Dušmane, reaguj! (ili nemoj, baš me briga!)

[ridiculus]

Videh da ima topik koji počinje prozivanjem Dušmana, ali spominje neki klub za nekakvo druženje, pa nije odgovarajući za ovo:

Kolekcija mangi Jasona Thompsona

Ha! Šta kažeš na to!

[zakk]

Ajao.

[DušMan]

Ha, znaci ima tek malo vecu kolekciju od moje. A vidim da ima tegove. Kakav šonja. Bolje da diže mange nego tegove.

Usput, ovo je već treći 'DušMane, reaguj!' topic, što ne govori toliko o mojoj popularnosti, koliko o tome da su prethodni zamrli zbog premalog interesovanja za mene.

[ridiculus]

Ovaj topik ćemo održati u životu lukavim podilaženjem najnižim ljudskim nagonima. 

[ridiculus]

30 godina Gandama. Uskoro.

GUNDAM 1/1 scale Odaiba Tokyo お台場ガンダム実物大 全身

Ova kopija najpoznatijeg robota iz Gandam univerzuma ima 18 metara i 50 reflektora i stajaće dva meseca na Odaibi, veštačkom ostrvu kod Tokija, počev od sredine jula.

[zakk]

UUUUUU! A da maknemo Pobednika i stavimo ovako nešto?

[Tex Murphy]

UUUUUU! A da maknemo Pobednika i stavimo ovako nešto?

Jel Pobjednik Konj?

[zakk]

Ne, "Konj" je knez Mihailo

Pobednik je kip na Kalemegdanskoj Beogradskoj tvrđavi (Kalemegdan je park).

[zakk]

Ustvari, gigantskog robota je možda zanimljivije staviti ovde, mesto karijatida:

[ridiculus]

Pobednik bi mogao da dobije ulogu u sledećem filmu o Godzili: "Godzila protiv Pobednika".

Dobro zvuči. 

[DušMan]

Jedino je problem što bi taj film već u naslovu odavao kraj - zna se ko je pobednik.

[Meho Krljic]

Nemamo topik "Ridiculuse reaguj!!!", ali ovo će ionako zanimati i DušMana:

Japan 2009: Tezuka World Installation, Kyoto JR Station

Ima milion fotografija i vrlo je lepo.

[ridiculus]

Lepo je to. Sviđa mi se ona figura princeze Safir u "prirodnoj" veličini. Pretpostavljam da bi Dušman najviše voleo statuu Moćnog atoma iliti Astro Boya.

Kada bih posetio Japan, dve zgrade koje bih sigurno obišao bi bile Tezukin muzej u Takarazuki i Giblijev muzej.

[ridiculus]

U novom broju časopisa Otaku USA (vrlo poučan komad papira, inače), intervju sa Hitoshijem Iwaakijem, koji vodi niko drugi do već pominjani Jason Thompson!    Ko je sad šonja! 

[ridiculus]

Tokyo Toy Show 2009 - CScoutJapan

[crippled_avenger]

Lucas Cruikshank and Jaime King are attached to star in the graphic novel adaptation "Emo Boy" for Vanguard Films says The Hollywood Reporter.

Stephen Emond's series revolved around the travails of the melodramatic title hero, a high schooler who believes he has "emo powers." Cruikshank will play Emo Boy, and King will play Mrs. Hutcherson, a teacher and "emo sympathizer."

Emond wrote the screenplay, and Kyle Newman ("Fanboys") is attached to direct. John H. Williams and Robert Moreland are producing.

[ridiculus]

Prevod intervjua sa Naokijem Urasawom originalno objavljenim u časopisu Quick Japan za decembar 2008, prvi deo:



Q: I'd like to start off by asking you about your new serial Billy Bat. Up to now you have always created manga with Shogakukan, so your new serial being for Kodansha had Yahoo! News top story impact. How did this come about?

Urasawa: Well, there really is nothing earth shattering behind it (laughs). In 2001 20th Century Boys won the Kodansha Manga Award. It's not often that manga are recognized with publisher awards regardless of the publisher. Around that time there was "Do your next serial with Kodansha" kind of talk, and I had regular meetings with a Morning editor.

Q： In "20th Century Boys" there are a lot of references to Showa era pro wrestling. When I heard the news that you'd do your first serial for Kodansha, it was like a battle for a top foreign wrestler between the old New Japan Pro Wrestling and All Japan Pro Wrestling (laughs). I got really exited wondering, "What's going on here!?"

Urasawa： (Laughs) Sorry, but there was nothing sensational about it at all.

Q： But the way you began Billy Bat with the "comic in a comic" American comic, and then in chapter three having the protagonist go to GHQ in Japan and meet Sadanori Shimoyama of the "Shimoyama incident", really hooks the reader, reels them in, and makes them wonder, "What's this leading up to...?

Urasawa: When I meet people they ask me, "Hey, what's going to happen next?" and say things like "I can't get such and such out of my head." That makes me happy. It's a response that is a continuous blessing for mangaka.
In any case, I want to make the reader excited. To accomplish that I'll even do 24 pages in full colour. Doing that is really tough, though (laughs).

Q：There's what you just said but, I get the feeling that when it comes to manga, you look at your work from a more objective point of view.

Urasawa： That's because I didn't originally set out to become a mangaka. When I was job hunting I had an interview with Shogakukan. I brought some of my work to show them at the interview, one thing lead to another, and I ended up becoming a mangaka. That's how my career began. I don't want to be poor (laughs) I have to put food on the table, but I also don't want to sell my soul. Because of that I have to balance it out as a profession somewhere, don't I? That goes for the first time I was published in a magazine, too, because while I'd be lying if I said I wasn't happy, I honestly didn't feel like, "My aspirations have been fulfilled!"
  When my comic was published right beside Tezuka Osamu sensei's "Hidamari no Ki" I thought that was awesome, though.
  This might sound a little snide, but for me it was simply that I was good at drawing. So, because manga is my job, up to now I have been doing it thinking, "How can I use my drawing skills as a tool?"

Q： Do you mean that from the start of your career you've looked at it from the standpoint of a "producer"?

Urasawa： That might be a close description. When it comes to graphics, I've had an abnormal sensitivity for it since I was a kid. For example when I was in elementary school and I watched the "Star of the Giants" cartoon, I somehow knew it was done by four or five teams. I'd worry about stuff like, "If I consider the rotation, next week's work will be by that team. Next week's going to have some good scenes, but can that team handle it?" I was an annoying kid (laughs).
  Other ones, too, like, "Samurai Giants" and "Heidi, Girl of the Alps" I knew at first glance were drawn by the same animator.
  Mr. Toshio Suzuki of Ghibli was pretty surprised when I told him the other day about how as a kid I used to wonder why the same people would animate for different companies' productions.
  Anyway, while I was studying credits like that, I was also unconsciously remembering master animator's names like Hayao Miyazaki, Isao Takahata, and Yasuo Otsuka.

Q: By the way, of cartoons based on a manga, what do you consider the cream of the crop?

Urasawa: Cartoons from manga... That's a tough one...
  I liked "Dokonjo Gaeru" - the characters and backdrops. Also "Lupin the 3rd". That explosion scene was revolutionary.

Q: The more I listen the more I have a feeling that there was never going to be a life other than drawing for a kid like that (laughs). Did you ever consider going to an art college to further your skills?

Urasawa： It never crossed my mind. I could draw without being taught (laughs). I wondered, "What would a bunch of artists together even talk about?" (laughs).
To make animation, or play in a band, you need other people. But drawing pictures can be done alone. That's why in university I entered the faculty of economics, a field that I knew I wouldn't study on my own.

Q： So, what profession was it that you wanted to get into?

Urasawa： Let's see... I went for an interview at Shogakukan, maybe I was thinking of a job as an editor at a publishing company. But, I think I probably would have been fine with doing sales or any other job.

Q: Even now can you still imagine yourself running around doing sales?

Urasawa： Yeah. It's still weird for me when I think about when and how I got to where I am now.

Q：One of the things I wanted to ask in this interview was, "What did Naoki Urasawa want to be?" It's well-known that you were in a band in university, but was becoming a musician a possible career choice for you?

Urasawa：One of my sempai in university was a member of [a band called] The Street Sliders, and just watching them made me think that I could never become a professional musician. There was nothing half way about the passion they had in their quest to the find a groove, and they had outstanding charisma.

Q：Unlike those from "Tokiwa-so", you never had a clear intention to really bring your drawing skills to life and say "I'm going to be a mangaka!", and you didn't become a mangaka for the money. I think your stance, as Urasawa the creator, toward manga as a career, and the medium of manga itself, is a very important topic.

Urasawa：I see what you mean. You're hitting on a good point because when I was a kid I never thought it was cool to say, "I wanna be a mangaka." I thought, "don't be childish" about becoming a musician, too... So, if you look at when it is that I became the person I am now, I haven't changed much since elementary school.

Q：Let me flip things around; do you mean that because you have that connection with who you are now from when you were a kid, that you don't feel any contradiction in your having become a mangaka?

Urasawa：Yes, I think that's right. I've never been someone who gets that worked up about things. That's why I'm not Kenji from 20th Century Boys. I wasn't a kid who got that fanatical. If I were someone like Kenji I couldn't have done 20th Century Boys. Because he can't analyze things objectively.

Q：So, was there a career you didn't want to do?

Urasawa：Hmmm. Well, I remember in elementary school writing something that was kind of a question to myself about whether hanging your head and getting on the same train every morning at the same time and coming and going is really the right thing to do... But there is something I've come to realize lately, which isn't the answer to the entire question but, the reason I didn't aim to be a mangaka or a musician I think is because the all the comics and music that I liked didn't sell (laughs). I thought that if I did something I liked, it wouldn't sell and I'd end up poor (laughs). If you think that way you usually end up holding back. I think that's one major reason.

Q: I see. Maybe that quality is the reason that your work stands out in the wake of the gradual creative stall following Katsuhiro Otomo and the manga new wave of the 70's and 80's that followed Otomo.

Urasawa: Well, it's not so much quality as it is a particular reason. Katsuhiro Otomo has made me enthusiastic too a few times in my life. The effect his art had made a big impact me.
This was around the time I was making my debut but, the [sense of] movement in Otomo's work at that time got me excited in a way I still can't explain. It wouldn't have been out of the question for even me to have gone to his work place in Kichijoji and asked to be accepted as an apprentice. But I didn't do that and it's like I've been watching from a distance the whole time.

Q：Why is that?

Urasawa：Hmm... While there was enthusiasm [for his work], at the same time a direction like that of Mr. Otomo's is ultimately a kind of Cul-de-sac. However, I think people who were really enthusiastic about Otomo's work probably reveled in falling into that. Fanaticism loves a dead-end street. When it comes to that kind of thing, for me it's like, "is there really happiness in that kind of 'isolated pleasure'?" so I guess I have a habit of keeping my distance.

Q: Is distancing from yourself from a vortex of enthusiasm like that a strategy to remain subjective?

Urasawa: No, probably a better word than subjective would be reflexive. A lot of people get the impression that I'm a strategist. That isn't the case at all. For me, it's not about just how to make a better manuscript based on what everyone else thinks is a "success", it's about if what I'm working on now is good work to me. If it is, then for me it is a success.

Q：Whatever you may say, I think it's true that the world sees Naoki Urasawa as the very "image of success".

Urasawa：You know, I think people may be misunderstanding that...
Things are brilliant while you can smile about them.

Q：What were your junior high school years like?

Urasawa： I was in the Track & Field club. All I did was run around everyday. Something I've come to realize recently is that the people who joined the baseball, soccer or basketball clubs joined because they wanted to play a "game", right? But Track & Field is all about trying to achieve "records" through training. So, recently I wondered, "Why did I spend so much time running back then?" I mean, it's just hard and wasn't any fun at all (laughs).

Q：So, why didn't you join the baseball or soccer club?

Urasawa： That's probably because I hated team games. I didn't like having to worry about other people. I'm an adult and doing fine with that now, though (laughs)

Q：Around junior high and high school, kids tend to get way too invested in things, don't they?

Urasawa： I really hate that kind of thing! On school trips and things, we have to make groups, right? I was invited by a group of the bad kids and that type of group always wants to goof around, right? I wasn't into that so I turned them down and hung out with the unpopular, homely kids (laughs).

Q: In your later teens, you didn't think that being on your own was lonely?

Urasawa： Nope, not a bit!

[DušMan]

Hvala ridiculusu.

Naleteo sam na ovaj spisak danas (u vesti povodom Levitzovg povlačenja), pa reko' da podelim:

Current DC properties in development and/or production at Warner Bros. Entertainment include:

– "Human Target" is being produced by Warner Bros. Television for a mid-season debut on Fox.

– "Midnight Mass" is in series development at Warner Bros. Television for consideration for the 2010-11 season.

– "Jonah Hex," Warner Bros. Pictures' supernatural Western starring Josh Brolin, Megan Fox and John Malkovich, recently wrapped production in Louisiana.

– "The Losers," Dark Castle/Warner Bros. Pictures' action-adventure drama starring Jeffrey Dean Morgan, Zoe Saldana and Chris Evans, began principal photography mid-July in Puerto Rico.

– "The Green Lantern," Warner Bros. Pictures' next big superhero tentpole release, recently cast Ryan Reynolds as the titular character. The film has a projected second quarter 2011 release date.

– "Lobo," based on the DC Comics anti-hero, has Guy Ritchie attached as a director; Joel Silver, Akiva Goldsman and Andrew Rona are producing for Silver Pictures and Warner Bros. Pictures.

– Warner Premiere's direct-to-platform DVD animated release of "Green Lantern: First Flight" debuted July 28.

– Warner Bros. Animation currently produces "Batman: The Brave and the Bold," which airs on Cartoon Network.

– Warner Bros. Interactive Entertainment released "Batman: Arkham Asylum" on August 25, a dark, action packed videogame adventure for Xbox 360 videogame and entertainment system, PlayStation3 computer entertainment system and Games for Windows.


Verovatno svi vec znaju za sve ovo, ali ja barem za dve stvari sa spiska nisam znao do sad.

[crippled_avenger]

Spasen život maloletnika
MUP i Interpol sprečili da dva deteta izvrše samoubistva
Autor: Tanjug | 09.10.2009. - 15:58

Ministarstvo unutrašnjih poslova Srbije saopštilo je danas da je, u saradnji sa Interpolom, sprečilo da dva maloletna deteta istovremeno izvrše samoubistvo dogovoreno preko Interneta.

"U okviru međunarodne policijske saradnje, kanalima Interpola srpska policija je došla do saznanja da se priprema istovremeno samoubistvo dva maloletna deteta, od kojih je jedno državljanin Srbije", navodi MUP.
"Maloletnici su članovi organizacije EMO, koja je prema dostupnim informacijama definisana kao neformalna grupa ljudi koja komunicira preko Interneta", navodi se u saopštenju.
Dodaje se da pripadnici te organizacije "oblače isključivo crnu ili belu garderobu i da se zalažu za seksualnu apstinenciju i virtuelno vođenje ljubavi".
"Maloletnik, strani državljanin pokušao je samoubistvo trovanjem, a prilikom spasavanja priznao je da se sprema još jedno samoubistvo na teritoriji Srbije", dodaje se u saopštenju.
Brzom intervencijom pripadnika srpske policije, koji su stigli na lice mesta pred samo izvršenje, spasen je život maloletne osobe, ističe MUP.

Inače, pripadnici takozvane "emo" subkulture, nastale uz istoimeni muzički pravac, uglavnom su tinejdžeri koji kroz pubertet prolaze uz izraženu depresiju, sklonost ka samopovređivanju i izrazitu introvertnost.

[Le Samourai]

Dushmane, jesi dobro?

[Alexdelarge]

http://www.e-novine.com/fotogalerija/fotogalerija-entertainment/30818-Japanski-haiku-pozdrav.html

[akhnaton]

Kakva lepa cura. Domo arigato sensei alexdelarge.

[Alexdelarge]

Teri Pračet
DUŠMANI

Novi nastavak Disksveta

U prodaji od: oktobra 2009.
Laguna

[DušMan]

Dushmane, jesi dobro?

Oporavio sam se od sprečacanja samoubistva gledanjem slike ove prelepe mlade žene iz Japana.
Inače, prosto mi je neverovatno kad vidim koliko ljudi ovde misle na mene zadnjih par dana... Još ću pomisliti da ipak imam prijatelje!

I niko nije hteo da na ovom topicu postavi vest o trijumfu Lollobrigide nad Darkwood Dubom? Pih!

[Le Samourai]

Skoro svaki bend u ovoj galaksiji je trijumfovao nad Darkvud Dabom u trenutku kad su spojili dve note.

[ridiculus]

Primetio sam da je topik "Mehmete, reaguj" na delu o umetnosti i kulturi, a ovaj topik je na "Razonodi, zabavi i dokolici". Šta nam to govori? Govori nam da sam ga ja slučajno stavio na pravo mesto! 

Pošto znam da je Dušman veliki fan Sveske smrti (Death Note), evo nečeg zanimljivog:

In early 2006, a Japanese blog published an article (the entry was taken down, but a Chinese version can be found here) about a 24-page one-shot called The Miraculous Notebook (不思議な手帖) by Shigeru Mizuki, which was published in the magazine Comic Mystery in 1973. The story of the one-shot revolves around a magical notebook: when a person's name is written on that notebook, the said person dies. Sounds familiar? Below is a summary (with some pictures) of the one-shot:

45-year old Yamada is an ordinary person. His co-workers always make fun of him, only Old Miss treats him differently.

One day, one of Yamada's co-workers sees him donating 1,000 yen to a shrine. After Old Miss hears about the story, she goes to drink with Yamada and asks him about shrine.

Yamada tells Old Miss the while passing by the shrine one day after drinking, he found a notebook lying beside a dead person. Many names were written in the notebook, the last of which belonged to the dead person (the guy's death was reported on TV a day later). Yamada says he realized the potential of the notebook after testing it on a dog (the potential being, whoever's name is written on the notebook dies).

Yamada tells Old Miss that after that incident, he didn't have to worry about being poor, so he always donated money to the shrine. After hearing the story, Old Miss borrows the notebook from Yamada.

Soon afterwards, Yamada's co-workers begin to die one after another. Yamada realizes what's going on, and how dangerous the notebook is when it falls into the wrong hands.

Itd. Ostatak na odličnom sajtu ComiPress, nažalost ne više preterano aktivnom.

[zakk]

Evo, ako ovo nije za reakciju, ja ne znam šta je. Uživajte dok probijaju zvučni zid

Sora no Otoshimono episode 2 ED theme - Misaki Meguri

[DušMan]

Pošto znam da je Dušman veliki fan Sveske smrti (Death Note), evo nečeg zanimljivog.

Dodjavola, na dan kad si napisao ovu poruku, ja sam kupio sebi Death Note magnete za frižider!!! Znaš me u dušu!

Inače, imam gomilu slika sa cosplaya u Frankfurtu. Da li da ih kačim ovde, ili da pokrećem novi topic na manga podforumu?

[zakk]

Novi!

[Milosh]

Kad će te slike!?!

[DušMan]

Biće, kad prodje Sajam.
Hteo sam u ponedeljnik da okačim, ali sam (zahvaljujući Kriplu) veče proveo tako što sam potpuno se nepoznatoj devojci obraćao kao da mi je dobar ortak, izmišljao joj priču o seksualnom odnosu u wc-u nekog kluba, ispričao joj vic o Šabanu Šauliću i Bajramoviću s namerom da je njime smuvam (?) i sve to začinio izvođenjem hita Ace Lukasa. I sve to pred kamerom, kao da mi onaj blam sa Marijom Karan od pre mesec dana nije bio dovoljan.

Sve mi deluje kao da je neko iskoristio moju naivnost i dobrotu i grubo se našalio na moj račun...

[Milosh]

Hm, pokušaj sad u subotu da nekako nadmašiš sebe kad je reč o tim tvojim dogodovštinama, dosta smo slušali priče, red je da konačno tome i posvedočimo!

[DušMan]

Biće teško, naročito kad uzmemo u obzir da je nedelja radni dan.

[Milosh]

Dušmane, uzmi da čitaš časopis Dilema, novine po tvojoj meri!

[ridiculus]

Kao što obećah Dušmanu, moj kandidat za najbolji superherojski kostim:

[zakk]

A ima li fotki sa nekog cosplaya?

[kresha]

Marčelo & Kal - Krasnokalipsa (clean version)

[DušMan]

Kad će te slike!?!

Evo, evo: http://www.znaksagite.com/diskusije/index.php?topic=8347.0

[DušMan]

Kao što obećah Dušmanu, moj kandidat za najbolji superherojski kostim:

Da li ova sličica pri dnu znači da postoji i igrani film? Gde ga je moguće downloadovati?

[DušMan]

Marčelo & Kal - Krasnokalipsa (clean version)

Simpatično.
Romi, reperi i zombiji.

[Meho Krljic]

Nego, vidim na naslovnoj strano nove Lepote & Zdravlja kako Slavica Ćukteraš objašnjava "Kako sam raskinula sa marčelom" ili tako nešto. Jel' to naš Marčelo i kad je on treso Slavicu Ć?

[Ghoul]

'muzika' je neslušljivo užasna, spot ne izgleda loše - svakako je bolja slika nego u ZONI OF TEH DEAD - a onaj 1. zombi, u studiju, je izrazito loš, sve vreme zvera u stranu, tj. u kameru i off kamere...

[DušMan]

Nego, vidim na naslovnoj strano nove Lepote & Zdravlja kako Slavica Ćukteraš objašnjava "Kako sam raskinula sa marčelom" ili tako nešto. Jel' to naš Marčelo i kad je on treso Slavicu Ć?

Nije to on, mada se radovao naslovu od pre pola godine, gde ista na naslovnoj strani nečega kaže: "Marčelo i ja se rasturamo od seksa!".

[DušMan]

'muzika' je neslušljivo užasna, spot ne izgleda loše - svakako je bolja slika nego u ZONI OF TEH DEAD - a onaj 1. zombi, u studiju, je izrazito loš, sve vreme zvera u stranu, tj. u kameru i off kamere...

Slažem se za prvog zombija. Iskreno, mislim da je to najlošija zombi gluma koju sam ikada video. Ozbiljno.

[Le Samourai]

Ne znam za prvog zombija, ali mi nije jasno zashto nisu makar malo nashminkali i DushMana?

[Ghoul]

Nego, vidim na naslovnoj strano nove Lepote & Zdravlja kako Slavica Ćukteraš objašnjava "Kako sam raskinula sa marčelom" ili tako nešto. Jel' to naš Marčelo i kad je on treso Slavicu Ć?

Nije to on, mada se radovao naslovu od pre pola godine, gde ista na naslovnoj strani nečega kaže: "Marčelo i ja se rasturamo od seksa!".

da, to je kao kad ja naiđem u novinama na ovakav naslov:

[Meho Krljic]

Bah... Doduše, mene ima na onom omotu ploče.

[Milosh]

http://www.popboks.com/vest.php?ID=11752

[DušMan]

Super! Koncert je trebao da bude 10.12. ali vidim da su ga pomerili... što mi i odgovara.

[Milosh]

Decembar je tvoj mesec! Prvo Vrooom, pa Lollobrigida, imaćeš pune ruke posla kad je reč o stalkovanju pevačica...