtube.com/watch?v=clhuQ53LuMc#)
Pogledao sam dokumentarni film KIMJONGILIA N.C. Heikin. Reč je o tendencioznom pamfletu protiv Dragog vođe Kim Jong Ila u kome su intervjuisani ljudi iz kampova za prinudni rad u Severnoj Koreji. Umesto da cene činjenicu da se neko toliko sistematski pozabavio time da ih natera da rade, oni pljuju po svemu onome što Kim Jong Il pokušava da produži kao zaostavštinu svog oca Velikog vođe Kim Il Sunga.
Film se iscrpljuje u ispovestima logoraša, i samo u određenim segmentima uspeva da zahvati širu sliku života u Severnoj Koreji što je nedovoljno. Čak i kao prikaz Kim Jong Ilovih metoda održavanja socijalizma koje sporadično podrazumevaju i teror, ovaj film je mogao biti i bogatiji pošto na kraju ceo njihov sistem vladavine svodi na jednu od humanitarnih katastrofa, bez šireg pogleda na okolnosti.
Otud je KIMJONGILIA previše paušalan da bi mogao tako olako poneti ime ovog cveta napravljenog da simbolizuje Dragog vođu. Čak i kao pamflet morao je biti raznovrsniji i na kraju pre svega ostavlja utisak promotivnog filma koji ukazuje na problem severnokorejskih logoraša.
* * / * * * *
Pogledao sam HANYO Sang-soo Ima, rimejk Kim Ki-youngovog klasika iz šezdesetih. Reč je o vrlo zanimljivom, dosta senzacionalističkom, pri kraju idejno konfuznom, ali u osnovi vrlo efektnom spoju melodrame i trilera, priči o ljubavnom trouglu koji podstiče izvesne vidove nasilja. HANYO je očigledno jedan od južnokorejskih filmova pravljenih za izvoz ali srećom ne ulazi u ovaj manir revenge filma i ne obezvređuje se kada koketira sa nekim od tih elemenata.
Im je snimio pre svega jedan elegantan film, sa dobrim ritmom u kom uspeva da sačuva specifičnost korejskog poimanja vremena i komunikativnost sa zapadnom publikom. Isto važi i za glumačku podelu koja je izrazito user friendly za zapadne gledaoce.
Ono što se javlja kao osnovni problem, to je izvesna ispraznost u psihološkom smislu koju Im pokušava da pokrije senzacijama i u tome uspeva. On dobro postavlja priču, ali je onda pred sam kraj ne dovodi do ubedljivog i sadržajnog psihološkog razrešenja i time film silom gura u žanrovsi geto nudeći senzacionalističko rešenje bazirano na nasilju i podrazumevanjima. To ne dovodi do prevelikog disbalansa na nivou celine ali pokazuje da je HANYO u izvesnom smislu, uprkos veštini realizacije i jedna izgubljena prilika. Srećom, u ovim okolnostima, HANYO ima sasvim dovoljno kvaliteta da mu čak i tako fundamentane mane ne budu prevelika prepreka.
No Doubt.2010.DVDRip.XviD.AC3-theonlyh
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A.K.A: Dol-i-kil Soo Eobs-neun
IMDB LINK: NONE
External Link: http://www.hancinema.net/korean_movie_No_Doubt.php (http://www.hancinema.net/korean_movie_No_Doubt.php)
Cast: Lee Jeong-jin, Kim Tae-woo, Jeong In-gi, Kim Chang-sook, Lim Seong-eon
Directed: Park Soo-yeong
Genre: Mystery | Thriller
Runtime: 1h 27mn
Country: South Korea
Language: Korean
Subtitles: ENGLISH | Korean .idx.sub
Plot:
A family moves into the suburbs of Gyunggi-do. A while later a girl named Mi-rim goes missing and chaos takes over the village. Mi-rim's father searches for his daughter and while visiting the police station he stumbles upon a criminal record from one of the family members that just moved. Mi-rim's father and the villagers threaten and pacify Sejin and his family.
The film follows the genre conventions of a thriller yet it also contains people's prejudices and oppression. Sejin's past record as a convict rids him of his individuality and his sister is on the brink of losing her job as a kindergarten teacher. The film questions what is true violence. The result, violence does not just include person to person, but can be silent brought on by a community that leads to a sacrifice of an individual. Such is the typical mechanism, murdering individuality through the violence of a group. (LEE Sang-yong)
jer ima neko ideju gde ovo ima da se skine?
SCHOOL OF THE HOLY BEAST (1974) - Trailer (http://www.youtube.com/watch?v=SG7T4bfcFTI#ws)
Quote from: agota on 10-06-2011, 21:00:46
jer ima neko ideju gde ovo ima da se skine?
http://www.fileserve.com/file/GNGPgyRDjeluje zanimljivo, a ima i srpski titl.
Toooooo,hvala srce xremyb :D
od režisera koji nam je dao Chaser-a
http://ljudska_splacina.com/2011/06/yellow-sea-2011.html (http://ljudska_splacina.com/2011/06/yellow-sea-2011.html)
ima po torentima
Let.The.Bullets.Fly.2010.DVDRip.XviD.AC3-nLiBRA
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AKA : Let The Bullets Fly / 让子弹飞 / 讓子彈飛
Year: 2010
Country : China | Hong Kong
Language : Mandarin
Subtitle(s) : Cht / Eng (idx+sub)
Film Genre : Action | Comedy
IMDB : 7.9/10 (1,074 votes)
Links : http://www.imdb.com/title/tt1533117/ (http://www.imdb.com/title/tt1533117/)
Theatrical Premiere Date: 2010-12-16
Directed By : Wen Jiang
Starring : Wen Jiang, You Ge, Yun-Fat Chow, Fan Liao, Bing Shao, Kun Chen, Jun Hu, Carina Lau,....
Plot/Synopsis :
Set in China during the warring 1920s, notorious bandit chief Zhang descends upon a remote provincial town posing as its new mayor, an identity that he had hijacked from Old Tang, himself a small-time imposter. Hell-bent on making a fast buck, Zhang soon meets his match in the tyrannical local gentry Huang as a deadly battle of wit and brutality ensues.
《让子弹飞》最终版预告片 (http://www.youtube.com/watch?v=RRSdgzS_OOQ#ws)
Villain and Widow.2010.DVDRip.AC3.XviD-LooKMaNe
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AKA: Villain on the Second Floor
Revised romanization: Yicheungui Akdang
Hangul: 이층의 악당
Genre: Comedy, Thriller
Director: Son Jae-Gon
Writer: Son Jae-Gon
Producer: Kim Mi-Hee, Choi Sun-Mi, Choi Pyeong-Ho
Cinematographer: Choi Sang-Ho
Release Date: November 25, 2010
Runtime: 115 min.
Distributor: SidusFNH
Language: Korean
Country: South Korea
Cast:
Han Seok-Kyu (한석규) As Chang-in (창인)
Kim Hye-soo (김혜수) As Yeon-joo (연주)
Ji Woo (지우) As Ham Seong-ah (함성아)
Kim Gi-cheon (김기천) As Seong-sik (성식)
Plot:
Widow Hyun Joo (Kim Hye Su) is worn down by her monotonous life dealing with her grumpy teen daughter Sang Ah (Ji Woo) and piling debt. To help pay the bills, she rents out the second floor of her home to Chang In (Han Suk Kyu), who claims to be a writer but clearly has other reasons for moving in. Hyun Joo and Sang Ah are too engrossed with their own problems at first to notice Chang In snooping around the house, but a grand battle of wits unfolds as his motives slowly come to light.
A stylish, offbeat mix of romance, comedy, and crime suspense, Villain and Widow from director Son Jae Gon (My Scary Girl) spins an unusual yarn about a landlord with many emotional issues and a tenant with ulterior motives. Han Suk Kyu (White Night) is the picture of sinewy suave as the master criminal who finds himself being outwitted by an unwitting family, while Kim Hye Su (Tazza: The High Rollers) puts both her seductive and comedic talents to good use. Villain and Widow also co-stars newcomer Ji Woo, Lee Jang Woo (Smile Again), Uhm Ki Joon (Dream High), and teen idol Dong Ho from U-Kiss in his movie debut.
Villain & Widow (2010): Main Trailer (http://www.youtube.com/watch?v=f5A4gckmcYY#)
Meni najbolji Azijski izvan horora su Confessions i Love Exposure.
misliš od novijih?
Space Battleship Yamato.2010.DVDRip.AC3.XviD-LooKMaNe
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Movie: Space Battleship Yamato
Romaji: Uchu senkan Yamato
Japanese: SPACE BATTLESHIP ヤマト
Genre: Action | Adventure | Drama | Sci-Fi
Director: Takashi Yamazaki
Writer: Leiji Matsumoto
Producer: Toshiaki Nakazawa
Cinematographer:
Release Date: December 1, 2010
Runtime: 138 min.
Production Company: TBS
Distributor: Toho
Language: Japanese
Country: Japan
Cast:
Takuya Kimura - Susumu Kodai, Mamoru's younger brother, and Tactical Unit leader
Meisa Kuroki - Yuki Mori, Black Tiger Team pilot
Toshirō Yanagiba - Shirō Sanada, chief science/technology Officer
Naoto Ogata - Daisuke Shima, chief navigator
Reiko Takashima - Dr. Sado, ship doctor
Toshiyuki Nishida - Hikozaemon Tokugawa, chief engineer
Hiroyuki Ikeuchi - Hajime Saitō, Space Commandos commanding officer
Maiko Skorick (マイコ) - Aihara, communications officer
Toshihiro Yashiba - Yasuo Nanbu, tactical unit
Kazuki Namioka - Saburō Katō, Black Tiger Team commander
Takumi Saito - Akira Yamamoto, Black Tiger Team member
Takahiro Miura - Furuya, Black Tiger Team member
Tsutomu Yamazaki - Capt Jūzō Okita
Kensuke Ōwada - Kenjirō Ōta, navigator
Plot:
In the year 2199, the Earth has been under radioactive siege from extraterrestrials, known as the Gamilas, for five years. The Earth's defense forces have been decimated and any surviving humans have had to move underground to escape the radioactive bombardment. Unfortunately, the contamination is slowly penetrating the earth and beginning to affect the underground facilities. The last interstellar battleship of the exhausted Earth Defense Forces, the Yamato, sets out on a mission to Iscandar, a planet located in the Large Magellanic Cloud. There the humans hope to acquire a device that can heal the radiation damaged Earth, before the contamination wipes out the last of humanity.
http://www.youtube.com/watch?v=http://www.youtube.com/watch?v=$1#errorPrivate video (http://www.youtube.com/watch?v=http://www.youtube.com/watch?v=$1#errorPrivate%20video)
Zombie Sexy Girl 2010 DVDRip x264 AC3
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Director: Sarawuth Intharaprom
Cast: Kemika Kittitanapat, Kanusnun Boonnual
Plot Synopsis
Duan, who is a nurse, finds out that her own sister has been having an affair with her husband. Duan kills her sister in order to get her husband back for herself. However, her sister rises from the dead as a zombie looking for vengeance.
AKA: ซอมบี้สาว เซ็กส์สยอง (Zombie Sao Sex Sayong)
Year: 2010
Country: Thailand
Language: Thai
Subtitles: NONE
Film Genre: Erotic / Horror
Yellow.Sea.2010.DVDRip.XviD.AC3-shinostarr
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Yellow Sea (2010)
Also Known As: Hwanghae
Year: 2010
Country: South Korea
Directed by: Na Hong-Jin
Genre: Action, Crime, Drama, Thriller
Duration: 2h 36mn
Language: Korean
Subtitles: English (Custom by heeji16 and shinostarr)
Cast:
Ha Jung-Woo - Ku-Nam
Kim Yun-Seok - Myung-Ga
Jo Sung-Ha - Tae-Won
Lee Cheol-Min - Choi Sung-Nam
Kwak Byung-Kyu - Prof. Kim Seung-Hyun
Lim Yeo-Won - Prof. Kim's wife
Tak Sung-Eun - Ku-Nam' wife
Kim Ki-Hwan - Prof. Kim's driver
Ki Se-Hyung - Tae-Won's subordinate
Plot/Synopsis:
On the Chinese side of the China-Russia-North Korea border, in the Yanbian, Korean Autonomous Prefecture, Ku-Nam (Ha Jung-woo) toils his days away as a taxi driver. When he's not working he's often found in the gambling halls. Ku-Nam is now in serious debt. His wife left to work in South Korea and promised to send money back. He has yet to hear from her and he is tormented by nightmares of her having an extra-marital affair. Making matters worse, Ku-Nam is fired from his job and debt-collectors take most of his severance pay.
Dog seller and underworld crime boss Myung-Ga (Kim Yun-Seok) offers him a deal. If Ku-Nam goes to South Korea and successfully carries out a hit he will get paid ¥57,000 ($10,000 USD). Ku-Nam accepts the deal and leaves for Korea on a rickety fishing boat with $500 dollars for his expenses.
When Ku-Nam arrives in South Korea he carefully scopes out his target for days, while also searching for his wife. When the time arrives for Ku-Nam to take out his target, a string of unexpected events occurs leaving Ku-Nam desperately looking for a way out. Meanwhile, the cops, Korean mafia, and the Chinese mafia all frantically search for Ku-Nam.
Yellow Sea (2010) Teaser Eng Subbed (http://www.youtube.com/watch?v=czR0TI2XrPk#)
3D Sex and Zen Extreme Ecstasy.2011.HDRip.AC3.XviD-LooKMaNe
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Movie: 3-D Sex and Zen: Extreme Ecstasy
Chinese: 3D肉蒲团之极乐宝鉴
Director: Christopher Sun Lap Key
Writer: Mark Wu
Producer: Yeuk-Yuen Shiu
Release Date: April 14, 2011
Runtime: 118 min. (Hong Kong theatrical version) / 129 min. (director's cut)
Language: Cantonese
Country: Hong Kong
Cast:
Saori Hara
Vonnie Lui
Yukiko Suô
Leni Lan
Hiro Hayama
Plot:
Wei Yangshen (Hiro Hayama) is a conceited scholar from the Ming Dynasty. He believes that since life is short he should pursue the ultimate pleasure with the time allowed. Wei Yangshen then meets Tie Yuxiang (Leni Lan), the daughter of the Taoist priest, and falls in love at first sight. The couple soon marry, but do not find sexual bliss. Tie Yuxiang is inexperienced and Wei Yangshen has problems with longevity and the abnormally small nature of his private part.
One day, Tie Yuxiang travels to the Tower of the Rarities where the Prince of Ning keeps his treasures. There's also the Pavilion of Ultimate Bliss in the Prince's compound, where wild orgies takes place. Two of the Prince of Ning's prized girls are Reizhu (Saori Hara) and Dongmei (Yukiko Suo). With the prince's permission, Wei Yangshen partakes in mad sex with these lovely ladies. Unfortunately the minute size of Wei Yangshen's private part also gives him an inferiority complex.
With the help of the Elder Bliss (Vonnie Lui), Wei Yangshen undergoes a penis transplant and also acquires the ultimate sexual skills. Wei Yangshen is now able to give countless women the ultimate sexual experience. However, this is all part of the Prince of Ning's sinister plan ...
3D Sex and Zen: Extreme Ecstasy - Hong Kong trailer (http://www.youtube.com/watch?v=6V5j8ZYnRyM#ws)
Cold Fish.2010.DVDRip.AC3.XviD-LooKMaNe
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Romaji: Tsumetai Nettaigyo
Japanese: 冷たい熱帯魚
Genre: Drama / Thriller
Director: Sion Sono
Writer: Sion Sono, Yoshiki Takahashi
Producer: Yoshinori Chiba, Shinya Himeda, Toshiki Kimura, Akifumi Sugihara
Cinematographer: Shinya Kimura
World Premiere: September 7, 2010 (Venice Film Festival)
Release Date: January 29, 2011
Runtime: 144min.
Production Company: Nikkatsu
Distributor: Nikkatsu
Language: Japanese
Country: Japan
Imdb link: http://www.imdb.com/title/tt1632547 (http://www.imdb.com/title/tt1632547)
Cast:
Makoto Ashikawa
Denden ... Yukio Murata
Mitsuru Fukikoshi ... Nobuyuki Syamoto
Megumi Kagurazaka ... Taeko Syamoto
Hikari Kajiwara ... Mitsuko Syamoto
Lorena Kotô
Asuka Kurosawa ... Aiko Murata
Plot:
From Sion Sono, the director of the critically acclaimed 'Love Exposure' comes this new masterpiece.
Shamoto runs a small tropical fish shop. His second wife, Taeko, does not get along with his daughter, Mitsuko, and this worries him. One day Mitsuko is caught shoplifting at a grocery store. There they meet a friendly man named Murata, who helps to settle things between Mitsuko and the store manager. Since Murata also runs a tropical fish shop, Shamoto establishes a bond with him and they become friends; Mitsuko even begins working for Murata and living at his house. What Shamoto doesn't know, however, is that Murata hides many dark secrets behind his friendly face. He sells cheap fish to his customers for high prices with his artful lies. If anyone detects his fraud or refuses to go along with his money-making schemes, they're murdered and their bodies disposed of by Murata and his wife in grisly ways. Shamoto is suddenly taken in by Murata's tactics, and by the time he realizes that Murata is insane, and a serial killer who has made over fifty people disappear, he is powerless to do anything about it. But now Mitsuko is a hostage at Murata's home, and Shamoto himself has become the killer's unwilling accomplice. Cruel murders gradually cripple his mind and finally the ordinary man is driven to the edge of the abyss.
Cold Fish (2010) - Official Trailer (http://www.youtube.com/watch?v=HmQPIBNPFBE#ws)
shozo fala za cold fish ,
jer ima linkova za housemaid
Quote from: agota on 01-07-2011, 19:52:16
shozo fala za cold fish ,
jer ima linkova za housemaid
THE HOUSEMAID:
http://www.wupload.com/file/39584767
Quote from: agota on 01-07-2011, 19:52:16
shozo fala za cold fish ,
jer ima linkova za housemaid
agota, kasnim; ginger je izmamio jutarnje poljupce. :)
Quote from: Shozo Hirono on 02-07-2011, 10:30:45
Quote from: agota on 01-07-2011, 19:52:16
shozo fala za cold fish ,
jer ima linkova za housemaid
agota, kasnim; ginger je izmamio jutarnje poljupce. :)
Decaci , sjajni ste, ne znam sta cu pre pogledati jos mi je drugarica donela i novu verziju Jane Eyre :)
Quote from: Shozo Hirono on 30-06-2011, 23:35:35
Yellow.Sea.2010.DVDRip.XviD.AC3-shinostarr
Odgledao sam ga pre nekoliko dana. Reditelj je nastavio u istom ritmu.
Imamo i poznatu postavku glumaca, ali ovde je nekako sve naivno i previshe akcije za moj ukus.Neka idejna reshenja su veoam komichna i shaljiva, tako da sam ga u nkim trenucima posmatrao i kao komediju. Opet imamo velikih uspona i padova, znachi da drzi paznju i iako mislimo da ne moze gore da bude, reditelj nas iznenadi. Ali definitivno slabiji od Chejsera...
Da The Chaser je neprejebiv,mada mi se takodje dopao i Breathless (2009)
isto bio na festu, overi obavezno izvanredan film beskrajno duhovit.
Ddongpari breathless 2009 (http://www.youtube.com/watch?v=vsCjfLblRsg#)
kucna pomocnica nije vredna ni skidanja ni gledanja.
preskocite ,bezveze xwink2
Quote from: agota on 03-07-2011, 18:52:51
Da The Chaser je neprejebiv,mada mi se takodje dopao i Breathless (2009)
isto bio na festu, overi obavezno izvanredan film beskrajno duhovit.
E da, totalno sam zaboravio na ovaj film.
Hvala na podsecanju ;)
Spike Lee ("Inside Man," "25th Hour") is currently in talks to direct the Hollywood remake of Park Chan-Wook´s acclaimed 2003 cult smash "Oldboy" at Mandate Pictures reports Twitchfilm.
The original film detailed a man's mysterious kidnapping, 15-year imprisonment and feverish quest for revenge upon being released. Attempts at a remake have been underway since the first film's release with the likes of Justin Lin and Nicolas Cage pursuing one version, later Will Smith and Steven Spielberg were tipped to be teaming for the project.
Both previous versions fell apart. Signs of life began to seep back into the project late last year and now Lee's name has become linked. Mark Protosevich ("Thor," "I Am Legend") penned the script while Doug Davison and Roy Lee are producing.
Pogledao sam HWANGHAE Hong-Jin Na, koji nas je pre neku godinu obradovao prehvaljenim CHASERom. Dok čekamo američki rimejk da ga poprave, HWANGHAE je film koji će nas podsetiti na sve prednosti i nedostatke Hong-Jin Na kao reditelja. Naime, on je u toj meri operisan od osećaja za ritam i sposobnosti za razdvajanje važnog od nevažnog da u HWANHAE jednu u suštini pristojnu premisu, mada ne znatno revolucionarniju od KLOPKE uspeva da pretvori u dvoipočasovnu potragu za krajem začinjenu ponekom dobrom scenom.
U određenom smislu HWANGHAE se može tunačiti kao severnokorejska propaganda. Ovaj film govori o pripadniku svernokorejskog naroda koji je izbegao u Kinu i tamo postao žrtva trgovaca ljudima. Kako bi otplatio "dug" usled kog je postao rob, on biva poslat u Južnu Koreju da obavi ubistvo. Sunovrat ovog čoveka dakle kreće kada je napustio komunizam i plansku privredu i došao u Kinu gde se upravo odvija košmar Naomi Klein - komunizam i kapitalizam u isto vreme gde mora da vozi taksi i otplaćuje dug koji je nemoguće otplatiti (zar to upravo nije suština kapitalizma?) da bi konačno završio u demokratskoj Južnoj Koreji gde kapitalizam dostiže svoju najeskscesivniju formu - ono što je u Kini pokušavao da otplati vozeći taksi, ovde mora da otplati ubistvom.
Pored toga, glavni junak, o čijoj prošlosti kao superheroja ne znamo ništa te imam puno pravo da pretpostavim da je reč o tipičnom izgladnelom Severnokorejancu ubrzo počinje da pokazuje osobine vrsnog borca koji vlada ne samo borilačkim veštinama već ima položenu vožnju za sve kategorije. Ako imamo na umu da je služenje vojske obaveza svih lojalnih Severnjaka, odčigledno je da se obuka vrši na vrhunskom nivou. Ne znam kako bi se ovaj junak nosio sa nekim profesionalnim vojnikom ali sa raznim lokalnim ološima kojima fizički kontakt nije stran, kao i sa običnom policijom i tradicionalnom arhitekturom sa koje je rad da skoči, on izlazi kao pobednik. Ako su izdajnici tako prilježni na obuci čovek se prosto upita kakve li su prave severnokorejske patriote koje nisu okrenule leđa Juche ideologiji.
U svakom slučaju sa trajanjem od dva i po sata, HWANGHAE uspeva da se po dimenzijama približi i nadmaši Kim Ji Woonov oproštajni korejski rad. I u određenom smislu kada krene osveta, ubijanje čekićima, sekirama, pajserima, gedorama i ostalim alatom, to je sve jedan produžetak ranog Chan Wook Parka drugim sredstvima. Dok je Kim Ji Woon jednu jednostavnu priču naduvao do besmisla i relativno imao snage da je izgura da ne bude dosadna već samo bezveze, Hong-Jin ipak nije taj kalibar tako da je njegov film na mikronivou soildan ali u celini nažalost teško da može da se preporuči. Ako tome dodamo da smo te stvari sa mikronivoa već nekoliko puta videli baš u toku prošle godine, onda je jasno da je reč o dosta bajatom naslovu koji zbog trajanja predstavlja iskušenje i za kompletiste. No, kome je uživanje da pogleda nešto ovakvo iz iskvarene Južne Koreje, a meni jeste jer se zgražavam koliko su posrnuli u odnosu na vrlinu Dragog Vođe, onda će ovo ionako overiti.
* * / * * * *
Children (2011)
아이들... Children (2011) Trailer (http://www.youtube.com/watch?v=vt98R1JLx5g#)
There were high expectations for the movie "Children..." even before it hit theaters. Although the cast of well-known actors like Park Yong-woo and Seong Dong-il has drawn attention to the film, it is the story's plot that has generated the most interest.
The film is based on a true yet unsolved murder case from the early 1990s that is known among Koreans as the "disappearance of the frog children." In 1991, five elementary school students told their parents that they were going to hang out on a nearby mountain to catch frogs. They never came back.
Director Lee Kyoo-man, a rising star in the Korean film industry, is expected to present a compelling depiction of the case.
In style, "Children..." resembles the 2003 hit "Memories of the Murder," which was based on another unsolved mystery of a serial killing in Hwaseong, Gyeonggi, in the early '90s.
July 28, 2011 – Los Angeles – CJ E&M Pictures and Grapevine Entertainment have attached Rob Cohen (The Fast and the Furious) to direct 1950, the largest budgeted project ever undertaken by the Korean film industry, at $100m. Production is expected to begin in May 2012 with a planned release date of spring 2013. An untold story of courage and endurance during the Korean War, 1950 is an epic adventure, based on the Pulitzer Prize-winning dispatches from the front line by legendary New York Herald Tribune correspondent Marguerite Higgins.
1950 is being produced by CJ E&M Pictures of Korea and Grapevine Entertainment, alongside Brett Donowho and executive producer Paul Hudson. The producers developed the story, and commissioned a screenplay from Rachel Long and Brian Pittman (Silver Falls and Stranded). Marguerite Higgins, the Tribune's then Far East bureau chief, who had covered the liberation of the Nazi concentration camps at the end of WWII, initially found herself banned by the US Army top brass from covering the Korean conflict, simply because she was a woman. Her persistent efforts to overturn this ruling eventually won her special permission from General Douglas MacArthur to work alongside the front line troops.
1950 follows Higgins' journey across the Korean peninsula with a platoon of marines, ending with the mass evacuation on Christmas Eve of nearly 200,000 South Korean civilians escaping the oncoming Chinese and North Korean armies.
CJ and Grapevine are in discussion with A-list Hollywood and Asian talents to fill the key leading roles of Marguerite Higgins, the leader of the Marine platoon, Captain Darren, and a Korean Katusa, Sunjae Lee. Grapevine and CJ are in advanced negotiations with a major worldwide distribution company to handle the release of the film outside of Korea, which CJ will handle.
CJ E&M Picture's Head of International Financing and Production, Sean Lee said "While 1950 is based on a very special event in Korean history, we are confident that CJ and GV can elevate this tale into a film that will resonate with the audience worldwide." His enthusiasm was echoed by John Han of Grapevine Entertainment, in announcing the project, remarked, "We are proud and excited to bring to the screen in a major motion picture the story of this remarkable, brave and pioneering woman, who now lies buried alongside Presidents and heroes in Arlington National Cemetery."
Rob Cohen welcomed the opportunity to direct 1950. "The Korean War has often been referred to as 'the forgotten war' and I think it's time it was remembered. Telling the story of this harrowing conflict through the eyes of pioneering journalist Marguerite Higgins makes it a very different war film on every level." Cohen's directorial credits include xXx, Stealth, and The Mummy: Tomb of the Dragon Emperor.
Kada sam video Cohenovo ime baš sam se zapitao šta je bilo sa obećanim igranim rimejkom A Kite, koji je on navodno trebalo da režira. Znači, ništa od toga.
Gantz.2011.DVDRip.XviD.AC3-shinostarr
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Fgantzxgx.jpg&hash=2a51e197f5f3856b88314f8ed9cc663bcce5ca1a)
Gantz (2011)
Also Known As: Gantz
Year: 2011
Country: Japan
Directed by: Shinsuke Sato
Genre: Action, Horror, Sci-Fi
Duration: 2h 9mn
Language: Japanese
Subtitles: English
Cast:
Ken'ichi Matsuyama
Takayuki Yamada
Kazunari Ninomiya
Natsuna
Kanata Hongo
Yurio Yoshitaka
Tomorowo Taguchi
Kensuke Chisaka
Shun'ya Shiraishi
Ayako Yoshitani
Mukau Nakamura
Plot/Synopsis:
College student Kei Kurono (Kazunari Ninomiya) notices former childhood friend Masaru Kato (Kenichi Matsuyama) helping a drunk man who fell from a subway platform. Kei Kurono then jumps down to help his childhood friend. A few moments later, the subway train rapidly approaches and both men look on helplessly on as their life is about to end.
The next moment, Kei Kurono and Masaru Kato finds themselves in a strange apartment with a mysterious giant black sphere and others who have recently died. The massive black sphere in the center of the living room is "GANTZ". GANTZ then assigns the people gathered in the room on missions to exterminate aliens. They are given a set time and if successful will receive points. A total of 100 points will allow them to leave this purgatory like place or send someone else back to life. If they fail, they can perish forever ...
GANTZ 2011 TRAILER (http://www.youtube.com/watch?v=WhpcGSFpd3o#ws)
River of Murder 2010 DVDRip XviD AC3-theonlyh
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Fbloodyinno.jpg&hash=1a365b87511a0f5bcf2e2715ff8010c09810b8b3)
A.K.A: Blood Innocent | The Age of Innocence | 살인의 강
IMDB LINK: NONE
Links: AsianMediaWiki | HanCinema
Cast: Kim Da-Hyun, Shin Sung-Rok, Hwang In-Yeong, Lee Da-Wit, Kang Cho-Hee
Directed: Kim Dae-Hyun
Genre: Drama | Thriller
Runtime: 1h 38m
Country: South Korea
Language: Korean
Subtitles: ENGLISH | Korean .idx.sub
Plot:
In 1985, Seung-Ho & Dong-Sik are best friends at the same middle school. They both have a crush on Myeong-Hee, but she doesn't have the same feelings for either of them. One day, the two best friends make a bet to find out what's on Myeong-Hee's mind. But, the next day, Myeong-Hee is found dead & apparently raped. Police officers investigate and finger Dong-Sik's older brother Kyung-Sik, who is mentally ill, as the prime suspect. Since that time, the relationship between Seung-Ho and Dong-Sik rapidly disintegrates.
In 1991, Seung-Ho, a college student activist, is imprisoned. While in prison Seung-Ho meets Kyung-Sik, who is serving time for the murder of Myeong-Hee. Seung-Ho questions Kyung-Sik about the murder, but Kyung-Sik only repeats the same word. Suddenly, Kyung-Sik kills himself. Because of Kyung-Sik's death, Seung-Ho and Dong-Sik have an uncomfortable meeting.
By 1998, and since the conviction of Kyung-Sik as a murderer, Dong-Sik's family is scattered. His older sister Jin-Hee works as a prostitute in Seoul and is murdered. Seung-Ho, now a prosecutor, takes the case and meets Dong-Sik.
Korean Movie 살인의 강 (A River of Murder. 2010) Trailer (http://www.youtube.com/watch?v=rT_zgMER4FM#)
The Sylvian Experiments (Kyofu).2010.DVDRip.AC3.x264-LooKMaNe
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2FdYqIs.jpg&hash=a498725b379141507a1d7e41f625fee082e57730)
AKA: Out of Body / J-Horror Theater Vol. 6
Romaji: Kyofu
Japanese: 恐怖
Genre: Horror
Director: Hiroshi Takahashi
Writer: Hiroshi Takahashi
Producer: Takashige Ichise
Cinematographer:
Release Date: July 10, 2010
Runtime: 94 min.
Language: Japanese
Country: Japan
Imdb link: http://www.imdb.com/title/tt1634022/ (http://www.imdb.com/title/tt1634022/)
Cast:
Yôko Chôsokabe
Mina Fujii
Momoko Hatano
Tomohiro Kaku
Nagisa Katahira
Plot:
From the creators of The Ring and The Grudge, comes this story about a neuroscientist who begins experimenting on the human brain and how her obsession turns deadly for her family.
After discovering a reel of 16mm film in the basement of a dilapidated hospital, a neuroscientist and her husband find themselves enthralled by the film's bizarre content. The film documents underground experiments on the human brain trying to unlock the Sylvian Fissure - an invisible reality believed to be achieved between life and death. Obsessed with this surreal concept, the scientist attempts to continue the strange experiments on her own, utilizing her own daughters as test subjects.
Kyôfu (2010) HD (http://www.youtube.com/watch?v=3bNrPjRrFkI#ws)
Hanji.2011.DVDRip.AC3.x264-LooKMaNe
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2FtfreK.jpg&hash=a8d583a12276145961fc81bbe7be2b67caceaaca)
AKA: Scooping Up the Moonlight
Revised romanization: Dalbit Kileoolrigi
Hangul: 달빛 길어올리기
Genre: Drama
Director: Im Kwon-Taek
Writer: Im Kwon-Taek
Producer: Min Byung-Rok, Lee Hee-Won
Cinematographer: Kim Hoon-Kwang
Release Date: March 17, 2011
Runtime: 118 min.
Language: Korean
Country: South Korea
Imdb link: http://www.imdb.com/title/tt1703845/ (http://www.imdb.com/title/tt1703845/)
Cast:
Park Joong-Hoon - Pil-Yong
Kang Soo-Yeon - Ji-Won
Ye Ji-Won - Hyo-Kyung
Ahn Byeong-Kyeong - Duk-Soon
Jang Hang-Seon - Monk Do-Am
Jeong Woo-Hyeok - section chief
Lim Seung-Dae - sub section chief
Plot:
Low-ranking civil servant Pil Yong (Park Joong Hoon) does not have things easy taking care of a wife (Ye Ji Won) with mobility problems. He takes charge of a hanji project in hopes it will bring him a promotion and deepen his bond with his wife, who comes from a family of hanji masters. One of his tasks include working with quarrelsome filmmaker Ji Won (Kang Su Yeon), who is traveling around shooting a documentary about hanji. Though Pil Yong knows little about the subject to begin with, the more he learns about hanji, the more it takes on a new significance for him and the world around him.
In the past, Im Kwon Taek brought the traditional Korean folk music of pansori to the silver screen in his internationally renowned films Sopyonje and Beyond the Years. For his 101st film and first HD feature, the legendary director weaves a handsome, modern fable around another Korean tradition, Hanji, or paper art. The film is both informative and poetic in its exploration of the art of traditional papermaking and its role in the mediation of past and future, old and new, in present-day Korea. Acclaimed actor Park Joong Hyun stars as the flawed everyman whose eye-opening journey into hanji is shared by the audience. Leading actress Kang Su Yeon reunites with the director 20 years after starring in Im's classic Come, Come, Come Upwards.
[1st Trailer] Hanji - Korean Movie 2011 (http://www.youtube.com/watch?v=7xUnRGp0erQ#)
Erotibot 2011 DVDRip.XviD.AC3-theonlyh
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Ferotibot4.gif&hash=1a486c4816c9e5bfc7d97d0dd8bebca5be495d3b)
A.K.A: Karei naru erogami-ke no ichizoku: Shinsô reijô wa denki shitsuji no yume o miru ka | 華麗なるエロ神家の一族
IMDB LINK: http://www.imdb.com/title/tt1948581/ (http://www.imdb.com/title/tt1948581/)
Cast: Maria Ozawa, Asami, Yûya Tokumoto
Directed: Naoyuki Tomomatsu
Genre: Erotic | Sci-Fi
Runtime: 1h 12mn
Country: Japan
Language: Japanese
Subtitles: ENGLISH .idx.sub Custom by Chie and lordretsudo
Plot:
Will love prevail over sex, money, androids, and ninjas?
Tamayo is so lovable, from the time she was small she was taken care of so well by one of the most prominent families as the ultimate princess (Mahiro Aine). However, she was the love child of business tycoon and his lover but lives with him and his arranged wife's family and granddaughter Tsukiyo (Maria Ozawa). Tsukiyo is bored with her life and hates the way her grandfather always dotes on Tamayo with affection. On the other hand, Tamayo, lives her life in simple elegance. Her overprotective crimelord father, in order to protect her from outside danger, has given her 3 android bodyguards. The first android (Android 0.1) Suketomo can master any skill and is very good looking, number 2 Suketake (Android 0.2) has beastlike strength, and number 3 Sukekiyo (Android 0.3) is a total fuckup who can't get anything right. Together, the three androids help detect danger and protect Tsukiyo in the daytime, and sometime engage in "bedroom protection" as well... Life is good. Until one day Tamayo's father is hospitalized for a stroke and his computer is hacked and his will is found! Inside his will it says that he is leaving his immense fortune solely to Tamayo! When Tsukiyo discovers this she shakes with rage and plots to regain her inheritance!!! Can she distract the 3 Androids long enough to exact her plan?! Who will the Androids love in the end?! Which Android will win Tamayo's love??!! Love, tears, and laughs at a comfortable tempo tell a fascinating story that will leave viewers satisfied with their choice in erotic SF Fantasy.
[Trailer] Erotibot (http://www.youtube.com/watch?v=q5JvXa6qUhA#ws)
Into.the.White.Night.2011.DVDRip.XviD.AC3-shinostarr
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2F29pt0eu.jpg&hash=9a16a318b97d05647bf2a2b04d7380e60c8b8646)
Also Known As: Byakuyako
Year: 2011
Country: Japan
Directed by: Fukagawa Yoshihiro
Genre: Suspense, Mystery
Duration: 2h 29mn
Language: Japanese
Subtitles: None
Cast:
Horikita Maki
Toda Keiko
Nakamura Kumi
mai Yuki
Kora Kengo
Funakoshi Eichiro
Kyo Nobuo
Midori Yurie
Tanaka Tetsushi
wata Rei
Plot/Synopsis:
In 1980, a man has been found dead, and the police – led by detective Sasagaki (Funakoshi Eichiro) – believe he was killed by someone that they suspect to be his lover. The woman eventually kills herself, leaving her daughter Yukiho subjected to years of bullying. Meanwhile, the dead man's son Ryoji eventually descends into crime and a secluded life. 18 years later, Yukiho (Horikita Maki) and Ryoji (Kora Kengo) are now separately leading totally different lives, but the retired Sasagaki is finally starting to solve this complex puzzle, proving that Yukiho and Ryoji may be closer than they appear to be.
堀北真希 - 白夜行 (Trailer 2) (http://www.youtube.com/watch?v=Sgrh2FLDXH8#ws)
Vegetarian.2010.DVDRip.x264.AC3-HAN
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A.K.A: Chaesikjuuija
IMDB LINK: http://www.imdb.com/title/tt1517269/ (http://www.imdb.com/title/tt1517269/)
Cast: Min-seo Chae, Hyun-sung Kim, Ui-jin Kim, Yeo-jin Kim, Young-jae Kim, Ji-hye Yun
Directed: Woo-Seong Lim
Genre: Drama
Runtime: 1hr 53mn
Country: South Korea
Language: Korean
Subtitles: ENGLISH .srt
Plot:
A young housewife, finds herself having strange dreams that make her disgusted by meat, leading to trouble with her meat-loving husband and attention from her artist brother in law.
VEGETARIAN (Chaesikjuuija) Trailer (http://www.youtube.com/watch?v=KObOP4ISBb4#ws)
A.Chinese.Fairy.Tale.2011.DVDRip.XviD.2Audio.AC3-shinostarr
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Also Known As: Sien nui yau wan
Year: 2011
Country: China, Hong Kong
Directed by: Wilson Yip
Genre: Fantasy, Horror, Comedy
Duration: 1h 41mn
Language: Dual Audio (Cantonese, Mandarin)
Subtitles: English (srt)
Cast:
Liu Yifei as Nie Xiaoqian (聶小倩)
Louis Koo as Yan Chixia (燕赤霞)
Yu Shaoqun as Ning Caichen (寧采臣)
Kara Hui as Tree Demon (樹妖)
Elvis Tsui as the village chief (村長)
Louis Fan as Xia Xuefenglei (夏雪風雷)
Gong Xinliang as Green Snake (青蛇)
Wang Danyi Li as Xia Bing (夏冰)
Lin Peng as White Snake (白蛇)
Li Jing as Iron Teeth (鐵牙)
Plot/Synopsis:
The story takes place on an ancient mountain – Black Mountain, when a group of workers come to construct a road, causing the ancient spirits, ghosts and humans to enter into conflict. Rumors of spirits causing trouble prompt the workers to leave the mountain, leaving only a hardworking young man by the name of Ning Cai Chen, a strong believer of science to stay on to construct the road for the villagers. However, an incident in Ning Cai Chen's childhood is a memory he is afraid to recall – the sight of his father dying in the hands of an evil spirit.
Xiao Qian is a young leopard cat spirit eager to outshine the grand fox spirit to gain the respect of the powerful century tree spirit. She volunteers to get rid of Ning Cai Chen only to realize that they share an intertwined fate and finds herself saving him instead.
The old ghost hunter Summer Snow Wind Lightning sets foot upon the mountain to stop the spirits from creating mischief and to chase Ning Cai Chen off the mountain as he is afraid that the seal laid down on the mountain by his master will be destroyed. The spirit of Black Mountain will then be released and it will be catastrophic for mankind.
Filled with hatred, the Black Mountain Spirit seeks to take revenge on mankind and swears to kill all couples in love. Unwilling to give up, Ning Cai Chen asks Xiao Qian to take the last resort of grabbing the demon stick from Xia Bing' hand and destroying the Black Mountain spirit. Xiao Qian is faced with a difficult decision...
聊齋之倩女幽魂 (全新港版預告) A Chinese Ghost Story (New HK Trailer) (http://www.youtube.com/watch?v=R_aPvdPaV84#ws)
izašao Children... (2011) sa prilično visokom ocjenom na imdb
http://www.imdb.com/title/tt1861982/ (http://www.imdb.com/title/tt1861982/)
Je li gledao neko?
Children.2011.DVDRip.XviD-CoWRY
zvuči zanimljivo, pristavljam da se skida.
nego, jebeni FBI ili ko već je sjebao sceper.eu, pa molim da mi preporučite neke alternative za skidanje p2p/scene filmova (a da nije rlslog). unapred zahvaljujem.
da, mamicu im, sjebaše najbolji sajt. Pa pored rslog-a znam samo za onelinkmovie, i naravno klasični ali iritatni oneclickmoviez...
ima li gde titlova za Children?
never mind, našao sam ih.
а сад их подели :lol:
http://www.wupload.com/file/93825781 (http://www.wupload.com/file/93825781)
:|
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2F2.bp.blogspot.com%2F-7ktJsJrO59c%2FTlfrDEAD0JI%2FAAAAAAAAKuY%2FNNpM7rkBZz8%2Fs320%2FNEIGHBOR%2BNO.%2B13.jpg&hash=7e6cde7ae333b9de4bf34d0cd1539cf9098f525c)
http://templeofghoul.blogspot.com/2011/08/neighbor-no-13-2005.html (http://templeofghoul.blogspot.com/2011/08/neighbor-no-13-2005.html)
Quote from: tomat on 13-08-2011, 21:27:04
zvuči zanimljivo, pristavljam da se skida.
jesi li pogledao?
Quote from: tomat on 13-08-2011, 21:27:04
zvuči zanimljivo, pristavljam da se skida.
nego, jebeni FBI ili ko već je sjebao sceper.eu, pa molim da mi preporučite neke alternative za skidanje p2p/scene filmova (a da nije rlslog). unapred zahvaljujem.
...kad zakaže rlslog.net ili sceper.eu, tu su ti srodni irfree.com i myrls.eu (donedavno poznat kao scenedowns)...
Poongsan.2011.DVDRip.XviD.AC3-shinostarr (http://www.asiatorrents.com/download.php?id=c42c6da8ad0b9217e5eb3899be3640e69b3df40b&f=Poongsan.2011.DVDRip.XviD.AC3-shinostarr.torrent)
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IMDb Link: http://www.imdb.com/title/tt1773020/ (http://www.imdb.com/title/tt1773020/)
Also Known As: Pungsangae
Year: 2011
Country: Korea
Directed by: Jun Jae-Hong
Genre: Action, Drama
Duration: 2h 1mn
Language: Korean
Subtitles: English / Korean (.idx&sub)
Cast:
Yoon Kye-sang
Kim Gyuri
Kim Jong-su
Han Gi-jung
Yu Ha-bok
Bae Yong-keun
Kim Jung-suk
Jo Jae-ryong
Plot/Synopsis (http://www.asiatorrents.com/index.php?page=torrent-details&id=c42c6da8ad0b9217e5eb3899be3640e69b3df40b):
A mysterious man nicnknamed "Poongsan" (Yoon Kye-Sang) crosses between the South and North Korean border as a courier for hire. There's no way for people to contact him, but instead, Poongsan picks out potential clients from banners at a make shift memorial along the DMZ. Poongsan's next target is a man who wishes to bring a North Korean woman into South Korea.
Meanwhile, a man (Kim Jong-Soo) is pushed by the section chief (Han Ki-Joong) at the NIS to write a report on North Korea. That man was a high ranking official in North Korea prior to defecting to South Korea. He's protected by NIS agents, but still paranoid that North Korean assassins will kill him. He asks the section chief at the NIS to bring his lover In-Ok (Kim Gyu-Ri) to him from North Korea. Agents from the NIS learn of a man able to smuggle people across the border. They place a banner along a makeshift memorial at the DMZ border.
During the middle (http://www.asiatorrents.com/index.php?page=torrent-details&id=c42c6da8ad0b9217e5eb3899be3640e69b3df40b) of the night, two NIS agents meet Poongsan who arrives on a motorcycle. When an NIS agent asks how long it will take to bring In-Ok into South Korea, Poongsan points to his watch to show 3 hours. The agent gives an incredulous laugh, but gets back into his car and waits for Poongsan. Poongsan runs off into the night towards the DMZ border.
Poongsan heads out to Pyeongyang to retrieve In-Ok. While they are crossing the border back into South Korea, In-Ok feels an attachment to this mysterious man who doesn't speak ...
http://www.youtube.com/watch?v=RWMfu8vFiPU
Sayaka The Cute and Careless Girl.2009.DVDRip.XviD.AC3-theonlyh (http://www.asiatorrents.com/download.php?id=5bc9094805745a87aad1f46c49a2e6c9a7025ada&f=Sayaka%20The%20Cute%20and%20Careless%20Girl.2009.DVDRip.XviD.AC3-theonlyh.torrent)
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[/size](https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2Ffolderwesa.jpg&hash=c3e8998c1269513998b19883eeaf2d7b84689096)
A.K.A: Tennen kajû Sayaka
IMDB LINK: http://www.imdb.com/title/tt1468740/ (http://www.imdb.com/title/tt1468740/)
Cast: Yui Iwata, Naofumi Kaneko, Mika Kasahara, Kanae Kibe, Rui Kiriyama, Nezumi Sempai
Directed: Daigo Udagawa
Genre: Comedy (http://www.asiatorrents.com/index.php?page=torrent-details&id=5bc9094805745a87aad1f46c49a2e6c9a7025ada)
Runtime (http://www.asiatorrents.com/index.php?page=torrent-details&id=5bc9094805745a87aad1f46c49a2e6c9a7025ada): 1h 18mn
Country: Japan
Language: Japanese
Subtitles: ENGLISH | CHINESE (http://www.asiatorrents.com/index.php?page=torrent-details&id=5bc9094805745a87aad1f46c49a2e6c9a7025ada) .idx.sub
Plot:
Buxom gravure idol Rui Kiriyama plays (http://www.asiatorrents.com/index.php?page=torrent-details&id=5bc9094805745a87aad1f46c49a2e6c9a7025ada) Sayaka Tsuzumi, an honor student who can't seem to get sexual thoughts out of her mind. In fact, she can't even look at an oversized hot dog without triggering one of the many fantasies that cause her to pass out in ecstasy. Her problem gets worse when she gets a chance to tutor a super-popular athlete named Yuki Ito (Naofumi Kaneko) for an upcoming math test. Along with 3 similarly-minded friends (Mika Kasahara, Yui Iwata, and Kanae Kibe), she forms a group called "The Virgin Club" to discuss their experiences and ambitions. Soon Sayaka's chest begins to pound in anticipation of being alone with Yuki in her home. Can she handle it?
http://www.youtube.com/watch?v=LXIFx-5INgU
Nana to Kaoru.2011.DVDRip.XviD.AC3-theonlyh (http://www.asiatorrents.com/download.php?id=08eaac8dbc6b39db7ccaf22af316e8a367211f5f&f=Nana%20to%20Kaoru.2011.DVDRip.XviD.AC3-theonlyh.torrent)
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A.K.A: Nana to Kaoru
IMDB LINK: http://www.imdb.com/title/tt1846673/ (http://www.imdb.com/title/tt1846673/)
Cast (http://www.asiatorrents.com/index.php?page=torrent-details&id=08eaac8dbc6b39db7ccaf22af316e8a367211f5f): Maho Nagase, Rakuto Tochihara, Madoka Asai, Daiki Bandô, Rie Hiki
Directed: Atsushi Shimizu
Genre: Drama (http://www.asiatorrents.com/index.php?page=torrent-details&id=08eaac8dbc6b39db7ccaf22af316e8a367211f5f) | Romance
Runtime: 1hr 23mn
Country: Japan
Language: Japanese (http://www.asiatorrents.com/index.php?page=torrent-details&id=08eaac8dbc6b39db7ccaf22af316e8a367211f5f)
Subtitles (http://www.asiatorrents.com/index.php?page=torrent-details&id=08eaac8dbc6b39db7ccaf22af316e8a367211f5f): ENGLISH .srt
Plot:
The live action film (http://www.asiatorrents.com/index.php?page=torrent-details&id=08eaac8dbc6b39db7ccaf22af316e8a367211f5f) "Nana to Kaoru" based on the manga (http://www.asiatorrents.com/index.php?page=torrent-details&id=08eaac8dbc6b39db7ccaf22af316e8a367211f5f) of the same name about SM and youthful pure love written (http://www.asiatorrents.com/index.php?page=torrent-details&id=08eaac8dbc6b39db7ccaf22af316e8a367211f5f) by Ryuta Amazume. Stars Rakuto Tochihara ("Kamen Rider Hibiki and Maho Nagase. Directed by Atsushi Shimizu. The story centers on two neighbors and schoolmates, Nana and Kaoru. Nana is the glamorous vice-president of the student council, while Kaoru is a dull and virgin boy. However, an incident leads them to discover their own bondage, dominance and sadomasochism...
http://www.youtube.com/watch?v=IBZAzX7i8Q4
Hero.2010.DVDRip.AC3.x264-LooKMaNe (http://www.asiatorrents.com/download.php?id=b6e1f41952cbc9811299639b9ec340c01b6cc63a&f=Hero.2010.DVDRip.AC3.x264-LooKMaNe.torrent)
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[/size]Revised romanization: Hi-eo-ro
Hangul: 히어로
Genre: Fantasy
Director: Kim Hong-ik
Writer: Kim Hong-ik
Release Date: 18.11.2010
Runtime: 109 min.
Language: Korean
Country: South Korea
Cast: Kim Hyeong-gyoo-I, Han Jeong-woo, Lee Da-in, Han Ye-won, Kwak Min-ho, Ri-ah
Plot:
Sim Dan (Kim Hyeong Gyoo) is just that kid who gets bullied at school everyday - until an unexpected encounter turns him into a vampire. With his superhuman powers, he saves a blind person from an oncoming train, and his courageous act becomes national news. Sim Dan is now a "Hero" to everyone, but the dark force within him beckons for more. The first feature film from director Kim Hong Ik, the 2010 Korean indie Hero offers an interesting take on the high school vampire movie. The film features the fresh young cast of Kim Hyeong Gyoo, Jan Jeong Woo, Lee Da In (Loner), and Han Ye Won (Brilliant Legacy). Popular singer Son Ho Young also makes an appearance in the film.
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http://www.youtube.com/watch?v=lmWD9TntOHs
Patisserie.Coin.de.rue.2011.JAP.DVDRip.x264.AC3-zdzdz (http://www.asiatorrents.com/download.php?id=10b8eca3b9e942b37c5502a3824a65edd8267538&f=Patisserie.Coin.de.rue.2011.JAP.DVDRip.x264.AC3-zdzdz.torrent)
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[/size]
[/size]Year: 2011
Country: Japan
Director: Yoshihiro Fukagawa
Writer: Yoshihiro Fukagawa
Genre: Drama, Romance
Runtime: 115 min
Language: Japanese
Subtitles: None
IMDB: http://www.imdb.com/title/tt1653950/ (http://www.imdb.com/title/tt1653950/)
Release Date: February 11, 2011
Cast:
* Yosuke Eguchi - Tomura
* Yu Aoi - Natsume
* Noriko Eguchi - Mariko Sato
* Hiroyuki Onoue - Chihiro Umi
* Mariko Kaga - Yoshikawa
* Keiko Toda - Yuriko
* Tomoka Yamaguchi - Yumi
* Urara Awata - Maki Hanamura
* Nathan Berg - Julian
* Kyusaku Shimada - Yokoi Ona
* Mizuho Suzuki - Tadao Yoshikawa
* Sumie Sasaki
Synopsis/ Plot:
Tomura (Yosuke Eguchi) was once widely lauded as a legendary patissier, but some 8 years ago he inexplicably left the field. Since that time, Tomura has lectured at culinary schools and wrote a guidebook for pastry critics.
Natsume (Yu Aoi) is a young woman who travels from Kagoshima to Tokyo to find her boyfriend. Natsume fins a job at "Patisserie Coin de rue" - a pastry shop run by husband & wife tandem Yuriko (Keiko Toda) and Julian (Nathan Berg). At "Patisserie Coin de rue" Natsume works with talented patissier Mariko (Noriko Eguchi) & her fascinating creations.
Meanwhile, Tomura is now a regular at "Patisserie Coin de rue" & his encounters with Natsume brings about changes in both of their lives ...
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http://www.youtube.com/watch?v=tenKj-7GxZA
Moby.Dick.2011.DVDRip.XviD.AC3-shinostarr (http://www.asiatorrents.com/download.php?id=b226f06c4203b3220678b0acd1090d4bc8b2281e&f=Moby.Dick.2011.DVDRip.XviD.AC3-shinostarr.torrent)
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IMDb Link: http://www.imdb.com/title/tt1984208/ (http://www.imdb.com/title/tt1984208/)
Also Known As: Mo-bi-dik
Year: 2011
Country: Korea
Directed by: Park In-je
Genre: Action, Thriller
Duration: 1h 52mn
Language: Korean
Subtitles: English / Korean (.idx&sub)
Cast:
Hwang Jeong-min
Jin Goo
Kim Min-hee
Kim Sang-ho
Lee Kyeong-yeong
Kim Bo-yeon
Plot/Synopsis:
On November 20, 1984, a mysterious explosion destroys the Balam Bridge outside Seoul. Hot-blooded journalist Bang Woo (Hwang Jung Min) is on the story, and receives some classified documents from old friend Yoon Hyuk (Jin Goo), who hints that the explosion is actually the work of the government. Bang Woo and fellow reporters Hyo Kwan (Kim Min Hee) and Jin Ki (Kim Sang Ho) dig deeper into the strange case, only to uncover a huge conspiracy that is bigger than they could have ever imagined.
http://www.youtube.com/watch?v=d_tBexDdyBk
Make.Up.2011.DVDRip.XviD.AC3-nLiBRA (http://www.asiatorrents.com/download.php?id=92efda28c49ae02515e6b8adc499521237d15b73&f=Make.Up.2011.DVDRip.XviD.AC3-nLiBRA.torrent)
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AKA : Make Up / Ming Yun Hua Zhuang Shi / 命運化妝師
Year: 2011
Country : Taiwan
Language : Mandarin
Subtitle(s) : Cht | Eng (idx+sub)
Film Genre : Drama | Fantasy
IMDB : 6.3/10 (16 votes)
Links : http://www.imdb.com/title/tt1854552/ (http://www.imdb.com/title/tt1854552/)
Theatrical Premiere Date: 2011-06-24
Directed By : Lien Yi-Chi
Starring : Bryant Chang, Hsieh Hsin-Ying, Sonia Sui, Wu Chung-tien, Kate Yeung, Chang Shao-Huai, Pu Hsueh-Liang...
Plot/Synopsis :
Being a mortuary cosmetologist, Min-Hsiu is used to see dead body, until accidentally spotting a female corpse - her high school teacher Miss Chen Ting. Nie Cheng-Fu is Chen Ting's husband, loves his wife profoundly and try to find more memories of her through Min-Hsiu's help. Just then, a detective, Kuo Yung-Ming senses that the truth behind this case may not be so simple as it seems. Death is not the end of the life, but another beginning of it....[/size]《命運化妝師》正式版預告 (http://www.youtube.com/watch?v=MFwlU2sZ_QY#)
Head.2011.DVDRip.AC3.x264-LooKMaNe (http://www.asiatorrents.com/download.php?id=cf26369b4cf5dd3357f5c87d6cb61cd35e9571a3&f=Head.2011.DVDRip.AC3.x264-LooKMaNe.torrent)
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fi234.photobucket.com%2Falbums%2Fee305%2Fshozohirono%2FE6983h.jpg&hash=966b0f3ffd4cfe2450ed0383789da1f3ce3cf70d)
Revised romanization: Hedeu
Hangul: 헤드
Genre: Action, Thriller
Director: Jo Woon
Writer: Jo Woon
Producer: So Yoon-Joo
Cinematographer: Kim Ki-Tae
Release (http://www.asiatorrents.com/index.php?page=torrent-details&id=cf26369b4cf5dd3357f5c87d6cb61cd35e9571a3) Date: May 26, 2011
Runtime: 100 min.
Distributor: SBS Content Hub
Language: Korean
Country: South Korea
KMDB link: http://www.kmdb.or.kr/eng/md_basic.asp?nation=K&p_dataid=12668 (http://www.kmdb.or.kr/eng/md_basic.asp?nation=K&p_dataid=12668)
Cast (http://www.asiatorrents.com/index.php?page=torrent-details&id=cf26369b4cf5dd3357f5c87d6cb61cd35e9571a3): Park Ye-jin, Baek Yoon-sik, Ryu Deok-hwan, Oh Dal-soo
Plot:
Genius medical scientist Kim Sang-Chul (Oh Dal-Su), a renown expert in the field of stem cell research, kills himself. After an autopsy, the head of Kim Sang-Chul mysteriously disappears. Meanwhile, delivery service man Hong-Jae (Ryu Deok-Hwan) is in the process of delivering Kim Sang-Chul's head without knowing the contents of the package. Hong-Jae unintentionally learns the contents of the package and is kidnapped by Baek-Jung (Baek Yun-Shik). In the process Hong-Jae is able to hide Kim Sang-Chul's head.
Hong-Jae's older sister Hong-Joo (Park Yeh-Jin) is a hot-blooded news reporter. Because of her impulsiveness Hong-Jae is suspended from her job. Nevertheless Hong-Jae still works to land a scoop on a popular entertainer. Hong-Joo then receives a phone call from Baek-Jung demanding she brings Kim Sang-Chul's head to him or her brother will die.
[2nd Trailer] Head (헤드) - Korean Movie 2011 (http://www.youtube.com/watch?v=5BMEPwG5a7E#ws)
Najavljena je adaptacija stripa Shingeki no kyojin (zvanični engleski podnaslov je Attack on Titan :roll: ) i projekcije bi trebalo da počnu od jeseni 2013. Titani su dobra manga - tehnički nesavršena, ali maštovita - ali ekranizacije stripova u Japanu imaju jaku tradiciju žalosnih procena i pogrešnih odluka, tako da se ne radujem više nego što moram kao fan stripa. :wink:
Link na ANN-u (http://www.animenewsnetwork.com/news/2011-10-12/shingeki-no-kyojin/attack-on-titan-manga-to-get-film-in-fall-2013)
P.S. Oh... ovo će verovatno imati snažnu primesu horora (osim ako je ne uprskaju elementima romantične komedije :lol: ), ali više je fantasy, tako da... ide ovde.
Quote from: Shozo Hirono on 04-10-2011, 12:17:01Mo-bi-dik + Head.2011 (http://www.asiatorrents.com/download.php?id=cf26369b4cf5dd3357f5c87d6cb61cd35e9571a3&f=Head.2011.DVDRip.AC3.x264-LooKMaNe.torrent)
crap
Pogledao sam južnokorejski MO-BI-DIK Park In-jea. Parku je ovo debitantski film i reč je o vrlo solidnom conspiracy trileru koji se srećom dosta razlikuje od recentne osvetničke ponude koja je postala prilično jednolična. Ovaj film će naročito biti zanimljiv ljubiteljima akcije iako nije akcioni film per se, zbog nekoliko maestralno izvedenih i nikada ranije viđenih zahvata, koji naročito mogu zanimljivi i profesionalcima. Park In-je u nekoliko detalja odlazi put nekih rešenja koja niko do sada nije preduzeo.
Ono što je problem filma jeste prilično konvencionalna a u izvesnom smislu i naivna "zavera" koja se plete izvan sistema. Park prikazuje Južnu Koreju koja ima klišetizirane vladare iz senke, tu neku super-strukturu koja vodi celokupan politički, ekonomski i javni život i ta premisa nije naročito ubedljiva, čak i kad je prilično realistično tretirana - naprosto takva zavera je istovremeno opšte mesto, a Park je ne "brani" dovoljno, kao da ni sam ne "veruje" u nju ni na nivou ideologije, ni na nivou žanra. Najbolji conspiracy filmovi svoj efekat nisu bazirali na tome koliko je zavera logićna već sa kolikim je ubeđenjem predstavljena i MOBY DICK upravo u ovom domenu ima najveće probleme.
Glavni likovi novinara su odlični, i glumci uspevaju da relativno ubedljivo predoče likove koji naslućuju da postoji nešto sumnjivo iza terorističkog napada na Balam most u Seulu 1994. godine i počinju da raspliću misteriju koja rezultira time da počinioci nisu osumnjičeni severnokorejski teroristi već da iza svega stoji Vlada ili neko ko stoji iza Vlade. Ovu premisu, nažalost, Park In-je nažalost samo potvrđuje bez značajnijih preokreta u jednom kompetentnom maniru kakav se i očekuje od korejskog repertoarskog filma visokog profila. Uprkos hemiji među karakterima i zanimljivim nijansama u njihovim odnosima, Park In-je ne uspeva da tako pozitivno vlada svim klišeima kojih se dohvata.
Možda i najmanji kliše jeste činjenica da se Park u samom finišu filma koristi najvećim klišeom koji u određenom smislu deluje inovativno baš zbog toga što je toliko pase. Gotovo je neverovatno da neko može u današnjim okolnostima da snimi takav kraj u kome etika, prekidanje štampe u poslednjem trenutku i ubacivanjem vesti koja rešava sve. Međutim, u MOBY DICKu se na kraju rešava baš to.
U određenom smislu čak Park pravi disbalans između zdrave postavke na mikroplanu i problema u sklapanju celine. Da je film na mikroplanu naivniji, celina bi bolje funkcionisala.
Poznato je da je južnokorejski film u većini slučajeva dosta obazriv prema tome kako tretira Sever, a u ovom slučaju, Sever je tretiran kao babaroga kojom Jug plaši svoj narod i zloupotrebljava mit o Severu za svoje opskurne svrhe. To je eto jedan filmski predvidljiv, ali ako imamo u vidu političke okolnosti ipak intrigantan aspekt ovog filma. Na tako nešto smo često nailazili u holivudskim filmovima, ali nešto ređe u kinematografijama zemalja koje stvarno imaju neki problem.
Uprkos svim nedostacima koji ga frustrirajuće slabe, MOBY DICK je vrlo solidan primer snage južnokorejskog repertoarskog filma.
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Ima li neko titlove za korejski HINDSIGHT iz 2011. godine?
Pogledao sam MAY 18 Kim Ji Huna koji je ozloglašen kao reditelj filma SECTOR 7. U tipičnom korejskom maniru njegov film MY 18 nema nikakve vze sa onim što je SECTOR 7 i to se u njihovoj kinematografiji često dešava. Dok je SECTOR 7 monster movie u 3Du, MAY 18 je istinita priča o čuvenom masakru nad studentima i pobunjenim građanima u jednoj nemirnoj varošici u Južnoj Koreji 1980. godine. Sticajem okolnosti ranije sam već bio upućen u ovaj događaj pošto ga iz Kim Ji Hunovog filma nikako ne bih razumeo što samo svedoči o tome da je ponovo reč o filmu samo za lokalnu upotrebu jer masakr od 18. maja 1980. je nacionalni praznik u Južnoj Koreji.
Scenarista Park Sang-Yeon koji je pisao JSA i THE FRONT LINE, neuporedivo uspelije filmove, i MAY 18 počinje kao jednostavnu varošku melodramu koja se bez jasne motivacije ransformiše u priču o sukobu vojske i pobunjenih studenata a zatim i naroda. Park i Kim očigledno da podrazumevaju naše predznanje o južnokorejskim političkim okolnoszima čim ne ulaze u objašnjavanje konteksta i motivacija, međutim, čak i u tom slučaju, brutalnost armije ostaje prilično neobjašnjiva, naročito ako imamo u vidu da se u Južnoj Koreji služi vojni rok i da vojnici nisu profesionalci već takođe deo tog istog naroda koji tlače u ovom slučaju.
Otud MAY 18 uprkos tome što je tehnički kompetentan deluje često krajnje paradoksalno a samim tim i neuverljivo.
Park i Kim se ne ustežu od najbestidnijih emocija i melodrame i više vremena provode motivišući radnju na taj način nego kroz neke druge, ipak važnije detalje. Stoga, MAY 18 nikada zapravo ne uspeva da profunkcioniše kao film o iole istinitom događaju.
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Pogledao sam GOJIJEON Hun Janga, reditelja koji je počeo kao Kim Ki Dukov štićenik sa prilično slabim ROUGH CUTom ali se onda prošle godine nametnuo kao odlična mejnstrim uzdanica sa filmom SECRET REUNION. GOJIJEON je preveden kao THE FRONT LINE za stranu tržište i reč je o još jednom južnokorejskom ratnom spektaklu prilično velikog zamaha na koje smo već u suštini navikli.
THE FRONT LINE je zaradio sasvim respektabilnih 20 miliona dolara u Južnoj Koreji i mislim da će imati određenu atraktivnost i na stranom tržištu premda nisam siguran koliko je velika potreba strane publike za ovakvom vrstiom filma naročito posle dosta eksploatisanog TAEGUKGI. THE FRON LINE u suštini nije slabiji od TAEGUKGI ali naprosto ne nudi ni previše toga novog pa ga zato smatram prevashodno lokalnim proizvodom. Sa trajanjem od 130 minuta u ovoj verziji takođe nudi dosta prostora za skraćenje, mada jasno je koje "produžene" scene mogu pobuditi velike sentimentalne izlive.
Hun Jang se u SECRET REUNIONu pokazao kao reditelj koji je vrlo vešt u scenama akcije. Ovde nema urbane akcije i potere mačke i miša ali ako imamo u vidu koliko puta su snimane scene ratovanja sa opremom iz četrdesetih i pedesetih (naoružanje u Korejskom ratu je slično onom iz Drugog svetskog) uspeo je da nađe svoj ugao gledanja na tu problematiku i da mu se obilje masovki ne pretvori i gibanja mase bez identiteta već da postoji svest o borbi, ciljevima na terenu i prostoru na kome se to dešava.
Likovi su prilično zanimljivi i diferencirani, ali bi filmu svakako prijala redukcija pojedinih sekvenci, a ideološki profil je na liniji da je rat uprkos herojstvu i pojedinim vidovima zbližavanja među muškarcima koji su nemogući u mirnodopskim uslovima u stvari jedna velika apsurdna nesreća. Međutim, to ne treba da nas zavara da u svojoj dubokoj suštini THE FRONT LINE ipak nije jedan ratni film koji prikazuje borbu kao jedno ipak uzbudljivo i katarzično iskustvo i u određenom smislu ga svakako estetizuje i eksploatiše kako bi zabavio publiku.
Hun Jang rukuje ogromnom količinom municije različitog kalibra u ovom filmu a junaci se dosta razbacuju i emocijama tako da je THE FRONT LINE i sentimentalan onoliko koliko južnokorejski film ume da bude a to je znači preko svake mere. Scenarista Sang Yeon Park je napisao roman DMZ po kome je snimljen film JSA Chan Wook Parka a potom se dokazao i kao samostalni scenarista na raznovrsnim projektima među kojima je i MAY 18 koji planiram da uskoro overim zbog zanimljive istinite priče. U ovom filmu on pokazuje da dosta solidno vlada tematikom rata i odnosima u hijerarhizovanim institucijama kao i u JSA ali da kad je reč o emocijama ume da ode u prilična preterivanja. Jedno od njih je i zanimljivi lik ozloglašenog severnjačkog snajperiste fullmetaljacketovskih metoda i identiteta.
Kao i inače u filmovima iz Južne Koreje, Severnjaci su prikazani sa dosta razumevanja tako da je ovo film koji će moći da se gleda i kada ih Kim Jong Il pregazi.
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Korejanci rade u Srbiji...
http://www.blic.rs/Zabava/Vesti/303705/Srbija-docekuje-prvi-filmski-projekat-iz-Koreje (http://www.blic.rs/Zabava/Vesti/303705/Srbija-docekuje-prvi-filmski-projekat-iz-Koreje)
Pogledao sam IRIS THE MOVIE koji su sklopili reditelji serije IRIS Yang Yun Ho i Kim Kyu Tae. IRIS je serija od dvadeset epizoda koja se najbolje može opisati kao rip-off čuvene 24, i u tom smislu je sasvim u duhu južnokorejskog repertoarskog filma sa kraja devedesetih početka dvehiljaditih. Glumačku podelu predvodi Lee Byung Ho koji je u međuvremenu kao i Rain otišao u Ameriku i snimio uloge u GI JOE filmovima.
Film je nažalost izmontiran posle serije i reklo bi se da iako je baziran na mogo većoj masi materijala nego recimo MONTEVIDEO, pokazuje koliko je delikatan proces izmontirati film od obimne TV serije. Moguće je da producentima i autorima, montiranje filma nije bio prioritet odnosno da im je film neka vrsta nusproizvoda za prodaju po svetu i kao takav IRIS funkcioniše podnošljivo. Naime, sasvim je moguće da u svetu JOŠ UVEK ne postoji tržište za južnokorejsku kopiju serije 24 ali sigurno je da postoji tržište na kome se može isplasirati korejski B-akcijaš sa odličnim production valuesima.
Čitava prva trećina "filma" se recimo dešava u Budimpešti, poprištu mnogih DTV akcijaša i IRIS u tom smislu nimalo ne zaostaje za konkurencijom, čak je u pojedinim detaljima i svežiji od njih. Isto važi za generalan utisak u akciji u filmu, ona je vrlo ambiciozno urađena, i čak je za korejske standarde možda previše "amerikanizovana" ako imamo u vidu kako oni to inače umeju sočno da urade.
Ipak, ono što je najparadoksalnije je koliko je film nevešto izmontiran na nivou priče. Reklo bi se da je priča koja se mogla izvući iz tog materijala zapravo vrlo jednostavna i mogla je biti efektnije prikazana ali da se ekipa dosta opterećivala rešanjima iz serije pa zato IRIS sporadično deluje kao podnošljiv film a povremeno kao trejler za seriju. Isto tako neke dužine scena sugerišu da scene nisu montirane iz sirovine nego iz već montirane serije pa ima dosta nelogičnih stvari i na tom planu.
Međutim, ko god se uželeo da gleda kako se bore Južni i Severni agenti uz dosta potera i pucnjave ima šta da vidi u ovom nusproizvodu. Za dobru svinju uostalom nema loših pomija.
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Pogledao sam SIMYA-UI FM Sang Man Kima. Zanimalo me je da vidim šta je režirao ovaj "Stranac u raju" i kakog KOrejanca ćemo to ugostiti. SIMYA-UI FM u principu nije loš u domenu minornih korejskih serial killer filmova. Reč je o vrlo svedenom cat-and-mouse trileru o psihopati koji progoni popularnu radio voditeljku tokom emitovanja njene poslednje emisije pred selidbu u SAD.
Nažalost, SIMYA-UI FM propušta priliku da bude istinski napet i ostaje u domenu samo prijatnog za gledanje. Jedan od razloga je svakako i to što je serijski ubica istovremeno šizofrenik, genije za tehniku i uopšte master criminal pa je u tom smislu poprilično i neuverljiv i derivativan. Srećom, Sang Man Kim je efikasan i svestan je kapaciteta i dometa svoje priče, pa gotovo da nema praznog hoda.
No, Sang Man Kim radi sve uprkos derivativnosti sa punim ubeđenjem, Po ovom filmu, jasno je da nije (bar za sada) reč o velikom reditelju, ali svakako je dokazao kako se dobro snalazi u uslovima visokoorganizovane korejske kinematografije.
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Pogledao sam korejski B-film THE BEAST Hwang Yoo Sika. Ovaj B-film je vrlo jednostavan, precizan i jedino je šteta što nije naročito zanimljiv. Za razliku od tipičnih korejskih žanrovskih filmova koji obično imaju nešto širi pripovedački polaz i karakterizaciju koja u sebe uključuje dosta detalja, THE BEAST je vrlo jednostavan, sveden i pravolinijski. Priča prati mladog vojnika koji pre odlaska na mirovnu misiju u Avganistan mora da reši problem sa unutrašnjim neprijateljem - ozloglašeni lanac pornografa mu je oteo sestru i planira da je iskoristi u gnusnom online videu. Uz pomoć njene drugarice, vojnik kreće u akciju da je spase.
Zaplet je rudimentaran a glavni junak voli da protivnike dobije "na ruke" tako da je film baziran na seriji tuča, mahom u zatvorenim prostorima i postavljenim u bornovskom maniru, dakle bez wire fu letenja i sličnih vidova estetizacije. Kad je reč o bizarnom nasilju svojstvenom korejskim trilerima, ovde ga ima u samo jednoj sceni. Ostatak akcije je krajnje strejt.
THE BEAST je kao korejski B-film ipak zadržao dosta tehničke preciznosti i svežine svojstvene korejskom filmu i u tom smislu je svakako zanimljiviji od većine američkih DTV radova.
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Pogledao sam BANGKOK KNOCKOUT Panne Rittikraija, stručnjaka odgovornog za stubntove u filmovima Prachye Pinkaewa. Nažalost BANGKOK KNOCKOUT je rad u kome se slabosti tajlandskih reditelja akcionih filmova na nivopu vođenja pričće i likova dovode na potpuno nov nivo neznanja i neukusa. S druge strane, BANGKOK KNOCKOUT ima jako duge deonice između tuča i poptrebno je jako veliko strpljenje ili ubrzano gledanje da bi se stiglo od set-piecea do set-piecea. Kad je o akciji reč ona je korektna ali Rittikrai je u mnogim drugim filmovima, naročito kod Pinkaewa ili u radovima koje je imao sa Tony Jaaom pravio znatno bolju akciju. U tom smislu BANGKOK KNOCKOUT je predosadan da bi služio kao showreel ili showcase za ono što mogu da izvedu tajlandski kaskaderi a uostalom oni su imali i znatno moćnijih nastupa od ovoga.
Naravno, BKO nudi ponešto uživanja za najzagriženije ljubitelje i poznavaoce, ali njih je ipak prilično malo.
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Pogledao sam BU-DANG-GEO-RAE Seung Wan-Ryooa, po scenariju Hoon Jung Parka koga znamo kao pisca Kim Ji Woonovog I SAW THE DEVIL. U ovom filmu Hoon je mnogo inventivniji od I SAW THE DEVIL i umesto pastiša nečega što već znamo iz korejskih filmova nudi policijsku priču koja je istovremeno prepoznatljiva a opet ima i nešto sveže u sebi. Naime, korumpirani policajci su česti protagonisti korejskih filmova, međutim, THE UNJUST je studija sveopšte korupcije korejskog društva u kome je korupcija sama sebi tema a to što je vezana za slučaj serijskog ubice zapravo ne igra značajnu ulogu i potraga za zločincem nikada zapravo ne prene junake da se izvuku iz svog oportunog i korumpiramog stupora. U tom smislu, sa prikazivanjem kontingentnih događaja koji čine policijsku istragu, THE UNJUST na neki način postaje dosta ubedljiv i istinit prikaz funkcionisanja policija širom sveta.
Seung Wan-Ryoo nije reditelj koji može kao Bong Joon Ho u MEMORIES OF MURDER da prodre u suptilnije pore hipokrizije korejskog društva i jedne konkretne sredine. Njegov film ima izraženiju mehaniku i sporadično se oslanja na žanrovske konvencije umesto realističnih rešenja.
Pa ipak, Seung i Hoon vešto vode nekoliko paralelnih priča i u krajnjem zbiru THE UNJUST jeste film koji uvodi Seunga u viši rang od onog u kome je bio do tada sa svojim dosta eklektičnim opusom nesumnjivo prilično solidnih filmova koji ipak nisu dosezali dovoljno daleko. U periodu kada su korejski filmovi počeli da se dosta ponavljaju i da kroz stalne reinterpretacije interanacionalno uspelih formi postaju sve lokalniji, Seung uspeva da u konvencionalnijem ključu proizvede internacionalno relevantniji rad.
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TÔKYÔ SONATA (2008)
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2F1.bp.blogspot.com%2F-IUrvvGjgUHQ%2FT17VZKLTS0I%2FAAAAAAAAPOk%2FYmwyEx9YD9c%2Fs1600%2FT%2525C3%252594KY%2525C3%252594%2BSONATA.jpg&hash=7c8b6b8f094539427fb757d2d11e8ff92c165303)
http://ljudska_splacina.com/2012/03/tokyo-sonata-2008.html (http://ljudska_splacina.com/2012/03/tokyo-sonata-2008.html)
Pogledao sam PARADISE MURDERED Han Min Kima. Ovaj film bi se mogao posmatrati kao apsurdna, crnohumorna varijacija na podžanr varoških misterija koje je Bong Joon Ho doveo do vrhunca u filmu MEMORIES OF MURDER. PARADISE MURDERED je ipak film lokalnog dometa, između ostalog i zato što je glumačka podela puna dosta međusobno sličnih faca i bilo mi je jako teško da ispratim priču. Zatim, za razliku od Bonga koji je uzeo jednu istinitu priču, sačuvao njene razne kontingentne događaje, obogatio je humorom i majstorski zaokružio, Han Min Kim se odlučuje da svoju misteriju razreši kao Agatha Christie i da umesto kroz odnose među likovima sve prelomi kroz apsurdno nasilje.
U tom pogledu, PARADISE je solidna korejska varijacija na Agathu i spaja je sa specifičnom atmosferom izolovanog ostrvskog sela. Sasvim sigurno je korejskim gledaocima ovaj film efektniji jer razlikuju glumce i prepoznaju neke mentalitetkse detalje koji su meni ipak ostali nedostupni. Otud, ovaj naslov je pre svega zanimljiv za fanove korejskog filma i sigurno ne predstavlja delo koje bi ostvarilo značajniji crossover sa onima koji nisu upućeni.
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Pogledao sam CHOI-JONG-BYEONG-GI HWAL Han-min Kima, preveden kao WAR OF THE ARROWS. Reč je o zanimljivom akcionom filmu smeštenom u 17. vek u kome je glavni junak potomak poraženog feudalca koji odrasta u vrsnog strelca i biva primoran da spasava svoju sestru i porodicu koja ga je prihvatila posle očeve smrti tokom najezde mandžurijskih plemena.
Han-min Kim uspeva da akciju postavi vrlo zanimljivo, drugačije od tipičnih japanskih ili hongkonških akcijaša smeštenih u ovu epohu. Han-min Kim nije razigran i "natprirodan" kao hongkonški wuxia filmovi, niti je statičan kao japanski, već nalazi dobar balans, ali u tom balansu je svakako bliži Japancima i naslovima kao što je SHOGUN LEMITSU NO RANSHIN Yasuo Furuhate. Ono zde nailazi na probleme to je podela u kojoj je glavni junak verovatno najslabiji i najmanje upečatljiv glumac i čitav zaplet oko brata i sestre sa sve sestrinom veridbom i kasnijom sudbinom koja je postavljena prilično naivno.
Čini se da Han-min Kim za razliku od svog prethodnog filma PARADISE MURDERED nije radio puno na tome da stvari budu postavljene originalnije, čak ni da se drama više organski razvija, bez velikih skokova između situacija. Otud se film zapravo svodi na nekoliko potera a razvoj likova i priče je dat u skokovima koji su rešeni natpisima.
Pitanje razvoja likova i stvaranje autentične drame razdvaja ovaj film od velikog utiska koji je mogao da postigne. Doduše, moguće je da cut od 128 minuta sadrži nešto čega nema u ovom "zapadnom" od 122 premda sumnjam da tih šest minuta čine prelomnu razliku na nivou postupka.
U svakom slučaju Han-min Kimu treba prići sa velikom pažnjom.
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The Crucible aka Silenced (2011) - South Korea - Trailer (HD) (http://www.youtube.com/watch?v=gqe1OhrDihI#ws)
Come Rain, Come Shine - Official Trailer (Eng subtitle) (http://www.youtube.com/watch?v=S62M82HGkW4#)
Villain ('Akunin' - Lee Sang-il, Japan, 2010) English-subtitled trailer (http://www.youtube.com/watch?v=yGUeUi3_rc4#ws)
Usagi Drop - Trailer Live - Action (http://www.youtube.com/watch?v=tYvxhmIBO7Q#ws)
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fwww.dramastyle.com%2Fimages%2F3%2F1%2FChildren_Korean_Movie_5427_poster.jpg&hash=bc6b9d3e536fc2fa3c37f560b2cbf54900bb7328)
http://video.online.ua/244026/deti-children-a-i-deul-2011-treyler/ (http://video.online.ua/244026/deti-children-a-i-deul-2011-treyler/)
ne palite se mnogo ni na CHILDREN ni na CRUCIBLE.
slabo je to.
ĐECA su kilava dvojka, a ovaj drugi= 3- (dakle, može se videti, nije loš...)
Pogledao sam CHILGEUP GONGMOWUN Terra Shina, preveden na engleski kao MY GIRLFRIEND IS AN AGENT. Reč je o romantičnoj akcionoj komediji na tagu filma MR AND MRS SMITH, ali se u principu ne može reći da se radi o tipičnom južnokorejskom rip-offu. Ovo je ipak nešto originalniji odnos prema toj premisi ali nesporno je da se nadovezuje na SMITHSe i TRUE LIES.
Terra Shin je uspeo da napravi film u kome ima dovoljno akcije, intrige i trilerskih elemenata a da ljubavna priča bude u prvom planu, a priličan deo komedije uspeva da bude zanimljiv i nekorejskoj publici. Isto tako, uspeo je da napravi solidan balans između dinamične akcije i melodrame u rediteljskom smislu i da film iako spaja različite elemente bude prilično koherentan i da ne deluje kao usiljeni spoj nekoliko različitih postupaka.
Otud je MY GIRLFRIEND IS AN AGENT jedan od malobrojnih južnokorejskih blokbastera izvan osvetničkih ciklusa i drugih filmova koji vrcaju od bizarnosti i ekstrema koji zbilja funkcioniše na internacionalnom nivou i u svom podžanru spada među globalno upečatljive naslove.
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Pogledao sam THE KICK Prachye Pinkaewa. Moram priznati da se Prachya sada nalazi u situaciji koju sam priželjkivao a to je koprodukcija sa kinematografijama koje su u pripovedačkom smislu razbvijenije i mogu da povoljnije utiču na scene koje se pojavljuju između borbi po kojima je Pinkaew prepoznatljiv. Posle dosta slabog WHITE ELEPHANTa sa Amerikancima, Pinkaew sada radi sa Korejancima i to je ohrabrujuća saradnja. Nažalost, uprkos tome što je u saradnji sa njima sada uspeo da napravi film sa koliko-toliko smislenom pričom i likovima, i da dramske scene ne deluju potpuno diletantski, THE KICK se u pogledu likova i njihovih odnosa ne izdvaja iz donjeg doma populističkih filmova iz Južne Koreje ili Hong Konga.
Međutim, Pinkaew ponovo sarađuje sa Panna Rittikraijem i film u finalu donosi jedan izvanredan set-piece, veliku borilačku scenu se nekoliko upečatljivih deonica. U tom pogledu, THE KICK nadoknađuje ono što je nedostajalo u WHITE ELEPHANTu. Kad je reč o korejskom tržištu, čini mi se da Pinkaew nije napravio veliki proboj, i da će svoje sledeće propjekte ponovo raditi u tajlandskim okvirima i ponavljati stare greške.
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South Korean filmmaker and "Oldboy" director Chan-wook Park is in talks to direct Craig Zahler's thriller script "The Brigands of Rattleborge" for Red Granite Pictures and Mythology Entertainment says Variety.
The story follows a sheriff and a doctor who seek revenge against a group of bandits who use the cover of a torrential thunderstorm to rob and terrorize the occupants of a small town.
Zahler's script made the 2006 Black List of best unproduced screenplays but the violent content is extreme enough that the project has been languishing for several years.
Bradley Fischer, Riza Aziz and Joey McFarland will produce.
U sklopu priprema za CLOUD ATLAS pogledao sam AIR DOLL Hirokazu Koreede, u kom Doona Bae igra lutku koja oživi, vrlo slično CLOUD ATLASu gde igra osvešćenog androida. Pretpostavljam da CLOUD ATLAS neće imati toliko prostora da se Doona Bae razigrava glumački ali je ona na tu temu zaista sve rekla u Koreedinom izuzetno zanimljivom filmu. Njena rola je u centru ovog filma i upravo je ona razlog zbog kog AIR DOLL uspeva da prevaziđe sve svoje padove na nivou ritma, krize u vođenju priče i sl.
Na kraju spoj briljantne glumačke igre Doone Bae i intrigantne tačke zapleta čine da AIR DOLL bude vrlo atmosferično i zadovoljavajuće iskustvo. Ova premisa nije po prvi put dotaknuta u AIR DOLLu ali mi se čini da ju je Koreeda najživopisnije iskoristio i ponudio najzaokruženije delo. Najznačajniji domet je prvo besprekorno integrisanje glumice i lutke u izgradnji lika Nozomi, izuzetno jednostavna rešenja kojima Koreeda uspostavlja svoju pripovedačku konvenciju unutar premise koja je bajkovita i izuzetno delikatna u svakom smislu.
S druge strane, ako imamo u vidu Koreedin tradcionalni modus operandi, i uopšte očekivanja koja bi se od ove forme mogla imati, AIR DOLL je zapravo prilično dinamičko ostvarenje, sa izgrađenom elegičnom crtom i izvanrednom realizacijom.
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Kotoko (2012)Year: 2012
Country: Japan
Directed by: Shinya Tsukamoto
Duration: 1 hr, 31 min
Language: Japanese
Subtitles: English (.idx/sub)
Cast: Cocco, Shinya Tsukamoto
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Plot: The story of a single mother who suffers from double vision; caring for her baby is a nerve-wrecking task that eventually leads her to a nervous breakdown. She is suspected of being a child abuser when things get out of control and her baby is taken away.
Kotoko.2012.BDRip.AC3.x264-LooKMaNe
Kotoko.2012.BluRay.1080p.x264.DTS.NiggaElk
Quote from: SaksOverkill on 25-10-2012, 13:56:52
Kotoko.2012.BDRip.AC3.x264-LooKMaNe
Kotoko.2012.BluRay.1080p.x264.DTS.NiggaElk
:| :| :|
to mi reci!
dajem 20 slučajno odabranih novih, nahvaljenih reditelja za jednog šinju!
:!: :!: :!:
KOTOKO (Shinya Tsukamoto, Japan - 2011) Japan trailer (http://www.youtube.com/watch?v=ETXpFlDL8Rs#ws)
Underwater Love 2011 DVDRip XviD-RedBlade
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http://www.imdb.com/title/tt1678054/ (http://www.imdb.com/title/tt1678054/)
Yakuza-Busting Girls Duel In Hell 2010 DVDRip XviD-RedBlade
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http://www.imdb.com/title/tt1604554/ (http://www.imdb.com/title/tt1604554/)
Pieta
A.K.A: 피에타
IMDB LINK: http://www.imdb.com/title/tt2299842/ (http://www.imdb.com/title/tt2299842/)
Directed: Kim Ki-duk
Genre: Crime | Drama
Runtime: 1hr 42mn
Country: South Korea
Language: Korean
Subtitles: ENGLISH | Korean [Selectable]
Cast
Lee Jung-Jin - Gang-Do
Jo Min-Su - Mi-Son
Woo Ki-Hong - Hoon-Chul
Kang Eun-Jin - Hoon-Chul's wife
Jin Yong-Ok - shop owner in wheelchair
Heo Joon-Seok - shop owner who commits suicide
Kwon Se-In - shop owner who plays guitar
Kim Jae-Rok - monk
Yoo Ha-Bok - container man
Synopsis
A vicious man (Lee Jung-Jin) works for a loan shark as an enforcer. When customers are unable to pay for their outrageous interest payments the man forces these borrowers to gimp their own bodies to collect insurance money. A woman (Jo Min-Su) then appears in front of the man and gets down on her knees. She tells the man that she is his mother and begs for forgiveness. The vicious man was given up for adoption as soon as he was born. The man quickly dismisses the woman as crazy, but her persistance soon cracks through the man's hardened outer shell. Can the mother and son find happiness at last?
Pieta 2012 DVDRip AC3 x264 theonlyh
Pieta 2012 HDRip x264 720p AAC Playy
Pieta 2012 KOREA 720p HDRip x264 AC3 JYK
Pieta 2012 HDRip XviD AC3 JSB
jel to za ENG. TITLOVE proveren fakat - tj. skinuo si ih?
jer, film je izašao pre nekoliko dana ali tad nije bilo eng. titlova...
Nema veze, pogledaće se u bioskopu ovih dana...
nema veze, našo sam i titlove i torent i pogledaću ga za oko pola sata! :!:
... i zvanično i sa matching titlovima...Pieta 2012 DVDRip XviD-CoWRY
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http://www.imdb.com/title/tt2299842/ (http://www.imdb.com/title/tt2299842/)
The Bullet Vanishes 2012 DVDRip XviD-CoWRY
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http://www.imdb.com/title/tt2106741/ (http://www.imdb.com/title/tt2106741/)
R2B Return 2 Base 2012 PROPER DVDRip XviD-CoWRY
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http://www.imdb.com/title/tt2253742/ (http://www.imdb.com/title/tt2253742/)
Pogledao sam GOLGO 13 Shunye Satoa, japanski akcioni triler iz 1973. godine, nastao po stripu Takao Saita. Ovog junaka je kasnije igrao Sonny Chiba a napravljene su i animirane serije. GOLGO 13 je nastao po Saitovom scenariju i sniman je u Šahovom, pred-homeinijevskom Iranu što filmu daje jednu zanimljivu egzotičnu dimenziju a naročito je zanimljivo to što su persijski junaci nahovani na japanski. Sato je stari majstor japanskog repertoarskog filma koji se nije mnogo nametnuo kao reditelj van lokala ali mu je Toei prepuštao neke od najskupljih japanskih projekata i u ovom filmu se oseća zašto je dobijao takvo poverenje. Sato donosi nekoliko maestralnih sekvenci, a još je važnije to da se Takakura Ken nameće kao jedan validan akcioni heroj, čiji underplay ponekad dostiže granice paroksizma ali ima svoje mesto.
Nažalost, na nivou celine i zapleta GOLGO 13 nije naročito zanimljiv i Sato uspeva da ga oživi na nivou pojedinačnih situacija uprkos tome što nema snažnijeg pripovedačkog zamajca. Persijska podela je mnogo manje zanimljiva od Takakura Kena tako da ovde imamo slučaj specifičnog ugođaja kolonijalne kinematografije u kojoj kolonizovani preuzimaju ulogu kolonizatora. Takakura Ken je bio velika japanska zvezda ali je u američkim filmovima bio sidekick američkim zvezdama. Ovde on ima taj tip inferiornih sidekickova.
Skor je dosta po uzoru na špageti vesterne i čini mi se da su iranske pustinjske lokacije i uopšte priroda koja vuče na vestern inspirisali to rešenje koje se nije pokazalo kao baš najbolji put. GOLGO 13 pretenduje na kalibar koji ne uspeva da dostigne ali čini mi se da je bilo prostora da se ovaj lik barem još jednom načne sa Takakura Kenom.
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Ovaj RETURN 2 BASE ima problem što mu ne rade titlovi za drugi disk. Ili ja naprosto nisam imao sreće...
[Korean] Doomsday Book 2012 BRRip HC-ENG XviD-ViP3R
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http://www.imdb.com/title/tt2297164/ (http://www.imdb.com/title/tt2297164/)
Pogledao sam AL-TOO-BI: RITEON TOO BEISEU Dong Won-Kima, na zapadu poznat kao R2B: RETURN 2 BASE. Reč je južnokorejskom rip-offu TOP GUNa, koji praktično u potpunosti preuzima sve ono što je bila priča Scottovog filma i realzuje bez onog dara i veštine. R2B nije neprijatan za gledanje uprkos brojnim problemima, od onih objektivnih kao što su mlaka, i već viđena priča iz identičnog filma koji je pritom klasik i sam po sebi je dosta citiran do onih subjektivnih a vezani su za to da su belcima Azijati jako teški za razlikovanje, naročito u filmovima koji se dešavajku u vojsci i po definiciji govore o ljudima koji izgledaju i ponašaju se slično.
Dong Won-Kimova režija je glossy, glavnu ulogu igra Rain koji je snimio ovaj film pred odlazak na odsluženje vojne obaveze i verujem da je upravo ovo snimanje bilo deo tog zadatka. Slično Izraelu i u Južnoj Koreji služenje vojske traje nešto duže. R2B je propagandni gung ho film koji promoviše južnokorejsko vazduhoplovstvo i teško je poverovati da Rain i vojska nisu našli zajednički interes u ovom projektu.
U filmu Južnokorejanci ratuju sa severnokorejskim pučistima koji žele da obustave mirovne pregovore o ujedinjenju i započnu novi rat. Ponovo dakle imamo u film u kome nisu negativci "obični građani" Severne Koreje, niti državni vrh, već odmetnuti deo državne nomenklature. U tom pogledu R2B ne predstavlja Severnjake kao negativce već više kao svojevrsne žrtve manipulacije.
Rekonstrukcija severnokorejske vojske se retko viđa na filmu. U ovom je prilično neautentična. U filmu se leti Migovima i Kamov helikopterom, ali šare na njima su više proistekle iz produkcionog dizajna nego iz šare koje nose pravi severnjački Migovi koji su inače ofarbani u boje kakve bi stavio neko ko se kladio u prefarbavanje aviona i izgubio. U ovom filmu, vrlo su estetitovani, sa teget tonovima oznaka i deluje kao fetišizovan protivnik.
Nekog naročito razvijenog konflikta nema ni na jednom nivou. Pa tako i kod Severnjaka samo naziremo par likova i to su sve dosta šturo postavljeni negativci smešteni u visokoestetizovane ambijente.
Kako film ne bi otišao u preveliki neukus, iako u njemu već jeste, uvodi se sekundarni protivnik, vazduhoplovstvo SAD koje želi da samo obavi akciju umesto Južnjaka. Ipak, na kraju naravno Južnjaci uspevaju da očuvaju svoj integritet i rešavaju svoj posao sami.
R2B donosi dosta akcije u vazduhu koja je previše oslonjena na CGI tako da avioni mogu sve da rade, što kvari utisak inače solidno realizovanih vazdušnih scena. Taj CGI momenat u ovom filmu dosta pomaže, naročito jer mislim da su Migovi pretrpeli dosta intervencija animatora, ali ideje koje se tom tehniko realizuju su mahom neuverljive.
Ipak, činjenica da veliku ulogu igraju retko snamni borberni avioni F-15 i Mig-29 čini ovo zanimljivim filmom za ljubitelje avijacije.
* * / * * * *
Jel se pojavio GRAND HEIST na nekom ripu razumne veličine?
[Korean] The Grand Heist 2012 BRRip HC-ENG XviD-ViP3R
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http://www.imdb.com/title/tt2448584/ (http://www.imdb.com/title/tt2448584/)
Pogledao sam zanimljiv južnokorejski film katastrofe YEON-GA-SI Jeong Woo-Parka koji je snimio nekoliko filmova pre ovoga, ali se nisam susretao sa tim naslovima. U svakom slučaju, Jeong Woo-Park ni ne režira kao debitant i YEON-GA-SI je zanimljivo postavljena i realizovana priča o zarazi mutiranim parazitom koja dobije ogromne razmere i ima fatalan ishod ukoliko se brzo ne pronađe lek. Osnovni problem filma je u čudnom spoju A-produkcionih ambicija i B-senzibiliteta priče. Naime, Jeong Woo-Park relativno dobro postavlja epidemiju nacionalnih razmera u odnosu na borbu glavnog junaka i tenziju koja iz nje proističe. Međutim, ceo zaplet sa tim junakom iako počinje dobro kasnije dobija senzibilitet dosta naivnog B-filma, smenjuju se vrlo složene i neuverljivo dosadne situacije, zavera koja je istovremeno ingeniozna i ekstremno naivna, i usled tih nekonzistentnosti YEON-GA-SI kasnije ima ozbiljne probleme kako da održi svoj tonus.
Ipak, to ne umanjuje relativno prijatne iskustvo gledanja ovog filma koji uprkos raznim nekonzistentnostima i tankom razrešenju, ima u sebi nešto jednostavnosti dobrog američkog repertoarskog filma, kao i zanatske solidnosti i originalnosti korejske kinematografije.
* * 1/2 / * * * *
"zanimljiv južnokorejski film katastrofe YEON-GA-SI"
= izrazito slab film, skoro nevredan pažnje.
**
Pogledao sam HOWLING, policijski triler koji je režirao Yu Ha sa čijim radovima do sada nisam imao većih iskustava ali spada među iskusnije reditelje. HOWLING je zanimljiv film na liniji američkih krimića kao što su WHITE DOG i THEY ONLY KILL THEIR MASTERS u kojima se životinje koriste kao dresirane ubice.
U ovom filmu, imamo priču o iskusnom detektivu kog igra Kang-ho Song koji donosi svoju već standardnu personu u lik več potrošenog i frustriranog detektiva koji mora da radi sa mladom inspektorkom na seriji misterioznih ubistava. U seksističkim okolnostima odeljenja za ubistva u kome se on već oseća izostavljeno i preskočeno jer nije napredovao u skladu sa svojim ambicijama, novi partner samo podiže tenziju.
Yu Ha ima dobro postavljenu priču koja ne donosi puno iznenađenja ali donosi dosta pošten odnos prema već uspostavljenim konvencijama police procedurala i nudi sasvim dovoljne svežine da nađe svoje mesto u globalnoj ponudi ove vrste filmova. Problem je samo u režiji koju Yu Ha u mnogim aspektima bazora na poentiranju i infodumpovanju već očigldnih stvari po čemu HOWLING često zaliči na televiziju i čini se ostaje lokalan bez perspektive za crossover na zapadnim tržištima što je šteta jer ovo je film koji možda ne spada u sam krem južnokorejskog repertoarskog filma ali je u samom materijalu zarobio jedno mnogo bolje ostvarenje koje je Yu Ha nije uspeo da plasira.
Čini mi se da HOWLING ima jako velike perspektive za rimejk.
* * 1/2 / * * * *
Pogledao sam WOOCHI Dong Hoon-Choija, juznokorejskog specijaliste za repertoarske spektakle razlicitog profila, ali mahom lokalnog dometa. WOOCHI je film koji je u nekoliko navrata nadomak da zavredi crossover van Juzne Koreje, ali upravo greske samog Dong Hoona ga vracaju u lokalne okvire. Ovaj svojevrsni rip-off francuskog spektakla LES VISITEURS smesten je u milje taoistickih bogova, goblina i carobnjaka koji intrigu iz proslosti prenose u sadasnjost, u svet u kome se tesko snalaze jer su vekovima bili zatoceni.
WOOCHI je u nekoliko navrata i u velikom broju resenje prilicno svez, ako imamo u vidu da se oslanja na vec dosta trosenu premisu, medjutim Dong Hoon-Choi u prelomnim momentima pokazuje nesigurnost. Ona se iskazuje ne samo kroz neka zbunjujuca rediteljska resenja na nivou montaze i vodjenja price vec i na planu uticaja koje Dong Hoon uvodi u svoj film. Jedna od zanimljivih karakteristika juznokorejskog repertoarskog filma je to sto reditelji mahom rade u nekoliko zanrova i mali broj se profilise za samo jedan zanr. Moguce je da takva situacija navodi reditelje da se trude i skupe sve sto znaju i misle da treba da pokazu na jdnom mestu. WOOCHI je bez sumnje bio prilicno ambiciozan film ali Dong Hoon ga je odveo predaleko u svom showcaseu.
To je steta, jer u fazama kada je fokusiran, Dong Hoon nudi jedan prilicno dobar film, ali sa trajanjem od 135 minuta i dosta lutanja, WOOCHI nije uspeo da u dovoljnoj meri zavredi paznju van lokalnih okvira i ostavi neki znacajniji trag.
* * 1/2 / * * * *
Stoker
By Guy Lodge
A Fox Searchlight release and presentation of a Scott Free production, in association with Indian Paintbrush, Dayday Films, Ingenious Media. Produced by Ridley Scott, Tony Scott, Michael Costigan. Executive producers, Steven Rayles, Mark Roybal. Co-producers, Wentworth Miller, Bergen Swanson, Wonjo Jeong, Michael Ellenberg. Directed by Park Chan-wook. Screenplay, Wentworth Miller.
India Stoker - Mia Wasikowska
Charles Stoker - Matthew Goode
Evelyn Stoker - Nicole Kidman
Gwendolyn Stoker - Jacki Weaver
Richard Stoker - Dermot Mulroney
Whip - Alden Ehrenreich
Mrs. McGarrick - Phyllis Somerville
Sheriff - Ralph Brown
Mr. Feldman - Harmony Korine
Pitts - Lucas Till
When South Korean genre iconoclast Park Chan-wook decided to bring his peculiar gifts to a Stateside production, anything could have happened - and anything pretty much does in "Stoker," a splendidly demented gumbo of Hitchcock thriller, American Gothic fairy tale and a contemporary kink all Park's own. Led by a brilliant Mia Wasikowska as an introverted teenager whose personal and sexual awakening arrives with the unraveling of a macabre family mystery, this exquisitely designed and scored pic will bewilder as many viewers as it bewitches, making ancillary immortality a safer bet than "Black Swan"-style crossover biz for Fox Searchlight's marvelously mad March hare.
Earmarking future cult items is a fool's errand, but Park's film nonetheless stands to be treasured not just by his existing band of devotees, who should recognize enough of the "Oldboy" and "Thirst" director's loopy eroticism and singular mise-en-scene amid the studio gloss, but by epicurean horror buffs, camp aficionados and even a small, hip sect of post-"Twilight" youths.
Not all those auds will follow the stream of wink-wink storytelling references in the brazenly nasty script by Wentworth Miller, the British-born actor best known for his work in TV's "Prison Break," here making his feature writing debut. None is more blatant than the naming of Matthew Goode's antagonist figure. When morbid-minded honor student India (Wasikowska) loses her beloved father, Richard (Dermot Mulroney), in an apparent freak car accident, the ink is barely dry on the death certificate when her globe-trotting uncle Charles (Goode, his unhurried charm and preppy handsomeness put to their best use since 2005's "Match Point"), whom she's never met before, arrives to stay.
Before you can say "Shadow of a Doubt," this urbanely handsome "Uncle Charlie" is arousing India's suspicions (and, it's implied, other things besides) as he swiftly cements himself in the household by seducing her brittle, emotionally susceptible mother, Evelyn (Kidman). Shortly afterward, their housekeeper disappears without notice; ditto India's meddlesome aunt (a brief but tangy turn from Jacki Weaver), who appears to know troubling truths about the intruder, dismissed out of hand by Evelyn.
The is-he-or-isn't-he question is answered sooner than Hitch might have done it, as India's darkest instincts about Charles are confirmed by the end of the first half - though, unsurprisingly in this particular story world, this knowledge actually causes her to warm to him a little. (And only a little: when he mentions he desire to be friends, her typically pithy reply is, "We don't need to be friends, we're family.")
But there's still plenty of mileage in Miller's warped family melodrama, as the respective and inevitably linked uncertainties about Richard's death and Charlie's long absence are kept aloft, while Charlie's gradual playing of India and Evelyn against each other adds queasy sexual tension to an already chilly mother-daughter relationship. Auds will either go with this festering hotbed of secrets, lies and severed heads, or tune out early, and even the faithful may debate whether or not Park, who otherwise oversees proceedings with amused precision, overplays his hand in the bizarre, bloody finale.
Material this wild demands actors fully committed to the cause, and Park has found them, particularly in his two female leads. Kidman, here extending her commendable record of counterintuitive auteur collaboration, has such form in the area of passive-aggressive ice queens that her work here shouldn't surprise, but the performance gets more bravely unhinged as it goes along, culminating in a spectacular Mommie Dearest tirade against her daughter that seems ripe for future impressions. Still, it's Wasikowska's film, and she shoulders it with witty aplomb: equal parts Alice in Wonderland and Wednesday Addams, her India is in constant, silent argument with the world around her.
All the actors are given an invaluable assist from Kurt Swanson and Bart Mueller's crisply tailored costumes, which period-indeterminate even as the film is set in the present day. This kind of chic otherness is also at play in Therese De Prez's superb production design: the Stoker family house, all angular architectural fittings and inventively distorted scale, is a creation worthy of prime Tim Burton.
Park's regular d.p. Chung-hoon Chung appears to be channeling photographer Gregory Crewdson's eerily high-key Americana in his lighting schemes, while Clint Mansell's characteristically rich, modernist score is embellished with haunting piano duets composed specifically for the film by Philip Glass. The repeated use of the Lee Hazlewood/Nancy Sinatra number "Summer Wine," meanwhile, is typical of the director's cockeyed take on American culture. Long may he continue to explore.
Camera (color, widescreen), Chung-hoon Chung; editor, Nicolas De Toth; music, Clint Mansell; production designer, Therese De Prez; art director, Wing Lee; set decorator, Leslie Morales; costume designers, Kurt Swanson, Bart Mueller; sound (Dolby, SDDS), Glen Trew; re-recording mixers, Chuck Michael, Jim Bolt; visual effects supervisor, Lee-Jeon Hyoung; visual effects, 4th Creative Party, Reliance Mediaworks; stunt coordinator, Ian Quinn; assistant director, Thomas Fatone; casting, Donna Isaacson. Reviewed at Sundance Film Festival (Premieres), Jan. 20, 2013. MPAA Rating: R. Running time: 98 MIN.
Stoker: Sundance Review
2:23 AM PST 1/21/2013 by John DeFore
The Bottom Line
Park offers one of the most artful chillers in ages.
Venue
Sundance Film Festival (Premieres) (Fox Searchlight)
Director
Park Chan-wook
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Comments
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With Spike Lee's remake of his "Oldboy" coming this fall, Park Chan-wook makes his long-awaited English-language debut.
PARK CITY -- Park Chan-wook leaves the expected streaks of blood across American screens in Stoker, his English-language debut about a young woman whose coming of age takes place among the corpses of family members and neighbors. Fans who have followed the Korean auteur since 2003's Oldboy will not be disappointed, but a high creep-out factor and top-drawer cast also should attract genre fans who've never heard of him.
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Park Chan-Wook's 'Stoker' to Close Rotterdam Festival
'Stoker' Trailer
Park Chan-wook on Hollywood Debut 'Stoker': I Wish I Had More Time With the Actors
Mia Wasikowska plays India, an unusually serious girl whose father dies on her 18th birthday. At the wake she meets an uncle she never knew about, Charlie (Matthew Goode), just returned from unspecified work in Europe. She spends the day dodging his unsettling stare while noting an unsavory familiarity between Charlie and her normally distant mother, Evie (Nicole Kidman).
PHOTOS: Sundance 2013: The Scene in Park City
That unseemliness does not go unnoticed when Charlie decides to stay awhile -- just the three of them (the longtime housekeeper having left abruptly) in a large house isolated from town by acres of woods. A rarely seen aunt (Jacki Weaver) comes for dinner, hoping to tactfully get Charlie out; she isn't heard from again.
Park's restless but exacting camera adds to the tension between these three characters, all of whom are so stiffly guarded with each other -- clearly hiding some things but suspiciously open about others -- that we spend the first half of the film waiting for something to crack, like the hard-boiled eggshell India slowly demolishes on the kitchen table. Sound cues like that eggshell are often exaggerated here, and much is made of parallel physical actions: the opening of a piano lid, say, whose keyboard son will witness a disturbingly erotic duet, with that of a deep freeze that holds more than ice cream.
VIDEO: Sundance 2013: THR's Video Diaries
As a connection forms between India and Charlie -- a sexually skewed mirror, maybe, of the deep bond she had with her father -- Park's unsettling visuals and his handling of the cast make the occasional holes in Wentworth Miller's script practically irrelevant. It's hard to guess whether India is a heroine about to slay a dragon or a beast being born. In the world of Stoker, that seems like a perfect definition of adolescence.
Pogledao sam film HO-CHA Young Ju-Byuna. Film je vrlo zanimljiv i sporadično je na granici da se ispostavi kao sjajan rad koji odstupa od već potrošenih konvencija korejskog trilera, međutim, u jednom trenutku kada krene da se razotkriva osnova misterija oko koje je sve izgrađeno, a to je identitet junakove nestale neveste, gotovo da estaje drame i odlazi se u retrospekcije čiji je sadržaj neočekivan ali je ishod gledaocima već poznat. Naprosto, čini se da je HO-CHA jedan od onih trilera u kojima prošlost utiče na sadašnjost koji se previše izgube u toj prošlosti. To je baš šteta jer Young pokazuje vrlo solidne pripovedačke veštine, umeren je, ima ukusa, neke od već poznatih konvencija korejskog trilera koje su malo dosadile fino sprovodi. U tom smislu, HO-CHA ostaje film koji vredi videti kao svojevrsno osveženje u okvirima ovog podžanra.
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Korean film exports went up 8.4% to a total of $37.8m last year, according to the Korean Film Council (KOFIC).
Completed films sold for $29.1m, up 27.5% year-on-year. This marks the first time since 2008 that completed film exports went over the $20m mark.
The total number of films that did export deals last year was 331, slightly down from 366 the year before. The average price for a film last year was $42,811, up 5.8% year-on-year.
As for film sales territories, Asia accounted for 71.6% of exports or $14.4m, up 60% year-on-year. Although Asia has always been a major export region for Korean films, last year was particularly so with star vehicles such as The Thieves, Code Name: Jackal and I Am The King.
North America and Europe switched places as the second and third top export territories last year for Korea. North America accounted for 14.2% of total exports with $2.87m, a total which is up 71.7% year-on-year. Direct distribution of Korean films in North America has gone up and is seen to have contributed to the total racked up on that continent.
Europe accounted for 12.2% with $2.45m, down 30.3% year-on-year. Films like Venice Golden Lion winner Pieta, disaster film Tower, 3D animated film Speckles: The Tarbosaur, and sci-fi omnibus Doomsday Book sold well to Europe.
Japan was the top buyer of Korean films last year with $9.67m, up 164% year-on-year. Films that did well in Korea such as All About My Wife, Architecture 101 and Nameless Gangster: Rules Of The Times sold well and CJ E&M's branch in Japan contributed with direct distribution.
Also in 2012, production and post-production services including VFX and 3D work, special effects, make-up, martial arts/stunts and locations made $17.6m, down 7.3% year-on-year.
Treba se suočiti sa surovom istinom - THE LAST STAND nije pravi film za Arniejev povratak u bioskope, a ruku na srce, suroviji je deo kojinam kaže da od onoga što bi trebalo da se vrati nije ostalo mnogo. Međutim, pored toga što ovo nije pravi film za Arniejev povratak, nije pravi ni za Kim Jee Woonov dolazak u Holivud.
I John Wayne je pred kraj karijere, odnosno kada je počeo za zalazi, sarađivao sa novijim rediteljima, slabijim od onih koji su režirali kanon njegovog opusa, tu pre svega mislim na Forda, Hawksa i Hathawaya. U svakom slučaju, on je tu nailazio na zanimlljive ekscese poput saradnje sa Douglasom Hickoxom ili Johnom Sturgesom, pa sve do remek-dela koje mu je napravio Don Siegel. U tom smislu, Arnie je napravio zanimljiv manevar sa Kim Jee Woonom iz više razloga. Prvo, od stranih reditelja, Korejanci su ponajmanje radili u Holivudu, a od ovih novih majstora, sva tri najveća će se okušati ove godine na engleskom ali Kim je prvi. Naravno, to ne znači da su ranije Korejanci potpuno zaobilazili Holivud ali su radili upadljivo marginalno, ponekad, kao u slučaju čuvenog Shin Sang-oka i pod pseudonimom.
Jedan od razloga za to je što korejski reditelji prvo imaju jako dobre uslove za rad u samoj domovini. A drugi je što slabo znaju engleski i što na njih američki film nije ostvario neki presudan uticaj, barem ne mnogo više u odnosu na svakog drugog ko je inače živeo na planeti Zemlji. Oud, za razliku od Hong Konga koji je imao puno veza sa oksidentalnim kinematografijama, Južna Koreja je najveće uspehe postizala kroz svoja autonomna viđenja žanrovskih obrazaca ili kroz gotovo autistično kopiranje američkih uzora u pojedinim slučajevima. Filmovi poput SHIRI ili PHANTOM SUBMARINE jesu gotovo potpuno rip-offovi američkih filmova ali oni ne izgledaju kao radovi nekoga ko "komunicira" sa američkim filmom već pre radovi nekoga ko je pogledao američki film i kao da nema svest o tome da su ti filmovi globalno prisutni i uticajni.
Otud Kim Jee Woon u THE LAST STANDu nekako kao da ne uspeva da savlada činjenicu da režira Arniejev povratnički film. Detalji kojima se aludira na Arnije su minorni i deluju potpuno nepovezano sa samom celinom. Sam Arnie je dosta sklonjen sa ekrana, epizodisti i negativci svih stepena umešanosti imaju mnogo vremena pa je na kraju teško odrediti da li je Arnie baš i zvezda ovog filma. Konačno i kad je na ekranu, nije baš najjasnije gde bi se u njegovom opusu ovaj film mogao smestiti, jer ovo nije produžetak "klasike" a nije ni EXPENDABLES što je zapravo jedina stvar koja na fundamentalnom nivou valja u ovom filmu - Kim Jee Woon nije potonuo u sprdačinu, reference, citate, viceve o samima sebi i sl. Međutim, mimo toga nije ponudio ništa u šta bi se sam Arnie uklopio. Naravno, možemo sada da se setimo nekih manje bitnih Arniejevih filmova poput RAW DEAL ili ERASERa u kojima je on igrao slične "dobro uklopljene" likove ali u suštini Arnie je uvek bio bolji kao autsajder nego kao faktor "normalnosti" kao što treba da bude u ovom filmu.
U tom smislu, ni kada krenu incidenti on ne postaje mašina za ubijanje kao u COMMANDOu, on više posaje neki pseudo-vestern samotnjak što mu ne odgovara.
U produkcionom smislu, THE LAST STAND je svakako skormniji od Kimovog THE GOOD, THE BAD AND THE WEIRD i na polju akcije Kim se pokazuje da je nešto maštovitiji od američkih reditelja a po izvedbi je tu negde oko visoke srednje klase. Međutim, kad je o inventivnosti akcije reč, smisao za humor i sklonost prema prenaglašenom nasilju su prisutni već neko vreme i to mahom u promašajima kao što je DREDD ili simpatičnim komercijalnim katastrofama kao što je PUNISHER: WAR ZONE. Kim Jee Woon je vrlo maštovit i duhovit kada se dođe do akcije, naročito u završnici, pa tu, pre svega na nivou "pogleda na stvari"; THE LAST STAND povuče na Koreju.
I utoliko Kim opravda svoj izlet u SAD, bar kad je reč o producentima, ali ne i kad je reč o onima koji prate njegov rad.
Nažaost, u svemu što nije akcija, i to mahom ona u završnici, Kim se ne snalazi preterano dobro. Dramske scene deluju ispušteno,. na granici parodije i fokusiraju se na razvoj likova u kojima nažalost nema ničega niti zaslužuju pažnju.
No, u krajnjem zbiru, u ovom filmu ima lepih fragmenata, ima mnogo više integriteta nego u EXPENDABLESu i već samim tim zaslužuje pohvalu jer se plašim da će upravo ta samoreferntna faza krasiti Arniejev povratak.
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Pogledao sam JAVA HEAT Conora Alyna. Alyn je američki reditelj čiji je oitac posle političke i medijske karijere odlučio da se stacionira u Australiji i posveti radu na dalekoističnom tržištu. Alyn je tako kao reditelj u produkciji svoga oca radio indonežanske ratne spektakle koji su naišli na simpatije u regionu. JAVA HEAT je njegov pokušaj crossovera sa američkim filmom i uprkos određenim najavama da će ovo biti theatrical film, sve mi se čini da je primarno tržuište za ovaj rad DTV.
Međutim, JAVA HEAT spada u onaj dobar, zdrav DTV. Ne znam tačno kolika je težina Kellana Lutza u domenu popularnosti pošto nisam previše upućen u TWILIGHT kao serijal i njegove konsekvence ali u JAVA HEATu se pokazao kao fizički impresivan i glumački sasvim solidan akcioni heroj koji ima dobru hemiju sa lokalnim kadrom Ario Bayuom.
Alynova priča je rutinska buddy cop prostavka o poteri za teroristom kog igra Mickey Riurke u jednoj od svojih manje zahtevnih tezgaroških izvedbi, ali pošteno govoreći ne mnogo lošijoj od onoga što je pružio u IRON MANu 2.
Kellan Lutz i Mickey Rourke su obojica overili IMMORTALS, i naravno JAVA HEAT ni po budžetu ni po egzekuciji i tom neverovatno Tarsemovopm postupku nije blizak ovom naslovu. Ali, nemoguće je ne podsetiti se na taj film upravo zbog ove dinamike glumačke podele, iako Lutz nije glavni lik kod Tarsema.
Alynova režija je prilično ozbiljna, i u knogim aspektima iskoračuje iz standarda DTVa i po onome što se dešava u kadru i po onome kako se dešava. Alyn nije azijski gospodar bioskopske akcije ali je definitivno kompetentan reditelj na svim nivoima i ovu prilično jednostavnu i potrošenu priču vodi sa solidnim ubeđenjem i čini je pitkom.
U tom spoju Azije i američkih formi, JAVA HEAT deluje kao autohtoni film sa svojim integritetom, nije pokušaj da se "azijski reditelj" proda Americi ili da se nametne nekakvom ekstremnošću. Azijski reditelji su i ranije ulazili u DTV ali su samo u ranim radovima uspevali da se snađu (Ringo Lam i Ching Siu Tung) a mnogi su se i obrukali (Po Chih Leong ili Prachya Pinkaew). Alyn u tom smislu radi "pravi film" a vrlo dobro hendluje i spoj američkog junaka i indonežanskog miljea.
JAVA HEAT je solidan film kome nedostaju neki ukrasi po kojima su se azijski reditelji izdvajali poslednjih godina, ali za razliku od njegovog filma, njihova ostvarenja su se i svodila na ukrase. Ovo je ipak jedan punokrvni B-rad koji ima solidan domet u DTV okvirima.
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Pogledao sam THE WARRIOR'S WAY Sngmoo Leeja, film koji deluje kao nešto što bi snimio srspki reditelj kada bi dobio priliku u Holivudu i pokušao "da uči" Amerikance kako se pravi film. Spoj istočnjačkih borilačkih veština i vesterna je bio prisutan još ranije u rasponu od komedija do exploitationa kao što je TAKE A HARD RIDE Antonio Margherittija. U ovom slučaju korejski reditelj je došao da uči Amerikance pameti i snimio je simpatičan film koji pokušava da spoji vrlo specifičan korejski pristup visokoestetizovanoj nindža akciji sa poznim, pre svega špageti vesternom i uopšte grotesknijim "kontinentalnim" polazištima u prikazivanju Divljeg Zapada.
Nažalost, THE WARRIOR'S WAYne uspeva da bude išta više od simpatičnog pokušaja. Uprkos Leejevoj nespornoj vepštini, film deluje tehnički nezaokruženo a odnosi među likovima su više skicirani nego što su ubedljivo prikazani. Dong-Gun Jang takođe u glavnoj ulozi ne uspeva da se snađe i više deluje kao strano telo u filmu nego kao mistični Azijata koji se izdvaja od okoline.
No, svi problemi na stranu THE WARRIOR'S WAY je prilično maštovit i energičan uprkos tome što nikada ne uspeva da zaživi kao ubedljiv film i po svom rezultatu ostaje jedan ipak neuspeo eksperiment.
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http://dobanevinosti.blogspot.com/2013/04/srpski-film-u-severnoj-koreji.html (http://dobanevinosti.blogspot.com/2013/04/srpski-film-u-severnoj-koreji.html)
Outrage Beyond
Year: 2012
Country: Japan
Director: Takeshi Kitano
Writer: Takeshi Kitano
Genre: Action / Crime
Runtime: 112 min
Language: Japanese
Subtitles: English, Japanese
IMDB: http://www.imdb.com/title/tt1724962/ (http://www.imdb.com/title/tt1724962/)
Release Date: October 6, 2012
Outrage.Beyond.2012.JAP.DVDRip.x264.AC3-zdzdz
Outrage Beyond.2012.BDRip.576p.x264.AAC
The Sorcerer And The White Snake 2011 ENG AUDIO DVDRip xVID AC3-FooKaS
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http://www.imdb.com/title/tt1857913/ (http://www.imdb.com/title/tt1857913/)
Anticipated works by Korean festival favorites Bong Joon-ho and Kim Ki-duk weren't ready in time to be considered for competition, but sidebar announcements still remain to be made.
SEOUL — South Korean has had a strong presence at the Cannes Film Festival in recent years, with two local films, Hong Sang-soo's In Another Country and Im Sang-soo's Taste of Money vying for the Palme d'Or in 2012. But this year few Korean cineastes will be making their way to la Croisette, as much anticipated projects by Bong Joon-ho and Kim Ki-duk were not ready in time for the May event.
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Moon Byounggon's Safe will compete in the short film competition while Kim Soo-jin's Seon will be shown in the Cinefondation section for students.
While this absence of Korean cinema was anticipated in the industry, local media still had to explain to the Korean public the reasons why, with headlines along the lines of "No Bong Joon-ho or Kim Ki-duk at Cannes -- Why?" (Maeil Business Newspaper) and "Korean Cinema Fails to Compete at Cannes This Year" (Yonhap News Agency).
Q&A: Oscar Hopeful Kim Ki-duk on His Controversial Film, 'Pieta'
Bong, much favored by Cannes critics for Mother, among others, was expected to premiere his English-language debut Snowpiercer, especially since the sci-fi story is based on a French graphic novel. However, even before the lineup was announced Thursday it was widely reported that he needed more time for the post-production of the ambitious $39.3 million project starring Chris Evans, Song Kang-ho, Ed Harris, and John Hurt, among others.
There will be no market screening for footage from the film either, which is slated for a summer release, according to its producer CJ Entertainment. The film already stacked up a series of sales for North American, European, and Asian regions during the European Film Market in February and the American Film Market last fall.
Arthouse maverick Kim, meanwhile, is reported to have wrapped up shooting his latest film. Cannes was deemed timely for unveiling the follow-up to his Venice Golden Bear-winning Pieta -- the piece marked a high point in his career following Arirang, which picked up the top prize at Cannes' Un Certain Regard Section in 2011, despite the controversy it generated.
STORY: South Korea Sees String of Homegrown Hits in First Quarter of 2013
While known for his prolific, speedy productions -- his latest project starring Seo Young-joo (named Best Actor at the 25th Tokyo International Film Festival for Juvenile Offender) was shot in just two weeks -- sources say Kim felt his upcoming film was not yet ready for Cannes.
Onlookers, however, are looking forward to the possibility of seeing some Korean titles in the Critics' Week or Directors' Fortnight.
Pogledao sam THE GRANDMASTER Wong Kar Waija, veliki promašaj velikog reditelja. Ovo je jedan od onih slučajeva kada veliki reditelj doživi potpuno neočekivan fijasko. Posle čitave serije okretanja kineskih art house reditelja kung fu filmovima, Wong kar Wai čini taj zaokret, ali čitavih deset godina od kada je to bilo aktuelno i svojim filmom nema da ponudi apsolutno ništa nagriženom hongkonškom filmu. THE GRANDMASTER je monoton, konfuzan, epizodičan i repetitivan, sa neshvatljivo neveštim pripovedanjem i strašno loše koreografisanim i snimljenim borbama koje spadaju u kič kung fu kakav se ponekad ranije sretao u južnokorejskim produkcijama.
Ostavljam mogućnost da je dvočasovna verzija koja se prikazuje u srpskim bioskopima na neki način hendikpirana, da nedostaje nekog materijala, međutim ono što je snimljeno i stil ne sugerišu da bi u bilo kom cutu ovaj film mogao biti znatno bolji, osim što bi verovatno mogao biti jasniji.
A Werewolf Boy BRRip XviD AC3-DEViSE
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http://www.imdb.com/title/tt2315152/ (http://www.imdb.com/title/tt2315152/)
Quote from: ginger toxiqo 2 gafotas on 30-04-2013, 11:21:40
A Werewolf Boy BRRip XviD AC3-DEViSE
ovo sam još pre više od mesec dana ugasio na pola.
gledljivo (jedva), ali isprazno i banalno, i nevredno 2 sata mog vremena.
Umro Lau Kar Leung
http://www.avclub.com/articles/rip-lau-karleung-legendary-martial-arts-choreograp,99429/ (http://www.avclub.com/articles/rip-lau-karleung-legendary-martial-arts-choreograp,99429/)
Lau Kar Leung R.I.P.
UVOD U HONGKONŠKI AKCIONI FILM
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http://ljudska_splacina.com/2013/06/uvod-u-hongkonski-akcioni-film.html (http://ljudska_splacina.com/2013/06/uvod-u-hongkonski-akcioni-film.html)
Sjajan tekst Davida Bordwella o LKL http://www.davidbordwell.net/blog/2013/07/02/lion-dancing-lau-kar-leung/ (http://www.davidbordwell.net/blog/2013/07/02/lion-dancing-lau-kar-leung/)
Pogledao sam HOI SA WON Sang Yoon Lima za koji bi se moglo reći da spada u ne tako čestu formu južnokorejskog B-filma. Još od trajanja od sat i po uprkos tome što pripada žanru koji Korejanci drže u dvočasovnim minutažama, pa preko sažetog, pomalo konfuznog načina izlaganja priče, HOI SA WON odstupa od kanona i više liči na američki B-film ili neki hongkonški rad.
Priča je blago stilizovana, govori o firmi iz metalskog kompleksa koja zapravo funkcioniše kao krinka za plaćene ubice i njenom zaposleniku koji naravno omekša u ključnom trenutku i pretvara se u slabu kariku koja se mora ukloniti,
U pogledu akcije, Sang Yoon Lim je izvanredan, sve što je vezano za atmosferu, obračune i napetost realizuje vrlo energično i elegantno. Nažalost, melodrama koje ima dosta u filmu deluje nerazrađeno a uprkos dosta kratkom trajanju filma ponegde je razvučena i repetitivna. Reklo bi se da je Lim uveo odnose koji su promenili život naslovnom junaku, ali nije najbolje osmislio kako su se oni potom razvijali, kada su ispunili svoju svrhu unutar onoga što njega zanima.
Otud ovo nije značajan film sa južnokorejskim pečatom ali jeste vrlo efektan akcijaš koji će prijati ljubiteljima žanra.
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Gledao sam Drug War. Vrlo dobar film. Solidna gluma, treci akt sa mozda malo preterivanja, ali za ocekivati od To-a uz sva ogranicenja zbog snimanja u Kini.
Pogledao sam THE BERLIN FILE Ryoo Seung-wana, južnokorejski akcioni triler smešten u Nemačku, sniman na licu mesta i u Letoniji, u kome glavni likovi pripadaju severnokorejskoj tajnoj službi. U tom pogledu, THE BERLIN FILE nije prvi film te vrste, imali smo recimo SECRET REUNION u kome odmetnutog severnokorejskog agenta progoni likvidator poslat da ga uklopbni posle neuspelog zadatka. U THE BERLIN FILE međutim severnokorejska služba je tretitana kao CIA u američkom filmu, njeni agenti bivaju izdati od pokvarenih ljudi iznutra, a južnokorejska služba je tretirana podjednako cinično. Otud ovaj film je vrlo neobičan jer odnosima između službi prilazi bez ikakvog ideološkog opterećenja, a razlike su suptilne - naime, među severnokorejskim kadrovima vlada veliko nepoverenje i sumnjičenje dok su južnokorejske kolege nešto opuštenije. U svakom slučaju, iako je prikaz svih službi zaliven cinizmom, on nije dovoljno veliki da prikrije neobično odsustvo esencijalizovanja negativnih kvalifikacija za Severnjake.
Kada u Berlinu pođe naopako tajni sastanak na kome Severnjaci preko Rusa prodaju oružje arapskom pokretu otpora, severnokorejska ambasada u Nemačkoj dolazi pod lupu matičnih službi. Ubrzo kreće međusobno sumnjičenje među ljudima u ambasadi koje dovodi do toga da nevini agent sa suprugom bude optužen za izdaju.
Berlin je staro hldnoratovsko poprište uzbudljivih priča i Ryoo Seung.- wan ga i koristi baš tako, kombinujući atmosferu hladnoratovskih trilera kao što je QUILLER MEMORANDUM i novijih blokbastera kao što je serijal o BOURNEu. U nekoliko navrata Ryoo podleže montažnim sekvencama i flešbekovima i čini mi se da ove prečice pre svega koristi kako bi ubrzao film za zapadnu publiku. Ne bi me čudilo ako je u Koreji prikazan neki ležerniji cut sa dužim trajanjem.
Ryoo se vrlo dobro snalazi u ovoj formi, špijunska intriga mu ide podjednako dobro kao melodrama i akcija, a par set-pieceova su apsolutno na nivou holivudskog spektala BOURNE ili TAKEN profila sa dodatnom dozom južnokorejske maštovitosti.
Uprkos tom što je THE BERLIN FILE bliži zapadnim standardima nego obeležjima korejskog inovativnog žanrovskog filma, bez ikakve sumnje pokazuje da je ova kinematografija spremna da konkuriše u repertoarskim formama čak i kada se ne insistira na lokalnom autorskom pečatu. Najvažnija stvar zapravo jeste to da ovaj film žanrovski može da se nadoveže na SHIRI ali za razliku od njega, ovo je ipak, origibnalan i samouveren film koji ne zaostaje za svojim uzorima.
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Pogledao sam SECRETLY, GREATLY Chul-soo Janga, ekranizaciju stripa koja je ove godine postigla izuzetan uspeh u južnokorejskim bioskopima. Reč je o filmu koji je verovatno sniman sa ambicijom da ostvari crossover uspeh i na Zapadu, sudeći barem po glumačkoj podeli u kojoj je reditelj stavio veliki akcenat na to da se junaci izrazito razlikuju po boji kose, fizionomiji i kostimima. Reč je o vrlo uspeloj žanrovskoj mešavini trilera, komedije i azijske muške melodrame u priči koja je ovog leta, uz THE BERLIN FILE otvorila temu kontoverznog, herojskog, predstavljanja severnokorejskih špijuna u južnokorejskom filmu.
I zbilja, dok film BERLIN FILE dozvoljava mogućnost da su severnokorejski špijuni vešti, da među njima ima poštenih ljudi koji nisu pošteđeni moralnih i drugih dilema svojstvenih savremenom Zapadu, u SECRETLY, GREATLY oni su objektifikovani kao svojevrsni superheroji, seks simboli, sa izraženim osećajem pravičnosti, odanosti i humanosti. Upravo je najzanimljviji deo taj u kome nekoliko ubačenih tajnih agenata svojim neiskvarenim osećajem za pravićnost pomažu Južnjacima da se suoče sa svakodnevnim nedaćama proisteklim iz iskvarenosti koji generišu već uspostavljeni kapitalistički odnosi dominacije.
Naravno, kada se pojave negativci iz Severne Koreje, film prikazuje njihovu aktivnost više kao svojevrsni usud, bratoubilački, samouništavajući impuls nego kao konflikt između dve države. Jedan od motiva prisutnih u filmu upravo i jeste tema sukoba između Severa i Juga koji nikako da se desi. i militantnog naboja koji Severnjaci troše između sebe.
Humor proističe iz zanimljive postavke, naime trojica agenata su ubačeni u Južnu Koreju sa zadatkom da se pretvore u seoskog idiota, rok zvezdu i srednjoškolca i svaki nailazi na određene teškoće u prlagođavanju svom liku. Jednog dana sa Severa stiže zahtev da se u sklopu otopljavanja odnosa sa Jugom svaki od njih samoubije.
Chul-soo Yang u rediteljskom smislu uspeva da ujednači ton pripovedanja iako sama priča menja razna raspoloženja što je inače svojstveno južnokorejskim filmovima. Tako i SECRETLY GREATLY ide u rasponu od komedije do visokooktanske akcije i azijske mačo patetike, međutim Chul-soo Yang nikada ne gubi kontrolu nad pričom i uspeva da je vodi bez većih tegoba. Ono što jednim delom eventualno usporava crossover na Zapadu jeste upravo ta mešavina žanrova i ovaj film je teško plasirati na žanrovski segmentiranom tržištu koje karakteriše današnju zapadnu kinematografiju. S druge strane, čini mi se da je ta vrsta nekonzistentnosti bila izražena i u njegovom prvom filmu BEDEVILLED, s tim što je ovde ta razlika između dve polovine filma manje izražena, premda moguće da je samo evoluirala u nešto što bih mogao formulisati kao dva žanrovska sloja. Iako se žanrovi sporadično promene unutar priče, onaj prethodni ne prestaje sasvim da postoji.
Ipak, u odnosu na slični SECRET REUNION, napravljen je nesumnjivi korak napred. Chul-soo Yang je tri flavna glumca kastovao iz redova televizijskih zvezda i napravio je odličan posao sa njima. Gi-woong Park je imao iskustvo i na filmu ali mislim da je SECRETLY, GREATLY pokazao sve njegove mogućnosti.
SECRETLY, GREATLY se značajno razlikuje od vrlo zanimljivog filma BEDEVILLED i obraća se drugačijoj publici. Osnovna razlika nije samo u temi i žanru već i u očiglednoj nameri da se nametne najširoj publici. Za razliku od velikog dela korejskih blokbastera koji i kada su kvalitetni imaju tendenciju da budu lokalni, SECRETLY, GREATLY nije takav, ali sasvim sigurno ne podilazi uapadnoj publici i njihovim očekivanjima od južnokorejskog filma oblikovanih Old Boyevima raznih polova i uzrasta.
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SECRETLY GREATLY me je podsetio na prvi film Chul-soo Janga o kome nisam pisao kad sam ga gledao jer sam se prvo iznervirao i zamislio nad njim a potom zaboravio da zabeležim utiske. BEDEVILLED počne majstorski i onda negde između prve trećine i polovine počne da pokazuje simptome krize da bi potom u drugoj polovini uspeo da implodira u jednu orgiju besmisla. Naime, na početku vrlo vešto i efikasno izlaže jedan zanimljiv karakter, tihe i sebične seulske službenice čije odsustvo hrabrosti sugeriše neku traumu. Potom sledi njen put u zavičaj, na ostrvo na kome vlada čudno ustrojstvo i film počinje da gubi kompas kada se senzacionalistički uvedu motivi incesta i pedofilije. Međutim, taman kada deluje da će se iz zanimljive studije pretvoriti u samo još jedan oldboyevski film osvete, BEDEVILLED degeneriše u bizarni backwoods slasher sa inbredima, svojstven američkom šund hororu. Ne bi ovaj film sam po sebi uspeo da me iznervira da Chul-soo nije majstorski započeo priču, pokazavši da ima vrlo razvijen rediteljski rukopis. Tim pre je žalosno štomse film pretvori u vlastitu parodiju. Ako tome dodamo da ga je pisao isti scenarista kao i solidni SECRET REUNION, ovakav ishod deluje još čudnije.
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zar BEDEVILLED nije horor?
Ne znam, ne bih rekao, više je triler, mada ima elemenata...
Pogledao sam THE FLU Sung-su Kima, južnokorejski film katastrofe o izbijanju fatalne epidemije ptičjeg gripa u predgrađu Seula. Ovaj film me odstupa mnogo od obrazaca filmova katastrofe koje producira tamošnji mejdžor studio CJ Entertainment, dakle formula je jasna, i ovoga puta u osnovnim međukarakternim odnosima Sung-su Kim poštuje tu formulu, glavni junak je član spasilačke ekipe kome se dopadne jedna od žrtava kojoj pomaže. Kada se ispostavi da je ona samohrana majka, on pokušava da joj se približi preko deteta, tako da kada izbije epidemija, on dolazi u situaciju da je okrenut spasavanju njih dve.
Osnovna postavka glavnih junaka je usiljena i naivna, a artificijelnost rezultira time da je teško vezati se za njihove sudbine i prepreke na koje nailaze povremeno više udaju utisak nekog nametnutog pripovedačkog lavirinta nego prave priče.
Kao i u odnosu među glavnim likovima, tako i u pojedinim scenama, Sung-su Kim pokazuje da nema previše ukusa, ipak, isto tako neke situacije su jako vešto realizovane, naročito set-piece u masovnoj grobnici i podzemnoj garaži. Upravo te dobro režirane sekvence pokazuju da je Sung-su Kim mogao da uradi mnogo više sa ovim materijalom da se pripovedanje samo može svesti na rediteljsku tehniku. Ipak, i pored veštine, on pada na fundamentalnim pripovedačkim rešenjima.
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сноупирсер још увек у клинчу са вајнштајнима (http://io9.com/weinsteins-refuse-to-release-snowpiercer-without-cuts-a-1485100225?utm_campaign=socialflow_io9_facebook&utm_source=io9_facebook&utm_medium=socialflow)
Quote
Weinsteins refuse to release Snowpiercer without cuts AND voiceovers
Apparently negotiations between Snowpiercer director Bong Joon-Ho and producer Harvey Weinstein have broken down, because Playlist is reporting that Weinstein refuses to release the movie in North America at all unless he gets to give it what many in the industry call "the full Blade Runner."
The irony that Weinstein would be cutting 25 minutes (out of an 126-minute movie) of what pure character development (according to BFI's Tony Rayns), and then demand to awkwardly spell out that character development via these new voiceovers seems to be lost on him. He even wanted Neil Gaiman to write the voiceovers, as if that would class up this infinitely classless move in the slightest. :-x
Harvey Weinstein doesn't just think you're too stupid to see Snowpiercer, he thinks you're too stupid to understand any movie where actors try to convey their thoughts and emotions through mere acting. Obviously you need to have it told directly to you, lest your brain explode trying to process the crazy "moving pictures" on screen without some kind of storytelling hand-holding.
znači zato nema filma, glupi Amerikanac zajebava
Pogledao sam TERROR LIVE Byeong-woo Kima, južnokorejski triler o novinaru koga progoni terorista sa pretnjama da će podmetnuti bombe. Novinar isprva pokušava da napravi gledanost od te priče, međutim ispostavlja se da terorista ima još nekoliko aduta i plan koji seže do samog vrha države.
TERROR LIVE je kamerni triler koji svoju radnju smeštenu na jednoj lokacji pokušava da začini nekim spektakulranim kadrovima, specijalnim efektima u drugom planu, međutim nažalost nije dovoljno kreativan da bi se izborio sa kamernom formom niti je dovoljno originalan da bi se nametnuo kao autentični high concept.
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Pogledao sam SNOWPIERCER Bong Joon Hoa, film za koji se slobodno može reći da je najočekivaniji naslov prošle 2013. godine. Stigao je kasnije nego što smo želeli ali pre nego što mu se iko nadao, i srećom ne samo da je bio vredan čekanja već je u svakom pogledu pružio ono što se od Bonga očekivalo.
Za razliku od svojih južnokorejskih savremenika, Bong je napravio beskompromisni debi na engleskom jeziku u kome je uneo sve ono što su bile karakteristike njegovih južnokorejskih uspeha i sve to formulisao u jednoj globalno nametnutoj formi kojoj robuje i sam Holivud. Naime, Holivud je već sam počeo da zavisi od globalnog tržišta i formi koje ekskluzivno može da nameće, a to su spektakli sa elementima SFa ili fantasyja. Vremenom, Holivud je čak počeo da sve manje pravi filmovi koji bi se smatrali karakterističnim za njih, kako u žanrovskom tako i u tematskom smislu.
Bongov film je SF i može se slobodno reći spektakl, a globalne pretenzije pokazuje time što je snimljen na engleskom jer valjda anglosaksonski milje predstavlja svojevrsnu komunikacionu prečicu do svakog gledaoca na planeti. Paradoksalno, posle sukoba oko verzije filma koja će biti prikazana u SAD, Bong ponajmanje može da računa na to ključno tržište za engleski jezik.
No, isto tako mislim da je SNOWPIERCER koji bi mogao "raditi" jako dobro na neameričkim tržištima, što je uostalom i pokazao primer Francuske i to iz najmanje tri razloga. Prvi razlog je ta holivudska ekskluzivnost SF spektakla i utisak da je reč o američkom filmu, drugi razlog je politička poruka filma i stilska zahtevnost koja dobro uspeva van-SAD i treće je svojevrsna carpenterovska arhaiziranost određenih postavki koja nedostaje publici van-SAD i ona to stalno pokazuje podržavajući filmove ostarelih zvezda i jednostavne žanrovske radove.
U stilskom pogledu, Bong je snimio verovatno najuspešnije čitanje francuskog stripa, pa i stripa uopšte. Simboliku francuskog stripa, njegov sugestivni dizajn i atmosferu uspeo je da bolje privoli na film od mnogih reditelja koji su ga se dohvatali, od Bessona pa sve do Wachowskih koji su sa njim koketirali.
Jedan od razloga za to je i njegovo iskustvo u žanru horora koje mu je dalo slobodu da artikuliše često mučnu telesnost koju takvi filmovi moraju da imaju a najbolji primer je svakako proteinska tabla kojom se junaci u filmu hrane. Ova želatinozna ploča koju sisaju i grizu u sebi nosi uznemirujuću privlačnu i odbojnost kao i sve ostalo u ovom filmu.
Na nivou same priče i toga kako je film dramaturški i rediteljski postavljen, Bong nudi svojevrsnu mešavinu Kusturičnog PODZEMLJA i Carpenterovog ESCAPE FROM NEW YORK. Ovaj film se može definisati kao svojevrsni art-house akcijaš u kome su i jedan i drugi element visokooktanski i vrlo su prepleteni. Još od RUNNING SACRED Wayne Kramera nisam video, u osnovi akcioni film, sa ovakvom atmsoferom košmara, s tim što je korozivnost Bongovog sveta dignuta na još viši nivo.
Kada su Weinsteini poželeli da premontiraju film, pretpostavljao sam da su im neke scene vezane za razvoj karaktera delovale kao višak koji smeta funkcionisanju filma, međutim, ono što njih muči u filmu ne može se rešiti izbacivanjem viškova. Bong je svoj film ozbiljno "decentrirao" u samom pripovedanju jer nema toliko slojeva akcije, zanimljivih karaktera i napetih situacija koje mogu da prikriju činjenicu da je SNOWPIERCER jedna jasna politička alegorija.
U jednoj analizi scenarija, a strip je sa Bongom adaptirao Kelly Masterson, scenarista odličnog Lumetovog filma BEFORE THE DEVIL KNOWS YOU'RE DEAD, osnovna premisa recenzenta bila je to da ovde imamo posla sa nelogičnom postavkom. I da, zbilja, gledano iz vizure holivudskog mejnstrima, ono što je u samom korenu ove priče zbilja jeste na neki način nelogično - zašto bi se ljudi u toku apokaliptične zime ukrcali u voz koji se neprekidno kreće?
Međutim, Bong ubedljivo prodaje tu premisu time što je nameće na samom početku. Ali njena snaga nije u high conceptu već u tome što je voz i vizuelno i tehnički i istorijski simbol ideološko-ekonomskog zatvora u kome se čovečanstvo nalazi od momenta kada je železnica izmišljena i iz kog mora da se spase. Ili abrem da unutar njega interveniše. Dakle, Bong se ne stidi da nacrta kao Kusta kada se otcepi parče zemlje na kraju PODZEMLJA, ali isto tako Weinsteini od ovog filma nikada neće dobiti svoju besomučnu SF akciju koju su očekivali jer on uprkos obilju maestralnih akcionih scena to ipak nikada neće biti.
No, upravo koliko ovaj film može delovati uznemirujuće američkoj publici, toliko bi mogao delovati vrlo prihvatljivo evropskoj publici koja ima znatno relaksiraniji pogled na film, bez tako striktnih podela na zabavu i umetnost. U trenutku kada je Christopher Nolan postao standard za "thinking man's blockbuster" u okvirima holivudskog mejnstrima zbog svoje sposobnosti da publici stvori utisak kako su pametniji nego što jesu, Bong u više navrata i u više domena čini da se gledalac njegovog filma zamisli, i što je najvažnije na kraju jedini način da u potpunosti uživa jeste da prihvati ono što je ideja filma.
Ukoliko ne prihvati, neće u potpunosti uživati i to čini SNOWPIERCER filmom koji je u određenom smislu čak i konfliktan, uprkos svojoj naizgled internacionalnoj i komercijalnoj ambiciji.
Chris Evans nije Kurt Russell ali funkcioniše u sinergiji sa ostatkom podele i mislim da će se jednog dana izuzetno ponositi zbog svoje odluke da igra u SNOWPIERCERu, za sada svakako najznačajnijem ostvarenju u karijeri. Ipak, emocionalni centri filma su Bongovi zemljaci i mudro se odlučio da glavni teret filma u značajnim sporednim ulogama podnesu glumci čiji mu je senziblizitet blizak. Otud, iako su anglosaksonski glumci glavni, Bong određuje ritam preko južnokorejskih kolega.
Inscenacija, scenografija i uopšte svi tehnički aspekti filma su izvanredni i funkcionalni. Uprkos izrazitom steampunk opredeljenju unutar futurističkog konteksta, Bong uspeva da pokaže koliko razni detalji mogu da zanimljivo i sveže zaigraju u savremenom kontekstu, iako spolja deluje da je voz, još od Fordovog "gvozdenog konja" do danas najpotrošenije filmsko prevozno sredstvo.
Film blizanac SNOWPIERCERu u suštini je Blomkampov ELYSIUM, ponovo politički SF akcijaš koji se više obraća publici van Amerike nego Amerikancima. Razlika je međutim u tome što se Blomkamp formalno mnogo više držao onih holivudskih "globalizacijskih" ograničenja nego Bong, i to što Bong ipak ima iskustvo života u represivnom južnokorejskom režimu koje je mnogo pesimističnije od Blomkampovog (prilično malog) iskustva aparthejda.
SNOWPIERCER se istorijski pojavio u pravom trenutku. Ipak, njegov status će trajati mnogo duže od bilo koje krize koja ga je inspirisala.
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Sent from my iPhone using Tapatalk (http://tapatalk.com/m?id=1)
Pogledao sam HWAYI: GWIMULEUL SAMKIN AHYI, novi film Jang Joon-Hwana koji je pre desetak godina napravio internacionalnu senzaciju sa filmom SAVE THE GREEN PLANET. HWAYI je potpuno drugačiji film, mnogo je konvencionalniji i moram priznati da me je iznenadila Jangova odluka da se baš sa njim vrati u igru. Čini mi se da HWAYI apsolutno nije ono što bi, pre svega internacionalna, publika očekivala od njega, i da će biti doživljen kao stagnacija u njegovoj karijeri. Naime, SAVE THE GREEN PLANET je bio prilično svež film, u svojoj razbarušenoj postavci, ali je i južnokorejski film tada još uvek bio u povoju i pun svežine. Danas, HWAYI izlazi u fazi kada je južnokorejski film nadomak da postane deo internacionalnog mejnstrima i bavi se najokoštalijom formom tamošnje produkcije a to je osvetnički triler.
Međutim, za razliku od velikog dela osvetničkih trilera iz Južne Koreje koji su se pretvorili u bezlične kopije Chan Wook Parka i Kim Ji Woona, Jangov film istovremeno i jeste deo te konfekcije ali je i prilično ubedljiv u tome što pokušava da ispriča. Jangov rukopis je ipak specifičan i on donosi neka osveženja u taj žanr, pre svega kroz uvođenje oniričkih elemenata i snažnijih ekspresionističkih impulsa, ipak bez izlaženja van okvira akcionog trilera.
Isto tako, rekao bih da je Jang u ovom filmu okrenutiji akciji nego što je to tipično za osetničke trilere ovog tipa tako da HWAYI ima i jednu dodatnu blokbastersku dimenziju. Teško je reći šta ovakav zahvat predstavlja u Jangovoj karijeri, da li je ovo znak njegovog povratka u dinamičnije bavljenje filme i frekventniji rad, da li ovo pokazuje ulazak u viši budžetski rang posle verifikacije u inostranstvu ali HWAYI u svakom pogledu otvara prilike i potvrđuje ga kao reditelja spremnog za prvu korejsku ligu.
HWAYI je dobar primer adaptacije reditelja sa izrazitim autorskim aspiracijama na zakonitosti visokokodifikovanog repoertoarskog filma, sa umerenim zadržavanjem vlastitih obeležja.
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The.Attorney.2013.HDRip.H264.720-YUKINOMATI [MovietaM] Size: 2.83 GB
The Attorney 2013 KOR HDRip x264 AC3-ADiOS (http://kickass.to/the-attorney-2013-kor-hdrip-x264-ac3-adios-t8977183.html) Size: 1.46 GB
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fupload.wikimedia.org%2Fwikipedia%2Fen%2Fthumb%2Fb%2Fb5%2FThe_Attorney_poster.jpg%2F421px-The_Attorney_poster.jpg&hash=3330bfdcf8c60b487986ff8f33d6bf7c2eae52ef)
http://www.imdb.com/title/tt3404140/ (http://www.imdb.com/title/tt3404140/)
ako je neko propustio...
Miracle In Cell No. 7 2013 Blu-Ray 720p x264 AAC Dolby FLiCKSiCK
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Ftwitchfilm.com%2Fassets_c%2F2013%2F02%2F2013%2520-%2520Miracle%2520in%2520Cell%2520No.%25207-thumb-300xauto-36627.jpg&hash=be8b6d82e393dacfe0db06a93d8bb8b93ef9639a)
http://www.imdb.com/title/tt2659414/ (http://www.imdb.com/title/tt2659414/)
Ima li neko linkove ili još bolje živ torent za UNITED RED ARMY sa engleskim (ili srpskim) titlovima?
probaj ovo, mada ništa ti ne garantujem, 2CD depositfiles
imaš i engleske titlove da skineš na istoj stranici
http://www.asia-team.net/foros/showthread.php?t=24432 (http://www.asia-team.net/foros/showthread.php?t=24432)
Danas sam natrčao na Tv Nova, Memories of murder (2003) (http://www.imdb.com/title/tt0353969/), nisam gledao od početka ali baš mi se svideo, triler sa puno crnog humora.
Вриједе ли ови филмови да се за комплет да који динар?
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fs3.thcdn.com%2Fproductimg%2F0%2F600%2F600%2F68%2F10961668-1400690790-365243.jpg&hash=37590d217be2264e14fa02d41aa7633f8982cca9)
Black Coal,Thin Ice 2014 1080P WEB-DL X264 AC3-SmY
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fdyncdn.me%2Fposters2%2Fa%2Fac36648f5f75a959153fbe4d577756916e970c5d.jpg&hash=f521819a5b71baa2f197b9d2b7432cd58c84558f)
http://www.imdb.com/title/tt3469910/ (http://www.imdb.com/title/tt3469910/)
https://www.youtube.com/watch?v=jFdyGkvXxs4 (https://www.youtube.com/watch?v=jFdyGkvXxs4)
super je to, baš ozbiljno obećava - samo još kad bi negde bilo engleskog titla! :(
Јел' ко глед'о ове филмове:
Јесен без цара (1978)
http://www.imdb.com/title/tt0328049/ (http://www.imdb.com/title/tt0328049/)
Village of Eight Gravestones (1977)
http://www.imdb.com/title/tt0204745/ (http://www.imdb.com/title/tt0204745/)
The Castle of Sand (1974)
http://www.imdb.com/title/tt0202604/ (http://www.imdb.com/title/tt0202604/)
?
Quote from: Ghoul on 04-07-2014, 04:01:25
super je to, baš ozbiljno obećava - samo još kad bi negde bilo engleskog titla! :(
http://titlovi.com/titlovi/bai-ri-yan-huo-aka-black-coal--thin-ice-193228/ (http://titlovi.com/titlovi/bai-ri-yan-huo-aka-black-coal--thin-ice-193228/)
e, znam, pogledao sam ga već, prošle nedelje. vrlo dobar (***)! xcheers
Pogledao sam Changov PYOEOK, poznat još i kao THE TARGET. Reč je o rimejku filma A BOUT PORTANT Freda Cavayea. Cavaye je jedan od reditelja čiji se svi filmovi stapaju u jedno gledalačko iskustvo koje nažalost jako teško mogu da rekonstruišem. Otud dobro je da se prisetim šta sam onomad pisao o filmu A BOUT PORTANT pošto se iz tog filma apsolutno više ne sećam...
Quote from: crippled_avenger on 01-07-2011, 02:06:07
Zvanični južnokorejski rimejk sadrži sve Cavayeove pripovedačke nedostatke, iznad svega tu neoverljivost da neki everyman može da se u sukobu sa kriminalcima i korumpiranim policajcima ponaša kao Jason Bourne. Međutim, za razliku od Cavayea koji zapravo jako mnogo insistira na fizičkim konfrontacijama koje mahom ne ume da realizuje na neki autentičan a često i na iole kompetentan način, Chang barem dobro vlada tehnikom, tako da je THE TARGET kao A BOUT PORTANT na nekim jako dobrim steroidima.
Chang dobro vlada akcijom, južnokorejske lokacije su kao i uvek vrlo zanimljive i bazična neuverljivost snalaženja glavnog junaka u napetoj situaciji lakše može da se zamaskira kada je barem akcija dobra.
Cavaye je iz nekog razloga često rimejkovan i to na raznim meridijanima. Južna Koreja je definitivno mesto gde se njegov izvorni materijal može znatno unaprediti. Nažalost, i dalje tu fali mnogo toga da bi rezultat bio istinski dobar film.
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Sent from my iPhone using Tapatalk (http://www.znaksagite.com/diskusije/index.php?topic=1352.msg343961#msg343961)
Pogledao sam HWANGJEREUL WHAZEO Sang Jun Parka poznat još i kao FOR THE EMPEROR. Reč je o dinamičnoj ali pretrpanoj, konfuznoj i klišetiziranoj gangsterskoj melodrami o drugorazredniom bejzbol igraču koji počinje da radi za kriminalce a zatim kreće njegov uspon u hijerarhiji podzemlja. Odnosi među likovima su krajnje predvidivi ali su isto tako i nerazrađeni, kao da je Sang Jun Park očekivao da će publika sebe u potpunosti lišiti veziovanja za likove iz ovog filma i da će u nima prepoznati omiljene likove iz prethodnih, boljih filmova i pomisliti da je FOR THE EMPEROR jedan od tih klasika. Nažalost, to prepoznavanje se desilo i FOR THE EMPEROR ne uspeva da izvuče korist za sebe iz neprestanog ponavljanja ranijih obrazaca. Rečju, jedini način da ovakav derivativan film profunkcioniše bio bi da se radi sa punim ubeđenjem a ono je kod Sang Jun Parka izostalo.
Tehnička realizacija je na uobičajenom solidnom južnokorejskom nivou ali FOR THE EMPEROR ne nudi neke naročite domete ni u pogledu akcije niti drugih segmenata gangsterskog života.
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Sent from my iPhone using Tapatalk
SHI HUN aka SOUL
4-
http://www.imdb.com/title/tt3091254/ (http://www.imdb.com/title/tt3091254/)
Boga mi, nije mi jasan film, i ne zaslužuje ovako visoku ocjenu ako se ne gleda u nekom ''bresonovskom'' okviru. Prosto je nevjerovatno da ''horor'' scene budu snimljene tako fenomenalno, da su neki kadrovi prirode predivni, a da su glumci bukve koje samo recituju tekst (povrh toga što su, jelte, kosooki, pa je ionako već otežana komunikacija) kao da se ništa dramatično ne događa, i da sama priča posjeduje gotovo deadpan crni humor.
To djeluje vrlo čudno imajući u vidu da je ovo film o demonskoj opsjednutosti, zamislite deadpan demona koji nit' je strašan, nit' ima exorcist egzibicije, nit' psuje, svašta braćala, i fantastično istovremeno. Koliko shvatam, to sve vuče korijene iz tajvanske tradicije, mada nepoznavanje iste nije prepreka gledanju filma. Prepreka je jedino taj ''bresonovski'' momenat, za koji ne bih da sudim da li je namjeran ili je reditelj ćaknuti amater.
Odabrao sam bez nekog većeg razloga da ovo bude tajvanski Breson, što mi je omogućilo da se sasvim solidno zabavim. Ne mogu nikome da garantujem da će doživjeti isti osjećaj. Film je svakako interesantan čak i ako samo uzmemo u obzir tu opsjednutost, koja je prikazana totalno šašavo, jer vala dosta je bilo i povraćanja i levitacije i bezveznog badilengvidža. Da ne pričamo o muzici, koju niko živ ne bi utrpao u horor, završetku koji nije horor, ovo je kao ''horor'' jer se bavi demonskom opsjednutošću, a taj demon je gotovo ok tip. Stoga, rekao bih da ovo uopšte nije horor, a ko želi neka procijeni sam.
EDIT: ako izbacite Bresona iz perspektive filmu zasigurno pada ocjena
naiđoh na tipa koji je dao još veću ocjenu, i možda je u pravu, što više razmišljam sve mi je bolji film
http://www.onderhond.com/blog/soul-review-mong-hong-chung (http://www.onderhond.com/blog/soul-review-mong-hong-chung)
----------------
usput, pogledah
Cui mian da shi
aka Great Hypnotist
2+
http://www.imdb.com/title/tt3720058 (http://www.imdb.com/title/tt3720058)
ovo kao neki kineski Inception...
https://www.youtube.com/watch?v=tpdn8ndZgDE (https://www.youtube.com/watch?v=tpdn8ndZgDE)
što više neće da se formira video...
Korean Movie My Dictator (2014) English Trailer (http://www.youtube.com/watch?v=tpdn8ndZgDE#ws)
бриши 'ѕ' из https (https://www.youtube.com/watch?v=tpdn8ndZgDE)
a to li je problem, hvala!
Quote from: Pizzobatto on 04-12-2014, 01:20:08
https://www.youtube.com/watch?v=tpdn8ndZgDE (https://www.youtube.com/watch?v=tpdn8ndZgDE)
što više neće da se formira video...
ili klikni dole na share ispod videa, pa taj link metni u post.
http://youtu.be/tpdn8ndZgDE (http://youtu.be/tpdn8ndZgDE)
radi i tako, super!
FUNE WO AMU aka THE GREAT PASSAGE
4-
http://www.imdb.com/title/tt2315226/ (http://www.imdb.com/title/tt2315226/)
Fino, fino. Doduše, ima japanske patetike, nisam siguran da postoji toliki nerd na ovoj planeti, no sama tema je dovoljno specifična da takva pretjerivanja ne smetaju. Uz STILL LIFE, još jedna apologija tzv. ''nepotrebnih'' zanimanja, a koja u stvari imaju itekako smisla.
R100
4+
http://www.imdb.com/title/tt2914838/ (http://www.imdb.com/title/tt2914838/)
slobodno ću da interpretaciono ludujem i ustvrdim da je ovo mazohistička verzija Paklene pomorandže, mada hrabrija i nastranija, gotovo besmislena na momente, ali genijalna kao cjelina
u stvari, biću toliko drzak i reći da je ovo mnogo istinitije predstavljanje modernizma nego u Kubrikovom slučaju, iako nikad ne dostiže onaj kvalitet izvedbe kao u Pomorandže, a morate da svarite i neke čisto japanske ludorije, mada se onaj najgori CGI idiotluk u potpunosti isplati i pokaže se kao suštinski element filma
i naravno, ko ne može da pređe preko toga da je ovo mala bondage perverzija, sa gomilom domina koje upadaju svako malo da umlate glavnog junaka kojeg kažnjavanje uzbuđuje, neka preskoči ovaj fenomenalitet, ali ipak je ovo komedija, i užasnije stvari su viđene kod samog Kubrika nego ovdje
AKAHIGE aka RED BEARD
http://www.imdb.com/title/tt0058888/ (http://www.imdb.com/title/tt0058888/)
Možda je trenutno osjećanje, ali ovo mi ide u sam vrh Kurosavinih filmova, 'nači ono tipa 7 samuraja, Dersu Uzala i Riđobradi, sveto Kurosavstvo. Možda jos Kagemushu da pogledam i potvrdim trojstvo.
Sva tri imaju vrlo jednostavne postavke i to prosto preraste u snažnu životnu priču, dobije nevjerovatne razmjere. Npr, Rašomon ide obrnuto, vrlo ambiciozno kreće, ali nešto mu fali da to bude eksplozivno.
Riđobradi ide protiv svih onih kvaziantikonformističkih koještarija nekakvog polusvijeta, koji bi sigurno bljuvao po izlivima patetike u filmu, međutim, ovdje patetika nije sama sebi cilj, i to je najvažnije.
Ponekad jeste teško za gledanje, ali ipak je iskustvo zbog kojeg ne mogu da zažalim. Pitam se šta bi neki debil poput Hanekea uradio od ovoga, pa u stvari ništa, jer takve kreature uopšte nisu sposobne da izađu iz svog pseudoindividualističkog šinjela i odrade pos'o.
Juznokorejski rivendz trileri...oh yeah...najbolja fooking stvar ikad. :o
I Saw the Devil, The Five, The Chaser, Mother, Pieta..mmmhhhm.
I Kim Ki Duk i ....
Sang Woo Lee (Mother is a Whore)
(https://www.znaksagite.com/diskusije/proxy.php?request=http%3A%2F%2Fwww.hancinema.net%2Fphotos%2Ffullsizephoto163641.jpg&hash=e2fabad6cece04aa30ad5af4469dc14d077ece95) :| :|
WATASHI NO OTOKO aka MY MAN
http://www.imdb.com/title/tt2763746 (http://www.imdb.com/title/tt2763746)
3+
Solidan film sa par zanimljivih momenata, ali bilo bi bolje da je kraći. Objašnjenje po kojem cunami isprva stvori ovu čudnu familiju dvoje preživjelih, desetogodišnjakinje i njenog starijeg rođaka, kasnije nema nikakvog efekta, i moglo je da prođe sasvim bez toga, jer ne vidjeh da ih je skrhanost bolom nešto mnogo približila.
No, valjda je scenarista odlučio da na najbrži način preskoči taj neki nabokovski uvod, i Lolita i njen dalji rođak započinju svoju avanturu maltene od početka. Samim tim, nakon što cunami odradi pos'o preostaje samo da se polako gradi taj nastrani odnos, i tu stupa na scenu stara japanska radinost sa par ubistava u ime ljubavi.
Pogledao sam HAEMOO Sung-bo Shima, jedan od onih filmova zbog kojih godišnje liste ne treba praviti krajem decembra ili početkom januara. Baš zato što je pred zapadnu publiku stigao u septembru a na pirate izašao još kasnije, ovaj izuzetan film ostaće negde izgubljen u limbu filmova koji nisu uspeli da se pogledaju u pravom kalendarskom prostoru.
Međutim, činjenica da sam ga pogledao sada, opet pa ima jedan drugi efekat. Naime, sada je HAEMOO aktuelniji nego ikada kada se zagrejala ova priča sa emigrantima koji neuslovno morem prelaze u Evropu. Bong Joon-ho je u saradnji sa svojim ko-scenaristom na filmu MEMORIES OF MURDER skrojio jedan izuzetan minimalistički i vrlo cinični triler koji jako vešto balansira između krajnje neprikrivene algeorije o smrti kapitalističkog društva, utemeljene društvene kritike sistemske i ljudske slabosti i punokrvnog trilera koji može u potpunosti ispuniti sve one koje to zapravo ne zanima.
Bong i Sung-bo stvaraju jedan bolno ciničan svet u ovom filmu, ovo je svet korodiralih odnosa, pa i korordiralog hardvera u kome se trguje ljudima kao poslednjom instancom kada je konvencionalna ekonomija doživela kolaps. Kao i u MEMORIES OF MURDER, Bong i Sung-bo se vraćaju u konkretno vreme, u južnokorejsku ekonomsku krizu i aranžman sa MMFom iz 1998.
Sung-bo Shimova režija je izuzetna, sa finim smislom za humor u odnosima među likovima, elegantno koreografisanima scenama napetosti koje uprkos nekim vrlo složenim fizičkim zahvatima nikada ne gube fokus na likove. Gluma u filmu je izuzetna, naročito ako imamo u vidu da je jako teško ostati dostojanstven u scenama kada neki od junaka beznadežno emigriraju ili kada neko izgubi razum vođen pohlepom ili požudom a u ovom filmu ima svega.
Sung-bo i Bong konačno čak i kada stvore emocionalno jezgro filma imaju snage da ga na pravi način relativizuju, i HAEMOO se u nekoliko prelomnih tačaka kada je mogao da sklizne, vraća lako na pravi put.
HAEMOO je tehnički složen film iz jedne visokorazvijene kinematogafije, ipak on nije morao biti takav, i to ga čini odličnim putokazom za istovremeno angažovan i žanrovski pitak film koji je svojevrsna filmska zagonetka za čijim rešenjem svake godina tragaju desetine autora, kod nas i u svetu.
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Pogledao sam WOLF WARRIOR Wu Jinga, kineski propagandni akcijaš o specijalnoj jedinici Narodne oslobodilačke vojske i njenom sukobu sa bandom stranih plaćenika koju je angažovao opasni dalekoistočni kriminalac. Wu Jing je reditelj i glavni glumac u ovom filmu i nažalost nije baš najharizamtičniji tip kog azijski akcioni film može da ponudi. Štaviše, iako se može postaviti pitanje u kojoj meri se on zapravo bavio režijom u ovom filmu, odnosno da li je samo potpisuje, film je rediteljski daleko iznad onoga što mu pruža glavni junak.
Wu Jing je jedan od štićenika Yuen Woo Pinga, s tim što u ovom filmu on ima samo nekoliko scena u kojima se bije. Uostalom glavni junak ovog filma je snajperista najelitnije kineske jedinice. Ipak, Scott Adkins koji igra vođu plaćeničke formacije itekako dobro može da mu parira.
Otud u filmu koji je mahom baziran na pucnjavi ima i nekoliko efektnih tuća.
Akcija je raznovrsna, ima raznih vidova pucačine, tuče, nekih taktički zanimljivih borbi u šumi, a kineska vojska je izašla u susret nudeći svoje najmodernije oružje i kad je reč o ljubiteljima vojne tehnike, ovaj film će sigurno privući njihovu pažnju jer pokazuje kako izgleda kineska vojska 21. veka.
Dramske scene u filmu nisu preterano dobre, mada nisu ni ispod standarda tipičnih chop socky dramskih scena, akcija je pak prilično zanimljiva i šteta je što loš CGI devalvira jednu od najmaštovitijih sekvenci a to je atak pravog čopora vukova na Wolf Warriore na manevrima.
Propaganda dimenzija filma je definitnvo prisutna, i sama količina vojne tehnike u kadru sugeriše da je ovo film koji bi se morao smestiti uz rame sa NAJBOLJIM Dejana Šorka, ali kao uzori za tu vrstu filma, tu su i TOP GUN i HEARTBREAK RIDGE koje ne dostiže. Međutim, svakako je iznad smeća poput VOJNE AKADEMIJE.
WOLF WARRIOR je propagandni akcioni film jedne velike sile u usponu. U mnogim tehničkim aspektima ovaj film nema čega da se stidi. Šteta je što osim među fanovima DTV akcije nema prostora da crossoveruje na Zapadu.
Scott Adkinsov lik u ovom filmu je svojevrsni bookend njegovog lika iz ZERO DARK THIRTY.
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The Seven Samurai Looks Glorious in 4K (http://kotaku.com/the-seven-samurai-looks-glorious-in-4k-1761457283)
Pogledao sam RED FAMILY Ju-hyoung Leea, producentski i scenaristički rad Kim Ki Duka. Reč je o crnohumornom trileru o grupi severnokorejskih špjuna koji se infiltiriraju na jug, pretvarajući se da su skladna porodica. U početku, oni su spremni na sve, ali jedna regularna i zavađena porodica iz komšiluka ubrzo počinje da snažno utiče na njih i da među njima budi istinsku porodičnu dinamiku usled koje međusobni i porodični odnosi polako postaju značajniji od zadataka na koje ih je poslala domovina.
RED FAMILY se može pojednostavljeno definisati kao južnokorejska parafraza serije THE AMERICANS, međutim ovaj film dolazi u kinematografiji koja je proizvela SECRETLY GREATLY, dakle ima jako visok domet u toj oblasti. RED FAMILY je izašao iste godine kada i SECRETLY GREATLY i nažalost neuporedivo je manje maštovit i slabije realizovan. Ju-hyoung Lee nažalost nije uspeo da dovoljno razradi motive kojih se dotiče, a postavio je temu dosta široko. Tu je motiv porodice u kojoj su pravi odnosi potpuno drugačiji od onih koji se predstavlajju okolini, zatim motiv porodičnih odnosa koji se uprkos formacijskom rasporedu razvijaju na bazi drugih vidova dinamike i starešinstva, odnos surogat i prave porodice, i naravno špijunska intriga. Nažalost, na kraju ništa od svega ovoga nije razrađeno ni blizu potencijala koji nosi. Ju-hyoung Lee je i tonalno nesiguran u pojedinim deonicama, i ne uspeva dobro da nađe balans između humora i surovosti. Ipak, u krajnjoj instanci, RED FAMILY uspeva da se nekako sastavi kao celina.
Kim Ki Duk se ovom temom u određenom smislu bavio u svoj produkciono-scenarističkom filmu POONGSAN koji u ovom filmu junaci odlaze da gledaju i koriste kao svojevrsnu temu za razgovor.
Ipak, na jednom paradoksalnom nivou, uprkos tome što je SECRETLY GREATLY u vsakom pogledu superiorniji film, RED FAMILY sa svojim ipak konvencionalnijim izrazom može stajati kao gateway feature za gledaoce koje zanima ova tema. Pa, ipak, ovo svakako nije jedan od naslova koji dokazuje superiornost južnokorejske kinematografije.
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Pogledao sam CHRONICLES OF EVIL Baek Woon-haka, reditelja na čiji sam drugi film posle odličnog TUBEa čekao jako dugo. CHRONICLES OF EVIL je solidan južnokorejski policijski triler ali nažalost nije ni u jednom pogledu neko izuzetno delo. Ako je TUBE bio fascinantan po tome što je uspeo da nanovo izvede neke holivudske zanatske bravure, onda je CHRONICLES OF EVIL film koji ponavlja neke stvari koje je (u međuvremenu) južnokorejski film nametnuo kao svoj standard. Ovo je dakle priča o osveti, korupciji, opštoj koroziji društva, a na nivou samog zapleta CHRONICLES OF EVIL je vrlo sličan filmu A HARD DAY, ali nažalost nije toliko dobar, i nema tako istančan smisao za crni humor.
CHRONICLES OF EVIL se zadržava na pristojnom realizovanju svih obaveznih figura južnokorejskog policijskog filma i ina neki način nudi presek motiva koje je ovaj podžarnr obrađivao. Nažalost, rezultat nije na nivou zbira svih eključenih elemenata i to je šteta.
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Pogledao sam YEOLHANSI Hyun-seok Kima, južnokorejski SF triler o mašini za putovanje kroz vreme. Namerno ne bih nazvao ovaj film SFom o putovanju kroz vreme jer ono je samo zamajac dešavanja, desi se jednom a ostatak filma je pokušaj da se na neki način preduprede uznemirujuća saznanja stečena hronomocijom. U određenom smislu, autori filma kao da nas usmeravaju na svoju tezu kako se stvari dešavaju onako kako moraju, hteli mi to ili ne. Takav signal je već priča o tome da se vremeplov zove Trocki, po želji ruskih finansijera jer njihov gazda smatra da bi SSSR bolje prošao sa njim na vlasti nego sa Staljinom. Kasnije, kada krene suspense oko pokušaja da se predupredi zlehuda sudbina istraživačke stanice, ta marksistička teza će se nadvijati kao crni oblak nad junacima.
Južnokorejski film je proteklih godina uspeo da se nametne kao lider u pogledu kreativnosti, pa čak i zanatske veštine, međutim u YEOLHANSIju, ima nešto copywoodske tradicije južnokorejskog filma. Pored odjeka Cameronovog THE ABYSSa, Hyun-seok Kim se dosta oslanja na flmove o istraživačkim ekipama.
Zanimljivo je da Južna Koreja ima u svojoj kinematografiji neke izvanredne SF filmove, pre svega one koje je radio Bong Joon Ho, ali da ovaj žanr nije u potpunosti zaživeo i da je imao određeni broj upečatljivih promašaja. YEOLHANSI nije film koji to može da preokrene, ali reč je o efikasnom, jasnom, pripovedački neinventivnom ali vrlo stabilno postavljenom SF trileru, koji je pritom u pogledu glumačke podele prilagođen i za izvoz.
YEOLHANSI je film koji podseća na ono što je Holivud isporučivao poslednji put u drugoj polovini devedesetih a danas pruži ponekad, u naslovima kao što je MOON. Ne znam da li je Hyun-seok Kim svestan toga, ali YEOLHANSI je jedan od onih filmova koji upravo popunjava potrebu za "običnim", srednjebudžetnim žanrovskim filmovima koje Holivud pravi sve manje i sve ređe distribuira po svetu.
Filmovi kao što je YEOLHANSI ili recimo SOURCE CODE su ranije bili profil iz kog su se regrutovali ljudi koji će preformulisati žanr. Ovaj naslov nije jedan od njih ali je prilično dobar.
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Monster (http://www.imdb.com/title/tt3589450/) blizu je ovo hororu, ali i komediji, na momente skoro pa mjuziklu... :) cudan kolaz zanrova a u biti ipak rivendz triler (moj omiljeni), ne dobar kao slavni prethodnici ali ni los. sasvim pristojan film za nezahtevnog fana korejske kinematografije. glavni negativac je presladak xlove5 pa i to donekle pomaze...
imamo 2 para sestara i 2 brata od kojih je jedan titularni Monstrum. njihovi zivoti ce se u jednom trenutku ispreplesti zaslugom leeepog monstruma pa sledi malo dobrog starog (ultra) nasilja.
cini mi se da je ovaj film "pozajmio" koncept (lik, delo) serijskog ubice od superiornijeg trilera The Five pa koristim priliku da ukazem na njega. The Five (http://www.imdb.com/title/tt3754322/) <- odlican! (edit, pa iz The Five znam snagatora iz Voza za Busan!!! jeee)
http://kakavfilm.com/2017/01/top10-modernih-juznokorejskih-filmova/
odlicna lista! pomenula bih jos samo A Bloody Aria (2006),i dalje, moj najdrazi juznokorejski film.
Ja ovog dobrog lošeg uvrnutog nisam mogo da svarim, možda je pogrešno što sam odustao od gledanja
Koji sam baksuz; padne mi pogled na honorable mentions i uocim gresku autora, Confessions - japanski - ne juznokorejski film!
Preporucujem i Bedevilled, Yellow Sea, The Bow.
Da Yellow Sea, The Bow odlicni. Kim ki duk je br 1 po meni. Bedevilled- ovo cu da cekiram.
ako je neko propustio -Breathless (2008 film). super!
(https://images-na.ssl-images-amazon.com/images/M/MV5BMjYxNTkyMDQwNF5BMl5BanBnXkFtZTgwMjAzMzA2MDE@._V1_.jpg)
Ako krizirate u nedostatku novijih rivendz trilera iz Koreje
No Mercy (http://www.imdb.com/title/tt1662557/?ref_=nv_sr_2) Preporucujem da ne citate kritike sa Imdb-a, jer vecina malo spojluje film kroz poredjenje sa jednim slavnim trilerom.
Hvalospevi na stranu, ovo svakako nije sam vrh zanra, i tu su koreanski reditelji na prilicnoj muci: standardi su tako visoki da i veoma solidan film poput ovog pomalo bledi u poredjenju sa vrhunskim dometima zanra, kakav je I Saw the Devil, The Chaser, Bedevilled, ajde i taj Oldboy; koga ja manje cenim od vecine gledalaca.
Opterecen i vremenom trajanja, kako biva, No Mercy - kako mu ime NE kaze, nije previse brutalan ili nasilan. No, vredi se zadrzati jer je zavrsnica ubedljivo najjaci deo inace dobre price. Preporuka.
QuoteSang Woo Lee (Mother is a Whore)
Dakle, gosn je sledbenik Kim Ki Duka, medjutim svoje teme (uglavnom razni tabui i crnjaci) obradjuje na pomalo kitsch, eksploatativan, vise prizeman i manje umetnicki nacin. Mother is a Whore je prvi film koji sam pogledala; sledi Barbi.
Barbie (Ba-bi) (http://www.imdb.com/title/tt2074334/) Vrlo je tesko shvatiti filmsku pricu ozbiljno kad imamo nekakve americke drugorazredne glumce u vaznim ulogama, i mentalno zaostalu osobu kao oca 2 maloletne koreanske devojcice. DakleM, kako otac nije u stanju da se brine o sebi i cerkama, zli mladji brat, stric ovih - inace preslatkih - klinki uzima na sebe da metodom muljaj-valjaj organizuje porodicu i bavi se njenom egzistencijom. Te je jedna od poslovnih kombinacija da proda stariju necakinju dobrostojecem amerikancu, koji vec ima 2 kcerke. Amer dolazi u njihovu primorsku varosicu u pratnji jedne od svojih kceri da bi, navodno, ilegalno usvojio Soon-Young (odlicna uloga mlade glumice).
Reditelj ne krije prezir prema americkoj kulturi (otud Barbika kao simbol, i vazan lajtmotiv filma), njihovoj bahatosti i aroganciji, konzumerizmu olicenom u amerikancu, Stivu (glumi ga sredovecni kripi tip kome je ovo jedina uloga). Novcem se moze platiti sve, lepota, dugovecnost, zdravlje, zivot, ubistvo....
Odlicne role ostvarili su stric devojcica i starija sestra, mladja ce vas, kao prenaglasena zrtva barbi kulture, svojim ponasanjem dovesti na ivicu besa, haha.
Generalno, kombinovanje melodrame, upadljive B glume Mr Stiva i njegove cerke - koja se zove...Barbi, do parodije doveden komentar o razlicitosti dve kulture i kritika obe, s tim sto je americka izvukla deblji kraj (koreanci mora da ih mrze :D), morbidna zavrsnica. Reditelj bez uvijanja ostavlja sopstveni komentar i stav, ali film ostaje eksploatacija. No, i kao takav moze da bude interesantan.
Konačno sam locirao naziv jednog japanskog filma za kojim po sećanju tragam već 28 godina. Zove se BESUTOGAI iliti BEST GUY. Izašao je 1990. Ako neko zna gde bih mogao da ga lociram, neka dojavi!
Itakura Katsuakira je bio japanski vladar koji je ustanovio trku koja će 1955. na osnovu istorijskih zapisa biti obnovljena pod nazivom Ansei Toashi. Tačno sto godina ranije Katsuakira je kao šovinista i ksenofob, posle kontakata sa strancima smatrao da su se samuraji ulenjili i da moraju da ojačaju. Stoga je propisao da se napravi trka od trideset kilometara u kojoj će samuraji do pedeset godina starosti učestvovati ekipno. Na neki način ova trka je međufaza između antičkog događaja i de Coubertinovog modernog maratona sa Olimpijskih igara. Japanci delom smatraju da Katsuakira zapravo otac savremenog maratona.
2019. godine izašao je film o tome u režiji Bernarda Rosea, britanskog velemajstora koji ovde pravi još jednu od svojih majstorija - naime snima japanski film koji izgleda sasvim kao da ga je radio tamošnji reditelj.
Rose potpuno uspeva da pobedi sve instinkte koje zapadni reditelji donose u film van angloameričke kulture i ovde sa japanskim glumcima pravi priču koja ima svoj koncept, integritet, i ne opterećuje se puno objašnjavanjima za publiku koja nije verzirana. Na neki bizaran način čak film je to "japanski" da deluje kao da slabo crossoveruje do zapadne publike. Malo sam se recimo odvikao od Japanaca, pa sam imao teškoće sa glumcima i to se u filmu namenjenom za "izvoz" ne bi desilo.
Roseov film je istovremeno istorijska fusnota o samurajima ali i razvoju sporta, mejnstrim japanski film i neobični eksperimet u kom se zapadni reditelj izražava u toj formi. Rose je u egzekuciji stylish i uprkos tome što ovo nije preskup filma, iznova pokazuje koliko je Holivud izgubio što ga je gurnuo u alternativu.
SAMURAI MARATHON je čudan iskorak za Rosea, a on je poznat po takvim potezima.
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https://www.youtube.com/watch?v=BmpWw8dI1-Y
susta akcija, sa ipak nesto malo horora na kraju
Park Čan Vuk detaljno obrazlaže onu scenu u hodniku iz Oldboj:
https://youtu.be/JFfwgv8b3kY (https://youtu.be/JFfwgv8b3kY)
Da prijavim samo da je Hamagučijev Evil Does Not Exist od ovog vikenda dostupan narodnim masama i izvan Japana. Moj prikaz je napisan i biće objavljen u Petak, ali koga film zanima, sad može da ga nađe i pogleda.